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357 REFERENCES Discography Asian Dub Foundation. Facts And REFERENCES Discography Asian Dub Foundation. Facts and Fictions. London: Nation Records, 1995. 1 sound disc. ———. Rafi's Revenge. London and New York, N.Y.: London Records/ Polygram Records, 1998. 1 sound disc. Bhosle, Asha. The Best of Asha Bhosle: The Golden Voice of Bollywood. London: Manteca World Music (a Union Square Music Label,) reissuing recordings owned by Gramophone Co. of India Ltd. (Calcutta) under license from Saragema Plc, 2000. Bor, Joep, Suvarnalata Rao, Wim van der Meer, Jane Harvey, Hariprasad Chaurasia, Buddhadev DasGupta, Shruti Sadolikar-Katkar, and Vidyadhar Vyas. The Raga Guide: A Survey of 74 Hindustani Ragas. Monmouth England: Nimbus Records, 1999. Earthtribe, and Various Artists. Eastern Uprising. London: Columbia Records, 1997. Harv and Sunny aka Sutrasonic [Harv Nagi and Sunny Sharma]. The Bombay Jazz Palace. London: Outcaste Records, 2001. Hussain, Zakir. Music of the Deserts. New Delhi: Living Media India, 1993. sound recording. Joi. One and One Is One. Corsham, Wiltshire, UK: Real World Records, 1999. 1 sound disc. Khan, Nusrat Fateh Ali, and Michael Brook. Star Rise. New York: Real World Records, 1997. 1 sound disc. Outcaste. Bollywood Breaks. London: Outcaste Records, 2001. 357 Sawhney, Nitin. Beyond Skin. London: Outcaste Records, 1999. 1 sound disc. ———. Displacing the Priest. London: Outcaste Records. 1 sound disc. ———. Prophesy. Berlin: V2 Music Limited, 2001. 1 sound disc. Shankar, Uday, and Uday Shankar Company. Indian Music: Ragas and Dances. New York: RCA Victrola, 1968. 1 sound disc. Singh, Talvin. Anokha: Soundz of the Asian Underground. New York, NY: Quango, 1997. 1 sound disc. ———. Back to Mine: Talvin Singh: A Chilled Personal Collection for after Hours Grooving: DMC, 2001. ———. O.K. London: Island Records, 1998. 1 sound disc. State of Bengal. Visual Audio. London: One Little Indian, 1999. 1 sound disc. ———. Visual Audio. San Francisco: Six Degrees Records, 2000. 1 sound disc. Various Artists. Essential Asian Flavas Vol. 2: New Hits, Fresh Grooves & Desi Beats. London: Outcaste, 2003. 1 sound disc. ———. Essential Asian Flavas: Hits, Beats & New Grooves. London: Outcaste, 2003. ———. I Love Bollywood: 15 Classic Tracks from Bollywood's Greatest Songs. London: Manteca World Music, 2001. ———. Indica Brazilica: The Very Best Brazilian Beats and Asian Flavas. London: Outcaste Records, 2003. 1 sound disc. ———. Pakistani Soul Music. Berlin: Haus der Kulturen der Welt, 1997. sound recording. 358 ———. The Classical Indian Collection. London: Outcaste Records, 2003. Various Artists, Shabs (compiler), and Imran Khan (liner notes). Bollywood Funk. London: Outcaste Records, 2000. 1 sound disc. Various Artists, Claude Challe, and Ravin. Buddha-Bar. Paris: Mercury/Universal, 1999. 2 sound discs. Other Materials "000 Zerozerozero: British Asian Cultural Provocation [Events Brochure]." London: Whitechapel Art Gallery, 1999. 23-24-25 Augustus 2001: Pukkel Pop Hasselt-Kiewit [B] (the Unofficial Site): Talvin Singh [UK]. 2000-01. Pirate Pukkell, http://users.compaqnet.be/pukkelpop/bands/talvinsingh.html. (accessed August 8, 2004). 