DOCSLIB.ORG

357 REFERENCES Discography Asian Dub Foundation. Facts And

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

REFERENCES Discography Asian Dub Foundation. Facts and Fictions. London: Nation Records, 1995. 1 sound disc. ———. Rafi's Revenge. London and New York, N.Y.: London Records/ Polygram Records, 1998. 1 sound disc. Bhosle, Asha. The Best of Asha Bhosle: The Golden Voice of Bollywood. London: Manteca World Music (a Union Square Music Label,) reissuing recordings owned by Gramophone Co. of India Ltd. (Calcutta) under license from Saragema Plc, 2000. Bor, Joep, Suvarnalata Rao, Wim van der Meer, Jane Harvey, Hariprasad Chaurasia, Buddhadev DasGupta, Shruti Sadolikar-Katkar, and Vidyadhar Vyas. The Raga Guide: A Survey of 74 Hindustani Ragas. Monmouth England: Nimbus Records, 1999. Earthtribe, and Various Artists. Eastern Uprising. London: Columbia Records, 1997. Harv and Sunny aka Sutrasonic [Harv Nagi and Sunny Sharma]. The Bombay Jazz Palace. London: Outcaste Records, 2001. Hussain, Zakir. Music of the Deserts. New Delhi: Living Media India, 1993. sound recording. Joi. One and One Is One. Corsham, Wiltshire, UK: Real World Records, 1999. 1 sound disc. Khan, Nusrat Fateh Ali, and Michael Brook. Star Rise. New York: Real World Records, 1997. 1 sound disc. Outcaste. Bollywood Breaks. London: Outcaste Records, 2001. 357 Sawhney, Nitin. Beyond Skin. London: Outcaste Records, 1999. 1 sound disc. ———. Displacing the Priest. London: Outcaste Records. 1 sound disc. ———. Prophesy. Berlin: V2 Music Limited, 2001. 1 sound disc. Shankar, Uday, and Uday Shankar Company. Indian Music: Ragas and Dances. New York: RCA Victrola, 1968. 1 sound disc. Singh, Talvin. Anokha: Soundz of the Asian Underground. New York, NY: Quango, 1997. 1 sound disc. ———. Back to Mine: Talvin Singh: A Chilled Personal Collection for after Hours Grooving: DMC, 2001. ———. O.K. London: Island Records, 1998. 1 sound disc. State of Bengal. Visual Audio. London: One Little Indian, 1999. 1 sound disc. ———. Visual Audio. San Francisco: Six Degrees Records, 2000. 1 sound disc. Various Artists. Essential Asian Flavas Vol. 2: New Hits, Fresh Grooves & Desi Beats. London: Outcaste, 2003. 1 sound disc. ———. Essential Asian Flavas: Hits, Beats & New Grooves. London: Outcaste, 2003. ———. I Love Bollywood: 15 Classic Tracks from Bollywood's Greatest Songs. London: Manteca World Music, 2001. ———. Indica Brazilica: The Very Best Brazilian Beats and Asian Flavas. London: Outcaste Records, 2003. 1 sound disc. ———. Pakistani Soul Music. Berlin: Haus der Kulturen der Welt, 1997. sound recording. 358 ———. The Classical Indian Collection. London: Outcaste Records, 2003. Various Artists, Shabs (compiler), and Imran Khan (liner notes). Bollywood Funk. London: Outcaste Records, 2000. 1 sound disc. Various Artists, Claude Challe, and Ravin. Buddha-Bar. Paris: Mercury/Universal, 1999. 2 sound discs. Other Materials "000 Zerozerozero: British Asian Cultural Provocation [Events Brochure]." London: Whitechapel Art Gallery, 1999. 23-24-25 Augustus 2001: Pukkel Pop Hasselt-Kiewit [B] (the Unofficial Site): Talvin Singh [UK]. 2000-01. Pirate Pukkell, http://users.compaqnet.be/pukkelpop/bands/talvinsingh.html. (accessed August 8, 2004). 