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Love, Oh Love, Oh Careless Love
Love, Oh Love, Oh Careless Love Careless Love is perhaps the most enduring of traditional folk songs. Of obscure origins, the song’s message is that “careless love” could care less who it hurts in the process. Although the lyrics have changed from version to version, the words usually speak of the pain and heartbreak brought on by love that can take one totally by surprise. And then things go terribly wrong. In many instances, the song’s narrator threatens to kill his or her errant lover. “Love is messy like a po-boy – leaving you drippin’ in debris.” Now, this concept of love is not the sentiment of this author, but, for some, love does not always go right. Countless artists have recorded Careless Love. Rare photo of “Buddy” Bolden Lonnie Johnson New Orleans cornetist and early jazz icon Charles Joseph “Buddy” Bolden played this song and made it one of the best known pieces in his band’s repertory in the early 1900s, and it has remained both a jazz standard and blues standard. In fact, it’s a folk, blues, country and jazz song all rolled into one. Bessie Smith, the Empress of the Blues, cut an extraordinary recording of the song in 1925. Lonnie Johnson of New Orleans recorded it in 1928. It is Pete Seeger’s favorite folk song. Careless Love has been recorded by Louis Armstrong, Ray Charles, Bob Dylan and Johnny Cash. Fats Domino recorded his version in 1951. Crescent City jazz clarinetist George Lewis (born Joseph Louis Francois Zenon, 1900 – 1968) played it, as did other New Orleans performers, such as Dr. -
Where to Study Jazz 2019
STUDENT MUSIC GUIDE Where To Study Jazz 2019 JAZZ MEETS CUTTING- EDGE TECHNOLOGY 5 SUPERB SCHOOLS IN SMALLER CITIES NEW ERA AT THE NEW SCHOOL IN NYC NYO JAZZ SPOTLIGHTS YOUNG TALENT Plus: Detailed Listings for 250 Schools! OCTOBER 2018 DOWNBEAT 71 There are numerous jazz ensembles, including a big band, at the University of Central Florida in Orlando. (Photo: Tony Firriolo) Cool perspective: The musicians in NYO Jazz enjoyed the view from onstage at Carnegie Hall. TODD ROSENBERG FIND YOUR FIT FEATURES f you want to pursue a career in jazz, this about programs you might want to check out. 74 THE NEW SCHOOL Iguide is the next step in your journey. Our As you begin researching jazz studies pro- The NYC institution continues to evolve annual Student Music Guide provides essen- grams, keep in mind that the goal is to find one 102 NYO JAZZ tial information on the world of jazz education. that fits your individual needs. Be sure to visit the Youthful ambassadors for jazz At the heart of the guide are detailed listings websites of schools that interest you. We’ve com- of jazz programs at 250 schools. Our listings are piled the most recent information we could gath- 120 FIVE GEMS organized by region, including an International er at press time, but some information might have Excellent jazz programs located in small or medium-size towns section. Throughout the listings, you’ll notice changed, so contact a school representative to get that some schools’ names have a colored banner. detailed, up-to-date information on admissions, 148 HIGH-TECH ED Those schools have placed advertisements in this enrollment, scholarships and campus life. -
Jerry Williams Jr. Discography
SWAMP DOGG - JERRY WILLIAMS, JR. DISCOGRAPHY Updated 2016.January.5 Compiled, researched and annotated by David E. Chance: [email protected] Special thanks to: Swamp Dogg, Ray Ellis, Tom DeJong, Steve Bardsley, Pete Morgan, Stuart Heap, Harry Grundy, Clive Richardson, Andy Schwartz, my loving wife Asma and my little boy Jonah. News, Info, Interviews & Articles Audio & Video Discography Singles & EPs Albums (CDs & LPs) Various Artists Compilations Production & Arrangement Covers & Samples Miscellaneous Movies & Television Song Credits Lyrics ================================= NEWS, INFO, INTERVIEWS & ARTICLES: ================================= The Swamp Dogg Times: http://www.swampdogg.net/ Facebook: https://www.facebook.com/SwampDogg Twitter: https://twitter.com/TheSwampDogg Swamp Dogg's Record Store: http://swampdogg.bandcamp.com/ http://store.fastcommerce.com/render.cz?method=index&store=sdeg&refresh=true LIVING BLUES INTERVIEW The April 2014 issue of Living Blues (issue #230, vol. 45 #2) has a lengthy interview and front cover article on Swamp Dogg by Gene Tomko. "There's a Lot of Freedom in My Albums", front cover + pages 10-19. The article includes a few never-before-seen vintage photos, including Jerry at age 2 and a picture of him talking with Bobby "Blue" Bland. The issue can be purchased from the Living Blues website, which also includes a nod to this online discography you're now viewing: http://www.livingblues.com/ SWAMP DOGG WRITES A BOOK PROLOGUE Swamp Dogg has written the prologue to a new book, Espiritus en la Oscuridad: Viaje a la era soul, written by Andreu Cunill Clares and soon to be published in Spain by 66 rpm Edicions: http://66-rpm.com/ The jacket's front cover is a photo of Swamp Dogg in the studio with Tommy Hunt circa 1968. -
2)GEORGE PORTER Jr Di Massimo Luna.Pdf
Introduzione: Ci troviamo a 1Vew Orleans tra gli anni 60' e 70'. Un periodo particolarmente fertile e creativo, che favorì la nascita della musica R & B e Funk. E' la New Orleans delle band che nascono dalla strada, dei musicisti che imparano a suonare da qualcuno che sa suonare meglio di loro, conle una sorta di tradizione orale, di insegnamento non scritto e del tutto legato all'esperienza diretta. La sera si va nei locali, si suona, si fanno Jam Sessions, è cosi che nascono le nuove formazioni, i nuovi gruppi. Questa è la realtà in cui vive George Porter Jr.. Lui stesso in un' intervista racconta quanto sia stato importante, anche a livello umano, crescere in quell'ambiente. Tra le esperienze più sigriificative per George c'è sicuramente quella con "the Meters", definil:i una delle più grandi band rock-fusion degli anni 701,con all'attivo 11 dischi in 15 anni circa di attività. Loro sono stati la prima jam band della storia, come dichiara lo stesso George. Andavano sul palco e suonavano partendo da qualcosa di stabilito, per poi virare verso il riff o il carribio che qualche membro del gruppo aveva proposto sul momento.. .un perfetto esempio di interplay! I loro brani presentavano spesso delle parti "open", con dei pedali e con qualche solo di organo. Ai nostri giorni è usuale che rapper ed esponenti della musica hip hop, usino alcuni loro brani come basi per rappare sopra, vista la forte spinta ritmica da cui sono caratterizzati. Biografia: George Porter Jr. nasce nel 1947 a New Orleans Louisiana. -
To Jazz Fest
Tulane University She brings "Soul Power" to Jazz Fest May 03, 2012 2:30 AM Ryan Rivet [email protected] Five days a week, Melissa Weber is a manager in the Office of Cocurricular Programs of Newcomb- Tulane College. At nights and on weekends, however, she takes to the airwaves and club stages as her alter ego, D.J. Soul Sister. Tulane staff member Melissa Weber, a.k.a. D.J. Soul Sister, spreads the word about the music she loves. (Photo by Marc Pagani) Weber, who's hosted her “Soul Power” program on WWOZ-FM radio for 16 years, also has brought her show to the New Orleans Jazz and Heritage Festival as both a performer and interviewer since 2009. A respected live disc jockey artist, Weber opened for Cee Lo Green on the Congo Square stage last weekend and interviewed drummer Bill Summers on the Allison Miner Music Heritage Stage. “This year was absolutely great, maybe my favorite experience out of all four years,” Weber says. “I really wanted to tap into the fun energy of Cee Lo, and so I did that with the music I played. The crowd was so energetic, like I've never seen before.” She uses both the performance and the interview as a “means to the same end,” Weber says. “My mission [is] sharing soulful music and stories of the pioneers who have paved the way,” Weber says. “I'm honored to do both in order to support the music and musicians that I believe in and have loved since I was very young.” Tulane University | New Orleans | 504-865-5210 | [email protected] Tulane University Weber describes herself as “extremely camera shy,” so it seems odd that she could be so passionate about being in front of large crowds. -
