DOCSLIB.ORG

Osf Board & Company

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Osf Board & Company Jean Bruce Scott Scott Kaiser a.k.a. Ninja William Shakespeare Qui Nguyen Mildred Ruiz-Sapp* osf board & company Tom Stoppard Lynn Nottage James Ryen* UNIVERSES UNIVERSES Christopher Salazar* Julius Caesar’s Casca may have been envious but Angus Bowmer August Wilson Cheryl West Steven Sapp* (left), who played him in 1952, was not. He was busy performing, Linda Woolverton Chay Yew David Schmidt directing, teaching and building a Festival dedicated to the work Mary Zimmerman Kimberly Scott* of his favorite playwright, William Shakespeare. Actors Howie Seago* Commissioned Artists Liam Atkins Cayo Sharma Angus’s passion included the students he taught, the people American Revolutions Jordan Barbour* Yi Shostrom he worked with, the audiences he performed for and the com- Tanya Barfield Logan Bell Phoenix Sigalove munity that helped him achieve his dream. His passion lives on Bill Cain Benjamin Bonenfant* Vilma Silva* Culture Clash Sara Bruner* Britney Simpson* robert arbuckle and jack moran arbuckle and jack robert in our OSF community that brings you the 2017 season. Kristoffer Diaz Christian Bufford* Callan Skuratowicz The 1491s Catherine Castellanos* Lakia Solomon Artistic Artistic Coordinator/ Producing Assistants Literary Coordinator & Michael Friedman Jon Cates Stephen Michael Executive Assistant to Jess Carr Script Manager Frank Galati Nemuna Ceesay* Spencer* Artistic Director the Artistic Director Cassondra Fetty Kait Fairchild Idris Goodwin Connor Chaney Jonathan Luke Stevens* Bill Rauch Kirsten Greenidge Christiana Clark* Shaun Taylor-Corbett* Technical Manager, Production Script Quiara Alegría Hudes Yvette Monique Clark* G. Valmont Thomas* Associate Artistic Director Community Productions Coordinator David Henry Hwang Daniela Cobb** U. Jonathan Toppo* Christopher Acebo Benajah B. Cobb J. Ching Aditi Brennan Kapil Vinecia Coleman+ Sheila Tousey* Stephen Karam Danforth Comins* Lakin Valdez* Repertory Producer Director of Literary Director, American Basil Kreimendahl Will Dao* Moses Villarama* Mica Cole Development & Revolutions Lisa Kron Ted Deasy* VIVIS* Dramaturgy Alison Carey Young Jean Lee Tony DeBruno* K. T. Vogt* Community Producer Amrita Ramanan Lisa Loomer William DeMeritt* Amy Kim Waschke* Claudia Alick Susan Whitmore Associate Director, Mina Mansour Christopher Donahue* Samantha Westrick Director, Play on! American Revolutions Dominique Morisseau Armando Durán* Brooklyn Williams Line Producer Assistant Producer Lue Morgan Douthit Julie Felise Dubiner Carlos Murillo Richard Elmore* Tyrone Wilson* Amelia Acosta Powell Heath Belden Lynn Nottage Alejandra Escalante* Rex Young* Assistant Director, Andrew W. Mellon Susan Nussbaum Al Espinosa* Román Zaragoza** Director of Artistic Assistant Play on! Foundation Playwright Dan O’Brien Truett Felt Sabina Zuniga Varela* Stage Management Estefani Castro Taylor Bailey in Residence Robert O’Hara Brent Florendo * Member, Actors’ Equity Association, the Kimberley Jean Barry* Luis Alfaro Jiehae Park Robert Vincent Frank* Union of Professional Actors and Stage Managers in the United States. Robert Schenkkan Buzz Fraser ** AEA Professional Theatre Intern Ensemble in Residence Tony Taccone & Jeremy Gallardo + Rex Rabold Fellow Lynne Carmichael, Carmen Rubio, UNIVERSES: Jonathan Moscone Naiya Gardiner Emeriti Special Performers San Anselmo, CA and Portland, OR William Ruiz*, UNIVERSES Rodney Gardiner* Candy Artistic Director Ashland, OR a.k.a. Ninja Paula Vogel & Lily Gladstone* El Emerita Daniel Santos, Mildred Ruiz-Sapp* Rebecca Taichman Michael Gabriel Libby Appel Yogen Dalal, Salem, OR Steven Sapp* Naomi Wallace