TRANSMEDIA PLATFORMS a Creator’S Guide to Media and Entertainment
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COTY INC. (Exact Name of Registrant As Specified in Its Charter)
UNITED STATES SECURITIES AND EXCHANGE COMMISSION WASHINGTON, D.C. 20549 Form 10-Q (Mark One) ý QUARTERLY REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE QUARTERLY PERIOD ENDED SEPTEMBER 30, 2018 OR ¨ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE TRANSITION PERIOD FROM TO COMMISSION FILE NUMBER 001-35964 COTY INC. (Exact name of registrant as specified in its charter) Delaware 13-3823358 (State or other jurisdiction of incorporation or organization) (I.R.S. Employer Identification Number) 350 Fifth Avenue, New York, NY 10118 (Address of principal executive offices) (Zip Code) (212) 389-7300 Registrant’s telephone number, including area code Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. Yes ý No ¨ Indicate by check mark whether the registrant has submitted electronically and posted on its corporate Web site, if any, every Interactive Data File required to be submitted and posted pursuant to Rule 405 of Regulation S-T (§232.405 of this chapter) during the preceding 12 months (or for such shorter period that the registrant was required to submit and post such files). Yes ý No ¨ Indicate by check mark whether the registrant is a large accelerated filer, an accelerated filer, a non-accelerated filer, or a smaller reporting company. -
DAN LEIGH Production Designer
(3/31/17) DAN LEIGH Production Designer FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “GYPSY” Sam Taylor-Johnson Netflix Rudd Simmons (TV Series) Scott Winant Universal Television Tim Bevan “THE FAMILY” Paul McGuigan ABC David Hoberman (Pilot / Series) Mandeville Todd Lieberman “FALLING WATER” Juan Carlos Fresnadillo USA Gale Anne Hurd (Pilot) Valhalla Entertainment Blake Masters “THE SLAP” Lisa Cholodenko NBC Rudd Simmons (TV Series) Michael Morris Universal Television Ken Olin “THE OUTCASTS” Peter Hutchings BCDF Pictures Brice Dal Farra Claude Dal Farra “JOHN WICK” David Leitch Thunder Road Pictures Basil Iwanyk Chad Stahelski “TRACERS” Daniel Benmayor Temple Hill Entertainment Wyck Godfrey FilmNation Entertainment D. Scott Lumpkin “THE AMERICANS” Gavin O'Connor DreamWorks Television Graham Yost (Pilot) Darryl Frank “VAMPS” Amy Heckerling Red Hour Adam Brightman Lucky Monkey Stuart Cornfeld Molly Hassell Lauren Versel “PERSON OF INTEREST” Various Bad Robot J.J. Abrams (TV Series) CBS Johanthan Nolan Bryan Burk Margot Lulick “WARRIOR” Gavin O’Connor Lionsgate Greg O’Connor Solaris “MARGARET” Kenneth Lonergan Mirage Enterprises Gary Gilbert Fox Searchlight Sydney Pollack Scott Rudin “BRIDE WARS” Gary Winick Firm Films Alan Riche New Regency Pictures Peter Riche Julie Yorn “THE BURNING PLAIN” Guillermo Arriaga 2929 Entertainment Laurie MacDonald Walter F. Parkes SANDRA MARSH & ASSOCIATES Tel: (310) 285-0303 Fax: (310) 285-0218 e-mail: [email protected] (3/31/17) DAN LEIGH Production Designer ---2-222---- FILM & TELEVISION COMPANIES -
Annual Report 2019/20
Annual Report 2019 – 2020 TE TUMU WHAKAATA TAONGA | NEW ZEALAND FILM COMMISSION Annual Report – 2019/20 1 G19 REPORT OF THE NEW ZEALAND FILM COMMISSION for the year ended 30 June 2020 In accordance with Sections 150 to 157 of the Crown Entities Act 2004, on behalf of the New Zealand Film Commission we present the Annual Report covering the activities of the NZFC for the 12 months ended 30 June 2020. Kerry Prendergast David Wright CHAIR BOARD MEMBER Image: Daniel Cover Image: Bellbird TE TUMU WHAKAATA TAONGA | NEW ZEALAND FILM COMMISSION Annual Report – 2019/20 1 NEW ZEALAND FILM COMMISSION ANNUAL REPORT 2019/20 CONTENTS INTRODUCTION COVID-19 Our Year in Review ••••••••••••••••••••••••••••••••••••••••••••••••••••• 4 The screen industry faced unprecedented disruption in 2020 as a result of COVID-19. At the time the country moved to Alert Level 4, 47 New Zealand screen productions were in various stages Chair’s Introduction •••••••••••••••••••••••••••••••••••••••••••••••••••• 6 of production: some were near completion and already scheduled for theatrical release, some in post-production, many