2001 Census Key Statistics for Spitalfields & Banglatown Ward. 2001. Tower Hamlets Council, http://www.towerhamlets.gov.uk/data/discover/downloads/census ward-SpitalfieldsBanglatown.pdf. (accessed January 9, 2005). "Builder". 2005. Bustin' Caps on the Streets of Chittagong. In Tales from the Subcontinent, http://changezi.blogspot.com/2005/05/bustin-caps-on- streets-of-chittagong.html. (accessed July 17, 2005). Abrahams, Ruth Karen. "The Life and Art of Uday Shankar." Ph.D. dissertation, New York University, 1986. Adorno, Theodor W. "Perennial Fashion--Jazz." In Prisms, 119-32. Cambridge, Mass.: MIT Press, 1997. Aftab, Kaleem. "Brown: The New Black: Bollywood in Britain." Critical Quarterly 44, no. 3 (2002): 88-99. 359 ———. "Brown: The New Black! Bollywood in Britain." Critical Quarterly 44, no. 3 (2002): 88-98. Ahmad, Ali Nobil. "Whose Underground? Asian Cool and the Poverty of Hybridity." Third Text 54 (2001): 71-84. Alessandrini, Anthony C. ""My Heart's Indian for All That": Bollywood Film between Home and Diaspora." Diaspora 10, no. 3 (2001): 315-40. Alexander, Claire. "Beyond Black: Re-Thinking the Colour/Culture Divide." Ethnic and Racial Studies 25, no. 4 (2002): 552-71. ———. "(Dis)Entangling the 'Asian Gang': Ethnicity, Identity, Masculinity." In Un/Settled Multiculturalisms, edited by Barnor Hesse, 123-47. London: Zed Books, 2000. amazon.com. 1998-2004. Talvin Singh: Ok. http://www.amazon.com/exec/obidos/tg/detail/- /B00000DI1W/ref=m_art_li_2/104-2565944- 9483918?v=glance&s=music. (accessed August 8, 2004). American Hindus Against Defamation. 2006. American Hindus against Defamation. http://www.hindunet.org/ahad/. (accessed August 21,, 2006). Amrith, Sunil S. "Asian Internationalism: Bandung's Echo in a Colonial Metropolis." Inter-Asia Cultural Studies 6, no. 4 (2005): 557-69. Anand, N., and Richard A. Peterson. "When Market Information Constitutes Fields: Sensemaking of Markets in the Commercial Music Industry." Organization Science 11, no. 3 (2000): 270-84. Anderson, Benedict R. O' G. Imagined Communities: Reflections on the Origin and Spread of Nationalism. Rev. ed. London; New York: Verso, 1991. Anderson, Ian. 2000. World Music History (1). fRoots, http://www.frootsmag.com/content/features/world_music_history/. (accessed May 29, 2004). 360 Araeen, Rasheed. "A New Beginning: Beyond Postcolonial Theory and Identity Politics." In The Third Text Reader on Art, Culture, and Theory, edited by Rasheed Araeen, Sean Cubitt and Ziauddin Sardar, 333-45. London: Continuum, 2002. ———. "The Success and Failure of Black Art." Third Text 18, no. 2 (2004): 135- 52. ———, ed. The Other Story: Afro-Asian Artists in Post-War Britain. London: Hayward Gallery, South Bank Centre, 1989. Aravamudan, Srinivas. "The Colonial Logic of Late Romanticism." South Atlantic Quarterly 102 (2003): 179-214. Armstrong, Meg. ""A Jumble of Foreignness": The Sublime Musayums of Nineteenth-Century Fairs and Expositions." Cultural Critique, no. 23 (1992): 199-250. Arnold, Alison E. "Popular Film Song in India: A Case of Mass Market Musical Eclecticism." Popular Music 7, no. 2 (1988): 177-88. Arora, Poonam. "Annual Film Quarterly Film Book Survey, Part II: The Cinema of Satyajit Ray: Between Tradition and Modernity, by Darius Cooper." Caliber - Film Quarterly 55, no. 1 (2001): 54-56. Arts Council England: About Us. 2006. Arts Council England, http://www.artscouncil.org.uk/aboutus/index.php. (accessed January 22, 2006). Arts Worldwide: About Us. 2004. Arts Worldwide, http://www.artsworldwide.org.uk/about_us.html. (accessed August 26, 2004). Asians Fear and Wonder at Eclipse. 