2001 Census Key Statistics for Spitalfields & Banglatown Ward. 2001. Tower Hamlets Council, http://www.towerhamlets.gov.uk/data/discover/downloads/census ward-SpitalfieldsBanglatown.pdf. (accessed January 9, 2005). "Builder". 2005. Bustin' Caps on the Streets of Chittagong. In Tales from the Subcontinent, http://changezi.blogspot.com/2005/05/bustin-caps-on- streets-of-chittagong.html. (accessed July 17, 2005). Abrahams, Ruth Karen. "The Life and Art of Uday Shankar." Ph.D. dissertation, New York University, 1986. Adorno, Theodor W. "Perennial Fashion--Jazz." In Prisms, 119-32. Cambridge, Mass.: MIT Press, 1997. Aftab, Kaleem. "Brown: The New Black: Bollywood in Britain." Critical Quarterly 44, no. 3 (2002): 88-99. 359 ———. "Brown: The New Black! Bollywood in Britain." Critical Quarterly 44, no. 3 (2002): 88-98. Ahmad, Ali Nobil. "Whose Underground? Asian Cool and the Poverty of Hybridity." Third Text 54 (2001): 71-84. Alessandrini, Anthony C. ""My Heart's Indian for All That": Bollywood Film between Home and Diaspora." Diaspora 10, no. 3 (2001): 315-40. Alexander, Claire. "Beyond Black: Re-Thinking the Colour/Culture Divide." Ethnic and Racial Studies 25, no. 4 (2002): 552-71. ———. "(Dis)Entangling the 'Asian Gang': Ethnicity, Identity, Masculinity." In Un/Settled Multiculturalisms, edited by Barnor Hesse, 123-47. London: Zed Books, 2000. amazon.com. 1998-2004. Talvin Singh: Ok. http://www.amazon.com/exec/obidos/tg/detail/- /B00000DI1W/ref=m_art_li_2/104-2565944- 9483918?v=glance&s=music. (accessed August 8, 2004). American Hindus Against Defamation. 2006. American Hindus against Defamation. http://www.hindunet.org/ahad/. (accessed August 21,, 2006). Amrith, Sunil S. "Asian Internationalism: Bandung's Echo in a Colonial Metropolis." Inter-Asia Cultural Studies 6, no. 4 (2005): 557-69. Anand, N., and Richard A. Peterson. "When Market Information Constitutes Fields: Sensemaking of Markets in the Commercial Music Industry." Organization Science 11, no. 3 (2000): 270-84. Anderson, Benedict R. O' G. Imagined Communities: Reflections on the Origin and Spread of Nationalism. Rev. ed. London; New York: Verso, 1991. Anderson, Ian. 2000. World Music History (1). fRoots, http://www.frootsmag.com/content/features/world_music_history/. (accessed May 29, 2004). 360 Araeen, Rasheed. "A New Beginning: Beyond Postcolonial Theory and Identity Politics." In The Third Text Reader on Art, Culture, and Theory, edited by Rasheed Araeen, Sean Cubitt and Ziauddin Sardar, 333-45. London: Continuum, 2002. ———. "The Success and Failure of Black Art." Third Text 18, no. 2 (2004): 135- 52. ———, ed. The Other Story: Afro-Asian Artists in Post-War Britain. London: Hayward Gallery, South Bank Centre, 1989. Aravamudan, Srinivas. "The Colonial Logic of Late Romanticism." South Atlantic Quarterly 102 (2003): 179-214. Armstrong, Meg. ""A Jumble of Foreignness": The Sublime Musayums of Nineteenth-Century Fairs and Expositions." Cultural Critique, no. 23 (1992): 199-250. Arnold, Alison E. "Popular Film Song in India: A Case of Mass Market Musical Eclecticism." Popular Music 7, no. 2 (1988): 177-88. Arora, Poonam. "Annual Film Quarterly Film Book Survey, Part II: The Cinema of Satyajit Ray: Between Tradition and Modernity, by Darius Cooper." Caliber - Film Quarterly 55, no. 1 (2001): 54-56. Arts Council England: About Us. 2006. Arts Council England, http://www.artscouncil.org.uk/aboutus/index.php. (accessed January 22, 2006). Arts Worldwide: About Us. 2004. Arts Worldwide, http://www.artsworldwide.org.uk/about_us.html. (accessed August 26, 2004). Asians Fear and Wonder at Eclipse. 