Two Russian Reformers, Ivan Turgenev, Leo Tolstoy
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The Literature of Kita Morio DISSERTATION Presented In
Insignificance Given Meaning: The Literature of Kita Morio DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Masako Inamoto Graduate Program in East Asian Languages and Literatures The Ohio State University 2010 Dissertation Committee: Professor Richard Edgar Torrance Professor Naomi Fukumori Professor Shelley Fenno Quinn Copyright by Masako Inamoto 2010 Abstract Kita Morio (1927-), also known as his literary persona Dokutoru Manbô, is one of the most popular and prolific postwar writers in Japan. He is also one of the few Japanese writers who have simultaneously and successfully produced humorous, comical fiction and essays as well as serious literary works. He has worked in a variety of genres. For example, The House of Nire (Nireke no hitobito), his most prominent work, is a long family saga informed by history and Dr. Manbô at Sea (Dokutoru Manbô kôkaiki) is a humorous travelogue. He has also produced in other genres such as children‟s stories and science fiction. This study provides an introduction to Kita Morio‟s fiction and essays, in particular, his versatile writing styles. Also, through the examination of Kita‟s representative works in each genre, the study examines some overarching traits in his writing. For this reason, I have approached his large body of works by according a chapter to each genre. Chapter one provides a biographical overview of Kita Morio‟s life up to the present. The chapter also gives a brief biographical sketch of Kita‟s father, Saitô Mokichi (1882-1953), who is one of the most prominent tanka poets in modern times. -
" Why Won't You Just Read It?": Comic Books and Community in the 1950S
DOCUMENT RESUME ED 387 852 CS 509 070 AUTHOR Adler-Kassner, Linda TITLE "Why Won't You Just Read It?": Comic Books and Community in the 1950s. PUB DATE Aug 95 NOTE 35p.; Paper presented at the Annual Meeting of the Association for Education in Journalism and Mass Communication (78th, Washington, DC, August 9-12, 1995). Comic book story appended may not reproduce well. PUB TYPE Historical Materials (060) Speeches/Conference Papers (150) EDRS PRICE MFOI/PCO2 Plus Postage. DESCRIPTORS *Audience Response; Case Studies; *Childhood Interests; *Comics (Publications); Communication Research; *Cultural Context; Media Research; *Popular Culture; *Reading Material Selection; Recreational Reading IDENTIFIERS Communication Context; Cultural Studies; Discourse Communities; *E C Comics; Historical Background; Parental Dominance ABSTRACT A study explored the debate over comic books and children in the 1950s, addressing the communication role of comic books in forming a new community of comic book fans during that period. Using E.C. (Educational Comics) comic books as a case study, the conventions of the comic books, correspondence between producers and consumers, and articles by anti-comic book critics were examined to analyze how the comics contributed to what critics perceived as a new community of children and youth distinct from the dominant community to which they belonged. The comic book "crusade" was one manifestation of the anxiety felt by many adults over the communications revolution of the 1950s. Reader response theory was used to study the comic books' reception by fans and critics alike--the theory insists that readers bring meaning to text, and that the audience is central to understanding. -
By Aleksey Konstantinovich Tolstoy Aleksey Tolstoy
