DOCSLIB.ORG

Society for the History of Authorship, Reading and Publishing Bibliography of Publications Derived from Sharp Conferences

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Society for the History of Authorship, Reading and Publishing Bibliography of Publications Derived from Sharp Conferences SOCIETY FOR THE HISTORY OF AUTHORSHIP, READING AND PUBLISHING BIBLIOGRAPHY OF PUBLICATIONS DERIVED FROM SHARP CONFERENCES Amos, Mark Addison. “Violent Hierarchies: Disciplining Women and Merchant Capitalists in The Book of the Knyght of the Towre.” Caxton’s Trace: Studies in the History of English Printing. Ed. William Kuskin. Notre Dame: University of Notre Dame Press, 2006. 69-100. [SHARP 2000] Anderson, Randall L. “’The Merit of a Manuscript Poem’: The Case for Bodleian MS Rawlinson Poet. 85.” Print, Manuscript, & Performance: The Changing Relations of the Media in Early Modern England. Ed. Arthur F. Marotti and Michael D. Bristol. Columbus: Ohio State University Press, 2000. 127-71. [SHARP 1997] ---. “Metaphors of the Book as Garden in the English Renaissance.” Yearbook of English Studies 33 (2003): 248-61. [SHARP 1997] Ashton, Susanna. “A Corrupt Medium: Stephen Burroughs and the Bridgehampton, New York, Library.” Libraries & Culture 38.2 (2003): 93-120. [SHARP 1996] ---. “John Boyle O’Reilly and Moondyne (1878).” History Ireland 10.1 (2002): 38-42. [SHARP 1999] Baggs, Chris. “George Gissing and Libraries.” Gissing Journal 40.4 (2004): 7-13. [SHARP 2004] Barnes, James J. “Reassessing the Reputation of Thomas Tegg, London Publisher, 1776- 1846.” Book History 3 (2000): 45-60. [SHARP 1997] Barnhisel, Greg. “Ezra Pound, James Laughlin and New Directions: The Publisher as Spin Doctor.” Paideuma 29.3 (2000): 165-78. [SHARP 1996] Rpt. in revised form as a chapter in James Laughlin, New Directions, and the Remaking of Ezra Pound. Amherst: University of Massachusetts Press, 2005. [SHARP 1996] Beal, Shelley S. “’La fin du pillage des auteurs’: Louvigny de Montigny’s International Press Campaign for Authors’ Rights in Canada.” Papers of the Bibliographical Society of Canada 43.1 (2005): 45-64. [SHARP 2004] Bouju, Marie-Cécile. “Le Livre comme arme de propaganda: Le cas des relations entre le Service d’éditions de l’Internationale communiste et la France (1919-1939).” Communisme 97-98 (2009): 7-23. [SHARP 2004] Brouillette, Sarah. “Paratextuality and Economic Disavowal in Dave Eggers’ You Shall Know Our Velocity.” Reconstruction 3.2 (2003): 26 pars. 3 Jan. 2007 <http://reconstruction.eserver.org/032/brouillette.htm> [SHARP 2003] ---. Postcolonial Writers and the Global Literary Marketplace. New York: Palgrave Macmillan, 2007. Forthcoming. [SHARP 2005] Brown, Matthew P. “The Thick Style: Steady Sellers, Textual Aesthetics, and Early Modern Devotional Reading.” PMLA 121.1 (2006): 67-86. [SHARP 2003] Bruyère, Claire, and Marie-Françoise Cachin. “Transatlantic Crossings: Publishing American Literature in Britain and British Literature in the United States.” Biblion 5.4 (1997): 171-88. [SHARP 1996] Burek Pierce, Jennifer. What Adolescents Ought to Know: Sexual Health Texts in Early Twentieth-Century America. Amherst: University of Massachusetts Press, 2011. [SHARP 2007] ---. “What Young Readers Ought to Know: The Successful Selling of Sexual Health Texts in the Early Twentieth Century.” Book History 14 (2011): 110-36. [SHARP 2007] Cachin, Marie-Françoise, and Sylvie Ducas-Spaes. “The Goncourt and the Booker: A Tale of Two Prizes.” Logos 14.2 (2003): 85-94. [SHARP 2002] Carter, David. “The Mystery of the Missing Middlebrow or The C(o)urse of Good Taste.” Imagining Australia: Literature and Culture in the New New World. Ed. Judith Ryan and Chris Wallace-Crabbe. Cambridge: Harvard University Committee on Australian Studies; Distributed by Harvard University Press, 2004. 