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TW O G R EA T W H A T'S FILMS FROMI HAPPENING S O U TH T O VIC AFR ICA DUNLO P 9A 11A

The Arts and Entertainment Section of the Daily Nexus

OF NOTE THIS WEEK

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Saturday: at the Santa Barbara County Bowl. 7 p.m. Sunday: The Jefferson Airplane re­ turns. S.B. County Bowl, 3 p.m. Tuesday: kd. long and the reclines, from Canada. 8 p.m. at the Ventura Theatre Wednesday: Eek-A-M ouse deliv­ ers fun reggae to the Pub. 8 p.m. Definately worth blowing off Countdown for.

Tonight: "Gone With The Wind," The Classic is back at Campbell Hall, 7 p.m. Tickets: $3 w/student ID 961-2080 Tomorrow: The Second Animation -in n i Celebration, at the Victoria St. mmm Theatre until Oct. 8. Saturday: The Flight of the Eagle at Campbell Hall, 8 p.m.

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frOf M v M°j° Nixon is Mojo is in a College of Creative Studies' Art vJVl 1T1.J the man your band with his Gallery: Thomas Nozkowski' paint­ ings. Ends Oct. 28. University Art Museum: The Tt l t f \ T/'\parents prayed partner, Skid Other Side of the Moon: the W orldof Adolf Wolfli until Nov. 5; Free. J y l U J \ J y ou'd never Roper, who Phone: 961-2951 Women's Center Gallery: Recent Works by Stephania Serena. Large grow up to be. plays the wash- color photgraphs that you must see to believe; Free. Phone: nj«jl|) Let alone lose board while 961-3778 1^19111 your virginity Mojo plays gui- to. 2 A Thursday, September 2 8 ,198r Daily Nexus

And for those of you who want to see what’s happening in current world cinema, Arts & Lectures presents a bounty of international films. '20OMEN ON Hi Verge OfA Nervous HREUiDOWN The series begins with Spanish filmmaker Pedro Almodovar’s stylish and satirical romp, W om en on the Verge of a Nervous Breakdown, the 1988 winner for Best Foreign Film by the New York Critics Circle. This latest hysterical installment in the war between the sexes screens Sunday, October 1 at 8 and 10 PM. In coming weeks the Sunday night series will features films as wide-ranging as Spike Lee’s controversial summer hit Do the Right Thing, the novel French film La Lectrice (The Reader) starring Miou Miou, and the New Zealand film T h e N avigator, the story of two brothers who travel from the plague years of the 14th century to present-day and equally frightening New Zealand.

Let There Be Music (And Movies and Filmmakers and Engaging Speakers and.. Series tickets to both the 1939 and the International Making Superlative Music piano, Estonian Arvo Part’s celestial films are available at nearly a 50 percent discount. “Fratres,” and a set of songs paying homage to Come by the A&.L Ticket Office and discover the Together American music makers such as George Gershwin, economic joy of pre-purchasing. Cole Porter and Jerome Kem. Violinist Joseph Swensen and Pianist Jeffrey Kahane Yes, yes, these two performers really do make Special Films beautiful music together. Tickets (UCSB students Internationally respected Swedish filmmaker Jan Words like ‘genius,’ ‘renowned’ and ‘best’ are $12/$10/$8) for this Arts & Lectures opening night Troell visits UCSB on Saturday, September 30 at 8 event are now on sale. tossed around too easily these days, for even when PM in Campbell Hall to introduce and screen T h e such labels can correctly be applied to a F lig h t o f th e E a g le (1982,135 min.), starring Max performer, we tend to dismiss die descriptions as von Sydow. The cinematic epic, nominated for an promotional hype. But in the case of violinist Academy Award as Best Foreign Language Film, is Joseph Swensen and pianist Jeffrey Kahane who based on the true story of an ill-fated 1897 perform Saturday, October 7 at 8 PM in Campbell expedition that attempted to reach the North Pole Hall, the hype really does match the reality. These by hydrogen balloon. Screening on Friday, two young performers have won a lion’s share of September 29 in UCSB Girvetz Hall 1004 at 3 PM, international music contests, both regularly play the day before Troell’s guest appearance, is his with the finest world class orchestras, and their highly revelatory documentary of Swedish life music recordings are winning rave reviews from L a n d o f D ream s (1987, 185 min.). Admission is critics and classical music lovers alike. free. Tickets for The Flight of the Eagle are $3 for UCSB students, available at the door beginning Jeffrey Kahane, 32, was bom and raised in Los at 7 PM. Angeles. (He played rock and roll guitar in his teens.) His technically superb yet subtle piano playing won him first prize in the Van Clibum and Two powerful anti-apartheid films will be shown Arthur Rubinstein competitions when he was in his Films from Then, Films Tuesday, October 3 in a program entitled Conflict mid-20s. Currently the professor of piano at the and Courage in South Africa. M ap an tsu la (1988, Eastman School of Music in Rochester, New York, from Now 104 min.) centers on Panic, a cynical, streetwise Kahane has appeared with (among others) the New There’s always time for a film, right? Well, this hoodlum compelled to take a stand against York Philharmonic, the Philharmonic, quarter’s Arts & Lectures movie temptations begin apartheid. The film, which was directed by Oliver and Philadelphia Orchestra. Joseph Swensen, 29, tonight with Qone With the Wind, the first offering Schmitz, has been banned in South Africa. trained with Juilliard’s Dorothy De Lay and has in the 1939: Hollywood’s Glorious Year series. M apantsula screens in Campbell Hall at 8 PM, been compared with Isaac Stem, though Swensen is Gone with the Wmd — that classic of classics — is and tickets are available at the door only. emerging with his own lyrical style and ability to based on Margaret Mitchell’s saga of love and war make every note count. and stars Vivien Leigh as the impassioned Scarlett The Academy Award documentary nominee The O ’Hara and Clark . Gable in his unforgettable role Cry of Reason (1988,56 min) focuses on the Rev. C. For their program at UCSB, the two musicians are as the dashing Rhett Buder. In coming weeks you F. Beyers Naude, who once preached to South playing an adventurous and diverse selection of can enjoy six other movie greats from 1939, Africa s most powerful whites. Naude, who came 20th century music including Debussy’s including The Wizard of Oz, Mr. Smith Goes to from a long line of politically influential impressionistic Sonata in G Minor for violin and Washington, and Stagecoach. The 1939 series screens Afrikaners, underwent a spiritual transformation, piano, Bartdk’s sterner Sonata No. 2 for violin and on Thursday nights in Campbell Hall. took up the cause of Black freedom, and was ostracized for his stand. The free screening is at 4 PM in the Multicultural Center. M o n d ay T u e s d a y W e d n e sd a y T h u rs d a y F rid a y S a tu rd a y S u n d a y For more information about these or 28 30 29 1 other events, call UCSB Arts & G o n e with the W ind L a n d o f Dre a m s The Flight of W omen on the 7 PMjCampbeU Hail 3 P M / Girvetz 1 00 4 th e E a g je Verge o f a Nervous Lectures at 961 *3535. 8 PbAJCampbeU HaU B re a k d o w n 8 PM & 10 PM UCSB Campbell HaU

