may 2012

NOBODY LOVES YOU A World Premiere Musical Comedy Welcome to

The Old Globe began its journey with Itamar Moses and Gaby Alter’s Nobody Loves You in 2010, and we are thrilled to officially launch the piece here in its world premiere production. The Globe has a longstanding relationship with Itamar Moses. He was a Globe Playwright-in-Residence in 2007-2008 when we produced the world premieres of his plays Back Back Back and The Four of Us. Nobody Loves You is filled with the same

HENRY DIROCCO HENRY whip-smart humor and insight that mark Itamar’s other works, here united with Gaby’s vibrant music and lyrics. Together they have created a piece that portrays, with a tremendous amount of humor and heart, the quest for love in a world in which romance is often commercialized.

Just across Copley Plaza, the Globe is presenting another musical, the acclaimed The Scottsboro Boys, by legends John Kander and Fred Ebb. We hope to see you back this summer for our 2012 Summer Shakespeare Festival. Under Shakespeare Festival Artistic Director Adrian Noble, this outdoor favorite features Richard III, As You Like It and Inherit the Wind in the Lowell Davies Festival Theatre. The summer season will also feature Michael Kramer’s Divine Rivalry as well as Yasmina Reza’s Tony Award-winning comedy . As always, we thank you for your support as we continue our mission to bring audiences the very best theatre, both classical and contemporary.

Michael G. Murphy Managing Director

Mission Statement The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: Creating theatrical experiences of the highest professional standards; Producing and presenting works of exceptional merit, designed to reach current and future audiences; Ensuring diversity and balance in programming; Providing an environment for the growth and education of theatre professionals, audiences and the community at large.

PERFORMANCES MAGAZINE 1 PRESENTS NOBODY LOVES YOU

MUSIC AND LYRICS BY GABY ALTER

BOOK AND LYRICS BY ITAMAR MOSES

Michael Schweikardt Emily Pepper Tyler Micoleau Paul Peterson SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN

Gaby Alter Stephanie Klapper, CSA Peter Van Dyke ORCHESTRATIONS AND CASTING STAGE MANAGER VOCAL ARRANGEMENTS

MUSIC DIRECTOR VADIM FEICHTNER

CHOREOGRAPHY BY MANDY MOORE

DIRECTED BY MICHELLE TATTENBAUM

Nobody Loves You is a recipient of an Edgerton Foundation New American Plays Award.

Supported in part by the National Fund for New Musicals, a program of National Alliance for Musical Theatre. www.namt.org.

Nobody Loves You was developed, in part, with the assistance of Rhinebeck Writers Retreat.

—————————————————— SHERYL AND HARVEY WHITE THEATRE Conrad Prebys Theatre Center May 9 - June 17, 2012

2 PERFORMANCES MAGAZINE THE CAST (in order of appearance)

JEFF...... Adam Kantor TANYA...... Nicole Lewis BYRON...... Heath Calvert CHAZZ...... Alex Brightman SAMANTHA...... Kate Morgan Chadwick NINA...... Nicole Lewis JENNY...... Jenni Barber DOMINIC...... Alex Brightman CHRISTIAN...... Kelsey Kurz MEGAN...... EVAN...... Alex Brightman ZENOBIA...... Nicole Lewis BONNIE...... Kate Morgan Chadwick STEVE...... Kelsey Kurz

DANCE CAPTAIN...... Alex Brightman

Stage Manager...... Peter Van Dyke Assistant Stage Manager...... Leighann Enos

SETTING America, the not-too-distant present.

Nobody Loves You will be performed without an intermission.

PRODUCTION STAFF Assistant Director...... Hannah Ryan Assistant Scenic Design...... Sean Fanning Assistant Costume Design...... Mary Rochon Assistant Lighting Design...... Bieber Assistant Sound Design...... Kevin Anthenill Music Assistant...... Taylor Peckham Stage Management Intern...... Cheng-Yu (Miso) Wei

The Actors and Stage Managers employed in this production are members of Actors’ Equity Association, the union of Professional Actors and Stage Managers in the . Si desea una sinopsis de esta obra en Español o en Inglés, favor de pedírsela al acomodador que le entregó este programa. If you would like a synopsis of this production in English or Spanish, please request it from an usher.

PERFORMANCES MAGAZINE 3 Board of Directors

As San Diego’s largest not-for-profit performing arts organization, The Old Globe’s operating budget of $20 million sustains year-round productions on three stages, an audience of more than 250,000, education and community programs serving nearly 50,000 and artistic development programs designed to advance the future of American theatre.

As you know, charitable support through grants and contributions is vital to sustaining these activities, and one of the most vital funding sources for The Old Globe is the City of San Diego’s Commission for Arts and Culture, which, through an arduous vetting process, allocates contracts for services provided. Funding comes through the transient occupancy tax (TOT), which is paid by tourists who stay at hotels and not by local citizens. The goal of the Commission is to fund organizations that stimulate the economy, attract tourism, reflect the diversity of our region and improve the quality of life for San Diegans.

With each annual budget cycle, funding for the Commission is at risk. We encourage you, as Globe supporters, to tell City Councilmembers and the Mayor that you value programs supported by the Commission and that you advocate for keeping Commission funding as a high priority.

If you are interested in learning more about public funding and how it impacts Globe programs, please contact the Development Department. Thank you for all you do as advocates and friends. We greatly appreciate it.

Enjoy the performance.

Sincerely,

Harold W. Fuson, Jr. Chair, Board of Directors

BOARD OF DIRECTORS Harold W. Fuson, Jr.* Donald L. Cohn* Anthony S. Thornley* Elaine Bennett Darwin* Harvey P. White* Chair Immediate Past Chair Vice Chair, Vice Chair, Nominating Secretary Finance & Treasurer

DIRECTORS Ramin Pourteymour Lynne Wheeler Dolly Poet (1921-2007) Mary Beth Adderley* Paula Powers* Debbie Wilson Deborah Szekely Elizabeth Altman Conrad Prebys* Karin Winner Hon. Pete Wilson Pamela Cesak David Reagan June Yoder Nicole A. Clay Sandra Redman Carolyn Yorston-Wellcome EMERITUS DIRECTORS Peter J. Cooper* Reneé Schatz Vicki Zeiger Garet B. Clark Valerie S. Cooper Jean Shekhter J. Dallas Clark (1913–2005) *Executive Committee Member Silvija Devine Ann Steck Bea Epsten Pamela A. Farr Steven J. Stuckey HONORARY DIRECTORS Sally Furay, R.S.C.J. Karen Fox Daniel L. Sullivan, Ph.D. Mr s. Richard C. Adams Bernard Lipinsky (1914-2001) Victor P. Gálvez Julie H. Sullivan, Ph.D. (1912–2005) Delza Martin (1915–2005) Kathryn Hattox* Dean Thorp Clair Burgener (1921-2006) Darlene Shiley Elizabeth Helming Evelyn Mack Truitt Mrs. John H. Fox (1908–2003) Patsy Shumway Viviana Ibañez Debra Turner Audrey Geisel Deni Jacobs Stacey LeVasseur Vasquez Paul Harter Daphne Jameson Crystal Watkins Gordon Luce (1925-2006) Jo Ann Kilty Jim Wening

4 PERFORMANCES MAGAZINE Sponsors of Nobody Loves You

Paula and Brian Powers Paula is pleased to be a new Globe Board member. She and Brian have made Rancho Santa Fe their primary residence after living in , Hong Kong, Australia and the Bay Area, where they still own a home. Paula earned her J.D. from the and specialized in Trusts and Estates, including work for private foundations and non-profits. Brian’s J.D. comes from the University of Virginia, and he is currently Chairman of Hellman & Friedman LLC, a private equity firm in . Paula is a member of the Advisory Board of ODC (a San Francisco-based modern dance company) and on the Board of the Rancho Santa Fe Foundation.

The Edgerton Foundation The Old Globe world premiere Nobody Loves You has received a prestigious Edgerton Foundation New American Plays Award.

Launched nationally in 2007, the Edgerton Foundation New American Plays Program gives plays in development an extended rehearsal period for the entire creative team, including the playwrights. To date, non-profit theatres have received support for 150 new plays — and 43 awardees have gone on or been scheduled to have subsequent productions following their world premieres, with 10 of these plays moving to Broadway, seven nominated for and four finalists for the Pulitzer Prize. For more information about the Edgerton Foundation, visit the Theatre Communications Group (TCG) website at www.tcg.org/tools/newplays/details2011.cfm?ShowID=130.

The 2012 Globe Gala on Saturday, July 28 featuring Broadway star Save the date for an extraordinary evening to benefit The Old Globe

Globe Gala Co-Chairs and Board Members Pamela Cesak, Jo Ann Kilty and Vicki Zeiger are delighted to invite you to join them for the 2012 Globe Gala, a truly memorable evening that will feature a one-hour concert by Lea Salonga, the Tony Award-winning star of Broadway’s and Les Misérables. Proceeds from the Gala benefit the wide variety of artistic, education and community programs at The Old Globe. July 28, 2012 Reception in Alcazar Garden with a Silent Auction Special One-Night-Only Concert by Lea Salonga Dinner and Dancing Under the Stars For information on underwriting or attending, contact Events Manager Eileen Prisby at (619) 231-1941 x2303 or [email protected].

Lea Salonga (above), returning in the fall for the Globe’s world premiere production of — A New American Musical, will perform exclusively in concert for Gala guests. (right) Old Globe Artistic Director Emeritus Jack O’Brien with the 2012 Globe Gala Co-Chairs (from left) Pamela Cesak, Vicki Zeiger and Jo Ann Kilty; (far right) The Old Globe’s Copley Plaza set for dinner and dancing under the stars. DOUG GATES SONSTEIN CAROL

PERFORMANCES MAGAZINE 5 EVERYBODY’S WATCHING

(front row, from left) Kate Morgan Chadwick, Kelsey Kurz, Lauren Molina and Alex Brightman; (back row) Heath Calvert, Nicole Lewis, Jenni Barber and Adam Kantor. PHOTOS BY HENRY DIROCCO HENRY BY PHOTOS

An Interview with Where did the idea behind Nobody Loves You come from? ITAMAR MOSES: Quite a few years ago our director, Michelle Itamar Moses and Gaby Alter Tattenbaum, brought me in as the book writer on another musical, a dark, funny piece that used as its frame an episode of a television news magazine. Over the course of working on it, the idea of using a reality TV conceit lodged in my mind as an interesting world to musicalize. At about the same time, Gaby Alter, who is an old friend of mine, had moved to New York and enrolled in the graduate musical theatre writing program at NYU, and we always said that when he was done with the program that the two of us would write a musical together. I brought up the reality TV idea, and specifically the idea of using it as a lens to investigate our cultural obsession BY DANIELLE MAGES AMATO with stories of perfect romance that on some level we all know to be false. Gaby liked the idea, and, five and a half short years later, here we are in San Diego.