173-201. [SHARP 2004] ---. “’Some Means of Learning of the Best New Books’: All about Books and the Modern Reader.” Australian Literary Studies 22.3 (2006): 329-41. [SHARP regional 2006] Connors, Linda E. “Creating a Useable Past: The Role of the Quarterly Review in Shaping a National Identity for Its Provincial Readers, 1820s-1850s.” Épilogue 13 (2003): 11-20. [SHARP 1998] Connors, Linda E., Mary Lu MacDonald, and Elizabeth Morrison. “The Periodicals and Newspapers of Nineteenth-Century Britain and Its Empire: Three Case Studies in ‘Being British.’” Épilogue 13 (2003): 1-10. [SHARP 1998] Cooney, Sondra Miley. “Die deutschen Wurzeln der Chambers’ Enzyklopädie. Ein Wörterbuch des universalen Wissens für das Volk.” F.A. Brockhaus: 1905-2005. Ed. Thomas Keiderling. Leipzig: F.A. Brockhaus, 2005. 199-207. [SHARP 1995, 2000] Coppens, Christian. “A Post-Mortem Inventory Turned into a Sales Catalogue: A Screening of the Auction Catalogue of the Library of Charles Duke of Croy, Brussels 1614.” Quaerendo 38:4 (2008): 359-80. [SHARP 2006] Coustillas, Pierre. “Gissing in Translation.” Gissing Journal 40.4 (2004): 1-6. [SHARP 2004] Dalbello, Marija. “Franz Josef’s Time Machine: Images of Modernity in the Era of Mechanical Photoreproduction.” Book History 5 (2002): 66-103. [SHARP 2001] Dalbello, Marija, and Anselm Spoerri. “Statistical Representations from Popular Texts for the Ordinary Citizen, 1889-1914.” Library & Information Science Research 28.1 (2006): 83-109. [SHARP 2005] De Franceschi, Loretta. “Libri per i soldati: una prima rassegna delle principali iniziative durante la Grande Guerra.” “Books Seem to Me to Be Pestilent Things”: Studi in onore di Piero Innocenti per i suoi sessantacinque anni. Ed. Cristina Cavallaro. Vol. 2. Manziana: Vecchiarelli, 2011. 575-585. [SHARP 2010] ---. “Ulrico Hoepli e l’informazione bibliografica scientifica.” La fabbrica del libro. Bollettino di storia dell’editoria in Italia 18:2 (2012): 23-30. [SHARP 2011] Everton, Michael. The Grand Chorus of Complaint: Authors and the Business Ethics of American Publishing. New York: Oxford University Press, 2011. [SHARP 2007, 2009] Finkelstein, David. “From Textuality to Orality: The Reception of The Battle of Dorking.” Books and Bibliography: Essays in Commemoration of Don McKenzie. Ed. John Thomson. Wellington, NZ: Victoria University Press, 2002. 87-102. [SHARP 1996] ---. The House of Blackwood: Author-Publisher Relations in the Victorian Era. University Park: Pennsylvania State University Press, 2002. [SHARP 1993, 1997, 1998, 1999, 2000] ---. “’Jack’s as Good as His Master’: Scots and Print Culture in New Zealand, 1860- 1900.” Book History 6 (2003): 95-107. [SHARP 2002] ---. “Voices from the Papermills.” Papermaking on the Water of Leith. Ed. Alistair McCleery, David Finkelstein, and Sarah Bromage. Edinburgh: Birlinn Press, 2006. Forthcoming. [SHARP 2004] Garvey, Ellen Gruber. “Ambivalent Advertising: Books, Prestige, and the Circulation of Publicity.” Print in Motion: The Expansion of Print and Reading in the United States, 1880-1945. Ed. Janice Radway and Carl Kaestle. Chapel Hill: University of North Carolina Press, 2007. Forthcoming. [SHARP 1998] ---. “Anonymity, Authorship and Recirculation: A Civil War Episode.” Book History 9 (2006): 159-78. [SHARP 2005] ---. “Scissorizing and Scrapbooks: Nineteenth-Century Reading, Remaking, and Recirculating.” New Media, 1740-1915. Ed. Lisa Gitelman and Geoffrey B. Pingree. Cambridge: MIT Press, 2003. 