Big Daddy Kane Cause I Can Do It Right Mp3, Flac, Wma

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Big Daddy Kane Cause I Can Do It Right mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Cause I Can Do It Right Country: US Released: 1990 MP3 version RAR size: 1463 mb FLAC version RAR size: 1882 mb WMA version RAR size: 1120 mb Rating: 4.5 Votes: 647 Other Formats: VQF DXD WMA AIFF DTS MP4 VOC Tracklist Hide Credits Cause I Can Do It Right (Album Version) A1 4:10 Vocals [Vocal Appearance By] – Tuffy A2 Cause I Can Do It Right (Instrumental) 4:10 B1 Dance With The Devil (Album Version) 4:12 B2 Dance With The Devil (Instrumental) 4:12 Companies, etc. Manufactured By – Reprise Records Distributed By – Reprise Records Phonographic Copyright (p) – Reprise Records Copyright (c) – Reprise Records Recorded At – Libra Digital Sound Mixed At – The Hit Factory – A1, A2 Mixed At – Power Play Studios – B1, B2 Published By – AZ Publishing Inc. Published By – Cold Chillin' Music Publishing Credits A&R – Karen Jones Coordinator – Dee Joseph Garner Engineer [Mix] – Everett Ramos (tracks: B1, B2), Lee Anthony (tracks: A1, A2), Tom Fritze (tracks: A1, A2) Engineer [Recording] – Tony Aliprantis, Tony Papamichael Executive-Producer – Benny Medina, Big Daddy Kane, Tyrone Williams Mixed By – Big Daddy Kane (tracks: A1, A2), Cool V (tracks: B1, B2) Photography By, Design – George Du Bose* Producer – Big Daddy Kane (tracks: A1, A2), Cool V (tracks: B1, B2) Written-By – Big Daddy Kane Notes Admin. by: WB Music Corp. ASCAP From the Cold Chillin' / Reprise album "Taste Of Chocolate". Barcode and Other Identifiers Barcode: 0 7599-21763-4 7 Barcode (Scanned): 075992176347 Other versions Category Artist Title (Format) Label Category Country Year Cold Chillin', Cold Chillin', Big 0-21763, 9 Cause I Can Do It Reprise 0-21763, 9 Daddy US 1990 21763-0 Right (12", Maxi) Records, 21763-0 Kane Reprise Records Big Cause I Can Do It PRO-CD-4474 Daddy Right (CD, Single, Cold Chillin' PRO-CD-4474 US 1990 Kane Promo) Big Cause I Can Do It Cold Chillin', 9 19554-4, 9 19554-4, Daddy Right (Cass, Reprise US 1990 4-19554 4-19554 Kane Single, SR,) Records Related Music albums to Cause I Can Do It Right by Big Daddy Kane Nancy Sinatra - Tony Rome Master Ace - Take A Look Around Paul Westerberg - Eventually Mastodon - Cold Dark Place Big Daddy Kane - Long Live The Kane Big Daddy Kane - Very Special/Stop Shammin' The B-52's - Love Shack Big Daddy Kane - Ain't No Stoppin' Us Now Big Daddy Kane - Prince Of Darkness Biz Markie - Let Me Turn You On Lil Scrappy - Oh Yeah (Work) Rickie Lee Jones - Ghostyhead.

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Investigating Hip-Hop's Emergence in the Spaces of Late Capitalism
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2008 Re-Taking it to the Streets: Investigating Hip-Hop's Emergence in the Spaces of Late Capitalism Kevin Waide Kosanovich College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, American Studies Commons, and the Music Commons Recommended Citation Kosanovich, Kevin Waide, "Re-Taking it to the Streets: Investigating Hip-Hop's Emergence in the Spaces of Late Capitalism" (2008). Dissertations, Theses, and Masters Projects. Paper 1539626547. https://dx.doi.org/doi:10.21220/s2-zyvx-b686 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Re-Taking it to the Streets: Investigating Hip-Hop’s Emergence in the Spaces of Late Capitalism Kevin Waide Kosanovich Saginaw, Michigan Bachelor of Arts, University of Michigan, 2003 A Thesis presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Master of Arts American Studies Program The College of William and Mary August, 2008 APPROVAL PAGE This Thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts aide KosanovichKej Approved,by the Committee, May, 2008 imittee Chair Associate Pro rn, The College of William & Mary Associate Professor A lege of William & Mary Assistant P ressor John Gamber, The College of William & Mary ABSTRACT PAGE Much of the scholarship focusing on rap and hip-hop argues that these cultural forms represent instances of African American cultural resistance.