in production itself and several with offers of finance gearing up for CEO Report •••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 7 pre-production. Work on these projects was largely suspended during the lockdown. There were also thousands of New Zealand crew working on international productions who found themselves NZFC Objectives/Medium Term Goals •••••••••••••••••••••••••••••••••••••••••• 8 without work while waiting for production to recommence. NZFC's Performance Framework ••••••••••••••••••••••••••••••••••••••• 8 COVID-19 also significantly impacted the domestic box office with cinema closures during Levels Vision, Values and Goals ••••••••••••••••••••••••••••••••••••••••••••• 9 3 and 4 disrupting the release schedule and curtailing the length of time several local features Activate high impact, authentic and culturally significant Screen Stories ••••••••••••• 11 played in cinemas. -
Online Media and the 2016 US Presidential Election
Partisanship, Propaganda, and Disinformation: Online Media and the 2016 U.S. Presidential Election The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Faris, Robert M., Hal Roberts, Bruce Etling, Nikki Bourassa, Ethan Zuckerman, and Yochai Benkler. 2017. Partisanship, Propaganda, and Disinformation: Online Media and the 2016 U.S. Presidential Election. Berkman Klein Center for Internet & Society Research Paper. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:33759251 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA AUGUST 2017 PARTISANSHIP, Robert Faris Hal Roberts PROPAGANDA, & Bruce Etling Nikki Bourassa DISINFORMATION Ethan Zuckerman Yochai Benkler Online Media & the 2016 U.S. Presidential Election ACKNOWLEDGMENTS This paper is the result of months of effort and has only come to be as a result of the generous input of many people from the Berkman Klein Center and beyond. Jonas Kaiser and Paola Villarreal expanded our thinking around methods and interpretation. Brendan Roach provided excellent research assistance. Rebekah Heacock Jones helped get this research off the ground, and Justin Clark helped bring it home. We are grateful to Gretchen Weber, David Talbot, and Daniel Dennis Jones for their assistance in the production and publication of this study. This paper has also benefited from contributions of many outside the Berkman Klein community. The entire Media Cloud team at the Center for Civic Media at MIT’s Media Lab has been essential to this research. -
E-Books: Understanding the Basics June 2009 by Jane Lee, California Digital Library
E-books: Understanding the Basics June 2009 by Jane Lee, California Digital Library What exactly is an e-book anyway? Before we can talk about ebooks and the issues surrounding them, we must define what an e- book is. This is not as easy as one may think. Although e-books appear in headlines with regular frequency these days, there is still confusion about what exactly an e-book is that makes it difficult to focus on the real issues. For many people, especially in the last few years, an e-book is a handheld device whose main purpose is to look and act like a book. For others, an e-book is a book that one can read on one’s computer. And for a growing number of people, an e-book is something that you can read on your PDA, smartphone, iPod, etc. E-books made their first big splash on the market a decade ago, but they didn’t quite catch on with the general public. PDAs were taking a foothold, and companies began developing software that allowed people to read books on them. Subscription services for e-books – NetLibrary, for example – have been available to library patrons who have access to the required platform. The first dedicated, handheld electronic reading device, the Rocket ebook, made its appearance in 19981, but it wasn’t until the release of the Sony Reader and Amazon’s Kindle that e-book readers seemed commercially viable2. The arguments and questions about e-books – about their past, present, and future – that people formulate are shaped by how they define e-books for themselves. -
Ellie Smith 1St Assistant Director