207-27. [SHARP 2001] Gerson, Carole. “The Canadian Publishers’ Records Database.” Dictionary of Literary Biography Yearbook: 1996. Ed. Samuel W. Bruce and L. Kay Webster. Detroit: Gale Research, 1997. 247-51. [SHARP 1993] ---. “’Dragged at Anne’s Chariot Wheels’: L.M. Montgomery and the Sequels to Anne of Green Gables. Papers of the Bibliographical Society of Canada 35.2 (1997): 143- 59. [SHARP 1995] Rpt. in Part Two: Reflections on the Sequel. Ed. Paul Budra and Betty A. Schellenberg. Toronto: University of Toronto Press, 1998. 144-59. ---. “Imprint and the Nation: Canadian Publishing History through the Lens of L.M. Montgomery.” Images of a Post. Nordic Association for Canadian Studies Conference (8th : 2005 : Turku). Forthcoming [SHARP 2005] ---. “Postcolonialism Meets Book History: Pauline Johnson and Imperial London.” Home-Work: Postcolonialism, Pedagogy, and Canadian Literature. Ed. Cynthia Sugars. Ottawa: University of Ottawa Press, 2004. 423-39. [SHARP 2002] ---. “Reframing a National Literary History: Canadian Writers in the International Sphere, 1830-1910.” The Canadian Nation in the Third Millennium. Ed. Ikas Karin. Forthcoming (also forthcoming in spec. iss. of Humanities Online) [SHARP 2004] Glas, Frank de. “Business History and the Study of Publishing Houses.” New Perspectives in Book History: Contributions from the Low Countries. Ed. Marieke van Delft, Frank de Glas, and Jeroen Salman. Zutphen: Walburg Pers, 2006. 83- 100. [SHARP 2005] ---. “De materiële en symbolische productie van het werk van moderne literaire auteurs. Bouwstenen voor de reputatie van de jonge Hella Haasse.” Jaarboek voor Nederlandse Boekgeschiedenis 10 (2003): 103-20. [SHARP 2001] Griffin, Robert J. “The Text in Motion: Eighteenth-Century Roxanas.” ELH 72.2 (2005): 387-406. [SHARP 2002] Gross, Robert A. “Reading Culture, Reading Books.” Proceedings of the American Antiquarian Society 106.1 (1996): 59-78. [SHARP 1996] Hakapää, Jyrki.”Internationalizing Book Distribution in the Early Nineteenth Century: The Origins of Finnish Bookstores.” Book History 5 (2002): 39-66. [SHARP 2001] Hammond, Mary. Reading, Publishing and the Formation of Literary Taste in England, 1880-1914. Aldershot, Eng.: Ashgate, 2006. Forthcoming. [SHARP 2003, 2004] Hancher, Michael. “Familiar Quotations.” Harvard Library Bulletin n.s. 14.2 (2003): 13- 53. [SHARP 2003] ---. “Gazing at The Imperial Dictionary.” Book History 1 (1998): 156-81. [SHARP 1995] ---. “Littera scripta manet: Blackstone and Electronic Text.” Studies in Bibliography 54 (2001): 115-32. [SHARP 2002] ---. “The Number Trade at Blackie and
Load more

Recommended publications
  • The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information
    Cambridge University Press 978-1-107-15962-4 — The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information The Cambridge Companion to Canadian Literature This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres, and topics. For this edition several chapters have been completely re-written to relect major developments in Canadian literature since 2004. Surveys of ic- tion, drama, and poetry are complemented by chapters on Aboriginal writ- ing, autobiography, literary criticism, writing by women, and the emergence of urban writing. Areas of research that have expanded since the irst edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on franco- phone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature. Eva-Marie Kröller edited the Cambridge Companion to Canadian Literature (irst edn., 2004) and, with Coral Ann Howells, the Cambridge History of Canadian Literature (2009). She has published widely on travel writing and cultural semiotics, and won a Killam Research Prize as well as the Distin- guished Editor Award of the Council of Editors of Learned Journals for her work as editor of the journal Canadian