2 3 4 5 6 7 8 Arturo Madrid The C ry o f Reason W iz a rd o f O t Joseph Swensen, D o T h e 4 :3 0 P M 4 P M 8 P M & 10 P M v io lin a n d Right Thing Cmvtat 1004 M ulticultural Cerner Campbell Hall Jeffrey Kahane, piano 8 P M & 1 0 :3 0 P M

M a p a n ts u la 8 PMjCampbeU HaU C a m p b e ll H a U 8 PbAJCampbeU H all ARTS & LECTURES Daily Nexus Thursday, September 28,1989 3A

SANTA BARBARA COUNTY BOWL KTYD1«? DON HENLEY Bill Wyman, Keith Richards, Charlie Watts, , Ron Wood W ITH SPECIAL GUEST EDIE BRICKELL & Although Hard Times Have NEW BOHEMIANS THIS SATURDAY! Hit, Still De-volving SATURDAY ■ Profile SEPTEMBER 30-7PM to find another human met­ ronome, which we were not sure Would be possible; but, Upcoming Gig we came up with David Ken­ drick, who had played in In Ventura MUSIC Sparks and also Gleaming JEFFERSON Proves Spud Spires before. Now he has recently lost our lease on the been with us for two . AIRPLANE Guys Alive building. We knew we Total DEVO and our current would, but we were holding , also this is his WITH ORIGINAL MEMBERS... on to the space as long as we second tour (with DEVO). could. So now we've been at ARTSWEEK: How has GRACE SLICK a place in Burbank called your current concert tour By Marc Brown Master Control for a while. been going so far? PAUL KANTNER R ep orter ______ARTSWEEK: So are you AIM: Last night (at the MARTY BALIN going to open a new studio? Coach House) was our first JACK CASSIDY Q: "Are we not Men?" MM: Yeah, but who show. It went pretty interest­ The answer will ring out knows? Maybe we will find ing, it was pretty DEVO. We JORMA KAUKONEN this Saturday night as Devo­ an old fallout shelter some­ had a number of technical lution returns to the Ventura where that is not used and mutations that made things THIS SUNDAY! Theater. Even though they take it over. even more interesting than are currently working on a ARTSWEEK: Are there we could have imagined. OCTOBER 1-3 PM brand new DEVO album, I any other bands that DEVO ARTSWEEK: -For was fortunate enough to is working with these days? exaniple... speak with Mark Mothers- Any projects such as Bob MM:. Little microchips baugh, one of the founders Cascale's work with Martini malfunctioning so songs and current members of the Ranch an couple years ago. came out even more DEVO DOOBIE band that has decided to take MM: We are working on than ever before (a Total a break from the long hours different odd things. I just DEVO experience). in the studio and engage in a sang a song for an Italian al­ ARTSWEEK: Is your cur­ BROTHERS quick tour. bum, which I doubt will ever rent live show just about the ARTSWEEK: What was be released over here. I do same as the live album, THE the very first DEVO project? I things with different people DEVO, Now It Can Be Told ORIGINAL MEMBERS... read somewhere that it was a in Japan too: (Note: Mark is (recorded at the L.A. Palace TOM JOHNSTON short film. currently awaiting the re­ Dec. 9, 1988)? MARK MOTHERS- lease of seven CDs of his solo AIM: No, No... There are a PATRICK SIMMONS BAUCH7: The first thing we work by . number of different songs. JOHN HARTMAN ever did was a single on Booji The first volume is currently Wedo about half of the songs TIRAN PORTER Boy Records, our own label available as a CD-only re­ that are on that live album. MICHAEL HOSSACK (later re-released on Stiff Re­ lease, entitled Muzik for In- But we are doing a lot of cords in UK). One side had somniaks Volume I.). other things that were re­ THIS TUESDAY) "" and the other ARTSWEEK: What about quested on the tour that we hand "Mongoloid." Immedi­ DEVCTs lineup change after didn't do last time over that OCTOBER 3-7PM ately following that we did a the album Shout? things we did. Like "Smart film called The Truth About MM: Alan Meyers, our Patrol," "Mr. Devolution, part of it was drummer who had been DNA"..."Planet Earth" sort filmed at Kent State Univer­ with us for ten years became of things. We are also doing sity, in a lecture hall. un-brainwashed a couple brand new things that we are ARTSWEEK: Is DEVO stu­ years ago. What can I say? just working on. We are kind FINE dios in Marina Del Rey busy He became un-DEVO, so we of in the process of determin­ these days? had looked for a new drum­ ing what the final form (for MM: No, actually we just mer. We were lucky enough many new songs) will be. YOUNG KCSB WANTS DEE JAYS , CANNIBALS If you listen to bands like radio. That means no WITH SPECIAL GUESTS Poopshooel, The Hard-ons, or Classic rock, no Guns n' THE Steel Pole Bathtub then you Roses, no Paula Abdul. Al­ should be playing their re­ ternative radio provides TOM TOM CLUB cords on KCSB-FM or the community with new KJUC Cable. music that can't be heard AND KCSB and KJUC deal in on "normal" radio stations. THE MINT JULEPS hat's called "alternative" Without stations like KCSB, bands like R.E.M. would be mumbling to OCTOBER 10-7PM themselves and pumping gas — not mumbling to millions and pumping out hits. ¡nc|uc|ing Arlington box office, Captain Video, Morninglary KCSB and KJUC, need Music, May Co., Music Plus and M & M Records in Lompoc. Also the County new programmers (d.j.'s), Bowl hox office. To charge by phone call (805) 583-8700. so if you've got what it takes come to their orienta­ tion meeting at Storke Courtyard (next to the Nexus), today (Thursday) F i c o n c e at 6 (p.m.) 4A Thursday, September 28, 1989 Daily Nexus

the jarring syncopated cuts from sweeping wides to dizzying close-ups in both New R i d l e y S c o t t F a i l s M i s e r a b l y‘Black R ain:’ Ridley Scott Fails Miserably‘Black York and Japan, become irrelevant as the story deviates into retro-action and melodrama. Indeed, the only hint of irony in the film is completely unintended; Scott seems to New Michael Douglas know how to frame a mood so perfectly that he starts to back off on his close-ups (the Cop Movie Routine laughingly banal exchanges between Dou­ glas and either his Japanese partner, Ken Ta­ and Trite; Makes You kakura, or love-interest, Kate Capshaw), and come in on the wider shots (your standard Frown on Hollywood chases, blow-ups and shoot-outs). Likewise the fine acting of Douglas and Takakura is pointless — with neither good lines nor interesting motions. Andy Garcia By Jesse Engdahl ("The Untouchables") does such a fine job — Staff Writer______