ELLIE SMITH 1ST ASSISTANT DIRECTOR TELEVISION A LEAGUE OF THEIR OWN (Pilot) Sony/Amazon Prod: Abbi Jacobson, Will Graham, Michael Cedar Dir: Jamie Babbit THE STRANGER (Limited series) Fox 21 TV/Quibi Prod: Veena Sud, Jeffrey Katzenberg Dir: Veena Sud LIGHT AS A FEATHER (Season 2) Hulu/Awesomeness TV Prod: Brin Lukens, Dylan Vox Dir: Alexis Ostrander PEARSON (Season 1) UCP/USA Prod: Daniel Arkin, David Bartis, Aaron Korsh, Dir: Anton Cropper Doug Liman, Gina Torres LESS THAN ZERO (Pilot) Fox 21/Hulu Prod: Craig Wright, Rebecca Sinclair, Bob Williams Dir: Brett Morgen FOURSOME (Season 4) Awesomeness TV/ Prod: Lance Lanfear, Dan Suhart Dir: Various YouTube Red THE CHI (Season 1) Fox 21 TV/Showtime Prod: Elwood Reid, Lena Waithe, Common, Aaron Kaplan Dir: Various *Nominated – Television – Peabody Awards, 2019 IDIOTSITTER (Season 2) Comedy Central Prod: Jillian Bell, Charlotte Newhouse, Dan Kuba Dir: Various GRAVES (Promo) Lionsgate TV/EPIX Prod: Joshua Michael Stern Dir: Larry Charles THE CATCH (Season 1) (2nd Unit) ABC Studios/ABC Prod: Shonda Rhimes, Kevin Dowling Dir: Various DOPE GIRLS (Pilot) MTV Prod: Harry Elfont, Deborah Kaplan, Ken Ornstein Dir: Michael Blieden SIRENS (Seasons 1 & 2) Fox 21 TV/USA Prod: Denis Leary, Jim Serpico, Tom Sellitti Dir: Various CHICAGO FIRE (Season 1) (2nd AD) Universal TV/NBC Prod: Dick Wolf, Joe Chappelle, John L. Roman Dir: Various NCIS-LA (Seasons 1 & 2) CBS TV/CBS Prod: Shane Brennan Dir: Various HEROES (Seasons 1 & 2) (2nd AD) Universal TV/NBC Prod: Tim Kring Dir: Various LAST MYSTERIES OF TITANIC -
BILLY GREENFIELD Unit Production Manager DGA UPM Socal QL
BILLY GREENFIELD Unit Production Manager DGA UPM SoCal QL Feature Films & Television (select) PROJECT DIRECTOR STUDIO/PRODUCTION CO. OUR KIND OF PEOPLE Various Fox / Lee Daniels Entertainment season 1 LP: Michael Gray / EP: Lee Daniels, Montrel McKay NEVER HAVE I EVER Various Netflix / Universal Television season 2 LP: Barbara Stoll / EP: Mindy Kaling, Lang Fisher FATAL AFFAIR Peter Sullivan Netflix / Hybrid LP: Brian Nolan GET SHORTY Various Epix / MGM Television season 3 – L.A. Unit Prod: Brian Leslie Parker DOLLFACE Various Hulu / ABC Studios season 1 LP: Melanie Elin, Michael Gray WARNINGS Demetrius Navarro Three Branches Entertainment ZEROVILLE* James Franco Rabbit Bandini Productions GUIDANCE** Various YouTube / Awesomeness TV season 3 LP: Melanie Kirk BEYOND THE TREK Ian Truitner Screen Media Films SISTER CODE*** Corey Grant AIR Media * Associate Producer ** UPM + 1st AD *** Line Producer DGA 1st Assistant Director DGA: 2007 – Present | Non-Union: 1998 - 2007 DGA 1st Assistant Director working in Features, Episodic Television, Commercials, Music Videos, Industrials and New Media. Responsible for scheduling, planning and execution of the shooting schedule. Skilled at solving complex scheduling problems and maximizing shooting time for Directors as well as efficient budgeting of background actors, additional labor and special equipment. Priorities: Safety, Teamwork, Flexibility, Grace Under Pressure and a Positive Work Environment. Non-Union 2nd Assistant Director, Production Coordinator & Production Assistant 1995 - 2007 Worked on a variety of projects, in multiple formats (film/digital) and budget levels from low-budget features to large scale Episodic Shows and Features as an Office and Set Production Assistant. At the same time, worked as a non-union 2nd Assistant Director on Low-Budget features and commercials. -
Yahoo! Movies: Brown Sugar
TWENTIETH CENTURY FOX LINE-UP Date Titre Genre Réalisateur Cast 2019 Matt Bettinelli-Olpin Samara Weaving, Andie MacDowell, Mark O'Brien, Adam 28-août-19 WEDDING NIGHTMARE Horreur Tyler Gillett Brody Thriller Brad Pitt, Tommy Lee Jones, Donald Sutherland, 2-oct.-19 AD ASTRA James Gray Science Fiction Ruth Negga 23-oct.-19 TERMINATOR : DARK FATE Science-Fiction Tim Miller Linda Hamilton, Arnold Schwarzenegger, Gabriel Luna Comédie 30-oct.-19 STUBER Michael Dowse Dave Bautista, Kumail Nanjiani Action LE MANS 66 Action, 13-nov.-19 James Mangold Matt Damon, Christian Bale (FORD V FERRARI) Biographie 27-nov.-19 THE WOMAN IN THE WINDOW Drame/ Thriller Joe Wright Amy Adams, Julianne Moore, Wyatt Russell, Gary Oldman 4-déc.