Big Daddy Kane Long Live the Kane Mp3, Flac, Wma

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Big Daddy Kane Long Live The Kane mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Long Live The Kane Country: Europe Released: 1988 MP3 version RAR size: 1453 mb FLAC version RAR size: 1138 mb WMA version RAR size: 1577 mb Rating: 4.4 Votes: 613 Other Formats: MP3 APE AIFF DXD MIDI DTS ADX Tracklist A1 Long Live The Kane 4:55 A2 Raw (Remix) 5:45 A3 Set It Off 4:07 A4 The Day You're Mine 5:12 A5 On The Bugged Tip 3:18 B1 Ain't No Half-Steppin' 5:18 B2 I'll Take You There 4:55 B3 Just Rhymin' With Biz 4:02 B4 Mister Cee's Master Plan 5:24 B5 Word To The Mother (Land) 3:09 Companies, etc. Distributed By – Warner Bros. Records Inc. Manufactured By – Warner Bros. Records Inc. Phonographic Copyright (p) – Warner Bros. Records Inc. Phonographic Copyright (p) – WEA International Inc. Copyright (c) – Warner Bros. Records Inc. Pressed By – Record Service Alsdorf Published By – Cold Chillin' Music Publishing Published By – Marley Marl Intl Credits Other [Hair And Make-Up] – Sam Other [Set And Costume Stylist] – Brett C. Lewis Photography By, Design – George DuBose Producer, Mixed By – Marley Marl Scratches [Cuts And Scratches] – Mister "Cee"* Written-By – Andre Booth (tracks: A4), Antonio Hardy Notes Embossed 'W' on the back cover. Track durations printed on labels. A Prism Records Production. Manufactured in Germany. Barcode and Other Identifiers Barcode: 0 7599-25731-1 5 Matrix / Runout (A Side Runout Stamped): R / S Alsdorf 925731-1-A Matrix / Runout (B Side Runout Stamped): R / S Alsdorf 925731-1-B Rights Society: GEMA Rights Society: BIEM Label Code: LC 0392 Other: France: WE 381 Other versions Category Artist Title (Format) Label Category Country Year Big Daddy Long Live The 9 25731-2 Cold Chillin' 9 25731-2 US 1988 Kane Kane (CD, Album) Cold Chillin', Cold Chillin', 92 57314, 92 Big Daddy Long Live The Warner Bros. 92 57314, 92 Canada 1988 57314 CR Kane Kane (Cass, Album) Records Inc., 57314 CR Warner Bros. Records Inc. Long Live The Big Daddy OMINC010 Kane (LP, M/Print, Omerta Inc OMINC010 UK 2017 Kane RE, 180) Long Live The Big Daddy 9 25731-2 Kane (CD, Album, Cold Chillin' 9 25731-2 US Unknown Kane RE, RP) 1-25731, 9 Big Daddy Long Live The Cold Chillin', 1-25731, 9 US 1988 25731-1 Kane Kane (LP, Album) Cold Chillin' 25731-1 Related Music albums to Long Live The Kane by Big Daddy Kane Big Daddy Kane - Keep 'Em On The Floor Big Daddy Kane - It's Hard Being The Kane Fleetwood Mac - Big Love Marley Marl - In Control Volume 1 Big Daddy Kane - Smooth Operator / Warm It Up Kane A.R. Kane - Americana Big Daddy Kane - Raw '91 Fleetwood Mac - Hold Me.

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Investigating Hip-Hop's Emergence in the Spaces of Late Capitalism
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2008 Re-Taking it to the Streets: Investigating Hip-Hop's Emergence in the Spaces of Late Capitalism Kevin Waide Kosanovich College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, American Studies Commons, and the Music Commons Recommended Citation Kosanovich, Kevin Waide, "Re-Taking it to the Streets: Investigating Hip-Hop's Emergence in the Spaces of Late Capitalism" (2008). Dissertations, Theses, and Masters Projects. Paper 1539626547. https://dx.doi.org/doi:10.21220/s2-zyvx-b686 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Re-Taking it to the Streets: Investigating Hip-Hop’s Emergence in the Spaces of Late Capitalism Kevin Waide Kosanovich Saginaw, Michigan Bachelor of Arts, University of Michigan, 2003 A Thesis presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Master of Arts American Studies Program The College of William and Mary August, 2008 APPROVAL PAGE This Thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts aide KosanovichKej Approved,by the Committee, May, 2008 imittee Chair Associate Pro rn, The College of William & Mary Associate Professor A lege of William & Mary Assistant P ressor John Gamber, The College of William & Mary ABSTRACT PAGE Much of the scholarship focusing on rap and hip-hop argues that these cultural forms represent instances of African American cultural resistance.
