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Love, Oh Love, Oh Careless Love
Love, Oh Love, Oh Careless Love Careless Love is perhaps the most enduring of traditional folk songs. Of obscure origins, the song’s message is that “careless love” could care less who it hurts in the process. Although the lyrics have changed from version to version, the words usually speak of the pain and heartbreak brought on by love that can take one totally by surprise. And then things go terribly wrong. In many instances, the song’s narrator threatens to kill his or her errant lover. “Love is messy like a po-boy – leaving you drippin’ in debris.” Now, this concept of love is not the sentiment of this author, but, for some, love does not always go right. Countless artists have recorded Careless Love. Rare photo of “Buddy” Bolden Lonnie Johnson New Orleans cornetist and early jazz icon Charles Joseph “Buddy” Bolden played this song and made it one of the best known pieces in his band’s repertory in the early 1900s, and it has remained both a jazz standard and blues standard. In fact, it’s a folk, blues, country and jazz song all rolled into one. Bessie Smith, the Empress of the Blues, cut an extraordinary recording of the song in 1925. Lonnie Johnson of New Orleans recorded it in 1928. It is Pete Seeger’s favorite folk song. Careless Love has been recorded by Louis Armstrong, Ray Charles, Bob Dylan and Johnny Cash. Fats Domino recorded his version in 1951. Crescent City jazz clarinetist George Lewis (born Joseph Louis Francois Zenon, 1900 – 1968) played it, as did other New Orleans performers, such as Dr. -
Jerry Williams Jr. Discography
SWAMP DOGG - JERRY WILLIAMS, JR. DISCOGRAPHY Updated 2016.January.5 Compiled, researched and annotated by David E. Chance: [email protected] Special thanks to: Swamp Dogg, Ray Ellis, Tom DeJong, Steve Bardsley, Pete Morgan, Stuart Heap, Harry Grundy, Clive Richardson, Andy Schwartz, my loving wife Asma and my little boy Jonah. News, Info, Interviews & Articles Audio & Video Discography Singles & EPs Albums (CDs & LPs) Various Artists Compilations Production & Arrangement Covers & Samples Miscellaneous Movies & Television Song Credits Lyrics ================================= NEWS, INFO, INTERVIEWS & ARTICLES: ================================= The Swamp Dogg Times: http://www.swampdogg.net/ Facebook: https://www.facebook.com/SwampDogg Twitter: https://twitter.com/TheSwampDogg Swamp Dogg's Record Store: http://swampdogg.bandcamp.com/ http://store.fastcommerce.com/render.cz?method=index&store=sdeg&refresh=true LIVING BLUES INTERVIEW The April 2014 issue of Living Blues (issue #230, vol. 45 #2) has a lengthy interview and front cover article on Swamp Dogg by Gene Tomko. "There's a Lot of Freedom in My Albums", front cover + pages 10-19. The article includes a few never-before-seen vintage photos, including Jerry at age 2 and a picture of him talking with Bobby "Blue" Bland. The issue can be purchased from the Living Blues website, which also includes a nod to this online discography you're now viewing: http://www.livingblues.com/ SWAMP DOGG WRITES A BOOK PROLOGUE Swamp Dogg has written the prologue to a new book, Espiritus en la Oscuridad: Viaje a la era soul, written by Andreu Cunill Clares and soon to be published in Spain by 66 rpm Edicions: http://66-rpm.com/ The jacket's front cover is a photo of Swamp Dogg in the studio with Tommy Hunt circa 1968. -
2)GEORGE PORTER Jr Di Massimo Luna.Pdf
