C Ntent 3 December 2017 L
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Tiffcom2o2o Market Report Topics トピックス
TIFFCOM2O2O MARKET REPORT TOPICS トピックス TIFFCOM2020 was held in an all-online format to accommodate the "New Normal". TIFFCOM2020 explored the possibility of a new content market in an on-demand environment that is not restricted by time and space. TIFFCOM2020は、新しい生活様式に合わせたオール・オンラインでの開催を実施。時間と空間に囚われないオンデマンドな環境下で新たなコンテンツマーケットの可能性を探りました。 ONLINE BUSINESS ONLINE BOOTH MATCHING By adopting a virtual booth(VR), we provided a one- In order to provide benefi cial business opportunities for stop environment for buyers to obtain various content exhibitors and buyers, we provided search functions information and exhibitor information stress-free. such as detailed searches by industry and category, and recommendations based on registered information. バ ーチャルブ ース(VR)を採用し、ストレスフリーでの各種コンテンツ情 報や出展者情報が、ワンストップで入手できる環境を提供。 業種やカテゴリーによる詳細検索、登録情報に基づいたレコメンド検索 機能といった、出展者とバイヤーとの有益な商談機会に繋がる環境を提 供。 Search Participants Exhibitor Details 2 16 ONLINE SCREENING ONLINE SEMINAR Provided an online screening service that connected Featured 18 seminars highlighting the latest trends and exhibitors and buyers in a secure environment(DRM). personalities in film, TV, and streaming platforms.The Equipped with a search function with detailed keynote speaker was Jim Gianopulos, Chairman and categorization and convenient functions for content CEO of Paramount Pictures. matching. 映画、TV、配信といった各ジャンルの最新テーマや人物にスポットを当 セキュアな環境下(DRM)での出展者とバイヤーを繋ぐオンラインスクリ てた18プログラムを実施。キーノートには、ジム・ジアノプロス氏(パラ ーニングサービスを提供。細かくカテゴリ分けされた検索機能やコンテ マウント・ピクチャーズ会長兼CEO)が登壇。 ンツマッチングに便利な機能を採用。 SUMMARY 総括 TIFFCOM2020 was -
World in Review 2013-2014
Brand USA USA Brand Brand USA 1725 I Street NW, Suite 800 Brand USA Washington, DC 20006 USA 2013-14 in Review World TheBrandUSA.com World in Review 2013-14 ©2012 Brand USA. All Rights Reserved. ©2012 Brand Expand your horizons on the plains of North Dakota. Discover this land, like never before. CONTENTS 5 Introduction 46 Japan 6 Brand USA Overview 52 Mexico & Central America 8 Global Timeline 60 South Korea 10 Executive Leadership & Staff 66 Taiwan & Hong Kong 12 Australia & New Zealand 74 UK & Ireland 20 Brazil 82 Global Representatives 26 China 84 Technology Developments 32 Germany, Austria & Switzerland 85 USA Discovery Program 39 India 86 Looking to the Future WORLD IN REVIEW 2013/14 3 4 WORLD IN REVIEW 2013/14 WELCOME We are pleased to present the Brand USA Global Year-In- Review. Within these pages you will find updates on Brand USA’s accomplishments around the world as we embark on our third year of operation. In 2012, Brand USA launched a successful, first-ever, direct-to-consumer marketing campaign for the United States, greatly increasing intent to visit in our inaugural launch markets of Canada, Japan, and the United Kingdom. The following year, we redeployed this highly effective campaign in those same three markets and are expanding into Australia, Brazil, China, Hong Kong, Germany, Mexico and South Korea. These 10 markets represent 75% of inbound travel to the United States. In addition, we are broadening our footprint around the globe with in-market representation and trade show participation in a total of 26 markets. -
TRULY GLOBAL Worldscreen.Com *LIST 1217 ALT 2 LIS 1006 LISTINGS 11/15/17 2:06 PM Page 2
