Alphonse Daudet 1840-1897 Biographie
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
1 Tese LBT Capa JOHN 20090619 Romano Layout
Universidade de Aveiro Departamento de Línguas e Culturas 2009 Maria Lúcia da Silva Representações de leitura(s) na obra de Bandeira Alphonse Daudet Représentations de lecture(s) dans l’œuvre daudétienne Universidade de Aveiro Departamento de Línguas e Culturas 2009 Maria Lúcia da Silva Representações de leitura(s) na obra de Bandeira Alphonse Daudet Représentations de lecture(s) dans l’œuvre daudétienne Dissertação apresentada à Universidade de Aveiro para cumprimento dos requisi tos necessários à obtenção do grau de Doutor em Literatura, realizada sob a orientação científica da Dra. Maria Hermínia Deulonder Correia Amado Laurel , Professora Catedrática do Departamento de Línguas e Culturas da Universidade de Aveiro II Aos meus Pais Ao meu filho Emanuel Ao Shing Kwan III o júri presidente Doutor José Carlos Esteves Duarte Pedro , Professor Catedrático da Universidade de Aveiro. vogais Doutora Maria Hermínia Deulonder Correia Amado Laurel , Professora Catedrática da Universidade de Aveiro. (Orientadora) Professora Maria do Nascimento Oliveira Carneiro , Professora Associada da Faculdade de Letras da Universidade do Porto. Doutor Luís Carlos Pimenta Gonçalves , Professor Auxiliar da Universidade Aberta. Doutora Maria Eugénia Tav ares Pereira , Professora Auxiliar da Universidade de Aveiro. Doutora Maria de Jesus Quintas Reis Cabral , Professora Auxiliar Convidada da Universidade Aberta. IV Agradecimentos Agradeço a todos os meus professores a dedicação no ensino do encantamento da palavra escrita, dita e sonhada. V palavras -chave Texto, livro, leitura, leitor, citação, biblioteca, salão de leitura, ficção, autobiografia, editores, jornais, publicações, recepção, res umo O século XIX testemunhou uma produção literária inegualável, registando vidas e obras de autores, títulos de obras, jornais e revistas. -
Daudet Maître Des Tendresses
Marie-Thérèse JOUVEAU ALPHONSE DAUDET, maître des tendresse Centre International de l'Écrit en Langue d'Oc 3 Place Joffre, 13130 Berre L'Étang http://www.lpl.univ-aix.fr/guests/ciel/ En relisant ton Jack , ô maître des tendresses… Paul Mariéton AVANT-PROPOS Alphonse Daudet ! Cher et pauvre Alphonse ! Cher, car aimé de tant de millions de gens qui sont venus et viennent encore, chaque jour, visiter son moulin, faire le pèlerinage obligé à Fontvieille, à ce moulin, héros des fameuses L e t t re s dans lesquelles tant d’enfants, Français, certes, mais plus encore étrangers, ont appris à lire. Qui ne connaît La Chèvre de M. Seguin, Le Secret de Maître Cornille, L’Elixir du R é v é rend Père Gaucher, Les Trois Messes Basses, La Mule du Pape et bien d’autres encore, dont la si émouvante D e r n i è re Classe, des Contes du Lundi.. Et que dire de L’Arlésienne, si connue qu’elle est devenue une expression, « jouer l’Arlésienne », que l’on entend à la radio ou que l’on trouve dans l’un ou l’autre des journaux chaque jour de l’année ? Des centaines d’éditions, du format de poche aux éditions de luxe richement illustrées, des centaines de traductions, dans toutes les langues, des thèses, des diplômes, des livres sur Daudet et sur son œuvre, le cinéma aussi, avec Marcel Pagnol, grand admirateur de celui qu’il considérait comme un maître, ont popularisé l’homme, et, plus encore, l’œuvre. Oui, l’œuvre de Daudet est connue, est familière à tous ceux qui ont une certaine connaissance de notre langue à travers le monde et elle est aimée aussi par eux. -
4 Saisons Impressionnistes À Swann Et Saël, Qui Sont Le Printemps De Ma Vie 4 Saisons Impressionnistes