    [Show full text]
  • Narrative Voice in David Elias's Sunday Afternoon
    Speaking Redemption: Narrative Voice in David Elias’s Sunday Afternoon Edna A. Froese, St. Thomas More College, Saskatoon Whatever the recent developments in narrative theology have accomplished by way of allowing Christian believers to negotiate postmodern challenges to the authority of the scriptural foundations of their beliefs, the newly emphasized parallels between theology and literature open up wonderful possibilities for reading fiction as well as the Bible itself. Catherine Wallace, for example, in “Faith and Fiction: Literature as Revelation,” argues that literature “has much to offer religion that religion fails to understand and to accept” (2). With Coleridge and then Steiner, Wallace observes that faith is neither “an act of will [nor] an act of knowledge” but “a creative act, the act of imagination”; thus “art and the encounter with God share a common origin in the human spirit” (5). Since “the knowledge of God is not propositional but visionary” (5-6), the poet (or novelist or playwright) is also an “autonomous and significant theologian” (1), whose task it is “to take all the muddled disruptive incoherence of real fact and actual memory – whether communal or personal – and then select and arrange, reform and recast them into a coherent aesthetic whole that tells a visionary truth that facts alone cannot reveal” (10).1 If the 202 Journal of Mennonite Studies truth that the poet thus reveals is to be understood, whether that poet happens to be the redactor of Scripture or a contemporary novelist, “we must first of all read properly, which is to say attentively, details regarded not as historical facts but as poetic choices” (Wallace 10).
    [Show full text]
  • Imaginary) Boyfriend
    ! "! (Imaginary) Boyfriend by Toby Cygman A thesis submitted to the Faculty of Graduate Studies of the University of Manitoba in partial fulfilment of the requirements of the degree of MASTER OF ARTS Department of English, Film, and Theatre University of Manitoba Winnipeg Copyright © 2011 by Toby Cygman ! ! #! ! Table of Contents Abstract…………………………………………………………………………………...ii Preface (read at thesis defense)……………………………………………………….1 Mobile……………………………………………………………………………………..7 Internets………...………………………………………………………………………12 Baggage…………………………………………………...……………………………18 Effexor for the Win……………………………………………………………………..23 Minor Injuries………………………………………………...…………………………37 Past Perfect……………………………………………………...……………………..47 Stories to My (Imaginary) Boyfriend………………………………………………….50 Lady, Motorbike………………………………………………………………………...53 Afterword………………………………………………………………………………..62 Bibliography…………………………………………………………………………….79 ! ##! Abstract (Imaginary) Boyfriend is a cycle of short stories that addresses the tension between stasis and locomotion. The eight stories feature characters who are addicted to motion, but paralyzed by anxiety. This theme manifests itself in both the internal and external spaces the characters occupy. ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! "! Preface As I was working on my thesis, I looked at other U of M creative theses for direction and inspiration. I found that the large majority of creative theses from the last few years are novellas and began to wonder about my chosen genre, the short story. My preference for this medium has to do with immediacy.