WWOZ Volunteers Celebrated the Station's 37Th Year on the Air with a Party on December 4Th at the New Orleans Jazz Museum in the Old U.S
Friends of WWOZ Board of Directors/NOJHFF WWOZ General Manager’s Report December 2017 December 13, 2017 Highlights: WWOZ volunteers celebrated the station's 37th year on the air with a party on December 4th at the New Orleans Jazz Museum in the Old U.S. Mint, with over 175 volunteers, board members, and staff in attendance. As a follow-up to our Don’t Stop The Music Fall Pledge Drive, WWOZ’s development department held a “Thank-A-Thon,” with the help of many volunteers who made personal phone calls to thank over 800 donors for their support for WWOZ. WWOZ’s Tricentennial Music Moments series is set to launch on-air January 1, with an initial set of 20 mini-documentaries under two minutes each, showcasing moments from the city’s music history in new and entertaining ways. The features are being voiced by a range of beloved New Orleans musicians and personalities, and will air in rotation several times a day. New Tricentennial Moments will debut regularly over the course of the year, making an eventual total of 104. WWOZ is pleased to welcome two new board members--Journalist and broadcaster Norman Robinson, and Economic Development Executive Brittany Major. Both Norman and Brittany have completed their WWOZ orientation, toured the station and received their board packets on December 5th. Please see attached for their bios. NATIONAL ENDOWMENT FOR THE HUMANITIES Chairman John Parrish Peedge will be visiting the station. I plan to speak with him regarding possible future grants for WWOZ and he will be interviewed by T.R. -
Wavelength (April 1981)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 4-1981 Wavelength (April 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (April 1981) 6 https://scholarworks.uno.edu/wavelength/6 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. APRIL 1 981 VOLUME 1 NUMBE'J8. OLE MAN THE RIVER'S LAKE THEATRE APRIL New Orleans Mandeville, La. 6 7 8 9 10 11 T,HE THE THIRD PALACE SUCK'S DIMENSION SOUTH PAW SALOON ROCK N' ROLL Baton Rouge, La. Shreveport. La. New Orleans Lalaye"e, La. 13 14 15 16 17 18 THE OLE MAN SPECTRUM RIVER'S ThibOdaux, La. New Orleans 20 21 22 23 24 25 THE LAST CLUB THIRD HAMMOND PERFORMANCE SAINT DIMENSION SOCIAL CLUB OLE MAN CRt STOPHER'S Baton Rouge, La. Hammond, La. RIVER'S New Orleans New Orleans 27 29 30 1 2 WEST COAST TOUR BEGINS Barry Mendelson presents Features Whalls Success? __________________6 In Concert Jimmy Cliff ____________________., Kid Thomas 12 Deacon John 15 ~ Disc Wars 18 Fri. April 3 Jazz Fest Schedule ---------------~3 6 Pe~er, Paul Departments April "Mary 4 ....-~- ~ 2 Rock 5 Rhylhm & Blues ___________________ 7 Rare Records 8 ~~ 9 ~k~ 1 Las/ Page _ 8 Cover illustration by Rick Spain ......,, Polrick Berry. Edllor, Connie Atkinson. -
Rhythm, Dance, and Resistance in the New Orleans Second Line
UNIVERSITY OF CALIFORNIA Los Angeles “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Benjamin Grant Doleac 2018 © Copyright by Benjamin Grant Doleac 2018 ABSTRACT OF THE DISSERTATION “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line by Benjamin Grant Doleac Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Cheryl L. Keyes, Chair The black brass band parade known as the second line has been a staple of New Orleans culture for nearly 150 years. Through more than a century of social, political and demographic upheaval, the second line has persisted as an institution in the city’s black community, with its swinging march beats and emphasis on collective improvisation eventually giving rise to jazz, funk, and a multitude of other popular genres both locally and around