Goodfriend* Musicians Palo Alto, CA Rhiana Yazzie Cameron Gray Rhett Bender Executive Director Perry Simon, Associate Artist Karen Zacarías Jennie Greenberry* Reed Bentley Emeritus Sid DeBoer, Seattle, WA James Edmondson Brent Hinkley* Austin Comfort Paul Nicholson Ashland, OR Play on! Eunice Hong Kimberly Fitch Patsy Smullin, Senior Scenic & Christine Taylor Hood Matt Goodrich Resident Composer Donald de Brier, Medford, OR Theatre Designer Albright-Tufts Richard Howard* Mark Eliot Jacobs Emeritus Pacific Palisades, CA Richard L. Hay Luis Alfaro Michael J. Hume* Daniel Kocurek Todd Barton Trine Sorensen, Christina Anderson Kate Hurster* Nancy Martin Tony Drummond, Palo Alto, CA Scenic Design Associate Ranjit Bolt Cindy Im* Michal Palzewicz Resident Costume Berkeley, CA Richard L. Anderson Alison Carey Briawna Jackson** Kent Wilson Designer Emerita Bob Speltz, Kenneth Cavander Cristofer Jean* Deborah M. Dryden Brad Edgerton, Portland, OR Production Music Christopher Chen Jahnangel Jimenez Directors Los Angeles, CA Coordinator Lezlie C. Cross Jeremy Peter Johnson* Lileana Blain-Cruz Alex Sutton, Darcy Danielson Migdalia Cruz Sean Jones* Board of Juliette Carrillo Harry Elam, Kirkland, WA Amy Freed Paul Juhn* Directors Carl Cofield Redwood City, CA Director of Marcus Gardley David Kelly* Shana Cooper Elaine Sweet, Company Development Virginia Grise Kevin Kenerly* President Christopher Liam Katie Farewell, Ashland, OR Scott Kaiser Lillian Groag Jeffrey King* Moore Portland, OR Naomi Iizuka Brianca Knight Robert O’Hara Jerry Taylor, Head of Voice & Text Sean San Jose Jessica Ko* Bill Rauch Morton L. Friedkin, Ashland, OR Rebecca Clark Carey Hansol Jung Rachel Kostrna Eric Tucker San Francisco, CA Aditi Kapil Cedric Lamar* Dawn Monique Priscilla Weaver, Resident Voice & Shishir Kurup Ted Lange* Williams Laurie Gibbs, Jacksonville, OR Text Director Kwame Kwei-Armah Miriam A. Laube* Chay Yew Ashland, OR David Carey Dipika Guha Russell Lloyd Mary Zimmerman Paul Westbrook, David Ivers Tatiana Lofton Resident Fight Director Douglas Langworthy Michele Mais* Peter H. Koehler, Jr., David Glen, Tulsa, OK Ashland, OR and U. Jonathan Toppo* Taylor Mac Asia Mark Designers Aurora, OR Scenery Mountain View, CA Diane Yu, Ellen McLaughlin Tamra Mathias Christopher Acebo New York, NY Teacher of the Allison Moore Diego McCartney Vice President Regina García Harold Goldstein, Feldenkrais Method® Brighde Mullins Armando McClain* Gail Lopes, Rachel Hauck Portland, OR and Darrell Bluhm Yvette Nolan Preston Mead Los Angeles, CA and Endowment Richard L. Hay Ashland, OR Lisa Peterson Lauren Modica* Ashland, OR Fund Trustees Singing Instructor Q Brothers Daniel José Molina* Daniel Ostling Ellie Holt-Murray Amelia Roper Galen Molk Collette Pollard Louise Gund, Members Secretary Howie Seago Kate Mulligan* Adam Rigg Berkeley, CA and Doug Carlson, Nina Schwenk, Casting Director Tim Slover Amy Newman* Sibyl Wickersheimer Ashland, OR Palo Alto, CA Rochester, MN Joy Dickson Octavio Solis Robin Goodrin Nordli* Lloyd Suh Barret O’Brien* Associate Scenic Designer Kevin Kahn, Laurie Hoagland, Treasurer Playwrights & Composers Andrea Thome Jen Olivares Alexander Woodward Portland, OR Woodside, CA Susan Cain, Luis Alfaro Elise Thoron Emily Ota Ashland, OR Howard Ashman Mfoniso Udofia Scott Padian Costumes Ken Hitz, Rudd Johnson, Robert Fitzgerald Jeff Whitty Savanna Padilla Christopher Acebo New York, NY Medford, OR Members Lee Hall Josh Wilder Daniel T. Parker* Ulises Alcala Joel Axelrod, Homer Tracy Young Chandler Dede M. Ayite Linda Joyce Hodge, Kelly Meldrum, Ashland, OR Alan Menken Parrott-Thomas Raquel Barreto Los Angeles, CA Palo Alto, CA Marc Norman Other Special Julian Remulla Mara Blumenfeld