    [Show full text]
  • A Writer-Centered World May 29Th to June 1St Delta St
    2014 ONWORDS CONFERENCE AND ANNUAL GENERAL MEETING CENTERING THE MARGINS: A Writer-Centered World May 29th to June 1st Delta St. John’s 120 New Gower Street St. John’s, NL 2 2014 OnWords Conference and Annual General Meeting what’s INSIDE Agenda 04 Chair’s Report 10 Minutes, 2013 11 National Council & AGM Directives, 2013 21 Auditor’s Report 30 Forward, Together: Strategic Plan, 2010-2014 40 Regional Reports 41 Liaison, Task Force, and Committee Reports 46 Executive Director’s Welcome 69 Members and Guests Attending 70 Panelist and Speed Networker Biographies 71 Cover image © MUN, Department of Geography, 2013-80 May 29th – June 1st . Centering the Margins: A Writer-centered World 3 AGENDA Centering the Margins: A Writer-Centered World Hashtag for the weekend is: 2014 OnWords Conference and Annual General Meeting #OnWords Delta St. John’s Hotel and Conference Centre *Please remember to also add 120 New Gower Street, St. John’s, NL @twuc to your tweets as well May 29 – June 1, 2014 Thank to our lead sponsors the Access Copyright Foundation, ACTRA Fraternal Benefit Society, Amazon.ca, Random House of Canada, Mint Literary Agency, and Newfoundland Labrador. Please be aware that the use of spray colognes, hairsprays, and/or air fresheners, may trigger allergic reactions and create health problems for others. THURSDAY, May 29, 2014 2:00 pm – 3:00 pm EXECUTIVE MEETING — Placentia Bay room 3:00 pm – 5:00 pm NATIONAL COUNCIL MEETING — Placentia Bay room 4:00 pm – 6:00 pm REGISTRATION — Main Lobby 6:15 pm – 7:00 pm NEW MEMBER RECEPTION — Rocket Bakery and Fresh Foods, 272 Water Street 7:00 pm – 8:30 pm WELCOME RECEPTION WITH THE WRITERS ALLIANCE OF NEWFOUNDLAND AND LABRADOR — Rocket Bakery and Fresh Foods, 272 Water Street, 3rd floor.
    [Show full text]
  • Ms. Lampert, Arlene Papers Coll. 730 1 Gift of Arlene Lampert 2016 Extent
    Ms. Lampert, Arlene papers Coll. 730 Gift of Arlene Lampert 2016 Extent: 14 boxes (3 metres) Includes extensive correspondence from writers, 1960s-2000s, to Arlene Lampert. The correspondence is primarily personal in nature. Photographs from the University of Toronto Writers’ Workshops held in Toronto and The Bahamas, 1972-1978, form part of this accession. The photographs include many well- known authors, such as Austin Clarke, Al Purdy, Dennis Lee, Graeme Gibson, P.K. Page, Joe Rosenblatt, Marian Engel, George Bowering. Frequent correspondents include Bill Bissett, Susan Musgrave, Stephen Reid, Joe Rosenblatt, Jeni Couzyn, Rosemary Sullivan, Anne Michaels, Patrick Lane, Lorna Crozier, Alice Denham, P.K. Page, Earle Birney and Wailan Low, Phyllis Webb and others. Arrangement note: original correspondence order has been maintained. Biographical note from League of Canadian Poets directory: Arlene Lampert was the first Executive Secretary and later Executive Director of the League of Canadian Poets in the 1970s. She was married to Gerald Lampert and granted Honourary Membership in the League of Canadian Poets in 1981. She lives in Toronto. Box 1 Photographs from the University of Toronto 15 folders Writers’ Workshops held at Toronto and The Bahamas, 1972-1978 Folder 1 University of Toronto Writers’ Workshop, held at Toronto and The Bahamas, 1972-1978 Austin Clarke, Graeme Gibson, Dennis Lee and others 8 black and white photographs Folder 2 University of Toronto Writers’ Workshop, held at Toronto and The Bahamas, 1972-1978 8 black and white photographs Folder 3 University of Toronto Writers’ Workshop, held at Toronto and The Bahamas, 1972-1978 8 black and white photographs Folder 4 University of Toronto Writers’ Workshop, held at Toronto and The Bahamas, 1972-1978 8 black and white photographs 1 Ms.
