The Failure of the American Dream in “The Great Gatsby”- Fitzgerald
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INFORMATION to USERS the Most Advanced Technology Has Been Used to Photo Graph and Reproduce This Manuscript from the Microfilm Master
INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. These are also available as one exposure on a standard 35mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9002033 The commodification of the American dream: Capitalist subjectivity in American literature Tyson, Lois Marie, Ph.D. -
Ordinary Lies
Ordinary Lies TX: Tuesday 17 March 2015 (TBC) BBC One 6 x 60min For further information: Katy Ardagh: 020 7292 7358 / [email protected] Ruth Bray: 020 7292 8348 / [email protected] Amy Shacklady: 020 7292 7373 / [email protected] 1 Contents Press Release 3 Cast List 4 Cast Interviews Danny Brocklehurst Series creator and writer 5 Jason Manford Plays Marty McLean 7 Jo Joyner Plays Beth Corbin 9 Sally Lindsay Plays Kathy Kavanagh 11 Episode 1 Synopsis 13 2 Ordinary Lies How well do you really know the people who work around you? From RED Production Company, creators of hit series Happy Valley and Last Tango In Halifax, comes highly-anticipated new primetime drama, Ordinary Lies, penned by BAFTA and International Emmy award-winning writer, Danny Brocklehurst (Accused, Shameless). We all tell little white lies everyday be it for self-protection, success or for love. But what happens when a spur-of-the-moment mistruth snowballs and begins to take over? Is it possible get away with it, or will the lie inevitably come undone to devastating effect? Set in a car showroom, Ordinary Lies is a compelling drama about how a simple lie can spiral out of control. With drama, tragedy, warmth and humour, each episode focuses on one of the colleagues and friends of JS Motors. From party-loving receptionists, Tracy (Michelle Keegan) and Viv (Cherelle Skeet) and ambitious company boss, Mike (Max Beesley) to enigmatic salesman, Pete (Mackenzie Crook) and mothering PA, Kathy (Sally Lindsay), each new and individual story questions just how well we know the people we work with. -
“Dear Shameless Death” Via Magical Realism
FROM SIMILITUDE TO THE BEYOND ALTERNATIVE FEMALE SUBJECTIVITY IN “DEAR SHAMELESS DEATH” VIA MAGICAL REALISM By Deniz Gundogan Submitted to Central European University Department of Gender Studies In partial fulfillment of the requirements for the degree of Gender Studies M.A Supervisor: Dr. Sophie Howlett CEU eTD Collection Budapest, Hungary 2009 ACKNOWLEDGMENTS I would like to express my deep gratitude to Sophie Howlett, my supervisor, who indebted a great deal of labour in this thesis. I would like to thank for her patience and belief in this challenging “magical” project. I would like to extend my warm gratitude to Jasmina Lukic, my second reader, who gave me a friendly support and encouraged me with her brilliant ideas during the whole year. I would also like to thank her for the pleasant literature courses during the semester. I debt thanks to CEU Gender Department for creating such a warm and friendly atmosphere throughout the year. I also debt thanks to my dear “Gender Kids” for being such a dynamic and lovely friends. I would like to thank especially Fatma Oya Aktas, for embarking on this CEU adventure with me far from Istanbul, for being with me in times of laughter, pain and especially during thesis craze. I would also like to thank Seda Saluk and Defne Karakaya for being such a lovely friends during this time. I would also like to thank my dear professor Ozden Sozalan who always with her all kindness encouraged my aspirations, for mu further studying studies. Thanks to my dearest friends Yasemin KuyucaklÕ Ellison and Nurseli Yesim Sunbuloglu, for their endless support, care and for their invaluable friendship during my study at CEU and for the last seven years. -
The 31 Best Motivational Books Ever Written Will Make You Great