"Black Rain" Ever wonder why the writers go starring Michael Douglas on strike so much, and why the directed by Ridley Scott rest of Hollywood never gives a fuck? ★ This is the second (or is it the third?) generation raised on Michael Douglas looking for a fork TV instead of literature, and there's a tall being taken. "Year of the Dragon," part "Robocop/' your Then it's up to our hero to fight the rigidly basic fish-out-of-water, renegade-cop- inept local police as well as the insanely vio­ fighting-the-system concept. Ever wonder lent (yet supremely fashionable) under­ in the only good part— that he gets killed bff why the writers go on strike so much, and world. All of this set against the beyond- half-way through the movie (they must have "Black Rain" sucks. Really sucks. * why the rest of Hollywo,od never gives a gothic, super-industrial. Las Vegas-meets- realized he was too smart to play the idiotic A movie so much anticipated for its potent fuck? This is the second (or is it the third?) Pittsbuig (wet and smoke) landscape conclusion with a straight face). potential, everything good about it only generation raised on TV instead of literature, of Tokyo (Osaka, actually). If you doubt that the whole thing was ever gives weight to the massive letdown. With and there's a toll being taken. So do we get the selfish, self-righteous more than some accountant's wet dream, all Ridley Scott — everyone's fave underrated The thing is, Scott dealt with this theme in­ American seeing the destructive pathos of the corporate tie-ins make "Black Rain" look director ("Alien," "Blade Runner") — con­ credibly in "Blade Runner," taking the basic rampant capitalist decadence and coming to like one big music-video ad for Suzuki and ducting, and Michael Douglas, the UCSB comic book detective story and painting a some sort of realization? Do we feel the Northwest Airlines. At one point Takakura alum and OscaT-toting, macho-yet-fatally- post-noir, ethereal, existential masterpiece, cross-cultural paranoia hacking painfully at admonishes Douglas' attitude with "...you attactive venture capitalist as The Star, it with a lot of insight and irony. After the mis­ moral integrity, or question the search for Americans! You're good for music and mo­ seemed as sure a thing as the '27 Yankees. In­ guided "Legend," a seductive "Someone to justice becoming an act of revenge? vies, but we make the best of everything stead it plays like New York's current team -Watch Over Me" indicated that the modem, Not very often. These concepts are else." He doesn't realize that it's his coun­ — lots of power but no point. mature cop, caught in an extenuating, multi­ touched upon almost accidentally by the' try's pathetic idolization of such glossy, If pitching is 90% of baseball, the main level dilemma is a genre over which Scott shallow script, then tritely wrapped up or commercialized fare that not only keeps our thing that movie-makers have forgotten should be presiding. avoided by it's conclusions. It's probably movie and music studios churning out the lately is that the story is absolutely the most "Black Rain's" premise, therefore, should only racist by mistake, too. All of the charac­ shit, but it also keeps our economy at pace vital part of the flick (especially when Holly­ have fit Scott better than one of his Armani ters are basically one-dimensional, as realis­ with his. wood seems to equate "art-film" with suits. Douglas is the street-smart, jaded New tic as the bullets that always just miss the P.S. "Black Rain" enjoyed an extremely AIDS). It's starting to seem like a big conspi­ York investigator with an attitude to match good guys and nail the bad ones. Any dual­ large opening for a non-holiday film last racy; everybody saying, "If no one else hits his reputation. He catches an exceptionally ity is represented by things always going un­ weekend, taking in nearly $10 million dol­ anything interesting or original, why should vicious Japanese mob assassin whom he is believably wrong or right, with either in­ lars nationwide. On Monday, bid $3 I?" forced to extradite. However, the psycho credible coincidence or predictability. Billion for Cblumbia Pictures. (Columbia is "Black Rain" is part "Dirty Harry," part gets away by virtue of the language barrier. Scott's visuals, which begin brilliantly in already 49% owned by Coca-Cola.)

listen, listen look. look, drink, drink, dance, dance, eat. eat. enjoy, enjoy, soon. soon. POSTERS... U.C.S.B. Something to get excited about!! S.B.

