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Leadership Changes at Uarts
January 2015 Leadership Changes at UArts UArts has appointed Professor of Humanities Catherine Gunther Kodat (left) as acting provost, effective January 1, 2015. Kodat, who joined the University in 2012 as dean of the Division of Liberal Arts, will serve in this role while Provost Kirk E. Pillow serves as interim president following Sean Buffington's departure. Associate Professor Jay Baker will serve as acting dean of Liberal Arts during this time. UArts has also announced the appointment of Richard M. Longo as vice president for Enrollment, Retention & Student Affairs. Longo, who will begin on January 20, joins UArts from Montserrat College of Art in Massachusetts. In addition, Professor Marc Dicciani BM '75 (Percussion), who was previously the director of the School of Music, has been named dean of the College of Performing Arts, while the appointment of Associate Professor Mark Campbell BFA '74 (Sculpture) as dean of the College of Art, Media & Design has been extended longterm. Assistant Professor Micah Jones will serve as interim director of the School of Music. UArts Alum Matt McAndrew Has Spectacular Run on 'The Voice' Congratulations to School of Music alumnus Matt McAndrew BM '13 (Vocal Performance) for his spectacular run on NBC singing competition "The Voice." McAndrew, a fan favorite and coach Adam Levine favorite throughout the entire seventh season of the hit show, came in second place. Every week, the 24yearold singer/songwriter and music teacher wowed both viewers and all four coaches with his heartfelt performances, each of which landed on the iTunes Top 200 Singles chart. -
Ordinary Lies
Ordinary Lies TX: Tuesday 17 March 2015 (TBC) BBC One 6 x 60min For further information: Katy Ardagh: 020 7292 7358 / [email protected] Ruth Bray: 020 7292 8348 / [email protected] Amy Shacklady: 020 7292 7373 / [email protected] 1 Contents Press Release 3 Cast List 4 Cast Interviews Danny Brocklehurst Series creator and writer 5 Jason Manford Plays Marty McLean 7 Jo Joyner Plays Beth Corbin 9 Sally Lindsay Plays Kathy Kavanagh 11 Episode 1 Synopsis 13 2 Ordinary Lies How well do you really know the people who work around you? From RED Production Company, creators of hit series Happy Valley and Last Tango In Halifax, comes highly-anticipated new primetime drama, Ordinary Lies, penned by BAFTA and International Emmy award-winning writer, Danny Brocklehurst (Accused, Shameless). We all tell little white lies everyday be it for self-protection, success or for love. But what happens when a spur-of-the-moment mistruth snowballs and begins to take over? Is it possible get away with it, or will the lie inevitably come undone to devastating effect? Set in a car showroom, Ordinary Lies is a compelling drama about how a simple lie can spiral out of control. With drama, tragedy, warmth and humour, each episode focuses on one of the colleagues and friends of JS Motors. From party-loving receptionists, Tracy (Michelle Keegan) and Viv (Cherelle Skeet) and ambitious company boss, Mike (Max Beesley) to enigmatic salesman, Pete (Mackenzie Crook) and mothering PA, Kathy (Sally Lindsay), each new and individual story questions just how well we know the people we work with. -
“Dear Shameless Death” Via Magical Realism
