An Inventory List from “Covington's Tomb” and Nomenclature For
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Copyright - for the Thelemites
COPYRIGHT - FOR THE THELEMITES Downloaded from https://www.forthethelemites.website You may quote from this PDF file in printed and digital publications as long as you state the source. Copyright © Perdurabo ST, 2017 E.V. FOR THE COPYRIGHTTHELEMITES - FOR THE THELEMITES ROSE AND ALEISTER CROWLEY’S STAY IN EGYPT IN 1904 A STUDY OF THE CAIRO WORKING AND WHAT IT LED TO BY PERDURABO ST ã FRATER PERDURABO, to whom this revelation was made with so many signs and wonders, was himself unconvinced. He struggled against it for years. Not until the completion of His own initiation at the end of 1909 did He understand how perfectly He was bound to carry out this work. (Indeed, it was not until his word became conterminous with Himself and His Universe that all alien ideas lost their meaning for him). Again and again He turned away from it, took it up for a few days or hours, then laid it aside. He even attempted to destroy its value, to nullify the result. Again and again the unsleeping might of the Watchers drove Him back to the work; and it was at the very moment when He thought Himself to have escaped that He found Himself fixed for ever with no possibility of again turning aside for the fraction of a second from the path. The history of this must one day be told by a more vivid voice. Properly considered, it is a history of continuous miracle. THE EQUINOX OF THE GODS, 1936 E.V. For the Thelemites CHAPTER 6 Ì[Htp (hetep), altar] • The replica As regards the replica, which Crowley later published as a photographical colour reproduction in both TSK1912 and EG873, who was the artist? As seen above, Crowley writes in Confessions that it was a replica madeCOPYRIGHT by one of the artists attached - FOR to the THE museu m.THELEMITES.874 In fact there was an artist on the permanent staff of the museum as stated in various records. -
Cambridge Archaeological Journal 15:2, 2005
Location of the Old Kingdom Pyramids in Egypt Miroslav Bârta The principal factors influencing the location of the Old Kingdom pyramids in Egypt are reconsidered. The decisive factors influencing their distribution over an area of c. eighty kilometres were essentially of economic, géomorphologie, socio-political and unavoidably also of religious nature. Primary importance is to be attributed to the existence of the Old Kingdom capital of Egypt, Memphis, which was a central place with regard to the Old Kingdom pyramid fields. Its economic potential and primacy in the largely redistribution- driven state economy sustained construction of the vast majority of the pyramid complexes in its vicinity. The location of the remaining number of the Old Kingdom pyramids, including many of the largest ever built, is explained using primarily archaeological evidence. It is claimed that the major factors influencing their location lie in the sphere of general trends governing ancient Egyptian society of the period. For millennia, megaliths and monumental arts were pyramids see Edwards 1993; Fakhry 1961; Hawass commissioned by the local chieftains and later by the 2003; Lehner 1997; Stadelmann 1985; 1990; Vallogia kings of Egypt. The ideological reasons connected 2001; Verner 2002; Dodson 2003). The reasons that may with the construction and symbolism of the pyra be put forward to explain their location and arrange mids were manifold, and in most cases obvious: the ment are numerous but may be divided into two basic manifestation of power, status and supremacy over groups: practical and religious. It will be argued that the territory and population, the connection with the whereas the general pattern in the distribution of the sacred world and the unlimited authority of the rulers pyramid sites may be due mainly to practical reasons, (O'Connor & Silverman 1995). -
Freud and Egypt: Between Oedipus and the Sphinx
