DOCSLIB.ORG

I Just Looked Back on the Pegboard from December 2018 to Refresh Myself on the Final Issue of What Was a Very Busy Year. This Y

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
I Just Looked Back on the Pegboard from December 2018 to Refresh Myself on the Final Issue of What Was a Very Busy Year. This Y ANIMATION GUILD AND AFFILIATED ELECTRONIC AND GRAPHIC ARTS Los Angeles, California, December 2019 Vol. 48, No13 I just looked back on The Pegboard from December 2018 to refresh myself on the fi nal issue of what was a very busy year. This year was a little less hectic: with our main contract (the Master Agreement) settled, we only had four smaller contracts to work out with the major studios, plus a lot of individual deals. We did, however, get a lot done besides our usual collective baragining. Highlights include taking the biggest delegation in our Local’s history to the District 2 Convention in Hono- lulu, Hawai’i, holding an election for Offi cers and E-Board and seeing member engagement and committee participation take off like a rocket. My original intention for this article was to write about the outgoing and incoming Executive Board members, changes at the Guild over the last few years and some events to look forward to in 2020. A lot of little things have happened this week, though, that have reminded me about something very important: a union is made up of working people stand- ing together to make things better for themselves and others. I decided to throw out that fi rst article and start fresh with a little insight into what kind of stuff happens behind the scenes here at the Animation Guild. We just had an election that saw many members getting involved for the fi rst time. Our former Business Rep, Jason MacLeod, decided that a single incredibly productive three-year term was enough for a mere mor- tal, so he is off to a new phase of his career and we welcomed our former MEMBERS MAKE IT HAPPEN (continued on page 3) IN THIS ISSUE Members Make It Happen .......................................... 1 From the President .................................................. 4 Dues Increase ......................................................... 5 From the Business Representative .................................. 6 Women’s March IATSE Inter-Local Sign Making Event ......... 7 Member Perspective ................................................ 8 Five Ways to Get Involved ......................................... 9 California Labor Federation Pre-Primary Convention ......... 10 TAG at Comic Arts LA ............................................. 11 Get App Happy .....................................................12 FAM Committee Holiday Social ..................................17 Holiday Market Cheer and Funds for the IATSE PAC ......... 18 Member Party Is Moving in 2020 .......................20 In Memoriam/TAG Members at CNS Pop-Up Shop ............21 January Gallery Show ..............................................22 Upcoming Events at the Animation Guild ...................... 23 THE PEGBOARD is published monthly by The Animation Guild and Affi liated Optical Electronic and Graphic Arts IATSE Local 839, 1105 N. Hollywood Way, Burbank, CA 91505-2528 phone (818) 845-7500 • fax (818) 843-0300 [email protected] • www.animationguild.org PRESIDENT BUSINESS VICE-PRESIDENT Jeanette Moreno king REPRESENTATIVE Jack Thomas Steve Kaplan RECORDING SECRETARY SERGEANT-AT-ARMS PEGBOARD EDITOR Paula Spence Robert St. Pierre Paula Spence EXECUTIVE BOARD Jack Cusumano • Danny Ducker • Laura Hohman • Brandon Jarratt KC Johnson • Crystal Kan • Carrie Liao • Mike Milo Elisa Phillips • Stephen Silver • Emily Walus TRUSTEES KC Johnson • Carrie Liao • Stephen Silver SHOP STEWARDS Greg Colton (Fox Animation) • Scott Carpenter (Disney TVA, Sonora) Jorge Garcia (DreamWorks Feature) • Charlotte Jackson (Netfl ix) Cathy Jones (Disney TVA, Empire) • Amanda Li (Netfl ix) Kyle Neswald (Cartoon Network) • Drew Newman (Bento Box) Susan Nguyen (DreamWorks TV, Flower) • Justin Weber (Disney Feature) All contents © 2019 by TAG Local 839 IATSE. All rights reserved. ISSN 1523-9365. Publications of bona fi de labor organizations may reprint articles from this newsletter so long as attribution is given. You can stop by the Animation Guild offi ce weekdays between 8:30 am and 5 pm and pick up current or recent back copies of The Pegboard, free of charge. PEGBOARD SUBSCRIPTION POLICY: Active members automatically receive The Pegboard free of charge. Members on honorable withdrawal may continue to receive the newsletter without charge by sending an annual writ- ten request on or before the expiration date on the mailing label. The subscription rate for suspended members and non-members is $10.00 per year ($15.00 foreign, check in U. S. funds), checks made out to the Animation Guild and sent to 1105 N. Hollywood Way, Burbank, CA 91505-2528, U.S.A. The Pegboard is printed on recycled paper. 