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Hyperreal Australia the Construction of Australia in Neighbours and Home & Away
Hyperreal Australia the construction of Australia in Neighbours and Home & Away Melissa McEwen March 2001 This volume is submitted in partial fulfilment of the requirements for the degree of Master of Arts of the Australian National University in the Department of Australian Studies I wish to confirm that the thesis is my own work and that all sources used have been acknowledged. Melissa McEwen 30 March 2001 TABLE OF CONTENTS Statement of authorship ii Table of contents iii Acknowledgments iv 1. Introduction 1 2. Neighbours 5 Employment 7 Education 10 E thnicity 12 W om en 14 Masculinity 18 Relationships and sexuality 20 Lifestyle 22 Disease and mental illness 25 C onclusion 26 3. Home & Away 27 Employment 30 Education 32 Ethnicity 34 W om en 37 Masculinity 42 Relationships and sexuality 45 Lifestyle 48 Disease and mental illness 49 Conclusion 51 4. National Stories 52 What is soap opera? 52 National myths and representation 56 Jobs and education 60 Ethnicity and racism 64 W om en 67 Masculinity 72 Relationships and sexuality 75 Lifestyles 77 Disease and mental illness 79 C onclusion 80 iii j. Constructing Australia 81 Construction and reception of soaps 81 Impact of television 88 Hyperreal Australia 92 Conclusion 107 i. A Moment’s Reflection 108 Mbliography 111 iv ACKNOWLEDGMENTS As this thesis has been a long time in gestation, there are a number of people to thanks for their assistance and help: Jon McConachie for starting me down this path and John Docker for guiding me to the end; Ann Curthoys and Noel Purdon for helping to ensure -
How Fremantlemedia Australia's Daily Soap Won the Hearts of Millions Of
week 12 / 19 March 2015 AN AUSTRALIAN ICON How FremantleMedia Australia’s daily soap won the hearts of millions of viewers over three decades Luxembourg Luxembourg Croatia Guillaume de Posch RTL Group named RTL Hrvatska delivers keynote speech ‘Luxembourg’s launches three at the Cable Congress most attractive new pay channels Employer’ week 12 / 19 March 2015 AN AUSTRALIAN ICON How FremantleMedia Australia’s daily soap won the hearts of millions of viewers over three decades Luxembourg Luxembourg Croatia Guillaume de Posch RTL Group named RTL Hrvatska delivers keynote speech ‘Luxembourg’s launches three at the Cable Congress most attractive new pay channels Employer’ Cover Neighbours 30 years Publisher RTL Group 45, Bd Pierre Frieden L-1543 Luxembourg Editor, Design, Production RTL Group Corporate Communications & Marketing k before y hin ou T p r in t backstage.rtlgroup.com backstage.rtlgroup.fr backstage.rtlgroup.de QUICK VIEW “We have the content; you have the distribution pipeline” RTL Group “One of the most iconic p.10–11 programmes ever to be produced in Australia” RTL Group once FremantleMedia Australia again ‘Luxembourg’s p.4–9 Most Attractive Employer’ RTL Group p.12 Crime, Passion and Living enrich RTL Group’s family of channels in Croatia RTL Hrvatska p.13 An enriched listening experience, thanks to Big Picture ‘Shazam for Radio’ p.15 IP France p.14 SHORT NEWS p.16–17 PEOPLE p.18 “ONE OF THE MOST On 18 March 2015, the FremantleMedia Australia (FMA) production ICONIC PROGRAMMES Neighbours turned 30. Backstage looks back EVER TO BE PRODUCED at the success of this long-running soap. -
“Icontrol You,Debbie!”