1999. BBC News, http://news.bbc.co.uk/1/hi/sci/tech/specials/total_eclipse/417669.st m. (accessed July 23,, 2006). Ata-Ullah, Naazish. "Stylistic Hybridity and Colonial Art and Design Education: A Wooden Carved Screen by Ram Singh." In Colonialism and 361 the Object: Empire, Material Culture and the Museum, edited by Tim Barringer and Tom Flynn, 68-81. London and New York: Routledge, 1998. Avalon, Moses. Confessions of a Record Producer: How to Survive the Scams and Shams of the Music Business. San Francisco: Backbeat Books, 2001. Babiracki, Carol M. "Tribal Music in the Study of Great and Little Traditions of Indian Music." In Comparative Musicology and Anthropology of Music, edited by Bruno Nettl and Philip V. Bohlman, 69-90. Chicago: University of Chicago Press, 1991. Bakhle, Janaki. "Two Men and Music: Nationalism, Colonialism and the Making of Hindu Modernity in Western India, 1843-1926." Ph.D. dissertation, Columbia University, 2002. Balasaraswati, Tanjore. "Bala on Bharatanatyam." Sruti 5 (1984): 11-14. Bald, Vivek. "Mutiny: Asians Storm British Music." 77 min. United States, 2003. Bandyopadhyay, Pranab. Bauls of Bengal. Calcutta: Firma KLM, 1989. Bandyopadhyay, Sudhansu Mohan. Baul Songs of Bengal. Calcutta: United Writers (selling agents Firma KLM), 1976. Banerjea, Koushik. "Sonic Diaspora and Its Dissident Footfalls." Postcolonial Studies: Culture, Politics, Economy 1, no. 3 (1998): 389-400. ———. "Sounds of Whose Underground? The Tuning of Diaspora in an Age of Mechanical Reproduction." Theory, Culture & Society 17, no. 3 (2000): 64-79. Banerjea, Koushik, and Partha Banerjea. "Psyche and Soul: A View from the 'South'." In Dis-Orienting Rhythms: The Politics of the New Asian Dance Music, edited by Sanjay Sharma, John Hutnyk and Ashwani Sharma, 105-24. London: Zed Books, 1996. 362 Banerjea, Koushik, and Jatinder Barn. "Visioning Terror: Jallianwala Bagh and the Jungle." In Dis-Orienting Rhythms: The Politics of the New Asian Dance Music, edited by Sanjay Sharma, John Hutnyk and Ashwani Sharma, 193-216. London: Zed Books, 1996. Banerji, Projesh. Uday Shankar and His Art. Delhi: B.R. Pub. Corp., 1982. Banerji, Sabita. "Ghazals to Bhangra in Great Britain." Popular Music 7, no. 2 (1988): 207-13. Banerji, Sabita, and Gerd Baumann. "Bhangra 1984-8: Fusion and Professionalization in a Genre of South Asian Dance Music." In Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, edited by Paul Oliver. Milton Keynes: Open University Press, 1990. "Bangladesh Festival Launched." BBC Online Network: BBC News, July 8, 1999, http://news.bbc.co.uk/1/hi/world/south_asia/388378.stm. "Bangladeshis in Britain." London: House of Commons Home Affairs Committee (HMSO), 1986. Barber, Nick. "Music: The Mercury Prize: Is There a More Baffling Award?" The Independent Sunday, September 5, 1999, 9. Barringer, Tim. "The South
Recommended publications
  • Annie Ross Uk £3.25