Freud and Egypt: Between Oedipus and the Sphinx Abstracts Simon Goldhill (University of Cambridge) Digging the Dirt: Freud's archaeology and the lure of Egypt Freud's obsession with archaeology is well-known. How should we understand this foundational metaphor for the psychoanalytical process through the contrasting cases of Greece -- ever the origin and base of Western culture for 19th-century thinking -- and Egypt -- repeatedly troped as mysterious, ancient and other? Daniel Orrells (Kings College London) Freud and Leonardo in Egypt The nineteenth-century fascination with ancient Greece provided a language to explore the complexities of modern sexual identity seemingly in all its varied forms. Freud's turn to Oedipus was part of this cultural moment. Homeric epic, Greek lyric poetry, Plato's dialogues and the body beautiful of Greek sculpture all offered different vocabularies for talking about same-sex desire. But when Freud sought to understand Leonardo's homosexuality, he turned away from Greece to an Egyptian mother goddess. This talk explores what was at stake in Freud finding Leonardo in ancient Egypt. Phiroze Vasunia (UCL) Egyptomania before Freud The fascination with ancient Egypt extends from the Bible and the Greeks and Romans into the modern period. What are the main features of this Egyptomania and how do they contribute to Freud’s interest in Egypt? We look at a few significant moments in the history of Egyptomania and discuss their significance for Freud and his thought. Claus Jurman (University of Birmingham) Freud’s Egypt – Freud’s Egyptology: A look at early 20th century Egyptology in Vienna and beyond This presentation will provide an overview of the development of Egyptology in Vienna during the first decades of the 20th century and introduce some its key figures such as Hermann Junker of the University of Vienna and Hans Demel of the Kunsthistorische Museum. -
Was the Function of the Earliest Writing in Egypt Utilitarian Or Ceremonial? Does the Surviving Evidence Reflect the Reality?”
“Was the function of the earliest writing in Egypt utilitarian or ceremonial? Does the surviving evidence reflect the reality?” Article written by Marsia Sfakianou Chronology of Predynastic period, Thinite period and Old Kingdom..........................2 How writing began.........................................................................................................4 Scopes of early Egyptian writing...................................................................................6 Ceremonial or utilitarian? ..............................................................................................7 The surviving evidence of early Egyptian writing.........................................................9 Bibliography/ references..............................................................................................23 Links ............................................................................................................................23 Album of web illustrations...........................................................................................24 1 Map of Egypt. Late Predynastic Period-Early Dynastic (Grimal, 1994) Chronology of Predynastic period, Thinite period and Old Kingdom (from the appendix of Grimal’s book, 1994, p 389) 4500-3150 BC Predynastic period. 4500-4000 BC Badarian period 4000-3500 BC Naqada I (Amratian) 3500-3300 BC Naqada II (Gerzean A) 3300-3150 BC Naqada III (Gerzean B) 3150-2700 BC Thinite period 3150-2925 BC Dynasty 1 3150-2925 BC Narmer, Menes 3125-3100 BC Aha 3100-3055 BC -
Brovarski, Edward. “An Inventory List from “Covington's Tomb” And
001-a Contents vol. 1 Page iii Thursday, July 22, 2004 1:55 PM tudies in onor of illiam elly impson Volume 1 Peter Der Manuelian Editor Rita E. Freed Project Supervisor Department of Ancient Egyptian, Nubian, and Near Eastern Art Museum of Fine Arts, Boston 1996 001-a Contents vol. 1 Page iv Thursday, July 22, 2004 1:55 PM Front jacket illustration: The Ptolemaic Pylon at the Temple of Karnak, Thebes, looking north. Watercolor over graphite by Charles Gleyre (1806–1874). Lent by the Trustees of the Lowell Institute. MFA 161.49. Photograph courtesy Museum of Fine Arts, Boston Back jacket illustration: Palm trees at the Temple of Karnak, Thebes. Watercolor over graphite by Charles Gleyre. Lent by the Trustees of the Lowell