Kelly Bulkeley, Jiehae Park Commissions Hyunmin Rhee E. B. Brooks Darleen Ortega, Philip Paroian, Portland, OR Randy Reinholz Luis Alfaro Nancy Rodriguez* Sara Ryung Clement Portland, OR Olympia, WA Tim Rice (a co-commission Jamie Ann Romero* Ana Kuzmanic Constanza Romero with Magic Theatre) William Ruiz*, Susan Tsu 85 Lighting Christopher Akerlind Production Cutters/Drapers Senior Properties Master Scenic Artist Lighting & Video Sound Engineers Lonnie Rafael Alcaraz Department Lara Southerland Amanda Haverick Amadon Jaeger Alan C. Edwards Berich Lighting & Video Valerie Lawrence T. J. Gerckens Director of Production Marsha K. Cole Over Hire Scenic Artist Department Manager Amanda Sager James F. Ingalls Alys E. Holden Stephanie Cooper José Rivera Alex Jainchill Vivienne Friedman Assistant Sound Engineer Xavier Pierce Production Manager Dianna Lee Wardrobe Cullen Wright Jennifer Schriever Elaine McBennett David Weiner Rachel Parks Wardrobe Supervisor Sound Technicians Yi Zhao Karen Peterson Rodrigo Garcia-Flores Catherine Stump Paul James Martin Scott Kelly Video & Projections Natalie Scott Shawn Duan Secondary Drapers Properties Artisans Tom Ontiveros Claire Bunch Peter Erickson Mac Vaughey Stage Operations Kaitlyn Pietras Bonnie McKelligott Diane Green Shawn Sagady Seren Helday Master Electricians Stage Operations Micah Stieglitz Donna Bachman First Hands V. Annette Julien Christine Ferriter Manager Claire Bunch Jennifer M. Stoke Stephen Miller Composers & Production Coordinator Amber Johnson Ann Stephens Sound Designers Rachel Maize Bronwyn Klaphaak Scenery Assistant Master Broken Chord Corinne Serfass Associate Wardrobe Electricians Obadiah Eaves Costumes Technical Director Supervisor James Irvine Palmer Hefferan Master Stitchers Lauren E. Noyes Kate McFarland Elisheba Ittoop Costume Director Marilyn Langeberg Amadon Jaeger Bonnie McKelligott Wardrobe Master Lighting Technicians Ed Littlefield Corinne Serfass Donna M. Memmer KDay David Molina Beth Walker Griffin Harwood Matthew Carleton Andre J. Pluess Costume Care Technician Sarah McKenney Paul James Prendergast Stitchers Addie Hall-Kester Tobin Roggenbuck Associate Stage Toshi Reagon Kayla Bush Operations Managers David Reiffel Emma Craig Wardrobe Specialists
Load more

Recommended publications
  • Accompanists Ballet Class Schedule
    CHRISTINE MCMILLAN Salt Lake City, UT 84102 | [email protected] | 347-731-1135 EDUCATION Master of Fine Arts in Dance, University of Wisconsin-Milwaukee, 2015 Studies Include: Alexander Technique, Composition, Improvisation, Laban Movement Analy- sis, Ballet Technique through the lens of Alexander Technique and the DART procedures, Con- temporary Modern Technique, Choreography, 20th Century American Concert Dance History, Dance in Africa and the Diaspora, and Pilates. Bachelor of Science in Ballet & Psychology, Indiana University, 1990 Studies Include: Ballet Technique, Pointe, Pas de Deux Partnering, Character Dance, Jazz Dance, and Choreography. TEACHING EXPERIENCE University of Utah, School of Dance, Visiting Assistant Professor (2017-2019) Assistant Professor, Lecturer (2020-present) Courses Taught: • Ballet Technique (All Levels) • Pointe/Variations (All Levels) • Choreography/Composition (undergraduate and graduate) • Pedagogy (undergraduate and graduate) • Dance Kinesiology • Somatics (graduate Special Topics course) Jessica Lang Dance (2019) • Guest Teacher for Company Class American College Dance Association – Northwest Conference (2019) • “Ballet Through a Somatic Lens” & “Yoga for Dancers” Utah Summer Ballet Intensive at the University of Utah (2018, 2020) • Ballet, Pointe, & Variations (All Levels), Conditioning for Dancers New York University, Tisch School of the Arts, Adjunct Instructor (2016-2017) • Ballet & Somatics (All Levels) Cherylyn Lavagnino Dance (2008 & 2012-2017) • Company Ballet Class & Rehearsal Assistant