*LIST_1217_ALT 2_LIS_1006_LISTINGS 11/15/17 2:06 PM Page 1 WWW.WORLDSCREENINGS.COM DECEMBER 2017 ASIA TV FORUM EDITION TVLISTINGS THE LEADING SOURCE FOR PROGRAM INFORMATION TRULY GLOBAL WorldScreen.com *LIST_1217_ALT 2_LIS_1006_LISTINGS 11/15/17 2:06 PM Page 2 2 TV LISTINGS ASIA TV FORUM EXHIBITOR DIRECTORY COMPLETE LISTINGS FOR THE COMPANIES IN BOLD CAN BE FOUND IN THIS EDITION OF TV LISTINGS. 9 Story Media Group J30 Fuji Creative Corporation A24-4 Pilgrim Pictures E08/H08 A Little Seed E08/H08 Gala Television Corporation D10 Pixtrend J10 A+E Networks G20 Global Agency E27 Playlearn Media L10 Aardman K32 Globo C30 Premiere Entertainment F34 Aasia Productions E08/H08 GMA Worldwide J01 Primeworks Distribution E30 AB International Distribution E10/F10 Goquest Media Ventures D29 Public Television Service Foundation D10 ABC Commercial L08 Grafizix J10 Rainbow E23 ABC Japan A24-15 Green Gold Animation G30 Rajshri Entertainment L28 About Premium Content E10/F10 Green Yapim N10 Raya Group H07 ABS-CBN Corporation J18 Greener Grass Production D10 Record TV K22 activeTV Asia E08/H08 H Culture J10 Red Arrow International H25 ADK/NAS/D-Rights A24-5 Happy Dog TV L10 Reel One Entertainment K32 AK Entertainment H10/H20 HARI International E10/F10 Refinery Media E08/H08 Alfred Haber Distribution F30 Hasbro Studios F28 Regentact F32 all3media international K08 Hat Trick International K32 Resimli Filim N10 Ampersand E10/F10 Hello Earth B25 Rive Gauche Television J28 Animasia Productions E30 High Commission of Canada H29 RKD Studios L30 Antares International -
First Media Partners with HBO GO to Offer Unlimited Access to All Available Content on HBO with One Subscription
PRESS RELEASE First Media partners with HBO GO to Offer Unlimited Access to All Available Content on HBO with One Subscription Jakarta, May 16th 2018 – First Media, a leader and pioneer in the cable TV industry and broadband Internet in Indonesia, presents HBO GO, an Internet-based service from HBO to bring the best mobile experience. HBO GO allows First Media customers to enjoy exclusive entertainment from HBO Originals: HBO series, HBO movies, documentaries, as well as Hollywood blockbusters through various devices (computers, tablets and smartphones). HBO GO is available for download from both the Google Play and the App Store, or visit the website at www.hbogoasia.com. "We are very excited to be the first partner in Indonesia to launch HBO GO on First Media. Aside from offering a vast array of premium channels, it is also our commitment to our subscribers to offer the best entertainment on the go (to be viewed anywhere and anytime) which includes the best of HBO Originals: HBO series, HBO movies, documentaries, as well as Hollywood blockbusters,” said Meena Kumari Adnani, Executive Vice President of Content Development and Business Affairs at First Media. Based on SVOD Report Statista 2018 the penetration of users Streaming video on demand (SVOD) accessed through the internet in Indonesia in 2018 reached 3.7% and is predicted to reach 7.9% by 2022. Internet access from mobile device users, by 2017, 28.78% of the population accesses the internet via mobile devices and is expected to reach 38.22% by 2021 (Mobile internet Statista 2017). This shows the growing trend of accessing internet video content via mobile. -
I Just Looked Back on the Pegboard from December 2018 to Refresh Myself on the Final Issue of What Was a Very Busy Year. This Y
ANIMATION GUILD AND AFFILIATED ELECTRONIC AND GRAPHIC ARTS Los Angeles, California, December 2019 Vol. 48, No13 I just looked back on The Pegboard from December 2018 to refresh myself on the fi nal issue of what was a very busy year. This year was a little less hectic: with our main contract (the Master Agreement) settled, we only had four smaller contracts to work out with the major studios, plus a lot of individual deals. We did, however, get a lot done besides our usual collective baragining. Highlights include taking the biggest delegation in our Local’s history to the District 2 Convention in Hono- lulu, Hawai’i, holding an election for Offi cers and E-Board and seeing member engagement and committee participation take off like a rocket. My original intention for this article