6 PERFORMANCES MAGAZINE GABY ALTER: We also thought the story would make a good Do you see Jeff and Jenny’s story as something specific to this musical because reality TV is heightened reality, just as generation? musicals are heightened because of the singing. Originally the conceit of our show was that people only sang when they ITAMAR MOSES: I’d say it’s a universal story that inevitably were on camera. We eventually dropped that, because it got has the particular trappings of the media and technology in the way of our storytelling. Still, at what times people burst that are ascendant right now. The need to protect yourself into song in the show and what type of music they sing says with irony while actually having a core of earnestness—which a lot about how complicit they are with reality TV’s falsely is sort of how I’d describe our two heroes—is not as new as heightened reality. On the other hand, we’re not cynics, and we sometimes pretend. So I’d say they’re part of a long, long there is real love in this story. So there is another kind of tradition of romantic comedy couples but hopefully a worthy singing, when people are moved by their genuine emotions to addition to the canon. do so, just like in other musicals. GABY ALTER: Jenny and Jeff are fighting to be authentic to ITAMAR MOSES: Even though we got more flexible with our themselves and find a real connection in a society that has a initial conceit, this idea about reality vs. heightened reality lot of rigid narratives and expectations. As Itamar says, the remains there, in the bones of the piece, in a way that I think particulars are what come with our current technology, but draws some deep parallels, not just between musicals and that’s a problem that has dogged self-aware people forever. , but also to things like alcohol, religion and The idea of “performing” versus “being real” or “being even the whole notion of infatuation itself. yourself” is an issue with dating in general, of course, but it Do you watch a lot of reality TV? seems to be heightened in this reality show context.

GABY ALTER: I don’t watch very much reality TV myself. ITAMAR MOSES: I think this is an idea that is both very Of the shows I’ve seen, I like Project Runway and the one current and very ancient. It’s basically about what academics about hairdressers. Those are both shows about artists and might call the public sphere vs. the private sphere (and creativity, so obviously I identify with the contestants. (The indeed the academic in our show, Jeff, makes some judging process reminds me of grad school.) I think Itamar comments early on about the blurring of the line between and Michelle are much better versed in shows like The public and private in the house). I think the reason the idea Bachelor. I did watch one of the season finales and thought it goes back so far is that it has to do with some mechanism in was kind of weird because the people did seem to really think our brains that makes us feel like we matter, like the things they were finding “the one.” This was clearly an extremely we do have weight and meaning, only to the extent that other contrived situation, and yet the emotions were genuine. people are aware of us, to the extent we’re being watched.

ITAMAR MOSES: Notice how Gaby pretends he’s not insulting GABY ALTER: This idea has always been central to our show. me when he says I’m “better versed” in The Bachelor than Originally Itamar came to me with a lyric, “What’s the point of he is, as though I did more of my homework than he did. But, happiness if nobody’s watching?” That was his thesis about yeah, I have that complex love-hate relationship with reality what drives people to be on reality shows. I think Jeff ends TV that I think a lot of people have. I think Project Runway is up wrestling with this, because he considers himself to be genuinely good, and I like Face Off, with the special effects above this crass, worldly desire. But similar to Aschenbach, artists. Basically the best ones are ones where people are the ascetic artist in Death in Venice, the world ultimately displaying a genuinely impressive skill that can be primarily bites him in the ass. By the way, I’m pretty sure that’s the only evaluated visually (Top Chef is also good but crippled by similarity between our show and Death in Venice. the fact that you can’t smell or taste the food). But it’s true, ITAMAR MOSES: The new element in our time, probably, I have to confess that I’ve watched more of The Bachelor/ is the democratization of access to the public sphere via Bachelorette than I can possibly justify as research for this things like Facebook and and YouTube and even the musical, which, in my defense, is how it started. Every season affordability of digital filmmaking equipment. Because what of that show is like a fascinating slow motion train wreck, this means is that absolutely everybody feels that the world and even though 90% of the couples that get engaged at the stage (in at least some small way) is available to them and end of the show break up within a year, every season the that they have a right to it. Which cuts both ways: it probably contestants talk about it like it’s definitely going to work, they stokes the unhealthiness of this need in us, this need to be all parrot the same rhetoric. There’s this massive disconnect watched, but also amazing things can spread very quickly. between the world of the show and everything you’d see if you just pulled back the lens even slightly. Which is very much what our show is about.

PERFORMANCES MAGAZINE 7 Boob Tube Bachelors A Brief History of Dating on Television

Today’s reality dating shows, like the one in Nobody Loves You, are just the latest evolution of a phenomenon that started almost 50 years ago. Our appetite for watching real people find romance on television started in the 1950s and ’60s, when America fell in love with the game show and with watching people compete — succeed or fail — in front of a national audience. In the early 2000s, the number of reality dating shows skyrocketed. Even as they relied more and more on voyeurism and exploitation, most of these shows still claimed to be about “real” love and happily-ever-after.

BLIND DATE (1949) LOVE CONNECTION (1983) Originally a radio show, “Blind Date” featured men trying to When the culture at large entered the era of video dating, persuade women to go out with them over the telephone. TV jumped on the bandwagon. “Love Connection” let contestants chose a date after watching three videos of CHANCE FOR ROMANCE (1958) members of the opposite sex. The two then shared with host Chuck Woolery the story of what happened on their A panel made up of a sociologist, a marriage counselor and a date. “Love Connection” introduced the idea of audience psychologist paired up the two contestants they thought had participation in TV dating, as the studio audience also had the best “chance for romance.” the power to pick a match for the contestant and send them out on another date.

BLIND DATE (1998) Video cameras followed two people as they went on a blind date. Perhaps inspired by VH1’s popular “Pop Up Video,” “Blind Date” offered humorous running commentary on those dates in the form of thought bubbles and subtitles that appeared over the date footage. Rather than trying to make happy romantic matches, the show intentionally arranged disastrous dates, which made better fodder for its snide pop-up commentary. THE DATING GAME (1965) Hidden from view behind a wall, three young men competed for a date with a single woman who chose the winner based on their answers to romantic questions. Men also got a chance to do the choosing. Fun, lighthearted and flirty, “The Dating Game’s” biggest ratings ploy involved celebrity guests. Michael Jackson, Arnold Schwarzenegger, Sally Field and Ron Howard all appeared on the show.

8 PERFORMANCES MAGAZINE WHO WANTS TO MARRY A MULTI-MILLIONAIRE? (2000)

Fifty women, one from each state, competed beauty pageant- style for the chance to marry a wealthy bachelor. Widely seen as the nadir of TV dating shows, the two-hour show ended with a live wedding ceremony. Public outcry was fierce, but ratings were through the roof. The already controversial show sparked even more scandal when it was revealed that the millionaire’s ex-girlfriend had filed a restraining order against him for domestic violence, and the marriage was annulled within six months. elimiDATE (2001) BOY MEETS BOY (2003) A blind date started with one contestant and four dates. As The first gay dating show, Bravo’s “Boy Meets Boy” followed the evening went on, the dates were eliminated one by one. the basic structure of “The Bachelor”: a gay man (advised by Hot tubs were plentiful and sexual situations encouraged. his best friend) is offered his choice of 15 potential mates. In a surprise twist (which many critics saw as a ploy to lure straight viewers), some of THE BACHELOR (2002) those mates were actually straight, hoping to win a Executive producer Mike Fleiss, the mind behind “Who cash prize if the leading Wants to Marry A Multi-Millionaire?,” also created man picked him as his final the most successful of all reality dating shows: “The choice. The gay community, Bachelor.” The show followed a single bachelor as he which had originally been dated his way through a pool of 25 women who were all supportive, led an outcry living together in a luxury mansion. At the end of each against this twist. The show episode, the show staged a “dramatic rose ceremony” ran for only one season. in which the bachelor gave roses to the women he wanted to keep on the show; the rest were eliminated. “The Bachelor” launched many spinoffs (including “The THE LITTLEST GROOM (2004) Bachelorette”) and is the source of many of the reality A “Bachelor”-style dating show for little people. show conventions spoofed in Nobody Loves You. FLAVOR OF LOVE (2006) A “Bachelor”-style dating show starring rapper .

ROCK OF LOVE (2007) A “Bachelor”-style dating show starring of the rock band Poison.

MORE TO LOVE (2009) A “Bachelor”-style dating show for full-figured contestants.

THE COUGAR (2009) A “Bachelor”-style dating show for older women and younger men.

DATING IN THE DARK (2009) Six contestants lived in a single house, coming together for group and individual dates. The twist: “Dating in the Dark” shot its surveillance footage with infrared cameras as dates unfolded in total darkness. With so many dating shows on the air, creators struggled to find sensational hooks to make their shows stand out from the crowd.

