Korea in Western Cartography
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Or Later, but Before 1650] 687X868mm. Copper Engraving On
60 Willem Janszoon BLAEU (1571-1638). Pascaarte van alle de Zécuften van EUROPA. Nieulycx befchreven door Willem Ianfs. Blaw. Men vintfe te coop tot Amsterdam, Op't Water inde vergulde Sonnewÿser. [Amsterdam, 1621 or later, but before 1650] 687x868mm. Copper engraving on parchment, coloured by a contemporary hand. Cropped, as usual, on the neat line, to the right cut about 5mm into the printed area. The imprint is on places somewhat weaker and /or ink has been faded out. One small hole (1,7x1,4cm.) in lower part, inland of Russia. As often, the parchment is wavy, with light water staining, usual staining and surface dust. First state of two. The title and imprint appear in a cartouche, crowned by the printer's mark of Willem Jansz Blaeu [INDEFESSVS AGENDO], at the center of the lower border. Scale cartouches appear in four corners of the chart, and richly decorated coats of arms have been engraved in the interior. The chart is oriented to the west. It shows the seacoasts of Europe from Novaya Zemlya and the Gulf of Sydra in the east, and the Azores and the west coast of Greenland in the west. In the north the chart extends to the northern coast of Spitsbergen, and in the south to the Canary Islands. The eastern part of the Mediterranean id included in the North African interior. The chart is printed on parchment and coloured by a contemporary hand. The colours red and green and blue still present, other colours faded. An intriguing line in green colour, 34 cm long and about 3mm bold is running offshore the Norwegian coast all the way south of Greenland, and closely following Tara Polar Arctic Circle ! Blaeu's chart greatly influenced other Amsterdam publisher's. -
On the Structuring of a Model for Multiplying Exhibition Experience Through Utilizing Digital Technologies
On the structuring of a model for multiplying exhibition experience through utilizing digital technologies KITANO, Keisuke (Professor, College of Image Arts and Sciences, Ritsumeikan University) OHSHIMA, Toshikazu (Professor, College of Image Arts and Sciences, Ritsumeikan University) WATANABE, Shuji (Associate Professor, College of Image Arts and Sciences, Ritsumeikan University) future of energy and was primarily aimed at teenagers Abstract: to deepen their understanding of nuclear power and This paper discusses a research report for radioactivity in the wake of the nuclear accidents structuring a model for multiplying exhibition triggered by the Great East Japan Earthquake. experience through utilizing digital technologies such Serving as preparatory work for the Dejima as Virtual Reality(VR) and game design creation based Project by mobilizing digital technology and video- on two field research projects. game-inspired induction methodology into exhibit One of the projects is about achievements and development, through the incorporation of interactive findings of exhibition practice conducted in spring visual technology with playful design in addition to 2012 at Kyoto Museum for World Peace, Ritsumeikan conventional one-way information presentation, such University. The other is about preparatory stages as through the use of panels and exhibits, the interests of a project of which the main purpose is to structure and motivation of visitors can be raised, and realization a game-inspired Virtual Reality system in which one of memorable exhibiting can be considered. could experience a digital simulation of Nagasaki’s Dejima in the Edo Period in Japan through multi-modal Five meetings were held with staff members interactivity. involved in this exhibition in which it was decided to conduct two projects: A) Production of interactive visual systems; and B) Production of tour experiencing Keywords: design for exhibiting and viewing. -
Supplied Through the Parthians) from the 1St Century BC, Even Though the Romans Thought Silk Was Obtained from Trees