2 MEMBERS MAKE IT HAPPEN (continued on page 3) Field Rep, Steve Kaplan, to the position. Steve attended the California Labor Federation Pre-Primary Convention on December 11th and had this to say: “Acting as a delegate to the central labor council is an eye- opening experience. Usually, my focus is narrowed to the concerns of our members and the animation industry. Attending events like a COPE Convention, and the LA Fed’s House of Labor, helps me to expand my thinking and realize that organized labor, when acting together, is a pow- erful force. While I am proud to represent the interests of our members, I am honored to stand with other members of organized labor and use our power to make changes for the betterment of all working people.” Here are some other ways that individuals worked to make some pretty darn cool things happen – just in the last several days. Roger Oda wrote an opinion piece (p. 8) to say why he’s going to stay engaged after running for offi ce in the recent election. Jeanette Moreno King was sworn in as President after a very long and hectic day of travel from the other end of the country and she still had the energy to write her fi rst “From the President” piece for this newsletter (p. 4). Outgoing E-Board member Ashley Long organized a second Holiday Market, where talent- ed and crafty TAG members sold their wares (p.18). Over 100 members donated their Post-It Note artwork to raise $1500-plus for the IATSE PAC, which lobbies for workers rights and labor-friendly legislation in Washington, DC (p.19). Our Field Rep Leslie Simmons ran the fundrais- er, made several studio visits, coordinated TAG member participation at several events outside the Guild, attended meetings to share the exper- tise she gained working at other unions so that our Local can be more eff ective, and somehow also showed up at the COPE Convention (p. 10) and an IATSE Inter-Local Union Power event. Kris Mukai moderated a forum on Unionizing for Artists at Comic Arts LA (p. 11), then spread the word about a Game Workers Unite potluck to other TAG members (p. 23). Kristin Donner and Kyle Neswald brought families together at the FAM Committee Holiday Social (p. 17). Teri and Jack Cusumano prepared for an IATSE inter-Local signmaking event for the Women’s March in January. And as soon as I fi nish writing the next few sentences, I will have completed another issue of The Pegboard, which has been published since the early 1960s – this newsletter doesn’t write itself! It takes engaged members to run a labor union, and I’m thankful there are so many people working together to make ours a strong one. I hope you keep reading because there’s lots more good stuff to come in 2020! — Paula Spence, Pegboard Editor 3 My fi rst meeting as president didn’t start as I expected. I was late to the swearing in of the new Executive Board. My fl ight from Baltimore had been delayed a few hours and. with the added hour- long drive from LAX. guaranteed I was not going to make it in time to the Smokehouse in Burbank where, per tradition, the changing of the Board takes place. Texts were fl ying back and forth on how to proceed with the meeting. We fi nally decided that KC, the outgoing Guild Presi- dent, would wait to relinquish the chair until I arrived and would run the meeting until she and I could be sworn in to our new positions. WHEW. It was a packed fl ight with a harried crew with no patience for the whimpering 7-month-old Chihuahua mix I regretfully thought would be “fun” to travel with. A supervisor was waiting at the gate to inform me that this was going on our permanent record and the dog would be banned from any future fl ights. I tried my best to hide my glee and show contrition for this punishment. After a not so short shuttle ride to Lot E, my family and I, with our still whining puppy, jumped into our car and headed into rush hour traf- fi c. It was one of those days where taking surface streets had the same ETA as the highways – bad but it could’ve been much worse. When we arrived I felt pangs of guilt as I left my family with our audibly distressed pooch and headed into The Smokehouse. A cheer went up as I entered the meeting room. These are my people. The outgoing Board seated next to our incoming Board warmed my heart. Being in the company of these talented, motivated individuals who are willing to give of themselves for the greater good of our industry and members is a real privilege. To have been elected to lead such a fi ne group is truly humbling. They all make me work harder and expect more from myself. With food orders placed, I took control of the gavel. The conversation and exchange of ideas between outgoing and incoming Boards is stimu- lating to watch. I wish we could have one last meeting with both Boards. 4 There was much to discuss at this meeting and the new Board mem- bers, most of whom have already been actively participating on commit- tees and as shop stewards, were off and running.