Institute. MFA 157.49. Photograph courtesy Museum of Fine Arts, Boston Endpapers: View of the Giza Pyramids, looking west. Graphite drawing by Charles Gleyre. Lent by the Trustees of the Lowell Institute. MFA 79.49. Photograph courtesy Museum of Fine Arts, Boston Frontispiece: William Kelly Simpson at the Museum of Fine Arts, Boston, 1985 Title page illustration: A document presenter from the Old Kingdom Giza mastaba chapel of Merib (g 2100–1), north entrance thickness (Ägyptisches Museum Berlin, Inv. Nr. 1107); drawing by Peter Der Manuelian Typeset in Adobe Trump Mediaeval and Syntax. Title display type set in Centaur Egyptological diacritics designed by Nigel Strudwick Hieroglyphic fonts designed by Cleo Huggins with additional signs by Peter Der Manuelian Jacket design by Lauren Thomas and Peter Der Manuelian Edited, typeset, designed and produced by Peter Der Manuelian Copyright © Museum of Fine Arts, Boston, 1996 All rights reserved. -
Domestic Religious Practices
UCLA UCLA Encyclopedia of Egyptology Title Domestic religious practices Permalink https://escholarship.org/uc/item/7s07628w Journal UCLA Encyclopedia of Egyptology, 1(1) Author Stevens, Anna Publication Date 2009-12-21 Peer reviewed eScholarship.org Powered by the California Digital Library University of California DOMESTIC RELIGIOUS PRACTICES الممارسات الدينية المنزلية Anna Stevens EDITORS WILLEKE WENDRICH Editor-in-Chief University of California, Los Angeles JACCO DIELEMAN Editor Area Editor Religion University of California, Los Angeles ELIZABETH FROOD Editor University of Oxford JOHN BAINES Senior Editorial Consultant University of Oxford Short Citation: Stevens 2009, Domestic Religious Practices. UEE. Full Citation: Stevens, Anna, 2009, Domestic Religious Practices. In Willeke Wendrich and Jacco Dieleman (eds.), UCLA Encyclopedia of Egyptology, Los Angeles. http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz001nf63v 1010 Version 1, December 2009 http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz001nf63v DOMESTIC RELIGIOUS PRACTICES الممارسات الدينية المنزلية Anna Stevens Religion im Alltag Pratiques religieuses privées Domestic religious practices—that is, religious conduct within a household setting—provided an outlet especially for expressing and addressing the concerns of everyday life. They can be traced throughout Egyptian dynastic history, in textual sources such as spells of healing and protection, offering and dedicatory texts, and private letters, and in cult emplacements and objects from settlement sites. Protective divinities such as Bes, Taweret, and Hathor were favored, along with ancestors who could be deceased kin, local elite, or royalty. State-level deities were also supplicated. Central practices were offering and libation, and conducting rites of protection and healing, while there was also strong recourse to protective imagery. -
Social Studies - 6 Use Any Resources You Have (Such As the Internet Or Books) to Explore the Topics More Each Week
This year in sixth grade you have been learning about the history of different regions of the world. In your at home learning opportunities you will continue this exploration. Some information may be review and some may be new. Feel free to Social Studies - 6 use any resources you have (such as the internet or books) to explore the topics more each week. Each week will connect to the last as much as possible. Not just Cleopatra: Museum tells history of queens in ancient Egypt If you had to name a queen of ancient Egypt, who would it be? Probably Cleopatra, famous for her connections to Roman leaders Julius Caesar and Marc Antony. But who came before her? Nefertari, Isis, Ahmose and Hatshepsut are just a few queens of Egypt who aren't as well-known. A new exhibit at 1The "Queens of Egypt" exhibit at the National Geographic Museum in Washington, the National Geographic Museum in Washington, D.C., aims to change D.C., features a virtual-reality experience of Queen Nefertari's tomb as well as several that. hands-on installations. Photo by: National Geographic "I only knew there was Cleopatra," said Roxie Mazelan. The 11-year- old Girl Scout was visiting the new exhibit, which is called "Queens of Egypt." "I didn't know there were so many other queens," she added. Walking Through Queen's Tomb The exhibit was in 3-D. People who visit can travel back in time and walk through the tomb of Queen Nefertari. A tomb is the final resting place for a person after he or she dies. -
