DOCSLIB.ORG

1 a Comparative Study of the Representations of Womanhood In

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

A comparative study of the representations of womanhood in local and foreign television soap operas in Kenya By Joy Mueni A dissertation presented to the School of Journalism and Mass Communication, University of Nairobi In fulfilment of the requirements for the award of a Doctor of Philosophy degree in Communication and Information Studies 1 November, 2014 DECLARATION I declare that this dissertation is my original work and that it has not been submitted to any other college or university for academic credit. ____________________________ ___________________________ Joy Mueni Date This dissertation has been submitted to the University of Nairobi with our approval as Supervisors. _________________________________ _________________________________ Prof. Peter Kareithi ___________________________________ _________________________________ Dr. Muiru Ngugi 2 ACKNOWLEDGEMENTS It has been an arduous albeit fruitful labour to put together this dissertation. This would however not have been possible without the support that I received from many different quarters; both expected and unexpected. To my supervisors Prof. Peter Kareithi and Dr. Muiru Ngugi, you two gentlemen critiqued, prodded, encouraged and delivered both gentle and hard punches depending on what the situation called for and walked with me chapter by chapter. I will forever be indebted to you. Dr. Kiai, thank you for your goodwill and ensuring a smooth flow of the PhD process. Dr. Sam Kamau, thanks for encouraging me and providing useful insight on navigating UoN. To my mum, the great and mighty Janet Nzilani Mulwa, where would I be without your emotional support? I am truly grateful for all that you have done for me and on my behalf. Above all, you are a high achiever and you instilled that in me. Thanks for believing in me when I doubted - may God bless you abundantly. Mbithe, Kevin and Jeanet (see, am trying), thank you for the immense support and continuous encouragement. For understanding when the PhD unceremoniously called. To Joy and Leah, my sorority sisters in life and work. Thank you for your patience, for enduring the whining and ranting of a PhD student and continuing to push me to excel even when I felt I couldn‘t write another word. Thank you for reading my drafts and helping to edit and all the other useful suggestions. We remain sisters for life. Mbithe, Leah and Joy, I am now waiting to read your book "The Dummies Guide on how to Survive a Friendship with a PhD Candidate". 3 To Jan Zillan (Ms Awesome), you are too young to understand all, but you are a benefactor of this work and I pray that you will be an empowered lady helping portray your gender positively. 4 DEDICATION This work is dedicated to: Janet Nzilani Mulwa, a woman who has charted her path in the turbulent seas of a world that is still struggling to accept that women and men are closer in nature, in spirit, in intellect than many would have us believe. You, mum, are my joy and source of inspiration in the attainment of excellence. Jan Zillan: that you will grow to be a woman who is confident in her own right; unafraid, unfettered and undeterred. And to the many women to whom 'empowerment' is still a foreign concept - be the heroine of your life, not the victim 5 ABSTRACT This study sought to explore the representations of womanhood in soap operas. It is a comparative study and hence looked at three soap operas purposively selected for their geographical orientation. The soaps are: Mali, Generations and Triunfo del Amor which form the scope of the study. It is argued that the mass media has been involved in the creation of ideology and by its role, sets the public agenda. For this reason the study aimed to analyse how soaps represent women and to make a comparison between locally produced soaps and foreign soaps broadcasted in Kenya. Further the study sought to explore whether the soaps broadcast in Kenya help to resist or reinforce traditional African gender roles and values. Backed by an extensive literature review on social and cultural expectations of women in Africa, representation and soap opera as a television genre, the researcher lays a foundation for the theoretical framework. Feminist media theory is the theory that was used for this study. In explaining the feminist media theory, the study traces the history of the women‘s movement and hinges its growing popularity on ideological and power issues which give way for the feminist media criticism. Visual texts were used as the data collection method, while critical discourse analysis and interpretative textual analysis are the data analysis methods used for this study. In analyzing the texts, the researcher used four themes: objectification of the female gender, leadership, public versus private life and self-reliance