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ICOFOM Study Series, 45 | 2017, « the Predatory Museum » [Online], Online Since 06 February 2018, Connection on 25 September 2020 ICOFOM Study Series 45 | 2017 The predatory Museum Le musée prédateur El Museo Depredator Electronic version URL: http://journals.openedition.org/iss/277 DOI: 10.4000/iss.277 ISSN: 2306-4161 Publisher ICOM - International Council of Museums Printed version Date of publication: 17 September 2017 ISSN: 2309-1290 Electronic reference ICOFOM Study Series, 45 | 2017, « The predatory Museum » [Online], Online since 06 February 2018, connection on 25 September 2020. URL : http://journals.openedition.org/iss/277 ; DOI : https:// doi.org/10.4000/iss.277 This text was automatically generated on 25 September 2020. ICOFOM Study Series 1 TABLE OF CONTENTS Foreword Foreword Ann Davis and François Mairesse Avant-propos Ann Davis and François Mairesse Prefacio Ann Davis and François Mairesse Introduction The Predatory Museum Lynn Maranda and Bruno Brulon Soares Papers Paradigm or Predator? Eco- and Community Museums in Scotland and Costa Rica Karen E. Brown Reformulation of the museum’s discourse in reflexive ethnographic exhibitions. Limits and ambivalences at the Museum der Kulturen (Basel) and the Neuchâtel Ethnography Museum Gaëlle Crenn Le musée prédateur va-t-il devenir un faux problème ? Bernard Deloche Le curator en ethnographe : usages de l’anthropologie dans deux expositions internationales d’art contemporain Les cas de Partage d’exotismes (2000) et Intense Proximité (2012) Rime Fetnan Exposing the Predator, Recognising the Prey: New institutional strategies for a reflexive museology Camilla Pagani Légitimer la prédation ? Entre colonialisme et approche multiculturelle des collections ethnographiques Fabien Van Geert ICOFOM Study Series, 45 | 2017 2 Foreword Avant-propos Prefacio ICOFOM Study Series, 45 | 2017 3 Foreword Ann Davis and François Mairesse 1 Volume 45 of the ICOFOM Study Series contains materials presented at the 39th symposium of the International Committee for Museology, which was part of the 24th ICOM General Conference held in Milan from July 3 to 9, 2016. The ICOFOM theme this year was The Predatory Museum, a theme which proved to be both provocative and challenging. The interesting results are presented here. 2 Given the time restraints of a meeting within the General Conference, and the number of good abstracts submitted, we decided for the first time to divide submissions into two categories: verbal presentations and poster presentations. Those who made verbal presentations were then asked to write up their ideas in a formal paper which, in turn, went to double blind peer review. Our evaluators were especially selective this year, such that from this process six papers were deemed both innovative and theoretical and are featured here. These papers were then edited, a process especially important for those authors who write in a language that is not their first. Other authors were invited to submit brief notes outlining their presentations, which were then integrated in a second category. Added to this category, are poster presentations, a new direction for ICOFOM, was unexpectedly popular. 3 We also included, in a third section, presentations on the theme of museology and the development of museums in Italy, a session that was especially interesting having been organized, during the symposium, by our colleague Christina Vannini. 4 A journal such as this one, consisting of numerous parts, requires dedicated work by many wonderful contributors, peer reviewers, secretaries, editors and proof readers. We could not produce this without these kind volunteers. Thank you all so very much. ICOFOM Study Series, 45 | 2017 4 AUTHORS ANN DAVIS Former Director, The Nickle Arts Museum, University of Calgary, Canada FRANÇOIS MAIRESSE Université Sorbonne Nouvelle - Paris 3, CERLIS, Labex ICCA, France ICOFOM Study Series, 45 | 2017 5 Avant-propos Ann Davis et François Mairesse 1 Le volume 45 des ICOFOM Study Series intègre le contenu des interventions présentées au 39e Symposium du Comité international pour la muséologie, intégrant la Conférence générale de l’ICOM, qui s’est tenue à Milan du 3 au 9 juillet 2016. Le thème d’ICOFOM, cette année, était « le musée prédateur », un thème qui s’est avéré à la fois provocateur et stimulant. Le résultat des communications est proposé ici. 2 Compte tenu des limites temporelles de nos réunions durant la Conférence générale, ainsi que le nombre de bons résumés qui nous avaient été soumis, nous avons décidé pour la première fois de diviser les propositions en deux catégories : les communications, suivies d’une session de présentation de posters. Les auteurs ayant donné une communication furent appelés à développer leurs idées dans un article qui fut transmis, à son tour, au système d’évaluation en double aveugle. Nos