Introduzione: Ci troviamo a 1Vew Orleans tra gli anni 60' e 70'. Un periodo particolarmente fertile e creativo, che favorì la nascita della musica R & B e Funk. E' la New Orleans delle band che nascono dalla strada, dei musicisti che imparano a suonare da qualcuno che sa suonare meglio di loro, conle una sorta di tradizione orale, di insegnamento non scritto e del tutto legato all'esperienza diretta. La sera si va nei locali, si suona, si fanno Jam Sessions, è cosi che nascono le nuove formazioni, i nuovi gruppi. Questa è la realtà in cui vive George Porter Jr.. Lui stesso in un' intervista racconta quanto sia stato importante, anche a livello umano, crescere in quell'ambiente. Tra le esperienze più sigriificative per George c'è sicuramente quella con "the Meters", definil:i una delle più grandi band rock-fusion degli anni 701,con all'attivo 11 dischi in 15 anni circa di attività. Loro sono stati la prima jam band della storia, come dichiara lo stesso George. Andavano sul palco e suonavano partendo da qualcosa di stabilito, per poi virare verso il riff o il carribio che qualche membro del gruppo aveva proposto sul momento.. .un perfetto esempio di interplay! I loro brani presentavano spesso delle parti "open", con dei pedali e con qualche solo di organo. Ai nostri giorni è usuale che rapper ed esponenti della musica hip hop, usino alcuni loro brani come basi per rappare sopra, vista la forte spinta ritmica da cui sono caratterizzati. Biografia: George Porter Jr. nasce nel 1947 a New Orleans Louisiana. -
Big Organ Trio Has Emerged As a Band with a Truly Unique Voice
Band Contact: Booking Contact: [email protected] Jim Wadsworth Productions 330-405-9075 [email protected] Bio "This isn 't your standard jazz trio", remarked Jambands.com. Since its inception in 2004, Big Organ Trio has emerged as a band with a truly unique voice. Their acclaimed debut CD was released in 2006 and has led to thousands of music and merchandise sales in addition to concerts across the U.S. and internationally. B.O.T. 's groundbreaking approach to the organ trio format has drawn the attention of Keyboard Magazine, who featured the band in 2006, and many of the world 's greatest Hammond players. The combo has played with Keith Emerson (Emerson, Lake, & Palmer) and shared the stage with Melvin Seals (Jerry Garcia Band). Gregg Rolie (vocalist/organist from Santana) and Tony Monaco (world renowned jazz organist) have also commented on the trio 's fresh and inventive sound. High profile performances at major music festivals such as 10,000 Lakes Festival (MN) and Fillmore Jazz Festival (SF) as well as shows with the likes of Robby Krieger (The Doors), Umphrey 's McGee, Leo Nocentelli (The Meters), and Stanton Moore (Galactic) have helped fuel the buzz. With an exploding fan-base worldwide and gigantic internet presence the band has won fan voting polls on websites such as Jambands.com and seen their debut album become the top selling Hammond Organ album on CDbaby.com. B.O.T. music can also be heard on networks such as E! Channel and radio programs around the globe. Mike Mangan (Hammond B3 Organ), Bernie Bauer (Electric Bass), and Brett McConnell (Drums) all share a great love and respect for the old school spirit of blues and jazz improvisation. -
New Orleans Funkin Tyylillisiä Piirteitä Joseph ”Zigaboo” Modelisten Soitossa
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by National Library of Finland DSpace Services NEW ORLEANS FUNKIN TYYLILLISIÄ PIIRTEITÄ JOSEPH ”ZIGABOO” MODELISTEN SOITOSSA Pop/jazzmusiikin koulutusohjelma Opinnäytetyö 20.4.2006 Opiskelijan etunimi sukunimi Kulttuuri- ja palveluala Koulutusohjelma Suuntautumisvaihtoehto Pop/jazzmusiikin koulutusohjelma Pop/jazz –musiikkipedagogi Tekijä Kokkinen Raine Työn nimi NEW ORLEANS FUNKIN TYYLILLISIÄ PIIRTEITÄ JOSEPH ”ZIGABOO” MODELISTEN SOITOSSA Työn laji Aika Sivumäärä Opinnäytetyö Sivumäärä + liitteet TIIVISTELMÄ Tässä opinnäytetyössä tutkimuskohteeksi muodostui The Meters -yhtyeen rumpalin Joseph ”Zigaboo” Modelisten soittotyyli. Tutkimuksen tavoitteena oli analysoida Zigaboon soittotyyliä seuraavista näkökulmista: fraseeraus, synkopointi, claven vaikutus Zigaboon kompeissa ja virvelirummun käyttö. Olen kirjoittanut 8 kpl transkriptioita sellaisista Zigaboon soittamista kompeista, joista tulee selvästi esille New Orleans funkin tyylillisiä piirteitä ja jotka tukevat tutkimukseni tavoitteita. Kappaleiden valintaperusteena oli myös se, että kyseisiä kappaleita ja komppeja on mielestäni erityisen mukavaa soittaa. Ääninäytteet analysoitavista kompeista ovat työn mukana olevalla liiteäänitteellä (salainen). Kerron tutkimuksessani lyhyesti New Orleans funkin historiasta ja siitä, miten eri kulttuurien ja sitä kautta eri musiikkikulttuurien yhteensulautuminen on vaikuttanut New Orleansin rikkaan musiikkikulttuurin muodostumiseen. The Meters -yhtyeen historiasta -