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Hip-Hop Timeline 1973 – Kool Herc Deejays His First Party in the Bronx
Hip-hop Timeline ➢ 1973 – Kool Herc deejays his first party in the Bronx, where his blending of breaks is first exhibited. The break dancers in attendance began to discover their style and form. ➢ 1975 – Grandmaster Flash begins the early forms of Turntabilism by blending and mixing, while Grandwizard Theodore invents what we now know as scratching. The first Emcee crews are formed. ➢ 1979 – The Sugarhill Gang, under the guidance of record label owner and former vocalist Sylvia Robinson, release Rapper’s Delight, the first commercially recognized rap song. *There is much debate over the first recorded rap song, but it’s widely believed to have been done sometime in 1977 or 1978. ➢ 1980 – Kurtis Blow releases the first best selling hip-hop album, The Breaks, and becomes the first star in hip-hop music. ➢ 1983 – Herbie Hancock, in collaboration with pioneer DeeJay GrandMixer DST (now known as GrandMixer DXT), creates the Grammy Award-winning song Rockit, which is the first time the public ever hears a DeeJay scratching on record. Pioneer hip-hop duo Run DMC releases their first single Sucker Emcee’s. ➢ 1988 – This year is considered the first golden year in hip-hop music with releases such as Public Enemy’s It Takes A Nation of Millions to Hold Us Back, Big Daddy Kane’s Long Live The Kane, Slick Rick’s The Great Adventures of Slick Rick, Boogie Down Production’s By All Means Necessary, Eric B And Rakim’s Follow the Leader and the first highly regarded non-New York hip-hop record, N.W.A.’s Straight Outta Compton.
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Metric Ambiguity and Flow in Rap Music: a Corpus-Assisted Study of Outkast’S “Mainstream” (1996)
Metric Ambiguity and Flow in Rap Music: A Corpus-Assisted Study of Outkast’s “Mainstream” (1996) MITCHELL OHRINER[1] University of Denver ABSTRACT: Recent years have seen the rise of musical corpus studies, primarily detailing harmonic tendencies of tonal music. This article extends this scholarship by addressing a new genre (rap music) and a new parameter of focus (rhythm). More specifically, I use corpus methods to investigate the relation between metric ambivalence in the instrumental parts of a rap track (i.e., the beat) and an emcee’s rap delivery (i.e., the flow). Unlike virtually every other rap track, the instrumental tracks of Outkast’s “Mainstream” (1996) simultaneously afford hearing both a four-beat and a three-beat metric cycle. Because three-beat durations between rhymes, phrase endings, and reiterated rhythmic patterns are rare in rap music, an abundance of them within a verse of “Mainstream” suggests that an emcee highlights the three-beat cycle, especially if that emcee is not prone to such durations more generally. Through the construction of three corpora, one representative of the genre as a whole, and two that are artist specific, I show how the emcee T-Mo Goodie’s expressive practice highlights the rare three-beat affordances of the track. Submitted 2015 July 15; accepted 2015 December 15. KEYWORDS: corpus studies, rap music, flow, T-Mo Goodie, Outkast THIS article uses methods of corpus studies to address questions of creative practice in rap music, specifically how the material of the rapping voice—what emcees, hip-hop heads, and scholars call “the flow”—relates to the material of the previously recorded instrumental tracks collectively known as the beat.
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Big Daddy Kane Raw / Word to the Mother (Land) Mp3, Flac, Wma
Big Daddy Kane Raw / Word To The Mother (Land) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Raw / Word To The Mother (Land) Country: US Released: 1987 Style: Hip Hop MP3 version RAR size: 1681 mb FLAC version RAR size: 1103 mb WMA version RAR size: 1828 mb Rating: 4.4 Votes: 803 Other Formats: WAV VOC VQF XM MMF WMA RA Tracklist Hide Credits Raw A1 4:07 Written-By – Antonio Hardy, Marlon Williams Word To The Mother (Land) A2 1:50 Written-By – Antonio Hardy Raw (DubApella) B 6:50 Written-By – Antonio Hardy, Marlon Williams Companies, etc. Phonographic Copyright (p) – Prism Records, Inc. Copyright (c) – Prism Records, Inc. Mastered At – Frankford/Wayne Mastering Labs Published By – Flake Music Publishing Published By – Marley Marl Intl Credits Lacquer Cut By – Herbie Jr* Mastered By – Herb Powers, Jr.* Producer, Mixed By – Marley Marl Notes Mastered at Frankford Wayne Published by Flake Music Publ. (ASCAP)/Marley Marl Intl. (ASCAP) (P)&(C) 1987 Prism Records, Inc. Barcode and Other Identifiers Matrix / Runout (Runout side A, etched): PS-2016- A HERbIE JR :v) Matrix / Runout (Runout side B, etched): PS- 2016-B HERbIE JR :v) Rights Society: ASCAP Other versions Category Artist Title (Format) Label Category Country Year Big Daddy Raw / Word To The Mother W 7953 (T) Cold Chillin' W 7953 (T) UK 1987 Kane (Land) (12") Big Daddy Raw / Word To The Mother W 7953 Cold Chillin' W 7953 UK 1988 Kane (Land) (7") Big Daddy Raw / Word To The Mother 7-27953 Cold Chillin' 7-27953 US 1988 Kane (Land) (7", Single) Big Daddy Raw / Word To The Mother PS 2016 Prism PS 2016 US 1987 Kane (Land) (12", Promo) Big Daddy 9 20885-0 Raw (12") Cold Chillin' 9 20885-0 US 1987 Kane Comments about Raw / Word To The Mother (Land) - Big Daddy Kane Fiarynara This would go well with Percee p - lung collaping lyrics.
