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An Antillean Plant of Beauty, a French Botanist, and a German Name: Naming Plants in the Early Modern Atlantic World
Estonian Journal of Ecology, 2012, 61, 1, 37–50 doi: 10.3176/eco.2012.1.05 An Antillean plant of beauty, a French botanist, and a German name: naming plants in the Early Modern Atlantic world Laura Hollsten Faculty of Arts, Åbo Akademi University, 20500 Åbo, Finland; [email protected] Received 10 December 2010, revised 7 March 2011, accepted 27 June 2011 Abstract. This paper investigates the naming of plants in the work of the French botanist Charles Plumier (1646–1704). Plumier made three trips to the French Antilles between 1690 and 1697, was appointed royal botanist in 1693, and published his first work, Description des Plantes de l’Amérique, in the same year. Plumier was the first ‘modern’ botanist to describe the flora of the Caribbean in a time when natural history underwent significant qualitative changes as a result of the European expansion and transatlantic contacts. Plumier’s ambition was to replace the confusing multitude of names given to New World plants with a universal taxonomically based nomenclature. His modernity and scientific ethos manifest themselves in his neutral way of organizing the plants according to a taxonomic system and his use of a Latin nomenclature, often naming plants after well-known botanists. Through Plumier’s naming process, I argue, it is possible to highlight the colonial and Atlantic context of his work, his network as part of the scientific elite of his country, and his professionalism resulting from years of botanical studies. Key words: history of botany, early modern natural history, plant nomenclature. INTRODUCTION According to a story entitled ‘The Tree of Riches’, the French botanist Charles Plumier decided that he would like to travel the world and get rich (Pellowski, 1990). -
Carl Von Linnén Merkitys Biologian Ja Erityisesti Suomen Biologian Kehitykselle
AURAICA Vol. 1, 2008: 93–100 Scripta a Societate Porthan edita Carl von Linnén merkitys biologian ja erityisesti Suomen biologian kehitykselle Petter Portin Kaikkien aikojen merkittävimmän kasvitieteilijän, Pohjoismaiden suurimman biologin, ruotsalaisen Carl von Linnén (1707–78) merkitys biologian yleiselle kehitykselle on erittäin merkittävä. Hän on ainoa 1700-luvulla vaikuttanut luonnontieteilijä, joka edelleen on maailmankuulu ja jonka työn arvo on selvästi havaittavissa vielä tänä päivänä. Linnén merkitys biologian kehitykselle on suunnattoman suuri kahdesta painavasta syystä. Ensinnäkin Linné on eliöiden luokitteluopin eli taksonomian isä. Hän kuvasi, nimesi ja järjesti valtavan määrän kasveja ja eläimiä. Taksonomia sinänsä on ensiarvoisen tärkeää biologisen luonnon lähes rajattoman moninaisuuden hallitse- miseksi. Lisäksi, vaikka Linnén itse ajattelikin, että lajeja on niin paljon kuin Luoja niitä alussa loi, hänen luomansa eliöiden hierarkkinen luokittelu avasi tietä evoluutioteorialle, mikä teoria puolestaan tärkein biologiaan yhtenäistävä teoria. Usein siteeratun lauseen mukaan biologiassa mikään ei käy järkeen muuten kuin evoluution valossa. Toinen Linnén suuri idea ja tärkeä uudistus on eliöiden niin sanottu binomiaalinimistö, jonka mukaan jokaisella kasvilla ja eläimellä on suku- ja lajinimestä koostuva kaksiosainen tieteellinen nimi. Niinpä esimerkiksi variksen tieteellinen nimi on Corvus corone , korpin Corvus corax ja naakan Corvus monedula . Nämä lajit siis kuuluvat kaikki variksen sukuun, Corvus , ja ovatkin polveutumisensa -
Of Dahlia Myths.Pub