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Hip-Hop Timeline 1973 – Kool Herc Deejays His First Party in the Bronx
Hip-hop Timeline ➢ 1973 – Kool Herc deejays his first party in the Bronx, where his blending of breaks is first exhibited. The break dancers in attendance began to discover their style and form. ➢ 1975 – Grandmaster Flash begins the early forms of Turntabilism by blending and mixing, while Grandwizard Theodore invents what we now know as scratching. The first Emcee crews are formed. ➢ 1979 – The Sugarhill Gang, under the guidance of record label owner and former vocalist Sylvia Robinson, release Rapper’s Delight, the first commercially recognized rap song. *There is much debate over the first recorded rap song, but it’s widely believed to have been done sometime in 1977 or 1978. ➢ 1980 – Kurtis Blow releases the first best selling hip-hop album, The Breaks, and becomes the first star in hip-hop music. ➢ 1983 – Herbie Hancock, in collaboration with pioneer DeeJay GrandMixer DST (now known as GrandMixer DXT), creates the Grammy Award-winning song Rockit, which is the first time the public ever hears a DeeJay scratching on record. Pioneer hip-hop duo Run DMC releases their first single Sucker Emcee’s. ➢ 1988 – This year is considered the first golden year in hip-hop music with releases such as Public Enemy’s It Takes A Nation of Millions to Hold Us Back, Big Daddy Kane’s Long Live The Kane, Slick Rick’s The Great Adventures of Slick Rick, Boogie Down Production’s By All Means Necessary, Eric B And Rakim’s Follow the Leader and the first highly regarded non-New York hip-hop record, N.W.A.’s Straight Outta Compton.
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Metric Ambiguity and Flow in Rap Music: a Corpus-Assisted Study of Outkast’S “Mainstream” (1996)
Metric Ambiguity and Flow in Rap Music: A Corpus-Assisted Study of Outkast’s “Mainstream” (1996) MITCHELL OHRINER[1] University of Denver ABSTRACT: Recent years have seen the rise of musical corpus studies, primarily detailing harmonic tendencies of tonal music. This article extends this scholarship by addressing a new genre (rap music) and a new parameter of focus (rhythm). More specifically, I use corpus methods to investigate the relation between metric ambivalence in the instrumental parts of a rap track (i.e., the beat) and an emcee’s rap delivery (i.e., the flow). Unlike virtually every other rap track, the instrumental tracks of Outkast’s “Mainstream” (1996) simultaneously afford hearing both a four-beat and a three-beat metric cycle. Because three-beat durations between rhymes, phrase endings, and reiterated rhythmic patterns are rare in rap music, an abundance of them within a verse of “Mainstream” suggests that an emcee highlights the three-beat cycle, especially if that emcee is not prone to such durations more generally. Through the construction of three corpora, one representative of the genre as a whole, and two that are artist specific, I show how the emcee T-Mo Goodie’s expressive practice highlights the rare three-beat affordances of the track. Submitted 2015 July 15; accepted 2015 December 15. KEYWORDS: corpus studies, rap music, flow, T-Mo Goodie, Outkast THIS article uses methods of corpus studies to address questions of creative practice in rap music, specifically how the material of the rapping voice—what emcees, hip-hop heads, and scholars call “the flow”—relates to the material of the previously recorded instrumental tracks collectively known as the beat.
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Big Daddy Kane Cause I Can Do It Right Mp3, Flac, Wma
Big Daddy Kane Cause I Can Do It Right mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Cause I Can Do It Right Country: US Released: 1990 MP3 version RAR size: 1463 mb FLAC version RAR size: 1882 mb WMA version RAR size: 1120 mb Rating: 4.5 Votes: 647 Other Formats: VQF DXD WMA AIFF DTS MP4 VOC Tracklist Hide Credits Cause I Can Do It Right (Album Version) A1 4:10 Vocals [Vocal Appearance By] – Tuffy A2 Cause I Can Do It Right (Instrumental) 4:10 B1 Dance With The Devil (Album Version) 4:12 B2 Dance With The Devil (Instrumental) 4:12 Companies, etc. Manufactured By – Reprise Records Distributed By – Reprise Records Phonographic Copyright (p) – Reprise Records Copyright (c) – Reprise Records Recorded At – Libra Digital Sound Mixed At – The Hit Factory – A1, A2 Mixed At – Power Play Studios – B1, B2 Published By – AZ Publishing Inc. Published By – Cold Chillin' Music Publishing Credits A&R – Karen Jones Coordinator – Dee Joseph Garner Engineer [Mix] – Everett Ramos (tracks: B1, B2), Lee Anthony (tracks: A1, A2), Tom Fritze (tracks: A1, A2) Engineer [Recording] – Tony Aliprantis, Tony Papamichael Executive-Producer – Benny Medina, Big Daddy Kane, Tyrone Williams Mixed By – Big Daddy Kane (tracks: A1, A2), Cool V (tracks: B1, B2) Photography By, Design – George Du Bose* Producer – Big Daddy Kane (tracks: A1, A2), Cool V (tracks: B1, B2) Written-By – Big Daddy Kane Notes Admin. by: WB Music Corp. ASCAP From the Cold Chillin' / Reprise album "Taste Of Chocolate". Barcode and Other Identifiers Barcode: 0 7599-21763-4 7 Barcode
