The Level of Old Norse Influence on the Development of Middle English
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Old Norse Mythology — Comparative Perspectives Old Norse Mythology— Comparative Perspectives
Publications of the Milman Parry Collection of Oral Literature No. 3 OLd NOrse MythOLOgy — COMParative PersPeCtives OLd NOrse MythOLOgy— COMParative PersPeCtives edited by Pernille hermann, stephen a. Mitchell, and Jens Peter schjødt with amber J. rose Published by THE MILMAN PARRY COLLECTION OF ORAL LITERATURE Harvard University Distributed by HARVARD UNIVERSITY PRESS Cambridge, Massachusetts & London, England 2017 Old Norse Mythology—Comparative Perspectives Published by The Milman Parry Collection of Oral Literature, Harvard University Distributed by Harvard University Press, Cambridge, Massachusetts & London, England Copyright © 2017 The Milman Parry Collection of Oral Literature All rights reserved The Ilex Foundation (ilexfoundation.org) and the Center for Hellenic Studies (chs.harvard.edu) provided generous fnancial and production support for the publication of this book. Editorial Team of the Milman Parry Collection Managing Editors: Stephen Mitchell and Gregory Nagy Executive Editors: Casey Dué and David Elmer Production Team of the Center for Hellenic Studies Production Manager for Publications: Jill Curry Robbins Web Producer: Noel Spencer Cover Design: Joni Godlove Production: Kristin Murphy Romano Library of Congress Cataloging-in-Publication Data Names: Hermann, Pernille, editor. Title: Old Norse mythology--comparative perspectives / edited by Pernille Hermann, Stephen A. Mitchell, Jens Peter Schjødt, with Amber J. Rose. Description: Cambridge, MA : Milman Parry Collection of Oral Literature, 2017. | Series: Publications of the Milman Parry collection of oral literature ; no. 3 | Includes bibliographical references and index. Identifers: LCCN 2017030125 | ISBN 9780674975699 (alk. paper) Subjects: LCSH: Mythology, Norse. | Scandinavia--Religion--History. Classifcation: LCC BL860 .O55 2017 | DDC 293/.13--dc23 LC record available at https://lccn.loc.gov/2017030125 Table of Contents Series Foreword ................................................... -
Some English Words Illustrating the Great Vowel Shift. Ca. 1400 Ca. 1500 Ca. 1600 Present 'Bite' Bi:Tə Bəit Bəit
Some English words illustrating the Great Vowel Shift. ca. 1400 ca. 1500 ca. 1600 present ‘bite’ bi:tә bәit bәit baIt ‘beet’ be:t bi:t bi:t bi:t ‘beat’ bɛ:tә be:t be:t ~ bi:t bi:t ‘abate’ aba:tә aba:t > abɛ:t әbe:t әbeIt ‘boat’ bɔ:t bo:t bo:t boUt ‘boot’ bo:t bu:t bu:t bu:t ‘about’ abu:tә abәut әbәut әbaUt Note that, while Chaucer’s pronunciation of the long vowels was quite different from ours, Shakespeare’s pronunciation was similar enough to ours that with a little practice we would probably understand his plays even in the original pronuncia- tion—at least no worse than we do in our own pronunciation! This was mostly an unconditioned change; almost all the words that appear to have es- caped it either no longer had long vowels at the time the change occurred or else entered the language later. However, there was one restriction: /u:/ was not diphthongized when followed immedi- ately by a labial consonant. The original pronunciation of the vowel survives without change in coop, cooper, droop, loop, stoop, troop, and tomb; in room it survives in the speech of some, while others have shortened the vowel to /U/; the vowel has been shortened and unrounded in sup, dove (the bird), shove, crumb, plum, scum, and thumb. This multiple split of long u-vowels is the most signifi- cant IRregularity in the phonological development of English; see the handout on Modern English sound changes for further discussion. -
Number Symbolism in Old Norse Literature
Háskóli Íslands Hugvísindasvið Medieval Icelandic Studies Number Symbolism in Old Norse Literature A Brief Study Ritgerð til MA-prófs í íslenskum miðaldafræðum Li Tang Kt.: 270988-5049 Leiðbeinandi: Torfi H. Tulinius September 2015 Acknowledgements I would like to thank firstly my supervisor, Torfi H. Tulinius for his confidence and counsels which have greatly encouraged my writing of this paper. Because of this confidence, I have been able to explore a domain almost unstudied which attracts me the most. Thanks to his counsels (such as his advice on the “Blóð-Egill” Episode in Knýtlinga saga and the reading of important references), my work has been able to find its way through the different numbers. My thanks also go to Haraldur Bernharðsson whose courses on Old Icelandic have been helpful to the translations in this paper and have become an unforgettable memory for me. I‟m indebted to Moritz as well for our interesting discussion about the translation of some paragraphs, and to Capucine and Luis for their meticulous reading. Any fault, however, is my own. Abstract It is generally agreed that some numbers such as three and nine which appear frequently in the two Eddas hold special significances in Norse mythology. Furthermore, numbers appearing in sagas not only denote factual quantity, but also stand for specific symbolic meanings. This tradition of number symbolism could be traced to Pythagorean thought and to St. Augustine‟s writings. But the result in Old Norse literature is its own system influenced both by Nordic beliefs and Christianity. This double influence complicates the intertextuality in the light of which the symbolic meanings of numbers should be interpreted. -