4 saisons impressionnistes À Swann et Saël, qui sont le printemps de ma vie 4 saisons impressionnistes En couverture, de gauche à droite : Laurent Manœuvre Camille Pissarro Matin, Printemps, Temps Gris, Éragny, 1900 Huile sur toile, 65,4 x 81 cm Collection particulière Photo © Christie’s Images / Bridgeman Images Vincent van Gogh Le Semeur, 1888 Huile sur toile, 64,2 x 80,3 cm Rijksmuseum Kroller-Muller, Otterlo © Bridgeman Images Auguste Renoir La Mare aux canards, 1873 Huile sur toile, 50,2 x 61 cm, Museum of Art, Dallas © Dallas Museum of Art Claude Monet La Pie, hiver 1868-1869 Huile sur toile 89 x 130 cm Musée d’Orsay, Paris © Bridgeman Images © Editions des Falaises, 2020 16, avenue des Quatre Cantons - 76000 Rouen 102, rue de Grenelle - 75007 Paris www.editionsdesfalaises.fr Sommaire P résentation 7 Le baromètre de l’âme 9 U ne tradition séculaire 23 Le temps des saisons 29 Mois, jours et heures 45 Les saisons à Paris 59 V ariations 67 L es couleurs des saisons 77 A u rythme des saisons 89 Les travaux et les jours 91 Les saisons des plaisirs 111 L ’éternel été 177 A l’épreuve du monde moderne 179 Le temps suspendu 185 Bibliographie 191 Vision d’Hildegarde de Bingen Liber Divinorum Operum ou Llvre des œuvres divines © Werner Forman Archive / Bridgeman Images Présentation Le changement perpétuel, en art, n’a pas plus d’importance que la constante immobilité. Teodor de Wyzewa es impressionnistes n’ont qu’exceptionnellement représenté les quatre saisons L sous forme d’un ensemble concerté. -
Nessuno Poteva Aprire Il Libro… Miscellanea Di Studi E Testimonianze Per I Settant’Anni Di Fr
Biblioteche & bibliotecari / Libraries & librarians ISSN 2612-7709 (PRINT) | ISSN 2704-5889 (ONLINE) – 2 – Biblioteche & bibliotecari / Libraries & librarians Comitato Scientifico / Editorial board Mauro Guerrini, Università di Firenze (direttore) Carlo Bianchini, Università di Pavia Andrea Capaccioni, Università di Perugia Gianfranco Crupi, Sapienza Università di Roma Tom Delsey, Ottawa University José Luis Gonzalo Sánchez-Molero, Universidad Complutense de Madrid Graziano Ruffini, Università di Firenze Alberto Salarelli, Università di Parma Lucia Sardo, Università di Bologna Giovanni Solimine, Sapienza Università di Roma La collana intende ospitare riflessioni sulla biblioteconomia e le discipline a essa connesse, studi sulla funzione delle biblioteche e sui suoi linguaggi e servizi, monografie sui rapporti fra la storia delle biblioteche, la storia della biblioteconomia e la storia della professione. L’attenzione sarà rivolta in particolare ai bibliotecari che hanno cambiato la storia delle biblioteche e alle biblioteche che hanno accolto e promosso le figure di grandi bibliotecari. The series intends to host reflections on librarianship and related disci- plines, essays on the function of libraries and its languages and services, monographs on the relationships between the history of libraries, the his- tory of library science and the history of the profession. The focus will be on librarians who have changed the history of libraries and libraries that have welcomed and promoted the figures of great librarians. Nessuno poteva aprire il libro… Miscellanea di studi e testimonianze per i settant’anni di fr. Silvano Danieli, OSM a cura di Mauro Guerrini con la collaborazione della Pontificia Facoltà teologica “Marianum” e della rete bibliotecaria URBE FIRENZE UNIVERSITY PRESS 2019 Nessuno poteva aprire il libro… : miscellanea di studi e testimonianze per i settant’anni di fr. -
Le Livre Decadent: Editer, Illustrer, Lire
The Pennsylvania State University The Graduate School College of the Liberal Arts LE LIVRE DECADENT: EDITER, ILLUSTRER, LIRE A Dissertation in French and Francophone Studies by HÉLÈNE I. HUET © 2015 Hélène I. Huet Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2015 The Pennsylvania State University The Graduate School College of the Liberal Arts THE DECADENT BOOK: PUBLISHING, ILLUSTRATING, READING A Dissertation in French and Francophone Studies by HELENE I. HUET © 2015 Hélène I. Huet Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2015 ii The dissertation of Hélène I. Huet was reviewed and approved* by the following: Willa Z. Silverman Malvin E. and Lea P. Bank Professor of French and Jewish Studies Director of Graduate Studies, French and Francophone Studies Dissertation Advisor Chair of Committee Kathryn M. Grossman Professor of French Head, Department of French and Francophone