PERFORMANCES MAGAZINE 9 Profiles

JENNI BARBER (The Eugene O’Neill Theater Center), , Mr. Kantor (Jenny) was previously Next Thing You Know (CAP21), Pretty was cast as Mark in the final company seen at the Globe in Filthy (The Civilians, Center Theater of Rent on Broadway, the final Burt Bacharach and Group) and Joe Iconis’ Bloodsong of performance of which was filmed live Steven Sater’s original Love. He has performed in concert for DVD. Shortly after he guest musical Some Lovers. with Tony Award winner starred as Ezra on “The Good Wife” Her theatre credits in his Songs by Ridiculously Talented on CBS. Subsequently he went on to include ’ Bridge Project Composers and Lyricists You Probably perform as Henry in Next to Normal productions of As You Like It and The Don’t Know But Should... and in on Broadway and then Princeton in Tempest (Brooklyn Academy of numerous concert engagements of Avenue Q Off Broadway. Mr. Kantor is Music/The Old Vic), The 25th Annual The Beat Goes On and Leading Men a co-founder of the non-profit arts Putnam County Spelling Bee of Broadway with the Naples education organization Broadway in (Broadway), From Up Here Philharmonic Orchestra, National South Africa. @AdamJKantor on ( Theatre Club), Cactus Arts Centre and Edmonton, Twitter. Flower (Off Broadway, Westside Baltimore, Fort Wayne, Indianapolis, Theatre), The Wii Plays (Ars Nova) Nashville and Phoenix Symphonies. KELSEY KURZ and The Unauthorized Autobiography His Broadway credits include Bloody (Christian, Steve) was of Samantha Brown (Orange County Bloody Andrew Jackson, the Tony featured at the Globe Performing Arts Center). Her Award-winning revival of Hair and last year in Richard television credits include “Smash,” Good Vibrations. His television O’Brien’s The Rocky “Law & Order: Special Victims Unit” credits include “Guiding Light,” “The Horror Show. He has and Lisa on the multiple-Emmy Early Show” and “The View.” Mr. appeared on Broadway Award-winning “The Electric Calvert has also blogged for The and Off Broadway in The Merchant of Company” (PBS). She is a graduate of Huffington Post. Next he is headed to Venice (The Public Theater), Davy & the University of Michigan School of Washington, DC for The Studio Stu (The Ensemble Studio Theatre) Music. Theatre’s production of Bloody and I Coulda Been a Kennedy (2006 Bloody Andrew Jackson. New York International Fringe ALEX BRIGHTMAN www.heathcalvert.com. Festival). His regional credits include (Chazz, Dominic, Evan) Sons of the Prophet (Huntington is making his Globe KATE MORGAN Theatre Company) and Seven Brides debut. His Broadway CHADWICK for Seven Brothers and Cat Ballou credits include Boq in (Samantha, Bonnie) has (Jackson Hole Playhouse). He has and Will and appeared as Frenchy in appeared in the films Spartan King (in Jack in Glory Days. His the Broadway National post-production) and A Time to Speak recent credits include the World Tours of , Ali in (in post-production). He trained at Premiere of 35mm (Galapagos Art Mamma Mia! (Las The Juilliard School. Space), The Secret Garden Vegas), The Butcherhouse Chronicles (TheatreWorks), Next to Normal (Summer Play Festival), Stupid Kids NICOLE LEWIS (Pioneer Theatre Company) and the (The Red Room) and Perfect Harmony (Tanya, Nina, Zenobia) is regional premiere of The (Theatre Row). Her television credits honored to be making History Boys. He has appeared on include ABC’s “Happy Endings” and her Globe debut. Her television in “Royal Pains” (USA) and the series “Whatever.” She received a Broadway credits “Important Things with Demetri B.A. in Theatre from Fordham include Hair (Tony Martin” (Comedy Central). Upcoming, University and trains at Upright Award Best Revival of a Mr. Brightman will be seen in the film Citizens Brigade. Ms. Chadwick Musical), Rent and Lennon. Off Change of Plans. resides in Los Angeles with her real Broadway she has played Isabella in life amazing fiancé, Clayton. Thanks to Measure for Measure (The Public HEATH CALVERT her wonderful parents, David and Theater), Happiness ( (Byron) is thrilled to be Michele. Theater workshop), Boy Gets Girl making his Globe debut. (Manhattan Theatre Club) and The He has most recently ADAM KANTOR Me Nobody Knows ( been busy with (Jeff) is thrilled to be workshop). Regionally she has played presentations of Love’s making his Globe debut Susan in David Mamet’s Race Labour’s Lost (The and to be working in San (Philadelphia Theatre Company), Ann Public Theater), Romy and Michele’s Diego. Immediately Deever in All My Sons (Intiman High School Reunion and Suprema after graduating from Theatre), Constant Star (Hartford

10 PERFORMANCES MAGAZINE Stage), Miranda in The Tempest GABY ALTER (Music and Lyrics, play commissions from McCarter (Williamstown Theatre Festival, Act I Orchestrations and Vocal Theatre Center, Playwrights Horizons, Company) and The Threepenny Arrangements) is a New York-based Berkeley Repertory Theatre, and Tartuffe (American songwriter and composer. He wrote The Wilma Theater, South Coast Conservatory Theater) as well as music and lyrics for Band Geeks! Repertory, Manhattan Theatre Club, , Children of Eden (with Tommy Newman, Mark Allen Lincoln Center Theater and the and The Wiz (Weathervane Theatre). and Gordon Greenberg), which . On television, he Her television and film credits include premiered at has written for both TNT’s “Men of a “A Gifted Man,” “Blue Bloods,” “As the and will be produced this summer by Certain Age” and HBO’s “Boardwalk World Turns” (CBS), “Law & Order: The Human Race Theatre Company. Empire.” He holds an M.F.A. in Special Victims Unit,” “Mercy” (NBC), His other shows include 29, a pop- Dramatic Writing from New York “Naked Brothers Band” rock song cycle (), University and has taught playwriting (Nickelodeon) and London Betty. She Young Zombies in Love (New York at Yale University and NYU. He is received a B.A. from Yale University International Fringe Festival), a member of the Dramatists Guild, and an M.F.A. from American The Israeli-Palestinian Conflict: A MCC Playwrights Coalition and is a Conservatory Theater. Romantic Comedy with Negin Farsad New Workshop Usual (Edinburgh Festival Fringe) and Vapor Suspect. He was born in Berkeley, CA LAUREN MOLINA Tales with Dominic Mah. A 2009 and now lives in Brooklyn, NY. (Megan) is making her Jonathan Larson Grant recipient, Mr. Globe debut. She has Alter has won awards from the San MICHELLE TATTENBAUM (Director) appeared on Broadway, Francisco Bay Area Theatre Critics has directed Itamar Moses’ plays originating the roles of Circle and the New York International Love/Stories (or But You Will Get Regina in Rock of Ages Fringe Festival for his scores. His Used To It) (World Premiere, The and Johanna in the work has been heard at the National Flea Theater), The Four of Us revival of directed by Alliance for Musical Theatre’s Festival (Los Angeles premiere, Firefly: John Doyle. Most recently, she played of New Musicals, Goodspeed’s Theater & Films) and Szinhaz and Cunegonde in directed by Festival of New Artists, Barrington Untitled Short Play (both World Mary Zimmerman, receiving the Stage Company, Joe’s Pub, New Premieres, Naked Angels). She Helen Hayes Award for Best Lead York Musical Theatre Festival and on directed and co-produced The Actress, Resident Musical and an Sirius Radio. He has written songs for Sublet Experiment, a site-specific IRNE Award nomination (Huntington television and radio including MTV, touring production that played to Theatre Company, Goodman Theatre PBS and the theme for NPR’s show sold-out crowds in New York City and The Shakespeare Theatre “Backstory.” He scored and starred for over six months. Regionally, Company). Off Broadway she has in the documentary Nerdcore Rising, she has directed at the Hangar been seen in Rock of Ages, Next Thing which premiered at the South by Theatre, Williamstown Theatre You Know and Ernest in Love. Her tour Southwest Film Festival and is now on Festival, Goodspeed Musicals and and regional credits include Sweeney Netflix Instant Watch and Hulu.com. The Shakespeare Theatre of New Todd, winning an IRNE Award for Best Mr. Alter is an ASCAP member and an Jersey. Ms. Tattenbaum worked for Supporting Actress, Musical (First alumnus of Tisch’s Graduate Musical Manhattan Theatre Club for three National Tour, American Theatre Writing Program. years, producing and developing Conservatory Theater) and Ten Cents new musicals including A Class Act a Dance (Williamstown Theatre ITAMAR MOSES (Book and Lyrics) (a production that transferred to Festival). Her folk pop album Sea for is the author of the full-length plays Broadway) and Andrew Lippa’s The Two features the song “Sky and the Outrage, Bach at Leipzig, Celebrity Wild Party. She is a two-time Drama Sea,” which appeared on NBC’s Row, The Four of Us, Yellowjackets, League Directing Fellow. “Parenthood.” A featured singer in Back Back Back and Completeness, www.michelletattenbaum.com. The Ladies Who Sing Sondheim (with the musical Fortress of Solitude (with , Patti LuPone and Michael Friedman and Daniel Aukin) VADIM FEICHTNER (Music Director) ), she also and the evening of short plays Love/ served as music director/dance performed with Sarah Brightman on Stories (or But You Will Get Used arranger for the Broadway production the La Luna tour. She received a To It). His work has appeared Off of The 25th Annual Putnam County B.F.A. from the University of Broadway and elsewhere in New Spelling Bee. His Off Broadway Michigan. She’s a co-creator of the York, at regional theatres across credits include Ordinary Days, mocumentary webseries Rock of Ages the country and in Canada and is : A Song Cycle, The Burnt Part Productions. www.laurenmolina.com. published by Faber & Faber and Boys, The Public Theater’s As You Samuel French. He has received new Like It and Lincoln Center American