1999. BBC News, http://news.bbc.co.uk/1/hi/sci/tech/specials/total_eclipse/417669.st m. (accessed July 23,, 2006). Ata-Ullah, Naazish. "Stylistic Hybridity and Colonial Art and Design Education: A Wooden Carved Screen by Ram Singh." In Colonialism and 361 the Object: Empire, Material Culture and the Museum, edited by Tim Barringer and Tom Flynn, 68-81. London and New York: Routledge, 1998. Avalon, Moses. Confessions of a Record Producer: How to Survive the Scams and Shams of the Music Business. San Francisco: Backbeat Books, 2001. Babiracki, Carol M. "Tribal Music in the Study of Great and Little Traditions of Indian Music." In Comparative Musicology and Anthropology of Music, edited by Bruno Nettl and Philip V. Bohlman, 69-90. Chicago: University of Chicago Press, 1991. Bakhle, Janaki. "Two Men and Music: Nationalism, Colonialism and the Making of Hindu Modernity in Western India, 1843-1926." Ph.D. dissertation, Columbia University, 2002. Balasaraswati, Tanjore. "Bala on Bharatanatyam." Sruti 5 (1984): 11-14. Bald, Vivek. "Mutiny: Asians Storm British Music." 77 min. United States, 2003. Bandyopadhyay, Pranab. Bauls of Bengal. Calcutta: Firma KLM, 1989. Bandyopadhyay, Sudhansu Mohan. Baul Songs of Bengal. Calcutta: United Writers (selling agents Firma KLM), 1976. Banerjea, Koushik. "Sonic Diaspora and Its Dissident Footfalls." Postcolonial Studies: Culture, Politics, Economy 1, no. 3 (1998): 389-400. ———. "Sounds of Whose Underground? The Tuning of Diaspora in an Age of Mechanical Reproduction." Theory, Culture & Society 17, no. 3 (2000): 64-79. Banerjea, Koushik, and Partha Banerjea. "Psyche and Soul: A View from the 'South'." In Dis-Orienting Rhythms: The Politics of the New Asian Dance Music, edited by Sanjay Sharma, John Hutnyk and Ashwani Sharma, 105-24. London: Zed Books, 1996. 362 Banerjea, Koushik, and Jatinder Barn. "Visioning Terror: Jallianwala Bagh and the Jungle." In Dis-Orienting Rhythms: The Politics of the New Asian Dance Music, edited by Sanjay Sharma, John Hutnyk and Ashwani Sharma, 193-216. London: Zed Books, 1996. Banerji, Projesh. Uday Shankar and His Art. Delhi: B.R. Pub. Corp., 1982. Banerji, Sabita. "Ghazals to Bhangra in Great Britain." Popular Music 7, no. 2 (1988): 207-13. Banerji, Sabita, and Gerd Baumann. "Bhangra 1984-8: Fusion and Professionalization in a Genre of South Asian Dance Music." In Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, edited by Paul Oliver. Milton Keynes: Open University Press, 1990. "Bangladesh Festival Launched." BBC Online Network: BBC News, July 8, 1999, http://news.bbc.co.uk/1/hi/world/south_asia/388378.stm. "Bangladeshis in Britain." London: House of Commons Home Affairs Committee (HMSO), 1986. Barber, Nick. "Music: The Mercury Prize: Is There a More Baffling Award?" The Independent Sunday, September 5, 1999, 9. Barringer, Tim. "The South
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