Refugees and the Myth of the Borderless World
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Shameless Swindler Sentenced to 25 Years in Prison
FOR IMMEDIATE RELEASE Friday, January 26, 2018 Shameless Swindler Sentenced to 25 Years in Prison Chad Allen Isaacs of Watauga was sentenced to 25 years in prison this week on the charge of Theft of $200,000 or More. In this case prosecuted by our White Collar unit, Isaacs was guilty of selling interest in oil and gas wells that he did not own to multiple buyers. Isaacs represented himself as owning a “working interest” in oil wells in Jack and Cooke Counties, and told the victims he needed to sell shares to fund the well drilling and operations. He stole a total of $255,000 from 4 victims, one of which had invested his life savings in the project. “Judge Gonzalez recognized that white collar crime can be as devastating as other violent crimes, and for the victims we appreciate that he sentenced this defendant to 25 years,” said Criminal District Attorney Sharen Wilson. After Isaacs was indicted, he continued to steal while on bond. He stole $40,000 from a Sachse victim on the understanding he would get a pool, and $76,000 from a Haslet man who believed Isaacs would build him a pole vaulting facility. In both instances, Isaacs simply pocketed the money. “Chad Isaacs is like every other white collar criminal. He looks and sounds like an accomplished and knowledgeable salesmen. But when you peel back the layers it is clear that he is a criminal that belongs in prison,” said lead prosecutor Matt Smid. “The White Collar Unit worked tirelessly for months to bring this case to justice. -
SHAMELESS Sunday I SHOWTIME PLAN QUESTIONS with YOUR +DAISY TM WEEK! HAGGARD
SEASONPREMIERE November 10th – 16th, 2019 SHAMELESS sunday I SHOWTIME PLAN QUESTIONS WITH YOUR +DAISY TM WEEK! HAGGARD DOLLY PARTON CARRIE UNDERWOOD REBA MCENTIRE BEST BETS NEWSERIES DUBLIN MURDERS Sunday ISTARZ E! PEOPLE’S CHOICE AWARDS SUNDAY IE! THE 53RD NEWSERIES KINGS OF PAIN ANNUAL TUESDAY IHISTORY NEWMINISERIES THE PREPPY MURDER: CMA DEATH IN CENTRAL PARK WEDNESDAY IAMC SEASONPREMIERE THE MAN IN THE HIGH CASTLE AWALIVE! R WEDNESDAY D S IABC FRIDAY IAMAZONPRIMEVIDEO $3.99 ORIGINALFILM CHRISTMAS UNDER THE STARS SATURDAY HALLMARKCHANNEL New rate plans, now with more minutes! Easier is better with the Jitterbug. The Jitterbug® Flip, from the creators of the original easy-to-use cell phone, has big buttons and an exclusive 5Star® Urgent Response button on the keypad. EASY TO USE Today, cell phones are hard to hear, Plansdifficult as low to dialas Plans as low as and overloaded with features you may never use. That’s not the case with the Jitterbug Flip. A large screen and big buttons$ make99 it $ 99 $ easy to call family and friends. The powerful speaker ensures every month2 conversation will be loud and clear. Plus, straightforward14 YES and NO 14 1 buttons make navigating the menu simple. 2 EASY TO ENJOY Wherever you go, a built-in cameraPlans makes as low it easyas* andPlans fun as forlow you as to capture and share your favorite memories. And a built-in reading magnifier with LED flashlight helps you see in dimly lit areas. With all the $features you99 need,$ the Jitterbug99 $ 2 2 Flip also comes with a long-lasting battery, so you won’t have14 to worrymonth about14 runningmonth out 1 of power. -
The Animated Roots of Wildlife Films: Animals, People
