PDF of This Issue
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Political-Cartoons.Pdf
Dublin City Library and Archive, 138 - 144 Pearse Street, Dublin 2. Tel: +353 1 6744999 Political Cartoons Date Newspaper Title Subtitle Location The Master of the ScRolls! Folder 04/01 The Extinguisher Folder 04/02 Ex Officio Examination Folder 04/03 A Theological Antidote firing off Lees of oppostition Folder 04/04 The New Hocus Pocus or Excellent escape, with the juglers all in an uproar Folder 04/05 founded on a new Sevic comic, Rattle Bottle Pantomine lately performed at the new Theatre Royal The Bottle Conjurers ARMS God Save the King: The Glorious and Immortal Memory Folder 04/06 Date c. 1810 1830 A Turning General and three and twenty Bottle holders Folder 04/07 all in a Row 01 June 2011 Page 1 of 84 Date Newspaper Title Subtitle Location Irish Fireside The Old, Old Home! Box 01 F01/07 The Lepracaun Box 06/47 The Lepracaun Box 06/48 United Ireland The Suppression of the League, or Catching a Tartar Bloody Balfour- Hello Uncle, I've caught a Tartar Folder 01/42 Salisbury- Dragf him along here B.B.- I cant 14/08/1869 Vanity Fair Statesmen, No. 28 "He married Lady Waldegrave and governed Ireland" Box 01 F05/01 09/04/1870 Vanity Fair Statesman No. 46 "An exceptional Irishman" Box 01 F05/02 25/03/1871 Vanity Fair Statesmen, No. 79 "An Irish wit and Solicitor-General" Box 01 F05/03 30/12/1871 Vanity Fair Statesmen No. 102 "An Art critic" Box 01 F05/04 23/03/1872 Vanity Fair Statesmen, No. 109 "A Home Ruler" Box 01 F05/05 28/09/1872 Vanity Fair Statesmen, No. -
PF21-0466F.Pdf
TACOMA VENUES & EVENTS REQUEST FOR PROPOSAL MANAGEMENT OF PERFORMING ARTS VENUES SPECIFICATION NO. PF21-0466F PF21-0466F Page 1 of 101 PF21-0466F Page 2 of 101 City of Tacoma Tacoma Venues and Events REQUEST FOR PROPOSALS PF21-0466F Management of Performing Arts Venues Submittal Deadline: 11:00 a.m., Pacific Time, Tuesday, May 11, 2021 Submittal Delivery: Sealed submittals will be received as follows: By Email: [email protected] Maximum file size: 35 MB. Multiple emails may be sent for each submittal. Bid Opening: Held virtually each Tuesday at 11AM. Attend via this link or call 1 (253) 215 8782. Submittals in response to a RFP will be recorded as received. As soon as possible, after 1:00 PM, on the day of submittal deadline, preliminary results will be posted to www.TacomaPurchasing.org. Solicitation Documents: An electronic copy of the complete solicitation documents may be viewed and obtained by accessing the City of Tacoma Purchasing website at www.TacomaPurchasing.org. • Register for the Bid Holders List to receive notices of addenda, questions and answers and related updates. • Click here to see a list of vendors registered for this solicitation. Pre-Proposal Meeting: A pre-proposal meeting will be held at 9 am on April 16, 2021. See Section 7.2 of the specification for a link to RSVP for this meeting. Project Scope: The City of Tacoma is seeking proposals for the management and operations of its Performing Arts Venues. Paid Sick Leave: The City of Tacoma requires all employers to provide paid sick leave as set forth in Title 18 of the Tacoma Municipal Code. -
INITIALS C.C. Liner Notes
Chris Connelly : INITIALS C.C. Out-takes, Rarities and Personal Favourites 1982-2002 vol.1 01. Detestimony – Fini Tribe: This was the “A” side of an EP called “Let the Tribe Grow,” written and recorded when the Fini Tribe was going through great musical changes. We had acquired an Ensoniq ‘Mirage’ sampling keyboard, and as was the same for a lot of bands at the time, it changed everything, opened up a lot of doors, and led us into some very uncharted waters. The actual piece was whittled down from a fifteen-minute opus we had written. I remember being in Philip Pinsky’s bedroom one night with John Vick. Philip’s then-roommate, Lindsay, gave us an old quarter-inch reel of tape he had. On it was a beautiful recording of the church bells you hear on the song; we sampled them and came up with the melody. The EP actually did better than any of us had anticipated and became a sort of hit in the Ibiza clubs at the very advent of the acid house/rave phenomenon. We actually went ahead and re-wrote/re- structured the song for the WaxTrax! Records release (“Make it Internal/Detestimony Revisited”) a couple of years later. 02. Mania – Murder Inc.: Certainly what I feel is the most compelling song on the one and only album released by Murder Inc. The band was basically Killing Joke, minus Jaz Coleman (Killing Joke’s singer), plus me, as well as the original drummer, Paul Fergusson, and newer drummer, Martin Atkins. The sessions took place at Pachyderm Studios in rural Minnesota during September of 1991. -