Read Ebook {PDF EPUB} Упырь by Aleksey Konstantinovich Tolstoy Aleksey Tolstoy. Russian poet and playwright (b. 24 August/5 September 1817 in Saint Petersburg; d. 28 September/10 October 1875 at Krasny Rog, in Chernigov province), born Count Aleksey Konstantinovich Tolstoy (Алексей Константинович Толстой). Contents. Biography. Descended from illustrious aristocratic families on both sides, Aleksey was a distant cousin of the novelist Lev Tolstoy. Shortly after his birth, however, his parents separated and he was taken by his mother to Chernigov province in the Ukraine where he grew up under the wing of his uncle, Aleksey Perovsky (1787–1836), who wrote novels and stories under the pseudonym "Anton Pogorelsky". With his mother and uncle Aleksey travelled to Europe in 1827, touring Italy and visiting Goethe in Weimar. Goethe would always remain one of Tolstoy's favourite poets, and in 1867 he made notable translations of Der Gott und die Bajadere and Die Braut von Korinth . In 1834, Aleksey was enrolled at the Moscow Archive of the Ministry of Foreign Affairs, where his tasks included the cataloguing of historical documents. Three years later he was posted to the Russian Embassy at the Diet of the German Confederation in Frankfurt am Main. In 1840, he returned to Russia and worked for some years at the Imperial Chancery in Saint Petersburg. During the 1840s Tolstoy wrote several lyric poems, but they were not published until many years later, and he contented himself with reading them to his friends and acquaintances from the world of Saint Petersburg high society. At a masked ball in the winter season of 1850/51 he saw for the first time Sofya Andreyevna Miller (1825–1895), with whom he fell in love, dedicating to her the fine poem Amid the Din of the Ball (Средь шумного бала), which Tchaikovsky would later immortalize in one of his most moving songs (No. -
THE REVOLUTIONARY TRADITION ENGL 315 Fall 2011 Instructor: Michaela Bronstein, [email protected] Monday/Wednesday 2.00-3.20
THE REVOLUTIONARY TRADITION ENGL 315 Fall 2011 Instructor: Michaela Bronstein, [email protected] Monday/Wednesday 2.00-3.20, BARR 102 Drop-in office hours: Monday 12-2, Johnson Chapel #5 (Please e-mail to schedule meetings at any other time.) I wish to speak out about several matters even though my artistry goes smash. What attracts me is what has piled up in my mind and heart; let it give only a pamphlet, but I shall speak out. —Fyodor Dostoevsky, letter regarding his novel Demons Revolutionist and reactionary, victim and executioner, betrayer and betrayed, they shall all be pitied together when the light breaks on our black sky at last. Pitied and forgotten … —Natalia Haldin, Under Western Eyes, Joseph Conrad Contrary to the hope Conrad’s character expresses, we have not forgotten either the historical revolutionaries or the works they inspired. While Dostoevsky feared that his novel was too politically pointed to be a lasting work of art, Demons today is more well-known than the incident on which the novel was based. In this course we will analyze the afterlives of nineteenth-century novels about revolutionaries—not just their continuing interest, but their constant reappearance in later works. Dostoevsky’s worries about his novel turning into a “pamphlet” raise a broad issue for the novel form: why would an author who wishes to address pressing social issues write a novel rather than an essay? How do authors reconcile the long aims of literature with the urgent claims of the political present? Revolutionaries often appeal to their authors precisely because they seem to represent much more than the social problem they seek to reform—whether they represent the influence of ideology upon character or the difficulty of human attempts to plot better lives for themselves and others, revolutionaries usually carry the weight of much more abstract ideas than their immediate social purposes. -
Le of the Sturgeon Wmoh Aut09 8/12/09 9:34 AM Page Ii ^>