versus victimization. The study found that based on the four themes, women were represented as objects for fulfilling male desires and that few women were in leadership positions. It also found that many women were represented as thriving in the private sphere as opposed to the public sphere and that while the heroines were represented as self reliant, many other women were portrayed as victims of ill circumstances and men's desires. The findings in each of these themes were compared and contrasted among the three soaps and conclusions drawn. The study concluded that female characters are traditionally represented, more so in the local soaps, and hence reinforce traditional gender roles. The study also concluded that soaps can play an important role in development of gender identities and pushing for gender parity but not in their current form. Therefore, script writers and producers need to be empowered to understand the role their works can play in the attainment of gender parity. 6 TABLE OF CONTENTS DECLARATION ..................................................................................................................... ii ACKNOWLEDGEMENTS .................................................................................................... iii DEDICATION ........................................................................................................................ iv ABSTRACT ............................................................................................................................. v LIST OF TABLES .................................................................................................................. xi DEFINITION OF KEY TERMS ........................................................................................... xii ABBREVIATIONS ............................................................................................................... xiv 1. CHAPTER ONE: INTRODUCTION ……………………………........………………… 18 1.0 Background Information ………………………....……………………….……..…. 18 1.1 Soap Opera ................................................................................................................. 24 1.2 Statement of the Problem…………..........…………………….……………………. 27 1.3 Research Objectives ……………..……………..……………………...…………… 29 1.4 Research Questions ……………..…….…………………………....………………. 30 1.5 Justification of the Study ……………..……….………………………………….... 30 7 1.6 Significance of the Study …………………………...……………..……………….. 31 1.7 Scope of the Study ……………………………………………….………………... 32 1.7.1. Mali ……………...............………………………………...……………….. 33 1.7.2 Triunfo del Amor (Triumph of Love) ………...….......…………………..…. 33 1.7.3 Generations …………….......…………………….............………………… 33 1.8 Study Limitations ……....……........……………………………………………..…. 34 1.9 Chapter Summary and Organisational Structure of the Dissertation ............................ 35 2. CHAPTER TWO: LITERATURE REVIEW .................................................................... 36 2.0 Introduction ……….......…...……………………………………………………….. 36 2.1 Social and Cultural Attitudes Towards Women in Kenya …………….…………… 36 2.2 Women's Movement ...............…………………………………………………….... 41 2.2.1 First-wave Feminism ………………………….........……………..………... 41 2.2.2 Second-wave Feminism …............................................................................. 46 2.2.3 Third-wave Feminism ……………….......…………....………………….… 50 2.2.4 Women‘s Movement in Kenya …………………....….……….......……..…. 53 2.3 Representation ............................................................................................................ 57 2.3.1 Representations of women in soap operas ..................................................... 63 2.4 Theoretical Framework .............................................................................................. 67 8 2.4.1 Feminist Theory ............................................................................................. 67 2.4.2 Feminist Media Criticism ............................................................................... 68 2.5 Chapter Summary ...................................................................................................... 72 3. CHAPTER THREE: RESEARCH METHODOLOGY ..................................................... 74 3.0 Introduction ………………………………….………………….………………….. 74 3.1 Population and Sampling Procedure ………………………...............…………..…. 75 3.2 Data Collection Methods ………………………………………………………........ 77 3.2.1 Visual texts …………………………………………………………………. 77 3.3 Data Processing and Analysis …………………………………………….………... 77 3.3.1 Critical discourse analysis ………………......…………………………..….. 79 3.3.2 Interpretative textual analysis ………….......……………………………….. 82 3.4 Setting the Context ………..........................…………………………..........….……
Recommended publications
  • Hyperreal Australia the Construction of Australia in Neighbours and Home & Away