was to write about the outgoing and incoming Executive Board members, changes at the Guild over the last few years and some events to look forward to in 2020. A lot of little things have happened this week, though, that have reminded me about something very important: a union is made up of working people stand- ing together to make things better for themselves and others. I decided to throw out that fi rst article and start fresh with a little insight into what kind of stuff happens behind the scenes here at the Animation Guild. We just had an election that saw many members getting involved for the fi rst time. Our former Business Rep, Jason MacLeod, decided that a single incredibly productive three-year term was enough for a mere mor- tal, so he is off to a new phase of his career and we welcomed our former MEMBERS MAKE IT HAPPEN (continued on page 3) IN THIS ISSUE Members Make It Happen ......................................... -
A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar. -
C Ntentasia 11-24 July 2016 Page 2
11-24 JuLY 2016 ! s r a ye 2 0 C 016 g 1 NTENT - Celebratin www.contentasia.tv l www.contentasiasummit.com PCCW’s Viu pushes into MAIN COLOR PALETTE 10 GRADIENT BG GRADIENT R: 190 G: 214 B: 48 premiumR: 0 G: 0 B: 0 Take the green and the blue Take the green and the blue C: 30 M: 0 Y: 100 K: 0 C: 75 M: 68 Y: 67 K: 90 from the main palette. from the main palette. Opacity: 100% Opacity: 50% R: 0 G: 80 B: 255 R: 138 G: 140 B: 143 Blending Mode: Normal Blending Mode: Hue C: 84 M: 68 Y: 0 Singapore K: 0 C: 49 goesM: 39 Y: 38 live K: 3 with unlimited downloads & multiple pay points Uncontrollably Fond PCCW Media has added premium ver- sions of its Viu OTT platform to its offering in Singapore, supporting Singtel’s first bid to delink mobile video and set-top box TV subscriptions as well as offering a paid direct-to-consumer option. The full story is on page three HBO Asia kicks off Chinese martial arts FIRST AND EXCLUSIVE originals slate SAME DAY AS THE U.K. Brand New Season Mainland co-production Premieres Aug 28 Sundays & Mondays 10:30am (9:30am JKT/BKK) anthology confirmed Primetime Encore Sundays, Mondays & Thursdays 9pm (8pm JKT/BKK) HBO Asia has confirmed a slate of Chi- nese martial arts action TV features with prolific mainland Chinese producer, Chi- For carriage inquiries, please contact [email protected] na Movie Channel (CMC). ©2016 FremantleMedia & Simco Ltd. -
Japan Content Showcase2016 マーケットレポート
Market Report 2016 Focused on latest trends 18,330 participants conducted various business meetings PARTICIPANTs Japan Content Showcase is a leading multi-content market in Asia featuring music, films, TV and animation. JCS celebrated 5th anniversary in 2016 as a joint market with TIFFCOM (the affiliated market of Tokyo International Film Festival*1), Tokyo International Music Market (TIMM) and Tokyo International Anime Festival (TIAF) and highest recorded, 18,330 participants visited the market*2. In addition to many buyers and sellers, producers and other various professionals from different fields also attended JCS 2016. *1 The only film festival in Japan approved by the International Federation of Film Producers Associations *2 Excluding live showcase outside the market Breakdown of Participants' Profession Valid responses 3,139 : Buyer's VOICE PRODUCER's VOICE Buyer's VOICE Buyer(Acquisitions) 1,189 Film Commission Film Fund 5 1 / Mary Alana Gibson Pancha Charam.P NALLIAH Irene Lloren Seller 423 Talent Management 37 Digital Media Rights LLC / USA MALAYSIAN FILM PRODUCERS ASSOCIATION /Malaysia Primetrade Asia, Inc. / Philippines Producer 340 Legal Expert/Clerk 30 The market is pretty A well organized I think it is great nice bacause I can t i m e . B e c a u s e Content Creator 299 Public Relations/Journalist 25 focus more on the event. Bravo! Asian content and buyers can actually Marketing 2 1 2 Translator/Interpreter 23 Anime. There are lots cross over from of local companies Director 74 Government Agency/Embassy 20 music to film. It t h e U S h a s n eve r wo u l d b e g re a t Festival/Market 66 Publisher 1 8 worked with before and that is kind of o p p o r t u n i t y fo r Filmmaker 57 Other 223 important. -