    [Show full text]
  • "A Press with Such Traditions": Oxford University Press of Canada Ruth
    "A Press with Such Traditions": Oxford University Press of Canada Ruth Panofsky' On Tuesday, 10 August 1904, when Oxford University Press established a branch in Canada,2 it joined a small but significant group of publishing houses already operating in Toronto. By the turn of the century, Toronto had become a centre for Canada's burgeoning publishing industry, home to the Copp Clark Company, W.J. Gage and Company, and the Methodist Book and Publishing House (later Ryerson Press), for example. When Oxford University Press set up shop on "Booksellers' Row"3 at Zy Richmond Street West, the company sought to consolidate its presence in the small Canadian market with a view to establishing itself as an important branch. Eight years earlier, in September 1896, Oxford had opened its first branch operation in New York. The founding of a second branch in Toronto served, in fact, to widen Oxford's presence in North America. By 1929, the Toronto branch could announce with "great pride" that it represented "a Press with such traditions, and such a record of useful and important work, not only in the development of printing but in the History of England."4 After twenty-five years in Canada, Oxford University Press had begun to realize its hopes for expansion. I Ruth Panofsky is Associate Director of the ]Joint Graduate Programme in Communication and Culture at Ryerson University. Her most recent publications include Adele Wiseman: Essays on Her Works and Lifeline, a volume of poetry. She thanks Joanna Gertler, Laura Macleod, Martin Maw, and Phyllis Wilson of Oxford University Press; Jan Walter of Macfarlane Walter 8< Ross; Jim Armour, Vivian Luong, Roy MacSkimming, and Bill Toye for their assistance .
    [Show full text]
  • Revisiting Sylvia Fraser's Pandora: Girlhood, Body, And
    Document généré le 28 sept. 2021 04:39 Studies in Canadian Literature Études en littérature canadienne Revisiting Sylvia Fraser’s Pandora: Girlhood, Body, and Language Margaret Steffler Resurfacing: Women Writing in 1970s Canada Refaire surface : écrivaines canadiennes des années 1970 Volume 44, numéro 2, 2019 URI : https://id.erudit.org/iderudit/1070964ar DOI : https://doi.org/10.7202/1070964ar Aller au sommaire du numéro Éditeur(s) University of New Brunswick, Dept. of English ISSN 0380-6995 (imprimé) 1718-7850 (numérique) Découvrir la revue Citer cet article Steffler, M. (2019). Revisiting Sylvia Fraser’s Pandora: Girlhood, Body, and Language. Studies in Canadian Literature / Études en littérature canadienne, 44(2), 232–252. https://doi.org/10.7202/1070964ar All Rights Reserved ©, 2020 Studies in Canadian Literature / Études en Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des littérature canadienne services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ Revisiting Sylvia Fraser’s Pandora: Girlhood, Body, and Language Margaret Steffler n my 1987 PhD dissertation, The Romantic Child in Selected Canadian Fiction, I included Sylvia Fraser’s 1972 novel Pandora in a final chapter in which I discussed Fraser’s text along with other Iautobiographical fiction: Margaret Laurence’s A Bird in the House (1970), Alice Munro’s Lives of Girls and Women (1971), Audrey Thomas’s Songs My Mother Taught Me (1973), and Marian Engel’s No Clouds of Glory (1968) (Steffler 265-90).