Cavanilles’ detailed illustrations established the dahlia in the botanical taxonomy In 1796, the third volume of “Icones” introduced two more dahlia species, named D. coccinea and D. rosea. They also were initially thought to be sunflowers and had been brought to Spain as part of the Alejandro Malaspina/Luis Neé expedition. More than 600 drawings brought the plant collection to light. Cavanilles, whose extensive correspondence included many of Europe’s leading botanists, began to develop a following far greater than his title of “sacerdote” (priest, in French Abbé) ever would have offered. The A. J. Cavanilles archives of the present‐day Royal Botanical Garden hold the botanist’s sizable oeu‐ vre, along with moren tha 1,300 letters, many dissertations, studies, and drawings. In time, Cavanilles achieved another goal: in 1801, he was finally appointed professor and director of the garden. Regrettably, he died in Madrid on May 10, 1804. The Cavanillesia, a tree from Central America, was later named for this famousMaterial Spanish scientist. ANDERS DAHL The lives of Dahl and his Spanish ‘godfather’ could not have been any more different. Born March 17,1751, in Varnhem town (Västergötland), this Swedish botanist struggled with health and financial hardship throughout his short life. While attending school in Skara, he and several teenage friends with scientific bent founded the “Swedish Topographic Society of Skara” and sought to catalogue the natural world of their community. With his preacher father’s support, the young Dahl enrolled on April 3, 1770, at Uppsala University in medicine, and he soon became one of Carl Linnaeus’ students. -
On the Structuring of a Model for Multiplying Exhibition Experience Through Utilizing Digital Technologies
On the structuring of a model for multiplying exhibition experience through utilizing digital technologies KITANO, Keisuke (Professor, College of Image Arts and Sciences, Ritsumeikan University) OHSHIMA, Toshikazu (Professor, College of Image Arts and Sciences, Ritsumeikan University) WATANABE, Shuji (Associate Professor, College of Image Arts and Sciences, Ritsumeikan University) future of energy and was primarily aimed at teenagers Abstract: to deepen their understanding of nuclear power and This paper discusses a research report for radioactivity in the wake of the nuclear accidents structuring a model for multiplying exhibition triggered by the Great East Japan Earthquake. experience through utilizing digital technologies such Serving as preparatory work for the Dejima as Virtual Reality(VR) and game design creation based Project by mobilizing digital technology and video- on two field research projects. game-inspired induction methodology into exhibit One of the projects is about achievements and development, through the incorporation of interactive findings of exhibition practice conducted in spring visual technology with playful design in addition to 2012 at Kyoto Museum for World Peace, Ritsumeikan conventional one-way information presentation, such University. The other is about preparatory stages as through the use of panels and exhibits, the interests of a project of which the main purpose is to structure and motivation of visitors can be raised, and realization a game-inspired Virtual Reality system in which one of memorable exhibiting can be considered. could experience a digital simulation of Nagasaki’s Dejima in the Edo Period in Japan through multi-modal Five meetings were held with staff members interactivity. involved in this exhibition in which it was decided to conduct two projects: A) Production of interactive visual systems; and B) Production of tour experiencing Keywords: design for exhibiting and viewing. -
Gardenias, Magnolias and Oleanders
Gardenias, Magnolias and Oleanders Gardenia jasminoides is cultivated throughout the gardens of New Orleans as a sweet-scented flowering shrub. The Gardenia is a genus of 142 species of flowering plants in the coffee family, Rubiaceae, native to the tropical and subtropical regions of Africa, southern Asia, Australasia and Oceania. Several species occur on the island of Hawaii, and is known in to many people in New Orleans as the Cape jasmine. The fragrant and beautiful gardenia Since this species originated in warm humid tropical areas, it demands high humidity to thrive and bright (not direct) light. It flourishes in acidic soils with good drainage and thrives in Crescent City temperatures. Flowering is from about mid-spring to mid-summer, with May the predominant month. The stunningly beautiful shrub with the fragrant white flowers did not derive its name from “the garden”, however. It all began in Charleston, South Carolina, where there lived a Scottish-born botanist named Dr. Alexander Garden (1730 -1791). He was a member of several learned societies and was a fellow of the Royal Society in London. He collected all manner of flora and fauna, which he packed up and sent to London zoologist John Ellis and famous Swedish naturalist Carl Linnaeus. He bundled up and sent them various magnolias and some Gordonia specimens, but the plant that bears his name had nothing to do with his particular efforts. It wasn’t even American. Linnaeus was strongly persuaded by Ellis to name something after Garden, so the Gardenia became the name for the Cape jasmine, also known as Cape jessamine. -