Load more

Recommended publications
  • First Media Partners with HBO GO to Offer Unlimited Access to All Available Content on HBO with One Subscription
    PRESS RELEASE First Media partners with HBO GO to Offer Unlimited Access to All Available Content on HBO with One Subscription Jakarta, May 16th 2018 – First Media, a leader and pioneer in the cable TV industry and broadband Internet in Indonesia, presents HBO GO, an Internet-based service from HBO to bring the best mobile experience. HBO GO allows First Media customers to enjoy exclusive entertainment from HBO Originals: HBO series, HBO movies, documentaries, as well as Hollywood blockbusters through various devices (computers, tablets and smartphones). HBO GO is available for download from both the Google Play and the App Store, or visit the website at www.hbogoasia.com. "We are very excited to be the first partner in Indonesia to launch HBO GO on First Media. Aside from offering a vast array of premium channels, it is also our commitment to our subscribers to offer the best entertainment on the go (to be viewed anywhere and anytime) which includes the best of HBO Originals: HBO series, HBO movies, documentaries, as well as Hollywood blockbusters,” said Meena Kumari Adnani, Executive Vice President of Content Development and Business Affairs at First Media. Based on SVOD Report Statista 2018 the penetration of users Streaming video on demand (SVOD) accessed through the internet in Indonesia in 2018 reached 3.7% and is predicted to reach 7.9% by 2022. Internet access from mobile device users, by 2017, 28.78% of the population accesses the internet via mobile devices and is expected to reach 38.22% by 2021 (Mobile internet Statista 2017). This shows the growing trend of accessing internet video content via mobile.
    [Show full text]
  • Pay-TV Programmers & Channel Distributors
    #GreatJobs C NTENT page 5 www.contentasia.tv l www.contentasiasummit.com Asia-Pacific sports Game over: StarHub replaces Discovery rights up 22% to 7 new channels standby for July rollout in Singapore US$5b in 2018 Digital rights driving inflation, value peaks everywhere except India Demand for digital rights will push the value of sports rights in the Asia-Pacific region (excluding China) up 22% this year to a record US$5 billion, Media Partners Asia (MPA) says in its new re- port, Asia Pacific Sports In The Age of GoneGone Streaming. “While sports remains the last bastion for pay-TV operators com- bating subscriber churn, OTT delivery is becoming the main driver of rights infla- tion, opening up fresh opportunities for rights-holders while adding new layers of complexity to negotiations and deals,” the report says. The full story is on page 7 Screen grab of Discovery’s dedicated campaign site, keepdiscovery.sg CJ E&M ramps up While Singapore crowds spent the week- StarHub is extending bill rebates to edu- Turkish film biz end staring at a giant #keepdiscovery cation and lifestyle customers and is also Korean remakes follow video display on Orchard Road, StarHub offering a free preview of 30 channel to 25 local titles was putting the finishing touches to its 15 July. brand new seven-channel pack includ- StarHub’s decision not to cave to Dis- ing, perhaps ironically, the three-year-old covery’s rumoured US$11-million demands Korea’s CJ E&M is ramping up its Turkish CuriosityStream HD channel launched by raised questions over what rival platform operations, adding 25 local titles to its Discovery founder John Hendricks.