PERFORMANCES MAGAZINE 11 Profiles

Songbook’s Songs of Innocence and productions of Showboat, Night Heron, Dublin Carol and Experience (both co-composed with Get Your Gun, 1776, Big River and Mojo (Atlantic Theater Company), William Finn), I Sing!, Infinite Joy, Camelot (Goodspeed Musicals), Middletown and God’s Ear (Vineyard Cam Jansen and V-Day. His regional Ella, appearing in cities all across the Theatre), Blasted (Soho Repertory credits include Little Miss Sunshine, country, Barnum (Asolo Repertory Theater), The Aliens and Hallway The Unauthorized Autobiography of Theatre’s 50th anniversary season), Trilogy (Rattlestick Playwrights Samantha Brown, The Memory Show, Oklahoma! starring Kelli O’Hara Theater). His regional credits include Party Come Here, The Mysteries of and (Oklahoma State Huntington Theatre Company, The Harris Burdick and See Rock City. He Centennial), the American premieres Shakespeare Theatre Company, has worked on concerts for Jesse of Frank McGuinness’ Gates of Gold Alley Theatre, Goodman Theatre, Tyler Ferguson, Leslie Kritzer and and The Bird Sanctuary and national American Repertory Theater, Lisa Howard. He can also be seen and international tours of James Trinity Repertory Company, Dallas in Merriam-Webster’s Children’s Taylor’s One Man Band. Theater Center and Long Wharf Dictionary holding a tuba. www.msportfolio.com. Theatre, among others. Mr. Micoleau has received a 2011 Helen Hayes MANDY MOORE (Choreography) is EMILY PEPPER (Costume Design) Award nomination (Much Ado About a two-time Emmy Award nominee and previously designed the Globe Nothing), 2010 Obie Award for a director, choreographer and dancer productions of The American Plan Sustained Excellence, 2010 Lucille best known for her work on the global and Bell, Book and Candle. Her Lortel Award (When the Rain Stops television hit “So You Think You Can New York credits include Milk (New Falling), 2009 American Theatre Dance.” Ms. Moore’s contemporary Georges), Two-Handers and Psycho Wing Hewes Design Award (Blasted), and jazz choreography has been Therapy (Midtown International 2004 Obie and performed on television, in film and Theatre Festival), The Revival (Bug), 2008 Connecticut Critics on concert and theatre stages around (Theatre Row), FUBAR (59E59), Henry Circle Award (Shipwrecked!) and the world. Her list of credits includes V (Walkerspace), A Slight Headache three Barrymore Award nominations. The Silver Linings Playbook with (South Street Seaport Museum), He has held visiting artist positions Bradley Cooper, Did You Hear About King of Shadows (Theater for the at Yale University and Dartmouth the Morgans? with Hugh Grant, Austin New City), Tio Pepe (Summer Play College and was on the faculty of Powers in Goldmember with Mike Festival), The Scariest (45 Bleecker), Sarah Lawrence College Department Myers, “American Idol,” “Dancing with Frankenstein (37 Arts) and Fizz of Dance. He received a B.A. from the Stars,” “Strictly Come Dancing,” (Ohio Theatre). Her regional credits Bowdoin College. Nickelodeon’s Fresh Beat Band, “The include Arizona Theatre Company, Drew Carey Show,” “Malcolm in the The Shakespeare Theatre of New PAUL PETERSON (Sound Design) has Middle,” “That ‘70s Show,” the Los Jersey, Commonwealth Shakespeare designed over 95 productions at The Angeles Ballet’s innovative New Wave Company, White Plains Performing Old Globe, including Anna Christie, LA program, Celine Dion’s Taking Arts Center, Delaware Theatre , Engaging Shaw, Life of Riley, Chances concert tour and Cirque Company, Williamstown Theatre Plaid Tidings – A Special Holiday du Soleil’s The Immortal. Ms. Moore Festival, Dorset Festival, Two River Edition of Forever Plaid, Welcome to recently won a Denver Post Ovation Theater Company, Ten Thousand Arroyo’s, Brighton Beach Memoirs, Award for her choreography in the Things and La Jolla Playhouse. She Broadway Bound, The Last Romance, regional premiere of The Wedding participated in the Gombrowicz Boeing-Boeing, Alive and Well, Lost Singer at the Aurora Fox Theater Festival in Lublin, Poland. Ms. Pepper in Yonkers, I Do! I Do!, The Mystery Company in Denver, Colorado. holds an M.F.A. in Design from UC of Irma Vep, Cornelia, The Price, San Diego. www.emilypepper.com. Kingdom, Six Degrees of Separation, MICHAEL SCHWEIKARDT (Scenic Since Africa, The Women, Dr. Seuss’ Design) designed the World Premiere TYLER MICOLEAU (Lighting Design) How the Grinch Stole Christmas!, Bell, of Duncan Sheik’s Whisper House designed the Globe production of In Book and Candle, Two Trains Running, for The Old Globe. Mr. Schweikardt This Corner. His Off Broadway credits Hold Please, Restoration Comedy, has created sets for several musicals include A Midsummer Night’s Dream Pig Farm, Moonlight and Magnolias, by Joe Iconis including Bloodsong (Classic Stage Company), When the Vincent in Brixton, Lucky Duck, The of Love (Ars Nova), ReWrite (Urban Rain Stops Falling (Lincoln Center Intelligent Design of Jenny Chow, Stages), The Black Suits (The Public Theater), That Face (Manhattan Blue/Orange, Time Flies, Pentecost, Theater) and Things to Ruin (The Theatre Club), A Very Common Compleat Female Stage Beauty, Zipper Factory and Second Stage Procedure (MCC Theater), Dreams The Boswell Sisters and Crumbs Theatre). His other recent credits of Flying Dreams of Falling, The from the Table of Joy. His regional include the critically acclaimed Intelligent Design of Jenny Chow, credits include designs for Milwaukee

12 PERFORMANCES MAGAZINE Repertory Theater, San Jose films. She is a member of the Casting for a New Audience and the Joyce Repertory Theatre, CENTERSTAGE, Society of America and League of Theater Foundation’s American La Jolla Playhouse, Sledgehammer Professional Theatre Women. Her Theater Exchange. He also served as Theatre (Associate Artist), Mo’olelo casting assistants are Tyler Albright negotiating assistant for the League Performing Arts Company, San Diego and Lauren O’Connell. of Resident Theatres and sales Repertory Theatre, North Coast representative for Columbia Artists Repertory Theatre, Diversionary PETER VAN DYKE (Stage Manager) Theatricals Corporation. Mr. Murphy Theatre, Malashock Dance, University was born in Chicago and raised on a has served on the Board of Directors of San Diego, San Diego State dairy farm in Wisconsin. He has stage of the San Diego Performing Arts University and Freud Playhouse at managed at several regional theatres, League and serves as a Management UCLA. Mr. Peterson received his including over 50 productions at Trustee for San Diego County B.F.A. in Drama with an emphasis The Old Globe. He has been the Theatrical Trusts, the pension and in Technical Design from San Diego Production Stage Manager of The welfare trust for IATSE stagehands State University. Phantom of the Opera, Les Misérables in the San Diego region. He was also and Wicked on tour. an adjunct faculty member of the STEPHANIE KLAPPER, CSA Music Department at the University LEIGHANN ENOS (Assistant Stage (Casting) recently cast the Broadway of San Diego. Mr. Murphy earned his Manager) most recently worked and Off Broadway productions of B.F.A. degree in Stage Management on The Old Globe’s productions The Morini Strad, Rx, Olive and from Webster University in St. Louis, of Odyssey, August: Osage County the Bitter Herbs, Karen O’s Stop Missouri and his M.F.A. in Performing and Twelfth Night (2010 Summer the Virgens, Cactus Flower, Black Arts Management from Brooklyn Shakespeare Intensive). Her La Jolla Tie, In Transit, Secrets of the Trade, College of the City University of New Playhouse credits include Sleeping The Temperamentals, Dividing the York. Estate (2009 Tony Award nomination Beauty Wakes and UC San Diego for Best Play), Bells Are Ringing, credits include June Moon, space JACK O’BRIEN (Artistic Director Dinner with Friends, An Oak Tree between, The Threepenny Opera and Emeritus) served as the Artistic (New York and Los Angeles, Artios reasons to be pretty. Her University Director of The Old Globe from 1982 Award winner) and It Ain’t Nothin’ of Florida credits include Richard through 2007. Broadway: Catch Me If but the Blues. Her National Tour O’Brien’s The Rocky Horror Show, You Can, Impressionism, The Coast of credits include A Christmas Story, The Mikado, West Side Story and Utopia (Tony Award), Dr. Seuss’ How The Musical! She is the resident La Traviata. She has also worked the Grinch Stole Christmas!, Dirty casting director for Primary Stages, on the World Premiere of Magnolia Rotten Scoundrels (Tony nomination), New York Classical Theatre and and the Chicago premiere of Rock Henry IV (Tony Award), The Pearl Theatre Company. Her ‘n’ Roll (Goodman Theatre). Ms. (Tony Award), Imaginary Friends, The select additional credits include Enos received her M.F.A. in Stage Invention of Love (Tony nomination, The Cherry Sisters (Actors Theatre Management at UC San Diego and ), The Full Monty of Louisville), Eric Rosen and Matt holds a B.A. in Criminology from the (Tony nomination), More to Love, Sax’s Venice, Saved! for Gary Griffin, University of Florida. Getting Away with Murder, Pride’s Moisés Kaufman’s , Crossing, The Little Foxes, Hapgood MICHAEL G. MURPHY (Managing The White Snake and The Arabian (Lucille Lortel Award, Best Director), Director) served as General Manager Nights, both for Mary Zimmerman, Damn Yankees, Two Shakespearean of The Old Globe from 2003 to and Mirror of the Invisible World. Actors (Tony nomination), Porgy and 2012, overseeing the Production, Ms. Klapper has ongoing projects in Bess (Tony Award). Metropolitan Education, Human Resources, New York City and for a number of Opera: II Trittico. London: Love Never Information Technology and Facilities regional theatres including Berkeley Dies, Hairspray (Olivier nomination), Departments, as well as Front of Repertory Theatre, Capital Repertory National Theatre: His Girl Friday. House operations. He also managed Theatre, Delaware Theatre Company, Six movies for PBS’s “American the construction of the Globe’s new Milwaukee Repertory Theater, Playhouse.” Awards: 2008 Theatre theatre and education facilities. Adirondack Theatre Festival, Asolo Hall of Fame Inductee, 2005 John Prior to the Globe, he was the Repertory Theatre, PlayMakers Houseman Award, ArtServe Michigan Managing Director of Austin Lyric Repertory Company, Kansas City 2008 International Achievement Opera in Austin, Texas, Director of Repertory Theatre, New Theatre, Award, Honorary Doctorate, Administration of San Diego Opera Commonwealth Shakespeare University of Michigan. Honorary and General Manager of San Diego Company, Hartford Stage and Doctor of Humane Letters, University Repertory Theatre. Before relocating Westport Country Playhouse. She has of San Diego. Film (actor): Sex and the to San Diego from New York, he cast numerous independent feature City 2. held similar positions at Theatre

PERFORMANCES MAGAZINE 13 Profiles

CRAIG NOEL (Founding Director) Diego theatre, Mr. Noel is one of the Gentleman of Distinction Award; and was first appointed director in few San Diegans to have had an entire a combined tribute from the Public 1939, directing 15 productions year (1987) proclaimed in his honor, Arts Advisory Council and the San prior to World War II. Since then he and to be named one of San Diego’s Diego County Board of Supervisors. directed more than 200 plays of all “Living Treasures.” He was a founder Mr. Noel was particularly proud of the styles and periods and produced an of the Theatre Council following three honors representing additional 270 productions. His vision and a former vice president of the education and theatre: Honorary for The Old Globe resulted in the California Confederation of the Doctorate of Humane Letters, establishment of the Shakespeare Arts. His numerous honors include University of San Diego, Honorary Festival and the San Diego Junior The San Diego Union-Tribune list of Doctorate in Fine Arts, San Diego Theatre in the late ‘40s, the expansion 25 persons who shaped the city’s State University and the annual to two theatres in the ‘50s, Globe history; the Governor’s Award for the Awards for Excellence in Theatre Educational Tours in the ‘70s and Arts; University of Arizona Alumni named in his honor by the San Diego Teatro Meta and the Old Globe/ Association’s Outstanding Citizen, Theatre Critics Circle. In 2007, he University of San Diego MFA program for his contribution to their Fine received the National Medal of in the ‘80s. During the 1940s, Mr. Arts department; San Diego State Arts — the nation’s highest honor for Noel served as dialogue director for University’s Outstanding Alumnus; artistic excellence — in a ceremony at the 20th Century Fox Studios and Conservator of American Arts the White House. Craig Noel died on was the former director of the Ernie Award from American Conservatory April 3, 2010 at the age of 94. Pyle Theatre in Tokyo. Described by Theater; the San Diego Press Variety as the eminence grise of San Club Headliner Award; San Diego

STEPHANIE KLAPPER CASTING THE 2012 SHAKESPEARE FESTIVAL Stephanie Klapper, CSA Tyler Albright Under the stars in our beautiful outdoor theatre Lauren O’Connell This theatre operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the union of professional actors and stage managers in the United States.