    Hyperreal Australia the Construction of Australia in Neighbours and Home & Away

    Hyperreal Australia the construction of Australia in Neighbours and Home & Away Melissa McEwen March 2001 This volume is submitted in partial fulfilment of the requirements for the degree of Master of Arts of the Australian National University in the Department of Australian Studies I wish to confirm that the thesis is my own work and that all sources used have been acknowledged. Melissa McEwen 30 March 2001 TABLE OF CONTENTS Statement of authorship ii Table of contents iii Acknowledgments iv 1. Introduction 1 2. Neighbours 5 Employment 7 Education 10 E thnicity 12 W om en 14 Masculinity 18 Relationships and sexuality 20 Lifestyle 22 Disease and mental illness 25 C onclusion 26 3. Home & Away 27 Employment 30 Education 32 Ethnicity 34 W om en 37 Masculinity 42 Relationships and sexuality 45 Lifestyle 48 Disease and mental illness 49 Conclusion 51 4. National Stories 52 What is soap opera? 52 National myths and representation 56 Jobs and education 60 Ethnicity and racism 64 W om en 67 Masculinity 72 Relationships and sexuality 75 Lifestyles 77 Disease and mental illness 79 C onclusion 80 iii j. Constructing Australia 81 Construction and reception of soaps 81 Impact of television 88 Hyperreal Australia 92 Conclusion 107 i. A Moment’s Reflection 108 Mbliography 111 iv ACKNOWLEDGMENTS As this thesis has been a long time in gestation, there are a number of people to thanks for their assistance and help: Jon McConachie for starting me down this path and John Docker for guiding me to the end; Ann Curthoys and Noel Purdon for helping to ensure
  • Subversion of the Cult of True Womanood in Kate

    Subversion of the Cult of True Womanood in Kate

    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repository of Josip Juraj Strossmayer University of Osijek Sveučilište J.J. Strossmayera u Osijeku Filozofski fakultet Preddiplomski studij Engleskog jezika i književnosti i Hrvatskog jezika i književnosti Studentica: Matea Srčnik Subversion of the Cult of True Womanood in Kate Chopin's novel The Awakening and Charlotte Perkins Gilman's short story „The Yellow Wallpaper“ (Subverzija kulta pravog ženstva u romanu Buđenje Kate Chopin i pripovjetci „Žuta tapeta“ Charlotte Perkins Gilman) Završni rad Mentor: doc. dr. sc. Biljana Oklopčić Osijek, 2011. Summary The paper explains what the Cult of True Womanhood is and how it manifested itself in the period of its strongest influence, the nineteenth century. It goes on to explain how it degraded women, and how certain Victorian writers saw it fit to deny virtues it expected of women by means of their literary work. Subversion of this Cult is observed on two works by two authors; Kate Chopin and her novel The Awakening, and Charlotte Perkins Gilman and her short story „The Yellow Wallpaper“. On various examples and quotations, it explains how the authors rebelled against the norm forced upon women by Victorian society. The paper concludes these two literary efforts to be the cornerstone of future feminist literature. Key words: subversion, true womanhood, oppression, Kate Chopin, Charlotte Perkins Gilman Contents: Introduction......................................................................................................................................1
  • Reporte De Telenovelas De Los 80'S 1. COLORINA : Fue Producida En

    Reporte De Telenovelas De Los 80'S 1. COLORINA : Fue Producida En

    Reporte de Telenovelas de los 80’s 1. COLORINA : Fue producida en 1980 por Valentín Pimstein considerado uno de los padres de la novela rosa en México, protagonizada por la actriz Lucia Méndez y Enrique Álvarez Félix ; como villanos la telenovela tuvo a José Alonso y a María Teresa Rivas . Contó además con las actuaciones de María Rubio, Julissa y Armando Calvo. Causo impacto en la sociedad al ser la primera telenovela con clasificación C y en ser transmitada a las 23:00 hrs. Además de romper record de llamadas por el concurso convocado para saber quien seria e hijo de colorina. Fue rehecha en 1993 en argentina bajo el titulo de Apasionada. En 2001 por televisa, ahora a mano de Juan Osorio y titulada Salome. Y finalmente fue retransmitida en 2 ocasiones por el canal Tlnovelas siendo la última el 9 de julio del 2012. En marzo del 2011 la revista People en España la considero entre las mejores 20 novelas de la historia. 2. CHISPITA: Fue producida en 1982 producida por Valentin Pimstein, protagonizada adultamente por adultamente por Angélica Aragón y Enrique Lizalde con las participaciones protagonicas infantiles de Lucero y Usi Velasco. En 1983 fue ganadora en los premios TVyNovelas por mejor actriz infantil la actriz Lucero. Lucero actualmente tiene 33 años de carrera artística , a realizado 9 telenovelas , cuanta con mas de 30 premios entre cantante y actriz. Fue remasterizada en 1996 por Televisa bajo el nombre de Luz Clarita. 3. EL DERECHO DE NACER: Está basada en la radio novela cubana, pero en 1981 es transmitida por Televisa baja la producción de Ernesto Alonso y protagonizada por Verónica Castro y Sergio Jiménez, con las participaciones estelares de Humberto Zurita y Erika Buenfil.
  • Constructing Womanhood: the Influence of Conduct Books On