The Early Middle English Reflexes of Germanic *Ik ‘I’: Unpacking the Changes
Edinburgh Research Explorer The early Middle English reflexes of Germanic *ik ‘I’: unpacking the changes Citation for published version: Lass, R & Laing, M 2013, 'The early Middle English reflexes of Germanic *ik ‘I’: unpacking the changes', Folia Linguistica Historica, vol. 34, no. 1, pp. 93-114. https://doi.org/10.1515/flih.2013.004 Digital Object Identifier (DOI): 10.1515/flih.2013.004 Link: Link to publication record in Edinburgh Research Explorer Document Version: Publisher's PDF, also known as Version of record Published In: Folia Linguistica Historica Publisher Rights Statement: © Lass, R., & Laing, M. (2013). The early Middle English reflexes of Germanic *ik ‘I’: unpacking the changes. Folia Linguistica Historica, 34(1), 93-114. 10.1515/flih.2013.004 General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 28. Sep. 2021 The early Middle English reflexes of Germanic *ik ‘I’: Unpacking the changes1 Roger Lass & Margaret Laing University of Edinburgh The phonological shape of the PDE first-person nominative singular pronoun ‘I’ is assumed to have a simple history. -
A Concise Dictionary of Middle English
A Concise Dictionary of Middle English A. L. Mayhew and Walter W. Skeat A Concise Dictionary of Middle English Table of Contents A Concise Dictionary of Middle English...........................................................................................................1 A. L. Mayhew and Walter W. Skeat........................................................................................................1 PREFACE................................................................................................................................................3 NOTE ON THE PHONOLOGY OF MIDDLE−ENGLISH...................................................................5 ABBREVIATIONS (LANGUAGES),..................................................................................................11 A CONCISE DICTIONARY OF MIDDLE−ENGLISH....................................................................................12 A.............................................................................................................................................................12 B.............................................................................................................................................................48 C.............................................................................................................................................................82 D...........................................................................................................................................................122 -
Scandinavian Word Phonology: Evidence for a Typological Cycle
Kurt Braunmüller (Hamburg University): Scandinavian word phonology: evidence for a typological cycle 1. The Germanic languages: phonological principles and drift (a) Grimm‟s and Verner‟s Law, (b) consequent placement of stress on the first sylla- ble of a word, (c) subsequent reduction of vowels in unstressed syllables (cf. Gothic /i, a, u/ or Faroese /e [< ], a/) but there are also languages with schwa (/ë/) or apocope: //. Drift: (1) Dominance of monosyllabic words with complex consonant clusters in the coda, (2) this could give rise to the origin of (simple) tone languages (e.g. in SE Jutish, cf. Braunmüller 1995b/[1987]), in Low German and some Norwegian dialects), and (3) apocope and/or schwa (quite typical for many modern Germanic languages). 2. Intervening factors In the Scandinavian languages: (I) Emergence of (new) clitics, both in the nominal and the verbal part of grammar, (II) language contact (vowel harmony, new word formation elements), (III) language cultivation and language planning; moreover: com- plex consonant (C) clusters: in the onset (1–3 Cs), in the coda (with a max. of 5 Cs). 3. Splitting up Proto-Germanic: mainly a case of vowel change? Relative continuity of the consonantal frames (exception: [Old] High German); a short paradigmatic survey of this development: (1) Gallehus (about 425 AD): ek hlewagastiR holtijaR horna tawido (where the final R still represents [z] and not [r], as it did in later times) „I Legest, son of/from Holt, made [the] horn. (2) *ek[a] hlewa stiz hultijaz hurnan tawiðón. (Proto-Germanic) (3) *ik hliugasts hulteis haúrn tawida. (Gothic) (4) *ek hlégestr hyltir horn g{e|ø}rða [táða]. -
Norsk Ordbok - the Crown of Nynorsk Lexicography?