THE ANIMATED ROOTS OF WILDLIFE FILMS: ANIMALS, PEOPLE, ANIMATION AND THE ORIGIN OF WALT DISNEY’S TRUE-LIFE ADVENTURES by Robert Cruz Jr. A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Science and Natural History Filmmaking MONTANA STATE UNIVERSITY Bozeman, Montana April 2012 ©COPYRIGHT by Robert Cruz Jr. 2012 All Rights Reserved ii APPROVAL of a thesis submitted by Robert Cruz Jr. This thesis has been read by each member of the thesis committee and has been found to be satisfactory regarding content, English usage, format, citation, bibliographic style, and consistency and is ready for submission to The Graduate School. Dennis Aig Approved for the School of Film and Photography Robert Arnold Approved for The Graduate School Dr. Carl A. Fox iii STATEMENT OF PERMISSION TO USE In presenting this thesis in partial fulfillment of the requirements for a master’s degree at Montana State University, I agree that the Library shall make it available to borrowers under rules of the Library. If I have indicated my intention to copyright this thesis by including a copyright notice page, copying is allowable only for scholarly purposes, consistent with “fair use” as prescribed in the U.S. Copyright Law. Requests for permission for extended quotation from or reproduction of this thesis in whole or in parts may be granted only by the copyright holder. Robert Cruz Jr. April 2012 iv TABLE OF CONTENTS 1. INTRODUCTORY QUOTES .....................................................................................1 -
Ordinary Lies
Ordinary Lies TX: Tuesday 17 March 2015 (TBC) BBC One 6 x 60min For further information: Katy Ardagh: 020 7292 7358 / [email protected] Ruth Bray: 020 7292 8348 / [email protected] Amy Shacklady: 020 7292 7373 / [email protected] 1 Contents Press Release 3 Cast List 4 Cast Interviews Danny Brocklehurst Series creator and writer 5 Jason Manford Plays Marty McLean 7 Jo Joyner Plays Beth Corbin 9 Sally Lindsay Plays Kathy Kavanagh 11 Episode 1 Synopsis 13 2 Ordinary Lies How well do you really know the people who work around you? From RED Production Company, creators of hit series Happy Valley and Last Tango In Halifax, comes highly-anticipated new primetime drama, Ordinary Lies, penned by BAFTA and International Emmy award-winning writer, Danny Brocklehurst (Accused, Shameless). We all tell little white lies everyday be it for self-protection, success or for love. But what happens when a spur-of-the-moment mistruth snowballs and begins to take over? Is it possible get away with it, or will the lie inevitably come undone to devastating effect? Set in a car showroom, Ordinary Lies is a compelling drama about how a simple lie can spiral out of control. With drama, tragedy, warmth and humour, each episode focuses on one of the colleagues and friends of JS Motors. From party-loving receptionists, Tracy (Michelle Keegan) and Viv (Cherelle Skeet) and ambitious company boss, Mike (Max Beesley) to enigmatic salesman, Pete (Mackenzie Crook) and mothering PA, Kathy (Sally Lindsay), each new and individual story questions just how well we know the people we work with. -
“Dear Shameless Death” Via Magical Realism
FROM SIMILITUDE TO THE BEYOND ALTERNATIVE FEMALE SUBJECTIVITY IN “DEAR SHAMELESS DEATH” VIA MAGICAL REALISM By Deniz Gundogan Submitted to Central European University Department of Gender Studies In partial fulfillment of the requirements for the degree of Gender Studies M.A Supervisor: Dr. Sophie Howlett CEU eTD Collection Budapest, Hungary 2009 ACKNOWLEDGMENTS I would like to express my deep gratitude to Sophie Howlett, my supervisor, who indebted a great deal of labour in this thesis. I would like to thank for her patience and belief in this challenging “magical” project. I would like to extend my warm gratitude to Jasmina Lukic, my second reader, who gave me a friendly support and encouraged me with her brilliant ideas during the whole year. I would also like to thank her for the pleasant literature courses during the semester. I debt thanks to CEU Gender Department for creating such a warm and friendly atmosphere throughout