813 State St. in front of Piccadilly Square Daily Nexus Thursday, September 28,1989 5A

U N D B I T E S

Aero smith "Pump" We Too Are One Seeds of Love Geffen Records Arista Records MCA Records ★ ★ ★ ★ ♦ A lot of what's on Aeros- Disappointing is the only This once-mighty, now- mith's Pump can be likened word to describe the new artistically-castrated duo, to making love in an eleva­ Eurythmics album. This re­ best known for their pheno­ tor: quickly satisfying, with a cord is definite VH-1 menal burst onto the alterna­ lot of cheap thrills, rocking material. tive music scene with the hard when it's moving fast, , arguably outstanding, new-wave yet quite a downer when it the best female vocalist in genre-defining starts to get sappy. rock, wimped out this time and pop-crossover smash Although nothing on the around. She sounds like , album comes close to their she'd rather be anywhere have gone off the deep end classic cuts, almost every than in a recording studio, this time out, shucking what song has a riff or chord that which is too bad. The best vestiges of alternativeness grabs you, shakes you, part about the diverse talents they retained on Chair. Seeds makes you wanna reach for of Dave Stewart is his guitar o f Love is a straight-dumb- some brew and boogie. playing, which is relatively sleepy-jazzy-pop, with none Yet, while the music is non-existent on this album. of the tricky African beats or pumped by some catchy All in all, the Eurythmics clever Fairlight riffs that iicks, the lyrics... well, album leaves you with a made their mid '80s stuff so they're kind of dumb, to say bland taste in your mouth, distinctive. Somebody had the least. In "F.I.N.E." kind of like oatmeal. Only better find and reattach ("Fucked Up, Insecure, unlike the cereal, this album whatever appendage that Neurotic, Emotional," prob­ really isn't the rightthing to has been cut out of these two ably how Steven Tyler felt do. gentlemen, and quick, before when penning the lyrics), — Seana Fitt they make another album. Tyler sings such inspira­ The Seeds of Love? Kill them James McMurtiy tional phrases as "She got the before they grow, please. Too Long in the Wasteland Cracker Jack, now all I want (Above) Aerosmith — CBS Records is the prize." And who could ir k i . old guys trying to look forget that someday-classic, 9 like high school geeks. but still dumb lyric: "Love in What caught my attention Rik Emmet, Lee Mazilli, an elevator, living it up when about Too Long in the Waste­ ★ ★ ★ Mick Jogger, Sammy I'm going down/ loving it up land was that James' little fin­ 'till I hit the ground." Hagar, Moxie. (Right) ger was wrapped in a slide If Sid Vicious were alive, Then again, you can't com­ on the sleeve photo, and the he'd roll over in his grave. plain — Aerosmith was Dave Stewart (no, not supporting musicians listed His former bandmate, John never praised for their depth. the Oakland A's pit­ include Dobro and National Lydon, and the rest of PIL Hey, if it weren't for Mick cher who went out Steel Guitar. are at it again. Jagger, Tyler would be the with a prostitute that McMurtry's influences This loud-yet- undaunted king of rock cam- _____ range from Dylan to Lou unobtrusive album, shar­ turned out to be a man piness. Keeping that feet in Reed to John Cougar Mellen- ing the worst features of — but Dave didn't mind, the lyrics become camp (who produced the re­ synthetic -pop and notice — and then the catchy, almost fittin g in a cord). Mellencamp's influ­ hollering, whining punk- cops found the pair and way. ence is especially evident; al­ rock, really makes you busted 'em) and the Ironically, the band's one most eveiy song is a middle wish that Johnny had attempt at consciousness, beautiful Annie Len­ America ballad of some stayed rotten, or at least re­ "Janie's Got a Fun," a kind of nox; collectively, the small town or working man. frained from leaning on Skid Row-meets-Suzanne Eurythmics. The title track grooves, a those dang synthesized vi­ Vega tune fails miserably, as couple of bluesy riffs appear olins so much. does the we-wanna-make- courtesy of National Steel, Not that the music is the another-cool-" Dream and then BOOM! It really only offensive part of 9, On"-type song, "W hat it starts moving; heated there are a few lyrical... iro­ Takes." electric solos and a start/ nies present as well. Rotten UPCOMING Yet, for all its shortcom­ stop staccato power that Johnny attacks those Oh! So SHOWS ings, Pump is still rock-solid, leaves the rest of side one in trendy in their flapper and fun-loving fare, topped by flair — a bold, courageous shambles. The last song on __ __ 9/29 Cecilio & some trademark Aerosmith- side two, 'Talkin' at the Tex­ statement that gives rise to sonian camp. aco," is an interesting, im- the musical question now, & K C S E > - P R E S E N T: Kapono/Kalapana — Barbra Dannov provisational jazzy blues isn't the pot calling the kettle ^ COMMUNITY SERVICE BROADCASTING I 9/30 Devo jam, with scattered bits of black? Lydon's most recent 10/1 Nitty Gritty Dirt conversation, clarinet and a creation is the latest in a Band long string of trendified, large dis-chorus. It's the 10/3 k.d. lang & the most original piece on the re­ uninteresting yearnings for cord, but I don't think it, or the greener pastures of the reclines Too Long in the Wasteland yesteryear — yearnings 10/4 Testament will be topping the charts in which never come to frui­ w/Annihilator the near future. tion, if we're lucky. 10/5 Bodeans — Jamie Reilly — Jeffrey P. McManus 10/6 Stray Cats 10/7 Average White Band 10/13 Johnny Thunders 10/14 K TY D welcomes an Evening of comedy with Bruce Baum (Arsenio Hall Show) Joann Dearning THE METAL BOX/KATIE ADLER (Hostess of Comedy Express) & Kip Adotta 10/17 Dirty Looks 10/19 the Godfathers 10/21 Tower of Power Consistently churning out metal gods, the Bay area is at it once again. Testament's latest Megaforce release Practice 10/25 Jimmy Cliff What You Preach is one hot, hot album, showcasing this amaz­ 10/27 Arlo Guthrie ing band at their absolute best. 10/28 the Bombers Vocalist Chuck Billy's energy is raging throughout such 10/31 Halloween EVe notable tracks as "Envy Life," "Perilous Nation," and "Green­ house Effect"; and the incredible title track is sure to be the King Diamond breakthrough for this righteous band. 11/4 Shenendoah Definitely not to be missed, these guys are coming to town! So thrash on down to the Ventura Theatre next Wed. Oct. 4th at 8pm and experience the energy of TESTAMENT as they For Ticket Information and Dinner Reservations Concert Line blow your mind and send you into a headbanging frenzy! Call theVentura Theatre Box Office, 26 South Chestnut, (805) 648-1936 Opening for TESTAMENT will be Roadracer recording ar­ tists ANNIHILATOR so don't you dare miss this groovy at (805) 648-1888 77eX«f^AS7S^ show. See you there! or Heck Music or Video Tyme MAY COMPANY & MUSIC PLUS (80S) 083-8700 6A Thursday, September 28, 1989 MOJO NIXON: The Artsweek Interview by Tony Pierce

Continued from p.lA stead of creative control, the station offered him more money. tar and sings songs like " is Pregnant with my two-headed Love Child." Mojo Nixon: I told 'em, 1 ain't showin' no fuckin' Warrant Mojo Nixon: Well, you know we made love that time. Y'now videos.' Warrant can kiss my ass. Only Warrant video I'm she's startin' to show a little. showin' is them suckin' my butt. Artsweek: You got her pregnant a while ago. I'd have ex­ A rtsw eek I heard that you thought every one in the U.S. pected a Mojo/Gibson baby by now. oughtta have sex with everyone in the Soviet Union. Mojo Nixon: Well, a two-headed love child takes twice as Mojo Nixon: Oh yeah; I think it would be good. It would cut long to incubate. You know, I reviewed her record in Play­ down on the tension a lot. I think, in general, we should be boy, and I said she should get rid of those computer hacks she more concerned with fuckin' the Russians than killin' 'em. It's had working with her and hire The Replacements to get 'em like the movies. Mickey Rourke in "Angel Heart" can kill 47 drunk and stop trying to be a teenage multinational corpora­ motherfuckers, but we can't show his ass while he goes in to tion, and just have some fun! find Lisa Bonet, Are we for destroying life and against creat­ ing life? Is that where our priorities are? We spend, what, a billion dollars a day on military, on blowin' shit up. We don't spend nothin' on sex farms, we need to spend all that money It turns out Mojo is a big fan of the Minneapolis hard-slop on a giant sex farm in Nebraska and then teach people how to band. But Mojo admits he didn't like the Mats' latest record fuck better. If people could fuck better, see, a lot more good Don't Tell A Soul too much. shit would happen. People would be a lot more relaxed, they wouldn't be violent, they wouldn't be mean so much. Mojo Nixon: I entertained the idea of having (Westeiberg) produce our record (Root Hog or Die), and we talked about it, but we never got the ball off the ground or nothin'. I think he's a good song writer and a good dude, but I don't know about this last record. I think what happened w as... they spend so I warned you about Mojo. much time telling the record business, record industry, what­ ever you call it, to fuck off, and then they realize that they've dug themselves a hole and now they're trying to get out of it. Mojo Nixon: People in New York need to get fucked, 'cuz They're trying too hard to get out of it. there's some mean and ugly lookin' motherfuckers out there. Artsweek. Have you ever had any problems like that with I was there, man, and I'll tell you, I haven't seen so many ugly record labels? people in one place at one time. They need to ship in some Mojo Nixon: No, they're so damned afraid of me they're just good lookin' folks to fuck some of those folks, 'cuz if all those hopin' I don't come in there and kill 'em. (ugly) folks fuck each other, they'd have Super-Ugly babies. Artsweek: I read somewhere that you said that fear was They gonna be uglier than Mayor Crotch. America's biggest problem. What's Mojo a fraid of? A rtsw eek What do you think yours and Debbie's baby is M ojoN ixon: I'm afraid of turning into Bonjovi. I'm afraid I'm gonna look like? gonna sell out. People are offering me money to do commer­ Mojo Nixon: Oh, it's gonna be fiiiiiiinnne. A strappin' hand­ cials for Hardees and shit and I'm just like'.. J don't know...' some young man. Little Mo, we'll call him. That's what she's I'm not saying I can't be bought, I'm just saying it's gonna take been sayin', "Give me a little mo' of that dick." Mojo's rock and Skid Roper's roll rvill be shoiving a lot of money. Definitely EIGHT digits. I have a price, but its a A rtsw eek Hey, tell us about Mojo's first woman. Pub Night of the year and all ages are welcome. Admit great big 'un. Mojo Nixon: Oh yeaaaah, man. Well see, my first woman was my hand, see. Y'all heard about The Great Pussy Drought or almost a case of Schaefer, whichever you preft of the '70s? I was hooked up in that mothufucka'. I couldn't Mojo claims that he's been offered a show by MTV, but in­ even see. I was a desperate man. My first woman was some