Chinese Silk in the Roman Empire Trade with the Roman Empire followed soon, confirmed by the Roman craze for Chinese silk (supplied through the Parthians) from the 1st century BC, even though the Romans thought silk was obtained from trees: The Seres (Chinese), are famous for the woolen substance obtained from their forests; after a soaking in water they comb off the white down of the leaves... So manifold is the labor employed, and so distant is the region of the globe drawn upon, to enable the Roman maiden to flaunt transparent clothing in public. -(Pliny the Elder (23- 79, The Natural History) The Senate issued, in vain, several edicts to prohibit the wearing of silk, on economic and moral grounds: the importation of Chinese silk caused a huge outflow of gold, and silk clothes were considered to be decadent and immoral: I can see clothes of silk, if materials that do not hide the body, nor even one's decency, can be called clothes... Wretched flocks of maids labour so that the adulteress may be visible through her thin dress, so that her husband has no more acquaintance than any outsider or foreigner with his wife's body. -(Seneca the Younger (c. 3 BCE- 65 CE, Declamations Vol. I) The Roman historian Florus also describes the visit of numerous envoys, included Seres (perhaps the Chinese), to the first Roman Emperor Augustus, who reigned between 27 BCE and 14 CE: Even the rest of the nations of the world which were not subject to the imperial sway were sensible of its grandeur, and looked with reverence to the Roman people, the great conqueror of nations. -
Dejima and Huis Ten Bosch •fi Two Dutch Cities in Japan
UC Berkeley TRANSIT Title Dejima and Huis Ten Bosch – Two Dutch Cities in Japan Permalink https://escholarship.org/uc/item/9vv631q8 Journal TRANSIT, 5(1) Authors Brandt, Bettina Tawada, Yoko Publication Date 2009 DOI 10.5070/T751009741 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Hausutembosu (Huis ten Bosch) by Bettina Brandt Looking for traces of historical Dutch-Japanese trade relations in the Nagasaki area, Y and I stopped at Huis ten Bosch, a Dutch theme park in Sasebo that doubles as a waterfront resort-cum-residential area, drawing tourists as well as those interested in experiments in urban living. Most of the tourists come from Southeast Asia (Japan, Taiwan, Korea); tourists from other places are few and far between. A local Japanese tycoon envisioned the park in the late eighties, at a time when a number of such ethno-themed parks—known in Japanese as gaikoku mura (foreign villages)—were being built. Period parks like Edo Wonderland in Hokkaido (tagline: “the essence of Japan”) are also popular tema paku destinations in Japan. There, tourists can visit the past and walk around in Edo-period costumes (and dress up like a samurai, wear a ninja costume, or perhaps dress up as a yuujo , 遊女, or “play woman”) for the day. The Japanese theater troupe Lasenkan in Berlin When Huis ten Bosch finally opened its doors to the public in the early 1990s, however, the recession was about to hit, and the park, one of the subsidiaries of the Huis ten Bosch Corporation, has been in receivership twice already. -
Japan and the West:An Historical Sketch
NAOSITE: Nagasaki University's Academic Output SITE Title Japan and the West:an historical sketch Author(s) McOmie, William Walter Citation 長崎大学教育学部人文科学研究報告, 44, pp.49-67; 1992 Issue Date 1992-03-25 URL http://hdl.handle.net/10069/33155 Right This document is downloaded at: 2017-12-22T06:28:08Z http://naosite.lb.nagasaki-u.ac.jp ftptf7kcfl}kwtfffl;gtsAJsZjstfl}k6}f3eXIS ag44e 49---67 (l992) Japan and the West : an historical sketch William Walter McOmie If asked most people would answer that parallel lines, by definition, do not intersect. That is true in the ideal world of Euclidean geometry. But we do not live in such a world. In the real world parallel lines intersect with a vengeance. In this paper those parallel lines will represent parallel countries and cultures and the focus will be on those points where they intersect and connect. If this paper has any claim to originality, it is not in the discovery of heretofore unknown historieal personages or events, but in their interpretation and integration. Indeed, history has shown that history, as such, does not exist, but rather the different interpretations of past events by individual historians. I hope that this paper will serve as a model of a kind of historical interpretation that strives to connect different countries and cultures. The purpose of this paper is twofold:to provide a capsule account of the most significant events in world and Japanese history leading up to the first landing of Europeans in Japan, and to focus on the interaction of Europeans and Japanese up to the year 1852. -