Lars S. Vik0r, Sectionfor Norwegian Lexicography, University ofOslo Norsk Ordbok - the Crown of Nynorsk Lexicography? Abstract Norsk Ordbok 'Norwegian Dictionary' is a multi-volume dictionary of the Norwegian standard variety Nynorsk and the Norwegian dialects. It is one of the very few dictionaries which cover both a written standard language and the oral dialects on which this standard is based. It was initiated around 1930, based on dialect material collected by volunteers and stored in a vast card archive, and on a variety of written sources. At present, three oftwelve planned volumes have appeared, reaching into g. The paper gives a historical outline of the project, followed by a brief description of its structure and the types of information it gives. This is exemplified by the treatment of one particular word, bunad. Finally, some fundamental problems are briefly discussed: 1) the selection of lemmas, 2) the character of the sources, 3) the treatment of dialect forms, 4) the sequence of definitions. The full title of Norsk Ordbok is Norsk Ordbok. Ordbok over det norske folkemâlet og det nynorske skriftmâlet 'Norwegian Dictionary. A dic tionary of the Norwegian popular language [i.e. the Norwegian dialects], and the Nynorsk written language'. This title at once indicates the dual aspect of the dictionary: It gives integrated coverage of both oral dialects and a written standard language. This dual aspect is the most special distinguishing feature of Norsk Ordbok as a lexicographic work. Normally, dictionaries cover written standard languages or some aspect of them (or, in the case of pro nouncing dictionaries, oral standard language). -
Middle English: a Creole? the Influence of Old Norse
Language Change through Language Contact Summer term 2015 Middle English: A creole? The Influence of Old Norse Katharina Laberer, Martin Gloger, Anita Sommer The History of Old Norse in Britain Characteristics of Old English and Old Norse • Norse is the first language of a Old English (550-1100) Old Norse (Viking Norse 700- substantial immigrant community 1000) • Anglo-Saxon England is marked by over two centuries of Viking raids and West Germanic family North Germanic family Scandinavian settlement • England was settled by Danes and • Synthetic language • Synthetic language Norwegians and perhaps a few Swedes • Weak and strong declesions • Weak and strong as well as verbs declensions as well as verbs 787: first attack by Norwegians when • Strong stress accent on the • Stress on the first syllable three ships put to shore near Portland and further isolated instances first or the root syllable • 835 onwards: constant threat of attack • 3 grammatical genders • 3 grammatical genders by Danish armies (masculine, feminine and (masculine, feminine and • 870 onwards: Settled Norse speakers neuter) neuter) • could be found in England 871 - 899: Viking wars of the time of Figure 1: Location of the Danelaw on a map of Great Britain (BBC) The two languages are similar and are believed to have been King Alfred who reigned over Wessex 1016-42: Danish King Cnut and his sons ruled over England “mutually intelligible to a limited extent.” (Baugh and Cable 2002, 92) • 1042: Edward the Confessor came to the throne, ending the Danish rule in England 11th -
English Language
ENGLISH LANGUAGE 1. The History of English English is not only the first language for more than 400 million native speakers, but also a lingua franca1 for 1,5 billion speakers overall. It is the official language in almost 60 countries around the world. The shaping2 of the English language was a complicated process connected with the historical and social experience of the people living on the British Isles and elsewhere. It is not incorrect to say that the evolution of English resembles3 the evolution of the British nation as we know it today. Through various eras and in specific situations, the social life of the British has had an immense4 influence on the language the people spoke and speak today. From a linguistic perspective, English is traditionally described as a West-Germanic language. Its roots lie deep in the past before the beginning of the first millennium. “The Proto- Germanic5 parent language gave rise6 to three branches of descendant7 languages, namely8, eastern, northern, and western. … The eastern branch was represented by Gothic, Burgundian and Vandal languages, all the three of them dead now. The northern branch comprises9 idioms10 spoken on the territory of today’s Denmark and Scandinavia.”11 Thus12 we have two groups of Germanic languages in existence today: the western group (English, German, Dutch) and the northern group (Icelandic, Norwegian, Swedish, Danish, and some minor languages). Traditionally, the history of English is divided into three major stages: Old English, Middle English, and New English with Modern English as part of it. Let us discuss the individual stages in more detail now. -