The Directors are members of the Society of Stage Directors and Choreographers, an independent national labor union.

This Theatre operates under an Agreement with the International Alliance of Theatrical Stage Employees Local No. 122.

The Scenic, Costume, Lighting and Sound Designers in LORT Theatres are represented by United Scenic Artists Local USA-826, IATSE.

As You Like It • Richard III • Inherit the Wind The musicians are represented by the American In Repertory June 3 - September 30 Federation of Musicians, Local 325 San Diego.

14 PERFORMANCES MAGAZINE DON’T MISS THIS EXCLUSIVE SOUTHERN CALIFORNIA ENGAGEMENT!

“GRADE A! Stunning! The best “If you see one show this season, “One of the best-staged productions new musical of the year. make it THE SCOTTSBORO BOYS. ever to come to Broadway. It is A cause for rejoicing.” It’s as simple as that.” impossible not to be thrilled.” -Entertainment Weekly -New York Post -The Wall Street Journal -Entertainment Weekly -New York Post -The Wall Street Journal “A theatrical triumph. Hits perfect notes from beginning to end!” “A theatrical triumph. Hits-Philadelphia perfect Magazine notes from beginning to end!” -Philadelphia Magazine

The original Broadway cast of The Scottsboro Boys. Photo by Paul Kolnik. The original Broadway cast of The Scottsboro Boys. Photo by Paul Kolnik. NOMINATED FOR 12 TONY AWARDS INCLUDING BEST MUSICAL!

From the creators of Chicago, Cabaret and Kiss of the Spider Woman comes the critically acclaimed THE SCOTTSBORO BOYS! This daring and wildly entertaining new musical, directed by five-time Tony Award winner Susan Stroman, explores a pivotal moment in American history with arresting originality, innovative staging and a breathtaking score. Based on the notorious “Scottsboro” case of the 1930s, this inspiring and shocking story tells of the nine unjustly accused African American men whose lives would eventually spark the Civil Rights Movement. Possibly the most important musical Broadway has seen in recent memory. A co-production with American Conservatory Theater.

Music and Lyrics by Music and Lyrics by John Kander & Fred Ebb Book by Book by David Thompson Direction and Choreography by Direction and Choreography by Susan Stroman

WEST COAST PREMIERE • MUST CLOSE JUNE 10! TICKETS START AT $39

(619) 23-GLOBE (234-5623) www.TheOldGlobe.org Group Sales (619) 238-0043 x2408PERFORMANCES MAGAZINE 15 The Old Globe is deeply grateful to its Sponsors, each of whom has made a 2011/2012 annual donation of $50,000 or greater. Lead Season Sponsors

Mary Ann Blair Karen and Donald Cohn David C. Copley Conrad Prebys and Debra Turner Darlene Marcos Shiley Sheryl and Harvey White

Season Sponsors

Mary Beth Adderley and Elizabeth & Ryan Williams The Legler Benbough Foundation John A. Berol Peter Cooper and Norman Blachford The Family of Mary and Dallas Clark Valerie and Harry Cooper The County of San Diego Audrey S. Geisel Globe Guilders Kathryn Hattox Joan and Irwin Jacobs Elaine Lipinsky Family Foundation June E. Yoder

For additional information on how you may become a Season Sponsor, please contact Todd Schultz, Director of Development, at (619) 231-1941 x2310.

16 PERFORMANCES MAGAZINE Education

scores. The group whose teachers had some arts training gained a respectable 42% increase. But the children whose Full STEAM Ahead: teachers had training plus the support of an arts professional increased their scores by an astonishing 87%. Practitioners ARTS EDUCATION in the arts education field were not surprised by the results. They have seen how the arts work in the classroom. They have seen children suddenly grasp a concept when Heats Up Science presented with an arts-infused lesson on math or science. They have seen children focused and ready to learn after participating in an exhilarating theatre game or activity. They Learning have seen bored and sullen students suddenly becoming engaged and enthusiastic learners when a lesson is taught What do almost all Nobel Prize-winning scientists have in through theatre. common? The arts. According to an article by Michele and Robert Root-Bernstein in Psychology Today, “almost all Program co-director Merryl Goldberg noted that the study is Nobel Laureates in the sciences actively engage in arts as remarkable for its scope, having been done in 10 schools. A adults. They are twenty-five times as likely as the average study this thorough is rare, and the results have people taking scientist to sing, dance, or act; seventeen times as likely to be notice. Researcher and program evaluator (and former Old a visual artist; twelve times more likely to write poetry and Globe Education Director) Patti Saraniero, who compiled the literature.… Many connect their art to their scientific ability data for the DREAM project, pointed out that the greatest with some riff on Nobel Prize-winning physicist Max Planck’s gains were for the lowest performing students. Why is that words: ‘The creative scientist needs an artistic imagination.’” important? Low-performing schools are often the first to lose their arts programs with administrators focusing on core The recent emphasis on Science, Technology, Engineering curriculum and increasing standardized test scores. This study and Math (STEM) in schools has become a clarion call may help to guide administrators of low-performing schools by many in government. This STEM focus is intended to in rethinking their approach when confronted with a mandate stimulate our economy and keep us ahead of the rest of to increase test scores. The arts help children learn. And for the world when it comes to innovation and new technology. some learners, the arts are crucial to the way they think. But when the focus is centered on STEM, other modes of learning are pushed to the side. Specifically, the arts are The Old Globe’s Education Department works with schools often cut from school curricula in order to make way for countywide to bring quality arts programming to the STEM courses. classroom. Our on-site programs provide in-depth arts training to students who wish to study theatre. Only time Educators, parents, arts practitioners and businesspersons will tell if these students will go on to be professional actors nationwide have rallied for a new cause: Replace STEM or Nobel Laureates, but one thing is sure: it’s full STEAM with STEAM. Adding the “A” (for Arts) to the mix powers us ahead for all students when the arts are included in the forward to reach the goals that STEM advocates seek. By curriculum. providing rich arts training, students will develop the critical skills and creative thinking that allow for true innovation.

How can we know that the arts actually have an effect on student learning? Recently, Cal State San Marcos and the San Diego County Office of Education partnered on the DREAM project, a thorough study on improving reading scores. One group of teachers was given no additional training in how to use the arts in the classroom. The second group of teachers received only training and the third group received training plus each teacher was paired with a trained arts professional to incorporate the arts into their lessons.

The CSUSM study showed that the first group of children (no arts training J. KATARZYNA WORONOWICZ KATARZYNA J. for the teachers) had a fairly typical The finalists of the 2011 Globe Honors, the Globe’s annual competition recognizing excellence in high school 25% increase in standardized test theatre, warm up with accompanist Leigh Sutherlin.

PERFORMANCES MAGAZINE 17 Annual Fund Donors

The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large part to the financial support of more than 2,000 individuals, businesses, foundations and government agencies. Please join us in giving a warm thanks and recognition to these leaders who have made tonight and our 629 other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight.

Benefactors ($100,000 and above)

City of San Diego Audrey S. Geisel/ Microsoft Commission for Arts & Culture The San Diego Foundation Darlene Marcos Shiley, David C. Copley Dr. Seuss Fund in memory of Donald Shiley The County of San Diego Globe Guilders The Shubert Foundation The James Irvine Foundation Sheryl & Harvey White Foundation

Season Sponsors ($50,000 to $99,999) Mary Beth Adderley and Peter Cooper & Norman Blachford Conrad Prebys & Debra Turner Elizabeth & Ryan Williams Advised Fund at the San Diego Qualcomm, Inc. The Legler Benbough Foundation Human Dignity Foundation United John A. Berol Valerie & Harry Cooper Wells Fargo Mary Ann Blair Edgerton Foundation June E. Yoder, in memory of David Yoder California Bank & Trust Kathy & John Hattox The Family of Mary & Dallas Clark HM Electronics, Inc. Karen & Donald Cohn Joan & Irwin Jacobs Fund of the Cohn Restaurant Group/ Jewish Community Foundation

Prado Restaurant Elaine Lipinsky Family Foundation

Production Sponsors ($25,000 to $49,999) Anonymous Elaine & Leonard Hirsch Mickey Stern Bank of America Jo Ann Kilty Gillian & Tony Thornley Alan Benaroya Barbara G. Kjos Union Bank Richard & Kathy Binford National Corporate Theatre Fund U.S. Bank Pamela & Jerry Cesak Neiman Marcus Mandell Weiss Charitable Trust Elaine & Dave Darwin Paula & Brian Powers Mr. & Mrs. Brian K. Devine Random House Children’s Books Pamela A. Farr SDG&E Higgs Fletcher & Mack, LLP Sheraton San Diego Hotel & Marina

Director Circle ($10,000 to $24,999) Jane Smisor Bastien Deni & Jeff Jacobs Reneé Schatz Arthur & Sophie Brody Fund of the Daphne H. & James D. Jameson Jean & Gary Shekhter Jewish Community Foundation Dr. Ronald & Mrs. Ruth Leonardi Patsy & Forrest Shumway

Nikki & Ben Clay Jeffrey & Sheila Lipinsky Ms. Jeanette Stevens The Helen K. and James S. Copley Family Foundation Anne Taubman & David Boyle Foundation Sue & John Major Evelyn Mack Truitt Nina & Robert Doede National Endowment for the Arts Dr. Steve & Lynne Wheeler Karen Fox & Harvey Ruben Rafael & Marina Pastor Karin Winner Hal & Pam Fuson Tom & Lisa Pierce Brent V. Woods & Laurie C. Mitchell Lee & Frank Goldberg Allison & Robert Price Carolyn Yorston-Wellcome Jean-Marie Hamel, PhD Price Family Charitable Fund