Canadian Canada $7 Spring 2020 Vol.22, No.2 Screenwriter Film | Television | Radio | Digital Media
CANADIAN CANADA $7 SPRING 2020 VOL.22, NO.2 SCREENWRITER FILM | TELEVISION | RADIO | DIGITAL MEDIA The Law & Order Issue The Detectives: True Crime Canadian-Style Peter Mitchell on Murdoch’s 200th ep Floyd Kane Delves into class, race & gender in legal PM40011669 drama Diggstown Help Producers Find and Hire You Update your Member Directory profile. It’s easy. Login at www.wgc.ca to get started. Questions? Contact Terry Mark ([email protected]) Member Directory Ad.indd 1 3/6/19 11:25 AM CANADIAN SCREENWRITER The journal of the Writers Guild of Canada Vol. 22 No. 2 Spring 2020 Contents ISSN 1481-6253 Publication Mail Agreement Number 400-11669 Cover Publisher Maureen Parker Diggstown Raises Kane To New Heights 6 Editor Tom Villemaire [email protected] Creator and showrunner Floyd Kane tackles the intersection of class, race, gender and the Canadian legal system as the Director of Communications groundbreaking CBC drama heads into its second season Lana Castleman By Li Robbins Editorial Advisory Board Michael Amo Michael MacLennan Features Susin Nielsen The Detectives: True Crime Canadian-Style 12 Simon Racioppa Rachel Langer With a solid background investigating and writing about true President Dennis Heaton (Pacific) crime, showrunner Petro Duszara and his team tell us why this Councillors series is resonating with viewers and lawmakers alike. Michael Amo (Atlantic) By Matthew Hays Marsha Greene (Central) Alex Levine (Central) Anne-Marie Perrotta (Quebec) Murdoch Mysteries’ Major Milestone 16 Lienne Sawatsky (Central) Andrew Wreggitt (Western) Showrunner Peter Mitchell reflects on the successful marriage Design Studio Ours of writing and crew that has made Murdoch Mysteries an international hit, fuelling 200+ eps. -
Pay-TV Programmers & Channel Distributors
#GreatJobs C NTENT page 5 www.contentasia.tv l www.contentasiasummit.com Asia-Pacific sports Game over: StarHub replaces Discovery rights up 22% to 7 new channels standby for July rollout in Singapore US$5b in 2018 Digital rights driving inflation, value peaks everywhere except India Demand for digital rights will push the value of sports rights in the Asia-Pacific region (excluding China) up 22% this year to a record US$5 billion, Media Partners Asia (MPA) says in its new re- port, Asia Pacific Sports In The Age of GoneGone Streaming. “While sports remains the last bastion for pay-TV operators com- bating subscriber churn, OTT delivery is becoming the main driver of rights infla- tion, opening up fresh opportunities for rights-holders while adding new layers of complexity to negotiations and deals,” the report says. The full story is on page 7 Screen grab of Discovery’s dedicated campaign site, keepdiscovery.sg CJ E&M ramps up While Singapore crowds spent the week- StarHub is extending bill rebates to edu- Turkish film biz end staring at a giant #keepdiscovery cation and lifestyle customers and is also Korean remakes follow video display on Orchard Road, StarHub offering a free preview of 30 channel to 25 local titles was putting the finishing touches to its 15 July. brand new seven-channel pack includ- StarHub’s decision not to cave to Dis- ing, perhaps ironically, the three-year-old covery’s rumoured US$11-million demands Korea’s CJ E&M is ramping up its Turkish CuriosityStream HD channel launched by raised questions over what rival platform operations, adding 25 local titles to its Discovery founder John Hendricks. -