the world. More than any other local custom, the second line served as a crucible in which the participatory, syncretic character of black music in New Orleans took shape. While the beat of the second line reverberates far beyond the city limits today, the neighborhoods that provide the parade’s sustenance face grave challenges to their existence. Ten years after Hurricane Katrina tore up the economic and cultural fabric of New Orleans, these largely poor communities are plagued on one side by underfunded schools and internecine violence, and on the other by the rising tide of post-disaster gentrification and the redlining-in- disguise of neoliberal urban policy. -
Thursday, April 25, 2019
8 days of classic WWOZ Presents Jazz Festing In Place, 2020 Jazz Fest Thursday,LISTEN LIVE at 90.7FM or on April line at wwoz.org/listen 25, 2019SUPPORT WWOZ: wwoz.org/donate broadcasts Sheraton Allison Miner Cultural AcuraThursday Gentilly CongoFriday Square Saturday Blues EconomySunday Hall New Orleans ThursdayJazz & Gospel Friday Lagniappe Saturday SundayExchange WWOZ Kids Tent Music Heritage StageApril 23 Stage AprilStage 24 April 25 Tent TentApril 26 Fais Do-Do AprilHeritage 30 Stage Tent May 1 Stage May 2 May Pavilion3 Jazz Tent Stage Stage World Journey OUTDOOR CAROUSEL 11:00 am 12:00pm - 6:00pm Kermit Ruffins tribute Big Sam's Irma Thomas tribute Aaron Neville Bonerama Raymond Myles Glen David Andrews Leah Chase Chouval Bwa to Louis Armstrong Funky Nation to MahaliaTraditionnel Jackson 11:15 am (2010 Gospel11:15 am Tent) 11:15 am (2012) 11:15 am 11:15(1994) am 11:15 am 11:15 am 11:15 am (2017) (2012) 11:20 (2015)am (2004) (2007)of Martinique Kid Simmons’ Goldman Fi Yi Yi The 11:30 am Loyola & the Mandingo Mia Borders Nigel Hall University Local Thibodeaux Wimberly Family 11:30 am 11:30 am 11:30 am Dianne Reeves Jonathon Long Hazel & the Delta Warriors Gospel Singers Terrance Simien Rockin Dopsie Jr. Lorem ipsum JazzShannon Band McNally International & the Lawtell MardiTBA Gras Indians Dr. MichaelMichael White Skinkus Young AmandaMakueto Shaw Rumba Buena (2013) Ramblers 11:55 am 11:55 am and Moyuba Audiences(2006) (2004) 12:00 pm 12:00 pm 12:00 pm (2011) Allstars Playboys (2011) (2015)Groove 12:00 pm 12:05 pm 12:05(1992) pm 12:05 pm with guest Performing Arts & Friends 12:05 pm Michael Ray Showcase 12:15 pm 12:15 pm Ella Fitzgerald with Wayne Toups Bob French & Original Anders Osborne 12:20 pm Hot 8 Brass Band Charmaine Neville 12:20 pm Soul Rebels 12:15 pm Stevie Wonder 12:20 pm (2015)12:20 pm 12:20Tuxedo pm Jazz Band 12:20 pm (2017) Arrianne TBA (2013) (2014) 12:25 pm 12:25 pm Diassing Keelen 12:30 pm (1977) Gal Holiday Grayson (2010) Kunda 12:30 pm 12:35 pm 12:35 pm & the Bill Summers Brockamp of Senegal 12:40 pm Honky Tonk Luther Kent and the J. -
Great Music Begins with Great Songs, and Great Songs Are What the Honey Island Swamp Band Is All About
Honey Island Swamp Band Announces Their New Album, Wishing Well NEW ORLEANS — Great music begins with great songs, and great songs are what the Honey Island Swamp Band is all about. When they formed the band, Aaron Wilkinson and Chris Mulé had already established promising songwriting careers, both individually and as a team. Collaborating with fellow songwriter and Alligator Records recording artist Eric Lindell, the two were instrumental in the writing for Lindell’s acclaimed 2008 release Low on Cash, Rich in Love. With Wishing Well, the first full-length release from Honey Island Swamp Band, both musicians bring their songwriting to new levels with their most fully-developed material to date. From the opening bars of the title track to the album’s final note, Wishing Well covers the entire landscape of southern roots music that has made the band’s live shows and eponymous 2007 EP favorites among music lovers of all genres. Rockers like “Wishing Well” and “Seeds and Stems” evoke Exile on Main Street-era Stones, while the mid-tempo funk of “Natural Born Fool” and “Till the Money’s Gone” capture the bluesy soul of Delbert McClinton and early Black Crowes. Classic country fans will recognize the bar- room emotion of “I Can Tell” and “Dark End of the Bar,” while R&B lovers will appreciate the New Orleans flavor of “Killing Me” and the Stevie Wonder-esque “Expression of Love.” Eleven of the album’s thirteen songs testify to the strength of Wilkinson and Mulé’s songwriting, while inspired covers of Washboard Sam’s “Sophisticated Mama” and William Bell’s “You Don’t Miss Your Water” reflect the band’s wide range of influences. -