Portuguese Ships on Japanese Namban Screens
PORTUGUESE SHIPS ON JAPANESE NAMBAN SCREENS A Thesis by KOTARO YAMAFUNE Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Major Subject: Anthropology Portuguese Ships on Japanese Namban Screens Copyright 2012 Kotaro Yamafune PORTUGUESE SHIPS ON JAPANESE NAMBAN SCREENS A Thesis by KOTARO YAMAFUNE Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Approved by: Chair of Committee, Luis Filipe Vieira de Castro Committee Members, Kevin J. Crisman Molly Warsh Head of Department, Cynthia Werner August 2012 Major Subject: Anthropology iii ABSTRACT Portuguese Ships on Japanese Namban Screens. (August 2012) Kotaro Yamafune, B.A., Hosei University Chair of Advisory Committee: Dr. Luis Filipe Vieira de Castro Namban screens are a well-known Japanese art form that was produced between the end of the 16th century and throughout the 17th century. More than 90 of these screens survive today. They possess substantial historical value because they display scenes of the first European activities in Japan. Among the subjects depicted on Namban screens, some of the most intriguing are ships: the European ships of the Age of Discovery. Namban screens were created by skillful Japanese traditional painters who had the utmost respect for detail, and yet the European ships they depicted are often anachronistic and strangely. On maps of the Age of Discovery, the author discovered representations of ships that are remarkably similar to the ships represented on the Namban screens. -
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Zerohack Zer0Pwn YourAnonNews Yevgeniy Anikin Yes Men YamaTough Xtreme x-Leader xenu xen0nymous www.oem.com.mx www.nytimes.com/pages/world/asia/index.html www.informador.com.mx www.futuregov.asia www.cronica.com.mx www.asiapacificsecuritymagazine.com Worm Wolfy Withdrawal* WillyFoReal Wikileaks IRC 88.80.16.13/9999 IRC Channel WikiLeaks WiiSpellWhy whitekidney Wells Fargo weed WallRoad w0rmware Vulnerability Vladislav Khorokhorin Visa Inc. Virus Virgin Islands "Viewpointe Archive Services, LLC" Versability Verizon Venezuela Vegas Vatican City USB US Trust US Bankcorp Uruguay Uran0n unusedcrayon United Kingdom UnicormCr3w unfittoprint unelected.org UndisclosedAnon Ukraine UGNazi ua_musti_1905 U.S. Bankcorp TYLER Turkey trosec113 Trojan Horse Trojan Trivette TriCk Tribalzer0 Transnistria transaction Traitor traffic court Tradecraft Trade Secrets "Total System Services, Inc." Topiary Top Secret Tom Stracener TibitXimer Thumb Drive Thomson Reuters TheWikiBoat thepeoplescause the_infecti0n The Unknowns The UnderTaker The Syrian electronic army The Jokerhack Thailand ThaCosmo th3j35t3r testeux1 TEST Telecomix TehWongZ Teddy Bigglesworth TeaMp0isoN TeamHav0k Team Ghost Shell Team Digi7al tdl4 taxes TARP tango down Tampa Tammy Shapiro Taiwan Tabu T0x1c t0wN T.A.R.P. Syrian Electronic Army syndiv Symantec Corporation Switzerland Swingers Club SWIFT Sweden Swan SwaggSec Swagg Security "SunGard Data Systems, Inc." Stuxnet Stringer Streamroller Stole* Sterlok SteelAnne st0rm SQLi Spyware Spying Spydevilz Spy Camera Sposed Spook Spoofing Splendide -
Development and Achievements of Dutch Northern and Arctic Cartography