Annual Report 2019–2020
CMF FMCANNUAL REPORT 2019 – 2020 CMF FMC CONTENTS ABOUT1 CMF SUCCESSES2 FUNDING3 RESULTS FINANCIAL4 OVERVIEW APPENDICES5 Financial Contributors 3 Audience Results: 51 Experimental 83 Management Discussion 153 Notice 179 Mandate and Vision 5 Television TV 95 and Analysis Television Audience 180 Funding Model 9 Audience Results: 67 Indigenous Support 115 Management’s 157 Data Sources Digital Media Responsibility for CMF by the Numbers 11 Official Language Minority 121 Financial Reporting Message from the Chair 13 Community Support Financial Statements 159 Regional Support 128 Message from 15 of Canada Media Fund the President and CEO Export-Related Programs 133 Board and Committee 19 International Treaty 137 Activities Coproductions and Board Members 25 International Incentives Management Team 29 Program Funding Summary 141 Industry Consultation 35 Sector Development 145 Support Industry Research 37 Program Administration 147 Industry Partnerships 39 Promotion 44 1 CANADA MEDIA FUND | FONDS DES MÉDIAS DU CANADA 2019–2020 ANNUAL REPORT 2 ABOUT CMF SUCCESSES FUNDING RESULTS FINANCIAL OVERVIEW APPENDICES Battle of the Blades 3 CANADA MEDIA FUND | FONDS DES MÉDIAS DU CANADA 2019 – 2020 ANNUAL REPORT 4 FINANCIAL CONTRIBUTORS The Canada Media Fund (CMF) receives contributions from Canada’s cable, satellite and IPTV distributors and the Government of Canada. The CMF thanks its funding contributors for their continued support of Canadian television and digital media content. 5 CANADA MEDIA FUND | FONDS DES MÉDIAS DU CANADA 2019 – 2020 ANNUAL REPORT 6 MANDATE AND VISION The Canada Media Fund (CMF) fosters, develops, finances and promotes the production of Canadian content and relevant applications for all audiovisual media platforms. Red Earth Uncovered Blasters of the Universe The CMF guides Canadian content towards a competitive global environment through fostering industry innovation, rewarding success, enabling a diversity of voices, and promoting access to content through industry and private sector partnerships. -
Program Guide
OCTOBER 2020 PROGRAM GUIDE pbsreno.org • 775.600.0555 YOUR COMEBACK STARTS HERE. The Region’s Leading Rehabilitation Hospital Your health is worth fighting for. As northern Nevada’s rehabilitation hospital, Renown battles with you through every step of recovery. From traumatic injuries and accidents to stroke care, we’re right here to help you come back — and move forward. Benjamin Pence, DO, Physiatrist Kurt A. Mische President & CEO Programs about Social Justice As we consider today’s conversations about inclusion and social justice, PBS Reno is setting aside time each Monday evening at 10pm beginning October 5 to air programs that highlight the many contributions from people of color in our society. These documentary programs will tell compelling stories produced by or about people whose accomplishments impact all of us. Some of the stories are happy, some are not, some are difficult to watch; all are important as we consider how we have arrived at today’s conversations about social justice. Some are locally produced and all will make an impact as we consider who we are as a society today. Please make time to join us for these impactful programs each Monday evening at 10pm beginning October 5 on PBS Reno. Meetings of the PBS Reno Board of Trustees, Board Committees and the Community Advisory Board are held at the PBS Reno offices at 1670 N. Virginia Street, Reno, Nevada. Please call 775-600-0555 or visit pbsreno.org for days, times, and agendas. PBS Reno Program Guide (USPS #170) is published monthly by Channel 5 Public Broadcasting, 1670 N.