First Nations Artist in Residence
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Af20-Booking-Guide.Pdf
1 SPECIAL EVENT YOU'RE 60th Birthday Concert 6 Fire Gardens 12 WRITERS’ WEEK 77 Adelaide Writers’ Week WELCOME AF OPERA Requiem 8 DANCE Breaking the Waves 24 10 Lyon Opera Ballet 26 Enter Achilles We believe everyone should be able to enjoy the Adelaide Festival. 44 Between Tiny Cities Check out the following discounts and ways to save... PHYSICAL THEATRE 45 Two Crews 54 Black Velvet High Performance Packing Tape 40 CLASSICAL MUSIC THEATRE 16 150 Psalms The Doctor 14 OPEN HOUSE CONCESSION UNDER 30 28 The Sound of History: Beethoven, Cold Blood 22 Napoleon and Revolution A range of initiatives including Pensioner Under 30? Access super Mouthpiece 30 48 Chamber Landscapes: Pay What You Can and 1000 Unemployed discounted tickets to most Cock Cock... Who’s There? 38 Citizen & Composer tickets for those in need MEAA member Festival shows The Iliad – Out Loud 42 See page 85 for more information Aleppo. A Portrait of Absence 46 52 Garrick Ohlsson Dance Nation 60 53 Mahler / Adès STUDENTS FRIENDS GROUPS CONTEMPORARY MUSIC INTERACTIVE Your full time student ID Become a Friend to access Book a group of 6+ 32 Buŋgul Eight 36 unlocks special prices for priority seating and save online and save 15% 61 WOMADelaide most Festival shows 15% on AF tickets 65 The Parov Stelar Band 66 Mad Max meets VISUAL ART The Shaolin Afronauts 150 Psalms Exhibition 21 67 Vince Jones & The Heavy Hitters MYSTERY PACKAGES NEW A Doll's House 62 68 Lisa Gerrard & Paul Grabowsky Monster Theatres - 74 IN 69 Joep Beving If you find it hard to decide what to see during the Festival, 2020 Adelaide Biennial . -
Driving Holidays in the Northern Territory the Northern Territory Is the Ultimate Drive Holiday Destination
Driving holidays in the Northern Territory The Northern Territory is the ultimate drive holiday destination A driving holiday is one of the best ways to see the Northern Territory. Whether you are a keen adventurer longing for open road or you just want to take your time and tick off some of those bucket list items – the NT has something for everyone. Top things to include on a drive holiday to the NT Discover rich Aboriginal cultural experiences Try tantalizing local produce Contents and bush tucker infused cuisine Swim in outback waterholes and explore incredible waterfalls Short Drives (2 - 5 days) Check out one of the many quirky NT events A Waterfall hopping around Litchfield National Park 6 Follow one of the unique B Kakadu National Park Explorer 8 art trails in the NT C Visit Katherine and Nitmiluk National Park 10 Immerse in the extensive military D Alice Springs Explorer 12 history of the NT E Uluru and Kings Canyon Highlights 14 F Uluru and Kings Canyon – Red Centre Way 16 Long Drives (6+ days) G Victoria River region – Savannah Way 20 H Kakadu and Katherine – Nature’s Way 22 I Katherine and Arnhem – Arnhem Way 24 J Alice Springs, Tennant Creek and Katherine regions – Binns Track 26 K Alice Springs to Darwin – Explorers Way 28 Parks and reserves facilities and activities 32 Festivals and Events 2020 36 2 Sealed road Garig Gunak Barlu Unsealed road National Park 4WD road (Permit required) Tiwi Islands ARAFURA SEA Melville Island Bathurst VAN DIEMEN Cobourg Island Peninsula GULF Maningrida BEAGLE GULF Djukbinj National Park Milingimbi -
Paul Grabowsky
PAUL GRABOWSKY SELECTED CREDITS DAISY WINTERS (2017) THE MENKOFF METHOD (2015) WORDS AND PICTURES (2013) EMPIRE FALLS (2005) THE JUNGLE BOOK 2(2003) (Original Songs, Lyrics – “Jungle Rhythm”, “W-I-L-D”, “Jungle Rhythm (Mowgli Solo)”) BIOGRAPHY Paul Grabowsky is a pianist, composer, arranger and conductor, and is one of Australia’s most distinguished artists. Born in Papua New Guinea in 1958, Paul was raised in Melbourne where he attended Wesley College. He began classical piano lessons at the age of five, studying with Mack Jost from 1965-1978. He began informal studies in jazz around 1976, and fully devoted his energies to improvised music from 1978. During the 70’s he became prominent in the music scene in Melbourne, working in various jazz, theatre and cabaret projects. He lived in Munich, Germany from 1980-1985, where he was active on the local and European jazz scenes, performing and recording with Johnny Griffin, Chet Baker, Art Farmer, Benny Bailey, Guenther Klatt, Marty Cook and many others. He returned to Australia in 1986. In 1983, he formed the Paul Grabowsky Trio, winner of four ARIA awards and one of Australia’s longest-living and most influential jazz ensembles. He has also won two Helpmann awards, several Bell awards and a Deadly award. He was the Sydney Myer Performing Artist of the year in 2000, and received the Melbourne Prize for Music in 2007. As a performer, he became known for his work with the ‘Wizards of Oz’, a group he co- led with saxophonist Dale Barlow from 1987-1989 and Vince Jones, for whom he was musical director in 1988-89. -
2004 Edition 1 (PDF 2.5MB)