WMoH aut09 S,/l/Q9 1:07 PM Page i ^> ktk* CONSIN \\ 0 r M WL IBi' • iVSiL-^ iii Isfr,:,, -^> t*'k^ •'%«^- ^Jiw 'ir:^A. ^ View froin the Water Northern .Wisconsin's Wet Boa ses She Taught Him ^fj. ajrVX^th Bis Eyes"^ ?^OK EXCERPT "" ' le of the Sturgeon WMoH aut09 8/12/09 9:34 AM Page ii ^> I^MiCa^sKlthe,CinlWcn FASCINATED BY THE CIVIL WAR? tw\l WiVi- l^t^aU^ ffwy Whether you are a Civil War buff, or just interested in learning more about this monumental event in t^^^^Jfif jfWi ii^ii^aa^:^ our nation's history, the Wisconsin Historical Society can help. With our vast collections and incredible ^^^^•i programs and services, you'll find countless ways to m>-?^;^P explore the Civil War or whatever topic interests you. 1 '^J:*--*^^^^* • See the Civil War Loyalty flag at the Wisconsin ^^ Historical Museum's Odd Wisconsin exhibit Curd WaXy Wiikl/ru(,aX- WcUt- H<Mi<, • Discover one of the nation's largest collections of photographs, newspapers, and hand-written letters and diaries from the Civil War era at the Society's library and archives • Be part of the action at Wade House's 19th Annual Civil War Weekend, September 26-27 • Purchase a book on the topic from the Wisconsin Historical Society Press at wisconsinhistory.org/ whspress • Explore our digital collection "Turning Points in Wisconsin History" at wisconsinhistory.org/ turningpoints • Find properties of Civil War-era significance ^""^l^^'MdaU f">^*taA^ in the National Register Database at wisconsinhistory.org/hp/register wisconsinhistory.org What fascinates you? . -
Russian Literature from Pushkin to Dostoevsky
SLAV-R 263 / SLAV-R 563 Professor Jacob Emery Mon/Wed 2:30P-3:45 [email protected] Kirkwood Hall 212 BH 515: MW 4-5 or by appointment Russian Literature from Pushkin to Dostoevsky The course is summarized and its aims are set forth: This course is a literature seminar. It will teach us to become more appreciative, perceptive, and understanding readers, and to communicate our experience of literary texts in a compelling way. In the process, we will touch upon questions of Russian history and culture, literary and intellectual tradition, philosophy and ethics and religion. How do we account for the extraordinary, unprecedented outburst of creativity in 19th century Russia? Why do we read these books more than a hundred years after they were written, and what skills do we need to have as readers if we are to understand and enjoy artworks that were created in a different language and in a different time? How do these works engage philosophy and social thought, and how do these aspects relate to their literary form? Why do we read fiction—which is a polite word for things that are not true, or at least not true in the usual sense—and what can fiction do that other kinds of writing cannot? These questions are just for starters. There will be many more questions, and you will pose most of them yourselves. For some of these questions you will develop good working answers. In other cases you will only open the door onto knotty knotty knots of complex issues. But by the end of the semester you will have read and understood the major prose works of what is called the “Golden Age of Russian Literature,” and you will have a firm foundation in the historical context and literary concepts necessary to understand works like them. -
The Types of Character
THE TYPES OF CHARACTER PRESENTED IN THE WORKS OF ALPHONSE DAUDET BY DAVID HOBART CARNAHAN, A. B. THESIS FOR THE DEGREE OF MASTER OF ARTS IN THE UNIVERSITY OF ILLINOIS. 1898. K CONTENTS Page Bibliography----------------------------------------- seq. Introduction----------------------------------------- 1 i Resume of Books-------------------------------------- 2 \ Division of Tyres------------------------------------- 17 Midi--------------------------------------------------- 17 Child------------ 26 - Bourgeois and Peasant-------------- —— ------ ----- - 31 'Lover-------------------------------------------------- 37 Women------------------------------------------------ 41 - Foreign----------------------- 45 Military--------------------------------------------- 49 Ecclesiastical---------------------------------------- 53 Summary------------------------------------------------ 56 BIBLIOGRAPHY -: The following hooks of Daudet:- Le Petit Chose *---- ---------- Chamentier et Fasquelle---Paris Numa Roumestan------------------- " Le Nabab-------------------------- " Lettres de inon Moulin---------------- M Fromont jeune et Risler ain^— M La Fedor----------------------------- " Contes du Lundi---------------------- " Contes Choisis----------------------- H Tartar in sur les Alpes---- -----F laminar ion----- — -----------Pafis Tartarin de Tarascon--------- M Port Tarascon------------ — — " Rose et Ninette-- ----------- — " Jack----------------- M Trente Ans de; Paris----------- M Souvenir d’un horarae de lettres- M Les Rois en Exile------------ - -