    Annie Ross Uk £3.25

    ISSUE 162 SUMMER 2020 ANNIE ROSS UK £3.25 Photo by Merlin Daleman CONTENTS Photo by Merlin Daleman ANNIE ROSS (1930-2020) The great British-born jazz singer remembered by VAL WISEMAN and DIGBY FAIRWEATHER (pages 12-13) THE 36TH BIRMINGHAM, SANDWELL 4 NEWS & WESTSIDE JAZZ FESTIVAL Birmingham Festival/TJCUK OCTOBER 16TH TO 25TH 2020 7 WHAT I DID IN LOCKDOWN [POSTPONED FROM ORIGINAL JULY DATES] Musicians, promoters, writers 14 ED AND ELVIN JAZZ · BLUES · BEBOP · SWING Bicknell remembers Jones AND MORE 16 SETTING THE STANDARD CALLUM AU on his recent album LIVE AND ROCKING 18 60-PLUS YEARS OF JAZZ MORE THAN 90% FREE ADMISSION BRIAN DEE looks back 20 THE V-DISC STORY Told by SCOTT YANOW 22 THE LAST WHOOPEE! Celebrating the last of the comedy jazz bands 24 IT’S TRAD, GRANDAD! ANDREW LIDDLE on the Bible of Trad FIND US ON FACEBOOK 26 I GET A KICK... The Jazz Rag now has its own Facebook page. with PAOLO FORNARA of the Jim Dandies For news of upcoming festivals, gigs and releases, features from the archives, competitions and who 26 REVIEWS knows what else, be sure to ‘like’ us. To find the Live/digital/ CDs page, simply enter ‘The Jazz Rag’ in the search bar at the top when logged into Facebook. For more information and to join our mailing list, visit: THE JAZZ RAG PO BOX 944, Birmingham, B16 8UT, England UPFRONT Tel: 0121454 7020 BRITISH JAZZ AWARDS CANCELLED WWW.BIRMINGHAMJAZZFESTIVAL.COM Fax: 0121 454 9996 Email: [email protected] This is the time of year when Jazz Rag readers expect to have the opportunity to vote for the Jazz Oscars, the British Jazz Awards.
  • TIDE Salon — Transcript PDF Accessible Text Descriptions and Transcription Produced by Harriet Smith Hughes

    TIDE Salon — Transcript PDF Accessible Text Descriptions and Transcription Produced by Harriet Smith Hughes

    1 TIDE Salon — Transcript PDF Accessible text descriptions and transcription produced by Harriet Smith Hughes. Table of Contents Funder’s Introduction Landing Page Introduction to TIDE: by Nandini Das TIDE Salon Introduction Icons and Journey Map Website Footer TIDE Salon Credits Embarkation ‘Alien’ Keyword Alien — Final composition Alien — Keyword essay Alien — Project Archive First project Zoom — all participants Alien — Mid-composition Project WhatsApp Alien — Pre-composition Artist Research Alien — Artist’s experimentation, Zia Ahmed Alien — Post-composition Project Zoom Alien — Steven Savale reflects Alien — Artist Profiles Alien — Fragment by Preti Taneja Alien — Biography of Preti Taneja ‘Traveller’ Keyword Traveller — Final Composition Traveller — Keyword essay Traveller — Project Archive Traveller — Freeplay experiments Traveller — Acoustic live play Traveller — Collaboration WhatsApp 1 Traveller — Collaboration WhatsApp 2 Traveller — Artists’ Project Zoom Part 1 2 Traveller — Artists’ Project Zoom Part 2 Traveller — Post-composition Project Zoom Traveller — Shama Rahman reflects on the project Traveller — Artist Profiles Traveller — Fragment by Preti Taneja ‘Savage’ Keyword Savage — Final composition Savage — Keyword essay Savage — Project archive Savage — Artists’ Project Zoom Part 1 Savage — Ms Mohammed’s Experimentation and Live Takes Savage — Sarathy Korwar’s experimentation Savage — Artists’ Project Zoom Part 2 Savage — WhatsApp / Email Collaborations Savage — Post-composition Project Zoom Savage — Ms. Mohammed reflects on the process Savage — Artist Profiles Savage — Fragment by Preti Taneja Funder’s Introduction [Black background with text, headed by three logos: the TIDE logo; the Oxford University logo; and the ERC, European Research Council logo.] The TIDE project is funded by the European Research Council (ERC) under the European Union’s Horizon 2020 research and innovation programme (grant agreement no.
  • Download Spring 2015

