Doc Nyc Announces Short Lists for Features and Shorts Plus Complete Slate for Winner’S Circle
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Glaadawards March 16, 2013 New York New York Marriott Marquis
#glaadawards MARCH 16, 2013 NEW YORK NEW YORK MARRIOTT MARQUIS APRIL 20, 2013 LOS AnGELES JW MARRIOTT LOS AnGELES MAY 11, 2013 SAN FRANCISCO HILTON SAN FRANCISCO - UnION SQUARE CONNECT WITH US CORPORATE PARTNERS PRESIDENT’S LETTer NOMINEE SELECTION PROCESS speCIAL HONOrees NOMINees SUPPORT FROM THE PRESIDENT Welcome to the 24th Annual GLAAD Media Awards. Thank you for joining us to celebrate fair, accurate and inclusive representations of the lesbian, gay, bisexual and transgender (LGBT) community in the media. Tonight, as we recognize outstanding achievements and bold visions, we also take pause to remember the impact of our most powerful tool: our voice. The past year in news, entertainment and online media reminds us that our stories are what continue to drive equality forward. When four states brought marriage equality to the election FROM THE PRESIDENT ballot last year, GLAAD stepped forward to help couples across the nation to share messages of love and commitment that lit the way for landmark victories in Maine, Maryland, Minnesota and Washington. Now, the U.S. Supreme Court will weigh in on whether same- sex couples should receive the same federal protections as straight married couples, and GLAAD is leading the media narrative and reshaping the way Americans view marriage equality. Because of GLAAD’s work, the Boy Scouts of America is closer than ever before to ending its discriminatory ban on gay scouts and leaders. GLAAD is empowering people like Jennifer Tyrrell – an Ohio mom who was ousted as leader of her son’s Cub Scouts pack – to share their stories with top-tier national news outlets, helping Americans understand the harm this ban inflicts on gay youth and families. -
Fro F M V M°J° Nixon Is Mojo Is in A
TW O G R EA T W H A T'S FILMS FROMI HAPPENING S O U TH T O VIC AFR ICA DUNLO P 9A 11A The Arts and Entertainment Section of the Daily Nexus OF NOTE THIS WEEK 1 1 « Saturday: Don Henley at the Santa Barbara County Bowl. 7 p.m. Sunday: The Jefferson Airplane re turns. S.B. County Bowl, 3 p.m. Tuesday: kd. long and the reclines, country music from Canada. 8 p.m. at the Ventura Theatre Wednesday: Eek-A-M ouse deliv ers fun reggae to the Pub. 8 p.m. Definately worth blowing off Countdown for. Tonight: "Gone With The Wind," The Classic is back at Campbell Hall, 7 p.m. Tickets: $3 w/student ID 961-2080 Tomorrow: The Second Animation -in n i Celebration, at the Victoria St. mmm Theatre until Oct. 8. Saturday: The Flight of the Eagle at Campbell Hall, 8 p.m. H i « » «MI HBfi MIRiM • ». frOf M v M°j° Nixon is Mojo is in a College of Creative Studies' Art vJVl 1T1.J the man your band with his Gallery: Thomas Nozkowski' paint ings. Ends Oct. 28. University Art Museum: The Tt l t f \ T/'\parents prayed partner, Skid Other Side of the Moon: the W orldof Adolf Wolfli until Nov. 5; Free. J y l U J \ J y ou'd never Roper, who Phone: 961-2951 Women's Center Gallery: Recent Works by Stephania Serena. Large grow up to be. plays the wash- color photgraphs that you must see to believe; Free. -
Dossier De Presse
