Opvarmning Til Operasæsonen Hvofor Klapper Vi Ikke?

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Opvarmning Til Operasæsonen Hvofor Klapper Vi Ikke?

RUSALKA Søndag den 19/3 2017 kl. 10.30 Opvarmning til operasæsonen af Antonín Dvo ák Varighed: 4 timer 5 min. Jonas Kaufmann synger Puccini i La Scala. ř Dirigent: Mark Elder Publikum og anmeldere var ellevilde. 5 ekstranumre. Iscenesættelse: Mary Zimmerman Solister: Kristine Opolais, Søndag 16/10 kl. 10.30. Pris 160 kr. inkl. drikkevare i pausen. Ingen buffet. Katarina Dalayman og Varighed ca. 1½ time. Læs mere om handlingen - klik her Brandon Jovanovich Dirigent Jochen Rieder med Filarmonica della Scala. Læs mere om arrangementet - klik her. TRISTAN og ISOLDE Søndag den 13/11 2016 kl. 10.30 LA TRAVIATA Søndag den 9/4 2017 kl. 10.30 af Wagner Varighed: 5 timer 15 min. af Verdi Varighed: 2 timer 55 min. Dirigent: Simon Rattle Solister: Nina Stemme, Stuart Skelton Dirigent: Nicola Luisotti Solister: Sonya Yoncheva, Iscenesættelse: Mariusz Treli ski og René Pape Iscenesættelse: Willy Decker Michael Fabiano og Thomas Hampson ń Læs mere om handlingen - klik her Læs mere om handlingen - klik her DON JUAN Søndag den 4/12 2016 kl. 10.30 IDOMENEO Søndag den 30/4 2017 kl. 10.30 af Mozart Varighed: 3 timer 45 min. af Mozart Varighed: 4 timer 20 min. Dirigent: Fabio Luisi Solister: Simon Keenlyside, Dirigent: James Levine Solister: Alice Coote, Matthew Iscenesættelse: Michael Grandage Rolando Villazón, Malin Byström og Iscenesættelse: Jean-Pierre Ponelle Polenzani, Nadine, Sierra og Hibla Gerzmava Elza van den Heever Læs mere om handlingen - klik her Læs mere om handlingen - klik her L’AMOUR DE LOIN Søndag den 8/1 2017 kl. 10.30 EUGEN ONEGIN Søndag den 21/5 2017 kl. 10.30 af Kaija Saariaho Varighed: 3 timer. af Tjajkovskij Varighed: 4 timer. Dirigent: Susanna Mälkki Solister: Susanna Phillips, Dirigent: Robin Ticciati Solister: Anna Netrebko, Iscenesættelse: Robert Lepage Tamara Mumford og Eric Owens Iscenesættelse: Deborah Warner Dmitrij Hvoroskovskij og Alexey Dolgov Læs mere om handlingen - klik her Læs mere om handlingen - klik her NABUCCO Søndag den 5/2 2017 kl. 10.30 ROSENKAVALEREN Søndag den 11/6 2017 kl. 10.30 af Verdi Varighed: 3 timer 5 min. af Strauss Varighed: 4 timer 50 min.. Dirigent: James Levine Solister: Plácido Domingo, Dirigent: James Levine Solister: Renée Fleming, El na Garan a Iscenesættelse: Elijah Moshinsky Ludmila Monastyrska og Iscenesættelse: Robert Carsen og Günther Groissböck ī č Dimitrij Belosselskij Læs mere om handlingen - klik her Læs mere om handlingen - klik her ROMEO OG JULIE Søndag den 26/2 2017 kl. 10.30 Hvofor klapper vi ikke? af Gounod Varighed: 3 timer 30 min. Gang på gang oplever vi fantastiske præstationer fra The Met. Og vi sidder tilbage med en indestængt begejstring. Solist: Diana Damrau, Vittorio Grigolo Dirigent: Gianandrea Noseda På opfordring kan man fremover gøre som publikum i The Met: Klappe og Iscenesættelse: Bartlett Sher og Mikhail Petrenko lade begejstringen få frit løb. Læs mere om handlingen - klik her For mange vil det give en bedre oplevelse ..

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Accompanists Ballet Class Schedule
CHRISTINE MCMILLAN Salt Lake City, UT 84102 | [email protected] | 347-731-1135 EDUCATION Master of Fine Arts in Dance, University of Wisconsin-Milwaukee, 2015 Studies Include: Alexander Technique, Composition, Improvisation, Laban Movement Analy- sis, Ballet Technique through the lens of Alexander Technique and the DART procedures, Con- temporary Modern Technique, Choreography, 20th Century American Concert Dance History, Dance in Africa and the Diaspora, and Pilates. Bachelor of Science in Ballet & Psychology, Indiana University, 1990 Studies Include: Ballet Technique, Pointe, Pas de Deux Partnering, Character Dance, Jazz Dance, and Choreography. TEACHING EXPERIENCE University of Utah, School of Dance, Visiting Assistant Professor (2017-2019) Assistant Professor, Lecturer (2020-present) Courses Taught: • Ballet Technique (All Levels) • Pointe/Variations (All Levels) • Choreography/Composition (undergraduate and graduate) • Pedagogy (undergraduate and graduate) • Dance Kinesiology • Somatics (graduate Special Topics course) Jessica Lang Dance (2019) • Guest Teacher for Company Class American College Dance Association – Northwest Conference (2019) • “Ballet Through a Somatic Lens” & “Yoga for Dancers” Utah Summer Ballet Intensive at the University of Utah (2018, 2020) • Ballet, Pointe, & Variations (All Levels), Conditioning for Dancers New York University, Tisch School of the Arts, Adjunct Instructor (2016-2017) • Ballet & Somatics (All Levels) Cherylyn Lavagnino Dance (2008 & 2012-2017) • Company Ballet Class & Rehearsal Assistant
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The Enchantress of Evanston: The
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THEATRE in ENGLAND 2012-13 UNIVERSITY of ROCHESTER Mara Ahmed
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The Role of Hermes Et.Al. in Mary Zimmerman's Metamorphoses: A
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2007 The oler of Hermes et.al. in Mary Zimmerman's Metamorphoses: a production thesis in acting Reuben Mitchell Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Theatre and Performance Studies Commons Recommended Citation Mitchell, Reuben, "The or le of Hermes et.al. in Mary Zimmerman's Metamorphoses: a production thesis in acting" (2007). LSU Master's Theses. 4001. https://digitalcommons.lsu.edu/gradschool_theses/4001 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. THE ROLE OF HERMES ET. AL. IN MARY ZIMMERMAN’S METAMORPHOSES: A PRODUCTION THESIS IN ACTING A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements for the degree of Master of Fine Arts In The Department of Theatre by Reuben Mitchell B.A., Morehouse College, 2003 May 2007 Acknowledgements First, I thank my mom Bettie Mitchell, my dad Wayne Mitchell, and my brother Rahsan Mitchell for supporting me throughout my entire academic and artistic career. I chose the road less traveled in my family, and they have been nothing but supportive and nurturing in the choices that I have made in my life. I love them all and I hope that I am making them proud.
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