ARCTIC’ VOL. 37, NO. 4 (DECEMBER 1984) P. 493.514 Development and Achievements of Dutch Northern and Arctic Cartography. in the Sixteenth and Seventeenth :Centuries GUNTER. SCHILDER* ther north, as far as the Shetlands the Faroes, in line with INTRODUCTION and the expansion of the Dutch .fishing and trading areas. The During the sixteenth and .seventeenth. centuries, the Dutch Thresmr contains a number of coastal viewsfrom the voyage made. a vital contribution to. the mapphg of the northern and around the North Capeas far as ‘‘Wardhuys”. Although there arctic regions, and their caPtographic work piayed a decisive is no mapofthis region, there is.a map of the coasts of Karelia part in expanding. the ,geographical .knowledgeof that time. and Russia to the east of the White Sea asfar as the Pechora, Amsterdam became the centre.of international map production accompanied by a text with instructionsfor navigation as far as and the map trade. Its Cartographers and publishers acquired Vaygach and Novaya Zemlya (Waghenaer, 1592:fo101-105). their knowledge partly from the results of expeditions fitted A coastal view.of the latter is also given.s The fact that Wag- out by theirfellow countrymen and, partlyfrom foreign henaer had access to original sources is shown by the inclusion voyages of discovery. This paper will describe the growing- in the Thresoor of the only known accountof Olivier Brunel’s Dutch..awarenessof .the northern and arctic regions. stage by voyage to-NovayaZemlya in 1584 (Waghenaer, ‘1592:P104).6 stage and region by region, with the aid of Dutch. maps. Anotherimportant document is WillemBiuentsz’s map of northern Scandinavia, which extends as faras the entrance to THE PROGRESS OF DUTCH KNOWLEDGE IN THE NORTH .the White Sea, and shows.al1 the reefs and shallows(Fig. -
Slave Trading and Slavery in the Dutch Colonial Empire: a Global Comparison
rik Van WELie Slave Trading and Slavery in the Dutch Colonial Empire: A Global Comparison INTRODUCTION From the early seventeenth to the mid-nineteenth century, slavery played a fundamental role in the Dutch colonial empire.1 All overseas possessions of the Dutch depended in varying degrees on the labor of slaves who were imported from diverse and often remote areas. Over the past decades numer- ous academic publications have shed light on the history of the Dutch Atlantic slave trade and of slavery in the Dutch Americas.2 These scholarly contribu- tions, in combination with the social and political activism of the descen- dants of Caribbean slaves, have helped to bring the subject of slavery into the national public debate. The ongoing discussions about an official apology for the Dutch role in slavery, the erection of monuments to commemorate that history, and the inclusion of some of these topics in the first national history canon are all testimony to this increased attention for a troubled past.3 To some this recent focus on the negative aspects of Dutch colonial history has already gone too far, as they summon the country’s glorious past to instill a 1. I would like to thank David Eltis, Pieter Emmer, Henk den Heijer, Han Jordaan, Gerrit Knaap, Gert Oostindie, Alex van Stipriaan, Jelmer Vos, and the anonymous reviewers of the New West Indian Guide for their many insightful comments. As usual, the author remains entirely responsible for any errors. This article is an abbreviated version of a chapter writ- ten for the “Migration and Culture in the Dutch Colonial World” project at KITLV. -
Hds1hds100004444
COURSE MANUAL Expansion of Europe 15 ththth ---171717 ththth Century HDS1HDS100004444 University of Ibadan Distance Learning Centre Open and Distance Learning Course Series Development Copyright © 2016 by Distance Learning Centre, University of Ibadan, Ibadan. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN: 978-021-423-2 General Editor : Prof. Bayo Okunade University of Ibadan Distance Learning Centre University of Ibadan, Nigeria Telex: 31128NG Tel: +234 (80775935727) E-mail: [email protected] Website: www.dlc.ui.edu.ng ii Vice-Chancellor’s Message The Distance Learning Centre is building on a solid tradition of over two decades of service in the provision of External Studies Programme and now Distance Learning Education in Nigeria and beyond. The Distance Learning mode to which we are committed is providing access to many deserving Nigerians in having access to higher education especially those who by the nature of their engagement do not have the luxury of full time education. Recently, it is contributing in no small measure to providing places for teeming Nigerian youths who for one reason or the other could not get admission into the conventional universities. These course materials have been written by writers specially trained in ODL course delivery. The writers have made great efforts to provide up to date information, knowledge and skills in the different disciplines and ensure that the materials are user-friendly. In addition to provision of course materials in print and e-format, a lot of Information Technology input has also gone into the deployment of course materials. -