    [Show full text]
  • Best Picture Best Director Best Actor Best Actress Best Supporting
    Best picture Black Panther BlacKkKlansman Bohemian Rhapsody The Favourite Green Book – WINNER! Roma A Star is Born Vice Best director Alfonso Cuarón (Roma) – WINNER! Adam McKay (Vice) Yorgos Lanthimos (The Favourite) Spike Lee (BlacKkKlansman) Pawel Pawlikowski (Cold War) Best actor Rami Malek (Bohemian Rhapsody) – WINNER! Christian Bale (Vice) Viggo Mortensen (Green Book) Bradley Cooper (A Star Is Born) Willem Dafoe (At Eternity’s Gate) Best actress Glenn Close (The Wife) Lady Gaga (A Star Is Born) Olivia Colman (The Favourite) – WINNER! Melissa McCarthy (Can You Ever Forgive Me?) Yalitza Aparicio (Roma) Best supporting actress Emma Stone (The Favourite) Rachel Weisz (The Favourite) Amy Adams (Vice) Regina King (If Beale Street Could Talk) – WINNER! Marina De Tavira (Roma) Best supporting actor Mahershala Ali (Green Book) – WINNER! Richard E Grant (Can You Ever Forgive Me?) Sam Elliott (A Star Is Born) Adam Driver (BlacKkKlansman) Sam Rockwell (Vice) Best original song Shallow (A Star Is Born) – WINNER! All the Stars (Black Panther) I’ll Fight (RBG) The Place Where Lost Things Go (Mary Poppins Returns) When a Cowboy Trades his Spurs for Wings (The Ballad of Buster Scruggs) Best documentary Free Solo – WINNER! Minding the Gap RBG Hale County This Morning, This Evening Of Fathers and Sons Best costume design Black Panther (Ruth E Carter) – WINNER! The Favourite (Sandy Powell) Mary Poppins Returns (Sandy Powell) Mary Queen of Scots (Alexandra Byrne) The Ballad of Buster Scruggs (Mary Zophres) Best makeup and hair Border Mary Queen of Scots
    [Show full text]
  • Nachrichten Für Filmschaffende
    442 | 14. Februar 2019 Nachrichten für Filmschaffende herausgegeben von Peter Hartig, Oliver Zenglein und Vincent Lutz 442 | 14. Februar 2019 Fair Film Award | 2 Im zehnten Jahr bewerteten die Filmschaffenden die Produktionsbedingungen des vergangenen Jahres. Der »Fair Film Award« wurde dieses Jahr im Rahmen des Crew Call verliehen. Besser arbeiten Die Bundesvereinigung der Filmschaffenden-Verbände ist verschwunden. Ihr Preis ist geblieben. Am Eröffnungsabend der Berlinale wurden beim Crew Call die »Fair Film Awards« verliehen. Tex t Jan Fedesz Titel und Foto: Alena Sternberg 442 | 14. Februar 2019 Fair Film Award | 3 Nach zwölf Jahren darf man’s wohl eine Traditi- den Tarifverhandlungen festlegen: Die Vereinte on nennen: Am Eröffnungsabend der Berlinale Dienstleistungsgewerkschaft und der Schau- feierten die Filmschaffenden ihre eigene Party spielverband BFFS. »Wir hoffen sehr, dass nach beim Crew Call, es war der 22. überhaupt. Bevor der Berlinale die Branche einen Weg diskutiert, die Feier aber losging, gehörte die Bühne für eine wie dieser Preis weitergehen kann«, sagte Zeng- halbe Stunde der Arbeit – und den Bedingungen, lein. unter denen sie sich auch bei den Werken voll- zieht, die in den kommenden Tagen in den Festi- Weil’s bei dem Preis eben nicht um Ruhm und valkinos vorgestellt wurden: Die »Fair Film Glamour geht, diente auch die »Mini-Gala« (der Awards Fiction« wurden verliehen. Organisator nannte es eine »Notlösung«), wieder Das ist »ungewöhnlich und sicherlich eine moderiert von Lisa Basten und Rüdiger Suchs- Ausnahme, denn das ist nicht unser Preis«, be- land, ein wenig der Weiterbildung und dem tonte Oliver Zenglein von Crew United, die in die Netzwerken. Als Laudatorinnen traten Film- Berliner Kulturbrauerei eingeladen hatten, an schaffende aus der Schweiz und Österreich auf das Publikum gerichtet.