In Re Cook and the Franklin Proceeding: New Door, Same Dilapidated House
Loyola of Los Angeles Law Review Volume 53 Number 2 California Supreme Court Issue Article 2 Winter 2-1-2020 In re Cook and the Franklin Proceeding: New Door, Same Dilapidated House Christopher Hawthorne Loyola Law School, Los Angeles Marisa Sacks Loyola Law School, Los Angeles Follow this and additional works at: https://digitalcommons.lmu.edu/llr Part of the Criminal Law Commons, Criminal Procedure Commons, Juvenile Law Commons, Law Enforcement and Corrections Commons, and the State and Local Government Law Commons Recommended Citation Christopher Hawthorne & Marisa Sacks, In re Cook and the Franklin Proceeding: New Door, Same Dilapidated House, 53 Loy. L.A. L. Rev. 373 (2020). This Article is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. (7) 53.2_HAWTHORNE (DO NOT DELETE) 6/2/2020 5:02 PM IN RE COOK AND THE FRANKLIN PROCEEDING: NEW DOOR, SAME DILAPIDATED HOUSE Christopher Hawthorne* & Marisa Sacks** The California Supreme Court’s decision in In re Cook was supposed to bring about a sea change in the way trial courts conduct Franklin mitigation hearings for youthful offenders. In fact, while Cook changed the procedure for initiating a post-conviction Franklin proceeding, little else has changed, including the lack of agreement among attorneys concerning best practices in these proceedings, and a less than less-than-enthusiastic response from the criminal defense bar. -
1943 Pacific
Thuong Mai Week-End Bạn có thể scan mã QR trên để truy cập CUOÁI TUAÀN 1943 trang báo điện tử của chúng tôi. May 22, 2021 Khách hàng cũng có thể xem quảng cáo 10515 Harwin Dr., Suite 100-120, Houston, TX 77036 (goùc Harwin Dr. @ Corporate Dr.) rao vặt của mình ngay trực tuyến tại Tel: 713-777-4900 * 713-777-8438 * 713-777-VIET * 713-777-2012 * Fax.: 713-777-4848 www.thevietnampost.com Website: thevietnampost.com * E-mail: [email protected] Chuùng toâi chuyeân ñaûm traùch moïi dòch vuï BAÛO HIEÅM: XE HÔI - NHAØ CÖÛA - NHAÂN THOÏ THÖÔNG MAÏI - IRA - MUTUAL FUNDS SHAWN XUAÂN NGUYEÃN, LUTCF 10039 Bissonnet, Suite 226 Houston, TX 77036 (713)988-0752 HARRY DAO INSURANCE BAÛO HIEÅM TOÁT, GIAÙ CAÛ NHEÏ NHAØNG XE - NHAØ - THÖÔNG MAÏI NHAÂN THOÏ - SÖÙC KHOÛE INCOME TAX, GIAÁY TÔØ XE, GIAÛI TICKET, DI TRUÙ, HOÄ CHIEÁU ÑOÄC THAÂN COÂNG HAØM BILL OF SALE 281-933-8300 8300 W. SAM HOUSTON PKWY S. #122 HOUSTON, TX 77072 KHU CHÔÏ VIEÄT HOA [email protected] Member of WWW.FARMERSAGENT.COM/HDAO Presidents Council Ñaïi Dieän Nhieàu Haõng BAÛO HIEÅM Noåi Tieáng Nhaát Hoa Kyø John Milton Nguyeãn xin goïi ngay ñeå coù giaù toát nhaát chöa töøng coù cho baûo hieåm: * xe * nhaø * luït* thöông maïi * söùc khoeû * nhaân thoï Coù Giaù Thaät Toát Cho: Tieäm AÊn, Vaên Phoøng, Hair, Nail Salon, Shopping Center, Tieäm Giaët UÛi, v.v. CHÆ VAØI PHUÙT ÑIEÄN THOAÏI Agency Director MAØ TIEÁT KIEÄM THAÄT NHIEÀU TIEÀN CHO QUÙI VÒ. (281)495-3493 11738 Wilcrest Dr.,Houston, TX 77099 20 naêm kinh nghieäm, treân 10 nhaân vieân phuïc vuï quyù vò Trung Taâm Dòch Vuï KHAI THUEÁ & KEÁ TOAÙN * Khai thueá lôïi töùc caù nhaân, cô sôû thöông maïi. -
Badinjki1981.Pdf (5.294Mb)
~IV f-.. ,..t. 0 ::c ,<I 0 ~D I N\»'>~ THE UNIVERSITY efEDINBURGH This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. SOME DIFFERING CONCEPTIONS OF THE HEROINE IN SELECTED MID-VICTORIAN NOVELS by Taher Badinjki M.Litt. degree University of Edinburgh June 1981 ACKNOWLEDGEMENT I would like to express my appreciation to my supervisor Professor K.J. Fielding, whose unfailing astuteness about literature was combined with human concern. I would also like to thank Dr. Ian Campbell who was a constant source of advice and encouragement to me. TABLE OF CONTENTS, Chapter Page I The Image of the Ideal Woman 1 II The Image of the Fallen Woman ( 1) 30 III The Image of the Fallen Woman (2) 75 IV The Image of the Passionate woman 102 V Conclusion 125 VI Bibliography 129 Abstract In their studies of the social and moral conventions which appear to have governed Victorian attitudes to women, some present-day critics have made various statements and broad generalizations about such matters. -