ARP Sélection présente un film de John Cameron Mitchell Durée : 1h42 Distribution Presse ARP Sélection Moonfleet - Matthieu Rey 13, rue Jean Mermoz 6, rue d’Aumale 75009 Paris 75008 Paris Tel : 01 53 20 01 20 Tel : 01 56 69 26 00 [email protected] www.arpselection.com www.lecinemaquejaime.com Synopsis 1977 : trois jeunes anglais croisent dans une soirée des créatures aussi sublimes qu’étranges. En pleine émergence punk, ils découvriront l’amour, cette planète inconnue et tenteront de résoudre ce mystère : comment parler aux filles en soirée… La production Adapté de la nouvelle de Neil Gaiman, célèbre écrivain et auteur de romans graphiques, l’atmosphère, l’esprit du film et l’époque s’accordent parfaitement avec la passion jubilatoire de Mitchell pour la musique alternative. Mitchell déclare : « En général, j’aime créer mon univers moi-même mais dans ce projet, il y avait quelque chose de spécial. Le film s’inspire de la jeunesse punk de Neil Gaiman à Croydon et, par certains côtés, on a peut-être davantage besoin d’esprit punk maintenant que dans les années 70, à cause de cette impression de noirceur, de dureté, d’accablement qui règne en chacun d’entre nous à l’heure actuelle. » Ce n’est pas uniquement l’esprit punk de l’histoire qui a incité le cinéaste à situer pour la première fois son film à Londres. « C’est aussi une vraie histoire d’amour entre un punk et une extraterrestre, c’est un mélange de cultures et de sous-cultures. Les extraterrestres et les punks sont deux tribus en marge, dans le monde gris et normal du Croydon des années 70. -
Ethics After Hours the Bleeding Edge
Ethics After Hours The Bleeding Edge Documentary _________________________________________________________________ Summary1 Medical devices can save lives, help us live longer, and improve our quality of life. In The Bleeding Edge, Kirby Dick, Amy Ziering and Amy Herdy explore how lax regulations, corporate cover-ups and the drive for profit in the medical device industry may put patients at risk. The program features cases where medical devices such as Essure (a permanent birth control device), vaginal mesh, the DaVinci Surgical System, and chrome-cobalt hip- replacements have caused irrevocable harm to patients. Director: Kirby Dick Producer: Amy Ziering and Amy Herdy Released: April 21, 2018 Available on Netflix Duration: 1 hours 40 Mins. Discussion questions: • What was your initial reaction to this documentary? • In your opinion, what are the ethical responsibilities of the medical device industry, the medical community, and the government in ensuring patient safety regarding medical devices through approval, usage guidelines, and reporting of adverse events? • Should health care providers be better educated about the approval processes for drugs and medical devices? • According to the documentary, pre-market approval (PMA) for medical devices requires only one clinical trial or study. o Did it surprise you that the approval for medical devices requires fewer steps than the approval of new drugs? o Discuss various reasons for this difference in approval process. Do you believe that it is justified? • What type of regulatory and non-regulatory measures do you think could help alleviate the problems around patient safety outlined in the documentary? 1 This summary is adapted from Wikipedia https://en.wikipedia.org/wiki/The_Bleeding_Edge and Netflix’s website. -
Download Press Release As
Contact: The 2050 Group Adam J. Segal 212-642-4317 [email protected] INTERNATIONAL DOCUMENTARY ASSOCIATION ANNOUNCES 35TH ANNUAL IDA DOCUMENTARY AWARDS WINNERS FOR SAMA WINS BEST FEATURE AWARD & FOR SAMA DIRECTOR WAAD AL- KATEAB RECEIVES COURAGE UNDER FIRE AWARD; HONEYLAND ALSO EARNS TWO AWARDS Steven Bognar and Julia Reichert Receive IDA’s Inaugural Best Director Award for American Factory Learning to Skateboard in a Warzone (if you're a girl) Wins Best Short Award IDA ANNOUNCES NEW GLOBAL GRANT AWARD UNDERWRITTEN BY NETFLIX Los Angeles, CA (December 7, 2019) - The International Documentary Association (IDA) handed out the 35th Annual IDA Documentary Awards tonight at a ceremony at Paramount Studios in Los Angeles. For Sama, by