2019 Fall Announcement
Press Contacts: Katie B. Watts, (413) 448-8084 x15 [email protected] www.BerkshireTheatreGroup.org Rebecca Brighenti, (413) 448-8084 x11 [email protected] www.BerkshireTheatreGroup.org Please Embargo until: Wednesday, August 14 at 3pm Berkshire Theatre Group Announces Fall Season National Touring Shows The World Famous Glenn Miller Orchestra Steve Solomon’s Broadway Smash Hit My Mother's Italian, My Father's Jewish & I'm In Therapy Concerts at The Colonial: A Night in New Orleans Celebrating Dr. John and Charles & Art Neville with Rev Tor & Friends Kung Fu with Special Guest Shokazoba New Age Funk-Band Police–Cars An ’80s Dance Party Tusk Popular Fleetwood Mac Tribute 15th Annual Pittsfield CityJAZZ Festival With Veronica Swift and Stephanie Nakasian Performances by 10 Local Guitar Heroes Berkshire Mountain Guitar Summit Tramps Like Us Celebration of Bruce Springsteen Music and Comedy at The Garage: Music Garage: Blended Reggae Band The Equalites Acclaimed 9-Piece Funk Band Shokazoba Comedy Garage: Eitan Levine Gus Constantellis Jared Goldstein Holiday Shows: Rev Tor & Friend’s Rock & Soul Holiday Show Featuring Wanda L. Houston, Gina Coleman & Tony Lee Thomas 5th Annual Children’s Holiday Extravaganza 14th Annual A Christmas Carol New Year’s Eve with Max Creek Pittsfield, MA– Berkshire Theatre Group and Artistic Director/CEO Kate Maguire are excited to announce the 2019 fall season at The Colonial Theatre and The Garage. Tickets are now available for purchase by contacting the Colonial Ticket Office at 111 South Street, Pittsfield by calling 413-997-4444 or online at www.BerkshireTheatreGroup.org. Kate Maguire says, “We are thrilled to be the home for visitors and Berkshire County residents alike. -
The Dirty Dozen Brass Band
The Dirty Dozen Brass Band Celebrating over 40 years since their founding in 1977, New Orleans-based Dirty Dozen Brass Band has taken the traditional foundation of brass band music and incorporated it into a blend of genres including Bebop Jazz, Funk and R&B/Soul. This unique sound, described by the band as a ‘musical gumbo,’ has allowed the Dirty Dozen to tour across 5 continents and more than 30 countries, record 12 studio albums and collaborate with a range of artists from Modest Mouse to Widespread Panic to Norah Jones. Forty-plus years later, the Dirty Dozen Brass Band is a world famous music machine whose name is synonymous with genre- bending romps and high-octane performances. The History of the Dirty Dozen Brass Band In 1977, The Dirty Dozen Social and Pleasure Club in New Orleans began showcasing a traditional Crescent City brass band. It was a joining of two proud, but antiquated, traditions at the time: social and pleasure clubs dated back over a century to a time when black southerners could rarely afford life insurance, and the clubs would provide proper funeral arrangements. Brass bands, early predecessors of jazz as we know it, would often follow the funeral procession playing somber dirges, then once the family of the deceased was out of earshot, burst into jubilant dance tunes as casual onlookers danced in the streets. By the late '70s, few of either existed. The Dirty Dozen Social and Pleasure Club decided to assemble this group as a house band, and over the course of these early gigs, the seven-member ensemble adopted the venue's name: The Dirty Dozen Brass Band. -
The 50 Greatest Rhythm Guitarists 12/25/11 9:25 AM