-19 THE ART OF RACING IN THE RAIN Drame Simon Curtis Amanda Seyfield, Milo Ventimiglia, Gary Cole LES INCOGNITOS Nick Bruno 25-déc.-19 Animation (Spies in Disguise) & Troy Quane Date Titre Genre Réalisateur Cast 2020 8-janv.-20 UNDERWATER Action/Drame William Eubank Kristen Stewart, T.J. Miller, Vincent Cassel Roman Griffin Davis, Thomasin McKenzie, Taika Waititi, Sam 22-janv.-20 JOJO RABBIT Drame Taika Waititi Rockwell, Scarlett Johansson 12-févr.-20 KING'S MAN Action/Aventure Matthew Vaughn 19-févr.-20 THE CALL OF THE WILD Aventure/Drame Chris Sanders Harrison Ford, Dan Stevens, Colin Woodell, Omar Sy Blu Hunt, Charlie Heaton, Maisie Williams,Henry Zaga, 1-avr.-20 NEW MUTANTS Action/ Aventure Josh Boone Anya Taylor-Joy 1-juil.-20 FREE GUY Action/ Aventure Shawn Levy Ryan Reynolds 22-juil.-20 BOB'S BURGER Animation 7-oct.-20 DEATH ON THE NILE Drame/Thriller Kenneth Branagh Kenneth Branagh 28-oct.-20 RON'S GONE WRONG Animation 16-déc.-20 WEST SIDE STORY Musical Steven Spielberg Ansel Elgort, Rita Moreno, Corey Stoll 2021 3-mars-21 NIMONA Animation 15-déc.-21 AVATAR 2 - 3D James Cameron 2023 20-déc.-23 AVATAR 3 - 3D James Cameron 2025 17-déc.-25 AVATAR 4 -3D James Cameron 2027 15-déc.-27 AVATAR 5 - 3D James Cameron A DATER A DATER GAMBIT Action/ Aventure Channing Tatum A DATER FOSTER Animation. -
E C O N O M I C S
ECONOMICS OF MOBILE 2015 EDITION © 2015 SNL Kagan, a division of SNL Financial LC. All rights reserved. One SNL Plaza, Charlottesville, VA 22902 | Phone: 866.296.3743 | www.snlkagan.com Published May 2015 | ISBN: 978-1-939835-437 ECONOMICS OF MOBILE 2015 EDITION © 2015 SNL Kagan, a division of SNL Financial LC. All rights reserved. One SNL Plaza, Charlottesville, VA 22902 | Phone: 866.296.3743 | www.snlkagan.com Published May 2015 | ISBN: 978-1-939835-437 Economics of Mobile Programming SNL Kagan Industry Report Contents Executive Summary........................................................2 Mobile ads vs. video subscription services revenue, U.S. (chart) ................2 Comparing multichannel video subs and subscription OTT subs, Q4 2014 (chart)...3 The Addressable Market: Sizing the U.S. Smartphone and Tablet Audience .............4 Smartphone and tablets in use, U.S., 2008-2014 (chart) .......................4 Carrier Video Subscription Services Are No Competition for OTT/TV Everywhere .......5 Carrier-branded mobile video subs, 2007-2014 (chart)........................5 Carrier-branded mobile video revenue, 2007-2014 (chart) .....................5 OTT and mobile video year-end subs, 2007-2014 (chart) ......................6 Comparing multichannel video subs and subscription OTT subs, Q4 2014 (chart)...6 OTT and carrier-branded mobile video device compatibility ...................7 Price differential between OTT & carrier-based mobile video services, 2015 .......7 Free mobile video content, 2015.........................................7 -
The Social and (Counter)Cultural 1960S in the USA, Transatlantically Mckay, GA
The social and (counter)cultural 1960s in the USA, transatlantically McKay, GA Title The social and (counter)cultural 1960s in the USA, transatlantically Authors McKay, GA Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/2288/ Published Date 2005 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. The social and (counter)cultural 1960s in the USA, transatlantically George McKay The movement was a loose coalition, and alliances often defined it. Students, clergy, intellectuals often marched first, and later they were joined by many others, from ecologists to hippies to women’s liberationists.… [W]hen cultural activists in Ann Arbor, Michigan, met [in 1969] to discuss drugs in the city representatives appeared from the White Panthers, Black Berets, God’s Children Motorcycle Club, the Sunnygoode Street Commune, and Congolian Maulers, a ‘commune of art, music, and general freaks’. Terry H. Anderson, The Movement and the Sixties (1995, xi) Hippies … constituted themselves as walking critiques of bureaucratic rationality.… By the late 1960s ‘freakified’ youth were exploring new aspects of self-hood which they had never previously thought existed. Indulgence in drug experiences, sex, communal activities, be-ins, sit-ins, demonstrations, riots, busts, trips with no destination in particular, not only gave subculture members a set of common experiences, but also opened up vast new capacities of self-hood for exploration. -