    [Show full text]
  • Programming; Providing an Environment for the Growth and Education of Theatre Professionals, Audiences and the Community at Large
    may 2012 NOBODY LOVES YOU A World Premiere Musical Comedy Welcome to The Old Globe began its journey with Itamar Moses and Gaby Alter’s Nobody Loves You in 2010, and we are thrilled to officially launch the piece here in its world premiere production. The Globe has a longstanding relationship with Itamar Moses. He was a Globe Playwright-in-Residence in 2007-2008 when we produced the world premieres of his plays Back Back Back and The Four of Us. Nobody Loves You is filled with the same HENRY DIROCCO HENRY whip-smart humor and insight that mark Itamar’s other works, here united with Gaby’s vibrant music and lyrics. Together they have created a piece that portrays, with a tremendous amount of humor and heart, the quest for love in a world in which romance is often commercialized. Just across Copley Plaza, the Globe is presenting another musical, the acclaimed The Scottsboro Boys, by musical theatre legends John Kander and Fred Ebb. We hope to see you back this summer for our 2012 Summer Shakespeare Festival. Under Shakespeare Festival Artistic Director Adrian Noble, this outdoor favorite features Richard III, As You Like It and Inherit the Wind in the Lowell Davies Festival Theatre. The summer season will also feature Michael Kramer’s Divine Rivalry as well as Yasmina Reza’s Tony Award-winning comedy God of Carnage. As always, we thank you for your support as we continue our mission to bring San Diego audiences the very best theatre, both classical and contemporary. Michael G. Murphy Managing Director Mission Statement The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: Creating theatrical experiences of the highest professional standards; Producing and presenting works of exceptional merit, designed to reach current and future audiences; Ensuring diversity and balance in programming; Providing an environment for the growth and education of theatre professionals, audiences and the community at large.
    [Show full text]
  • Bengal Tiger
    20!2 - 20IJ SEASON C T3PEOPLE C ON OTHER STAGES BOARD OF DIRECTORS AT&T PERFORMING ARTS CENTER CHAIR Marion L. Brockette, Jr. FEB 13 - 24 Anything Goes LIAISON, CITY OF DALLAS CULTURAL COMMISSION CIRCLE THEATER Lark Montgomery JAN 24- FEB 23 God of Carnage BOARD MEMBERS Jac Alder, Suzanne Burkhead, Laura V. Estrada, Sally Hansen, David G. Luther, DALLAS CHILDREN'S THEATER Victoria McGrath, David M. May, Margie J. Reese, JAN 25 - MAR 3 Goodnight Moon Dana W. Rigg, Elizabeth Rivera, Eileen Rosenblum, Ph.D., Scott Williams DALLAS SUMMER MUSICALS FEB 12 -24 Catch Me IfYouCan D HONORARY BOARD MEMBERS Roland & Virginia TH Dykes, Gary W. Grubbs, John & Bonnie Strauss DALLAS THEATER CENTER NORMA YOUNG ARENA STAGE 2012-2013 ADMINISTRATION JAN 18- FEB 17 King Lear Cl 1- PRODUCER-DIRECTOR Jac Alder FEB 7 • MAR 24 Red PRESENT LAUGHTER MANAGING DIRECTOR Cory Norman EISEMANN CENTER FOR THE z Aug. 2 - Sept. 1 COMPANY MANAGER Terry Dobson PERFORMING ARTS z DIRECTOR OF BUSINESS AFFAIRS Joan Sleight LLJ JAN 20 IfYouGive a Mouse a Cookie 11<,Other Story c:::( a comedy by Noel Coward IN-HOUSE ACCOUNTANT Wendy Kwan Books DIRECTOR OF PUBLICATIONS «(COMMUNICATIONS FEB 6 - 10 Late Nite Catechism Las Vegas: Sister Rolls c:::: � Kimberly Richard the Dice FREUD'S LAST SESSION IT MANAGER Nick Rushing FEB 10 Romona Quimby Z Sept. 20 - Oct. 20 EXECUTIVE ADMINISTRATIVE ASSISTANT FEB 15 Broadway Love Songs lJ Adele Acrey _ a new drama by Mark St. Germain KITCHEN DOG THEATRE HOUSEKEEPING Kevin Spurrier FEB 8 - MAR 9 The Chairs - PRODUCTION c:::( PEGASUS THEATER V) CRAZY FOR YOU TECHNICAL DIRECTOR Daniel Pucul DEC 31 - JAN 20 XSR: Die/ LLJ I- Nov.