Studies Bénédicte Monicat Professor of French and Women’s Studies James L. W. West III Edwin Erle Sparks Professor of English *Signatures are on file in the Graduate School. iii ABSTRACT Was Decadence a self-conscious artistic movement, or was it a publishing phenomenon – a movement created by publishers and critics for primarily promotional purposes? This is the question my dissertation seeks to answer. Decadence has typically been understood and studied as a movement of late nineteenth-century French literary and visual artists who found their artistic inspiration in notions of social and political decay. My dissertation, on the other hand, argues that several agents, such as the critics, played a major role in creating what is now thought of as Decadence. -
The Types of Character
THE TYPES OF CHARACTER PRESENTED IN THE WORKS OF ALPHONSE DAUDET BY DAVID HOBART CARNAHAN, A. B. THESIS FOR THE DEGREE OF MASTER OF ARTS IN THE UNIVERSITY OF ILLINOIS. 1898. K CONTENTS Page Bibliography----------------------------------------- seq. Introduction----------------------------------------- 1 i Resume of Books-------------------------------------- 2 \ Division of Tyres------------------------------------- 17 Midi--------------------------------------------------- 17 Child------------ 26 - Bourgeois and Peasant-------------- —— ------ ----- - 31 'Lover-------------------------------------------------- 37 Women------------------------------------------------ 41 - Foreign----------------------- 45 Military--------------------------------------------- 49 Ecclesiastical---------------------------------------- 53 Summary------------------------------------------------ 56 BIBLIOGRAPHY -: The following hooks of Daudet:- Le Petit Chose *---- ---------- Chamentier et Fasquelle---Paris Numa Roumestan------------------- " Le Nabab-------------------------- " Lettres de inon Moulin---------------- M Fromont jeune et Risler ain^— M La Fedor----------------------------- " Contes du Lundi---------------------- " Contes Choisis----------------------- H Tartar in sur les Alpes---- -----F laminar ion----- — -----------Pafis Tartarin de Tarascon--------- M Port Tarascon------------ — — " Rose et Ninette-- ----------- — " Jack----------------- M Trente Ans de; Paris----------- M Souvenir d’un horarae de lettres- M Les Rois en Exile------------ - -
Download PDF > Artists Wives
LOVPM1MSSPMF > Doc \\ Artists Wives A rtists W ives Filesize: 5.04 MB Reviews The ebook is not difficult in study preferable to understand. it was writtern quite flawlessly and beneficial. You are going to like just how the author compose this book. (Leola Smith) DISCLAIMER | DMCA AEGIP7UBDQ34 PDF // Artists Wives ARTISTS WIVES Createspace, United States, 2015. Paperback. Book Condition: New. 229 x 152 mm. Language: English . Brand New Book ***** Print on Demand *****.Alphonse Daudet; 13 May 1840 - 16 December 1897) was a French novelist. He was the father of writers Leon Daudet and Lucien Daudet. Daudet was born in Nimes, France His family, on both sides, belonged to the bourgeoisie. The father, Vincent Daudet, was a silk manufacturer - a man dogged through life by misfortune and failure. Alphonse, amid much truancy, had a depressing boyhood. In 1856 he le Lyon, where his schooldays had been mainly spent, and began his career as a schoolteacher at Ales, Gard, in the south of France. The position proved to be intolerable and Daudet said later that for months aer leaving Ales he would wake with horror, thinking he was still among his unruly pupils. On 1 November 1857, he abandoned teaching and took refuge with his brother Ernest Daudet, only some three years his senior, who was trying, and thereto soberly, to make a living as a journalist in Paris. Alphonse took to writing, and his poems were collected into a small volume, Les Amoureuses (1858), which met with a fair reception. He obtained employment on Le Figaro, then under Cartier de Villemessant s energetic editorship, wrote two or three plays, and began to be recognized, among those interested in literature, as possessing individuality and promise. -