Vernon H. Heywood the Cultural Heritage Of
Bocconea 28: 161-172 https://doi.org/10.7320/Bocc28.161 Version of Record published online on 22 November 2019 Vernon H. Heywood The cultural heritage of Mediterranean botanic gardens* Abstract Heywood, V. H.: The cultural heritage of Mediterranean botanic gardens. — Bocconea 28: 161- 172. 2019. — ISSN: 1120-4060 printed, 2280-3882 online. Mediterranean botanic gardens represent a rich and diverse cultural heritage, both tangible and intangible. They include spectacular landscapes and the plantings include many important intro- ductions of both ornamental and economically important species. The gardens also contain many buildings of great architectural merit, some historic, some modern. Also important are the historic glasshouses and shade houses. Many of these gardens contain important herbarium collections that have served a key role in the preparation of Floras and major botanical libraries containing historical works of great value as well as works of art, sculptures paintings, drawings, and other illustrations and invaluable historic archives. The intangible cultural heritage of these gardens is represented by the impact that they have had the inhabitants of the cities and towns in which they are located and on generations of visitors – students, professionals and the public. With the decline of teaching and research in botany as a university discipline, some of these collections are at risk of dispersal or an even worse fate. In the face of these uncertainties a series of proposals to help safeguard this invaluable heritage is given, including the compilation of an inventory of these his- torically important buildings, libraries, works of art and archives and the use of the latest scanning and imaging techniques so that a visual record is prepared. -
COUNTRY GARDENS John Singer Sargent RA, Alfred Parsons RA, and Their Contemporaries
COUNTRY GARDENS John Singer Sargent RA, Alfred Parsons RA, and their Contemporaries Broadway Arts Festival 2012 COUNTRY GARDENS John Singer Sargent RA, Alfred Parsons RA, and their Contemporaries CLARE A. P. WILLSDON Myles Birket Foster Ring a Ring a Roses COUNTRY GARDENS John Singer Sargent RA, Alfred Parsons RA, and their Contemporaries at the premises of Haynes Fine Art Broadway Arts Festival Picton House 9th -17th June 2012 High Street Broadway Worcestershire WR12 7DT 9 - 17th June 2012 Exhibition opened by Sir Roy Strong BroadwayArtsFestival2012 BroadwayArtsFestival2012 Catalogue published by the Broadway Arts Festival Trust All rights reserved. No part of this catalogue may (Registered Charity Number 1137844), be reproduced, stored in any retrieval system, or 10 The Green, Broadway, WR12 7AA, United Kingdom, transmitted, in any form or by any means, without the for the exhibition: prior permission of the Broadway Arts Festival Trust and Dr. Clare A.P. Willsdon ‘Country Gardens: John Singer Sargent RA, Alfred Parsons RA, and their Contemporaries’, 9th-17th June 2012 ISBN: 978-0-9572725-0-7 Academic Curator and Adviser: Clare A.P. Willsdon, British Library Cataloguing in Publication Data: CONTENTS PhD (Cantab), MA (Cantab), FRHistS, FRSA, FHEA, A catalogue record for the book is available from the Reader in History of Art, University of Glasgow British Library. Country Gardens: John Singer Sargent RA, Alfred Parsons RA, and their Contemporaries ......................................................1 © Broadway Arts Festival Trust 2012 Front cover: Alfred Parsons RA, Orange Lilies, c.1911, © Text Clare A.P. Willsdon 2012 oil on canvas, 92 x 66cm, ©Royal Academy of Arts, Notes ............................................................................................................... 20 London; photographer: J. -