ORIG IN2004 EDITION 1 S Vice Chancellor’s comment Welcome to the first edition of Origins which profiles Australia’s newest university. Established in November 2003, Charles Darwin University is a place for fresh thought, bold vision and renewed focus. The first step has been to develop a new framework for the institution and we have been heartened by the support and input from our stakeholders in making sure we build the right framework to deliver outcomes for the Territory. The energy and enthusiasm that Charles Darwin University is harnessing in finding knowledge solutions is inspirational – and we have only just opened for business. With campuses and study centres located across the Northern Territory, we offer opportunities beyond what is normally expected of a University. We provide pathways into a broad range of courses in traditional areas as well as specialist areas unique to our location including tropical and desert studies and Indigenous research and education. For a place steeped in Aboriginal tradition and culture which enjoys a close interaction with the peoples of Southeast Asia, our location affords boundless research opportunities to create local knowledge with global applications. We are a University that dares to be different. We welcome researchers, teachers and students who are prepared to take on challenges and are committed to making a difference. This first edition of Origins provides a snapshot of the diversity and strengths on which we are building Vice Chancellor Professor Helen Garnett Vice Chancellor Professor the new institution. 1 Northern attraction Some of Australia’s leading academics have joined Charles Darwin University, strengthening the organisation’s role as a leading research and education provider in specialist areas. -
14Th Annual Peggy Glanville-Hicks Address 2012
australian societa y fo r s music educationm e What Would Peggy Do? i ncorporated 14th Annual Peggy Glanville-Hicks Address 2012 Michael Kieran Harvey The New Music Network established the Peggy Glanville-Hicks Address in 1999 in honour of one of Australia’s great international composers. It is an annual forum for ideas relating to the creation and performance of Australian music. In the spirit of the great Australian composer Peggy Glanville-Hicks, an outstanding advocate of Australian music delivers the address each year, challenging the status quo and raising issues of importance in new music. In 2012, Michael Kieran Harvey was guest speaker presenting his Address entitled What Would Peggy Do? at the Sydney Conservatorium on 22 October and BMW Edge Fed Square in Melbourne on 2 November 2012. The transcripts are reproduced with permission by Michael Kieran Harvey and the New Music Network. http://www.newmusicnetwork.com.au/index.html Australian Journal of Music Education 2012:2,59-70 Just in case some of you are wondering about I did read an absolutely awe-inspiring Peggy what to expect from the original blurb for this Glanville-Hicks Address by Jon Rose however, address: the pie-graphs didn’t quite work out, and and I guess my views are known to the address powerpoint is so boring, don’t you agree? organisers, so, therefore, I will proceed, certain For reasons of a rare dysfunctional condition in the knowledge that I will offend many and I have called (quote) “industry allergy”, and for encourage, I hope, a valuable few. -
NLC Strategic Plan 2016-2020
NORTHERN LAND COUNCIL STRATEGIC PLAN 2016 – 2020 Strategic Plan 2016 – 2020 1. NORTHERN LAND COUNCIL STRATEGIC PLAN 2016 – 2020 About this strategic plan This Strategic Plan reflects the Northern Land Council’s strategic direction for the period 2016 – 2020. It builds on our achievements and describes the way we intend to carry out our statutory responsibilities, the goals we set out to achieve and our vision for the future. The Plan provides the framework for the continuing strategic management of our work. It is dynamic – reflecting the complex and changing environment in which we operate. We will revisit our strategies and projects regularly and continue to develop new initiatives, to ensure that we are able to respond to challenges and take advantage of opportunities as they arise. Contents Who we are .............................................................................................................. 1 What we do .............................................................................................................. 2 Welcome from the Chairman ................................................................................. 3 Introduction to the NLC from the CEO .................................................................. 4 Map of the NLC Region........................................................................................... 5 Communities in the NLC Region ........................................................................... 6 Our Vision ............................................................................................................... -
Inquiry Into Petrol Sniffing in Remote Aboriginal Communities