The Traveller's Guide to the Bouches-Du-Rhône Sectorsthe Five Sectors Themestravel Themes of the Bouches-Du-Rhône Culture and Heritage Prehistory and Antiquity P
> The traveller’s guide The Traveller's Guide to the Bouches-du-Rhône SectorsThe Five Sectors ThemesTravel Themes of the Bouches-du-Rhône Culture and Heritage Prehistory and Antiquity P. 56 Aix and Salon-de-Provence Sector P. 7 Church Architecture P. 58 Aix-en-Provence P. 8 Castles P. 59 The Countryside around Aix-en-Provence P. 11 Salon-de-Provence P. 12 Rural and Village Architecture P. 60 The Countryside around Salon-de-Provence P. 13 Urban and Suburban Architecture P. 61 Discovery Circuits P. 14 Feast Days and Festivals P. 62 Crafts and Popular Traditions P. 64 Saint-Rémy and the Alpilles Sector P. 17 Cultural Creativity P. 66 Saint-Rémy de Provence P. 18 Gastronomy P. 68 The Countryside around Saint-Rémy P. 20 Discovery Circuits P. 22 Outdoor Pursuits Arles, the Camargue and La Crau Sector P. 25 Water P. 72 Arles P. 26 The Countryside around Arles P. 30 Protected Natural Sites P. 74 Discovery Circuits P. 32 Water-centred Activities P. 76 Golf Courses and Driving Ranges P. 78 Martigues and the Côte Bleue Sector P. 35 Hiking, Horse Riding and Cycling P. 80 Martigues P. 36 Climbing and Caving P. 82 The Countryside around Martigues P. 38 Discovery Circuits P. 40 Children Marseille and the Calanques Sector P. 43 Practical Information P. 86 Marseille P. 44 The Countryside around Marseille and Aubagne P. 49 Discovery Circuits P. 50 General Information P. 88 The Five Sectors of the Bouches-du-Rhône 7 Aix and Salon-de-Provence Saint-Rémy and the Alpilles 17 Arles, 25 the Camargue and La Crau Martigues and the Côte Bleue 35 Marseille and the Calanques 43 Aix and Salon-de-Provence Overview This sector, along with the Alpilles, is one of the inland regions of Provence. -
Fathers and Sons Jessica Lee College of Dupage
ESSAI Volume 14 Article 24 Spring 2016 Fathers and Sons Jessica Lee College of DuPage Follow this and additional works at: http://dc.cod.edu/essai Recommended Citation Lee, Jessica (2016) "Fathers and Sons," ESSAI: Vol. 14 , Article 24. Available at: http://dc.cod.edu/essai/vol14/iss1/24 This Selection is brought to you for free and open access by the College Publications at DigitalCommons@COD. It has been accepted for inclusion in ESSAI by an authorized editor of DigitalCommons@COD. For more information, please contact [email protected]. Lee: Fathers and Sons Fathers and Sons by Jessica Lee (History 2225) he novel Fathers and Sons by Ivan Turgenev showed the differing ideals between the old generation and the young generation and the paths they each felt Russia should be taking. TTurgenev showed through his characters that one does not nor should, as was also the case with Russia as a country, negate the past, thinking that would build a better future. He then showed another option; a happy marriage of the two ideals, where melding of the old Russia and the ideas of a new Russia produced a better and beneficial result. In fact, those characters in the book who represented opposite and far ends of the spectrum did not end with happy lives. In 1861 Alexander II moved forward with the first of many reforms by emancipating the serfs. This huge reform affected eighty-five percent of the population or about fifty-two million people.1 There were groups within Russia that were not happy about these changes, “they insisted on long-established values and fought bitterly to preserve privilege and autocratic rule.”2 The nobles and the Russian Orthodox Church made up the largest group that did not support the emancipation of the serfs.