FROM SIMILITUDE TO THE BEYOND ALTERNATIVE FEMALE SUBJECTIVITY IN “DEAR SHAMELESS DEATH” VIA MAGICAL REALISM By Deniz Gundogan Submitted to Central European University Department of Gender Studies In partial fulfillment of the requirements for the degree of Gender Studies M.A Supervisor: Dr. Sophie Howlett CEU eTD Collection Budapest, Hungary 2009 ACKNOWLEDGMENTS I would like to express my deep gratitude to Sophie Howlett, my supervisor, who indebted a great deal of labour in this thesis. I would like to thank for her patience and belief in this challenging “magical” project. I would like to extend my warm gratitude to Jasmina Lukic, my second reader, who gave me a friendly support and encouraged me with her brilliant ideas during the whole year. I would also like to thank her for the pleasant literature courses during the semester. I debt thanks to CEU Gender Department for creating such a warm and friendly atmosphere throughout the year. I also debt thanks to my dear “Gender Kids” for being such a dynamic and lovely friends. I would like to thank especially Fatma Oya Aktas, for embarking on this CEU adventure with me far from Istanbul, for being with me in times of laughter, pain and especially during thesis craze. I would also like to thank Seda Saluk and Defne Karakaya for being such a lovely friends during this time. I would also like to thank my dear professor Ozden Sozalan who always with her all kindness encouraged my aspirations, for mu further studying studies. Thanks to my dearest friends Yasemin KuyucaklÕ Ellison and Nurseli Yesim Sunbuloglu, for their endless support, care and for their invaluable friendship during my study at CEU and for the last seven years. -
City and Colour with Guest Shakey Graves
FOR IMMEDIATE RELEASE: 106.7 THE DRIVE PRESENTS CITY AND COLOUR WITH GUEST SHAKEY GRAVES MONDAY, JUNE 6, 2016 ENMAX CENTRIUM, WESTERNER PARK – RED DEER, AB Doors: 6:30PM Show: 7:30PM TICKETS ON SALE FRIDAY, NOVEMBER 27 @ 10AM www.livenation.com Charge by Phone 1-855-985-5000 Tickets also available at all Ticketmaster Outlets Tickets (incl. GST) $35.00, $45.00, $59.50 (Plus FMF & Service charges) **RESERVED SEATING / ALL AGES** CITY AND COLOUR ANNOUNCES 2016 CANADIAN TOUR IN SUPPORT OF NEW LP IF I SHOULD GO BEFORE YOU DEBUTS INCLUDE #1 in CANADA + #16 on US BILLBOARD 200 + #5 in AUSTRALIA WATCH THE VIDEO FOR “Wasted Love” FROM DIRECTOR X HERE “...tells a story with a sincerity and fluency that is truly masterful.”—BBC “...moving, melodramatic songs delivered with candor and confidence by Mr. Green in a sweet, soaring voice. An excellent guitarist, he’s equally adept in a sparse solo folk setting and out in front of powerhouse players...” — The Wall Street Journal “Moody, magnificent and damn close to a masterpiece, this might be the finest album of Green’s career.”— Toronto Sun/Sun Media “…the strongest, most consistent set of songs City and Colour has produced” —Rolling Stone Australia City and Colour, acclaimed singer, songwriter and performer Dallas Green, has announced a Canadian tour for 2016. The tour, in support of Green’s latest album If I Should Go Before You, kicks off in Kelowna on June 2, and wraps up in Montreal on June 20, 2016 (full routing below). Supporting City and Colour on the tour is Austin’s Shakey Graves. -
Artist Title Count PURPLE DISCO MACHINE FEAT. MOSS KENA & THEFIREWORKS KNOCKS 92 LEONY FADED LOVE 83 ONEREPUBLIC RUN 82 ATB FT
Artist Title Count PURPLE DISCO MACHINE FEAT. MOSS KENA & THEFIREWORKS KNOCKS 92 LEONY FADED LOVE 83 ONEREPUBLIC RUN 82 ATB FT. TOPIC & A7S YOUR LOVE 81 JUSTIN BIEBER FT. DANIEL CAESAR PEACHES 81 COLDPLAY HIGHER POWER 80 IMAGINE DRAGONS FOLLOW YOU 80 OLIVIA RODRIGO GOOD 4 YOU 80 REGARD X TROYE SIVAN X TATE MCRAE YOU 79 ALVARO SOLER MAGIA 74 RITON X NIGHTCRAWLERS FRIDAY 74 LOST FREQUENCES RISE 70 JONAS BLUE FT. AVA SOMETHING STUPID 69 THE WEEKND SAVE YOUR TEARS 69 KUNGS NEVER GOING HOME 68 ED SHEERAN BAD HABITS 68 JUSTIN WELLINGTON FEAT. SMALL JAM IKO IKO 67 MAJESTIC X BONEY M. RASPUTIN 67 ROBIN SCHULZ FT. FELIX JAEHN & ALIDA ONE MORE TIME 66 RAG'N'BONE MAN ALL YOU EVER WANTED 64 DUA LIPA LOVE