APPENDIX B Information on the Singapore Booth at the Marché Du
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TRULY GLOBAL Worldscreen.Com *LIST 1217 ALT 2 LIS 1006 LISTINGS 11/15/17 2:06 PM Page 2
*LIST_1217_ALT 2_LIS_1006_LISTINGS 11/15/17 2:06 PM Page 1 WWW.WORLDSCREENINGS.COM DECEMBER 2017 ASIA TV FORUM EDITION TVLISTINGS THE LEADING SOURCE FOR PROGRAM INFORMATION TRULY GLOBAL WorldScreen.com *LIST_1217_ALT 2_LIS_1006_LISTINGS 11/15/17 2:06 PM Page 2 2 TV LISTINGS ASIA TV FORUM EXHIBITOR DIRECTORY COMPLETE LISTINGS FOR THE COMPANIES IN BOLD CAN BE FOUND IN THIS EDITION OF TV LISTINGS. 9 Story Media Group J30 Fuji Creative Corporation A24-4 Pilgrim Pictures E08/H08 A Little Seed E08/H08 Gala Television Corporation D10 Pixtrend J10 A+E Networks G20 Global Agency E27 Playlearn Media L10 Aardman K32 Globo C30 Premiere Entertainment F34 Aasia Productions E08/H08 GMA Worldwide J01 Primeworks Distribution E30 AB International Distribution E10/F10 Goquest Media Ventures D29 Public Television Service Foundation D10 ABC Commercial L08 Grafizix J10 Rainbow E23 ABC Japan A24-15 Green Gold Animation G30 Rajshri Entertainment L28 About Premium Content E10/F10 Green Yapim N10 Raya Group H07 ABS-CBN Corporation J18 Greener Grass Production D10 Record TV K22 activeTV Asia E08/H08 H Culture J10 Red Arrow International H25 ADK/NAS/D-Rights A24-5 Happy Dog TV L10 Reel One Entertainment K32 AK Entertainment H10/H20 HARI International E10/F10 Refinery Media E08/H08 Alfred Haber Distribution F30 Hasbro Studios F28 Regentact F32 all3media international K08 Hat Trick International K32 Resimli Filim N10 Ampersand E10/F10 Hello Earth B25 Rive Gauche Television J28 Animasia Productions E30 High Commission of Canada H29 RKD Studios L30 Antares International -
Tatsumi Premieres at the 64Th Cannes Film Festival 2011
TATSUMI PREMIERES AT THE 64TH CANNES FILM FESTIVAL 2011 B A SED ON "A DRIFTING L IFE" AND THE SHORT STORIES OF YOSHIHIRO TATSUMI “Cannes was my dream of dreams. My heart swells with joy and pride, knowing that "TATSUMI" will premiere there. I just want to toast Eric Khoo!!” Yoshihiro Tatsumi “It has been my dream for this to happen, that Tatsumi premieres at Cannes Official Selection so that Yoshihiro Tatsumi, someone I truly admire and love, will finally be on one of the biggest international platforms to share Gekiga, his life and stories with the entire world.” Eric Khoo, Director "We are proud and honored at Infinite Frameworks to have had the opportunity to work on Tatsumi san's legendary artwork and to bring it to life under Eric's unique vision. It is by far the most emotional journey we have undertaken as a studio and the experience will continue to shape us for years to come." Mike Wiluan, Executive Producer TATSUMI PRESS RELEASE 14 APR 2011 Page 0 "It’s been an amazing journey composing for my dad. Starting off in 2008 with the movie, My Magic. I thought it would be a one time thing, but since music meant so much, I decided to continue and will never regret it. The three pieces from Tatsumi, after the arrangement by Christine Sham, have come a long way, and I love each and everyone of them." Christopher Khoo, Composer Yoshihiro Tatsumi started the gekiga movement, because he was heavily influenced by cinema. It's poetically fitting that Eric Khoo has decided to honour this master and his vision by making this film; things have just come full circle. -
C Ntentasia 11-24 July 2016 Page 2