GuitarPlayer: The 50 Greatest Rhythm Guitarists 12/25/11 9:25 AM | Sign-In | GO HOME NEWS ARTISTS LESSONS GEAR VIDEO COMMUNITY SUBSCRIBE The 50 Greatest Rhythm Guitarists Darrin Fox Tweet 1 Share Like 21 print ShareThis rss It’s pretty simple really: Whatever style of music you play— if your rhythm stinks, you stink. And deserving or not, guitarists have a reputation for having less-than-perfect time. But it’s not as if perfect meter makes you a perfect rhythm player. There’s something else. Something elusive. A swing, a feel, or a groove—you know it when you hear it, or feel it. Each player on this list has “it,” regardless of genre, and if there’s one lesson all of these players espouse it’s never take rhythm for granted. Ever. Deciding who made the list was not easy, however. In fact, at times it seemed downright impossible. What was eventually agreed upon was Hey Jazz Guy, October that the players included had to have a visceral impact on the music via 2011 their rhythm chops. Good riffs alone weren’t enough. An artist’s influence The Bluesy Beauty of Bent was also factored in, as many players on this list single-handedly Unisons changed the course of music with their guitar and a groove. As this list David Grissom’s Badass proves, rhythm guitar encompasses a multitude of musical disciplines. Bends There isn’t one “right” way to play rhythm, but there is one truism: If it feels good, it is good. The Fabulous Fretwork of Jon Herington David Grissom’s Awesome Open Strings Chuck Berry I don"t believe it A little trick for guitar chords on mandolin MERRY, MERRY Steve Howe is having a Chuck Berry changed the rhythmic landscape of popular music forever. -
2020 First Extraordinary Session ENROLLED SENATE
2020 First Extraordinary Session ENROLLED SENATE CONCURRENT RESOLUTION NO. 2 BY SENATOR CARTER AND REPRESENTATIVE LYONS A CONCURRENT RESOLUTION To express the sincere condolences of the Legislature of Louisiana upon the death of Arthur "Art" Lanon Neville. WHEREAS, it is with deep regret and profound sorrow that the Legislature of Louisiana learned of the passing of Art Neville, in New Orleans, Louisiana, at the age of eighty-one on July 22, 2019, after years of declining health; and WHEREAS, Arthur Lanon Neville was born on December 17, 1937, the son of Amelia (Landry) and Arthur Neville Sr.; and WHEREAS, he grew up in New Orleans and was a singer, songwriter, and keyboardist; and WHEREAS, Art Neville started on piano and performed with his brothers at an early age and was influenced by the R&B styles of James Booker, Bill Doggett, Booker T. Jones, Lloyd Glenn, and Professor Longhair; and WHEREAS, when in high school, he joined The Hawketts and, in 1954, recorded "Mardi Gras Mambo" that gained popularity and became a New Orleans carnival anthem; and WHEREAS, Art Neville joined the United States Navy in 1958 and returned to music in 1962; and WHEREAS, in the early 1960s, he formed the Neville Sounds which included Aaron Neville, Cyril Neville, George Porter, Leo Nocentelli, and Ziggy Modeliste playing at the Nitecap and the Ivanhoe nightclubs; and WHEREAS, Art Neville backed many notable artists such as Lee Dorsey, Betty Harris, and the Pointer Sisters; his band had a strong sense of "groove" and, unlike traditional groups, each instrument was free to lead and go anywhere musically … this style, over time, became known as "New Orleans Funk"; and WHEREAS, he was a staple of the New Orleans music scene for more than five Page 1 of 3 SCR NO. -
The Neville Brothers : 17Th of June, 2006 Manchester, Tennessee Photo Credit: Je Kravitz ©2007 Axis Festival L.L.C
DISC 1 DISC 2 1. Warhorse 6:58 (Charles Neville, Aaron Neville, Cyril Neville, 1. Ode To Billy Joe 5:29 Art Neville, Ivan Neville, Jason Neville, Aaron Neville, Jr.) (Bobbie Gentry) Irving Music Northridge Music Company / Universal Music Publishing Universal Music Publishing Group 2. Hey Pocky Away 4:54 (Joseph Modeliste, Art Neville, 2. Foxey Lady 4:52 Leo Nocentelli, George Porter, Jr.) (Jimi Hendrix) Bug Music/ Bugaloo Music/ Cabbage Alley Music Experience Hendrix LLC 3. Can't Stop The Funk 6:39 3. Yellow Moon 6:16 (Norman Caesar, Cyril Neville, Ivan Neville, Jason Neville) (Aaron Neville, Joel Neville) Irving Music Apache Red Music / Irving Music 4. Voodoo 4:39 4. Big Chief 9:35 (Willie Green, Daryl Johnson, Tony Hall, Aaron Neville, (Earl King Johnson, Cyril Neville) Art