AGAIN 63 JOEL CORRY FT. RAYE & DAVID GUETTA BED 63 JASON DERULO & NUKA LOVE NOT WAR 62 MEDUZA FT. DERMOT KENNEDY PARADISE 59 AVA MAX MY HEAD & MY HEART 58 DUA LIPA WE'RE GOOD 57 MARTIN GARRIX FEAT. BONO & THE EDGE WE ARE THE PEOPLE 57 JOEL CORRY HEAD AND HEART 56 CALVIN HARRIS FT. TOM GRENNAN BY YOUR SIDE 56 DOJA CAT FEAT. SZA KISS ME MORE 56 PINK ALL I KNOW SO FAR 54 OFENBACH FT. LAGIQUE WASTED LOVE 53 PINK + WILLOW SAGE HART COVER ME IN SUNSHINE 53 MALARKEY SHACKLES (PRAISE YOU) 50 MASTER KG FT. NOMCEBO JERUSALEMA 49 SIA & DAVID GUETTA FLOATING THROUGH SPACE 48 SUPER-HI & NEEKA FOLLOWING THE SUN 48 ALVARO SOLER FT. CALI Y EL DANDEE MANANA 44 MARCO MENGONI MA STASERA 42 AVA MAX EVERYTIME I CRY 41 TATE MCRAE YOU BROKE ME FIRST [LUCA SCHREINER41 REMIX] MAROON 5 LOST 40 OFENBACH & QUARTERHEAD HEAD SHOULDERS KNEES & TOES 38 PS1 FT. -
Brexit and Columns the Rhetorical Figures That Are Used in the Guardian and the Daily Mail
Arissen, s4341791/1 Brexit and Columns The Rhetorical Figures that are used in The Guardian and The Daily Mail Inge Arissen, s4341791 BA Thesis, English Literature August 2018 Supervisor: Chris Louttit Second Supervisor: Usha Wilbers Arissen, s4341791/2 ENGELSE TAAL EN CULTUUR Teacher who will receive this document: C. Louttit Title of document:Resubmission Thesis Name of course: Bachelor Thesis Date of submission: 5 August 2018 The work submitted here is the sole responsibility of the undersigned, who has neither committed plagiarism nor colluded in its production. Signed Name of student: Inge Arissen Student number: s4341791 Arissen, s4341791/3 Abstract This research will deal with newspapers and their columns on Brexit from January 2015 up till December 2016. The newspapers that will be discussed are The Guardian and The Daily Mail and their columnists John Crace and Stephen Glover. The rhetorical figures of each column are collected and the percentages of use is calculated. From these data, the most common rhetorical figures can be deduced and most their function will be described. To understand the theoretical frame of the research, background information on columns and interpreting rhetorical figures is given as well. The claim of this study is that each author uses different rhetorical devices in their columns, since their both on a different side in the Brexit discussion. Key Words: Brexit; Columns; Rhetorical Figures; The Guardian; The Daily Mail; Politics Arissen, s4341791/4 Table of Content Introduction …………………………………………………………………………….p5 -
The Well and the Shallows- G.K.Chesterton
The Well and the Shallows By G.K. Chesterton The Well and the Shallows By G.K. Chesterton (1935) CONTENTS INTRODUCTION AN APOLOGY FOR BUFFOONS MY SIX CONVERSIONS I. THE RELIGION OF FOSSILS II. WHEN THE WORLD TURNED BACK III. THE SURRENDER UPON SEX IV. THE PRAYER-BOOK PROBLEM V. THE COLLAPSE OF MATERIALISM VI. THE CASE OF SPAIN VII. THE WELL AND THE SHALLOWS THE RETURN TO RELIGION THE REACTION OF THE INTELLECTUALS LEVITY--OR LEVITATION THE CASE FOR HERMITS KILLING THE NERVE THE CASE OF CLAUDEL THE HIGHER NlHILISM THE ASCETIC AT LARGE THE BACKWARD BOLSHIE THE LAST TURN THE NEW LUTHER BABIES AND DlSTRIBUTISM THREE FOES OF THE FAMILY THE DON AND THE CAVALIER THE CHURCH AND AGORAPHOBIA BACK IN THE FOG THE HISTORIC MOMENT MARY AND THE CONVERT A CENTURY OF EMANCIPATION TRADE TERMS FROZEN FREE THOUGHT SHOCKING THE MODERNISTS A GRAMMAR OF KNIGHTHOOD REFLECTIONS ON A ROTTEN APPLE SEX AND PROPERTY ST. THOMAS MORE THE RETURN OF CAESAR AUSTRIA THE SCRIPTURE READER AN EXPLANATION WHY PROTESTANTS PROHIBIT WHERE IS THE PARADOX? -/- INTRODUCTORY NOTE I WAS monstrously attracted by a suggestion that these essays should bear the general title of "Joking Apart." It seemed to me a simple and sensible way of saying that the reader of these pages must not look for many jokes, certainly not merely for jokes, because these are controversial essays, covering all subjects on which a controversialist is challenged, and not particular subjects chosen as they are chosen by an essayist. It is an awful revelation of the world of unreason into which we have wandered, that people more practical than I are convinced that if I say that this is apart from joking, everyone will think it is a joke. -