STONES "5 at 5' Official Entry Blank

M y Five Favorite Stones Songs:

Rolling Stones 1 . ______,______"5 at 5' Contest 2. ______3______

Win tickets to the Stones 4 .______

October 18-22, LA . Coliseum, 5______5 Stones CDs of your choice from Rockhouse Records, Dinner at Win tickets to the Stones October 18-21, L.A. Coliseum, 5 Stones CDs of your choice from Pescado's Mexican Seafood Restaurant, Rockhouse Records, Dinner for 2 at Pescado's, Santa, Santa Monica, Monica, Tickets to the Improv, Santa Monica! and Tickets to the Improv, Santa Monica!

Tell us your Five Favorite Stones Songs, Return this entry form to Pescado's, 5782 Hollister, Goleta, or Pescado's, 422 N. Milpas, Santa Barbara. Drop off at the participating Pescado's restaurants. Entry deadline October 12. Contestants must be at Entry deadline October 12. least 18 years of age to win. Grand Prize winner an­ nouncement will be made at 4:50 pm at KCQR "Back- Join KCQR for our "5 at 5" live Back-to-School Party, to-School' Party, October 13, Pescado's, Goleta. 4-7 pm, Friday, October 13, Pescado's, 5782 Hollister, Goleta. Happy Hour Drink Specials, Prizes! Name__ Address "5 at 5" features five songs from a listener's favorite artist every Monday through Friday at 5 Phone pm. Listen for the Stones - "5 at 5" October 9-13! Thursday, September 28,1989 7A

woman sent to my town ... some girl in high school who'd gone bad and she was sent to my town to be good, and I made DAZZLING! her go bad again. Lucky me. HIGH-SPIRITED, HILARIOUS AND SCORCHINGLY When Mojo Nixon plays concerts he requests beer backs­ tage. Although for his Pub show he can't be provided with EROTIC!” any alcohol (because A.S. is sponsoring the night, and student PETER TRAVERS. funds can't be used to purchase alcohol) he requested "no­ thing better than Budweiser". Mojo Nixon: No, we prefer Black Label, Stag, Schaeffer. I and view beer as a utilitarian thing. It's somethin' to get you drunk. They all taste the same after two beers anyway, so why spend $4 a beer when you can spend 30 cents? I would love to do a beer commercial for some Super Beer, like the Jolt Cola of flbns beers. If I could say, "this beer will make you drunker than any other beer. Why buy six of those when three of these will OPENING FRIDAY, SEPT. 29TH knock you on your ass!" If someone wants me to do that com­ GOLETA THEATRE 963-9503 mercial, I'm ready. Daily Showtimes: 5:15, 7:30,9:30 Sat S Sun (1:15,3:15) NOW PLAYING! RIVIERA THEATRE Daily Showtimes: 5:05, 7:15, 9:25 Sat & Sun (1 JO , 3 JO )

Mojo has a song called "Elvis is Everywhere" which says that the late Mr. Presley can be found in everyone except for Michael J. Fox.

Artsweek. Do you think George Bush has any Elvis in him? Mojo Nixon: I doubt it very seriously. There hasn't been any medical studies or anything, though. But Bush is a sniveling twit (who) ought to be executed. You can't trust him as far as you can throw him up. Now, Reagan... I think when they op­ BLUES «REGGAE erated on Reagan, when they operated on his head, they prob­ ably took what little Elvis he had in him. They gave him that mohawk hair cut, though. The oughtta write a song ROCK & "Reagan is a Punk Rocker." Hey, is he cornin' to the show? NEW RELEASES NOW IN STOCK: Artsweek. Well you know he lives up here. Mojo Nixon: I know he does. Why don't you call him up and invite his ass. DAVID BOW IE-‘SOL/A/D & VISION’ BOX SET SALE PRICES: 48.99 CD, 59.99 LP, 39.99 TAPE SUGAR CUBES- "HERE TODAY, TOMORROW..." Speaking of asses, in our discussion, somehow, the topic of SALE PRICED: 11.99 , 6.99 LP & TAPE underwear came up.

Mojo Nixon: I don't wear underwear. I ain't worn under­ wear in years. The only time I wear underwear is when it's so DANIEL LANOIS -"ACADIE" cold your balls turn to the size of b.b.'s. THOMPSON TW INS- ’BIG TRASH’ halving at UCSB's Pub tonight at 8 p.m. It's the first Artsweek. What can we expect from Mojo on this show at the RICKIE LEE JONES- "FLYING COWBOYS’ ?. Admission is a mere $5, enough for a twelver of Bud, Pub? DWIGHT YOAKAM-VL/ST LOOKIN’ FOR A H IV ou prefer. Nixon: Y fe were out there abouttwo years ago. I remember I MIGHTY LEMON DROPS- ’LAUGHTER’ climbed up on the rafters and people had to catch me when I JOHN HIATT-TALL CAUGHT? ’(COMPILATION) jumped down. I felt like "Bone-O" or something. Mojo Nixon RANDY TRAVIS-WO HOLDING BACIO music is grindin' in d'pussy. It's rock arid roll. ‘CASH PAID FOR USED CD's, CASSETTES & LP's' morning jory