    Download Spring 2015

    LAUREN ACAMPORA CHARLES BRACELEN FLOOD JOHN LeFEVRE BELINDA BAUER ROBERT GODDARD DONNA LEON MARK BILLINGHAM FRANCISCO GOLDMAN VAL McDERMID BEN BLATT & LEE HALL with TERRENCE McNALLY ERIC BREWSTER TOM STOPPARD & ELIZABETH MITCHELL MARK BOWDEN MARC NORMAN VIET THANH NGUYEN CHRISTOPHER BROOKMYRE WILL HARLAN JOYCE CAROL OATES MALCOLM BROOKS MO HAYDER P. J. O’ROURKE KEN BRUEN SUE HENRY DAVID PAYNE TIM BUTCHER MARY-BETH HUGHES LACHLAN SMITH ANEESH CHOPRA STEVE KETTMANN MARK HASKELL SMITH BRYAN DENSON LILY KING ANDY WARHOL J. P. DONLEAVY JAMES HOWARD KUNSTLER KENT WASCOM GWEN EDELMAN ALICE LaPLANTE JOSH WEIL MIKE LAWSON Grove Atlantic, 154 West 14th Street, 12 FL, New York, New York 10011 GROVE PRESS Hardcovers APRIL A startling debut novel from a powerful new voice featuring one of the most remarkable narrators of recent fiction: a conflicted subversive and idealist working as a double agent in the aftermath of the Vietnam War The Sympathizer Viet Thanh Nguyen MARKETING Nguyen is an award-winning short story “Magisterial. A disturbing, fascinating and darkly comic take on the fall of writer—his story “The Other Woman” Saigon and its aftermath and a powerful examination of guilt and betrayal. The won the 2007 Gulf Coast Barthelme Prize Sympathizer is destined to become a classic and redefine the way we think about for Short Prose the Vietnam War and what it means to win and to lose.” —T. C. Boyle Nguyen is codirector of the Diasporic Vietnamese Artists Network and edits a profound, startling, and beautifully crafted debut novel, The Sympathizer blog on Vietnamese arts and culture is the story of a man of two minds, someone whose political beliefs Published to coincide with the fortieth A clash with his individual loyalties.
  • Diasporic Music in a Time of War”: Pantomime Terrors

    Diasporic Music in a Time of War”: Pantomime Terrors

    “Diasporic Music in a Time of War”: Pantomime Terrors John Hutnyk1 Centre for Cultural Studies at Goldsmiths, University of London I increasingly find it problematic to write analytically about “diaspora and music” at a time of war. It seems inconsequential; the culture industry is not much more than a distraction; a fairy tale diversion to make us forget a more sinister amnesia behind the stories we tell. This paper nonetheless takes up debates about cultural expression in the field of diasporic musics in Britain. It examines instances of creative engagement with, and destabilisation of, music genres by Fun^da^mental and Asian Dub Foundation, and it takes a broadly culture critique perspective on diasporic creativity as a guide to thinking about the politics of hip- hop in a time of war. Examples from music industry and media reportage of the work of these two bands pose both political provocation and a challenge to the seemingly unruffled facade of British civil society, particularly insofar as musical work might still be relevant to struggles around race and war. Here, at a time of what conservative critics call a ‘clash of civilizations’, I examine how music and authenticity become the core parameters for a limited and largely one-sided argument that seems to side-step political context in favour of sensationalised – entrenched – identities and a mythic, perhaps unworkable, ideal of cultural harmony that praises the most asinine versions of multiculturalism while demonizing those most able to bring it about. Here the idea that musical cultures are variously authentic, possessive or coherent must be questioned when issues of death and destruction are central, but ignored.
  • Craft Focus Magazine

    Craft Focus Magazine

    www.craftfocus.com April/May 2010 April/May CRAFTFOCUS Issue 18 www.craftfocus.com MAGAZINE Happy Birthday Craft Focus! REVIEWS • Craft Hobby + Stitch International • CHA Winter Show TRIED AND TESTED KNITTING YARN How card making is evolving Does e-commerce work for your business? PLUS WIN! Latest products £500 worth of Numberjacks craft Industry profiles kits from Creativity International News & views Position Yourself for the Economic Recovery! Just turn the page to discover how leading UK retailers and manufacturers plan to grow their business in 2010! Give Your Business a Competitive Join us on a Special Reader Trip to the 27-29 Stephens Con Rosemont, Illinois - j “It’s the ideal platform for UK manufacturers and retailers to learn more about the US craft business and the way it operates. Many UK companies that have ventured into the important US market have used the Show as a starting point before committing full-scale.” - Sara Davies, Sales Director at Crafter’s Companion Discover Trends Before Your Competitors X Superb access to craft industry design, manufacturing and retail trends from across the globe X Engage with hundreds of exhibitors and thousands of attendees representing a vast selection of product categories across: B Scrapbooking and Papercrafts B Fabric, Quilting and Needlecrafts B Art Materials and Framing B General Crafts Edge and Find Inspiration in Chicago CHA 2010 Summer Convention & Trade Show July 2010 nvention Center just outside of Chicago Build Your Business with World Class Education X Business building seminars that provide attendees with ideas and strategies they can immediately apply to their own businesses.
  • Exploring the Hip-Hop Culture Experience in a British Online Community