    [Show full text]
  • Tv-Zenders Basispakket
    Tv-zenders Basispakket HD* Terugkijken** HD* Terugkijken** Zenders Zenders 1 NPO 1 39 Njam! 2 NPO 2 40 BBC World � NPO 3 41 Beleef KPN 4 RTL 4 42 Zender van de maand 5 RTL 5 43 NPO Nieuws 6 SBS 6 44 Das Erste (ARD) 7 RTL 7 45 ZDF 8 NET 5 46 RTL Television 9 Veronica / Disney XD 48 WDR 10 RTL 8 49 Arte 11 RTL Z 58 NPO Zappelin extra 12 Comedy Central 60 Cartoon Network 13 Spike 61 CNN 14 FOX Sports 1 62 Euronews 15 Discovery 63 Al Jazeera 16 FOX 92 France2 17 TLC 93 RTV-7 18 National Geographic 96 Rai Uno 19 SBS 9 109 TV 538 20 MTV 140 TRT 21 ID NPO 1 GOS 191 22 XITE (=gesproken ondertiteling) 23 Dreamworks Channel NPO 2 GOS 192 24 24Kitchen (=gesproken ondertiteling) 25 BBC First NPO 3 GOS 193 26 BBC One (=gesproken ondertiteling) 27 BBC Two 200 Netflix 28 Disney Channel 538 TV 538 29 Één 651 Erotique Boutique 30 Canvas 652 Secret Circle 31 Ketnet 32 History HD-glas 33 Nickelodeon 661 NPO 1 HD Glas 34 LoveNature 662 NPO 2 HD Glas 35 Eurosport 1 663 NPO 3 HD Glas 37 Viceland 664 RTL 4 HD Glas 38 Insight 665 RTL 5 HD Glas 666 SBS 6 HD Glas 4K-zenders 667 RTL 7 HD Glas 691 XITE 4K 668 Net 5 HD Glas 692 Insight 4K 669 Veronica/Disney XD HD Glas 693 LoveNature 4K 670 RTL 8 HD Glas Heeft u nog vragen over uw tv-abonnement? Neem contact op met onze Klantenservice: 020 398 76 66.
    [Show full text]
  • Reproductions Supplied by EDRS Are the Best That Can Be Made from the Original Document
    DOCUMENT RESUME ED 480 372 PS 031 481 TITLE Marketing Violent Entertainment to Children: A One-Year Follow-Up Review of Industry Practices in the Motion Picture, Music Recording and Electronic Game Industries. A Report to Congress. INSTITUTION Federal Trade Commission, Washington, DC. PUB DATE 2001-12-00 NOTE 101p.; For the Six Month Follow-Up Report, see ED 452 453. AVAILABLE FROM Federal Trade Commission, 600 Pennsylvania Avenue, NW, Washington, DC 20580. Tel: 877-FTC-HELP (Toll Free); Web site: http://www.ftc.gov. For full text: http://www.ftc.gov/os/2001/ 12/violencereportl.pdf. PUB TYPE Reports Evaluative (142) EDRS PRICE EDRS Price MF01/PC05 Plus Postage. DESCRIPTORS Adolescents; *Advertising; Children; *Compliance (Legal); Federal Regulation; *Film Industry; Influences; Mass Media; *Mass Media Role; Merchandising; Popular Music; Video Games; *Violence IDENTIFIERS Entertainment Industry; Federal Trade Commission; *Music Industry ABSTRACT In a report issued in September 2000, the Federal Trade Commission reported that the motion picture, music recording, and electronic game segments of the entertainment industry intentionally promoted products to children that warranted parent cautions. This report responds to the request of the Senate Commerce Committee by focusing on advertising placement in popular teen media and disclosure of rating and labeling information in advertising. The report details commission findings indicating that the movie and electronic game industries have taken steps to better communicate rating information to parents, and that the game industry and a number of movie studios ave placed some specific limits on ad placements to avoid targeting youth. The music industry is beginning to include the parental advisory in advertising, but has not taken steps to limit advertising to children.