    [Show full text]
  • Ben Whishaw Photographed by Matt Doyle at the Walter Kerr Theatre in NYC on Feb
    03.17.16 • BACKSTAGE.COM YOUR VO NEED-TO-KNOWS: BEN BUILD YOUR OWN WHISHAW IN-HOUSE STUDIO! DOWNLOAD YOUR THE BRIT GOES WAY TO SUCCESS! PURITANICAL IN “THE CRUCIBLE” TAKE TIPS FROM THE PROS! 17+ Pages of Casting Notices! NEW YORK STELLAADLER.COM 212-689-0087 31 W 27TH ST, FL 3 NEW YORK, NY 10001 [email protected] THE PLACE WHERE RIGOROUS ACTOR TRAINING AND SOCIAL JUSTICE MEET. SUMMER APPLICATION DEADLINE EXTENDED: APRIL 1, 2016 TEEN SUMMER CONSERVATORY 5 Weeks, July 11th - August 12th, 2016 Professional actor training intensive for the serious young actor ages 14-17 taught by our world-class faculty! SUMMER CONSERVATORY 10 Weeks, June 6 - August 12, 2016 The Nation’s Most Popular Summer Training Program for the Dedicated Actor. SUMMER INTENSIVES 5-Week Advanced Level Training Courses Shakespeare Intensive Chekhov Intensive Physical Theatre Intensive Musical Theatre Intensive Actor Warrior Intensive Film & Television Acting Intensive The Stella Adler Studio of Acting/Art of Acting Studio is a 501(c)3 not-for-prot organization and is accredited with the National Association of Schools of Theatre LOS ANGELES ARTOFACTINGSTUDIO.COM 323-601-5310 1017 N ORANGE DR LOS ANGELES, CA 90038 [email protected] by: AK47 Division CONTENTS vol.57,no.11|03.17.16 NEWS 6 Ourrecapofthe37thannualYoung Artist Awardswinners 7 Thisweek’sroundupofwho’scasting whatstarringwhom 8 7 brilliantactorstowatchonNetflix ADVICE 11 NOTEFROMTHECD Themonsterwithin 11 #IGOTCAST EbonyObsidian 12 SECRET AGENTMAN Redlight/greenlight 13 #IGOTCAST KahliaDavis
    [Show full text]
  • Opvarmning Til Operasæsonen Hvofor Klapper Vi Ikke?
    RUSALKA Søndag den 19/3 2017 kl. 10.30 Opvarmning til operasæsonen af Antonín Dvo ák Varighed: 4 timer 5 min. Jonas Kaufmann synger Puccini i La Scala. ř Dirigent: Mark Elder Publikum og anmeldere var ellevilde. 5 ekstranumre. Iscenesættelse: Mary Zimmerman Solister: Kristine Opolais, Søndag 16/10 kl. 10.30. Pris 160 kr. inkl. drikkevare i pausen. Ingen buffet. Katarina Dalayman og Varighed ca. 1½ time. Læs mere om handlingen - klik her Brandon Jovanovich Dirigent Jochen Rieder med Filarmonica della Scala. Læs mere om arrangementet - klik her. TRISTAN og ISOLDE Søndag den 13/11 2016 kl. 10.30 LA TRAVIATA Søndag den 9/4 2017 kl. 10.30 af Wagner Varighed: 5 timer 15 min. af Verdi Varighed: 2 timer 55 min. Dirigent: Simon Rattle Solister: Nina Stemme, Stuart Skelton Dirigent: Nicola Luisotti Solister: Sonya Yoncheva, Iscenesættelse: Mariusz Treli ski og René Pape Iscenesættelse: Willy Decker Michael Fabiano og Thomas Hampson ń Læs mere om handlingen - klik her Læs mere om handlingen - klik her DON JUAN Søndag den 4/12 2016 kl. 10.30 IDOMENEO Søndag den 30/4 2017 kl. 10.30 af Mozart Varighed: 3 timer 45 min. af Mozart Varighed: 4 timer 20 min. Dirigent: Fabio Luisi Solister: Simon Keenlyside, Dirigent: James Levine Solister: Alice Coote, Matthew Iscenesættelse: Michael Grandage Rolando Villazón, Malin Byström og Iscenesættelse: Jean-Pierre Ponelle Polenzani, Nadine, Sierra og Hibla Gerzmava Elza van den Heever Læs mere om handlingen - klik her Læs mere om handlingen - klik her L’AMOUR DE LOIN Søndag den 8/1 2017 kl. 10.30 EUGEN ONEGIN Søndag den 21/5 2017 kl.