    Exploring the Hip-Hop Culture Experience in a British Online Community

    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2010 Virtual Hood: Exploring The Hip-hop Culture Experience In A British Online Community. Natalia Cherjovsky University of Central Florida Part of the Sociology of Culture Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Cherjovsky, Natalia, "Virtual Hood: Exploring The Hip-hop Culture Experience In A British Online Community." (2010). Electronic Theses and Dissertations, 2004-2019. 4199. https://stars.library.ucf.edu/etd/4199 VIRTUAL HOOD: EXPLORING THE HIP-HOP CULTURE EXPERIENCE IN A BRITISH ONLINE COMMUNITY by NATALIA CHERJOVSKY B.S. Hunter College, 1999 M.A. Rollins College, 2003 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2010 Major Professor: Anthony Grajeda © 2010 Natalia Cherjovsky ii ABSTRACT In this fast-paced, globalized world, certain online sites represent a hybrid personal- public sphere–where like-minded people commune regardless of physical distance, time difference, or lack of synchronicity. Sites that feature chat rooms and forums can offer a deep- rooted sense of community and facilitate the forging of relationships and cultivation of ideologies.

  • February 21, 2002 TABLE of CONTENTS DUKE DAYS EVENTS CALENDAR THURSDAY, FEB

    ■ Page 13 ■ Past 19 | Pap 15 Early bird catches the worm Dlamand lakes Iran Man 3ournies Sludtnts mi professors share their CtfehratiM diversity iunior Brent Metheny modeLs his game after m Different paths lead to a common destination. In stories *n& habits of waking before COLOR his baseball idol, former Baltimore Orioles celebration of Black History Month, explore tlie the sun. third baseman Col Ripken jr. journies of several African-American students. fames Madison University Today: Partly cloudy Hiati: 57 THE REEZE - Low: 32 i.i„- ;'i Thui>tiiiu, I cbiittini 21, 201)2 Program Root root root for the home team Junior second teaches baseman Mitch Rigsby was 2 (or 5 at freshmen the plate and scored three of the leadership Diamond Dukes' 17 Bi DAVID CLEMENTSON runs. Senior senior writer designated All freshmen are invited to hitter Steve apply for one of 32 spots on a Ballowe and free leadership getaway called sophomore Ropes and Hopes, being right fielder offered during the spring Alan Lmdsey MBIMter for the first time. each hit a 'It was an amazing experi- home run. ence," said sophomore adding to Jennifer Terrill, who attended JMU s deci- sive 17-6 vic- the trip in September 2000 and tory over will be ■ leader on the trip this George semester It I was a freshman Washington again, i would not miss this University opportunity." Tuesday. Sophomore Jessica Maxwell, who also will help lead the trip this iimtttai after attending as a fresh- man in 2000, said, "Ropes and Hopes enhanced my life. My cloaesl mends are those I met through Ropes and Hopes.
  • YOUNG PEOPLE and BRITISH IDENTITY Gayatri Ganesh, Senior Research Executive, Ipsos MORI 79-81 Borough Road London SE1 1FY

    YOUNG PEOPLE and BRITISH IDENTITY Gayatri Ganesh, Senior Research Executive, Ipsos MORI 79-81 Borough Road London SE1 1FY

