Big Daddy Kane Raw / Word to the Mother (Land) Mp3, Flac, Wma

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Big Daddy Kane Raw / Word To The Mother (Land) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Raw / Word To The Mother (Land) Country: US Released: 1987 Style: Hip Hop MP3 version RAR size: 1681 mb FLAC version RAR size: 1103 mb WMA version RAR size: 1828 mb Rating: 4.4 Votes: 803 Other Formats: WAV VOC VQF XM MMF WMA RA Tracklist Hide Credits Raw A1 4:07 Written-By – Antonio Hardy, Marlon Williams Word To The Mother (Land) A2 1:50 Written-By – Antonio Hardy Raw (DubApella) B 6:50 Written-By – Antonio Hardy, Marlon Williams Companies, etc. Phonographic Copyright (p) – Prism Records, Inc. Copyright (c) – Prism Records, Inc. Mastered At – Frankford/Wayne Mastering Labs Published By – Flake Music Publishing Published By – Marley Marl Intl Credits Lacquer Cut By – Herbie Jr* Mastered By – Herb Powers, Jr.* Producer, Mixed By – Marley Marl Notes Mastered at Frankford Wayne Published by Flake Music Publ. (ASCAP)/Marley Marl Intl. (ASCAP) (P)&(C) 1987 Prism Records, Inc. Barcode and Other Identifiers Matrix / Runout (Runout side A, etched): PS-2016- A HERbIE JR :v) Matrix / Runout (Runout side B, etched): PS- 2016-B HERbIE JR :v) Rights Society: ASCAP Other versions Category Artist Title (Format) Label Category Country Year Big Daddy Raw / Word To The Mother W 7953 (T) Cold Chillin' W 7953 (T) UK 1987 Kane (Land) (12") Big Daddy Raw / Word To The Mother W 7953 Cold Chillin' W 7953 UK 1988 Kane (Land) (7") Big Daddy Raw / Word To The Mother 7-27953 Cold Chillin' 7-27953 US 1988 Kane (Land) (7", Single) Big Daddy Raw / Word To The Mother PS 2016 Prism PS 2016 US 1987 Kane (Land) (12", Promo) Big Daddy 9 20885-0 Raw (12") Cold Chillin' 9 20885-0 US 1987 Kane Comments about Raw / Word To The Mother (Land) - Big Daddy Kane Fiarynara This would go well with Percee p - lung collaping lyrics. RAW indeed. TheJonnyTest DJ LEON LEE ENGINEERED REC/MIX....KANE HAD ME IN AWE THE WHOLE TIME KILLING THE LYRICS !! HIS SHOW WAS/IS KILLER ALSO!! Faebei DJ LEON LEE ENGINEERED REC/MIX....KANE HAD ME IN AWE THE WHOLE TIME KILLING THE LYRICS !! HIS SHOW WAS/IS KILLER ALSO!! Related Music albums to Raw / Word To The Mother (Land) by Big Daddy Kane Joeski Love - Say Joe Big Daddy Kane - Long Live The Kane Biz Markie Featuring T.J. Swan - Nobody Beats The Biz Marley Marl Featuring MC Shan - He Cuts So Fresh Warp 9 - Nunk (New Wave Funk) Kool G. Rap & D.J. Polo - Poison GQ - Try Smurfin' KRS-One & Marley Marl - Hip Hop Lives Goldie - Crack-Kid Dunn & Bruce Street - Shout For Joy / If You Come With Me Juice Crew All Stars - Evolution / Juice Crew All Stars Warp 9 - No Man Is An Island.

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Investigating Hip-Hop's Emergence in the Spaces of Late Capitalism
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2008 Re-Taking it to the Streets: Investigating Hip-Hop's Emergence in the Spaces of Late Capitalism Kevin Waide Kosanovich College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, American Studies Commons, and the Music Commons Recommended Citation Kosanovich, Kevin Waide, "Re-Taking it to the Streets: Investigating Hip-Hop's Emergence in the Spaces of Late Capitalism" (2008). Dissertations, Theses, and Masters Projects. Paper 1539626547. https://dx.doi.org/doi:10.21220/s2-zyvx-b686 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Re-Taking it to the Streets: Investigating Hip-Hop’s Emergence in the Spaces of Late Capitalism Kevin Waide Kosanovich Saginaw, Michigan Bachelor of Arts, University of Michigan, 2003 A Thesis presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Master of Arts American Studies Program The College of William and Mary August, 2008 APPROVAL PAGE This Thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts aide KosanovichKej Approved,by the Committee, May, 2008 imittee Chair Associate Pro rn, The College of William & Mary Associate Professor A lege of William & Mary Assistant P ressor John Gamber, The College of William & Mary ABSTRACT PAGE Much of the scholarship focusing on rap and hip-hop argues that these cultural forms represent instances of African American cultural resistance.
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Ilisgouraihy
T1|E UIBa l|IST()RY {)F }|IP l|OP when the brother was boasting ments and soaring advances.In L.L. Cool J's masterpieceMama ("Steppin' to me / That's a wrong addition to Kane's imaginative Said Knock YouOut, while the rest move / So what you on, huh / debut, the assertivesound wrecker of the crew began handling their Dope or dog food"), he wasbeing also found the time to releasehis own business:Shant€ now worksas politely sincere. impressive"soloo album, In Control a caseworkerfor the City of New In the beginning of his reign, Volumet Perhapsthe first disc ever York; Shan is selling luxury carsin Kane roared like a fearlesslion releasedunder the name of the Qreens; and, as of 1998, Biz stalkingthe neon wildernessof hip producer, In Control included a Markie, Big Daddy Kane, and Kool hop. By the time his debut lozg parade of guest-shots by old G. Rap were all hiking down the Liztethe Kane dropped in 1988,Big friendsincluding Big Daddy Kane, comebacktrail. Daddy Kane had walked the dan* Biz Markie, Heavy D, and new- In January of ry98, Marley geroushigh wire that virtually all comer Masta Ace, whose swirling, Marl was awardedownership of his L rappers-with the obvious excep- fast-paced "Keep rhymes on Your Cold Chillin' tracksafter suing for ii' tion of L.L. Cool J-fear to tread: Eye on the Prize" shined. Marley, $5oo,oooin back royalties.Today, : 'in :.{ While the boyz n the hood meanwhile,provided the colorful addition to his weekly Sunday ltl ': thought he was rebel representing sonicsthat still depictedthe vital- night radio show with Pete Rock ,! :{ like Fred Williamson in Black ity of a Qreensbridgerevolution.
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