Waad al-Kateab and Edward Watts, received the Best Feature Documentary Award. Al- Kateab also received IDA’s Courage Under Fire Award. The award for Best Director went to Steven Bognar and Julia Reichert for the Netflix/Higher Ground Production American Factory. Learning to Skateboard in a Warzone (if you're a girl), by Carol Dysinger, received the award for Best Short, while the Best Music Documentary went to Homecoming: A Film by Beyoncé, directed by Beyoncé Knowles-Carter and Ed Burke. Honeyland, by directors Tamara Kotevska and Ljubomir Stefanov, came away with awards for Best Cinematography and IDA’s Pare Lorentz Award. (See the full list of winners below.) Simon Kilmurry, executive director of IDA, commented that the work of all the winners “boldly engages with and responds to the tumultuous times we live in, it is a call for justice, it enlightens and entertains us, it gives us hope, and it introduces us to people, places, and ideas that will stay with us forever.” Kilmurry also announced a new initiative – the IDA Global Grant, underwritten by Netflix. -
47Th TFF Lineup.Docx
August 3, 2020 FOR IMMEDIATE RELEASE 47TH TELLURIDE FILM FESTIVAL ANNOUNCES FILM LINEUP FOR ITS CANCELLED 2020 EVENT TELLURIDE, CO – Telluride Film Festival, presented by the National Film Preserve, released today its official program selections for the now-cancelled event. The Festival, whose ethos is to bring together film enthusiasts, filmmakers and artists to celebrate cinematic excellence, was scheduled to take place over Labor Day weekend, September 3-7, 2020. The Festival previously announced its cancellation due to the COVID-19 global pandemic. Representing twenty-five countries, the Festival’s program includes twenty-nine new narrative and documentary feature films and twenty-three shorts. In addition, the Festival chose three distinguished artists to receive its Silver Medallion Award. “Though we aren’t able to present our program in-person as planned, we still want to announce the lineup to bring attention to these brilliant films,” said Telluride Film Festival executive director Julie Huntsinger. “We’ve listed everything we know about screening opportunities so that audiences may watch as many of these films as possible. The Festival will continue to do everything in its power to champion and promote this artform and the people who create it.” Telluride Film Festival is proud to have selected the following new narrative and documentary feature films for its main program. THE SHOW AFTER LOVE (dir. Aleem Khan, UK, 89 min) ALL IN: THE FIGHT FOR DEMOCRACY (dir. Liz Garbus, Lisa Cortés, USA, 102 min) How to watch: In select theaters Sept. 9, available to stream on Amazon Prime Video Sept. 18 THE ALPINIST (dir. -
92Nd Academy Awards Nominations Ballet
2020 OSCAR BALLOT BEST PICTURE ADAPTED SCREENPLAY SOUND MIXING “Ford v Ferrari” “The Irishman” “1917” “The Irishman” “Jojo Rabbit” “Ford v Ferrari” “Jojo Rabbit” “Little Women” “Once Upon a Time... in Hollywood” “Joker” “The Two Popes” “Ad Astra” “Little Women” “Joker” “Joker” “Once Upon a Time...in Hollywood” ORIGINAL SCREENPLAY ANIMATED SHORT FILM “Marriage Story” “Marriage Story” “Dcera (Daughter)” “Parasite” “Once Upon a Time…in Hollywood” “Hair Love” “1917” “Parasite” “Kitbull” ACTRESS IN A SUPPORTING ROLE “Knives Out” “Memorable” Kathy Bates, “Richard Jewell” “1917” “Sister” Laura Dern, “Marriage Story” ACTOR IN A LEADING ROLE LIVE ACTION SHORT FILM Scarlett Johansson, “Jojo Rabbit” Antonio Banderas, “Pain and Glory” Florence Pugh, “Little Women” “Brotherhood” Leonardo DiCaprio, Margot Robbie, “Bombshell” “Nefta Football Club” “Once Upon a Time…in Hollywood” “The Neighbors’ Window” Adam Driver, “Marriage Story” ACTOR