Who's Who in Ancient Egypt
Who’s Who IN ANCIENT EGYPT Available from Routledge worldwide: Who’s Who in Ancient Egypt Michael Rice Who’s Who in the Ancient Near East Gwendolyn Leick Who’s Who in Classical Mythology Michael Grant and John Hazel Who’s Who in World Politics Alan Palmer Who’s Who in Dickens Donald Hawes Who’s Who in Jewish History Joan Comay, new edition revised by Lavinia Cohn-Sherbok Who’s Who in Military History John Keegan and Andrew Wheatcroft Who’s Who in Nazi Germany Robert S.Wistrich Who’s Who in the New Testament Ronald Brownrigg Who’s Who in Non-Classical Mythology Egerton Sykes, new edition revised by Alan Kendall Who’s Who in the Old Testament Joan Comay Who’s Who in Russia since 1900 Martin McCauley Who’s Who in Shakespeare Peter Quennell and Hamish Johnson Who’s Who in World War Two Edited by John Keegan Who’s Who IN ANCIENT EGYPT Michael Rice 0 London and New York First published 1999 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2004. © 1999 Michael Rice The right of Michael Rice to be identified as the Author of this Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. -
A Social and Religious Analysis of New Kingdom Votive Stelae from Asyut
UNIVERSITY OF CALIFORNIA Los Angeles Display and Devotion: A Social and Religious Analysis of New Kingdom Votive Stelae from Asyut A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Near Eastern Languages and Cultures by Eric Ryan Wells 2014 © Copyright by Eric Ryan Wells ABSTRACT OF THE DISSERTATION Display and Devotion: A Social and Religious Analysis of New Kingdom Votive Stelae from Asyut by Eric Ryan Wells Doctor of Philosophy in Near Eastern Languages and Cultures University of California, Los Angeles, 2014 Professor Jacco Dieleman, Chair This dissertation is a case study and analysis of provincial religious decorum at New Kingdom Asyut. Decorum was a social force that restricted and defined the ways in which individuals could engage in material displays of identity and religious practice. Four-hundred and ninety-four votive stelae were examined in an attempt to identify trends and patters on self- display and religious practice. Each iconographic and textual element depicted on the stelae was treated as a variable which was entered into a database and statistically analyzed to search for trends of self-display. The analysis of the stelae revealed the presence of multiple social groups at Asyut. By examining the forms of capital displayed, it was possible to identify these social groups and reconstruct the social hierarchy of the site. This analysis demonstrated how the religious system was largely appropriated by elite men as a stage to engage in individual competitive displays of identity and capital as a means of reinforcing their profession and position in society and the II patronage structure. -
The Actions and Effects of Dr. Zahi Hawass
Wright State University CORE Scholar Browse all Theses and Dissertations Theses and Dissertations 2011 Museums and Restitution: The Actions and Effects of Dr. Zahi Hawass Bonnie Jean Roche Wright State University Follow this and additional works at: https://corescholar.libraries.wright.edu/etd_all Part of the Arts and Humanities Commons Repository Citation Roche, Bonnie Jean, "Museums and Restitution: The Actions and Effects of Dr. Zahi Hawass" (2011). Browse all Theses and Dissertations. 