    [Show full text]
  • New Media Goes to the Movies: Digitizing the Theatrical Audience
    New Media Goes to the Movies: Digitizing the Theatrical Audience Published in Television & New Media, pp. 1-21, 2019, DOI: 10.1177/1527476429863131 Blake Hallinan1 and C.J. Reynolds2 Abstract Movie theaters typically appear adjacent to discussions of new media. Although there has been work on digital cinema, we shift the focus from the digitization of the medium to the digitization of the theatrical audience and analyze the movie theater as new media. To do so, we look at the historical and contemporary strategies for digitizing the theatrical audience of a prominent theater chain. We identify common media of digitization, including credit cards, computerized point-of-sale systems, and loyalty programs. The origins of these techniques and imperatives trace back to the 1970s and 1980s, even as they take on new forms today. We then analyze the industrial logics of audience digitization and emergent communication and data collection methods. Finally, we analyze the movie theater as a platform, showing both the relevance of movie theaters and the challenges their inclusion as an object of study poses for contemporary platform studies. Introduction In 1999, Variety published an article about the changes coming to theatrical distribution and exhibition with the dawn of a new “Digital Era,” which began with a speculative account of what the industry would look like in five years’ time: Using his computer keyboard and mouse, the president of top U.S. theater chain Regal/Loews-AMC books the upcoming weekend’s films into his circuit’s theaters. As he clicks on the titles (“Austin Powers 4: You Only Shag Twice,” “The Matrix III” and MGM’s long-awaited “Supernova”) the films begin downloading via satellite to the 1 University of Colorado Boulder, Boulder, USA 2 Independent Scholar Corresponding Author: Blake Hallinan, University of Colorado Boulder, Hellems 96 UCB 270, Boulder, CO 80303, USA Email: [email protected] 2 Television & New Media 00(0) circuit’s digital megaplexes around the globe.
    [Show full text]
  • Cessation of Disney
    Cessation of Disney What happened to the Disney channels on Singtel TV? Disney XD (CH 232), Disney Channel (CH 234) and Disney Junior (CH 236) stopped their carriage on Singtel TV on 1 June 2020. Our priority is to bring affordable quality content to our customers and despite our best efforts, we were unable to reach an agreement with Disney on a reasonable renewal offer for its channels. We continue to engage Disney in discussions. We thank you for your understanding and patience and will update you if there are any new developments. In the meantime, we hope you will enjoy the new DreamWorks channel (CH 234) as well as Cartoon Network (226), Boomerang (228), Nick Jr (238), Nickelodeon (240) & Baby TV (244). I am a subscriber to a Singtel TV pack with Disney XD (CH 232), Disney Channel (CH 234) and Disney Junior (CH 236), how am I being informed of the cessation? Since 12 May 2020, a message on screen ran on Disney XD (CH 232), Disney Channel (CH 234) and Disney Junior (CH 236) to inform subscribers about each channel stopping its broadcast on Singtel TV from 1 June. I am subscribed to a Singtel pack that includes Disney XD (CH 232), Disney Channel (CH 234) and Disney Junior (CH 236), how am I impacted? Disney XD (CH 232), Disney Channel (CH 234) and Disney Junior (CH 236) stopped their broadcast on Singtel TV on 1 June 2020. Our priority is to bring affordable quality content to our customers and we continue to engage Disney in discussions.