11-24 JuLY 2016 ! s r a ye 2 0 C 016 g 1 NTENT - Celebratin www.contentasia.tv l www.contentasiasummit.com PCCW’s Viu pushes into MAIN COLOR PALETTE 10 GRADIENT BG GRADIENT R: 190 G: 214 B: 48 premiumR: 0 G: 0 B: 0 Take the green and the blue Take the green and the blue C: 30 M: 0 Y: 100 K: 0 C: 75 M: 68 Y: 67 K: 90 from the main palette. from the main palette. Opacity: 100% Opacity: 50% R: 0 G: 80 B: 255 R: 138 G: 140 B: 143 Blending Mode: Normal Blending Mode: Hue C: 84 M: 68 Y: 0 Singapore K: 0 C: 49 goesM: 39 Y: 38 live K: 3 with unlimited downloads & multiple pay points Uncontrollably Fond PCCW Media has added premium ver- sions of its Viu OTT platform to its offering in Singapore, supporting Singtel’s first bid to delink mobile video and set-top box TV subscriptions as well as offering a paid direct-to-consumer option. The full story is on page three HBO Asia kicks off Chinese martial arts FIRST AND EXCLUSIVE originals slate SAME DAY AS THE U.K. Brand New Season Mainland co-production Premieres Aug 28 Sundays & Mondays 10:30am (9:30am JKT/BKK) anthology confirmed Primetime Encore Sundays, Mondays & Thursdays 9pm (8pm JKT/BKK) HBO Asia has confirmed a slate of Chi- nese martial arts action TV features with prolific mainland Chinese producer, Chi- For carriage inquiries, please contact [email protected] na Movie Channel (CMC). ©2016 FremantleMedia & Simco Ltd. -
Cannes Film Shines Light on Chad's 'Torture Factories'
lifestyle TUESDAY, MAY 17, 2016 Music & Movies Cannes film shines light on Chad’s ‘torture factories’ here is a heart-stopping moment in a new documentary finally be judged later this month at a special tribunal in about the survivors of Chadian dictator Hissene Habre’s neighboring Senegal, where he had fled into exile. One of the Ttorture chambers, when one of the torturers kneels victims featured in the film, Adimatcho Djamai, who was tor- down in front of his victim and begs for forgiveness. “I had to tured so badly he spent more than two decades on the flat of follow orders,” mumbles “Mahamat the Cameroonian”-now a his back in a corrugated iron shack, died the day he was due broken man himself living on the streets as an outcast. “Then to testify at Habre’s trial. Haroun told AFP he wanted to cast a why did you have to beat me so badly?” his victim asks, hand- light on what he calls “this genocide” largely ignored by the ing the former gendarme the rubber pipe he used to flail his outside world “because it was some business of the blacks” prisoner’s leg to a pulp. carried out behind closed doors. “Your superiors told you to stop, but you went on and on,” The director uses Abaifouta as his narrator, visiting his fel- adds the man, who lost the leg. The scene is typical of the low survivors and gently coaxing the horrific stories of their muted but unflinching encounters that fill “Hissein Habre, A torture from them. -
Cinémathèque Quarterly Vol. 2: April June 2017
Cinémathèque Quarterly Vol. 2: April_June 2017 About National Museum of Singapore Cinematheque The National Museum of Singapore Cinematheque Contents focuses on the presentation of film in its historical, cultural and aesthetic contexts, with a strong emphasis on local and regional cinema. Housed in the museum's 247-seat Gallery Theatre, the National Museum of 4 Editorial Note Singapore Cinematheque offers new perspectives on film through a year-round series of screenings, thematic showcases, and retrospectives. 5 Feedback Mechanisms: On Film and The City Design: Studio Vanessa Ban, assisted by Kong Wen Da Printer: First Printers, Singapore 24 “To Each His or Her Own Ambition”: A Concise Distributed by the National Museum of Singapore History of the Chong Gay Organisation in Singapore NMS: Wong Hong Suen, Kathleen Ditzig, Hannah Yeo Stephanie Yeo, Olivia Lim 38 5 × 5: Alex Oh × Rennie Gomez © 2017 National Museum of Singapore All rights reserved Published in Singapore by 44 Young Critic’s Pick — Review of Kelvin Tong's National Museum of Singapore, an institution of National Heritage Board. Grandma Positioning System by Mary Ann Lim The views and positions expressed in this publication are those of the authors only and are not representative 46 Young Critic’s Pick — Review of Jack Neo's of the editorial committee or publisher. The National Museum of Singapore shall not be held liable for any The Girl and Boo Junfeng's Parting: Nostalgia and damages, disputes, loss, injury or inconvenience arising in connection with the contents of this publication. Space in Singapore by Ho Xiu Lun 2 All rights reserved. -