18 PERFORMANCES MAGAZINE FOUNDER CIRCLE Mary & David Fitz Roger & Christine Roberts Kaaren Henderson ($5,000 to $9,999) Susanna & Michael Flaster Nancy Robertson Bill & Nancy Homeyer Lawrence G. Alldredge & Dawn Moore Jean & Sid Fox Mary & Eugene Rumsey, MD Kenneth & Marilyn Jones Joan & Jeremy Berg Chuck Freebern Carole Sachs Louis & Mary Beth Kelly Barbara Bloom Charles & Millicent Froehlich Warren & Beverly Sanborn Gayle & Jerry Klusky The Louis Yager Cantwell Joy & Dr. Fred Frye Sanderson Family Donor Advised Dr. & Mrs. James E. Lasry Private Foundation Elaine & Murray Galinson Fund at the Rancho Santa Fe Courtney & Raymond Liddy Clifford & Carolyn Colwell Victor & Jill Gálvez Foundation Don & Mary Jane Lincoln R. Patrick & Sharon Connell Barbara & Albert Garlinghouse Drs. Joseph & Gloria Shurman Edward & Nancy Lyon Ann Davies Bill & Judy Garrett Dee E. Silver, MD Jasna Markovac & Gary Miller Bernard J. Eggertsen & Drs. Thomas & Jane Gawronski Paul Scott Silvera & Todd Schultz F. Dale & Lois Marriott

Florence Nemkov Teresa George Elene & Herb Solomon Peggy Matthews Marion Eggertsen Nancy Reed Gibson Nancy & Alan Spector and Family Marcia Mattson Wendy Gillespie Nancy Steinhart & Barbara & Dick Enberg Dr. & Mrs. M. Joseph McGreevy Dr. & Mrs. Robert Epsten Robert Gleason & Marc Matys Rebecca Goodpasture Jack Meek Carol Spielman-Ewan & Joel Ewan Walter Goeddel Eugene & Hannah Step Virginia Oliver Martha & George Gafford Tom & Sheila Gorey Pat & Jack Thomas Dr. Julie Prazich & Dr. Sara Rosenthal Mary Ann & Arnold Ginnow Dr. & Mrs. William Gott Cherie Halladay Tirschwell Robert & Doris Reed Diana Glimm Walter & Lola Green Carol Vassiliadis Jeffrey & Vivien Ressler Norm Hapke & Valerie Jacobs Hapke Tim Haidinger Doris & Lou Vettese Wade & Candi Rich Alexa Kirkwood Hirsch Ms. Cheryl Haimsohn Mary R. Warkentin The Ralph B. Rogers Foundation Dr. & Mrs. Harry F. Hixson, Jr. Pat & Rick Harmetz Zelda J. Waxenberg San Diego Concierge Association William Karatz Gordon & Phyllis Harris Jan Harden Webster & Raul Ortega Alan & Esther Siman Carol & George Lattimer Drs. Patrick Harrison & Eleanor Lynch The Patricia and Christopher Weil Dave & Phyllis Snyder Peter Manes & Yoko Sakaguchi Rhonda Heth & Thomas Mabie Family Foundation Jack & Louise Strecker Paul & Maggie Meyer Richard & Janet Hunter Kathy & Jim Whistler Greta & Steve Treadgold Money/Arenz Foundation, Inc. Hutcheson Family Fund at Celeste & Gene Trepte Rebecca Moores The San Diego Foundation ($1,500 to $2,499) Stan & Anita Ulrich Matthew & Judith Pollack Drs. Sonia & Andrew Israel Anita Busquets & William Ladd Jo & Howard Weiner John & Marcia Price Family Foundation Jerri-Ann & Gary Jacobs Lisa & David Casey David & Irene Weinrieb Rivkin Family Fund I at The San Diego Pat JaCoby Devora & Ron Eisenberg of Mary Kay West Foundation Mary & Russell Johnson Great News! Christy & Howard Zatkin Bob & Julie Sullivan Jackie Johnston Gary & Carrie Huckell Deborah Szekely Katleman Family Fund of the William & Edythe Kenton GOLD Dixie & Ken Unruh Jewish Community Foundation Sherry & Larry Kline ($500 to $999) Jordine Skoff Von Wantoch Dr. Gerald & Barbara Kent Robin J. Lipman & Miro Stano Anonymous (3) Pamela J. Wagner Bob* & Gladys King Nancy & James Mullen George Amerault Ken & Sheryl King In Memory of Dolly & Jim Poet Drs. Michael & Gabriela Antos CRAIG NOEL CIRCLE Webster & Helen Kinnaird Marie & Don Prisby Alicia Atun & Elaine Rendon* ($2,500 to $4,999) Jane & Ray Klofkorn Marisa SorBello & Peter Czipott The Backman Family Dr. & Mrs. Wayne Akeson Curt & Nancy Koch James & Ellen Weil Andris Baltins Gail Andrade and Brooke & Dan Koehler Shirli Fabbri Weiss Richard & Linda Basinger John & Jennifer Andrade Betty & Leonard Kornreich Bruce & Patricia Becker Anonymous (2) Rosalie Kostanzer & Michael Keefe DIAMOND Amnon & Lee Ben-Yehuda Judith Bachner & Eric Lasley Regina Kurtz & Al Isenberg ($1,500 to $2,499) Drs. John & Karen Berger Jan & Rich Baldwin Bob & Laura Kyle Anonymous Bob & Joyce Blumberg Bobbie Ball Jean & David Laing Jeff & Donna Applestein Barbara Bolt Diana J. Barliant & Nowell Wisch Peter Landin & Michelle Cardinal Mrs. Lazare F. Bernhard Dr. & Mrs. J. Brand Brickman Jan Bart Tadd S. Lazarus, MD Steve G. Bjorg Dr. & Mrs. Simon C. Brumbaugh, Jr. Melissa Garfield Bartell & Terry & Mary Lehr Mary-Kay Butler Greg & Loretta Cass Michael Bartell Ms. Sherrill Leist Dr. & Mrs. Robert M. Callicott Luc Cayet & Anne Marie Pleska Deron & Toni Bear James & Pamela Lester Jane Cowgill Lynne Champagne & Wilfred Kearse Linda Birch Sandy & Arthur Levinson Enid Gleich Jack & Carol Clark Charlotte & Charles Bird Barbara & Mathew Loonin Leo S. Guthman Fund Ronald D. Culbertson Paul Black Merriel F. Mandell, PhD Jerry Lester, MD/Rosarito, Mexico Walter & Cheryl Deegan Dr. Herman & Irene Boschken Charlie & Jackie Mann Paul Levin Dr. Donald & Eilene Dose Dr. & Mrs. Edgar D. Canada Elizabeth & Edward McIntyre Dr. Robert & Marcia Malkus Jacqueline & Stanley Drosch Edward & Pamela Carnot Harold O. McNeil, Esq. Joy & Ronald Mankoff Elisabeth K. Ecke George & Ellen Casey Elizabeth Meyer Akiko Morimoto & Bill Eiffert & Leslie Hodge Rudy & Carol Ceseña Grace & Scott Miller Hubert Frank Hamilton, Jr. Esther & Robert Feier Carol & Jeff Chang Mark Niblack Richard & Beverly Fink Family Barbara & Mike Morton Garet & Wendy Clark Jim & Ruth Mulvaney Foundation at Shearn & Linda Platt Foundation

Ms. Heidi Conlan/The Sahan Daywi The San Diego Foundation Margery & John Swanson Pauline Forman & Jack Burke Foundation Elspeth & Jim Myer Susan & Steven Garfin Richard & Stephanie Coutts Joyce & Martin Nash PLATINUM Peter & Christine Gault Susan Barlow Cowell National Alliance for Musical Theatre ($1,000 to $1,499) Theresa A. Georgi Gigi & Ed Cramer Lyn Nelson Edward Anderson Arthur Getis Timothy & Marie Cunning Arthur & Marilyn Neumann Sondra & Robert Berk Fund of the Norman & Patricia Gillespie Carlo & Nadine Daleo Lawrence Newmark Jewish Community Foundation Louise & Doug Goodman Gary & Barbara Blake Family Fund of Darlene G. Davies, in memory of Ben & Joan Pollard Edry & Robert Goot Lowell Davies Mo & Bill Popp the Jewish Community Foundation Chris Graham & Michael Albo Pat & Dan Derbes Daniel Porte Jr., MD Steve & Elizabeth Bluhm Carol & Don Green Michael & Katy Dessent Joanne Powers Nancy Brock Richard & Candace Haden Mrs. Philip H. Dickinson The Arthur & Jeanette Pratt Sandra & Harry Carter Helen M. Hammond Jim & Sally Ditto Memorial Fund Ms. Dorothy R. Dring Jamie Henson & Robert Houskeeper Dan & Phyllis Epstein Joseph & Jane Rascoff Paul & Clare Friedman Mike Hogan Enterprises Noddy & Ira Epstein Sarah B. Marsh-Rebelo & Mr. & Mrs. Arthur A. Greenberg Stephen Hopkins & Dr. Carey Pratt Carol Fink John G. Rebelo George C. Guerra Dr. & Mrs. Clyde W. Jones

PERFORMANCES MAGAZINE 19 Annual Fund Donors Leadership Gifts

(continued)

Kathy & Rob Jones Mr. William D. Smith & Dr. Carol Harter The Old Globe recognizes and thanks the following Patricia & Alexander Kelley Susan Steele & Mike Conley Robert Kilian & Kathleen Slayton Ronald & Susan Styn generous individuals who have made extraordinary Bill & Linda Kolb Clifford & Kay Sweet gifts of $1 million or more. These major contributions Dr. Marvin Kripps Dr. & Mrs. Charles B. Tesar LABS, Inc./Silvia Dreyfuss Gertrude Trebon have been designated for artistic, endowment and Sherry & Rick Levin Jeffrey & Sheila Truesdell Marshall & Judy Lewis Fund of the Ms. C. Anne Turhollow & facilities projects, and help The Old Globe remain one