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Big Daddy Kane Taste of Chocolate Mp3, Flac, Wma
Big Daddy Kane Taste Of Chocolate mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Taste Of Chocolate Country: Canada Released: 1990 Style: RnB/Swing MP3 version RAR size: 1735 mb FLAC version RAR size: 1646 mb WMA version RAR size: 1376 mb Rating: 4.4 Votes: 376 Other Formats: MOD APE VOC DXD AAC AU MPC Tracklist Hide Credits 1 Taste Of Chocolate Intro 2:05 Cause I Can Do It Right 2 4:09 Vocals – Tuffy It's Hard Being The Kane 3 4:58 Producer – Prince Paul Who Am I 4 4:00 Rap [Featuring] – Gamilah ShabazzWritten-By – Gamilah Shabazz Dance With The Devil 5 4:06 Producer – Cool V No Damn Good 6 3:52 Producer – Prince Paul All Of Me 7 Producer – Andre BoothSaxophone – Gerald AlbrightVocals – Karen Harris, Nancy Fletcher, 5:45 Natasha WalkerVocals [Featuring] – Barry WhiteWritten-By – Andre Booth, Barry White Keep 'Em On The Floor 8 4:32 Keyboards – Michael WarnerVocals – Brett Lover*Vocals [Featuring] – Barbara Weathers Mr. Pitiful 9 3:26 Producer – Cool V 10 Put Your Weight On It 2:47 Big Daddy Vs. Dolemite 11 4:49 Featuring – Rudy Ray MooreWritten-By – Rudy Ray Moore Down The Line 12 Producer – Mister CeeRap [Featuring] – Ant Live, Scoob Lover*, Lil' Daddy Shane*, Mister 5:11 Cee, Scrap Lover 13 Taste Of Chocolate Exit 3:20 Companies, etc. Copyright (c) – Reprise Records Copyright (c) – WEA International Inc. Phonographic Copyright (p) – Reprise Records Phonographic Copyright (p) – WEA International Inc. Distributed By – WEA Music Of Canada, Ltd. Credits Coordinator [Album Coordinator] – Dee Joseph* Engineer – Tony Apliprantis*, Tony Papamichael Executive-Producer – Benny Medina, Big Daddy Kane, Tyrone Williams Mastered By – Carlton Batts Mixed By – Chris Shaw, Dan Bosworth, Eric Rudd, Everett Ramos, Lee Anthony, Peter Macmillan, Quinn Batson, Steve Macmillan, Tom Fritze Producer – Big Daddy Kane (tracks: 1, 2, 4, 8, 10, 11, 13) Written-By – Big Daddy Kane Notes Recorded and mixed at Libra Digital, The Hit Factory, Greene Street Studios, Powerplant Studios, Unique Recording Studios, and Record One Studios (Los Angeles, CA).
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Facing La Label Success
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"What Is an MC If He Can't Rap?"
California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses Capstone Projects and Master's Theses 5-2019 "What Is An MC If He Can't Rap?" Dominique Jimmerson California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes_all Part of the Ethnomusicology Commons, Music Performance Commons, Music Practice Commons, and the Other Music Commons Recommended Citation Jimmerson, Dominique, ""What Is An MC If He Can't Rap?"" (2019). Capstone Projects and Master's Theses. 569. https://digitalcommons.csumb.edu/caps_thes_all/569 This Capstone Project (Open Access) is brought to you for free and open access by the Capstone Projects and Master's Theses at Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. For more information, please contact [email protected]. Dominique Jimmerson Capstone Sammons 5-18 -19 “What Is an MC if He Can’t Rap?” Hip hop is a genre that has seen much attention in mainstream media in recent years. It is becoming one of the most dominant genres in the world and influencing popular culture more and more as the years go on. One of the main things that makes hip hop unique from other genres is the emphasis on the lyricist. While many other genres will have a drummer, guitarist, bassist, or keyboardist, hip hop is different because most songs are not crafted in the traditional way of a band putting music together. Because of this, the genre tends to focus on the lyrics.