1049. https://corescholar.libraries.wright.edu/etd_all/1049 This Thesis is brought to you for free and open access by the Theses and Dissertations at CORE Scholar. It has been accepted for inclusion in Browse all Theses and Dissertations by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. MUSEUMS AND RESTITUTION: THE ACTIONS AND EFFECTS OF DR. ZAHI HAWASS A thesis submitted in partial fulfillment of the requirements for the degree of Master of Humanities By BONNIE JEAN ROCHE Bachelors of Liberal Arts Bowling Green State University, 2008 2011 Wright State University WRIGHT STATE UNIVERSITY SCHOOL OF GRADUATE STUDIES June 10, 2011 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Bonnie Jean Roche ENTITLED Museums and Restitution: The Actions and Effects of Dr. Zahi Hawass BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Humanities. _________________________________ Donovan Miyasaki, Ph.D. Project Director _________________________________ Ava Chamberlain, Ph.D. Director, Master of Humanities Program Committee on Final Examination: __________________________________ Dawne Dewey, MA. __________________________________ Karla Huebner, Ph.D. __________________________________ Andrew Hsu, Ph.D. Dean, School of Graduate Studies ABSTRACT Roche, Bonnie Jean. -
The Mysterious Pyramid on Elephantine Island: Possible Origin of the Pyramid Code
Archaeological Discovery, 2017, 5, 187-223 http://www.scirp.org/journal/ad ISSN Online: 2331-1967 ISSN Print: 2331-1959 The Mysterious Pyramid on Elephantine Island: Possible Origin of the Pyramid Code Manu Seyfzadeh Lake Forest, CA, USA How to cite this paper: Seyfzadeh, M. Abstract (2017). The Mysterious Pyramid on Ele- phantine Island: Possible Origin of the After the step pyramids of the Third Dynasty and before the true pyramids of Pyramid Code. Archaeological Discovery, the Fourth Dynasty, seven mysterious minor step pyramids were built by King 5, 187-223. Sneferu1 and a predecessor. None of them were tombs. Clues as to why they https://doi.org/10.4236/ad.2017.54012 were built emerged from analyzing their orientation to objects in the sky Received: August 26, 2017 worshiped by the ancient Egyptians and hinted at a renewed preoccupation Accepted: September 19, 2017 with measuring time and the flow of the Nile. The first of the seven was built Published: September 22, 2017 on the Island of Elephantine, Egypt. Its orientation suggests that an aspect of Copyright © 2017 by author and the star Sirius was being enshrined. This paper proposes that this aspect per- Scientific Research Publishing Inc. tained to the different timings of its annual invisibility period observable from This work is licensed under the Creative either the capital at Memphis in Lower Egypt or from Upper Egypt at Ele- Commons Attribution International License (CC BY 4.0). phantine. I argue that these periods, measured in days, were converted to di- http://creativecommons.org/licenses/by/4.0/ mensions in cubits, and consequently these numbers and the resulting geo- Open Access metric relationships between them became important. -
Cwiek, Andrzej. Relief Decoration in the Royal
Andrzej Ćwiek RELIEF DECORATION IN THE ROYAL FUNERARY COMPLEXES OF THE OLD KINGDOM STUDIES IN THE DEVELOPMENT, SCENE CONTENT AND ICONOGRAPHY PhD THESIS WRITTEN UNDER THE SUPERVISION OF PROF. KAROL MYŚLIWIEC INSTITUTE OF ARCHAEOLOGY FACULTY OF HISTORY WARSAW UNIVERSITY 2003 ACKNOWLEDGMENTS This work would have never appeared without help, support, advice and kindness of many people. I would like to express my sincerest thanks to: Professor Karol Myśliwiec, the supervisor of this thesis, for his incredible patience. Professor Zbigniew Szafrański, my first teacher of Egyptian archaeology and subsequently my boss at Deir el-Bahari, colleague and friend. It was his attitude towards science that influenced my decision to become an Egyptologist. Professor Lech Krzyżaniak, who offered to me really enormous possibilities of work in Poznań and helped me to survive during difficult years. It is due to him I have finished my thesis at last; he asked me about it every time he saw me. Professor Dietrich Wildung who encouraged me and kindly opened for me the inventories and photographic archives of the Ägyptisches Museum und Papyrussammlung, and Dr. Karla Kroeper who enabled my work in Berlin in perfect conditions. Professors and colleagues who offered to me their knowledge, unpublished material, and helped me in various ways. Many scholars contributed to this work, sometimes unconsciously, and I owe to them much, albeit all the mistakes and misinterpretations are certainly by myself. Let me list them in an alphabetical order, pleno titulo: Hartwig