    [Show full text]
  • University of Saskatchewan Department of English Ph.D
    University of Saskatchewan Department of English Ph.D. Field Examination Ph.D. candidates take this examination to establish that they have sufficient understanding to do advanced research and teaching in a specific field. Field examinations are conducted twice yearly: in October and May. At least four months before examination, students must inform the Graduate Chair in writing of their intention to sit the examination. Ph.D. students are to take this examination in May of the second year of the program or October of the third. The examination will be set and marked by three faculty specialists in the area that has been chosen by the candidate. The following lists comprise the areas in which the Department of English has set readings for Ph.D. candidates: American, Commonwealth/Postcolonial, English- Canadian, Literary Theory, Literature by Women, Medieval, Modern British, Nineteenth- Century British, Renaissance, and Restoration/Eighteenth Century. Each candidate is either to select one of the areas listed here or to propose an examination in an area for which a list is not already set. The set lists themselves are not exhaustive; each is to be taken as two-thirds of the reading to be undertaken for the examination, the final third to be drafted by the candidate in consultation with the supervisor. At least three months before examination, this list will be submitted to the candidate’s Examining Committee for approval. A candidate may choose to be examined in an area for which there is no list. Should this option be chosen, the candidate (in consultation with the supervisor) will propose an area to the Graduate Committee at least six months before the examination is to be taken.
    [Show full text]
  • Dalrev Vol67 Iss4 Pp425 435.Pdf (5.693Mb)
    Larry McDonald The Politics of Influence: Birney, Scott, Livesay and the Influence of Politics The immediate focus of this essay is the manner in which most criti­ cism of Dorothy Livesay, Frank Scott and Ear le Birney has worked to obscure the influence of politics on their writing. More specifically (because the actual extent of political influence must be set aside for the moment), my aim is to demonstrate that dominant critical approaches have foreclosed any possibility of political influence on the writing by disguising, diminishing or eliminating the role that politics played in their lives. The narrow question of how these writers have been packaged for general consumption is best appreciated, however, if viewed as representative of the way that criticism has neglected a key aspect of Canadian literary history. I refer to a suppressed tradition of affiliations, remarkable in both range and intensity, between Cana­ dian writers and socialist ideology. The affiliations between our writers and socialist thought have taken many different forms: some have declared their socialist sympa­ thies in essays and journalism (Archibald Lampman, Margaret Lau­ rence, Kenneth Leslie); some worked long and hard for left-wing organizations or political parties (Earle Birney for the Trotskyists, Dorothy Lives ay for the Communists, Frank Scott for the CCF I NDP, David Fennario for the Socialist Labour Party); some stood for politi­ cal office (F. P. Grove, A. M. Klein, Phyllis Webb, Robin Mathews); some were involved with literary journals that promoted a socialist aesthetic (John Sutherland, Irving Layton, Louis Dudek, Patrick Anderson, Milton Acorn, Al Purdy, Miriam Waddington, Margaret Atwood).
    [Show full text]
  • Canadianliterature / Littérature Canadienne
    Canadian Literature / Littérature canadienne A Quarterly of Criticism and Review Number "#", Autumn "##$, Sport and the Athletic Body Published by !e University of British Columbia, Vancouver Editor: Margery Fee Associate Editors: Laura Moss (Reviews), Glenn Deer (Reviews), Larissa Lai (Poetry), Réjean Beaudoin (Francophone Writing), Judy Brown (Reviews) Past Editors: George Woodcock (%$&$–%$''), W.H. New (%$''–%$$&), Eva-Marie Kröller (%$$&–"##(), Laurie Ricou ("##(–"##') Editorial Board Heinz Antor Universität zu Köln Allison Calder University of Manitoba Kristina Fagan University of Saskatchewan Janice Fiamengo University of Ottawa Carole Gerson Simon Fraser University Helen Gilbert University of London Susan Gingell University of Saskatoon Faye Hammill University of Strathclyde Paul Hjartarson University of Alberta Coral Ann Howells University of Reading Smaro Kamboureli University of Guelph Jon Kertzer University of Calgary Ric Knowles University of Guelph Louise Ladouceur University of Alberta Patricia Merivale University of British Columbia Judit Molnár University of Debrecen Maureen Moynagh St. Francis Xavier University Reingard Nischik University of Constance Ian Rae King’s University College Roxanne Rimstead Université de Sherbrooke Sherry Simon Concordia University Patricia Smart Carleton University David Staines University of Ottawa Cynthia Sugars University of Ottawa Neil ten Kortenaar University of Toronto Marie Vautier University of Victoria Gillian Whitlock University of Queensland David Williams University of Manitoba