Knowledge and Colonialism: Eighteenth-Century Travellers in South Africa Atlantic World
Knowledge and Colonialism: Eighteenth-century Travellers in South Africa Atlantic World Europe, Africa and the Americas, 1500–1830 Edited by Wim Klooster Clark University and Benjamin Schmidt University of Washington VOLUME 18 Knowledge and Colonialism: Eighteenth-century Travellers in South Africa By Siegfried Huigen LEIDEN • BOSTON 2009 On the cover: “Coba Caffer Captein” (Gordon Atlas, G75). Courtesy of the Rijkspren- tenkabinet, Amsterdam. This book was originally published as Verkenningen van Zuid-Afrika. Achttiende-eeuwse reizigers aan de kaap (2007). This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Huigen, Siegfried. Knowledge and colonialism : eighteenth-century travellers in South Africa / by Siegfried Huigen. p. cm. — (Atlantic world : Europe, Africa, and the Americas, 1500–1830 ; v. 18) Includes bibliographical references and index. ISBN 978-90-04-17743-7 (hbk. : alk. paper) 1. Cape of Good Hope (South Africa)—Description and travel. 2. Cape of Good Hope (South Africa)—Description and travel—Sources. 3. Travelers—South Africa—Cape of Good Hope—History— 18th century. 4. Europeans—South Africa—Cape of Good Hope—History—18th century. 5. Ethnology—South Africa—Cape of Good Hope—History—18th century. 6. Ethnological expeditions—South Africa—Cape of Good Hope—History—18th century. 7. South Africa—History—To 1836. 8. South Africa—Colonial infl uence. 9. South Africa—Description and travel. 10. South Africa—Description and travel— Sources. I. Title. II. Series. DT2020.H85 2009 968.03—dc22 2009017888 ISSN 1570-0542 ISBN 978 90 04 17743 7 Copyright 2009 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Hotei Publishers, IDC Publishers, Martinus Nijhoff Publishers and VSP. -
308 the Visitor Was Confronted with a Dazzling Succession of Maps And
308 the visitor was confronted with a dazzling succession of maps and atlases, all of them, in their genre, masterpieces of cartography: sixteenth-century work by, for example, Saenredam, Plancius, Langenes and Heyns; from the seventeenth century, when Am- sterdam map production was at its height, the main exhibits were naturally products of the great houses of Blaeu, Hondius andjanssonius, though there were also pieces by Claes Jansz Visscher, Jacob Aertsz Colom and Pieter van der Keere. Joan Blaeu's Atlas maior, varying according to the edition from nine to twelve volumes, was represented by volumes from the Latin, French, Dutch, Spanish and German editions. There were also two extremely rare world maps by Frederik de Wit, Nova et accurata totius Africae tabula of 1700, each measuring no less than 168 by 120 cm. The eighteenth century was represented by, among other items, work by the map dealers and publishers Covens and Mortier and Reinier and Joshua Ottens. But it was clear that by this time the golden age of Amsterdam mapmaking had passed: the accent was now more obviously on copy- ing and compiling than on creative cartography. In the nineteenth century mapmaking passed more and more into the hands of government agencies, while the technology of map reproduction altered with the disappearance of copper engraving in favour of the faster and cheaper lithography. The ownership of maps and atlases-now based on in- creasingly accurate scientific work-moved into the province of the broad masses of the population. The exhibition included numerous examples of all these developments, with a number of original surveying instruments, manuscript maps and copper plates of maps providing the finishing touches.