The 31 Best Motivational Books Ever Written 31 Fiction & Non-Fiction Classics That Will Unleash Your Inner Greatness made with The 31 Best Motivational Books Ever Written Do you know that glowing feeling you get after you finish the last couple pages of a really inspirational book? You know, that sense of wonder, the goosebumps, the moment when your creativity seems to know no limits and you imagine yourself facing all of your challenges - and succeeding. I think you should have that feeling more often. The 31 Best Motivational Books Ever Written Will Make You Great fourminutebooks.com /motivational-books/ Do you know that glowing feeling you get after you finish the last couple pages of a really inspirational book? You know, that sense of wonder, the goosebumps, the moment when your creativity seems to know no limits and you imagine yourself facing all of your challenges – and succeeding. I think you should have that feeling more often. Recently, when I was scouring the web for motivational books, none of the lists I found really made me want to pick up one of their books, mostly because: I knew all the books already, the books were only for a specific demographic (entrepreneurs, women, etc.), or they didn’t even tell me why the book was going to motivate me in the first place. What’s more, every single list I found was limited to either fiction or non-fiction books only. So I thought: “Why not create one with both?” To keep it fair and square, I limited myself to include only books I either have read, or am currently reading. -
Brexit and Columns the Rhetorical Figures That Are Used in the Guardian and the Daily Mail
Arissen, s4341791/1 Brexit and Columns The Rhetorical Figures that are used in The Guardian and The Daily Mail Inge Arissen, s4341791 BA Thesis, English Literature August 2018 Supervisor: Chris Louttit Second Supervisor: Usha Wilbers Arissen, s4341791/2 ENGELSE TAAL EN CULTUUR Teacher who will receive this document: C. Louttit Title of document:Resubmission Thesis Name of course: Bachelor Thesis Date of submission: 5 August 2018 The work submitted here is the sole responsibility of the undersigned, who has neither committed plagiarism nor colluded in its production. Signed Name of student: Inge Arissen Student number: s4341791 Arissen, s4341791/3 Abstract This research will deal with newspapers and their columns on Brexit from January 2015 up till December 2016. The newspapers that will be discussed are The Guardian and The Daily Mail and their columnists John Crace and Stephen Glover. The rhetorical figures of each column are collected and the percentages of use is calculated. From these data, the most common rhetorical figures can be deduced and most their function will be described. To understand the theoretical frame of the research, background information on columns and interpreting rhetorical figures is given as well. The claim of this study is that each author uses different rhetorical devices in their columns, since their both on a different side in the Brexit discussion. Key Words: Brexit; Columns; Rhetorical Figures; The Guardian; The Daily Mail; Politics Arissen, s4341791/4 Table of Content Introduction …………………………………………………………………………….p5 -
The Well and the Shallows- G.K.Chesterton
The Well and the Shallows By G.K. Chesterton The Well and the Shallows By G.K. Chesterton (1935) CONTENTS INTRODUCTION AN APOLOGY FOR BUFFOONS MY SIX CONVERSIONS I. THE RELIGION OF FOSSILS II. WHEN THE WORLD TURNED BACK III. THE SURRENDER UPON SEX IV. THE PRAYER-BOOK PROBLEM V. THE COLLAPSE OF MATERIALISM VI. THE CASE OF SPAIN VII. THE WELL AND THE SHALLOWS THE RETURN TO RELIGION THE REACTION OF THE INTELLECTUALS LEVITY--OR LEVITATION THE CASE FOR HERMITS KILLING THE NERVE THE CASE OF CLAUDEL THE HIGHER NlHILISM THE ASCETIC AT LARGE THE BACKWARD BOLSHIE THE LAST TURN THE NEW LUTHER BABIES AND DlSTRIBUTISM THREE FOES OF THE FAMILY THE DON AND THE CAVALIER THE CHURCH AND AGORAPHOBIA BACK IN THE FOG THE HISTORIC MOMENT MARY AND THE CONVERT A CENTURY OF EMANCIPATION TRADE TERMS FROZEN FREE THOUGHT SHOCKING THE MODERNISTS A GRAMMAR OF KNIGHTHOOD REFLECTIONS ON A ROTTEN APPLE SEX AND PROPERTY ST. THOMAS MORE THE RETURN OF CAESAR AUSTRIA THE SCRIPTURE READER AN EXPLANATION WHY PROTESTANTS PROHIBIT WHERE IS THE PARADOX? -/- INTRODUCTORY NOTE I WAS monstrously attracted by a suggestion that these essays should bear the general title of "Joking Apart." It seemed to me a simple and sensible way of saying that the reader of these pages must not look for many jokes, certainly not merely for jokes, because these are controversial essays, covering all subjects on which a controversialist is challenged, and not particular subjects chosen as they are chosen by an essayist. It is an awful revelation of the world of unreason into which we have wandered, that people more practical than I are convinced that if I say that this is apart from joking, everyone will think it is a joke. -