Amicus Briefs Urging Courts to Properly Interpret the Law of Defamation in Light of Free Speech Concerns
No. 14-3876 IN THE United States Court of Appeals for the Eighth Circuit JESSE VENTURA, a/k/a JAMES G. JANOS, Plaintiff-Appellee, – v. – TAYA KYLE, as Executor of the Estate of CHRIS KYLE, Defendant-Appellant. ______________ ON APPEAL FROM THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF MINNESOTA MOTION FOR LEAVE TO FILE BRIEF AMICI CURIAE OF 33 MEDIA COMPANIES AND ORGANIZATIONS IN SUPPORT OF APPELLANT URGING REVERSAL FLOYD ABRAMS SUSAN BUCKLEY MERRIAM MIKHAIL CAHILL GORDON & REINDEL LLP 80 Pine Street New York, New York 10005 Telephone: (212) 701-3000 Facsimile: (212) 269-5420 Attorneys for Amici Curiae Appellate Case: 14-3876 Page: 1 Date Filed: 03/10/2015 Entry ID: 4252659 MOTION FOR LEAVE TO FILE BRIEF AMICI CURIAE Pursuant to Fed. R. App. P. 29(b), A&E Television Networks, LLC, Advance Publications, Inc., American Society of News Editors, Association of Alternative Newsmedia, Association of American Publishers, Inc., Authors Guild, Inc., Buzzfeed, Inc., Center for Investigative Reporting, Inc., Cox Media Group, E.W. Scripps Company, First Amendment Coalition, Forbes Media LLC, Gannett Co., Inc., Gawker Media LLC, Hachette Book Group, Inc., Hearst Corporation, Landmark Media Enterprises, LLC, Media Law Resource Center, Minnesota Newspaper Association, Motion Picture Association of America, Inc., MPA – The Association of Magazine Media, National Association of Broadcasters, National Press Photographers Association, National Public Radio, Inc., New York Media LLC, New York Times Company, Newspaper Association of America, North Jersey Media Group Inc., Penguin Random House LLC, Reporters Committee for Freedom of the Press, Time Inc., Tribune Publishing Company, LLC , and WP Company LLC (d/b/a The Washington Post) (collectively, “Amici”), respectfully move this Court for leave to file the accompanying amici curiae brief in the above- captioned matter. -
Tools and Methodologies for Developing Interactive Electronic Books
Tools and Methodologies for Developing Interactive Electronic Books Case Study: A Physics Textbook for High School Students MARTINA BRAJKOVIĆ FACULTAD DE INFORMÁTICA UNIVERSIDAD COMPLUTENSE DE MADRID Proyecto de Sistemas Informáticos Ingeniería Informática ERASMUS program June 2014 Advisor: Prof. Federico Peinado Co-advisor: doc.dr.sc. Lidija Mandić I would like to thank my advisor Federico Peinado and co-advisor Lidija Mandić for their help and support throughout this work. Martina Brajkovć autoriza a la Universidad Complutense a difundir y utilizar con fines académicos, no comerciales mencionando expresamente a su autor, tanto la propia memoria, como él código, los contenidos audiovisuales incluso si incluyen imágenes de los autores, la documentación y/o el prototipo desarrollado. Martina Brajković ABSTRACT Electronic books are electronic copy of a book or a book-length digital publication. In the past decade they have become very popular and widely used. Each day more and more publishers digitalize their textbooks and more and more devices are suitable for reading of the electronic books. Huge changes in human communication happened in the late 20th and early 21st century. Due to invention of Internet, information became widely available which changed every segment of human life, especially education. One of the most important applications of electronic books is electronic learning. Electronic learning includes various types of media, such as video, audio, text, images and animations. Interactivity of an electronic book can increase the attention in the classroom and result with better educational performance In this work the process of creation of an interactive electronic book is researched and analyzed. The process includes use of popular Adobe software: InDesign, Photoshop, Illustrator, Captivate and Edge Animate.