A Look at Queer Stereotypes As Signifiers in DC Comics' the Joker
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 3-27-2018 Queering The loC wn Prince of Crime: A Look at Queer Stereotypes as Signifiers In DC Comics’ The Joker Zina Hutton [email protected] DOI: 10.25148/etd.FIDC006550 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the Modern Literature Commons, and the Other Film and Media Studies Commons Recommended Citation Hutton, Zina, "Queering The loC wn Prince of Crime: A Look at Queer Stereotypes as Signifiers In DC Comics’ The oJ ker" (2018). FIU Electronic Theses and Dissertations. 3702. https://digitalcommons.fiu.edu/etd/3702 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida QUEERING THE CLOWN PRINCE OF CRIME: A LOOK AT QUEER STEREOTYPES AS SIGNIFIERS IN DC COMICS’ THE JOKER A thesis submitted in partial fulfilment of the requirements for the degree of MASTER OF ARTS in ENGLISH by Zina Hutton 2018 To: Dean Michael R. Heithaus College of Arts, Sciences and Education This thesis, written by Zina Hutton, and entitled Queering the Clown Prince of Crime: A Look at Queer Stereotypes as Signifiers in DC Comics’ The Joker, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this thesis and recommend that it be approved. -
Punk's Not Dead, Towards Forensics of Iconography
3 4 Keep it Simple, Make it Fast! An approach to underground music scenes (vol. 4) Paula Guerra and Thiago Pereira Alberto (eds.) First Published July 2019 by Universidade do Porto. Faculdade de Letras [University of Porto. Faculty of Arts and Humanities] Via Panorâmica, s/n, 4150-564, Porto, PORTUGAL www.letras.up.pt Design: Wasted Rita and Marcelo Baptista Credits illustrations of book’s parts: Esgar Acelerado ISBN 978-989-54179-1-9 All the content presented in texts are solely the responsibility of the authors. The ideas presented do not necessarily represent the opinion of the editors. Attribution CC BY 4.0. International This book is Licensed under a Creative Commons Attribution 4.0. International License (CC BY 4.0). It is allowed to share, redistribute, adapt, remix, transform and build upon the content of this book. The appropriate credit must be given to the authors and editors. More informations: https://creativecommons.org/ licenses/by/4.0 518 10.4. Punk’s not Dead, towards forensics of iconography: Transgression and resistance in intersecting counter- cultures’ identities Lynn Osman254 Abstract The research examines the role of iconography, visual, performance and sound, as means or resistance and transgression. Control, coercion, manipulation as means of power to maintain hegemony, to fabricate political, cultural or social truths, have been subverted historically through subcultures. I aim to deconstruct layers, through studying the mechanism of representation of specific subcultures. The paper focuses first on transgression in the formation of Punk subculture, and by comparing and juxtaposing it to Christianity at its advent, as subculture, to study the role of iconography, through mutual associations. -
The Dark Side of Democracy : Explaining Ethnic Cleansing
P1: ICD 052183130XAgg.xml CY448B/Mann-II 052183130 X August 2, 2004 11:12 This page intentionally left blank ii P1: ICD 052183130XAgg.xml CY448B/Mann-II 052183130 X August 2, 2004 11:12 The Dark Side of Democracy This book presents a new theory of ethnic cleansing based on the most ter- rible cases – colonial genocides, Armenia, the Nazi Holocaust, Cambodia, Yugoslavia, and Rwanda – and cases of lesser violence – early modern Europe, contemporary India, and Indonesia. Murderous cleansing is modern – it is “the dark side of democracy.” It results where the demos (democracy) is confused with the ethnos (the ethnic group). Danger arises where two rival ethnonational movements each claims “its own” state over the same territory. Conflict esca- lates where either the weaker side fights rather than submit because of aid from outside or the stronger side believes it can deploy sudden, overwhelming force. But the state must also be factionalized and radicalized by external pressures like wars. Premeditation is rare, since perpetrators feel “forced” into escalation when their milder plans are frustrated. Escalation is not simply the work of “evil elites” or “primitive peoples.” It results from complex interactions among leaders, militants, and “core constituencies” of ethnonationalism. Understand- ing this complex process helps us devise policies to avoid ethnic cleansing in the future. Michael Mann is a professor of sociology at the University of California, Los Angeles. He is author of The Sources of Social Power (Cambridge, 1986, 1993) and Fascists -