IN A SUPPORTING ROLE “Saria” Joaquin Phoenix, “Joker” Tom Hanks, “A Sister” “A Beautiful Day in the Neighborhood” Jonathan Pryce, “The Two Popes” Anthony Hopkins, “The Two Popes” ORIGINAL SCORE ACTRESS IN A LEADING ROLE Al Pacino, “The Irishman” “1917,” Thomas Newman Cynthia Erivo, “Harriet” Joe Pesci, “The Irishman” “Joker,” Hildur Guðnadóttir Scarlett Johansson, “Marriage Story” Brad Pitt, “Little Women,” Alexandre Desplat Saoirse Ronan, “Little Women” “Once Upon a Time...in Hollywood” “Marriage Story,” Randy Newman Renée Zellweger, “Judy” FOREIGN LANGUAGE FILM -
1 the Bleeding Edge, An Independent Documentary Directed
1 The Bleeding Edge, an independent documentary directed by Kirby Dick and produced by Amy Ziering through their production company, Chain Camera Pictures, unearths systematic corruption within the “$400 billion medical device industry” (The Bleeding Edge 2018). The film takes a deep dive into the healthcare impacts of medical device “innovation” (Dick 2018). Both Dick and Ziering specialize in investigative journalism and documentary having produced the Emmy Award-winning and Academy Award-nominated documentary, The Invisible War (The Bleeding Edge 2018). In all of their documentaries, Dick and Ziering focus on issues of “breaking news,” aiming to inform public opinion, and influence policy (Fuchs 2018). According to Ziering, in an interview by No Film School, when she and Dick decide to make a film they “first get intrigued, then outraged, and then [they] decide to make a movie” (Buder 2018). In the case of The Bleeding Edge, the topic of the film arose when one of Chain Camera Picture’s producers, Amy Herdy, came forward with “this crazy story” about one of her neighbors, who had experienced complications due to an untested medical device (Buder 2018). The disbelief following the interview resulted in an in-depth investigation into this “breaking news,” where research was conducted, and interviews with survivors, professionals, scholars, and doctors were recorded (Fuchs 2018). This information was then synthesized and analyzed, before getting compiled into a commercially consumable film that informs the public of the fractured health system that “has devolved into [a] business” (Fuchs 2018) The Bleeding Edge is an independent film, meaning that,t was not produced in Hollywood and is not backed by any super PACs or the government (Grove 2014). -
Oscars 2020 Ballot
OSCARS BALLOT OSCAR NOMINATIONS 2020 BY CATEGORY - 92ND AWARDS О JOKER - LAWRENCE SHER О PARASITE - YANG JINMO ROBERT DE NIRO, JANE ROSENTHAL AND О JOKER - ALAN ROBERT MURRAY EMMA TILLINGER KOSKOFF, PRODUCERS О THE LIGHTHOUSE - JARIN BLASCHKE BEST INTERNATIONAL FEATURE FILM OF THE О 1917 - OLIVER TARNEY AND RACHAEL TATE YEAR: О JOJO RABBIT - CARTHEW NEAL AND О 1917 - ROGER DEAKINS TAIKA WAITITI, PRODUCERS О ONCE UPON A TIME...IN HOLLYWOOD - О CORPUS CHRISTI - POLAND, DIRECTED WYLIE STATEMAN PERFORMANCE BY AN ACTOR IN A LEADING О ONCE UPON A TIME...IN HOLLYWOOD - BY JAN KOMASA О JOKER - TODD PHILLIPS, BRADLEY ROLE: ROBERT RICHARDSON COOPER AND EMMA TILLINGER KOSKOFF, О STAR WARS: THE RISE OF SKYWALKER - О HONEYLAND - NORTH MACEDONIA, PRODUCERS MATTHEW WOOD AND DAVID ACORD О ANTONIO BANDERA IN PAIN AND GLORY ACHIEVEMENT IN COSTUME DESIGN: DIRECTED BY LJUBO STEFANOV AND TAMARA KOTEVKSA О LITTLE WOMEN - AMY PASCAL, ACHIEVEMENT IN SOUND MIXING: О LEONARDO DICAPRIO IN ONCE UPON A О THE IRISHMAN - SANDY POWELL AND PRODUCER TIME...IN HOLLYWOOD CHRISTOPHER PETERSON О LES MISÉRABLES - FRANCE, DIRECTED BY О AD ASTRA - GARY RYDSTROM, TOM LADJ LY О MARRIAGE STORY - NOAH BAUMBACH JOHNSON AND MARK ULANO О ADAM DRIVER IN MARRIAGE STORY О JOJO RABBIT - MAYES C. RUBEO AND DAVID HEYMAN, PRODUCERS О PAIN AND GLORY - SPAIN, DIRECTED BY О FORD V FERRARI - PAUL MASSEY, DAVID О JOAQUIN PHOENIX IN JOKER О JOKER - MARK BRIDGES PEDRO ALMODÓVAR О 1917 - SAM MENDES, PIPPA HARRIS, GIAMMARCO AND STEVEN A. MORROW JAYNE-ANN TENGGREN AND CALLUM О JONATHAN PRYCE IN THE -