évaluateurs se sont montrés particulièrement sélectifs cette année, et nous avons abouti, à partir de ce processus, à une collection de six articles à la fois novateurs et théoriques, qui sont publiés dans ce numéro. Ces articles ont par la suite donné lieu à un processus d’édition, processus très important pour les auteurs n’écrivant pas dans leur langue maternelle. Les autres auteurs ont été invités à soumettre un article plus bref résumant leur présentation, afin d’intégrer la seconde catégorie, liée aux sessions par posters. Cette nouvelle initiative d’ICOFOM s’est révélée très populaire. Nous publions également, dans une troisième partie, les communications évoquant la muséologie et le développement des musées en Italie, une session particulièrement intéressante ayant été organisée, durant le symposium, par notre collègue Cristina Vannini. 3 Une revue telle que celle-ci, consistant en de nombreuses parties, requiert le travail de très nombreux contributeurs, évaluateurs, éditeurs et relecteurs. Nous n’aurions pu rendre public leur travail sans leur participation bénévole. Nous les remercions ici très sincèrement. ICOFOM Study Series, 45 | 2017 6 AUTEURS ANN DAVIS Former Director, The Nickle Arts Museum, University of Calgary, Canada FRANÇOIS MAIRESSE Université Sorbonne Nouvelle - Paris 3, CERLIS, Labex ICCA, France ICOFOM Study Series, 45 | 2017 7 Prefacio Ann Davis y François Mairesse 1 El Volumen 45 de la Serie de Estudios del ICOFOM contiene los materiales presentados en el 39º Simposio del Comité Internacional de Museología, que formó parte de la 24ª Conferencia General del ICOM celebrada en Milán del 3 al 9 de julio de 2016. El tema del ICOFOM este año fue El museo depredador, un tema que resultó ser provocativo y desafiante. Se presentan aquí los interesantes resultados. 2 Dadas las limitaciones de tiempo de una reunión dentro de la Conferencia General y el gran número de buenos resúmenes presentados, decidimos por primera vez dividir las contribuciones en dos categorías: presentaciones verbales y presentaciones de poster. Se solicitó a aquellos que hicieron presentaciones verbales que escribieran sus ideas en un documento formal que, a su vez, pasó a una revisión por doble ciego. Nuestros evaluadores fueron especialmente selectivos este año, de tal manera que a partir de este proceso seis documentos se consideraron tanto innovadores como teóricos y se presentan aquí. Estos documentos fueron editados, un proceso especialmente importante para aquellos autores que escriben en un idioma que no es el suyo. Se invitó a otros autores a presentar notas breves destacando sus presentaciones, que fueron luego integradas en una segunda categoría. Agregado a esta categoría, son los posters, una nueva modalidad para ICOFOM, que fue inesperadamente popular. 3 También incluimos en una tercera sección presentaciones sobre la museología y el desarrollo de los museos en Italia, una sesión que fue especialmente interesante, organizada durante el simposio por nuestra colega Christina Vannini. 4 Una publicación como ésta, que consta de numerosas partes, requiere el trabajo dedicado de muchos maravillosos colaboradores, evaluadores, secretarios, editores y lectores de pruebas. No podríamos haberlo realizado sin esa clase de trabajo voluntario. Muchas gracias a todos. ICOFOM Study Series, 45 | 2017 8 AUTORES ANN DAVIS Former Director, The Nickle Arts Museum, University of Calgary, Canada FRANÇOIS MAIRESSE Université Sorbonne Nouvelle - Paris 3, CERLIS, Labex ICCA, France ICOFOM Study Series, 45 | 2017 9 Introduction Introduction Introducción ICOFOM Study Series, 45 | 2017 10 The Predatory Museum Lynn Maranda and Bruno Brulon Soares 1 The common perception of museum can be found in a series of descriptive positive and uplifting adjectives such as educational, quiet, contemplative, trustworthy, truthful, accurate, authentic, safe, knowledgeable, and etc. Little thought is given to the mechanisms employed by which museums have reached such lofty heights in the eyes of individuals and communities alike. To most, it is perceived as a place of exploration and learning through the display and interpretation of cultural objects or natural specimens and their accompanying didactic materials, a place where visitors can explore not only themselves and their place in the scheme of things, but also the worlds which exist and have meaning for them. Except for fleeting thoughts of how individuals respond to any museum visitation, whether being its entrance fee, the low lights in the exhibition areas, the print size on the labels and texts, the availability (or lack thereof) of a place to rest or eat, or some other visceral reaction whether real or imagined, the public’s perception of how the museum gained its near pristine reputation is virtually non-existent. The museum is accepted as a given without
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