The Traveller's Guide to the Bouches-Du-Rhône Sectorsthe Five Sectors Themestravel Themes of the Bouches-Du-Rhône Culture and Heritage Prehistory and Antiquity P
> The traveller’s guide The Traveller's Guide to the Bouches-du-Rhône SectorsThe Five Sectors ThemesTravel Themes of the Bouches-du-Rhône Culture and Heritage Prehistory and Antiquity P. 56 Aix and Salon-de-Provence Sector P. 7 Church Architecture P. 58 Aix-en-Provence P. 8 Castles P. 59 The Countryside around Aix-en-Provence P. 11 Salon-de-Provence P. 12 Rural and Village Architecture P. 60 The Countryside around Salon-de-Provence P. 13 Urban and Suburban Architecture P. 61 Discovery Circuits P. 14 Feast Days and Festivals P. 62 Crafts and Popular Traditions P. 64 Saint-Rémy and the Alpilles Sector P. 17 Cultural Creativity P. 66 Saint-Rémy de Provence P. 18 Gastronomy P. 68 The Countryside around Saint-Rémy P. 20 Discovery Circuits P. 22 Outdoor Pursuits Arles, the Camargue and La Crau Sector P. 25 Water P. 72 Arles P. 26 The Countryside around Arles P. 30 Protected Natural Sites P. 74 Discovery Circuits P. 32 Water-centred Activities P. 76 Golf Courses and Driving Ranges P. 78 Martigues and the Côte Bleue Sector P. 35 Hiking, Horse Riding and Cycling P. 80 Martigues P. 36 Climbing and Caving P. 82 The Countryside around Martigues P. 38 Discovery Circuits P. 40 Children Marseille and the Calanques Sector P. 43 Practical Information P. 86 Marseille P. 44 The Countryside around Marseille and Aubagne P. 49 Discovery Circuits P. 50 General Information P. 88 The Five Sectors of the Bouches-du-Rhône 7 Aix and Salon-de-Provence Saint-Rémy and the Alpilles 17 Arles, 25 the Camargue and La Crau Martigues and the Côte Bleue 35 Marseille and the Calanques 43 Aix and Salon-de-Provence Overview This sector, along with the Alpilles, is one of the inland regions of Provence. -
BOOK REVIEWS 159 Derek W. Valliant Is Professor Of
BOOK REVIEWS 159 Derek W. Valliant is Professor of Communication Studies at the Uni- versity of Michigan and author of Sounds of Reform: Progres- sivism and Music in Chicago, 1873–1935 (2005). Henry James Goes to Paris. By Peter Brooks. (Princeton: Princeton University Press, 2007. Pp. x, 256.$24.95.) In Henry James Goes to Paris, Peter Brooks, Sterling Professor of Comparative Literature at Yale, offers a biographical and critical examination of a transitional moment in James’s career: the period from 1875 to 1876, when, at the age of thirty-two, the author lived in Paris and immersed himself in Parisian culture, meeting fellow writers and frequenting art exhibitions, which he reviewed for the New York Tribune. Although James had already released Watch and Ward, A Passionate Pilgrim, and Roderick Hudson, Brooks reminds us that he was still “Henry James Jr.,” not yet the Master he would become. James was striving to define himself as a writer and literary critic, striving to find his own voice among naturalists and realists on both sides of the Atlantic. As urbane as he seems to us now, in 1875, James considered himself an outsider to the literary circles he hoped would come to embrace him. As Brooks portrays him, James was, in many ways, a very young man, resistant to the new and threatened by some he judged masters of their art. He was an adoring acolyte to Ivan Turgenev, who brought him to Gustave Flaubert, at whose literary “at-homes” James met a host of writers, including the young Emile Zola, Guy de Maupassant, Edmond de Goncourt, and Alphonse Daudet. -
Catalogue, Tels Que Les Textes, Les Images Et Leur Disposition, Sont La Propriété D’Artoria S.A., Et Sont Protégés Par Les Lois Internationales Sur Le Droit D’Auteur