    [Show full text]
  • Massive Licensed Live Shows Soar Into US Arenas P31 Russian Animators Open up to Co-Production Opps
    Russian animators open up Massive licensed live shows Licensing Show—Large licensors to co-production opps p17 soar into US arenas p31 making big wagers in Las Vegas p46 engaging the global children’s entertainment industry A publication of Brunico Communications Ltd. MAY/JUNE 2012 2 CANADA POST AGREEMENT NUMBER 40050265 PRINTED IN CANADA USPS AFSM 100 Approved Polywrap CANADA POST AGREEMENT NUMBER 40050265 PRINTED IN USPS AFSM 100 Approved Inside May/June 2012 moves 9 Amazon dishes more details on its new kids TV production model How I Did It—Holly Stein on her move from the ad world to Barbieville tv 17 Backed by new funding, Russian studios pursue global co-pro opps Tuning In—Disney Junior appeals to mom connection with new US channel consumer products 31 Oversized licensed stage spectacles prepare to invade US arenas Licensee Lowdown—Random House portfolio goes on a growth spurt kid insight 43 Nickelodeon provides a sneak-peek into new study, The Global Family Muse of the Month—10-year-old 29 Gabe talks Google, tortoises and TV Aardman’s Shaun the Sheep gets into the spirit of the London Olympics in new series Championsheeps Special Licensing Show 46 Licensors make big bets in Vegas and analysts weigh in. We also take Report an advance look at some of this year’s more promising properties. Shut Up! Do new Ha! Ha! Hairies See what’s Care Bears reboot Farm animals toons really have a combs for headed into and go retro for with super powers, 14 YouTube Channel? 26 laughs 28 the Pipeline 41their 30th 52 see for yourself! Cover Our editorial cover features Nickelodeon’s Teenage Mutant Ninja Turtles—the new generation—headed to screen and shelves later this year.
    [Show full text]
  • Annual Report 2014 TABLE of CONTENTS
    OUR STORY HAS JUST BEGUN Annual Report 2014 TABLE OF CONTENTS 28 Message to Shareholders 32 List of Assets 34 Directors 34 Officers 35 Management’s Discussion and Analysis 66 Management’s Responsibility for Financial Reporting 67 Independent Auditors’ Report 68 Consolidated Statements of Financial Position 69 Consolidated Statements of Income and Comprehensive Income 70 Consolidated Statements of Changes in Shareholders’ Equity 71 Consolidated Statements of Cash Flows 72 Notes to Consolidated Financial Statements 117 Corporate Information 4 CORUS ENTERTAINMENT ANNUAL REPORT 2014 CORUS TELEVISION 24 Television networks targeted to kids, women, family and pay TV audiences 84% of Canadians watch a Corus Television network each week 16,000 hours of video on demand is available each month CORUS ENTERTAINMENT ANNUAL REPORT 2014 5 Showtime’s Ray Donovan on Movie Central 6 CORUS ENTERTAINMENT ANNUAL REPORT 2014 CORUS ENTERTAINMENT ANNUAL REPORT 2014 7 8 CORUS ENTERTAINMENT ANNUAL REPORT 2014 Love It or List It Vancouver on W Network CORUS ENTERTAINMENT ANNUAL REPORT 2014 9 10 CORUS ENTERTAINMENT ANNUAL REPORT 2014 Carlos, host of The Zone, on YTV CORUS ENTERTAINMENT ANNUAL REPORT 2014 11 La Marraine on Séries+ 12 CORUS ENTERTAINMENT ANNUAL REPORT 2014 CORUS ENTERTAINMENT ANNUAL REPORT 2014 13 CORUS RADIO 39 radio stations in 8 out of Canada’s top 10 markets 7.7 MILLION Canadians tune in to a Corus Radio station each week 6.2 MILLION hours of content streamed from Corus Radio stations each month CLASSIC ROCK 14 CORUS ENTERTAINMENT ANNUAL REPORT