Saturday, 28 March 2020 EASTERN STATES (NSW, ACT
WEEK 13: Sunday, 22 March - Saturday, 28 March 2020 EASTERN STATES (NSW, ACT, TAS, VIC) Start Consumer Closed Date Genre Title Episode Title Series Episode TV Guide Text Country of Origin Language Year Repeat Classification Subtitles Time Advice Captions 2020-03-22 0500 News - Overseas Korean News Korean News 0 News via satellite from YTN Korea, in Korean, no subtitles. SOUTH KOREA Korean-100 2013 NC 2020-03-22 0530 News - Overseas Indonesian News Indonesian News 0 News via satellite from TVRI Jakarta, in Indonesian, no subtitles. INDONESIA Indonesian-100 2013 NC 2020-03-22 0610 News - Overseas Hong Kong News Hong Kong News 0 News via satellite from TVB Hong Kong, in Cantonese, no subtitles. HONG KONG Cantonese-100 2013 NC 2020-03-22 0630 News - Overseas Chinese News Chinese News 0 News via satellite from CCTV Beijing, in Mandarin, no subtitles. CHINA Mandarin-100 2013 NC 2020-03-22 0700 News - Overseas Russian News Russian News 0 News via satellite from NTV Moscow, in Russian, no subtitles. RUSSIA Russian-100 2013 NC 2020-03-22 0730 News - Overseas Polish News Polish News 0 Wydarzenia from Polsat in Warsaw via satellite, in Polish, no subtitles. POLAND Polish-100 2013 NC News from Public Broadcasting Services Limited, Malta, in Maltese, no 2020-03-22 0800 News - Overseas Maltese News Maltese News 0 MALTA Maltese-100 2013 NC subtitles. News via satellite from public broadcaster MRT in Skopje, in 2020-03-22 0830 News - Overseas Macedonian News Macedonian News 0 MACEDONIA Macedonian-100 2013 NC Macedonian, no subtitles. 2020-03-22 0900 News - Overseas Croatian News Croatian News 0 News via satellite from HRT Croatia, in Croatian, no subtitles. -
Learning Through Collaboration and Co-Production in the Singapore Film Industry : Opportunities for Development
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Wong, Caroline & Matthews, Judith (2009) Learning through collaboration and co-production in the Singapore film in- dustry: opportunities for development. In Rose, E & Fisher, G (Eds.) ANZIBA: The Future of Asia-Pacific Business- Beyond the Crisis. ANZIBA, CD Rom, pp. 1-25. This file was downloaded from: https://eprints.qut.edu.au/27761/ c Copyright 2009 please contact the authors This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. http:// www.anziba.org/ conf.html QUT Digital Repository: http://eprints.qut.edu.au/ Wong, Caroline and Matthews, Judy H. -
A Yellow Bird a Film by K
A YELLOW BIRD A film by K. Rajagopal World Premiere Singapore / France – 2016 – 112 – th HD – 5.1 – 1:1.85 – In Competition at 55 Tamil, Mandarin, English, Hokkien International Critics Week, Cannes Film Festival références PANTONE : références CMJN : TRES IMPORTANT ! Pantone fluo 814 Violet C=55% ; M=60 ; J=0% ; N=0% Lors de changement d’échel du logo pensez à agrandir et/ou réduir proportionnellement le flou gaussien qui est de 12 pix pour le symbole “alpha” et de 8 pix pour le mot “violet”. CREW CAST Director Sivakumar Palakrishnan K. Rajagopal Siva Producers Huang Lu Fran Borgia Chen Chen Claire Lajoumard Seema Biswas Jeremy Chua The mother Screenplay Udaya Soundari Jeremy Chua Krupta (the social worker) K. Rajagopal Nithiyia Rao Cinematography Shanti (the wife) Michael Zaw Indra Chandran Editing Suseela Fran Borgia Sound Justin Loh Roman Dymny Production design James Page – 2 – LOGLINE the address of his ex-wife and daughter. There, he is confronted Siva, a thirty eight year old with a heinous truth. How convicted smuggler, is released far will he go in order to redeem from prison after eight years himself from his guilt? and begins a journey to locate his ex-wife and daughter who DIRECTOR’S STATEMENT have left him without a trace. His quest leads him to a heinous Growing up in multi-racial truth. How far will he go in order Singapore, one is constantly to redeem himself from his guilt? reminded of one’s race – through identity cards, media depictions, education, housing and social SYNOPSIS quotas. These policies that seek to appropriate an individual’s It is an unwelcomed homecoming racial status for racial equality for Siva Sudhakar, a 38 year old and promote tolerance for Singaporean Indian man, who the other, somehow dissolves is released from prison after 8 a collective identity. -