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Tickets Available at ROCKHOUSE and CARNAVAL 634 State St. • 962-999 8A Thursday, September 28,1989 Daily Nexus reotypical (note: stereotyp­ killer. ical) feature he lacks is a Enter possible suspect CAPSULE REVIEWS: mustache, but cops in mo­ actress Ellen Barkin as the vies, other than ones femme fatale perpetually played by Burt Reynolds, clad in tight fitting clothing never seem to have one and standard leather jacket anyway. (red...for color, for symbol­ ‘Sea of Love:’ Keller's mid life crisis is ism, both?!). She is the only on the verge of happening woman screened who Pretty Lousy, at the emergence of a maca­ doesn't stick around long bre serial murder case. A enough on the staged date Pacino Wasted woman is suspected of kill­ with Pacino to leave her ing men who advertise in fingerprints. She claims in Bummer rhyming verse in the per­ that the animal magnetism F IL____ M sonals section of a New wasn't there, but it cer­ York magazine. After three tainly is a few nights later with Sea of Love, an as­ By Julee Stover men have been found dead, when they run into each sumed sultiy thriller that R ep orter______face down and naked on other at the neighborhood generates about as much their beds, Keller and his market. Barkin and Pacino excitement as tepid beer ... affable partner Sherman enter into what appears to "Sea of Love" and the aftertaste is just as (burly actor John Goodman be a very physical affair, all starring A1 Pacino bad. from ABC's hit series Ro- the while Pacino still A Universal Picture Pacino's performance as seanne — the only charac­ doubting her innocence. ★ Frank Keller — the di­ ter that takes on a third di­ The ending of "Sea of Ai Pacino, an extremely vorced, haggard, middle- mension in the film and re­ Love" proves redeeming, talented and well- aged, chain-smoking and ally gives it some much but not quite enough to en­ respected actor who most drinking cop on the verge needed life) get the go able the cardboard cut-out certainly has his pick of of a midlife crisis is not the ahead to submit their own characters it contains to choice roles, chose to re­ problem. He plays the part personal to the magazine in stand out among its contri­ enter the celluloid spotlight flawlessly. The only ste­ order to track down the vances. It doesn't even have a good soundtrack to fall back on. Any movie that would not only feature but take its title from a song as tedious as "Sea of Love" (at least we are spared The Honey Drippers version) is bound to raise some doubts (and I'm not even mention­ Their way O ur way ing Queen's smash hit Another One Bites the Dust featured during the wed­ ding scene). Why Al? ... Why??

‘The Package:’ Hackman Packs Back in Black

By Brian Banks R ep orter______

So, after a summer filled with whip-snapping her­ oes, heroes in kid's cos­ tumes, and kids the size of Legos, the release of The Package, a smart, fast-paced thriller, is a refreshing change. Gene Hackman stars as career military man John Gallagher, who is assigned to deliver a "package" — a court-martialed soldier played by Tommy Lee Jones. When his prisoner escapes, Gallagher realizes that he is entangled in a much bigger incident. Despite the farfetched plot, the acting and pacing of the film make the story ¡ I l watchable — if not some­ lit what believable. Not since 1987's No Way Out (which, coincidentally, also co- starred Hackman) has a po­ litical thriller been made n with such attention to intri­ cate details and clever plot twists. Throughout The Package, a series of seemingly sepa­ rate incidents take place that may puzzle the movie­ goer. It all comes together FINISH in the end nicely, and, sur­ prisingly, quite simply. Equaling Hackman's skill is Tommy Lee Jones. You can save literally days Better algorithms and chip Consistently an underrated of work between now and actor, Jones is convincing as design help you finish much the hit-man who must com­ graduation. Simply by using faster and more accurately plete his assignment de­ an HP calculator. To keep than their way. So, whether spite Hackman's pursuit. you from endlessly retracing you’re in engineering, busi­ The rest of the supporting your steps, ours have built- ness, finance, life or social cast includes some fine per­ in shortcuts. Such as the sciences, we’ve got the best formances from seemingly unique HP Solve function calculator for you. For as There is a better way. stereotyped actors. Dennis for creating your own form­ little as $49.95. Check it out Franz, who excelled as a ulas. Menus, labels and at your campus bookstore bend-the-rules Hill Street prompts. Program libraries. or HP retailer. HEWLETT Cop on TV's Hill Street Algebraic or RPN models. PACKARD Blues, here plays a bend- the-rules cop. Also in a familiar role is John Heard. Heard, who has been cast as every type of white-collar criminal, plays — guess what — a villain­ C 1989 Hewlett-Packard Company PG12905 ous general. Daily Nexus Thursday, September 28,1989 9A Two Films Probe South Africa’s Struggle With Apartheid ‘Panic’ Tells Tale Secret Lives o f Members o f Racist of Black Couple Society Examined in ‘Cry o f Reason’ Forced to Endure By Bridget Dittman Rich White W orld Reporter______"The Cry of Reason" will n e u e r showing Tuesday, Oct3 at 4 p.m., free at the Multicul­ tural Center Academy Award nominee "The Cry of Reason" is a powerful documentary of * the role of Rev. C. F. Beyers M Mm Naude in the history of the South African anti-apartheid movement. Combining news footage of the daily chaos caused by Rev. Beyers Naude the injustice of apartheid, Anti-apartheid leader By Bridget Dittman footage of sermons and rall­ and all-around good Reporter______. ies throughout South Africa, guy. and interviews with Naude "Mapantsula" Directed by Oliver Schmitz showing at Campbell Hall, Naude speaks articulately and compell- Tuesday Oct.8 at 8 pan. secuted while struggling for Fighting the power in "Mapantsulu/ ingly throughout the film including ex­ freedom. Mistakenly arrested with a The lifestyle of the white (Below) "Panic" counts his change. plaining his 1963 break with the Bruda group of anti-apartheid ac­ community is represented bond. tivists, Themba Mapantsula, by the household where alias "Panic," awakens to a Panic's girlfriend, Pat, works painful social conscience. as a domestic servant. Her Panic is a gangster in a employer, a bigoted, elitist, and other anti-apartheid and respect of the black com­ black South African town­ slovenly, snotty bitch, prat­ leaders, it is a story of cour- munity, Naude was eventu­ ship outside of Johannes­ tles on and on about her ex­ ag e and deep moral ally officially "banned" by burg. A lying, cheating, steal­ hausting weekend of enter­ conviction. the government for seven ing ex-con who is lazy at taining guests and going to Educated at an all-white years. home and nasty to his girl­ the theater while Pat follows South African . university, A banned person cannot friend, Panic is a parasite on her around picking up after Naude became the youngest be quoted, cannot write for an already trauma-ridden her. member ever to join the Bru- publication, cannot meet so­ society. The grounds of this Johan­ dabond, which according to cially with more than one It is only when his socially nesburg house, with its man­ the film is "the secret Afri­ person, cannot enter an edu- conscious teen-age brother is icured lawn and swimming kaner Society that conceived ' cational institution where missing in the aftermath of a and to this day manipulates publication takes place, can­ police-raided funeral proces­ With the film ’s com­ white supremacy in South not instruct anyone but his sion that Panic begins to ack­ Africa." own children, and is con­ nowledge the predicament plex structure, we Naude speaks articulately fined to a restricted area. of his community. With the can be alternately and compellingly through­ Less than a month after his film's complex structure, we sympathetic and out the film including ex­ banning, Naude was called can be alternately sympathe­ plaining his 1963 break with to replace Desmond Tutu as tic and disgusted with Panic disgusted with the Brudabond. He says that the General Secretary of the as he rethinks his world. Panic. he quit the group after recog­ African Council of Churches. The film shows the crisis of nizing the horrifying condi­ the black South African fam­ tions forced upon the black ily structure, as well as the pool, afe a shocking contrast community and the govern­ Naude and the other re­ children's front line involve­ to the dirty, chaotic township ment massacres at peaceful form leaders' diatribes upon ment in the South African that Pat and Panic are from. protests in the early 1960's. the repressive regimes are political arena. The story shows the crisis The documentary also fo­ excellently accented by the Throughout the film of the outsider, and the cuses on Naude's work after images themselves Which are (which was banned by the struggle of a courageous, de­ he'd become ostracized from testimony to the years of im­ South African government), termined people against in­ the white community. While passioned struggle to free blacks who work within the justice. This is doubly enter­ attempting to gain the trust South Africa. structure of the apartheid taining after realizing that di­ into thinking that he was system to aid it are con­ rector Oliver Schmitz fooled filming an apolitical gang­ s M E T R O P O LITA N trasted to those who are per­ the South African authorities ster movie. f T H E A T R E S MOVIE HOTLINE 963-J9503 Complete Program And Showtime Information For All Theatres All programs, showtime* & restrictions subject to change without notice.