    YOUNG AND BRITISHY PEOPLEIDENTIT Research Study Conducted for The Camelot Foundation by Ipsos MORI Contact Details This research was carried out by the Ipsos MORI Qualitative HotHouse: Annabelle Phillips, Research Director, Ipsos MORI YOUNG PEOPLE AND BRITISH IDENTITY Gayatri Ganesh, Senior Research Executive, Ipsos MORI 79-81 Borough Road London SE1 1FY. Tel: 020 7347 3000 Fax: 020 7347 3800 Email: fi [email protected] Internet: www.ipsos-mori.com ©Ipsos MORI/Camelot Foundation J28609 CCheckedhecked & AApproved:pproved: MModels:odels: Annabelle Phillips Pedro Moro Gayatri Ganesh Brandon Palmer Sarah Castell Triston Davis Rachel Sweetman Fiona Bond Joe Lancaster Laura Grievson Samantha Hyde Nosheen Akhtar Helen Bryant Zabeen Akhtar Emma Lynass PPhotographyhotography & DDesign:esign: Diane Hutchison Jay Poyser Dan Rose Julia Burstein CONTENTS Forward.....1 Acknowledgements.....2 Background and Objectives 3 Methodology.....4 Qualitative phase.....4 The group composition.....5 Quantitative phase.....6 Interpretation of qualitative research.....6 Semiotics.....7 Interpretation of semiotics.....9 Report structure.....10 Publication of data.....10 Executive summary 11 Young people’s lives today.....13 The challenge of Britishness.....14 Where next for British youth identity?.....16 Young people in Britain today 19 Young people’s lives today.....21 My identity.....21 My local area.....23 Young people’s views on living in Britain.....28 Where is the concept of Britain relevant.....30 National and ethnic identities 37 England.....39
  • 394 GLOSSARY Acid Jazz Late 1980S and 1990S

    394 GLOSSARY Acid Jazz Late 1980S and 1990S

    GLOSSARY Acid Jazz Late 1980s and 1990s trend where “London fashion victims created their own early seventies-infatuated bohemia by copying jazz-funk records of the era note by note.”1 Associated with DJ Giles Peterson, acid jazz combined jazz and funk influence with electronica to produce a “danceable” version of jazz. Some of the most prominent British artists associated with acid jazz include are the band 4Hero, producer Ronny Jordan, and the James Taylor Quartet (the last of which at one point included Nitin Sawhney.) Ambient Music intended to create a particular atmosphere. Brian Eno, considered a pioneer of the genre, notes, “One of the most important differences between ambient music and nearly any other kind of pop music is that it doesn’t have a narrative structure at all, there are no words, and there isn’t an attempt to make a story of some kind.”2 Ambient music often substitutes distinct melodies and rhythmic patterns for a wash of sound. Some prominent British artists during the 1990s include The Orb, KLF, Mixmaster Morris and Aphex Twin. Bhangra Bhangra originated as a male folk dance in Punjab to accompany the harvest festival, Baisakhi. It is still performed as a folk dance and may be identified by its characteristic swinging rhythm played on the dhol and dholki, double-sided barrel drums. From the late 1970s onwards, Punjabi immigrants in Britain began to fuse with electronic dance styles including house music and later hip-hop.3 These styles produced a distinct genre of music that was recognized as one of the first prominent examples of British Asian youth culture.
  • Felix Issue 1131, 1999

    Felix Issue 1131, 1999

    February 1999 KEEP THE CAT FREE EST 1949 The Students' Newspaper at Imperial College RAG Hits the Ground Running ICU Rag week got off to a sizzling start By Ed Sexton and Sanjay Sikdar 'The Corbett Situation' continued the on Saturday 23 January, with the saxophone tinged theme set by Jazzy famous Sponsored Nude Kamikaze Khazee' but also diversified into slower Parachute jump. This involves a group more melancholic melodies. of enterprising students jumping out of After the brief interval, the red a van next to Harrods at opening time, shirted Dramsoc members tried to rally wearing only an invisible parachute, the spectators. The decision not to use and then pegging it to the Union Build• microphones to enable greater stage ing. movement was ill advised because to In recent years the event has been most observers they appeared to rep• somewhat undersubscribed, but this resent an intriguing silent comedy. year's SNKPJ was a huge success, rais• They beat a hasty retreat to the derisory ing an estimated £1,000. Sixteen men cheers of the music fans. took part, watched by around 200 stu• The show resumed on the right dents and hundreds more shoppers. side of rock as for most the top-draw The fastest time to the Union was 7.30 event was to see 'Cereal Killer', at the minutes by James, with the slowest, moment the second most popular 14.30 by Stan, being rewarded with a band to emerge from Imperial. bottle of booze. All involved seemed to Unashamedly on the lookout for a pos• enjoy the experience, with one SNKP- Photos: Gareih sible record deal they graced the Jer commenting "the best bit was Har• assembled throng with a judicious mix• rods".
  • Keyfinder V2 Dataset © Ibrahim Sha'ath 2014