Jewish Community Foundation Mr. Michael J. Perkins of our country’s great theatre institutions. Carl Maguire & Margaret Sheehan Natalie C. Venezia & Paul A. Sager Sally & Luis Maizel Harold Walba Drs. Betty Joan Maly & John Meyers Douglas Wallingford $20,000,000 or greater Ron & Mercy Mandelbaum Kathy & Jim Waring Martin & Joanne Marugg Dave & Kim Washkowiak Rev. Stephen J. Mather Ms. Sandy Wichelecki Donald* and Darlene Shiley McAuliffe Family Dennis & Carol Wilson Ronald McCaskill & Robyn Rogers Cass Witkowski Family Charles & Billie McKnight Ms. Abbe Wolfsheimer $10,000,000 or greater Charles & Susan Muha Brendan M. & Kaye I. Wynne Shirley Mulcahy Marsha J. Netzer Conrad Prebys *In Memoriam Rod & Barbara Orth Barbara B. Oswalt $5,000,000 or greater In Memory of Margaret Peninger This list current as of March 23, 2012. Dr. Ken Pischel & Dr. Katherine Ozanich For additional information on how you Sheryl and Harvey White Drs. Paul & Katherine Ponganis may support The Old Globe’s artistic, Simon & Ruth Sayre education and community programs, Mr. & Mrs. Russell Schnapp please visit our website at www. Kathryn Hattox Linda J. Seifert TheOldGlobe.org or contact Rachel Stella Shvil Professional Fiduciary Plummer, Major Gifts Officer, at Karen and Donald Cohn Beverly & Howard Silldorf (619) 231-1941 x2317 or rplummer@ Mr. & Mrs. Randall Silvia TheOldGlobe.org. $2,000,000 or greater Public Support Viterbi Family Foundation $1,000,000 or greater

California Cultural and Historical Endowment

Estate of Dorothy S. Prough

The Rivkin Family

Estate of Beatrice Lynds

Major funding provided by the City of San Diego Commission for Arts and Culture. The Old Globe is funded by the County of San Diego. Audrey S. Geisel/ San Diego Foundation Dr. Seuss Fund

Stay Connected with Mr. and Mrs. Victor H.* Ottenstein The Old Globe Mrs. Helen Edison* The Stephen & Mary Birch Foundation

The Kresge Foundation

*In Memoriam Visit us online at www.TheOldGlobe.org

20 PERFORMANCES MAGAZINE Corporate Donors

LEAD SEASON SPONSORS ($75,000 or more)

SEASON SPONSORS ($50,000 - $74,999)

PRODUCTION SPONSORS ($25,000 - $49,999)

DIRECTOR CIRCLE National Corporate Theatre Fund is a not-for-profit ($15,000 to $24,999) corporation created to increase and strengthen support from the business community for ten of this country’s most distinguished professional theatres. The following foundations, individuals and corporations support these theatres through their contributions to NCTF: ($10,000 or more) The McGraw-Hill Companies Acquis Consulting Group MetLife American Express Morgan Stanley Bank of America Pfizer, Inc. Bloomberg RBC Wealth Management BNY Mellon Wealth Management RVM/Vincent Brunetti Steven Bunson Salesforce.com Christopher Campbell/ Sharp Electronics ($10,000 to $14,999) Palace Production Center George S. Smith, Jr. ResMed Foundation Cisco Systems, Inc. James S. Turley FOUNDER CIRCLE ($5,000 - $9,999) Citi UBS Bertrand at Mister A's Nokia Inc. Datacert, Inc. USA Today Break-Away Tours The Westgate Hotel Dorsey & Whitney Foundation Vernalis Systems Hyatt Regency La Jolla Ernst & Young Wells Fargo Goldman, Sachs & Co. Willkie Farr & Gallagher LLP CRAIG NOEL CIRCLE ($2,500 - $4,999) Marsh & McLennan Companies HoyleCohen, LLC Cubic Corporation Corporate Partners enjoy benefits and recognition, including the opportunity to The Cox Kids Foundation at Goldman, Sachs & Co. entertain clients and employees with exclusive receptions at the Theatre, behind- The San Diego Foundation Northgate González Market the-scenes tours, and preferred seating at our shows. For information, please contact Todd Schultz at (619) 231-1941 x2310.

PERFORMANCES MAGAZINE 21 A Planned Gift Ensures a Strong for The Old Globe

What is the Craig Noel League? decision, The Old Globe Board of Directors has established Founded in 2000 and named for specific giving areas that you may choose from, including the Globe’s Founding Director, the classical theatre and Shakespeare, education programs and League is a planned giving society for new works. the Globe comprised of individuals who have included The Old Globe How do I make a Planned Gift? in their estate plans. Through their Simply call the Globe and schedule an appointment for a generosity, these supporters of the confidential meeting, or visit with your estate planner or Theatre are helping to ensure a long attorney. and bright future for San Diego’s Join us and become a part of our active community with a

CRAIG NOEL,CRAIG 1957 leading cultural landmark. variety of exciting events including an Annual Member Event, What is a Planned Gift? “Food for Thought” monthly lunches where you may dine Planned giving is simply a way to support The Old Globe with a Globe artist or attend one of the many Opening Night through your estate plans by establishing an irrevocable receptions held throughout the year. bequest of property, stock or cash; a charitable trust; a living To become a member of the Craig Noel League or to tell us estate; or some other deferred giving instrument. In your of a gift you have already made, please contact Bridget Cantu estate plans, you have the ability to designate the specific Wear, Associate Director of Development, Planned Giving, use of the funds given to the Globe, and to help guide your at (619) 231-1941 x2312 or [email protected].

Craig Noel League Members

Anonymous (17) Dr. Bernard Eggertsen Gladys H. King Greg & Polly Noel Jeanette Stevens Diana Barliant Dr. & Mrs. Robert Epsten Marilyn Kneeland PACEM (Pacific Academy Eric Leighton Swenson Nancine Belfiore Frank A. Frye, III Jean & David Laing of Ecclesiastical Music) Anne C. Taubman Alan Benaroya Mr. Alan Gary & Jerry Lester Foundation Sarah B. Marsh-Rebelo & Randy Tidmore Barbara Bolt Ms. Joanee Udelf Heather Manion John Rebelo Cherie Halladay Tirschwell Nancy Brock Nancy Reed Gibson Chris & Jill Metcalf Darlene Shiley Evelyn Mack Truitt Ronald Brown Robert Gleason & Paul I. & Margaret W. Meyer Patsy & Forrest Shumway Ginny Unanue Dr. & Mrs. Edgar D. Canada Marc Matys Steve Miller B. Sy & Ruth Ann Silver Jordine Von Wantoch Garet & Wendy Clark Marcy Goldstone Dr. Robert W. Miner Dee Silver, M.D. Merle Wahl R. Patrick & Sharon Connell Carol & Don Green Shirley Mulcahy Stephen M. Silverman Holly J. B. Ward Patricia W. Crigler. Ph. D., Kathryn Hattox Laurie Dale Munday Roberta Simpson Sarah Woodruff Watkins CAPT/USN/Ret. David & Debbie Hawkins Stanley Nadel & Dolores & Rod Smith Sheryl & Harvey P. White Carlos & Patricia Cuellar Jill Denison Holmes Cecilia Carrick Marisa SorBello & Mrs. Jack Galen Whitney Ronald D. Culbertson Craig & Mary Hunter Alice B. Nesnow Peter Czipott Julie Meier Wright Mrs. Philip H. Dickinson Bob Jacobs Arthur & Marilyn Neumann John & Cindy Sorensen Carolyn Yorston-Wellcome Doug Druley & Becky Young Grace Johnston Ronald J. Newell Nancy A. Spector & Judy L. Zimmerman Alan R. Spector Globe Ambassadors

Globe Ambassadors are generous supporters Be rnard J. Eggertsen & Florence Nemkov◆ Donald* & Darlene Shiley◆ of The Old Globe who contribute a minimum Ca rol Spielman-Ewan & Joel Ewan Ms. Jeanette Stevens◆ of $3,500 to the Annual Fund, attend special Danah H. Fayman◆ Evelyn Mack Truitt Globe meetings and activities and serve as Mary Ann & Arnold Ginnow Dixie & Ken Unruh advocates in the community for the Globe’s Alexa Kirkwood Hirsch◆ Doris & Lou Vettese◆ mission and goals. As a group, Ambassadors Leonard & Elaine Hirsch◆ Pamela J. Wagner◆ sponsor one Globe production each season. Pat Jacoby Jordine Von Wantoch◆ Mary & Russell Johnson◆ La wrence G. Alldredge & Dawn Moore *In Memoriam Bob* & Gladys King◆ Paul Black◆ Tadd S. Lazarus, M.D. ◆Denotes increased giving in 2010 and 2011 Steven J. Cologne James & Pamela Lester ◆ R. Patrick & Sharon Connell◆ For additional information on how you may Merriel F. Mandell, Ph.D.◆ Gigi & Ed Cramer◆ become a Globe Ambassador, please contact Peter Manes & Yoko Sakaguchi Elaine & Dave Darwin◆ Marilyn McAvoy Bergman, Major Gifts Director, Paul I. & Margaret W. Meyer Darlene G. Davies◆ at (619) 231-1941 x2309 or Joanne C. Powers◆ Nina & Robert Doede [email protected]. Jeannie & Arthur Rivkin Marion Eggertsen◆

22 PERFORMANCES MAGAZINE Associate Artists of The Old Globe

In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in acknowledging as Associate Artists the following individuals who have repeatedly demonstrated by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of the Globe. William Anton Tim Donoghue Mark Harelik Jonathan McMurtry Ken Ruta Irene Tedrow* Gregg Barnes Richard Easton Bob James Stephen Metcalfe Douglas W. Schmidt Sada Thompson* Jacqueline Brooks Tovah Feldshuh Charles Janasz Robert Morgan Seret Scott Paxton Whitehead Lewis Brown* Monique Fowler Peggy Kellner* Patrick Page David F. Segal James Winker Victor Buono* Robert Foxworth Tom Lacy * Richard Seger* Robert Wojewodski Wayland Capwell* Ralph Funicello Diana Maddox Steve Rankin Diane Sinor G Wood* Kandis Chappell Lillian Garrett-Groag Dakin Matthews William Roesch Don Sparks Eric Christmas* Harry Groener Deborah May Robin Pearson Rose David Ogden Stiers * In Memoriam Patricia Conolly A.R. Gurney Katherine McGrath Marion Ross Conrad Susa George Deloy John McLain Steven Rubin Deborah Taylor