EVILJOE! PLUS! ITH “I CONTROL Liv YOU,DEBBIE!” jailed? – They’re back with a big secret! “I’m so excited aboutwhat’s to come!” £1.85 17 – 23 MAR 2018 11 CORRIE SHOCKS! Tyrone slaps David Ruby! suffers Passion with 9 770966 849166 in silence! Michelle’s son! Issue 11 • 17 – 23 Mar 2018 and Kev, and even a baby Sarah in her pushchair – Yo u r s t a r s just for the haircuts alone! s psychic Street episodes that are Now, we know even this week! Rosemary currently airing on ITV3. the most dedicated Inside channels the It’s been a real treat to Soap reader can’t watch 40 spirits of some dearly look back at the likes of everything (there’s two deeparted Street episodes a day of old folk this week, “Old Corrie is like a Corrie!), but if you want I feel I’ve been some quiet Weatherfield given my own nice, warm cuddle!” time away from the big coonduit to dramas of Phelan, David CorrieC characters of Jack and Vera Duckworth, and the current cobbles oldo – not via some Mike Baldwin and Deirdre crew, try to catch a couple scatterbrained Barlow in their heyday. of episodes. They’re lik clairvoyant, but There’s also the terrific a nice, warm cuddle! Sandra thhrough the repeats fun of seeing the younger Steven Murphy, Editor Marvin of 80s Coronation versions of Jenny, Sally [email protected] “Jessie’s family is still to be discovered…” The BIG 44 stories... Nah, more like Max Branning! Coronation Street Oh, he looks 4 David in turmoil after his attack just like Phil 16 Ali locks lips with Carla! Mitchell… 22 Fiz frets, as Tyrone lashes out 26 Sally -
1 a Comparative Study of the Representations of Womanhood In
A comparative study of the representations of womanhood in local and foreign television soap operas in Kenya By Joy Mueni A dissertation presented to the School of Journalism and Mass Communication, University of Nairobi In fulfilment of the requirements for the award of a Doctor of Philosophy degree in Communication and Information Studies 1 November, 2014 DECLARATION I declare that this dissertation is my original work and that it has not been submitted to any other college or university for academic credit. ____________________________ ___________________________ Joy Mueni Date This dissertation has been submitted to the University of Nairobi with our approval as Supervisors. _________________________________ _________________________________ Prof. Peter Kareithi ___________________________________ _________________________________ Dr. Muiru Ngugi 2 ACKNOWLEDGEMENTS It has been an arduous albeit fruitful labour to put together this dissertation. This would however not have been possible without the support that I received from many different quarters; both expected and unexpected. To my supervisors Prof. Peter Kareithi and Dr. Muiru Ngugi, you two gentlemen critiqued, prodded, encouraged and delivered both gentle and hard punches depending on what the situation called for and walked with me chapter by chapter. I will forever be indebted to you. Dr. Kiai, thank you for your goodwill and ensuring a smooth flow of the PhD process. Dr. Sam Kamau, thanks for encouraging me and providing useful insight on navigating UoN. To my mum, the great and mighty Janet Nzilani Mulwa, where would I be without your emotional support? I am truly grateful for all that you have done for me and on my behalf. Above all, you are a high achiever and you instilled that in me. -
Bloomsbury Academic, 2013. 109–132
Huq, Rupa. "Suburbia on the Box." Making Sense of Suburbia through Popular Culture. London: Bloomsbury Academic, 2013. 109–132. Bloomsbury Collections. Web. 25 Nov. 2020. <http:// dx.doi.org/10.5040/9781472544759.ch-005>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 November 2020, 00:29 UTC. Copyright © Rupa Huq 2013. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher. 5 Suburbia on the Box Whenever some blowhard starts talking about the anonymity of the suburbs or the mindlessness of the television generation . we know that inside everyone of those identical boxes, with its Dodge parked out front and its white bread on the table and its TV set glowing blue in the falling dusk, there are . families bound together in the pain and the struggle of love. (Closing speech of Kevin Arnold, Th e Wonder Years episode 1, 1989) Th is chapter addresses the subject of how suburbia is pictured on television: both underwent a growth period in the twentieth century. Indeed at the same time as marketing campaigns for new suburban housing the television was, alongside the labour-saving devices of refrigerator and washing machine, one of the luxuries that was dangled at new suburban dwellers to furnish their home with aft er the shackles of post-war austerity were being shaken off . Spigel ( 2001b :388) has looked at early print advertisements for television sets and fi nds that these off ered and fed into ‘utopian visions and middle-class anxieties about the future of family life and in particular, the future of gender and generational relations in the home’. -
CMS.603 / CMS.995 American Soap Operas Spring 2008