    Keyfinder V2 Dataset © Ibrahim Sha'ath 2014

    KeyFinder v2 dataset © Ibrahim Sha'ath 2014 ARTIST TITLE KEY 10CC Dreadlock Holiday Gm 187 Lockdown Gunman (Natural Born Chillers Remix) Ebm 4hero Star Chasers (Masters At Work Main Mix) Am 50 Cent In Da Club C#m 808 State Pacifc State Ebm A Guy Called Gerald Voodoo Ray A A Tribe Called Quest Can I Kick It? (Boilerhouse Mix) Em A Tribe Called Quest Find A Way Ebm A Tribe Called Quest Vivrant Thing (feat Violator) Bbm A-Skillz Drop The Funk Em Aaliyah Are You That Somebody? Dm AC-DC Back In Black Em AC-DC You Shook Me All Night Long G Acid District Keep On Searching G#m Adam F Aromatherapy (Edit) Am Adam F Circles (Album Edit) Dm Adam F Dirty Harry's Revenge (feat Beenie Man and Siamese) G#m Adam F Metropolis Fm Adam F Smash Sumthin (feat Redman) Cm Adam F Stand Clear (feat M.O.P.) (Origin Unknown Remix) F#m Adam F Where's My (feat Lil' Mo) Fm Adam K & Soha Question Gm Adamski Killer (feat Seal) Bbm Adana Twins Anymore (Manik Remix) Ebm Afrika Bambaataa Mind Control (The Danmass Instrumental) Ebm Agent Sumo Mayhem Fm Air Sexy Boy Dm Aktarv8r Afterwrath Am Aktarv8r Shinkirou A Alexis Raphael Kitchens & Bedrooms Fm Algol Callisto's Warm Oceans Am Alison Limerick Where Love Lives (Original 7" Radio Edit) Em Alix Perez Forsaken (feat Peven Everett and Spectrasoul) Cm Alphabet Pony Atoms Em Alphabet Pony Clones Am Alter Ego Rocker Am Althea & Donna Uptown Top Ranking (2001 digital remaster) Am Alton Ellis Black Man's Pride F Aluna George Your Drums, Your Love (Duke Dumont Remix) G# Amerie 1 Thing Ebm Amira My Desire (Dreem Teem Remix) Fm Amirali
  • Dhaka's Electronic Music Scene | Norient.Com 7 Oct 2021 23:30:47

    Dhaka's Electronic Music Scene | Norient.Com 7 Oct 2021 23:30:47

    Dhaka's Electronic Music Scene | norient.com 7 Oct 2021 23:30:47 Dhaka's Electronic Music Scene by Faisal Mohammed Khan Dhaka is the Detroit of Bangladesh. But it took some time. Before, the city produced its own independent scene, British Bengalis layed the ground for one of the most influential music styles in the 1990s: Asian underground. Later, Dhakas mainstream scene undermined the cultural values of the alternative scene. An essay about how Dhakas ever growing electronic music scenes are looking for unique sound identities in a globalized world. Introduction Talking about electronic music in a Bangladeshi context is a tricky business. It will seem like there are too many jargons to describe sounds that are already familiar to millions of people in Bangladesh and feel conflicted about its vague beginnings, the culture it seems to represents (including the prejudices) and its place in both the contemporary and the future music scene of Dhaka. As I will discuss further, my focus will be mostly on Dhaka as https://norient.com/index.php/stories/dhakas-electronic-music-scene Page 1 of 7 Dhaka's Electronic Music Scene | norient.com 7 Oct 2021 23:30:47 the musical hub as it constantly introduces new ideas by virtue of being the country’s most globally and nationally connected city, which is constantly trying to introduce new ideas. The electronic music scene has similarities with that of Detroit or Berlin largely in terms of how the illegal underground party scene came into being. Yet there are more dissimilarities, like the unique socio-economic situations.