C NTENT 2018 L
17-30 SEPTEMBER C NTENT 2018 www.contentasia.tv l www.contentasiasummit.com Sony kicks off new HBO counts down to 7 Oct horror debut AGT season Series goes live with int’l film fest stamp of approval David Foster, Anggun & Jay Park return Folklore: Tatami (Japan) David Foster, Anggun and Jay Park Three international film festivals – includ- Ratanaruang (Samui Song). Sony Pictures Television Networks Asia ing the Toronto International Film Festival Folklore: A Mother’s Love is about a kicked off the third season of Asia’s Got (TIFF) – have given their stamp of ap- single mother and her young son who Talent at the weekend with a Facebook proval to HBO Asia’s original Asian horror discover dirty and underfed children liv- Live judges session at the Pinewood Is- series, Folklore, which premieres on the ing in a mansion’s attic. Returning them kandar Malaysia Studios. All three judges regional service on Sunday, 7 October to their families stirs the wrath of their from last year – David Foster, Anggun and at 10pm. adopted mother, Wewe Gombel. Jay Park – are back, along with hosts Alan The six episodes of the anthology, each Folklore: Pob is about a journalist who Wong and Justin Bratton. helmed by a different director, debuted meets with Thai ghost Pob, who con- The show airs on AXN across Asia in in pairs at three festivals. In addition fesses to a murder. Finally finding an early 2019. to TIFF, which wrapped this weekend, outlet for complaint, Pob explains how The announcement of this year’s judges episodes will screen at Spain’s SITGES the murder happened. -
Representasi Demit Sebagai Identitas Manusia Dalam TV Serial Televisi HBO Asia Halfworlds (2015)
Representasi Demit Sebagai Identitas Manusia dalam TV Serial Televisi HBO Asia Halfworlds (2015) Oleh: Rizki Zulkifli (071115098) – C Email: [email protected] ABSTRAK Fokus dari penelitian ini adalah representasi Demit sebagai identitas manusia yang ditampilkan di TV series Halfworlds oleh Joko Anwar pada episode 1-8. Tujuan dari penelitian ini adalah untuk mengeksplorasi makna bagaimana Demit digambarkan melalui visualisasi dan dialog dalam Halfworlds episode 1-8 oleh Joko Anwar. Visualisasi Demit melalui Halfworlds memiliki kesamaan sifat dan bentuk dengan manusia yaitu kekerasan, dan sentimen. Juga dalam Halfwords terdapat 5 jenis Demit dimana pada film Indonesia lain hanya menampilkan 1 sampai 2 jenis demit. Untuk mengetahui makna dibalik kekerasan dan perasaan emosi yang ditampilkan oleh Demit dalam Halfworlds, peneliti menggunakan analisis semiotika Roland Barthes untuk menganalisis secara denotas, konotasi dan mitos. Melalui penelitian ini ditemukan bahwa kekerasan dan sentimen merupakan penggambaran situasi yang dihadapi oleh Demit dan manusia, kekerasan yang ditampilkan merupakan bagian dari identitas yang di miliki oleh Demit Halfworldsdimana Demit dalam Halfworlds memiliki superiotas diatas manusia, kekerasan juga ditampilkan sebagai bagian dari identitas maskulin dimana Demit perempuan juga ikut andil dalam melakukan kekerasan. Demit sebagai makhluk yang memiliki emosi juga merupakan bagian dari identitas dimana makna yang tersimpan dari hal itu adalah Demit memiliki sifat yang menyerupai manusia. peneliti kemudian menemukan mitos kekerasan yang ditampilkan, keduamitos pembunuhan yang ditampilkan, ketiga mitos kekerasan sebagai bagian dari maskulinitas Demit, dan yang keempat mitos Demit makhluk yang mempunyai emosi sentimen baik terhadap Demit maupun manusia. Kata kunci : Demit, Halfworlds, kekerasan, emosi, sentimen, semiotic PENDAHULUAN Penelitian ini akan membahas tentang penggambaran Demit dalam TV series Halfworlds. -