MIT OpenCourseWare http://ocw.mit.edu CMS.603 / CMS.995 American Soap Operas Spring 2008 For information about citing these materials or our Terms of Use, visit: http://ocw.mit.edu/terms. Jenn D’Ascoli CMS.603 Term paper Neighbours – Good Friends and Good Success In the 20 years leading up to 1995, soaps operas were “the dominant form of drama on Australia television screens” (Moran, 344) While that trend has since shifted to serial dramas, there are still two Australian soap operas popular enough to remain on the air. Neighbours,the longest running Australian drama ever produced, is a “nightly soap opera exploring the various domestic dramas of the families in a group of homes in an average suburb” (Moran, 270). Originally concentrating on everyday life without a lot of added melodrama, Neighbours developed over the years to include such dramatic storylines as bombings and lesbian kisses. Faced with declining ratings, Neighbours was refocused in March 2007, moving away from the sensational and back to the simple storylines about family that it began with (Kilkelly). In this paper, I examine the current production of Neighbours using the characteristics of the show that made it an initial success, both in Australia and in the UK, and offer a contrasting analysis of the popular, long-running American soap opera, As the World Turns (ATWT), to provide insight into some of the major differences between successful Australian and American soap operas. An examination of several key facets that lay the foundation for Neighbours' success, and their manifestation (or lack thereof) in the current series of Neighbours and As the World Turns, demonstrates one of the reasons behind the failure of Neighbours in the US market. -
The Art of Neighbours Gaming : Facebook, Fan-Crafted Games and Humour DELLER, Ruth A
The art of Neighbours gaming : Facebook, fan-crafted games and humour DELLER, Ruth A. <http://orcid.org/0000-0003-4935-980X> Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/8130/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version DELLER, Ruth A. (2014). The art of Neighbours gaming : Facebook, fan-crafted games and humour. Intensities : The Journal of Cult Media, 7, 97-106. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk The Art of Neighbours Gaming: Facebook, fan-crafted games and humour Ruth A Deller, Sheffield Hallam University, UK In this article, I discuss the relationship between gaming, craft, humour and television text as I explore the production of fan-made board games by members of the Facebook group 'The Art of Neighbours'. I draw upon examples from the group and from a series of interviews1 with its members to argue that the paratextual ‘play’ these fans partake in replicates the notion of Australian soap Neighbours (1985-present) as being a programme whose pleasures come through a combination of affection and having ‘much to laugh at’ (Wober and Fazal 1994, 85) - indeed, the show itself encourages a playful approach to its narratives. Neighbours has a history of attracting a following who often enjoy the programme partly because they feel able to 'laugh at' it - often including teenagers, students and young adults – or those who first came to watch the show in their youth and have continued to watch (see: Wober and Fazal 1994: 85; Gillespie 1995; Williams 2010). -
Whose House with Amanda Keller
WHOSE HOUSE WITH AMANDA KELLER WHOSE HOUSE – NEIGHBOURS 30th ANNIVERSARY FAST FACTS • Neighbours is the longest running drama in Australian television. • Apparently, Erinsborough the fictional suburb it’s set in, is actually an anagram of Neighbours, but with an extra O and R. • It’s Australia’s most successful exported drama series, enjoyed by 30 million viewers a day in over 20 countries. • In total it’s been sold to 50 countries around the world. • Approximately 26,000 cast and crew have worked on Neighbours in three decades. • It takes six months from plotting the story line to filming and airing an episode. • Five regular cast members (current & past) have played multiple characters – Alan Fletcher – two, Scott Major – two, Brett Tucker – three, Tim Phillips – two and Colette Mann – two. • Two characters have had the most recasts – Lucy Robinson has been played by Kylie Flinder, Sasha Close and Melissa Bell. Ben Kirk has been played by Noah Sutherland, Sean Berends, Blake O’Leary and Felix Mallard. • The Neighbours Official bus tour does between 6-12 visits per week (depending on the time of year) to Ramsay Street and the outside of the studio complex. (The inside of the studios is not open to the public). Around 10,000 visitors per year. • Ramsay Street is an actual residential street called Pin Oak Court in Melbourne’s eastern suburbs. The producers wanted a street that featured houses was typical of the ‘80s era when the series launched – brick veneer homes in cul-de-sac were all the rage. • Neighbours has filmed outside of Melbourne on five occasions – twice in London and Sydney and once in Port Douglas, Queensland. -
56 December 2012 RRP $10.00
australian cinematographer ISSUE #56 December 2012 RRP $10.00 Quarterly Journal of the Australian Cinematographers Society www.cinematographer.org.au Lights, Camera, Action. Our New Cabrio PL Mount with Integrated Removable Servo. Introducing the FUJINON PL Mount 19-90 Cabrio Zoom Lens U Longest focal range (19-90mm) of any lightweight zoom U Quick convertible-removable servo zoom handgrip U Built-in lens motors for focus, iris and zoom U Self-aligning system for easy and accurate calibration U Luminous barrel markings for shooting in dark situations U Only 2.7kg including servo motors For more information contact FUJIFILM (02) 9466 2600 or email [email protected] www.fujifilm.com.au DIGITAL CINEMATOGRAPHY AT ITS F’ING F65 BEST PMWF55 Whether you Rent or Buy, the Sony range of F-series cameras brings you a choice of digital cinematography tools to suit your budget. Familiar features across the series include exceptional exposure latitude, dynamic range and an array of recording options from 4K RAW to MPEG2 HD that HQDEOHHI¿FLHQW¿OHEDVHGZRUNÀRZVIRU\RXU production. PMWF5 PMWF3 ,I\RXZDQWIDVWÀH[LEOHDQGIDXOWOHVV±JHWWKH)¶,1*EHVWGHDODW9LGHRFUDIW CONTENTS BY DEFINITION of the Australian Cinematographers Society’s Articles of Association “a cinematographer is a person with technical expertise who manipulates light to transfer visual 10 information by the use of a camera into aesthetic moving images on motion picture film or electronic recording systems” Quarterly Journal of the 2011/2012 NATIONAL EXECUTIVE Australian Cinematographers -