the year. I also debt thanks to my dear “Gender Kids” for being such a dynamic and lovely friends. I would like to thank especially Fatma Oya Aktas, for embarking on this CEU adventure with me far from Istanbul, for being with me in times of laughter, pain and especially during thesis craze. I would also like to thank Seda Saluk and Defne Karakaya for being such a lovely friends during this time. I would also like to thank my dear professor Ozden Sozalan who always with her all kindness encouraged my aspirations, for mu further studying studies. Thanks to my dearest friends Yasemin KuyucaklÕ Ellison and Nurseli Yesim Sunbuloglu, for their endless support, care and for their invaluable friendship during my study at CEU and for the last seven years. -
2014 DGA Episodic Director Diversity Report (By SIGNATORY COMPANY)
2014 DGA Episodic Director Diversity Report (by SIGNATORY COMPANY) Signatory Company Title Total # of Combined # Combined # Episodes Male # Episodes Male # Episodes Female # Episodes Female Network Episodes Women + Women + Directed by Caucasian Directed by Minority Directed by Caucasian Directed by Minority Minority Minority % Male % Male % Female % Female % Episodes Caucasian Minority Caucasian Minority 50/50 Productions, LLC Workaholics 13 0 0% 13 100% 0 0% 0 0% 0 0% Comedy Central ABC Studios Betrayal 12 1 8% 11 92% 0 0% 1 8% 0 0% ABC ABC Studios Castle 23 3 13% 20 87% 1 4% 2 9% 0 0% ABC ABC Studios Criminal Minds 24 8 33% 16 67% 5 21% 2 8% 1 4% CBS ABC Studios Devious Maids 13 7 54% 6 46% 2 15% 4 31% 1 8% Lifetime ABC Studios Grey's Anatomy 24 7 29% 17 71% 1 4% 2 8% 4 17% ABC ABC Studios Intelligence 12 4 33% 8 67% 4 33% 0 0% 0 0% CBS ABC Studios Mixology 12 0 0% 13 108% 0 0% 0 0% 0 0% ABC ABC Studios Revenge 22 6 27% 16 73% 0 0% 6 27% 0 0% ABC And Action LLC Tyler Perry's Love Thy Neighbor 52 52 100% 0 0% 52 100% 0 0% 0 0% OWN And Action LLC Tyler Perry's The Haves and 36 36 100% 0 0% 36 100% 0 0% 0 0% OWN The Have Nots BATB II Productions Inc. Beauty & the Beast 16 1 6% 15 94% 0 0% 1 6% 0 0% CW Black Box Productions, LLC Black Box, The 13 4 31% 9 69% 0 0% 4 31% 0 0% ABC Bling Productions Inc. -
Brexit and Columns the Rhetorical Figures That Are Used in the Guardian and the Daily Mail
Arissen, s4341791/1 Brexit and Columns The Rhetorical Figures that are used in The Guardian and The Daily Mail Inge Arissen, s4341791 BA Thesis, English Literature August 2018 Supervisor: Chris Louttit Second Supervisor: Usha Wilbers Arissen, s4341791/2 ENGELSE TAAL EN CULTUUR Teacher who will receive this document: C. Louttit Title of document:Resubmission Thesis Name of course: Bachelor Thesis Date of submission: 5 August 2018 The work submitted here is the sole responsibility of the undersigned, who has neither committed plagiarism nor colluded in its production. Signed Name of student: Inge Arissen Student number: s4341791 Arissen, s4341791/3 Abstract This research will deal with newspapers and their columns on Brexit from January 2015 up till December 2016. The newspapers that will be discussed are The Guardian and The Daily Mail and their columnists John Crace and Stephen Glover. The rhetorical figures of each column are collected and the percentages of use is calculated. From these data, the most common rhetorical figures can be deduced and most their function will be described. To understand the theoretical frame of the research, background information on columns and interpreting rhetorical figures is given as well. The claim of this study is that each author uses different rhetorical devices in their columns, since their both on a different side in the Brexit discussion. Key Words: Brexit; Columns; Rhetorical Figures; The Guardian; The Daily Mail; Politics Arissen, s4341791/4 Table of Content Introduction …………………………………………………………………………….p5 -