On the Origins of the Gothic Novel: from Old Norse to Otranto
This extract is taken from the author's original manuscript and has not been edited. The definitive, published, version of record is available here: https:// www.palgrave.com/gb/book/9781137465030 and https://link.springer.com/book/10.1057/9781137465047. Please be aware that if third party material (e.g. extracts, figures, tables from other sources) forms part of the material you wish to archive you will need additional clearance from the appropriate rights holders. On the origins of the Gothic novel: From Old Norse to Otranto Martin Arnold A primary vehicle for the literary Gothic in the late eighteenth to early nineteen centuries was past superstition. The extent to which Old Norse tradition provided the basis for a subspecies of literary horror has been passed over in an expanding critical literature which has not otherwise missed out on cosmopolitan perspectives. This observation by Robert W. Rix (2011, 1) accurately assesses what may be considered a significant oversight in studies of the Gothic novel. Whilst it is well known that the ethnic meaning of ‘Gothic’ originally referred to invasive, eastern Germanic, pagan tribes of the third to the sixth centuries AD (see, for example, Sowerby 2000, 15-26), there remains a disconnect between Gothicism as the legacy of Old Norse literature and the use of the term ‘Gothic’ to mean a category of fantastical literature. This essay, then, seeks to complement Rix’s study by, in certain areas, adding more detail about the gradual emergence of Old Norse literature as a significant presence on the European literary scene. The initial focus will be on those formations (often malformations) and interpretations of Old Norse literature as it came gradually to light from the sixteenth century onwards, and how the Nordic Revival impacted on what is widely considered to be the first Gothic novel, The Castle of Otranto (1764) by Horace Walpole (1717-97). -
Vowel Shifts in English John Goldsmith January 19, 2010
Vowel shifts in English John Goldsmith January 19, 2010 English vowels English vowels may be divided into those that are found in stressed syllables, and those found in unstressed syllables. We will focus here on the vowels in stressed syllables, and the rest of this section is about stressed vowels when we do not explicitly mention stress. We may focus on monosyllabic words that are produced as a full utterance to guarantee that we are looking at a stressed syllable. Unstressed syllables allow two vowels, [@] and [i] (e.g., the second vowels of sofa and silly) (and probably one more: the final vowel in 1 motto). 1 That is perhaps controversial; one English vowels are divided into short and long vowels. reason to believe it is that flapping is possible in words such as motto and Among the short vowels, there are 3 front unround vowels, 2 tomato. back round vowels, and 2 back unround vowels. For the three front Short vowels Long vowels unround vowels, see Figure 1, where you see an example in stan- pit ˘i [I] by ¯i [aj] pet e˘ [E] Pete e¯ [ij] dard orthography, in typical dictionary form, and in the IPA sym- pat ˘a [æ] pate a¯ [ej] bols that we shall use (that linguists normally use). For the 4 back Figure 1: Front vowels short vowels, see Figure 2, left column. The vowels of putt and pot (in most dialects of the US) are unround. Short vowels Long vowels put oo˘ [U] boot oo¯ [uw] Please note: many of you (at least half of you) do not distinguish putt u˘ [2] bound ou [æw] between [a] and [O]: you pronounce cot and caught the same way. -
Authentic Language
! " " #$% " $&'( ')*&& + + ,'-* # . / 0 1 *# $& " * # " " " * 2 *3 " 4 *# 4 55 5 * " " * *6 " " 77 .'%%)8'9:&0 * 7 4 "; 7 * *6 *# 2 .* * 0* " *6 1 " " *6 *# " *3 " *# " " *# 2 " " *! "; 4* $&'( <==* "* = >?<"< <<'-:@-$ 6 A9(%9'(@-99-@( 6 A9(%9'(@-99-(- 6A'-&&:9$' ! '&@9' Authentic Language Övdalsk, metapragmatic exchange and the margins of Sweden’s linguistic market David Karlander Centre for Research on Bilingualism Stockholm University Doctoral dissertation, 2017 Centre for Research on Bilingualism Stockholm University Copyright © David Budyński Karlander Printed and bound by Universitetsservice AB, Stockholm Correspondence: SE 106 91 Stockholm www.biling.su.se ISBN 978-91-7649-946-7 ISSN 1400-5921 Acknowledgements It would not have been possible to complete this work without the support and encouragement from a number of people. I owe them all my humble thanks.