The Oxbridge
The Independent Cambridge Student Newspaper since 1947 Whose American Dream? We take a trip to the Oscars and trample all over the red carpet BEN JONES CUSU: The Oxbridge Gap the race begins Cambridge claims to accept 10% more maintained sector pupils than Oxford Rachel Divall CUSU FACES a “candidate accepted into Cambridge as undergraduates. drought” as the number of Raj Bavishi According to the Reporter, released on the same candidates standing in this day, of all UK based applicants who were admit- year's Executive elections is CAMBRIDGE'S OFFICIAL undergraduate admis- ted for entry in 2005 and deferred entry in 2006 the lowest on record. In the last sions statistics released on Tuesday by the (3029 people), only 53 percent came from the five years, numbers have never University Press Office indicate a much higher maintained sector as opposed to the 58.1 percent fallen below 22. But this year, intake from the maintained sector than compara- claimed in the press release. just 15 students are standing, tive figures at Oxford. Yet both the data released The maintained sector figure in the press release with only three positions by the University in its official press release, and is calculated by a straight comparision between contested and three as yet the extra figures requested by Varsity relating to students from maintained sector schools and without candidates. the Oxbridge comparison, fail to correlate with those from independent schools and completely Three students have put the highly detailed admissions statistics published ignores the “Other” students who make up a themselves forward for the in the Cambridge University Reporter on Tuesday. -
Neighbours Secrets & Lies
NEIGHBOURS SECRETS & LIES Your Favourite Monthly TV Magazine B&B Sally, Hope, Liam & Steffy LOVE SHOCK HOME AND AWAY SUMMER BAY WOMEN IN CRISIS 20 20 COVER STORIES 8 B&B LOVE SHOCK Steffy and Liam’s marriage is about to collapse in ruins. But while the previously loved-up couple are devastated, there are those who are delighted by this change of events, on The Bold and the Beautiful. 12 WOMEN IN CRISIS Tori’s world is in a spin. All the rules have changed and her heart is changing, too, as Ash plans revenge on Robbo, on Neighbours. 16 SECRET & LIES SOAP WORLD ISSUE 306 MA Karl’s ego is being stroked by Izzy and he is not being honest with Susan, which thi 24 leaves her reeling, on Home Ed’s letter and Away. Love shocks all round with not FEATURES one but three women wanting Liam HARROW a piece of on The Bold 18 BURYING THE TRUTH and The Beautiful. Now that his When you’re a forensic cheating wife Steffy is on the pathologist and your past outs, could Liam fi nd comfort in 46 washes up a body, it changes the arms of former fl ames everything, on this new Sally or Hope? Can’t wait to series Harrow. watch this fi ery storyline SAFE HARBOUR evolve! Looks like Karl’s 20 HOLIDAY HORROR marriage to Susan may be in Two worlds collide on two for a rough ride yet again, with boats and the lives of all the the return of Izzy to Ramsay occupants are unexpectedly Street. -
Popular Culture Popular Culture Includes a Wide Range of Activities That a Large Number of People in a Society Engage In
[ only] Unit 3 The globalising world (1945–the present) Popular culture Popular culture includes a wide range of activities that a large number of people in a society engage in. Since World War II, Australia has developed strong industries in four key areas of popular culture: music, film, television and sport. Television and rock’n’roll music both arrived in 1956 and have had a strong influence on all groups within Australian society – this continues today. Sport has retained an important role in Australian life and has become closely tied to our sense of identity. The Australian film industry has also emerged to tell uniquely Australian stories that entertain and inform. While British, American and, more recently, European and Asian cultures have influenced us, Australia has developed its own distinct culture. Music, film, television and sport have not only become ways of reflecting who we are, but have also enabled Australia to engage with the rest of the world. chapter Source 1 ‘Hello possums’ – one of Australia’s many contributions to international popular13 culture is Barrie Humphries as Dame Edna Everage. 13A 13B 13C How did developments in How have the music, filmDRAFT and What contributions has popular culture influence Australia television industries in Australia Australia made to international Insert obook assess logo: after World War II? changed since World War II? popular culture? This chapter is available in digital format via obook assess. Please use your login 1 In what ways to you think popular culture was different 1 How have developments in the music, film and 1 List as many Australian songs, bands, sporting and activation code to access the chap- in 1946 compared to today? television industries during the last 60 years changed teams, films or television shows you can think of ter content and additional resources.