A Statement from David France, Director and Producer of the Death and Life of Marsha P
A statement from David France, director and producer of The Death and Life of Marsha P. Johnson In 1992, the year that activist Marsha P. Johnson was killed, I was writing for the Village Voice covering AIDS and the general LGBTQ beat in New York City. Marsha had been a friend of mine, and her story fell to me to report. I started investigating right away, but with no active leads and the exploding AIDS crisis in New York, I let the story slip away. For years, my decision has haunted me. When making my first feature, How To Survive A Plague, I kept a “Projects Board” of other stories I wanted to explore in future work. Marsha’s story was always the most prominent, because I felt a duty to investigate her death the way I had not been able to in 1992. Reina Gossett has suggested that I’ve stolen both the concept and footage for The Death and Life of Marsha P Johnson from her work, the experimental short narrative Happy Birthday, Marsha. I owe a debt to those who have kept Marsha’s story alive over the years. My creative work builds on theirs. But it is it’s own scholarship. My research team and I spoke with every friend and associate of Marsha and Sylvia Rivera’s that we could reach, and poured through a vast archive to arrive at our film, aided immeasurably by the Anti Violence Project, whose story is at the center of my film. We sourced, digitized, and licensed the archival footage. -
5/28/21 Personal Terry Clyde Hazen Born
1 BIOGRAPHY AND BIBLIOGRAPHY As of: 5/28/21 Personal Terry Clyde Hazen Born: February 7, 1951 Pontiac, Michigan Married: June 12, 1972 to Gayle Kanne Reinecke (textiles retailing, library resources, marketing, retired) 2 children: Tracy Heather (38 years), Brooks Trevor (36 years) Hobbies: photography, SCUBA diving (Nitrox certified), flying (licensed private pilot), handicrafts, and sailing Business Address: University of Tennessee Department of Civil & Environmental Engineering Department of Microbiology Department of Earth & Planetary Sciences Graduate Program in Genome Science & Technology Bredesen Center Director, Methane Center, ISSE 507 SERF 325 John D. Tickle Engineering Building 851 Neyland Drive Knoxville, TN 37996-2313 Phone: (865) 974-7709, Fax: -2669 Email: [email protected] Oak Ridge National Laboratory Biosciences Division Building 1520, Room 327, MS-6342 Oak Ridge, TN 37831-6342 Phone: 865-576-8085 Fax: 865-241-1187 Email: [email protected] Home Address: 1213 Night Hawk Lane Knoxville, TN 37923 Cell Phone: (707) 631-6763 Email: [email protected] Education Michigan State University, East Lansing, Michigan, 1969-74 Bachelor of Science with honor, 1973 Major: Interdepartmental Biology Master of Science, 1974 Major: Interdepartmental Biology Specialty: Parasitology Wake Forest University, Winston-Salem, North Carolina, 1975-8 Doctor of Philosophy, 1978 Major: Parasitology-Ecology Minor: Microbiology-Immunology Special Skills: Electron Microscopy (Transmission and Scanning), Computer Programming 2 Special Training and Certificates Advanced Media (TV & newspaper interviews) 30 hrs. Flow Cytometry 40 hrs. Bioremediation 16 hrs. HAZTRAIN 40 hrs. HAZTRAIN (Supervisor) 8 hrs. Quality Assurance 40 hrs. Fire Warden 3 hrs. DNA analysis 16 hrs. Field Property Administrator 8 hrs. Subcontract Technical Representative 16 hrs. -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J.