The Old Kingdom in Egypt
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PYRAMIDS and ZIGGURATS AS the ARCHITECTONIC REPRESENTATIONS of the ARCHETYPE of the COSMIC MOUNTAIN. Part I
I Andrzej WIERCINSKI, Warszawa PYRAMIDS AND ZIGGURATS AS THE ARCHITECTONIC REPRESENTATIONS OF THE ARCHETYPE OF THE COSMIC MOUNTAIN. Part I "Is there a man of you who by anxious thought can add a cubit to the age of his life? "(The Gospel of St. Matthew, 6, 27, according to Greek text) 1. Explanation of the problem The astrobiological religion played the role of a main ideological system which regulated societies of the formative-theocratic phase of cultural development of mankind which was distinguished by the rise of cultic centers of the monumental architecture. The latter ones were the cores of early urbanisation process. This religion has precised a model of the world with well defined position of man within it, and the sense of his activities. Its essence consisted of a dynamical and informational principle of transformation of an Absolute One into pairs of polarised opposites which, in turn, create an universal frame of reference of Cardinal Points organizing the time-spatial order of rhythmically repeating and mutually synchron ised cosmic, biological and socio-cultural processes and, at last, the psychic processes of the human individual. All these was vivified, personificated and deified ( for the main assumtions of the model see: A. Wiercinski, 19761 ). The astrobiological model of the world and man was statically patterned in mutually equivalent, due to a symbolical analogisation, archetypical (in Jungian sense) and iconic-numerical representations. Among them, the main position has been occupied by: the Cosmic Mountain, the Cosmic Tree � Cosmic Ladder � Cosmic Pillar, the Mandala, the Cosmic Man� man as Microcosmos and, © Del documento, los autores. -
An Evaluation of Two Recent Theories Concerning the Narmer Palette1
Eras Edition 8, November 2006 – http://www.arts.monash.edu.au/eras An Evaluation of Two Recent Theories Concerning the Narmer Palette1 Benjamin P. Suelzle (Monash University) Abstract: The Narmer Palette is one of the most significant and controversial of the decorated artefacts that have been recovered from the Egyptian Protodynastic period. This article evaluates the arguments of Alan R. Schulman and Jan Assmann, when these arguments dwell on the possible historicity of the palette’s decorative features. These two arguments shall be placed in a theoretical continuum. This continuum ranges from an almost total acceptance of the historical reality of the scenes depicted upon the Narmer Palette to an almost total rejection of an historical event or events that took place at the end of the Naqada IIIC1 period (3100-3000 BCE) and which could have formed the basis for the creation of the same scenes. I have adopted this methodological approach in order to establish whether the arguments of Assmann and Schulman have any theoretical similarities that can be used to locate more accurately the palette in its appropriate historical and ideological context. Five other decorated stone artefacts from the Protodynastic period will also be examined in order to provide historical comparisons between iconography from slightly earlier periods of Egyptian history and the scenes of royal violence found upon the Narmer Palette. Introduction and Methodology Artefacts of iconographical importance rarely survive intact into the present day. The Narmer Palette offers an illuminating opportunity to understand some of the ideological themes present during the political unification of Egypt at the end of the fourth millennium BCE. -
13. Palette of King Narmer Predynatic Egypt. C. 3000 – 2920 B. C. E
13. Palette of King Narmer Predynatic Egypt. C. 3000 – 2920 B. C. E. Greywacke (2 images) Video at YouTube Article at Khan Academy Discovered (1898) among a group of sacred implements ritually buried in a deposit within an early temple of the falcon god Horus at the site of Hierakonpolis (the capital of Egypt during the pre-dynastic period), this large ceremonial object is one of the most important artifacts from the dawn of Egyptian civilization o Temple caches of this type are not uncommon. There was a great deal of focus on ritual and votive objects (offerings to the God) in temples. Every ruler, elite individual, and anyone else who could afford it, donated items to the temple to show their piety and increase their connection to the deity. After a period of time, the temple would be full of these objects and space would need to be cleared for new votive donations. However, since they had been dedicated to a temple and sanctified, the old items that needed to be cleared out could not simply be thrown away or sold. Instead, the general practice was to bury them in a pit under the temple floor o The "Main Deposit" at Hierakonpolis, where the Narmer Palette was discovered, contained many hundreds of objects, including a number of large relief-covered ceremonial mace-heads, ivory statuettes, carved knife handles, figurines of scorpions and other animals, stone vessels, and a second elaborately decorated palette 63.5 cm (more than 2 feet) in height and made of smooth greyish-green siltstone, is decorated on both faces with detailed low relief. -