Antihero- Level 2 Theme 2008
DEFINITION AND TEXT LIST - ENGLISH - LITERATURE Teenage Anti-Hero UNIT STANDARD 8823 version 4 4 Credits - Level 2 (Reading) Investigate a theme across an inclusive range of selected texts Characteristics in protagonists that merit the label “Anti-hero” can include, but are not limited to: • imperfections that separate them from typically "heroic" characters (selfishness, ignorance, bigotry, etc.); • lack of positive qualities such as "courage, physical prowess, and fortitude," and "generally feel helpless in a world over which they have no control"; • qualities normally belonging to villains (amorality, greed, violent tendencies, etc.) that may be tempered with more human, identifiable traits (confusion, self-hatred, etc.); • noble motives pursued by bending or breaking the law in the belief that "the ends justify the means." Literature • Roland Deschain from Stephen King's The Dark Tower series Alex, the narrator of Anthony Burgess' A Clockwork • Raoul Duke from Hunter S. Thompson's Fear and Orange. • Loathing in Las Vegas Redmond Barry from William Makepeace • Tyler Durden and the Narrator of Chuck Palahniuk's Thackeray's The Luck of Barry Lyndon • Fight Club Patrick Bateman from Bret Easton Ellis' American • Randall Flagg from Stephen King's The Stand, Eyes of Psycho. • the Dragon and The Dark Tower. Leopold Bloom from James Joyce's Ulysses. • Artemis Fowl II from the Artemis Fowl series. Pinkie Brown from Graham Greene's Brighton Rock. • • Gully Foyle from Alfred Bester's The Stars My Holden Caulfield from J.D. Salinger's Catcher in the • • Destination Rye. Victor Frankenstein from Mary Shelley's Conan from the stories by Robert E. Howard, the • • Frankenstein archetypal "amoral swordsman" of the Sword and Jay Gatsby from F. -
Shameless Sociology
Shameless Sociology Shameless Sociology: Critical Perspectives on a Popular Television Series Edited by Jennifer Beggs Weber and Pamela M. Hunt Shameless Sociology: Critical Perspectives on a Popular Television Series Edited by Jennifer Beggs Weber and Pamela M. Hunt This book first published 2020 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2020 by Jennifer Beggs Weber, Pamela M. Hunt and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-5744-8 ISBN (13): 978-1-5275-5744-4 For Nathan, my partner in crime. – Jennifer For Perry and Grace. – Pam TABLE OF CONTENTS Acknowledgments ..................................................................................... ix Introduction ................................................................................................ 1 Pamela M. Hunt and Jennifer Beggs Weber Part 1: Social Class Dominant Hasslin’ and Subordinate Hustlin’: A Content Analysis Using the Generic Processes that Reproduce Inequality ............................ 8 Alexis P. Hilling, Erin Andro, and Kayla Cagwin Shamefully Shameless: Critical Theory and Contemporary Television ... 29 Robert J. Leonard and Kyra -
Mark Wagner's Stunt Resume
Mark Aaron Wagner HEIGHT: 5’10” Weight: 165 lbs. Stuntman / Stunt Coordinator/ Actor S.A.G./ A.F.T.R.A./ U.B.C.P./ A.C.T.R.A Suit- 38-40R, Shirt- 16x34 International Stunt Association- 818-501-5225 Waist- 32, Inseem- 31 KMR (agent)- (818) 755-7534 Shoe: 10 www.MarkAaronWagner.com (Online Demo) Current Resume on IMDB.com Feature Films (Full List Upon Request) Once Upon a Time in Hollywood Zoë Bell/ Rob Alonzo Captain Marvel (driver) Hank Amos/ Jeff Habberstad Ant-Man and The Wasp (dbl. Paul Rudd) Brycen Counts Peppermint (stunt dbl.) Keith Woulard Deadpool 2 (driver) Owen Walstrom/ Darrin Prescott Bright Rob Alonzo Predator Marny Eng/ Lance Gilbert Captain America: Civil War (dbl.- Paul Rudd) Sam Hargrave/ Doug Coleman Three Billboards (dbl.- Sam Rockwell) Doug Coleman PeeWee’s Big Holiday (dbl.- Paul Reubens) Mark Rayner Maze Runner: Scorch Trials ND George Cottle Ant-Man (dbl.- Paul Rudd) Jeff Habberstad Stretch (dbl.- Patrick Wilson) Ben Bray Captain America: Winter Soldier Strike Agent Tom Harper/ Casey O’Neil 300: Rise of an Empire Artemisia Father Damon Caro Iron Man 3 Extremis Soldier Markos Rounthwaite/ Mike Justus/ Jeff Habberstad Secret Life of Walter Mitty (dbl.- Adam Scott) Tim Trella/ Clay Cullen Dark Knight Rises ND/ Driving Tom Struthers/ George Cottle Gangster Squad (dbl.-Frank Grillo) Doug Coleman Men in Black 3 ND Wade Eastwood/ Simon Crane X-Men: First Class MIB Jeff Habberstad/ Brian Smrz Girl with the Dragon Tattoo Drving Jeff Habberstad This Is 40 (dbl.- Paul Rudd) Joel Kramer The Master (dbl.- Joaquin Phoenix) Garrett -