Nomenclatural Studies Toward a World List of Diptera Genus-Group Names
Nomenclatural studies toward a world list of Diptera genus-group names. Part V Pierre-Justin-Marie Macquart Evenhuis, Neal L.; Pape, Thomas; Pont, Adrian C. DOI: 10.11646/zootaxa.4172.1.1 Publication date: 2016 Document version Publisher's PDF, also known as Version of record Document license: CC BY Citation for published version (APA): Evenhuis, N. L., Pape, T., & Pont, A. C. (2016). Nomenclatural studies toward a world list of Diptera genus- group names. Part V: Pierre-Justin-Marie Macquart. Magnolia Press. Zootaxa Vol. 4172 No. 1 https://doi.org/10.11646/zootaxa.4172.1.1 Download date: 02. Oct. 2021 Zootaxa 4172 (1): 001–211 ISSN 1175-5326 (print edition) http://www.mapress.com/j/zt/ Monograph ZOOTAXA Copyright © 2016 Magnolia Press ISSN 1175-5334 (online edition) http://doi.org/10.11646/zootaxa.4172.1.1 http://zoobank.org/urn:lsid:zoobank.org:pub:22128906-32FA-4A80-85D6-10F114E81A7B ZOOTAXA 4172 Nomenclatural Studies Toward a World List of Diptera Genus-Group Names. Part V: Pierre-Justin-Marie Macquart NEAL L. EVENHUIS1, THOMAS PAPE2 & ADRIAN C. PONT3 1 J. Linsley Gressitt Center for Entomological Research, Bishop Museum, 1525 Bernice Street, Honolulu, Hawaii 96817-2704, USA. E-mail: [email protected] 2 Natural History Museum of Denmark, Universitetsparken 15, 2100 Copenhagen, Denmark. E-mail: [email protected] 3Oxford University Museum of Natural History, Parks Road, Oxford OX1 3PW, UK. E-mail: [email protected] Magnolia Press Auckland, New Zealand Accepted by D. Whitmore: 15 Aug. 2016; published: 30 Sept. 2016 Licensed under a Creative Commons Attribution License http://creativecommons.org/licenses/by/3.0 NEAL L. -
Dejima and Huis Ten Bosch •fi Two Dutch Cities in Japan
UC Berkeley TRANSIT Title Dejima and Huis Ten Bosch – Two Dutch Cities in Japan Permalink https://escholarship.org/uc/item/9vv631q8 Journal TRANSIT, 5(1) Authors Brandt, Bettina Tawada, Yoko Publication Date 2009 DOI 10.5070/T751009741 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Hausutembosu (Huis ten Bosch) by Bettina Brandt Looking for traces of historical Dutch-Japanese trade relations in the Nagasaki area, Y and I stopped at Huis ten Bosch, a Dutch theme park in Sasebo that doubles as a waterfront resort-cum-residential area, drawing tourists as well as those interested in experiments in urban living. Most of the tourists come from Southeast Asia (Japan, Taiwan, Korea); tourists from other places are few and far between. A local Japanese tycoon envisioned the park in the late eighties, at a time when a number of such ethno-themed parks—known in Japanese as gaikoku mura (foreign villages)—were being built. Period parks like Edo Wonderland in Hokkaido (tagline: “the essence of Japan”) are also popular tema paku destinations in Japan. There, tourists can visit the past and walk around in Edo-period costumes (and dress up like a samurai, wear a ninja costume, or perhaps dress up as a yuujo , 遊女, or “play woman”) for the day. The Japanese theater troupe Lasenkan in Berlin When Huis ten Bosch finally opened its doors to the public in the early 1990s, however, the recession was about to hit, and the park, one of the subsidiaries of the Huis ten Bosch Corporation, has been in receivership twice already. -
Japan and the West:An Historical Sketch
NAOSITE: Nagasaki University's Academic Output SITE Title Japan and the West:an historical sketch Author(s) McOmie, William Walter Citation 長崎大学教育学部人文科学研究報告, 44, pp.49-67; 1992 Issue Date 1992-03-25 URL http://hdl.handle.net/10069/33155 Right This document is downloaded at: 2017-12-22T06:28:08Z http://naosite.lb.nagasaki-u.ac.jp ftptf7kcfl}kwtfffl;gtsAJsZjstfl}k6}f3eXIS ag44e 49---67 (l992) Japan and the West : an historical sketch William Walter McOmie If asked most people would answer that parallel lines, by definition, do not intersect. That is true in the ideal world of Euclidean geometry. But we do not live in such a world. In the real world parallel lines