High Desert Report Is Dedicated to the Memory of Willie Pringle Spring 2015 L Volume 54 The
The 54th edition of the High Desert Report is dedicated to the memory of Willie Pringle Spring 2015 l Volume 54 The RADCO CompaniesHigh Desert Report An economic overview of the High Desert region affiliated with The Bradco Companies, a commercial real estate group I wish to welcome As a part of our history, in late 1992, cial broker ever inducted, and I am very our current, future, when a friend of mine, Ms. Cele Under- humbled to be a part of this great hon- and long stand- wood, then an Associate with the Keith orary society for the advanced and land ing subscribers and Companies, a company with which we economics. sponsors of the shared office space, suggested that, with We also had a delay in this edition with 54th Edition of the all the development, bus tours and sem- the recent addition of a new member of Bradco High Des- inars in Southern California, we create our family, Mr. Parker Sinibaldi, Ms. ert Report, the first a newsletter. Having no knowledge of Kaitlin Alpert’s son. Parker was born on and only economic how to do a newsletter, I contacted my December 9, 2014, and Ms. Alpert has overview of the long-time friend and mentor, Dr. Alfred just been able to return to work to as- High Desert region, covering the north- Gobar, then Chairman of Alfred Gobar sist us on the Bradco High Desert Re- ern portion of San Bernardino County & Associates (Brea/Anaheim, Califor- port and many of the other endeavors and the Inland Empire. -
Shameless Sociology
Shameless Sociology Shameless Sociology: Critical Perspectives on a Popular Television Series Edited by Jennifer Beggs Weber and Pamela M. Hunt Shameless Sociology: Critical Perspectives on a Popular Television Series Edited by Jennifer Beggs Weber and Pamela M. Hunt This book first published 2020 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2020 by Jennifer Beggs Weber, Pamela M. Hunt and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-5744-8 ISBN (13): 978-1-5275-5744-4 For Nathan, my partner in crime. – Jennifer For Perry and Grace. – Pam TABLE OF CONTENTS Acknowledgments ..................................................................................... ix Introduction ................................................................................................ 1 Pamela M. Hunt and Jennifer Beggs Weber Part 1: Social Class Dominant Hasslin’ and Subordinate Hustlin’: A Content Analysis Using the Generic Processes that Reproduce Inequality ............................ 8 Alexis P. Hilling, Erin Andro, and Kayla Cagwin Shamefully Shameless: Critical Theory and Contemporary Television ... 29 Robert J. Leonard and Kyra -
Mark Wagner's Stunt Resume