Temples and Tombs Treasures of Egyptian Art from the British Museum
Temples and Tombs Treasures of Egyptian Art from The British Museum Resource for Educators this is max size of image at 200 dpi; the sil is low res and for the comp only. if approved, needs to be redone carefully American Federation of Arts Temples and Tombs Treasures of Egyptian Art from The British Museum Resource for Educators American Federation of Arts © 2006 American Federation of Arts Temples and Tombs: Treasures of Egyptian Art from the British Museum is organized by the American Federation of Arts and The British Museum. All materials included in this resource may be reproduced for educational American Federation of Arts purposes. 212.988.7700 800.232.0270 The AFA is a nonprofit institution that organizes art exhibitions for presen- www.afaweb.org tation in museums around the world, publishes exhibition catalogues, and interim address: develops education programs. 122 East 42nd Street, Suite 1514 New York, NY 10168 after April 1, 2007: 305 East 47th Street New York, NY 10017 Please direct questions about this resource to: Suzanne Elder Burke Director of Education American Federation of Arts 212.988.7700 x26 [email protected] Exhibition Itinerary to Date Oklahoma City Museum of Art Oklahoma City, Oklahoma September 7–November 26, 2006 The Cummer Museum of Art and Gardens Jacksonville, Florida December 22, 2006–March 18, 2007 North Carolina Museum of Art Raleigh, North Carolina April 15–July 8, 2007 Albuquerque Museum of Art and History Albuquerque, New Mexico November 16, 2007–February 10, 2008 Fresno Metropolitan Museum of Art, History and Science Fresno, California March 7–June 1, 2008 Design/Production: Susan E. -
Pharaoh Khufu: the Pyramid Builder Narmer (C
Narmer: The First King Pharaoh Khufu: the Pyramid Builder Narmer (c. 3150BCE) is the legendary first king of Egypt who is thought to have united Upper and Lower Egypt through conquest and founded both the The Pharaoh Khufu ruled from about 2551 to 2528 B.C., during the First Dynasty and the great city of Memphis. In the early days of Egyptology, Old Kingdom period. Today he is best known as the builder of a Narmer was accepted as the first historical king based upon the written famous pyramid. records. As time went by, however, and archaeological excavations failed to turn up any evidence of such a king, scholars began to question whether he Not that much is known about what Khufu was like. Some stories had actually existed or was, perhaps, a figure drawn from the blended describe him as a cruel, harsh ruler. Others say he was powerful but memory of the reigns of other kings. kind. Prior to Narmer, there was conflict between the city states of Upper and We do know that Khufu helped establish the pharaoh as a central Lower Egypt resulting in chaos. Legend says there came the great king who authority. For example, he kept strict control over Egypt’s food brought order and prosperity. It was understood that chaos could come again, supply. This involved overseeing the harvest and storing extra grain. however, and so the king needed to be vigilant and a mighty warrior who He controlled a large network of government officials who carried out could subdue the forces of chaos when the need arose. -
G:\Lists Periodicals\Periodical Lists B\BIFAO.Wpd
Bulletin de l’Institut Français d’Archéologie Orientale Past and present members of the staff of the Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Statues, Stelae, Reliefs and Paintings, especially R. L. B. Moss and E. W. Burney, have taken part in the analysis of this periodical and the preparation of this list at the Griffith Institute, University of Oxford This pdf version (situation on 14 July 2010): Jaromir Malek (Editor), Diana Magee, Elizabeth Fleming and Alison Hobby (Assistants to the Editor) Clédat in BIFAO i (1901), 21-3 fig. 1 Meir. B.2. Ukh-hotep. iv.250(8)-(9) Top register, Beja herdsman. Clédat in BIFAO i (1901), 21-3 fig. 2 Meir. B.2. Ukh-hotep. iv.250(4)-(5) Lower part, Beja herdsman. Clédat in BIFAO i (1901), 21-3 fig. 3 Meir. B.2. Ukh-hotep. iv.250(8)-(9) III, Beja holding on to boat. Salmon in BIFAO i (1901), pl. opp. 72 El-Faiyûm. iv.96 Plan. Clédat in BIFAO i (1901), 88-9 Meir. Miscellaneous. Statues. iv.257 Fragment of statue of Ukh-hotep. Clédat in BIFAO i (1901), 89 [4] El-Qûs.îya. (Cusae) iv.258A Block of Djehutardais, probably Dyn. XXX. Clédat in BIFAO i (1901), 90 [top] Text El-Qûs.îya. Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Statues, Stelae, Reliefs and Paintings Griffith Institute, Sackler Library, 1 St John Street, Oxford OX1 2LG, United Kingdom [email protected] 2 iv.258 Fragment of lintel. Clédat in BIFAO i (1901), 92-3 Cartouches and texts Gebel Abû Fôda. -
Was the Function of the Earliest Writing in Egypt Utilitarian Or Ceremonial? Does the Surviving Evidence Reflect the Reality?”