The Well and the Shallows- G.K.Chesterton
The Well and the Shallows By G.K. Chesterton The Well and the Shallows By G.K. Chesterton (1935) CONTENTS INTRODUCTION AN APOLOGY FOR BUFFOONS MY SIX CONVERSIONS I. THE RELIGION OF FOSSILS II. WHEN THE WORLD TURNED BACK III. THE SURRENDER UPON SEX IV. THE PRAYER-BOOK PROBLEM V. THE COLLAPSE OF MATERIALISM VI. THE CASE OF SPAIN VII. THE WELL AND THE SHALLOWS THE RETURN TO RELIGION THE REACTION OF THE INTELLECTUALS LEVITY--OR LEVITATION THE CASE FOR HERMITS KILLING THE NERVE THE CASE OF CLAUDEL THE HIGHER NlHILISM THE ASCETIC AT LARGE THE BACKWARD BOLSHIE THE LAST TURN THE NEW LUTHER BABIES AND DlSTRIBUTISM THREE FOES OF THE FAMILY THE DON AND THE CAVALIER THE CHURCH AND AGORAPHOBIA BACK IN THE FOG THE HISTORIC MOMENT MARY AND THE CONVERT A CENTURY OF EMANCIPATION TRADE TERMS FROZEN FREE THOUGHT SHOCKING THE MODERNISTS A GRAMMAR OF KNIGHTHOOD REFLECTIONS ON A ROTTEN APPLE SEX AND PROPERTY ST. THOMAS MORE THE RETURN OF CAESAR AUSTRIA THE SCRIPTURE READER AN EXPLANATION WHY PROTESTANTS PROHIBIT WHERE IS THE PARADOX? -/- INTRODUCTORY NOTE I WAS monstrously attracted by a suggestion that these essays should bear the general title of "Joking Apart." It seemed to me a simple and sensible way of saying that the reader of these pages must not look for many jokes, certainly not merely for jokes, because these are controversial essays, covering all subjects on which a controversialist is challenged, and not particular subjects chosen as they are chosen by an essayist. It is an awful revelation of the world of unreason into which we have wandered, that people more practical than I are convinced that if I say that this is apart from joking, everyone will think it is a joke. -
Disinformation, and Influence Campaigns on Twitter 'Fake News'
Disinformation, ‘Fake News’ and Influence Campaigns on Twitter OCTOBER 2018 Matthew Hindman Vlad Barash George Washington University Graphika Contents Executive Summary . 3 Introduction . 7 A Problem Both Old and New . 9 Defining Fake News Outlets . 13 Bots, Trolls and ‘Cyborgs’ on Twitter . 16 Map Methodology . 19 Election Data and Maps . 22 Election Core Map Election Periphery Map Postelection Map Fake Accounts From Russia’s Most Prominent Troll Farm . 33 Disinformation Campaigns on Twitter: Chronotopes . 34 #NoDAPL #WikiLeaks #SpiritCooking #SyriaHoax #SethRich Conclusion . 43 Bibliography . 45 Notes . 55 2 EXECUTIVE SUMMARY This study is one of the largest analyses to date on how fake news spread on Twitter both during and after the 2016 election campaign. Using tools and mapping methods from Graphika, a social media intelligence firm, we study more than 10 million tweets from 700,000 Twitter accounts that linked to more than 600 fake and conspiracy news outlets. Crucially, we study fake and con- spiracy news both before and after the election, allowing us to measure how the fake news ecosystem has evolved since November 2016. Much fake news and disinformation is still being spread on Twitter. Consistent with other research, we find more than 6.6 million tweets linking to fake and conspiracy news publishers in the month before the 2016 election. Yet disinformation continues to be a substantial problem postelection, with 4.0 million tweets linking to fake and conspiracy news publishers found in a 30-day period from mid-March to mid-April 2017. Contrary to claims that fake news is a game of “whack-a-mole,” more than 80 percent of the disinformation accounts in our election maps are still active as this report goes to press. -
Shameless Sociology