    [Show full text]
  • Edition 9 | 2018-2019
    TABLE OF THE BUSHNELL CENTER CONTENTS for the PERFORMING ARTS TRUSTEE OFFICERS Message from the President & CEO ..................... 5 Jay S. Benet Chair Come From Away Robert E. Patricelli Co-Sponsored by Immediate Past Chair People’s United Bank and Travelers .................. 11 Thomas O. Barnes Vice Chair The Sound of Music Jeffrey N. Brown Sponsored by Vice Chair Voya Financial ................................................... 21 Jeffrey S. Hoffman Vice Chair Annual Fund Donor Honor Roll ......................... 32 David G. Nord Vice Chair An Extra Special Thank You ............................... 37 David M. Roth Vice Chair The Bushnell Services ....................................... 43 Henry M. Zachs Vice Chair Arnold C. Greenberg Treasurer Mark N. Mandell Assistant Treasurer Eric D. Daniels Secretary EXECUTIVE STAFF David R. Fay President and CEO Ronna L. Reynolds Executive Vice President Elizabeth Casasnovas Vice President, Development, and Chief Development Officer Patti Jackson Vice President, Finance, and Chief Financial Officer Yolande Spears Senior Vice President, Education and Community Initiatives Ric Waldman Vice President, Programming and Marketing The Bushnell is a 501(c)(3) not-for-profit organization that is proud to serve Connecticut and its citizens. | 3 MESSAGE FROM THE PRESIDENT & CEO A Look Ahead Spring has season next June. And as enticing as season finally arrived, and as that is, we were also able to tease the news it’s a particularly that Hamilton will return to The Bushnell in exciting time of year our 2020/2021 season. at The Bushnell. Our 2018/2019 season is If you’re a season-ticket holder, you should in full swing; we’ve got already have your renewal packet. If you’re two Broadway shows this month – current interested in becoming one, just contact our hit Come from Away, still going strong on box office and we’ll begin selling new series Broadway, and a classic audience favorite, packages this summer.
    [Show full text]
  • The Enchantress of Evanston: The
    The Enchantress of Evanston The Transformative Art of Mary Zimmerman by Jerry James “One thing I really like is to try to stage the impossible.” — Mary Zimmerman The White Snake, The Rogue Theatre, 2017 Mary Zimmerman is a pure product of poetry to create stimulating, compelling and Northwestern University, located in the momentous theater.” Chicago suburb of Evanston. She arrived as a Not in the citation but equally important: freshman, earned three degrees and currently During the decade before Zimmerman was holds an endowed chair—the CV of an appointed an assistant professor in 1994, she accomplished academic. supported herself by working as an office temp. But Zimmerman is also a director and Because Mary Zimmerman has had as many playwright, winner of 20 Joseph Jefferson plays produced by The Rogue Theatre as Awards for Excellence in Chicago Theatre and anyone not named Shakespeare—The Journey the 2002 Tony Award for Best Direction of a to the West (2012), The White Snake (2017) and Play (Metamorphoses, which she also wrote). The Secret in the Wings (2019)—it seems Moreover, she is a 1998 recipient of a Mac- fitting to examine how she came to a career Arthur Foundation grant, the “Genius” award. spent in creating a theatre steeped in both The citation honored her “blend[ing] strong narrative and image, a theatre of trans- visual images, sensual movement, music and formation. 1 Early Life Northwestern University Entering as a comparative literature student, Zimmerman changed her major to acting before the first quarter ended. Very soon, she was given to understand that a career as an actress would be difficult, because she wasn’t pretty.