Patron Information

TICKET SERVICES HOURS may be given alternative seating and will be seated at an Monday: Closed appropriate interval. Tuesday – Sunday: Noon – last curtain Hours subject to change. Please call ahead. YOUNG CHILDREN Phone (619) 23-GLOBE or (619) 234-5623 Children five years of age and under will not be admitted to FAX (619) 231-6752 performances. Email [email protected] ELECTRONIC DEVICES AND CAMERAS ADMINISTRATION HOURS Monday - Friday: 9am - 5pm Use of recording devices and cameras is not permitted. Phone (619) 231-1941 Please silence all digital watches, pagers and cellular Website www.TheOldGlobe.org phones prior to entering the theatre. Address The Old Globe P.O. Box 122171 ASSISTED LISTENING SYSTEM San Diego, CA 92112-2171 For the convenience of our hard of hearing and hearing- impaired patrons, The Old Globe has an Assistive Listening ORDERING TICKETS/CHANGE OF ADDRESS System in all three theatres: the Sheryl and Harvey White The Old Globe accepts Visa, Discover, MasterCard, or Theatre, the and the Lowell Davies American Express. Phone orders for non-subscribers Festival Theatre. A limited number of the lightweight are subject to a $3.50 per ticket service charge. Ticket headsets, as well as induction neck loops, may be obtained exchanges are subject to a service charge for non- from the house manager prior to performances. subscribers. If you have moved, please notify the Ticket Services Office to update our records. Call (619) 234-5623 PUBLIC TOURS during Ticket Services hours, mail your change of address Go behind the scenes at The Old Globe to learn about the to the Ticket Services Office, or email us at history, three stages, shop and craft areas. Open tours: most [email protected]. Saturdays and Sundays at 10:30am. Groups by reservation. $5 adults; $3 seniors and students. Phone (619) 238-0043 UNABLE TO ATTEND? x2145 for information/reservations. If you find you are unable to use your tickets, please give them to a friend, or turn them in to the Ticket Services LOST AND FOUND Office and receive a tax receipt for your donation. Tickets If you have misplaced a personal item while at the theatre, must be received by show time. please contact the Ticket Services Office or Security as soon as possible. If we are unable to locate your item, RESTROOMS we’ll happily take down your contact information and a Restrooms are located in the lower lobby of the Old Globe description of the item and contact you if it is found. The Theatre, the lobby of the Sheryl and Harvey White Theatre Old Globe does not assume liability for items left behind on and adjacent to the Lowell Davies Festival Theatre. the premises.

SEATING OF LATECOMERS Natural Herb Cough Drops — Courtesy of Ricola USA, Inc. — Although we understand parking is often at a premium, the are available upon request. Please ask an usher. seating of latecomers is extremely disruptive. Latecomers

PERFORMANCES MAGAZINE 23 Staff

Michael G. Murphy...... Managing Director Trevor Hay...... Property Master, Globe MARKETING Richard Seer...... Interim Artistic Advisor and Dan Klebingat...... Stage & Property Master, White Jeffrey Weiser...... Public Relations Director ...... Director of Professional Training David Buess...... Property Master, Festival Jessie Brunner...... Audience Development Manager Edward Nelson...... Interim General Manager Mike Hausberg...... Public Relations Associate Dave Henson...... Director of Marketing and Communications Lighting Kelly Boyle...... Digital and Print Publications Coordinator Todd Schultz...... Director of Development Shawna Cadence...... Lighting Director Richard Steadham...... Graphics Coordinator Mark Somers...... Director of Finance Lace King...... Lighting Assistant Marissa Haywood...... Marketing Assistant Robert Drake...... Director of Production Tonnie Ficken...... Master Electrician, Globe Monica Jorgensen, Roberta Wells-Famula...... Director of Education Jim Dodd...... Master Electrician, White Susie Virgilio...... Marketing/Events Assistants Kevin Liddell...... Master Electrician, Festival ARTISTIC Kevin Anthenill, Sam Ibrahim, Areta Mackelvie, Subscription Sales Adrian Noble...... Shakespeare Festival Artistic Director Leah Nellman, Hunter Smith...... Electricians Scott Cooke...... Subscription Sales Manager Eric Louie, Justin Waldman...... Associate Producers Anna Bowen-Davies, Arthur Faro, Andy Fink, Danielle Mages Amato...... Literary Manager/Dramaturg Sound Janet Kavin, Pamela Malone, Yolanda Moore, Bernadette Hanson...... Artistic Associate Paul Peterson...... Sound Director Jessica Morrow, Keith Perkins, Ken Seper, Matthew Lopez...... Playwright-in-Residence Erik Carstensen...... Master Sound Technician, Globe Cassandra Shepard, Jerome Tullmann, Grant Walpole...... Subscription Sales Representatives Jeremy Siebert...... Master Sound Technician, White PRODUCTION Jeremy Nelson...... Master Sound Technician, Festival Ticket Services Debra Pratt Ballard...... Associate Director of Production Dana Pickop...... Deck Audio, Festival Bob Coddington...... Ticket Services Manager Ron Cooling...... Company Manager Marsi Fisher...... Ticket Operations Manager Carol Donahue...... Production Coordinator ADMINISTRATION Dani Meister...... Group Sales Manager Brian Franko...... Assistant General Manager Tony Dixon, Stage Management Shana Wride...... Administrative Assistant Rob Novak...... Lead Ticket Services Representatives Leila Knox...... Production Stage Manager Kari Archer, Sarah Ditges, Kathy Fineman, Information Technology Merri Fitzpatrick, Steve Greenhalgh, Alejandro Gutierrez, Technical Dean Yager...... Information Technology Manager Tyler Jones, Angela Juby, Cassie Lopez, Caryn Morgan, Benjamin Thoron...... Technical Director Thad Steffen...... Information Technology Assistant Manager Christopher Smith...... Ticket Services Representatives Wendy Berzansky...... Associate Technical Director John Ralston...... Information Technology Assistant Tramaine Berryhill...... Assistant Technical Director PATRON SERVICES Sean Fanning...... Resident Design Assistant Human Resources Mike Callaway...... Theatre Manager Eliza Korshin...... Technical Assistant/Buyer Sandra Parde...... Human Resources Director Brian Davis, Jessica Talmadge...... House Managers Christian Thorsen...... Stage Carpenter/Flyman, Globe Kristen Cairns...... Front of House Assistant Carole Payette...... Charge Scenic Artist Maintenance Elaine Gingery...... Food and Beverage Manager W. Adam Bernard, Victoria Erbe...... Scenic Artists James Ford...... Facilities Manager Timothy Acosta, Missy Bradstreet, Nellie R. del Rosario, Gillian Kelleher...... Master Carpenter Violanda Corona, Ismael Delgado, Miguel Gaspar, Benjamin A. Murrell, Paige Plihal, Amanda Rhoades, Andrew Young...... Charge Carpenter, White Roberto Gonzalez, Bernardo Holloway, Reyna Huerta, Michelle Thorsen, Michelle R. Witmer...... Pub Staff Laura McEntyre...... Automation Coordinator Jose Morales, Albert Rios, Maria Rios, Vielka Smith, Jasmine Morgan, Stephanie Rakowski, Fernando Avitia, Peter Barosso, Daniel Capiro, Nicolas Torres, Leonardo Rodriguez ...... Building Staff Lisa Reid...... Gift Shop Supervisors Chris Chauvet, Jason Chohon, Jack Hernandez, Josh Letton, Jay McNabb...... Carpenters PROFESSIONAL TRAINING Security/Parking Services Seamus O’Bryan...... Deck Crew Llance Bower...... Program Coordinator Rachel “Beahr” Garcia...... Security Supervisor Jeremy Jefferson...... Technical Center Intern Maria Carrera, Cynthia Caywood, Ray Chambers, Dallas Chang, Sherisa Eselin, Gerhard Gessner, Jan Gist, Fred Robinson, Janet Larson, Jeffrey Neitzel...... Security Officers Liz Shipman, Abraham Stoll, George Yé...... M.F.A. Faculty Costumes Alberto Holloway, Jeff Howell...... Parking Lot Attendants Stacy Sutton...... Director Norman Ramos...... VIP Valet Attendants EDUCATION Charlotte Devaux Shields...... Resident Design Associate Kim Montelibano Heil...... Education Associate Maureen Mac Niallais...... Assistant to the Director Carol Green...... Speakers Bureau Coordinator Shelly Williams...... Design Assistant/Shopper Rebekah Bonney, David Carson, Amanda Cooley Michelle Souza...... Design Assistant Jack O’Brien...... Artistic Director Emeritus Davis, James Cota, Jo Anne Glover, Lisel Gorell-Getz, Craig Noel...... Founding Director Erin Cass, Wendy Miller...... Drapers Brian Hammond, Sarah Price-Keating, Jennifer Barclay Babs Behling, Annie Glidden Grace...... Assistant Cutters Newsham, Radhika Rao, Cynthia Stokes, Mary Miller...... Costume Assistant Mark Wischkaemper...... Teaching Artists Joanna Stypulkowska...... Stitcher Erin Carignan...... Craft Supervisor FINANCE Stephanie Parker...... Craft Artisan Carly Bennett-Valle...... Senior Accountant Molly O’Connor...... Wig and Makeup Supervisor Trish Guidi...... Accounts Payable/Accounting Assistant Kim Parker...... Assistant to Wig and Makeup Supervisor Adam Latham...... Payroll Coordinator/Accounting Assistant Kristin Bongiovanni...... Wig Assistant Tim Cole...... Receptionist Beverly Boyd...... Wardrobe Supervisor Beth Merriman...... Crew Chief, Globe DEVELOPMENT Debbie E. Allen, Anna Noll, Ksusha Vanyan, Marilyn McAvoy Bergman...... Major Gifts Director Julie Vesselle...... Wardrobe Crew, Globe Annamarie Maricle...... Associate Director, Institutional Grants Anna MacDonald...... Crew Chief, White Bridget Cantu Wear...... Associate Director, Planned Giving Genevieve Nyien, Noelle Van Wyk...... White Dresser Eileen Prisby...... Events Manager Marie Jezbera...... Rental Agent Rachel Plummer...... Major Gifts Officer Angelique von Thun...... Major Gifts Associate Properties Diane Addis...... Membership Administrator Neil A. Holmes...... Properties Director Kacie Bluhm...... Development Assistant Kristin Steva Campbell...... Assistant to the Director Rico Zamora...... VIP Donor Ticketing Kristine Hummel...... Prop Assistant M.H. Schrenkeisen...... Shop Foreman Donor Services Rory Murphy...... Lead Craftsman Lee Conavay, Monica Jorgensen, Barbara Lekes, Josh Camp, Trish Rutter, Beck Schlabach...... Craftspersons Pamela Malone, Richard Navarro, Stephanie Reed, David Medina...... Properties Buyer Judy Zimmerman...... Suite Concierges

24 PERFORMANCES MAGAZINE