    Constructing Womanhood: the Influence of Conduct Books On

    CONSTRUCTING WOMANHOOD: THE INFLUENCE OF CONDUCT BOOKS ON GENDER PERFORMANCE AND IDEOLOGY OF WOMANHOOD IN AMERICAN WOMEN’S NOVELS, 1865-1914 A dissertation submitted to Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy by Colleen Thorndike May 2015 Copyright All rights reserved Dissertation written by Colleen Thorndike B.A., Francis Marion University, 2002 M.A., University of North Carolina at Charlotte, 2004 Ph.D., Kent State University, 2015 Approved by Robert Trogdon, Professor and Chair, Department of English, Doctoral Co-Advisor Wesley Raabe, Associate Professor, Department of English, Doctoral Co-Advisor Babacar M’Baye, Associate Professor, Department of English Stephane Booth, Associate Provost Emeritus, Department of History Kathryn A. Kerns, Professor, Department of Psychology Accepted by Robert Trogdon, Professor and Chair, Department of English James L. Blank, Interim Dean, College of Arts and Sciences TABLE OF CONTENTS Acknowledgments .......................................................................................................................... iv Introduction ..................................................................................................................................... 1 Chapter 1: Conduct Books ............................................................................................................ 11 Chapter 2 : Louisa May Alcott’s Little Women and Advice for Girls .......................................... 41 Chapter 3: Bands of Women:
  • IC Lacks British Minorities Are

    IC Lacks British Minorities Are

    Start the year making the right film choices - Felix’s films of the year pages 6&7 Disc Doctors get a bird’s eye view of London Naked Centrefold Jamie Oliver’s New Travel Section: Kuwait Fifteen Page 14 page 8 FREE No 1339 Thursday 12 JANUARY 2006 The student newspaper of Imperial College felixonline.co.uk felix Sports centre delayed New year’s resolution to get fit? Think again! missioning systems”. ally planned. However, the squash Rupert Neate Students and staff were only given courts have suffered more serious Editor three days notice of the postpone- problems and are not expected to ment in a college-wide email sent on open until mid-February. Friday 6 January. It seems bizarre A quick tour of the facility reveals The opening of Imperial’s new that students weren’t given more a considerable amount of work still Ethos sports centre has been hit by than one working day’s notice if needing to be completed. It’s hard to further delays. The centre, which there are three weeks worth of imagine how the centre could ever will be largely free for all students building work to be completed. have opened early this week. Even and staff, was originally scheduled Sameena Misbahuddin, Union the pavement outside has yet to be to open in October 2005. Last spring, President, described the delay as laid. Steve Howe, Assistant Director the Rector himself assured students “annoying, especially for students of Estates, said “the pavement is and staff that the new centre would who’ve cancelled their gym member- not essential for opening, and is the open on time and would not be sub- ships ready for the opening..
  • Section A. Feminist Theory in Late-Nineteenth-Century France, The

    Section A. Feminist Theory in Late-Nineteenth-Century France, The

    45 2 Section A. Feminist Theory In late-nineteenth-century France, the word féminisme, meaning women’s liberation was first used in political debates. The most generic way to define feminism is to say that it is an organized activity on behalf of women’s rights and common interests and based on the theory of the political, economic, and social equality of the sexes. Some initial forms of feminism were criticized for considering the perspective of only white, middle-class and educated people. Ethnically specific or multiculturalists forms of feminism were created as a reaction to this criticism. Most feminists believe that inequality between men and women are open to change because they are socially constructed. Many consider feminism as theory or theories, but some others see it as merely a kind of politics in the culture. Feminist theory aims to understand gender inequality and focus on sexuality, gender politics, and power relations. To achieve this, it has developed theories in a wide range of disciplines. Feminist theory is the extension of feminism into fields of theory or philosophy. Since in academic institutions ‘theory’ is often the male standpoint and feminists have fought hard to expose the fraudulent objectivity of male ‘science’, (for example, the Freudian theory of female sexual development) some feminists have not wished to embrace theory at all. Raman Selden, Widdowson and Brooker argue “Feminism and feminist criticism may be better termed a cultural politics than a theory or theories” (116). However, much recent feminist criticism wants to free itself from the ‘fixities and definites’ of theory and to develop a female discourse which is not considered as a belonging to a recognized conceptual position (and, therefore, probably male produced).
  • CHEROTICH MUNG'ou.Pdf