    [Show full text]
  • Philippines in View Cc
    PHILIPPINES IN VIEW 2021 Table of Contents Chapter 1: Overall TV Market Environment ........................................................................ 2 Chapter 2: Online Curated Content (OCC) Market Environment ....................................... 13 Chapter 3: Traditional Pay TV Market Environment ......................................................... 45 Chapter 4: Piracy in the Philippines: Piracy and Unauthorized Distribution for Online and Traditional TV .................................................................................................................. 97 Chapter 5: Regulatory Environment for Digital Content ........................................................ 102 References ..................................................................................................................... 113 Annex A: Top TV Programs ............................................................................................. 121 Annex B: Glossary of Acronyms ...................................................................................... 125 1 Chapter 1: Overall TV Market Environment The disruptions to the Philippine television (TV) industry over recent years are many and the most recent of them, the 2019 coronavirus pandemic (COVID-19), has not made things easier. In June 2020, the World Economic Forum cited the myriad ways the pandemic has affected the media industry from content creators to distributors, saying that while consumer demand for content has skyrocketed due to lockdowns and the prevalence of remote
    [Show full text]
  • Launch of Dreamworks
    Launch of DreamWorks What is DreamWorks on Singtel TV? DreamWorks is a new kids and family entertainment channel that launches on 1 June 2020 on Singtel TV CH 234. The 24-hour, high definition channel offers family entertainment content with quality animation and storytelling. What shows can I watch on DreamWorks (CH 234)? DreamWorks offers quality animation and storytelling in its kids and family content. Young viewers on Singtel TV and CAST can join panda cubs save the world on Kung Fu Panda: The Paws of Destiny, as well as explore cultures and navigate obstacles worldwide in Where’s Wally?. Signature DreamWorks TV shows include Trolls: The Beat Goes On! from the blockbuster film Trolls, The Adventures of Rocky and Bullwinkle, Dawn of the Croods, Trollhunters: Tales of Arcadia by Guillermo del Toro, The Mr. Peabody & Sherman Show and Turbo FAST. How can I watch DreamWorks (CH 234) on Singtel TV? From 1 June 2020, DreamWorks (CH 234) is added to Singtel TV’s Family Starter pack at no additional cost. Customers subscribed to the Family Starter pack can enjoy the channel at no extra charges. Singtel TV customers can sign up for the Family Starter pack pack at singtel.com/TV or by calling 1609. I am not subscribed to Family Starter pack, can I still watch DreamWorks (CH 234) on Singtel TV? All Singtel TV customers can enjoy a free preview of DreamWorks (CH 234) at launch, from 1 – 30 June 2020. DreamWorks (CH 234) is added to Singtel TV’s Family Starter pack at no additional cost.