intersect with a vengeance. In this paper those parallel lines will represent parallel countries and cultures and the focus will be on those points where they intersect and connect. If this paper has any claim to originality, it is not in the discovery of heretofore unknown historieal personages or events, but in their interpretation and integration. Indeed, history has shown that history, as such, does not exist, but rather the different interpretations of past events by individual historians. I hope that this paper will serve as a model of a kind of historical interpretation that strives to connect different countries and cultures. The purpose of this paper is twofold:to provide a capsule account of the most significant events in world and Japanese history leading up to the first landing of Europeans in Japan, and to focus on the interaction of Europeans and Japanese up to the year 1852. -
Portuguese Ships on Japanese Namban Screens
PORTUGUESE SHIPS ON JAPANESE NAMBAN SCREENS A Thesis by KOTARO YAMAFUNE Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Major Subject: Anthropology Portuguese Ships on Japanese Namban Screens Copyright 2012 Kotaro Yamafune PORTUGUESE SHIPS ON JAPANESE NAMBAN SCREENS A Thesis by KOTARO YAMAFUNE Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Approved by: Chair of Committee, Luis Filipe Vieira de Castro Committee Members, Kevin J. Crisman Molly Warsh Head of Department, Cynthia Werner August 2012 Major Subject: Anthropology iii ABSTRACT Portuguese Ships on Japanese Namban Screens. (August 2012) Kotaro Yamafune, B.A., Hosei University Chair of Advisory Committee: Dr. Luis Filipe Vieira de Castro Namban screens are a well-known Japanese art form that was produced between the end of the 16th century and throughout the 17th century. More than 90 of these screens survive today. They possess substantial historical value because they display scenes of the first European activities in Japan. Among the subjects depicted on Namban screens, some of the most intriguing are ships: the European ships of the Age of Discovery. Namban screens were created by skillful Japanese traditional painters who had the utmost respect for detail, and yet the European ships they depicted are often anachronistic and strangely. On maps of the Age of Discovery, the author discovered representations of ships that are remarkably similar to the ships represented on the Namban screens. -
Carl Peter Thunberg and Japanese Natural History
ISSN: 2186-8476, ISSN: 2186-8468 Print Vol. 2 No. 2, June 2013 CARL PETER THUNBERG AND JAPANESE NATURAL HISTORY Bertil Nordenstam Department of Phanerogamic Botany, Swedish Museum of Natural History, Box 50007, SE-10405 Stockholm, SWEDEN. 1 [email protected] ABSTRACT Carl Peter Thunberg (1743-1828) was the most famous of Linnaeus’s pupils and became known as the `Linnaeus of Japan`. However, he was a zoologist almost as much as a botanist and should be remembered also for his lasting contributions to zoology, especially entomology. He published about 160 zoological papers, 90 of which dealt with insects, and he described more than 1,500 new species of insects. One of his first scientific papers dealt with the new grasshopper genus Pneumora from South Africa. Thunberg’s insect collections amount to 36,000 specimens and are largely intact as today. He was also the author of several mammals, such as the Brown Hyaena, and a number of reptiles and fishes, including several new species from Japan. Keywords: Thunberg, Japanese natural history, Entomology, Linnaean disciple, Taxonomy, History of science INTRODUCTION We tend to think of Linnaeus and many of his foremost pupils as botanists. Linnaeus has been famed as ‘ Princeps botanicorum’ , and his perhaps most successful disciple, Carl Peter Thunberg (1743—1828; Fig. 1), has been named the ‘Father of South African Botany’ and also the ‘Linnaeus of Japan’. However, most of the Linnaean apostles, like Linnaeus himself, were medical doctors and zoologists as well – in fact they are better labeled as naturalists, or natural history scientists. Their academic positions were not in botany, but rather in medicine and botany, and similar combinations.