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E V E R Y SUNDAY 7 AM - 4 PM 964-9050 | SEPT. 29 - OCT. 8 S a n ta B arbara Twin Drive-In Swap Meet Information pj 907 S. Kellogg Ave . Goieta 7 & 9:15 NIGHTLY • SAT. & SUN. ALSO AT 2:30 & 4:45 ARLINGTON COURT GIFT SHOP 96 6 -3 6 3 8 1317 State Street, next to the Arlington Theatre G ift Shop Information VICTORIA ST. THEATER «33 W. VICTORIA »965-1886 O p en 12-8 PM Deity______ÎOA Thursday, September 28,1989 Daily Nexus

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■ Preventive Dentistry Stressed : James Hatfield, Kirk Hammett, Lars Ulrich ■ Procedures Thoroughly Explained ■ Effective Comfort & Anxiety Control Metàllica Live Destroys “Justice” ■ Knowledgeable, Friendly Staff and concert performance. ming it up for the audience. By Stacie Hougland Since this Sept. 23 show is At one point, they made a ■ Insurance Filed For You Reporter______to be their last until the joke out of the ridiculous 1990s roll around, they assumption made by most He came to me as if in a went out with a bang — li­ over-40 folk that metal fans □ □□□□□□□□□□□□□□□ dream. He pressed his hot, terally. The heavy bass and are SATAN WORSHIP­ sweaty palm against mine. drums pounded the hell PERS (organ music, Was I in reality? The oiìt of the crowd, plus the please!) when a roadie crowds roaring around me sound effects for "One" stepped out in a funky $1”EXAM. £ General Dentistry told me yes — this was Me- (helicopters and fireworks) Pope-like costume includ­ tallica, I was in the front and the destruction of the ing a paper bag hat with Comprehensive Exam And row, and James Hetfield Justice statue onstage made "Satan" on it. Consultation Includes X-Rays was giving me a HIGH the show a definite deafen­ For someone who New Patients Only FIVE! I could've died. ing experience. doesn't know metal and Metallica, having risen to Front row center at Me­ thinks "ooh, golly, how the forefront of the heavy tallica is an adventure one could they do such an EVIL Neil E. Millikin, D.D.S. metal scene, has come a never will forget — I was thing?!!" this may seem to 11187 Coast Village Rd.,#7 long way in terms of music able to see the great time be the height of blasphemy. 969-1736 M ontecito, CA 9 3 1 0 8 laughing, joking and ham- the foursome was having. But those of us who don't take lyrics and the preach­ ings of the PMRC seriously, the parody was boldly , comical. During "Am I Evil" the band switched instruments — James jammed on drums and Lars, while probably never a member of the Attention church choir, belted out the lyrics in a hyper- enthusiastic way, tripping over the microphone and dripping sweat everywhere. •* If you intend to complete all re­ Metallica's got more po­ pular songs than can be quirements for graduation by the end played at one show. Out­ of Fall Quarter 1989, you must file standing were classics like "Whiplash," "Battery" and an "Undergraduate Petition for Gra­ the oh-so Metallica "One." duation" by September 29,1989 Yet, during several num­ bers, namely "Fight Fire with tbe Office of the Registrar. .With Fire" it sounded as if the acoustics had been •<► Only this petition w ilput your turned up too loud, causing name on the list of degree candidates the sounds of each instru­ ment to mush together. for December graduation. Naturally, though, the There are no exceptions to this wild crowd got into it in a big way, no matter what. I deadline. had one girl screaming ' "Die!! Die!!" in my ear all through "Creeping Death" — I simply chalked it up to all the drugs and satan wor­ ship she was doing.... Daily Nexus Thursday, September 28,1989 11A which he worked with en­ tertainment giant, Billy Barty. "He's a fucking Vic Dunlop: A Very Fat Man Sells Soul For $$$$ midget — write that down — he's a fucking midget!" leases promise a number of By Jeffrey P. Whalen ture to scare the laughs out he said. Staff Writer extraordinary insights, but of over-protective nacho- Barty was unavailable undoubtedly, one of the eating audiences. for comment. most important features of Now, just waiting on the Vic Dunlop is a fat come- the film is the "de-bagging" coattails of the success of dian who you might recog­ of '70s superstar, the Un­ Walter, Dunlop has many nize if you watched a lot of known Comic. In reference other film projects cooking bad TV as a child. With the to this, Mr. Dunlop said in the comedy kitchen. He face of a doughboy gone something pretty stupid to has finished another film in wrong and the wit of a Fritz the effect of "I guess it just Coleman on AcuTrim, wasn't his bag." Dunlop has already estab­ Dunlop has way too lished himself as the up- much TV experience, and and-coming-comedian- none can say that it hasn't ^WOODSTOCK'S who-never-gets-his-big- affected his life. break. He has played in many Presents ill-fated and ill-tasting sit­ TIZZA coms in the past, including WTBS' stupid "Safe At THE FAR SIDE By GARY LARSON Home," in which he played Dokie (that's Dokie with an Press Syndicate with "ie") Peterson. According to Dunlop, "I was the best this FILM thing on the show," which, ad Comedian Vic Dunlop of course, was stupid. He appeared in the cen­ $1 What's Happening to Wal­ many, Dunlop says "You'll lone, JoBeth Williams, and ter square of "Hollywood ter? is the first in a series of walk away either loving it Bianca Jagger will be in at­ Squares," where he had an career moves intended to or hating it — there's no in tendance have proved to be intimate encounter with 0 break the vicious cycle of between," Dunlop said. false. show's host Jon Davidson. F psuedo-near-fame that has Aimed at the college The plot of Walter is stan­ "His hair is wonderful; he F plagued Dunlop since his "stoner" market, W alter dard stoned-people-make- gives good hair," was Dun­ late-70s days on the classic will world premiere on Fri­ a-movie fare. There's a little lop's only comment about "Make Me Laugh!" Co­ day at the IV Theater for bit about eating aliens, Davidson. A written and starring Dun­ three huge dollars. Para­ something about At the Pub Tuesday N lop, W alter is a self- mount Studios, who is re­ rock'n'roll, a smidgen ab­ night, Dunlop performed Y described movie "with an leasing the modestly- out homosexuality, a tad his peculiar brand of stand- edge," destined for cult budgeted movie, is trying a about life, a couple tasty up comedy freely fondling P black comedy status. * new marketing theory, de­ morsels about food, and a his own well-rounded In an attempt to assassi­ signed to make Walter an just a dash of oregano. A breasts, and harassing 1 nate the "wimp comedies" instant cult classic by show­ presumed commentary on drunk sorority tarts who Z (anything starring Dudley ing it only in college towns. the stand-up comedy busi­ had small bladders. His Z Moore or involving a talk­ Dunlop promises that ness, Dunlop insisted on comedy was as pointed as ing pet), Dunlop has made the world premiere of Wal­ “Yes, y e s ... now don’t fuss ... I have something calling Walter a "romantic his nipples, far surpassing for you all.” A a film with an edge that he ter will be a star-studded dramedy," once again, the self-effacing yucks of believes most people will gala event; he will be there. with "an edge." most fat comedians who of­ fall off of. Sure to offend Rumors that Frank Stal­ The movie's press re­ ten rely on their large sta- Women ’Bout Ready ‘Blood Knot’ To Fall Apart □ PERFORMANCE "It recognizes dignity in a human being no matter FILM what color their skin is," di­ rector Judith Olauson said about her newest UCSB production, "Blood Knot." BOWLING Oscar Wilde offers this depth and symbolism, According to Olauson, Robert Owens and advice: "All art is surface they'll discover all sorts of "The playwright (Athol Fu­ Kevin Del Aguila play gard) calls it a parable of and symbol. Those who go brilliant little insights (in a brothers. beneath the surface do so at delicious variety of shapes two brothers, one white their peril. Those who read and sizes), each which is a skinned and one Black who IT'S A share the same mother ... white man and senior Rob the symbol do so at their laugh in itself. This will Owens will fill the role of p eril." Obviously Mr. reassure you that neither living in South Africa in the 1950s. Despite the differ­ the Black man. Wilde had not only suf­ good art nor high comedy Olauson feels "The fered the impact of much must be had at the cost of ences in their color the brothers are tied by the theme is a personal explo­ BLAST great art, but also the con­ intelligence (nor must they ration of the issue of black versation of way too many be mutually exclusive.) 'Blood Knot.'" Produced by the Theatre and white... it's obvious it's • OPEN 24 HOURS • AUTOMATIC SCORING pretentious art dorks and The best thing about all about racial oppression but their silly analyses. of this is that however deep Artists Group, "Blood • Minutes from UCSB • A Great Place To Party Knot" is the first TAG pro­ it's also about the pain of • Billiards • Video Games • Coffee Shop One of the best things ab­ it goes, this film never stops two men." out Pedro Alomodovar's being a hilarious, furious duction to feature only Ba­ "Blood Knot” xoill he appear­ "Women on the Verge of a farce. Pepa, the central wo­ chelor of Fine ArtsTraining ing at the UCSB Studio Theatre Nervous Breakdown" is man on the verge, is an ac­ Program actors. Olauson Sept. 27-30 at 8KX) p.m. and on that no one has to go be­ tress who has just been hopes that more plays will Oct. 1 at 2:30 and 8fl0 p.m. ORCHID BOWL = neath or read into any part dumped by an aging Don consist solely of student ac­ Tickets are $8 for students and •5925 Calle Heal • Hwy 101 at Fairview in Goleta • 967-0128 of it to see that it's art. Juan who lies with each tors. UCSB junior Kevin $9 for the general public. Neither do they have to see caress of his Ricardo Mon- Del Aguila will play the that it's art to know it's fun­ talbon voice. This man has nier than hell. But if your as managed to affect the lives just to look at. But it's more sick as I am of making of a variety of women, who "sex lies and videotape" "romantic-comedies" en­ meet and careen off of each than "Harry Met Sally," as joyable by expecting no other at all sorts of obtuse the uproarious images and depth whatsoever (talk ab­ angles. With all of the slap­ (ërrman ©lull 3 » events only underline the out peril), you'll be thrilled stick coincidences of an old truthful intelligence that of $anta 3airb ara to find that if one does Cary Grant movie, the film powers them. delve into this movie's is a goofy riot that is funny — Jesse Engdahl Herzlich Willkommen to our 8th annual Applications for the use of OKTOBERFEST FOOD • DANCING • SOUVENIRS • LIVE MUSIC Campbell Hall & I.V. Theater Sept. 30th and Oct. 1st, 1989 at Oak Park during Winter Quarter are available in Noon to Dusk Campus Activities Center Fo,i„ionn.«.„:Raf,le ,or 3 Round TriPs ,0 Germany UCen 3151 9a.m.- 5p.m. 962-2255 O f 967*6422 dOllfltOd b y . AdMlon.1 porklng CaU 961-4491 for more Informatimi I l l f t h o n e o ■ ■ available behind the UirinQnSQ LTU Airlines Knapp Building Application Return Deadline October 13 German Airlines at 2400 Bath 12A Thursday, September 28,1989 Daily Nexus r ------"i Even if you haven't heard of his original music compilations, his prolific writings,the eccentric attire. Even if you weren't there at Jamaica's Reggae Sunsplash '81 when his unscheduled appearance first thrilled the audience of 40,000 with his international reggae hit "Wa Do Dem.' And even if you haven't listened to his latest ambition "Eek-A-Nomics' on Ras Records, bear witness to Mr. Style himself when Eek-A-Mouse, with very special guests Ras Binghi and The Reggae Disciples take the stage this Wednesday (Oct. 4), 8 pm at the Pub. Tickets go on sale today!! $10/students, $13/non­ students and at the door. Available at A.S. Ticket Office, Morninglory Music, Rockpile Records.