[email protected] Website: Nightshift.Oxfordmusic.Net Free Every Month
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 129 April Oxford’s Music Magazine 2006 Oxford Punt 2006 Line-up announced Every Loser Wins NineNineNine StoneStoneStone CoCoCowbowbowboyyy Elvis, alcohol and suicide bombers - interview inside Also in this issue - The best in Oxford music news, reviews and previews Including The Odd Couple - when Suitable Case For Treatment met Jon Snow and ended up on the Richard and Judy Show plus Seven pages of local gigs NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Harlette Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] PUNT LINE-UP ANNOUNCED The line-up for this year’s Oxford featured a sold-out show from Fell Punt has been finalised. The Punt, City Girl. now in its ninth year, is a one-night This years line up is: showcase of the best new unsigned BORDERS: Ally Craig and bands in Oxfordshire and takes Rebecca Mosley place on Wednesday 10th May. JONGLEURS: Witches, Xmas The event features nineteen acts Lights and The Keyboard Choir. across six venues in Oxford city THE PURPLE TURTLE: Mark and post-rock is featured across showcase of new musical talent in centre, starting at 6.15pm at Crozer, Dusty Sound System and what is one of the strongest Punt the county. In the meantime there Borders bookshop in Magdalen Where I’m Calling From. line-ups ever, showing the quality are a limited number of all-venue Street before heading off to THE CITY TAVERN: Shirley, of new music coming out of Oxford Punt Passes available, priced at £7, Jongleurs, The Purple Turtle, The Sow and The Joff Winks Band. -
Chapter 5 H Um an Environm
Addison Mohler/USFWS Mule deer fawn Chapter 5 Human Environment Appendices Chapter 5 Chapter 4 Chapter 3 Chapter 2 Chapter 1 A-P Human Biological Physical Management Introduction and Environment Environment Environment Direction Background Deer Flat National Wildlife Refuge Comprehensive Conservation Plan Chapter 5 Human Environment 5.1 Cultural Resources Archaeological and other cultural resources are important components of our nation’s heritage. The Service is committed to protecting valuable evidence of plant, animal, and human interactions with each other and the landscape over time. These may include previously recorded or yet undocumented historic, cultural, archaeological, and paleontological resources as well as traditional cultural properties and the historic built environment. Protection of cultural resources is legally mandated under numerous Federal laws and regulations. Foremost among these are the National Historic Preservation Act, as amended (16 U.S.C. 470 et seq.); the American Antiquities Act (16 U.S.C. 431-433); the Historic Sites Act (16 U.S.C. 461-467); the Archaeological Resources Protection Act, as amended (16 U.S.C. 470aa-mm); and the Native American Graves Protection and Repatriation Act (104 Stat. 3048, Public Law 101-601). The Service’s Native American Policy (USFWS 1994) articulates the general principles guiding the Service’s relationships with Tribal governments in the conservation of fish and wildlife resources. Additionally, the Refuge seeks to maintain a working relationship and consults on a regular basis with the Tribes that are or were traditionally tied to lands and waters within the Refuge. 5.1.1 Native American Cultural Landscape The ethnographic and historical record is abundant with references to the Shoshone Tribes of western Idaho living in small and widely scattered groups in southwestern Idaho. -
Rr He 14- D • S' Mr