    CHEROTICH MUNG'ou.Pdf

    THE ROLE OF INFORMATION AND COMMUNICATION TECHNOLOGIES IN PEACEBUILDING IN MOUNT ELGON REGION, KENYA BY CHEROTICH MUNG’OU A Thesis submitted to the Institute of Postgraduate Studies and Research, in fulfillment of the requirements for the award of the degree of Doctor of Philosophy in Communication Studies of Kabarak University June, 2016 DECLARATION PAGE Declaration I hereby declare that this research thesis is my own original work and to the best of my knowledge has not been presented for the award of a degree in any university or college. Student’s Signature: Student’s Name: Cherotich Mung’ou Registration No: GDE/M/1265/09/11 Date: 30thJune, 2016 i RECOMMENDATION PAGE To the Institute of Postgraduate Studies and Research: The thesis entitled “The Role of Information and Communication Technologies in Peacebuilding in Mt Elgon Region, Kenya” and written by Cherotich Mung’ou is presented to the Institute of Postgraduate Studies and Research of Kabarak University. We have reviewed the thesis and recommend it be accepted in fulfillment of the requirement for the degree of Doctor of Philosophy in Communication Studies. 24th June, 2016 Dr. Tom Kwanya Senior Lecturer, The Technical University of Kenya 30th June, 2016 ____________________________________________________________________________ Dr. Joseph Osodo Lecturer, Maseno University ii Acknowledgement I am greatly indebted to various individuals for the great roles they played throughout my research undertaking. Most importantly, I thank God for the far He has brought me. My first gratitude goes to my supervisors Dr Tom Kwanya and Dr Joseph Osodo for their tireless effort in reviewing my work. I appreciate your intellectual advice and patience.
  • To Better Serve and Sustain the South: How Nineteenth Century

    To Better Serve and Sustain the South: How Nineteenth Century

    CORE Metadata, citation and similar papers at core.ac.uk Provided by Digital Commons at Buffalo State State University of New York College at Buffalo - Buffalo State College Digital Commons at Buffalo State History Theses History and Social Studies Education 8-2012 To Better Serve and Sustain the South: How Nineteenth Century Domestic Novelists Supported Southern Patriarchy Using the "Cult of True Womanhood" and the Written Word Daphne V. Wyse Buffalo State College, [email protected] Advisor Jean E. Richardson, Ph.D., Associate Professor of History First Reader Michael S. Pendleton, Ph. D., Associate Professor of Political Science Department Chair Andrew D. Nicholls, Ph.D., Professor of History To learn more about the History and Social Studies Education Department and its educational programs, research, and resources, go to http://history.buffalostate.edu/. Recommended Citation Wyse, Daphne V., "To Better Serve and Sustain the South: How Nineteenth Century Domestic Novelists Supported Southern Patriarchy Using the "Cult of True Womanhood" and the Written Word" (2012). History Theses. Paper 8. Follow this and additional works at: http://digitalcommons.buffalostate.edu/history_theses Part of the Literature in English, North America Commons, United States History Commons, Women's History Commons, and the Women's Studies Commons Abstract During the eighteenth and nineteenth centuries, American women were subjected to restrictive societal expectations, providing them with a well-defined identity and role within the male- dominated culture. For elite southern women, more so than their northern sisters, this identity became integral to southern patriarchy and tradition. As the United States succumbed to sectional tension and eventually civil war, elite white southerners found their way of life threatened as the delicate web of gender, race, and class relations that the Old South was based upon began to crumble.
  • Climate Change and the Media