Shameless Sociology Shameless Sociology: Critical Perspectives on a Popular Television Series Edited by Jennifer Beggs Weber and Pamela M. Hunt Shameless Sociology: Critical Perspectives on a Popular Television Series Edited by Jennifer Beggs Weber and Pamela M. Hunt This book first published 2020 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2020 by Jennifer Beggs Weber, Pamela M. Hunt and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-5744-8 ISBN (13): 978-1-5275-5744-4 For Nathan, my partner in crime. – Jennifer For Perry and Grace. – Pam TABLE OF CONTENTS Acknowledgments ..................................................................................... ix Introduction ................................................................................................ 1 Pamela M. Hunt and Jennifer Beggs Weber Part 1: Social Class Dominant Hasslin’ and Subordinate Hustlin’: A Content Analysis Using the Generic Processes that Reproduce Inequality ............................ 8 Alexis P. Hilling, Erin Andro, and Kayla Cagwin Shamefully Shameless: Critical Theory and Contemporary Television ... 29 Robert J. Leonard and Kyra -
Mark Wagner's Stunt Resume
Mark Aaron Wagner HEIGHT: 5’10” Weight: 165 lbs. Stuntman / Stunt Coordinator/ Actor S.A.G./ A.F.T.R.A./ U.B.C.P./ A.C.T.R.A Suit- 38-40R, Shirt- 16x34 International Stunt Association- 818-501-5225 Waist- 32, Inseem- 31 KMR (agent)- (818) 755-7534 Shoe: 10 www.MarkAaronWagner.com (Online Demo) Current Resume on IMDB.com Feature Films (Full List Upon Request) Once Upon a Time in Hollywood Zoë Bell/ Rob Alonzo Captain Marvel (driver) Hank Amos/ Jeff Habberstad Ant-Man and The Wasp (dbl. Paul Rudd) Brycen Counts Peppermint (stunt dbl.) Keith Woulard Deadpool 2 (driver) Owen Walstrom/ Darrin Prescott Bright Rob Alonzo Predator Marny Eng/ Lance Gilbert Captain America: Civil War (dbl.- Paul Rudd) Sam Hargrave/ Doug Coleman Three Billboards (dbl.- Sam Rockwell) Doug Coleman PeeWee’s Big Holiday (dbl.- Paul Reubens) Mark Rayner Maze Runner: Scorch Trials ND George Cottle Ant-Man (dbl.- Paul Rudd) Jeff Habberstad Stretch (dbl.- Patrick Wilson) Ben Bray Captain America: Winter Soldier Strike Agent Tom Harper/ Casey O’Neil 300: Rise of an Empire Artemisia Father Damon Caro Iron Man 3 Extremis Soldier Markos Rounthwaite/ Mike Justus/ Jeff Habberstad Secret Life of Walter Mitty (dbl.- Adam Scott) Tim Trella/ Clay Cullen Dark Knight Rises ND/ Driving Tom Struthers/ George Cottle Gangster Squad (dbl.-Frank Grillo) Doug Coleman Men in Black 3 ND Wade Eastwood/ Simon Crane X-Men: First Class MIB Jeff Habberstad/ Brian Smrz Girl with the Dragon Tattoo Drving Jeff Habberstad This Is 40 (dbl.- Paul Rudd) Joel Kramer The Master (dbl.- Joaquin Phoenix) Garrett -
Shameless Television: Gendering Transnational Narratives
This is a repository copy of Shameless television: gendering transnational narratives. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/129509/ Version: Accepted Version Article: Johnson, B orcid.org/0000-0001-7808-568X and Minor, L (2019) Shameless television: gendering transnational narratives. Feminist Media Studies, 19 (3). pp. 364-379. ISSN 1468-0777 https://doi.org/10.1080/14680777.2018.1468795 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Shameless Television: Gendering Transnational Narratives Beth Johnson ([email protected]) and Laura Minor ([email protected]) School of Media and Communication, University of Leeds, Leeds, UK Abstract The UK television drama Shameless (Channel 4, 2004-2011) ran for eleven series, ending with its 138th episode in 2011. The closing episode did not only mark an end, however, but also a beginning - of a US remake on Showtime (2011-). Eight series down the line and carrying the weight of critical acclaim, this article works to consider the textual representations and formal constructions of gender through the process of adaptation.