... I t .. Vol. VII., No. 82 THE EVEN ING ADVOCATE, ST. 1- met hllD ut the door. Re (Ur. 'Kelly) I arrived berore Mr. WOOdford that1 WHllE MR .. KELLY PAYS THE MEN u1orntng. He came to my bou11e. I had n little con•erotlon whh Mr. I KAI) (conver8aUon objected to b>· OFF, MR. ·woooFORD ANO JHE cc1111~ ci1 '?or Atr. Wooclrordl. Aftc-rl Ko!llY came be 11tnyed about 10 mlo·i DOCTOR WATCH ANO WAIT: u~e.. In the f\OuH nnd then .went out· 111 ldc. Mr. Klllll" told me hi" bu11lue.i.-.. Ile W11S 3olng to 1>llY the men ror I ·OUTSIDE THE GATE. \\Orklng. Mr. Woodford ca1De l'l that 1l1nnrnlng. Can"t reme1.1ber It .Dr. J11nf'll ' Helps the Cause Along It.Id. Mr. Kelly started In to pl&)' lhe Capt. Bonia • fllCn In DI,,\' kltchl!n. The pa.)" llhffC , \\11J< bruuabt back. Mr. Woodfor-1 t•lld lu thf'I Woodiord £1e<'tlon l'il~t'. I hmt hy llr. lfe"s :- 1 lh·c nl Seal me on Mond•Y he'd be there nl.1 or r~-tf'r. llY afternoon the cxnmllm-,Co,·c. In Hr. ~l llln Ol t1trlct. I remcm.I 11blne on Wedneado,y to PAJ' the i.tc:n r . tlo:> 11r \ilnn nt Costlgnn ot Onllow·11 Iler the elel'l.Jon. Dr. Jones, Mr. Wood-I Mr. Woodford was outahJe wbJle ibe l"o\'r Hr'. ~l nln Dh, lrlct wm1~ontlnucd. rord. Cnpt. Kenncdr n1,1d Mr. Meaney , men were being pahl. -
Frank Callari, 55
COMPILED BY KRISTINA TUNZI ktunzi @billboard.com per. He soon added an entertainment Sea and Payson Muller. an in -house lawyer for EMI (then law practice, working with clients from Thorn EMI) beginning in 1980, until Frank Lady he Seddons a in 1988. Callari, to Breyer, aka Jaye joined as 55 Nintendo Aerosmith. Jacqueline partner After co- founding Voyager Commu- Breyer P- Orridge, 38, Psychic TV key - He leaves behind his wife, Marilyn, Frank Callari, 55, manager of the Mavericks, Ryan Adams, Junior Brown and nications Group in 1989, he created boardist and conceptual artist, died and daughter Charlotte. Lucinda Williams, among others, died Oct. 26 of natural causes. He was 55. Valiant Comics, which was sold to Ac- Oct. 9 at her home in Brooklyn. The After graduating in 1973 from the École Hôtelière de Lausanne in Switzer- daim Entertainment and ofwhich Mas- cause was a heart condition possibly Paul Raven, 46, bassist with influ- land, with a bachelor's in hotel /restaurant management, Callari became the sarsky became president /publisher. related to stomach cancer. ential British post -punk group Killing GM at a New York hotel. In 1976, his Four years later, the comic book retail A nurse and volunteer, Breyer met Joke, died Oct. 20 in his sleep of an desire to get involved in the music in- industry awarded him the title pub- and married Throbbing Gristle and apparent heart attack in Geneva, dustry led him to attend New York Uni- lisher of the year. Psychic TV band member Neil Meg - Switzerland, where he had been versity, where he graduated with a Massarsky is survived by his mother, son, aka P- Orridge, in 1993. -
23 10 1980 OCR.Pdf
THE 23rd October 1980 l 1 SOMEJOKE .:I Human excreta daubed on toilet walls ... graffiti scrawled across walls, doors and fittings In the gent's toilets ... soft seating and stools slashed and torn beyond repair ... walls that looked to have been used for mountaineering practice .. and a dressing room smashed up by the group Killing Joke after the concert .. The damage Inflicted on the Student Centre gave It every appearance of a battleground In the aftermath of Friday's Unlvents gig. Such was the damage stopping concerts in the may be brought to an end (his ing a series of incidents caused by the hooligan Student Centre. But. as she term. Miss Pritchard has, in involving damage to property, element that night that the said afterwards: 00 Due to fact, said "We have a particularly in Chambers future of concerts at the public demand among responsibility to protect our Street Union. Killing Joke Student Centre is once more stude_nts for them to continue, own users by stopping such have consistently denied that in the balance. University the Honorary Treasurer and I concerts altogether." they are a punk group and Catering Officer Mr John compiled, on an experimental Most of those who attended were booked on that under Pickles has. in fact. told the basis. an entertainments the Killing Joke concert. it is . standing. Nevertheless, as the Association in a letter to the programme which, if success claimed. were not students at events of Friday night give Permanent Secretary: ··1 think ful. we would have been Edinburgh University, but ample testimony, they most the time has come when this happy to continue." were allowed in under certainly do attract what is so-called 'entertainment' is Friday night's incidents.