    [Show full text]
  • P E R F O R M I N G
    PERFORMING & Entertainment 2019 BOOK CATALOG Including Rowman & Littlefield and Imprints of Globe Pequot CONTENTS Performing Arts & Entertainment Catalog 2019 FILM & THEATER 1 1 Featured Titles 13 Biography 28 Reference 52 Drama 76 History & Criticism 82 General MUSIC 92 92 Featured Titles 106 Biography 124 History & Criticism 132 General 174 Order Form How to Order (Inside Back Cover) Film and Theater / FEATURED TITLES FORTHCOMING ACTION ACTION A Primer on Playing Action for Actors By Hugh O’Gorman ACTION ACTION Acting Is Action addresses one of the essential components of acting, Playing Action. The book is divided into two parts: A Primer on Playing Action for Actors “Context” and “Practice.” The Context section provides a thorough examination of the theory behind the core elements of Playing Action. The Practice section provides a step-by-step rehearsal guide for actors to integrate Playing Action into their By Hugh O’Gorman preparation process. Acting Is Action is a place to begin for actors: a foundation, a ground plan for how to get started and how to build the core of a performance. More precisely, it provides a practical guide for actors, directors, and teachers in the technique of Playing Action, and it addresses a niche void in the world of actor training by illuminating what exactly to do in the moment-to-moment act of the acting task. March, 2020 • Art/Performance • 184 pages • 6 x 9 • CQ: TK • 978-1-4950-9749-2 • $24.95 • Paper APPLAUSE NEW BOLLYWOOD FAQ All That’s Left to Know About the Greatest Film Story Never Told By Piyush Roy Bollywood FAQ provides a thrilling, entertaining, and intellectually stimulating joy ride into the vibrant, colorful, and multi- emotional universe of the world’s most prolific (over 30 000 film titles) and most-watched film industry (at 3 billion-plus ticket sales).
    [Show full text]
  • South Coast Repertory Is a Professional Resident Theatre Founded in 1964 by David Emmes and Martin Benson
    IN BRIEF FOUNDING South Coast Repertory is a professional resident theatre founded in 1964 by David Emmes and Martin Benson. VISION Creating the finest theatre in America. LEADERSHIP SCR is led by Artistic Director David Ivers and Managing Director Paula Tomei. Its 33-member Board of Trustees is made up of community leaders from business, civic and arts backgrounds. In addition, hundreds of volunteers assist the theatre in reaching its goals, and about 2,000 individuals and businesses contribute each year to SCR’s annual and endowment funds. MISSION South Coast Repertory was founded in the belief that theatre is an art form with a unique power to illuminate the human experience. We commit ourselves to exploring urgent human and social issues of our time, and to merging literature, design, and performance in ways that test the bounds of theatre’s artistic possibilities. We undertake to advance the art of theatre in the service of our community, and aim to extend that service through educational, intercultural, and community engagement programs that harmonize with our artistic mission. FACILITY/ The David Emmes/Martin Benson Theatre Center is a three-theatre complex. Prior to the pandemic, there were six SEASON annual productions on the 507-seat Segerstrom Stage, four on the 336-seat Julianne Argyros Stage, with numerous workshops and theatre conservatory performances held in the 94-seat Nicholas Studio. In addition, the three-play family series, “Theatre for Young Audiences,” produced on the Julianne Argyros Stage. The 20-21 season includes two virtual offerings and a new outdoors initiative, OUTSIDE SCR, which will feature two productions in rotating rep at the Mission San Juan Capistrano in July 2021.
    [Show full text]
  • Argonautika Entire First Folio
    First Folio Teacher Curriculum Guide ARGONAUTIKA adapted and directed by Mary Zimmerman based on the story by Apollonius of Rhodes January 15 to March 2, 2008 First Folio Teacher Curriculum Guide Table of Contents Page Number Welcome to the Shakespeare Theatre Company’s production of Argonautika! About Greek Theatre Brief History of the Audience………………………...1 This season, the Shakespeare Theatre Company The History of Greek Drama……………..……………3 presents eight plays by William Shakespeare and On Greek Society and Culture……………………….5 other classic playwrights. The mission of all About the Authors …………………………...……………6 Education Department programs is to deepen understanding, appreciation and connection to About the Play classic theatre in learners of all ages. One Synopsis of Argonautika……………..…………………7 approach is the publication of First Folio Teacher Curriculum Guides. The Myth Behind the Play ..…………………………..8 The Hero’s Quest…..………………………………………..9 For the 2007-08 season, the Education Fate and Free Will…...………………..………..………..10 Department will publish First Folio Teacher Mythology: More than just a good story…...11 Curriculum Guides for our productions of Glossary of Terms and Characters..…………….12 Tamburlaine, Taming of the Shrew, Argonautika Questing…………………………………………………..…….14 and Julius Caesar. First Folio Guides provide information and activities to help students form Classroom Connections a personal connection to the play before • Before the Performance……………………………15 attending the production at the Shakespeare Journey Game Theatre Company. First Folio Guides contain God and Man material about the playwrights, their world and It’s Greek to Me the plays they penned. Also included are The Hero’s Journey approaches to explore the plays and productions in the classroom before and after (Re)Telling Stories the performance.
    [Show full text]