Media Release Mm2 Asia Invites
mm2 Asia Ltd. Co. Reg. No.: 201424372N 1002 Jalan Bukit Merah #07-11 Singapore 159456 www.mm2asia.com MEDIA RELEASE MM2 ASIA INVITES SHAREHOLDERS TO CELEBRATE SG50 WITH SPECIAL SCREENING OF “7 LETTERS” SINGAPORE, 4 August 2015 – mm2 Asia Ltd. (“mm2 Asia” and together with its subsidiaries, the “Group”), is pleased to invite its mm2 Red Carpet Club members to a special screening of ‘7 Letters’, a unique film to commemorate Singapore’s Golden Jubilee (“SG50”) this year. The Group is proud to be the exclusive worldwide distributor for ‘7 Letters’, an anthology of seven short films directed by Singapore’s seven most illustrious directors – Eric Khoo, Boo Junfeng, Jack Neo, Kelvin Tong, K Rajagopal, Tan Pin Pin, and Royston Tan. The seven directors gathered their creative storytelling and filmmaking talents to present an emotive anthology showcasing the lives and stories of Singaporeans. 1 | P a g e The seven short films are genuine and venerating ‘love letters’ to Singapore, capturing each director’s personal and poignant connection with the place they call home. The seven stories tell of Singapore’s heartland and its people through spellbinding tales of lost love, identity, inter- generational familial bonds, unlikely neighbours, and traditional folklore. ‘7 Letters’ is fully supported by the Singapore Film Commission (“SFC”). “As part of the Red Carpet Club’s activities, we are pleased to invite our shareholders to see ‘7 Letters’, one of this year’s most significant and meaningful films,” said Mr Melvin Ang (洪伟才), CEO of mm2 Asia. “We support local filmmaking, especially films with a special connection to Singaporeans.” Since launching the mm2 Red Carpet Club this year, mm2 Asia organised a series of screenings for its members, including ‘Ah Boys to Men 3: Frogmen’, a co-production by the Group that became the highest grossing opening weekend Asian film in Singapore of all time. -
Intra and Intersentential Code-Switching Phenomena in Modern Malay Songs
3L: The Southeast Asian Journal of English Language Studies – Vol 24(3): 184 – 205 http://doi.org/10.17576/3L-2018-2403-14 Intra and Intersentential Code-switching Phenomena in Modern Malay Songs WAN NUR SYAZA SAHIRA WAN RUSLI Faculty of Social Sciences and Humanities Universiti Kebangsaan Malaysia AZIANURA HANI SHAARI Faculty of Social Sciences and Humanities Universiti Kebangsaan Malaysia SITI ZAIDAH ZAINUDDIN Department of English Language, Faculty of Languages and Linguistics University Malaya [email protected] NG LAY SHI Faculty of Social Sciences and Humanities Universiti Kebangsaan Malaysia AIZAN SOFIA AMIN Faculty of Social Sciences and Humanities Universiti Kebangsaan Malaysia ABSTRACT Code-switching has been used in many languages by many different groups of people or speech communities, but little is known about how and why they are used as communicative strategies in modern song lyrics. This paper aims to explore and describe the recent phenomenon of English code-switching in modern Malay songs. 25 modern Malay songs were selected and analysed using Content Analysis. The analysis was made based on Poplack’ Theory as well as the functions of code-switching proposed by Appel and Musyken. Two types of code- switching commonly used in modern Malay songs were discovered. They were intrasentential and intersentential code-switching. The classification of the functions of code-switching was then made based on the six functions of code-switching, which are referential, directive, expressive, phatic, metalinguistic, and poetic. The findings of this research also indicate other functions of code-switching that demonstrate bilingual creativity among songwriters in Malaysia. In conclusion, the findings of this study indicated that code switching in Modern Malay songs is not just a random switch from one code to another but carries certain social functions that emphasize on the establishment of people’s intimacy, solidarity and local identity.