“Was the function of the earliest writing in Egypt utilitarian or ceremonial? Does the surviving evidence reflect the reality?” Article written by Marsia Sfakianou Chronology of Predynastic period, Thinite period and Old Kingdom..........................2 How writing began.........................................................................................................4 Scopes of early Egyptian writing...................................................................................6 Ceremonial or utilitarian? ..............................................................................................7 The surviving evidence of early Egyptian writing.........................................................9 Bibliography/ references..............................................................................................23 Links ............................................................................................................................23 Album of web illustrations...........................................................................................24 1 Map of Egypt. Late Predynastic Period-Early Dynastic (Grimal, 1994) Chronology of Predynastic period, Thinite period and Old Kingdom (from the appendix of Grimal’s book, 1994, p 389) 4500-3150 BC Predynastic period. 4500-4000 BC Badarian period 4000-3500 BC Naqada I (Amratian) 3500-3300 BC Naqada II (Gerzean A) 3300-3150 BC Naqada III (Gerzean B) 3150-2700 BC Thinite period 3150-2925 BC Dynasty 1 3150-2925 BC Narmer, Menes 3125-3100 BC Aha 3100-3055 BC -
Death in the City of Light
DEATH IN THE CITY OF LIGHT The Conception of the Netherworld during the Amarna Period Master Thesis Classics and Ancient Civilizations Faculty of Humanities, Leiden University Name: Aikaterini Sofianou Email: [email protected] Student Number: s2573903 Supervisor: Prof. Olaf Kaper Second Reader: Dr. Miriam Müller Date: 14/08/2020 Table of contents Introduction .................................................................................................................. 3 Chapter 1: Historical Context..................................................................................... 6 1.1 Chronology of the Amarna Period. ...................................................................... 6 1.2 Amenhotep IV: The Innovative Early Years of His Reign. ................................. 7 1.3 Akhenaten: The Radical Changes After the Fifth Year of His Reign and the End of the Amarna Period. .............................................................................................. 10 Chapter 2: Religion and Funerary Ideology ........................................................... 14 2.1 Traditional Religion and the Afterlife................................................................ 14 2.2 Atenism: Its Roots and Development. ............................................................... 17 Chapter 3: Tombs and Non-elite Burials of the Amarna Period .......................... 22 3.1 Tombs: Their Significance and Characteristics. ................................................ 22 3.2 The Royal Tomb of Amarna ............................................................................. -
House of Eternity: Tomb of Nefertari
- - - OUSE OF ETERNITY The Tomb of Nefertari John K. McDonald The Getty Conservation Institute and the J. Paul Getty Museum Los Angeles Cover/title page: Detail a/Queen Nefertari 0/'1 the north wall of Chamber G. All photographs are by Guillermo Aldana unless credited otherwise. The Getty Conservation Institute works internationally to further the appreciation and preservation of the world's cultural heritage for the enrichment and use of present and future generations. This is the first volume in the Conservation and Cultural Heritage series, which aims to provide in a popular format information about selected culturally significant sites throughout the world. © 1996 The J. Paul Getty Trust All rights reserved Printed in Singapore Library of Congress Cataloging-in-Publication Data McDonald. John K. House of eternity: the tomb of Nefertari I John K. McDonald. p. cm. ISBN 0-89236-415-7 1. Nefertari. Queen. consort of Rameses II. King of Egypt-Tomb. 2. Mural painting and decoration. Egyptian. 3. Tombs-Egypt. 4. Valley of the Queens (Egypt) I. Title. DT73· v34M35 1996 932-dc20 96-24123 C1P Contents Foreword 5 Introduction Dynasties of Ancient Egypt II Nefertari: Radiant Queen A Letter from Nefertari The Queen's Titles and Epithets 19 The Valley of the Queens Ernesto Schiaparelli 25 Conveyance to Eternal Life: The Royal Tombs of Egypt Tomb Paints and Materials 33 The Tomb Builders' Village 37 After Nefertari's Burial 41 Resurrection and Recurrent Risks 47 The King of the Dead and His Divine Family Divine Guidance 55 Among the Immortals: A Walk through the "House of Eternity" The Texts in the Tomb III Conclusion 116 Acknowledgments II HOUSE OF ETER ITY an honored and < > beloved queen, still in the prime of earthly existence, set off upon a voyage to the netherworld, in quest of eternal life. -