    [Show full text]
  • 95 Subscription TV Channels
    Channel Start Date End Date 111 30th Nov 2008 111 +2 29th Nov 2009 13th Street 29th Nov 2009 16th Dec 2019 13th Street +2 28th Nov 2010 16th Dec 2019 A&E 12th Feb 2012 A&E +2 2nd Oct 2016 Animal Planet 28th Dec 2003 BBC First 3rd August 2014 BBC Earth 30th Nov 2008 BBC World News 9th Jan 2011 beIN Sports 1 29th Nov 2011 beIN Sports 2 28th Aug 2016 beIN Sports 3 28th Aug 2016 Binge 2nd Oct 2016 6th Nov 2019 Bio 28th May 2016 1st Nov 2015 Boomerang 4th Sept 2005 BoxSets 3rd Nov 2014 Cartoon Network 3rd August 2003 Cbeebies 30th Nov 2008 CMT 1st July 2020 Channel [V] 3rd Aug 2003 Club MTV 27th Feb 2005 CNBC 3rd Aug 2003 28th Dec 2014 Comedy Channel 3rd Aug 2003 31st Aug 2020 Comedy Channel +2 19th June 2005 6th Nov 2019 Country Music Channel 28th Aug 2016 30th June 2020 crime + investigation 1st Jan 2006 Discovery Channel 3rd Aug 2003 Discovery Channel +2 29th Nov 2009 Discovery Home & Health 1st Jan 2006 3rd Aug 2014 Discovery Kids 3rd Nov 2014 31st Jan 2020 Discovery Turbo 29th Nov 2009 Discovery Turbo +2 29th Nov 2009 Disney Channel 3rd Aug 2003 29th Feb 2020 Disney Junior 26th Feb 2006 29th Feb 2020 DreamWorks 1st July 2021 E! 19th June 2005 E! +2 23rd Feb 2020 ESPN 28th Dec 2003 ESPN2 27th Nov 2011 Eurosport 28th June 2015 31st Jan 2020 FMC - Family Movie Channel 29th Nov 2009 26th Aug 2012 FOX Arena 3rd Aug 2003 FOX Arena +2 19th June 2005 FOX Classics 3rd Aug 2003 FOX Classics +2 19th June 2005 FOX COMEDY 3rd Nov 2019 FOX COMEDY +2 3rd Nov 2019 FOX CRICKET 26th Aug 2018 FOX CRIME 3rd Nov 2019 FOX CRIME +2 3rd Nov 2019 Channel Start
    [Show full text]
  • TRANSMEDIA PLATFORMS a Creator’S Guide to Media and Entertainment
    TRANSMEDIA PLATFORMS a creator’s guide to media and entertainment anne zeiser © Illustration by Brett Ryder A companion to Transmedia Marketing: From Film and TV to Games and Digital Media Contents _______________________________ Preface to Transmedia Marketing 4 Chapter 1 – Introduction – Transmedia Platforms 7 Transmedia Platforms Today 7 Finding Your Platforms 9 Chapter 2 – Film 10 History of Film 10 Film Industry Standards 13 Film Trends 19 Chapter 3 – Broadcast –Television and Radio 21 History of Television 21 Television Industry Standards 23 Television Trends 27 History of Radio 30 Radio Industry Standards 31 Radio Trends 34 Chapter 4 – Print – Books and Publications 36 History of Books 36 Book Industry Standards 38 Book Trends 41 History of Newspapers 42 Newspaper Industry Standards 43 Newspaper Trends 45 History of Magazines 46 Magazine Industry Standards 46 Magazine Trends 48 Chapter 5 – Games 49 History of Games 49 Game Industry Standards 51 Game Trends 58 ! 2! Chapter 6 – Digital Media – Internet and Mobile 61 Digital Media Overview 61 The Internet 63 Web Sites 64 Blogs, Pods, and Vlogs 66 Social Media 68 Mobile Apps 70 Digital Marketing and Awards 71 Key Social Media Sites and Apps 76 Facebook 77 Google+ 78 Twitter 80 YouTube 82 Tumblr 83 Instagram 83 LinkedIn 84 IMDb 85 Reddit 86 Snapchat 86 Shazam 87 Skype 87 Flickr 88 Pinterest 88 MySpace 88 Vine 89 Flipboard 89 Goodreads 90 Flixter 90 Raptr 90 Viggle 91 Beamly 91 Periscope 91 Meerkat 92 Chinese Platforms 92 Chapter 7 – Experiential Media 93 Theatrical Productions 93 Concerts 97 Exhibitions and Live Installations 98 Theme Parks 99 Toys 101 Chapter 8 – Conclusion – Transmedia Platforms 103 Shaping Your Transmedia Profile 103 Embracing the Transmedia Future 105 ! 3! Preface to Transmedia Marketing: From Film and TV to Games and Digital Media _______________________________ Over the past decade, I’ve had countless queries from anxious filmmakers and media makers seeking advice about setting up a Facebook page or a Twitter account.
    [Show full text]