Shameless Television: Gendering Transnational Narratives
This is a repository copy of Shameless television: gendering transnational narratives. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/129509/ Version: Accepted Version Article: Johnson, B orcid.org/0000-0001-7808-568X and Minor, L (2019) Shameless television: gendering transnational narratives. Feminist Media Studies, 19 (3). pp. 364-379. ISSN 1468-0777 https://doi.org/10.1080/14680777.2018.1468795 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Shameless Television: Gendering Transnational Narratives Beth Johnson ([email protected]) and Laura Minor ([email protected]) School of Media and Communication, University of Leeds, Leeds, UK Abstract The UK television drama Shameless (Channel 4, 2004-2011) ran for eleven series, ending with its 138th episode in 2011. The closing episode did not only mark an end, however, but also a beginning - of a US remake on Showtime (2011-). Eight series down the line and carrying the weight of critical acclaim, this article works to consider the textual representations and formal constructions of gender through the process of adaptation. -
HOUSE of REPRESENTATIVES Will of the People
1947 CONGRESSIONAL RECORD-HOUSE 6959 The PRESIDING OFFICER <Mr. THYE teachings-of Jesus, with heart to befriend, mosity of one group of citizens against in the chair) . The clerk will state the with sincerity to shield, ·and with charity the other or against the Congress of the nomination. to be merciful to all. Hasten the day United States. The legislative clerk read the nomina· when men everywhere shall live, not by · There is work for 60,000,000 people in tion of George J. Schoeneman to be Com rivalry nor vanity, but in the ways of constant employment at the highest wage missioner of Internal Revenue. virtue and mutual fidelity. 0 spare us levels in the history of our country, to The PRESIDING OFFICER. Is there from that egotism that blinds us to our produce the things the people of our objection to the request of the Senator brother's rights and violates his prop country and the world are pleading for. from Maine? The Chair hears none. erty, his reputation and happiness. Each Our Nation and the world needs the and, without .objection, the nomination day help us to weave for ourselves: wealth that can be produced in _this is confirmed. out of the great loom of life, characters country at the present time. Rather THE ARMY that will stand the test of time and eter than to give out statements which are nity; and unto Thee we ascribe an glory. misleading and unfair with reference to Mr. WHITE. Mr. President, begin In the name of our Redeemer. Amen. -
A Study of Daisy Buchanan's Influence on Jay Gatsby in F. Scott
A Study of Daisy Buchanan’s influence on Jay Gatsby in F. Scott Fitzgerald’s The Great Gatsby En undersökning av Daisy Buchanans inflytande på Jay Gatsby i F. Scott Fitzgeralds Den store Gatsby Hanna Persson Faculty: Art and Social Sciences Subject: English literature Points: 15 credits Supervisor: Åke Bergvall Examiner: Marinette Grimbeek Date 2019-03-20 Persson2 Abstract This essay will focus on the relationship between Daisy Buchanan and Jay Gatsby in the novel The Great Gatsby (1925). By examining their relationship, I will show that it is through Daisy’s influence that Gatsby evolves in to the man we meet in the novel, and that she is a main reason behind Gatsby’s untimely death. To Gatsby, the innocent and naive Daisy comes to embody the American dream, in other words wealth and social status, a goal he will have reached by winning her hand. Furthermore, I aim to show that it is this longing for wealth and social status associated with Daisy that results in Gatsby becoming a villain. By doing so, his American dream will make him into a victim, costing him his life. In showing this, I will emphasize the importance of Daisy’s voice and how it is used to give her control over the men in her vicinity, Gatsby not the least. Keywords: Gatsby, Daisy, voice, wealth, status Sammanfattning Denna uppsats kommer att fokusera på Daisy Buchanan och Jay Gatsbys förhållande i novellen Den Stora Gatsby (1925). Genom att undersöka deras förhållande ämnar jag visa att det är genom Daisys inflytande som Gatsby utvecklas till den vi möter i novellen, samt att det är hon som är den bakomliggande orsaken till Gatsbys förtidiga död.