    [Show full text]
  • And Others TITLE in Search of Canadian- Materials
    DOCUAENT EBSUBB ED 126 351 CB 007 4890 AUTHOV Phillips, Donna; Coop.; And Others TITLE In Search of Canadian- Materials. INSTITUTION Hanitoba Dept. of Education, Hinnipeg. PUB DATE Apr 76 NOTE 213p. EDRS PRICE OF -$0.83 BC-$11.37 Plus Postage. DESCRIPTORS *Annotated 'Bibliographies; Audiovisual Aids; Books; *Elementary Secondary Education; *Foreign Countries; *Library Haterial Selection; Periodicals;Reference Materials; Resource Haterials; *SchoolLibraries tZENTIFIERS *Canada; '}Manitoba ABSTRACT The annotated bibliography, commissioned by the Canadian Studies Project. Committee, isa basic list of available Canadian materials suitable for school libraries.It consists of over 1,000 entries withan emphasis on materials ,relevant to Manitoba.A broad range of topics is covered: business education,e consumer eduegation, fine arts, guidance, familylife and health, hope economics, language and literature (biography,drama, novels, short stories, folktales, language arts, miscellaneous,picture books and picture story books, and poetry), literarycriticism, mathematics, physical education, social studies (geography,history, native studies, and 4sobitical studies), and science(general, physical, and natural). The majority of items listedare library or trade books but some text book series, periodicals, and reference materialshave been included. All types of audiovisual materialsare included except 16mb films and videotapes. For each entry typicalbibliographical data, grade level, and a brief description,are included. A title index is appended. (BP) ********************************************************************** DocAtheAts acquired by ERIC includemany informal unpublished * materials not available `from othersources. ERIC cakes every effort * * to obtain the best copy available. Nevertheless,items of marginal * * reproducibility are often encountered and thisaffects the quality * * of the picrofiche and hardcopy reproductionsERIC makes available * * via the ERIC Docutent Reproduction Service (EbRS).EDRS is not * * responsible for the quality of the originaldocument.
    [Show full text]
  • Ruth Panofsky Address: Department of English Member of the Graduate Faculty Ryerson University 350 Victoria Street Toronto, Ontario M5B 2K3 416 979 5000 Ext
    CURRICULUM VITAE Name: Ruth Panofsky Address: Department of English Member of the Graduate Faculty Ryerson University 350 Victoria Street Toronto, Ontario M5B 2K3 416 979 5000 ext. 6150 416 979 5387 fax [email protected] Position: . Professor . Research Associate, Modern Literature and Culture Research Centre . Member, Centre for Digital Humanities Citizenship: Canadian Languages: English, French EDUCATION: PhD, York University, English 1991 Examinations: First field: Canadian Literature Second field: Novel and Other Narrative Dissertation: A Bibliographical Study of Thomas Chandler Haliburton’s The Clockmaker, First, Second, and Third Series Supervisor: Professor John Lennox MA, York University, English 1982 MRP: Studies in the Early Poetry of Miriam Waddington Supervisor: Professor John Lennox BA Honours, Carleton University, English 1980 First year, Vanier College, Social Sciences 1976 AWARDS AND FELLOWSHIPS (EXTERNAL): 2016 Rosa and the late David Finestone Canadian Jewish Studies Award for Best Book in English or French, J. I. Segal Awards, Jewish Public Library ($500) 2016 Finalist, Vine Awards for Canadian Jewish Literature 2015 Canadian Jewish Literary Award for Yiddish Culture ($1,000) 2015 PROSE Award for Literature, Professional and Scholarly Publishing Division, Association of American Publishers 2015 Finalist, Eric Hoffer Award for Independent Books 2 – Ruth Panofsky 2013 McCorison Fellowship for the History and Bibliography of Printing in Canada and the United States, Bibliographical Society of America ($2,000US) 2011-14
    [Show full text]