By David Kunian, 2013 All Rights Reserved Table of Contents
Copyright by David Kunian, 2013 All Rights Reserved Table of Contents Chapter INTRODUCTION ....................................................................................... 1 1. JAZZ AND JAZZ IN NEW ORLEANS: A BACKGROUND ................ 3 2. ECONOMICS AND POPULARITY OF MODERN JAZZ IN NEW ORLEANS 8 3. MODERN JAZZ RECORDINGS IN NEW ORLEANS …..................... 22 4. ALL FOR ONE RECORDS AND HAROLD BATTISTE: A CASE STUDY …................................................................................................................. 38 CONCLUSION …........................................................................................ 48 BIBLIOGRAPHY ….................................................................................... 50 i 1 Introduction Modern jazz has always been artistically alive and creative in New Orleans, even if it is not as well known or commercially successful as traditional jazz. Both outsiders coming to New Orleans such as Ornette Coleman and Cannonball Adderley and locally born musicians such as Alvin Battiste, Ellis Marsalis, and James Black have contributed to this music. These musicians have influenced later players like Steve Masakowski, Shannon Powell, and Johnny Vidacovich up to more current musicians like Terence Blanchard, Donald Harrison, and Christian Scott. There are multiple reasons why New Orleans modern jazz has not had a greater profile. Some of these reasons relate to the economic considerations of modern jazz. It is difficult for anyone involved in modern jazz, whether musicians, record -
Friends of WWOZ Board of Directors Meeting May 9, 2012 General Manager's Report
Friends of WWOZ Board of Directors Meeting May 9, 2012 General Manager's Report 1. 2012 New Orleans Jazz & Heritage Festival Coverage. Once again, WWOZ provided start-to-finish broadcast and webcast coverage of this year’s New Orleans Jazz & Heritage Festival. And once again, the station’s remote production krewe headed by Program Director Dwayne Breashears and Chief Engineer Damond Jacob provided live feeds to seventeen stations around the country, including KUVO (Denver), KVJZ (Vail), WUSM, Hattiesburg, MS, KPOV, Bend, OR, KDHX, St Louis, MO, CIUT, Toronto, Canada, KFCF, Fresno, CA, WNCU, Durham, NC, WCLK, Atlanta, GA, KMUD, Garberville, CA, KMUE, Eureka ,CA, KLAI, Laytonville/Shelter Cove, CA, WPFW, Washington, DC, KGOU, Norman, OK, KROU Spencer/Oklahoma City, KOUA, Ada, OK, KWOU, Woodward, OK. A small broadcast crew and more than 100 volunteers handled WWOZ’s multiple Jazz Fest activities ranging from broadcast, to membership/brass pass distribution, WWOZ Mango Freeze sales, Piano Night, and night time broadcasts from local clubs. Broadcast Krewe: The broadcast crew included George Ingmire, Bradley Blanchard, Jerry Lenaz, SherriLynn Colby-Bottel, David Kunian, Dimitri Apessos, Linda Santi, Olivia Greene, and many more. Engineering Krewe: The engineering crew included Tony Guillory, Robert Carroll, Khalid Hafiz, and Susan Jacob. Volunteer Power: Veronica Cromwell, Bill Insley, Leslie Cooper, Elsie Bunny Walker, Mary Lambert, Marie MacAdory, Paige Patriarca, Ruth Marinello, Jerry Lenaz, Heather McGlynn, Linz Adams, Mary Naughton, Christy Grimes, Ron Clingenpeel, Lance Albert, Rick Wilkof, Eric Ward, Duane Williams, Melissa Gemeinhardt, Christy Carney, Duane Williams, Betty Schlater, Melissa DeOrazio, Matthew De Orazio, Craig Christopher, Steve Daub, and many more.