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Ilisgouraihy
T1|E UIBa l|IST()RY {)F }|IP l|OP when the brother was boasting ments and soaring advances.In L.L. Cool J's masterpieceMama ("Steppin' to me / That's a wrong addition to Kane's imaginative Said Knock YouOut, while the rest move / So what you on, huh / debut, the assertivesound wrecker of the crew began handling their Dope or dog food"), he wasbeing also found the time to releasehis own business:Shant€ now worksas politely sincere. impressive"soloo album, In Control a caseworkerfor the City of New In the beginning of his reign, Volumet Perhapsthe first disc ever York; Shan is selling luxury carsin Kane roared like a fearlesslion releasedunder the name of the Qreens; and, as of 1998, Biz stalkingthe neon wildernessof hip producer, In Control included a Markie, Big Daddy Kane, and Kool hop. By the time his debut lozg parade of guest-shots by old G. Rap were all hiking down the Liztethe Kane dropped in 1988,Big friendsincluding Big Daddy Kane, comebacktrail. Daddy Kane had walked the dan* Biz Markie, Heavy D, and new- In January of ry98, Marley geroushigh wire that virtually all comer Masta Ace, whose swirling, Marl was awardedownership of his L rappers-with the obvious excep- fast-paced "Keep rhymes on Your Cold Chillin' tracksafter suing for ii' tion of L.L. Cool J-fear to tread: Eye on the Prize" shined. Marley, $5oo,oooin back royalties.Today, : 'in :.{ While the boyz n the hood meanwhile,provided the colorful addition to his weekly Sunday ltl ': thought he was rebel representing sonicsthat still depictedthe vital- night radio show with Pete Rock ,! :{ like Fred Williamson in Black ity of a Qreensbridgerevolution.
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BIG DADDY KANE Long Live the Kane SOLD out REPRESS EXPECTED MID-OCTOBER
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Big Daddy Kane It's Hard Being the Kane Mp3, Flac, Wma
Big Daddy Kane It's Hard Being The Kane mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: It's Hard Being The Kane Country: US Released: 1990 MP3 version RAR size: 1992 mb FLAC version RAR size: 1286 mb WMA version RAR size: 1598 mb Rating: 4.6 Votes: 937 Other Formats: MIDI MP1 MMF DMF ADX XM RA Tracklist 1 It's Hard Being The Kane (Fade) 4:15 2 It's Hard Being The Kane (Album Version) 5:03 3 It's Hard Being The Kane (Instrumental) 5:00 Credits Producer – Prince Paul Other versions Category Artist Title (Format) Label Category Country Year It's Hard Being Big Daddy 9 21774-2 The Kane (CD, Cold Chillin' 9 21774-2 US 1991 Kane Maxi) It's Hard Being Cold 9 19536-4, Big Daddy 9 19536-4, The Kane (Cass, Chillin', US 1991 4-19536 Kane 4-19536 Single) Cold Chillin' Big Daddy Hard Being The PRO-A-4506 Cold Chillin' PRO-A-4506 US Unknown Kane Kane (12", TP) Cold It's Hard Being Big Daddy Chillin', PRO-CD-4897 The Kane (CD, PRO-CD-4897 US 1990 Kane Reprise Single, Promo) Records It's Hard Being Big Daddy 9 21774-4 The Kane (Cass, Cold Chillin' 9 21774-4 US 1991 Kane Maxi) Related Music albums to It's Hard Being The Kane by Big Daddy Kane Hip hop Big Daddy Kane - Prince Of Darkness Hip hop Big Daddy Kane - Groove With It Hip hop Various - Cold Chillin' - The Choice Cuts Hip hop Big Daddy Kane - Long Live The Kane Hip hop Big Daddy Kane - Taste Of Chocolate Hip hop Big Daddy Kane, Biz Markie - Untitled Hip hop Big Daddy Kane - It's A Big Daddy Thing Folk, World, & Country Kane Brown - Kane Brown Hip hop Big Daddy Kane - Raw / Word To The Mother (Land) Hip hop Big Daddy Kane - Ain't No Half-Steppin'.
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32 - Bmm2020 the Get- Down Part
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4948 Songs, 13 Days, 33.04 GB
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