Mark Aaron Wagner HEIGHT: 5’10” Weight: 165 lbs. Stuntman / Stunt Coordinator/ Actor S.A.G./ A.F.T.R.A./ U.B.C.P./ A.C.T.R.A Suit- 38-40R, Shirt- 16x34 International Stunt Association- 818-501-5225 Waist- 32, Inseem- 31 KMR (agent)- (818) 755-7534 Shoe: 10 www.MarkAaronWagner.com (Online Demo) Current Resume on IMDB.com Feature Films (Full List Upon Request) Once Upon a Time in Hollywood Zoë Bell/ Rob Alonzo Captain Marvel (driver) Hank Amos/ Jeff Habberstad Ant-Man and The Wasp (dbl. Paul Rudd) Brycen Counts Peppermint (stunt dbl.) Keith Woulard Deadpool 2 (driver) Owen Walstrom/ Darrin Prescott Bright Rob Alonzo Predator Marny Eng/ Lance Gilbert Captain America: Civil War (dbl.- Paul Rudd) Sam Hargrave/ Doug Coleman Three Billboards (dbl.- Sam Rockwell) Doug Coleman PeeWee’s Big Holiday (dbl.- Paul Reubens) Mark Rayner Maze Runner: Scorch Trials ND George Cottle Ant-Man (dbl.- Paul Rudd) Jeff Habberstad Stretch (dbl.- Patrick Wilson) Ben Bray Captain America: Winter Soldier Strike Agent Tom Harper/ Casey O’Neil 300: Rise of an Empire Artemisia Father Damon Caro Iron Man 3 Extremis Soldier Markos Rounthwaite/ Mike Justus/ Jeff Habberstad Secret Life of Walter Mitty (dbl.- Adam Scott) Tim Trella/ Clay Cullen Dark Knight Rises ND/ Driving Tom Struthers/ George Cottle Gangster Squad (dbl.-Frank Grillo) Doug Coleman Men in Black 3 ND Wade Eastwood/ Simon Crane X-Men: First Class MIB Jeff Habberstad/ Brian Smrz Girl with the Dragon Tattoo Drving Jeff Habberstad This Is 40 (dbl.- Paul Rudd) Joel Kramer The Master (dbl.- Joaquin Phoenix) Garrett -
Shameless Television: Gendering Transnational Narratives
This is a repository copy of Shameless television: gendering transnational narratives. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/129509/ Version: Accepted Version Article: Johnson, B orcid.org/0000-0001-7808-568X and Minor, L (2019) Shameless television: gendering transnational narratives. Feminist Media Studies, 19 (3). pp. 364-379. ISSN 1468-0777 https://doi.org/10.1080/14680777.2018.1468795 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Shameless Television: Gendering Transnational Narratives Beth Johnson ([email protected]) and Laura Minor ([email protected]) School of Media and Communication, University of Leeds, Leeds, UK Abstract The UK television drama Shameless (Channel 4, 2004-2011) ran for eleven series, ending with its 138th episode in 2011. The closing episode did not only mark an end, however, but also a beginning - of a US remake on Showtime (2011-). Eight series down the line and carrying the weight of critical acclaim, this article works to consider the textual representations and formal constructions of gender through the process of adaptation. -
Access the Best in Music. a Digital Version of Every Issue, Featuring: Cover Stories
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE MARCH 23, 2020 Page 1 of 27 INSIDE Lil Uzi Vert’s ‘Eternal Atake’ Spends • Roddy Ricch’s Second Week at No. 1 on ‘The Box’ Leads Hot 100 for 11th Week, Billboard 200 Albums Chart Harry Styles’ ‘Adore You’ Hits Top 10 BY KEITH CAULFIELD • What More Can (Or Should) Congress Do Lil Uzi Vert’s Eternal Atake secures a second week No. 1 for its first two frames on the charts dated Dec. to Support the Music at No. 1 on the Billboard 200 albums chart, as the set 28, 2019 and Jan. 4, 2020. Community Amid earned 247,000 equivalent album units in the U.S. in Eternal Atake would have most likely held at No. Coronavirus? the week ending March 19, according to Nielsen Mu- 1 for a second week without the help of its deluxe • Paradigm sic/MRC Data. That’s down just 14% compared to its reissue. Even if the album had declined by 70% in its Implements debut atop the list a week ago with 288,000 units. second week, it still would have ranked ahead of the Layoffs, Paycuts The small second-week decline is owed to the chart’s No. 2 album, Lil Baby’s former No. 1 My Turn Amid Coronavirus album’s surprise reissue on March 13, when a new (77,000 units). The latter set climbs two rungs, despite Shutdown deluxe edition arrived with 14 additional songs, a 27% decline in units for the week.Bad Bunny’s • Cost of expanding upon the original 18-song set.