In the UCen Art Gallery TH IS W EEK:

"NO LIMITATIONS' Ceramic sculpture by John Doloszycki

NOW THROUGH SEPT. 29!

WANTED:

Special Events — Business — The A.S. Hey, all you wild and Program Board Director enthusiastic Gauchos out of Business Relations is there! Do you want to be interested in forming a part of Extravaganza '90 committee for the and. many other hap­ 1989/90 year. This penin' events? Come by committee will have the the A.S. Program Board opportunity to raise office in UCen room 3167 money and work on on TUESDAY, OCT. 3 at promotion for concerts 4 pm. on campus and Ex­ travaganza in spring. All Advertising — students who possess Artists, writers and fine communication skills people interested in and are interested in advertising who want to gaining business ex­ see their creative work perience by working with used. Practical ex­ companies like Miller perience. Call Lee at 961- Brewing Company and 3536. MTV should leave their name and the phone Culture and Fine number at the A.S. Art — Complaining Program Board office for MOJO NIXON & SKID ROPER about not being Christopher Ames at 961- represented by student 3536. activities? Desiring a TONIGHT!!! greater variety of cultural in the Pub and artistic events on this campus? Make a dif­ 8:00 PM ference! Become a member of ASPB's $5 Student Admission Cultural and Fine Arts A.S. Program Board Tickets available at A.S. Ticket Office This page provided Committee. First meeting ... Because there's Morninglory Music and paid for by the will be held Wednesday, more to school Oct. 4 at 5:30 pm, the £r Rockpile Records Associated Student than just going to Program Board Pub or call William at 961-3536. class. STUDENT SHOW ONLY - SHOW REG CARD