Neville, Cyril Neville, Charles Neville, Brian Stoltz) Shirley’s Music Company / Irving Music Irving Music 5. Tambourine 5:47 (Earl King Johnson, Cyril Neville) 5. Besame Mucho 5:27 Shirley’s Music Company / Irving Music (Velazquez Torres Ortiz Consul) APRS (Mexico) 6. Carry The Torch 6:54 (Ivan Neville, Gary Gold) 6. Change Is Gonna Come 7:35 Irving Music (Sam Cooke) Abkco Music Inc. 7. Fire On The Bayou 5:50 (Joseph Modeliste, Art Neville, Cyril Neville, Leo Nocentelli George Porter Jr.) Bug Music / Bugaloo Music 8. Brother John / Iko Iko 7:49 (Willie Green III, Tony Hall, Aaron Neville, Charles Neville, Cyril Neville, Joel Neville, Renard Poche) Apache Red Music / Green Pea Music / Irving Music / Neville Music Publishing Company The Neville Brothers : 17th of June, 2006 Manchester, Tennessee Photo Credit: Je Kravitz www.livebonnaroo.com ©2007 axis festival l.l.c. -
Labelle Phoenix Mp3, Flac, Wma
LaBelle Phoenix mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Phoenix Country: US Released: 1975 Style: Disco, Soul, Funk MP3 version RAR size: 1612 mb FLAC version RAR size: 1809 mb WMA version RAR size: 1794 mb Rating: 4.6 Votes: 559 Other Formats: MIDI VOX MP1 AU MP4 AUD MP1 Tracklist Hide Credits Phoenix (The Amazing Flight Of A Lone Star) A1 6:17 Written-By – Nona Hendryx Slow Burn A2 3:32 Written-By – Nona Hendryx Black Holes In The Sky A3 3:21 Written-By – Nona Hendryx Good Intentions A4 3:57 Written-By – Nona Hendryx Far As We Felt Like Goin' A5 2:58 Written-By – Bob Crewe, Kenny Nolan Messin' With My Mind B1 4:36 Written-By – Nona Hendryx Chances Go Round B2 2:50 Written-By – E. Batts*, J. Ellison*, Nona Hendryx Cosmic Dancer B3 5:49 Written-By – Nona Hendryx Take The Night Off B4 3:38 Written-By – Nona Hendryx Action Time B5 3:51 Written-By – E. Batts*, J. Ellison*, Nona Hendryx Companies, etc. Manufactured By – Epic Records Phonographic Copyright (p) – CBS Inc. Copyright (c) – CBS Inc. Credits Acoustic Guitar – Edward Batts* (tracks: A5, B5) Alto Saxophone, Tenor Saxophone – Jim Moore Arranged By – LaBelle Art Direction – Ed Lee Baritone Saxophone – Carl Blouin Bass Guitar – Carmine Rojas (tracks: A4, B1, B5), George Porter, Jr. (tracks: A1 to A3, A5, B2 to B4) Clavinet – Allen Toussaint, James Ellison* Coordinator [Recording Session, New Orleans] – Kenn Reynolds Coordinator [Recording Session, New York] – Diane Hyatt Design – Ed Lee Drums – Herman Villere Ernest III* Drums [The Clap Quartet] – Larry Davis -
ANSON FUNDERBURGH Is Back COLIN LINDEN from Canada to Nashville
The Phenomenal RUTHIE FOSTER HADDEN SAYERS Breaking Free ANSON FUNDERBURGH Is Back COLIN LINDEN From Canada To Nashville NUMBER ONE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © SCOTT ALLEN / VIVIDPIX 4 BLUE NOTES NUMBER ONE From The Publisher 5 RIFFS & GROOVES 6 RUTHIE FOSTER From The Editor-In-Chief Timeless Voice by Tim Parsons 20 DELTA JOURNEYS “Rock Stars” 11 HADDEN SAYERS 22 AROUND THE WORLD Back To The Blues “Good Night, Ann Rabson” by Phil Reser 24 Q&A 14 The Many Facets Of with Michael Hill ANSON FUNDERBURGH by Grant Britt 27 BLUES ALIVE! Damon Fowler 17 COLIN LINDEN Ronnie Earl Guitar Master 30 REVIEWS by Larry Nager New Releases and Box Sets 70 LEGACIES 72 DOWN THE ROAD A S P A L S R A G I A © Y H P A R G O T O H P PHONE TOLL-FREE 866-702-7778 EMAIL [email protected] WEB bluesmusicmagazine.com Issue Number One So here we go, our inaugural issue of Blues Music Magazine. This was not my original plan as my sixtieth birthday approaches. It was to slow down, travel the world, and play a little poker. Sometimes the path resets itself, available in this issue and in each issue of the and we are thrown headlong into a new magazine going forward. And our Digital adventure. So why continue on this path? Edition can be viewed on all mobile devices. It is because of the incredible blues In addition, you can participate on our community we have become a part of – our FaceBook page or Twitter and share some of subscribers, advertisers, musicians, and the your favorite blues experiences.