    Climate Change and the Media

    THE HEAT IS ON CLIMATE CHanGE anD THE MEDIA PROGRAM INTERNATIONAL ConFerence 3-5 JUNE 2009 INTERNATIONALWorl CONFERENCED CONFERENCE CENTER BONN 21-23 JUNE 2010 WORLD CONFERENCE CENTER BONN 3 WE KEEP THINGS MOving – AND AN EYE ON THE ENVIRONMENT. TABLE OF CONTENTS THAt’s hoW WE GOGREEN. MESSAGE FROM THE ORGANIZERS 4 HOSTS AND SuppORTING ORGANIZATIONS 11 PROTECTING THE ENVIRONMENT 15 GLOBAL STudY ON CLIMATE CHANGE 19 PROGRAM OVERVIEw 22 SITE PLAN 28 PROGRAM: MONDAY, 21 JUNE 2010 33 PROGRAM: TuESDAY, 22 JUNE 2010 82 PROGRAM: WEDNESDAY, 23 JUNE 2010 144 SidE EVENTS 164 GENERAL INFORMATION 172 ALPHABETICAL LIST OF PARTICipANTS 178 For more information go to MAp 192 www.dhl-gogreen.com IMPRINT 193 21–23 JUNE 2010 · BONN, GERMANY GoGreen_Anz_DHL_e_Deutsche Welle_GlobalMediaForum_148x210.indd 1 30.03.2010 12:51:02 Uhr 4 5 MESSAGE FROM THE MESSAGE FROM THE HOST FEDERAL MiNISTER FOR FOREIGN AFFAIRS Nothing is currently together more than 50 partners, sponsors, Extreme weather, With its manifold commitment, Germany being debated more media representatives, NGOs, government crop failure, fam- has demonstrated that it is willing to accept than climate change. and inter-government institutions. Co-host ine – the poten- responsibility for climate protection at an It has truly captured of the Deutsche Welle Global Media Forum tially catastrophic international level. Our nation is known for the world’s atten- is the Foundation for International Dialogue consequences that its clean technology and ideas, and for cham- tion. Do we still have of the Sparkasse in Bonn. The convention is climate change will pioning sustainable economic structures that enough time to avoid also supported by Germany’s Federal Foreign have for millions of pursue both economic and ecological aims.
  • Colorina (1980). Una Producción De Valentín Pimstein Para Televisa En

    Colorina (1980). Una Producción De Valentín Pimstein Para Televisa En

    Colorina (1980). Una producción de Valentín Pimstein para Televisa en 1980, historia de Arturo Moya Grau y con una adaptación de Antonio Monsell acerca de la vida de una prostituta que se enamora de un millonario. fue la primer telenovela censurada por el gobierno aunque eso no afecto el éxito que tuvo. Protagonistas: Lucía Méndez (colorina), Enrique Álvarez Félix (Gustavo Adolfo), Antagonistas: José Alonso y a María Teresa Rivas interpretando a una madre manipuladora. Versiones: Corolina fue un remake de la telenovela de origen chileno "La corolina". Se hizo otra versión argentina en 1993 titulada "Apasionada" y en el 2001 se hizo otra adaptación en México llamada "Salomé". Aprendiendo a amar (1980). Producida por Ernesto Alonso para Televisa en 1980. Protagonizada por el mismo Ernesto Alonso (César Peñaranda), Susana Dosamantes ( Teresa Ibáñez) y Erika Buenfil (Natalia Peñaranda) como antagonista. Al rojo vivo (1980). Producida por Ernesto Alonso. Protagonizada por Alma Muriel (Liliana) y Frank Moro (Jorge); antagonizada por Silvia Pasquel (Tina Segovia), Miguel Palmer (Alfredo Alvarez) y Carlos Ancira (Francisco). Versiones: En el 2000, se hizo una nueva versión titulada "El precio de tu amor", con el mismo productor. El hogar que yo robe (1981). Es una producción de Valentin Pimstein. Protagonizada por Angelica Maria (Victoria/Andrea Velarde), Juan Ferrara (Calos Valentín Valarde), Angelica Vale (Aurorita Velarde), Angelica Aragon (Genoveva Velarde) y Socorro Bonilla. Versiones: La usurpadora, Venezuela 1971; la intrusa, Venezuela 1986; La usurpadora, México 1998. Chispita 1982. Historias infantil producida por Valentín Pimstein. Protagonizada adultamente por Angélica Aragón (Lucía/María Luisa) y Enrique Lizalde (Alejandro de la Mora) con las participaciones protagonicas infantiles de Lucero (Isabel Chispita) y Usi Velasco (Liliana "Lili" de la Mora).
  • UQFL241 Ted and Eva Bacon Papers