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Big Daddy Kane Raw / Word to the Mother (Land) Mp3, Flac, Wma
Big Daddy Kane Raw / Word To The Mother (Land) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Raw / Word To The Mother (Land) Country: US Released: 1987 Style: Hip Hop MP3 version RAR size: 1681 mb FLAC version RAR size: 1103 mb WMA version RAR size: 1828 mb Rating: 4.4 Votes: 803 Other Formats: WAV VOC VQF XM MMF WMA RA Tracklist Hide Credits Raw A1 4:07 Written-By – Antonio Hardy, Marlon Williams Word To The Mother (Land) A2 1:50 Written-By – Antonio Hardy Raw (DubApella) B 6:50 Written-By – Antonio Hardy, Marlon Williams Companies, etc. Phonographic Copyright (p) – Prism Records, Inc. Copyright (c) – Prism Records, Inc. Mastered At – Frankford/Wayne Mastering Labs Published By – Flake Music Publishing Published By – Marley Marl Intl Credits Lacquer Cut By – Herbie Jr* Mastered By – Herb Powers, Jr.* Producer, Mixed By – Marley Marl Notes Mastered at Frankford Wayne Published by Flake Music Publ. (ASCAP)/Marley Marl Intl. (ASCAP) (P)&(C) 1987 Prism Records, Inc. Barcode and Other Identifiers Matrix / Runout (Runout side A, etched): PS-2016- A HERbIE JR :v) Matrix / Runout (Runout side B, etched): PS- 2016-B HERbIE JR :v) Rights Society: ASCAP Other versions Category Artist Title (Format) Label Category Country Year Big Daddy Raw / Word To The Mother W 7953 (T) Cold Chillin' W 7953 (T) UK 1987 Kane (Land) (12") Big Daddy Raw / Word To The Mother W 7953 Cold Chillin' W 7953 UK 1988 Kane (Land) (7") Big Daddy Raw / Word To The Mother 7-27953 Cold Chillin' 7-27953 US 1988 Kane (Land) (7", Single) Big Daddy Raw / Word To The Mother PS 2016 Prism PS 2016 US 1987 Kane (Land) (12", Promo) Big Daddy 9 20885-0 Raw (12") Cold Chillin' 9 20885-0 US 1987 Kane Comments about Raw / Word To The Mother (Land) - Big Daddy Kane Fiarynara This would go well with Percee p - lung collaping lyrics.
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Big Daddy Kane Taste of Chocolate Mp3, Flac, Wma
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"What Is an MC If He Can't Rap?"
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Ilisgouraihy
T1|E UIBa l|IST()RY {)F }|IP l|OP when the brother was boasting ments and soaring advances.In L.L. Cool J's masterpieceMama ("Steppin' to me / That's a wrong addition to Kane's imaginative Said Knock YouOut, while the rest move / So what you on, huh / debut, the assertivesound wrecker of the crew began handling their Dope or dog food"), he wasbeing also found the time to releasehis own business:Shant€ now worksas politely sincere. impressive"soloo album, In Control a caseworkerfor the City of New In the beginning of his reign, Volumet Perhapsthe first disc ever York; Shan is selling luxury carsin Kane roared like a fearlesslion releasedunder the name of the Qreens; and, as of 1998, Biz stalkingthe neon wildernessof hip producer, In Control included a Markie, Big Daddy Kane, and Kool hop. By the time his debut lozg parade of guest-shots by old G. Rap were all hiking down the Liztethe Kane dropped in 1988,Big friendsincluding Big Daddy Kane, comebacktrail. Daddy Kane had walked the dan* Biz Markie, Heavy D, and new- In January of ry98, Marley geroushigh wire that virtually all comer Masta Ace, whose swirling, Marl was awardedownership of his L rappers-with the obvious excep- fast-paced "Keep rhymes on Your Cold Chillin' tracksafter suing for ii' tion of L.L. Cool J-fear to tread: Eye on the Prize" shined. Marley, $5oo,oooin back royalties.Today, : 'in :.{ While the boyz n the hood meanwhile,provided the colorful addition to his weekly Sunday ltl ': thought he was rebel representing sonicsthat still depictedthe vital- night radio show with Pete Rock ,! :{ like Fred Williamson in Black ity of a Qreensbridgerevolution.
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BIG DADDY KANE Long Live the Kane SOLD out REPRESS EXPECTED MID-OCTOBER
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Big Daddy Kane It's Hard Being the Kane Mp3, Flac, Wma
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BIG DADDY KANE Long Live the Kane
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