Affiches Autographes Livres © 2018, Artoria S.A. Tous droits réservés Tous les contenus de ce catalogue, tels que les textes, les images et leur disposition, sont la propriété d’Artoria S.A., et sont protégés par les lois internationales sur le droit d’auteur. Les objets figurant dans ce catalogue sont présentés avec l’autorisation expresse de leurs propriétaires. Images de couverture : Lot 134 Design et mise en page: Alex Porter (David Feldman S.A., Genève) Le catalogue tient lieu d’invitation Photographies non contractuelles Affiches Autographes Livres 1ère Vente aux Enchères Genève, 27 Novembre 2018 Exposition des lots Dans les locaux de la société David Feldman S.A. 26 novembre 2018 Route de Chancy 59, bâtiment D, 3ème étage 10h30-18h00 1213 Petit-Lancy, Genève, Suisse Avant le 26 novembre les lots sont visibles uniquement sur rendez-vous. Vente aux enchères En association avec David Feldman S.A. 27 novembre 2018 Route de Chancy 59, bâtiment D, 3ème étage 14h00 1213 Petit-Lancy, Genève, Suisse Contact Olivier Jean Directeur Vente aux enchères (locaux de David Feldman S.A.) : Spécialiste Autographes et Manuscrits Ludovic Miran Spécialiste Livres Anciens et Modernes Jacques Denis Relations Clientèle Estelle Leclère Communication et Marketing Romain Kohn Services Informatiques Artoria S.A. Adresse postale: Rue du Jeu de l’Arc 15 Case postale 731 1207 Genève, Suisse 1213 Petit-Lancy 1 Tél. : +41 (0) 22 727 0799 Genève - Suisse Email : [email protected] www.artoria.ch Introduction A beginning is a very delicate time S’agissant des premières lignes d’une première vente, la formule de Frank Herbert s’applique doublement. -
The Project Gutenberg Ebook of Tartarin of Tarascon, by Alphonse Daudet #1 in Our Series by Alphonse Daudet
The Project Gutenberg EBook of Tartarin of Tarascon, by Alphonse Daudet #1 in our series by Alphonse Daudet Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: Tartarin of Tarascon Author: Alphonse Daudet Release Date: August, 1999 [EBook #1862] [This file was last updated on January 24, 2003] Edition: 11 Language: English Character set encoding: ASCII *** START OF THE PROJECT GUTENBERG EBOOK TARTARIN OF TARASCON *** This etext was prepared by Donal O'Danachair, email [email protected]. TARTARIN OF TARASCON by ALPHONSE DAUDET EPISODE THE FIRST IN TARASCON I. The Garden Round the Giant Trees. MY first visit to Tartarin of Tarascon has remained a never-to-be- forgotten date in my life; although quite ten or a dozen years ago, I remember it better than yesterday. -
Três Cartas De Marcel Proust – O Autor Responde a Seus Críticos
Três cartas de Marcel Proust – o autor responde a seus críticos Alexandre Bebiano de Almeida Samuel Beckett não fazia questão de ler a vasta correspondência do autor de Em busca do tempo perdido. Ele abria sua monografia sobre o romance dizendo que não haveria ali “nenhuma alusão à vida e à morte legendárias de Marcel Proust, nem à viúva tagarela das Cartas”.1 Em outro ensaio, Beckett podia che- gar a imaginar as páginas de um diário, onde um virtual professor universitário registraria suas impressões de leitura: Acabo de ler uma carta de Proust, endereçada a não sei mais quem, uma (ou deveria dizer: um) dessas Albertines-Jupiens decerto, e onde explica por quais razões não pode mais, mas de maneira alguma, assoar o nariz domingo de manhã antes das seis horas. O microcosmo de sua tese, preci- pitando-se pelas alturas de um pagode invertido de tergiversações teleoló- gicas, termina esmagando a nossa sensibilidade como um bólido vitorioso.2 Sugerindo que ela seria um manancial de fórmulas decadentes, essas ironias podem afastar mais de um da correspondência de Proust, o que seria um equí- voco. Com efeito, descontando o caráter homofóbico da paráfrase (“a viúva taga- rela das Cartas”), assim como a irreverência para com o estilo pernóstico do pro- fessor universitário (sempre bem-vinda), a ironia de Beckett ressalta alguns dos elementos mais importantes da expressão proustiana: de um lado, as exageradas e infinitas complicações do “eu” (“não, não posso mais, mas de maneira alguma, assoar o nariz no domingo de manhã, antes das seis horas!”); e de outro, a tor- tuosa sintaxe, criada para suportar todas as complicações sentidas (ou inventadas) por esse “eu” ampliado pelos caprichos da imaginação, desejoso de abraçar, em um só movimento, em uma só oração, as tramas intrincadas vigentes em nosso 1 BECKETT, Samuel.