L'art De L'ancien Empire Égyptien
conferences et colloques L'art de l'Ancien Empire égyptien La documentation Française © La Documentation fran~aise, Paris, 1999 © Musee du Louvre, Paris, 1999 ISBN: 2-11-004264-8 conferences et colloques L'art de l'Ancien Empire egyptien Aetes du colloque organise au musee du Louvre par Ie Service culturel les 3 et 4 avril 1998 Etablis par Christiane Ziegler, conservateur general chargee du departement des Antiquites egyptiennes, avec la collaboration de Nadine Palayret La documentation Franc;:aise Direction de Ia collection Jean GALARD, Service culturel du musee du Louvre Direction de l'ouvrage Christiane ZIEGLER, departement des Antiquites egyptiennes, musee du Louvre, avec la collaboration de Nadine Palayret, chargee de mission, departement des Antiquites egyptiennes Coordination Violaine BoUVET-LANSELLE, Service culturel du musee du Louvre Realisation Fabrice DouAR, Service culturel du musee du Louvre Mise en page et relecture Lucien CHAMBADAL Index Annie DESVACHEZ Maquette Service graphique de la Documentation franr;aise Couverlure Frederic BALOURDET, musee du Louvre 4 Sommaire Avant-propos, par Pierre RosENBERG .......•... 7 Preface, par Christiane ZIEGLER ...........•.. 9 L'art royal Michel VALLOGGIA Les choix architecturaux de la pyramide de Radjedef a Abu Rawash 13 Michel BAUD La statuaire de Redjedef 35 Miroslav VERNER Quelques remarques sur Ie contexte archeologique de la decouverte des statues du roi Raneferef 63 L'art prive ZahiHAwASS "The Pyramid Builders": A Group ofUnique Statues Discovered at Giza IV. The Statue ofan Overseer ofthe Craftsmen and his WIfe 79 Biri FAY Royal Women as Represented in Sculpture During the Old Kingdom 99 5 Hourig SOUROUZIAN La statue du musicien Ipi jouant de la flute et autres monuments du regne de Snofrou a Dahchour 149 Rainer STADELMANN Representations de la famille royale dans l'Ancien Empire 169 Iconographie et datation Gunter DREYER Motive und Datierung der dekorierten pradynastischen Messergriffe .................................. -
A New Approach to the Interpretation As to the Function of the Elevated Beds Discovered at Deir El-Medina
A NEW APPROACH OF IDENTIFING THE FUNCTION OF THE ELEVATED BEDS AT DEIR EL-MEDINA by MICHELLE LESLEY BROOKER A thesis submitted to The University of Birmingham for the Degree of MASTER OF PHILOSOPHY (B) Institute of Archaeology and Antiquity The University of Birmingham 11/06/09 June 2009 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This research consists of a different approach to the investigation of the elevated beds at Deir el-Medina. It identifies the underlining factors considered during their construction, where they were positioned, how they were orientated and what the surviving iconographies suggested about their original usage. It concludes with identifying the front rooms at Deir el-Medina as gardens. The frontal room is where the elevated beds were positioned and therefore link to the gardens symbolic meaning of resurrection and the afterlife. The elevated beds were orientated to symbolize the deceases’ connection with Re and Osiris. It also signifies a change after the Amarna period with an influx in Osiris worship. The iconographies surviving upon the elevated beds convey the deceased being reborn within the field of reeds signifying that the elevated beds were possibly used for altar purposes. -
Press Release Sahure
PRESS RELEASE Belgian Archaeological Mission to Elkab discovers important fragment of unique Old Kingdom royal statue Since 2009, the Belgian Archaeological Mission to Elkab, directed by Dr. Dirk Huyge of the Royal Museums of Art and History in Brussels, has focused its research on the settlement area of Elkab. Excavation campaigns in 2009, 2010 and 2012 have revealed the presence of a vast habitation area, situated within the Late Period Great Walls, immediately north and west of the temple zone. The oldest occupation phase dates back to the prehistoric Badarian culture (ca. 4200 BC); the most recent one concerns the early Old Kingdom (ca. 2700-2500 BC). The finds at Elkab demonstrate a continuous occupation of the site during almost two millennia. They bear witness to the on-the-spot gradual transition from a prehistoric (Neolithic/Predynastic) village lifestyle to a fully-developed Old Kingdom urban society. The latest test trenches executed at the site in February-March 2015 have allowed the mission to better document both the important 2 nd Dynasty habitation layers, including substantial rectangular buildings with large walls and stone foundations, as well as the late Predynastic (Naqada III period) occupation. The most exceptional find of the 2015 campaign, however, was that of a fragment (base and lower part of legs) of an Old Kingdom royal statue. The preserved height is 21.7 cm. The inscriptions on the fragment have been independently verified and read by Egyptologists Prof. John Coleman Darnell (Yale University, New Haven, US) and Dr. Luc Delvaux (Royal Museums of Art and History, Brussels, Belgium).