    UQFL241 Ted and Eva Bacon Papers

    FRYER LIBRARY Manuscript Finding Aid UQFL241 Ted and Eva Bacon Papers Size 17 boxes, 3 albums, 1 parcel Contents Correspondence, minutes, typescript articles, reports, circular letters, photographs. Date range 1936 - 1993. Bulk of collection from 1970s and 1980s. Biography Edwin Alexander (Ted) and Eva Bacon were both members of the Communist Party of Australia. Eva Bacon was also a member of the Union of Australian Women. She was especially active in women's and peace issues. Ted Bacon was on various CPA bodies and worked for Aboriginal rights. Notes Mostly open access; some restrictions. Related material can be found in UQFL234 Communist Party of Australia (Queensland Branch) Collection. Box 1 Peace [Comparison between 1966 Conference on S.E. Asia and Australia, and 1963 Conference on Peace and the People’s Needs]. 6 leaves handwritten [by Ted Bacon?] What way out in Vietnam? 2 versions, varying numbers of handwritten and typed leaves, handwriting of Ted Bacon (?) Letter to Ted [Bacon] from Joyce. Undated. 2 leaves typescript. Party work. Leaflets Handwritten note: Assorted leaflets. 1 leaf. Plastic bag with handwritten sticker: Assorted leaflets. ‘The arms race - humanity at risk’. 4 pages printed. Application form to attend the Australian People’s Disarmament Conference, 1978. Bombed in Vietnam. 4 pages printed. Communist Party of Australia. China must get out of Vietnam, stop the war from spreading. 1 leaf duplicated typescript, dated 1979 in ballpoint. Issued by the Hands Of[f] Vietnam Committee. Rally. The Communist Party is behind this Moratorium - way behind. 4 pages printed. Authorised by B. Laver. Dissension. Conscription and you! 2 pages duplicated typescript.
  • Neevia Docconverter 5.1

    Neevia Docconverter 5.1

    UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICO FACULTAD DE CIENCIAS POLÍTICAS Y SOCIALES La de la EVOLUCIÓN TELENOVELA JUVENIL en MÉXICO (1986-2006) T E S I S QUE PARA OBTENER EL TÍTULO DE L I C E N C I A D A EN CIENCIAS DE LA COMUNICACIÓN ESPECIALIDAD PRODUCCIÓN AUDIOVISUAL P R E S E N T A LAURA PATRICIA MORALES PÉREZ ASESORA: DRA. CAROLA GARCÍA CALDERÓN MÉXICO, DF. 2008 Neevia docConverter 5.1 UNAM – Dirección General de Bibliotecas Tesis Digitales Restricciones de uso DERECHOS RESERVADOS © PROHIBIDA SU REPRODUCCIÓN TOTAL O PARCIAL Todo el material contenido en esta tesis esta protegido por la Ley Federal del Derecho de Autor (LFDA) de los Estados Unidos Mexicanos (México). El uso de imágenes, fragmentos de videos, y demás material que sea objeto de protección de los derechos de autor, será exclusivamente para fines educativos e informativos y deberá citar la fuente donde la obtuvo mencionando el autor o autores. Cualquier uso distinto como el lucro, reproducción, edición o modificación, será perseguido y sancionado por el respectivo titular de los Derechos de Autor. Dedicado a… Primeramente, a Dios...por darme la bendición de seguir viva; porque con sus oportunas manos eligió a mis padres y a las personas que aparecerían en el momento adecuado para formar parte de mi existir. A Nury, mi madre...la mujer que desde su vientre me brindó su amor incondicional; a la amiga silente que sin importar desvelos demostró su apoyo a mis decisiones, reprimendas comprensivas a mis errores y respeto a mi dolor en las adversidades. A Clemente, mi padre...el amor de mi infancia; el luchador incansable cuya fortaleza y optimismo imprimió en mí los deseos de superación infinitos, que hoy hacen posible este sueño.