John Taylor is a Senior Fellow and Deputy Director at the Centre for Aboriginal Economic Policy Research, The Australian National University. C entre for John Bern is a Professor and Director of the A boriginal South East Arnhem Land Collaborative E conomic Research Project (SEALCP) at the University of Wollongong. P olicy Kate Senior is an Honorary Fellow at SEALCP The Australian National University R esearch and a doctoral candidate at The Australian National University. Ngukurr at the Millennium at Ngukurr Rapid change arising from large-scale development projects can place severe strain on the physical infrastructure and Ngukurr at the social fabric of affected communities, as well as providing opportunities for betterment. The remote Aboriginal town of Ngukurr, together with its satellite outstations in the south- Millennium: A Baseline east Arnhem Land region of the Northern Territory, faces the J. Taylor, J. Bern, and K.A. Senior and K.A. Bern, J. Taylor, J. prospect of such change as a result of mineral exploration Profile for Social Impact activity currently underway, instigated by Rio Tinto. This study, which is comprehensive in its scope, provides a synchronistic baseline statistical analysis of social and Planning in South-East economic conditions in Ngukurr. It emphasises several key areas of policy interest and intervention, including the Arnhem Land demographic structure and residence patterns of the regional population, and their labour force status, education and training, income, welfare, housing, and health status. J. Taylor, J. Bern, and K.A. Senior The result is an appraisal of Ngukurr’s social and economic life after a generation of self management and land rights, immediatly prior to a possible period of major introduced economic development based on mineral exploitation. -
Guide to Sound Recordings Collected by Margaret C. Sharpe, 1966-1967
Finding aid SHARPE_M02 Sound recordings collected by Margaret C. Sharpe, 1966-1967 Prepared June 2011 by SL Last updated 19 December 2016 ACCESS Availability of copies Listening copies are available. Contact the AIATSIS Audiovisual Access Unit by completing an online enquiry form or phone (02) 6261 4212 to arrange an appointment to listen to the recordings or to order copies. Restrictions on listening This collection is open for listening. Restrictions on use Copies of this collection may be made for private research. Permission must be sought from the relevant Indigenous individual, family or community for any publication or quotation of this material. Any publication or quotation must be consistent with the Copyright Act (1968). SCOPE AND CONTENT NOTE Date: 1966-1967 Extent: 55 sound tapes : analogue, mono. Production history These recordings were collected between November 1965 and October 1967 by linguist Margaret Sharpe, an AIAS (now AIATSIS) grantee, while on fieldwork at Woodenbong in New South Wales, Woorabinda, Emerald and Brisbane in Queensland, and Ngukurr, Nutwood and Minyerri in the Northern Territory. The purpose of the field trips was to document the languages, stories and songs of the Indigenous peoples of these areas. The cultures which were investigated are Yugambeh and Bundjalung of northern NSW; Gangulu, Gooreng Gooreng, Mamu (Malanda dialect), Guugu Yimidhirr, Wakaya, Wangkumara, Kuungkari, Biri and Galali from Queensland; and Alawa, Mara, Ritharrngu, Warndarrang, Ngalakan, Yanyuwa, Mangarrayi and Gurdanji from the Northern Territory. The interviewees and performers include Joe Culham, Adrian [Eddie] Conway, Johnson Mate Mate, Willie Toolban, Henry Bloomfield, Victor Reid, Willie Healy, Fred Grogan, Nugget Swan, Ted Maranoa, Willie Rookwood, Rosie Williams, Barnabas Roberts, Bill Turnbull, Dan Cot, Bessie Farrell, Isaac Joshua, Norman, Ivy, Matthew, Caleb Roberts, Limmen Harry, Kellie, Kittie, Clancy Roberts, Francis, Viola Tiers and unidentified contributors. -
Abc Music Wins Three Awards at the 2020 Aria Awards Abc Music Lifetime Award Wins Now at 188
THURSDAY, NOVEMBER 26 FOR IMMEDIATE RELEASE ABC MUSIC WINS THREE AWARDS AT THE 2020 ARIA AWARDS ABC MUSIC LIFETIME AWARD WINS NOW AT 188 Following the 2020 ARIA Awards last night, ABC Music has collected three awards across the Best Children’s Album, Best World Music Album & Best Classical Album categories. The awards were won by Teeny Tiny Stevies ‘Thoughtful Songs for Little People’ (Best Children’s Album), Joseph Tawadros ‘Live at the Sydney Opera House’ (Best World Music Album) and Richard Tognetti & Erin Helyard ‘Beethoven & Mozart Violin Sonatas’ (Best Classical Album). Last night’s event saw Teeny Tiny Stevies win their first-ever ARIA Award. “We’ve been working musicians for so long now, this nod from the industry is definitely a proud moment. If I’m lucky I’ll get a few high fives from other parents at school drop off today,” said Byll Stephen, half of the sister duo. The night marked the fifth ARIA win for Tawadros and Tognetti. “It’s been a hard year for musicians everywhere - like me, most have had no live shows and it’s devastating. This recognition of my music is extra special, especially as it’s a live concert recording with a lively audience. I want to thank everyone who was involved in making it happen. It’s some much-needed light in a very challenging year,” said Joseph. On winning Best Classical Album with Richard Tognetti, Erin Helyard said, “Richard & I are old mates and are delighted to have won. We wanted to present a kind of history of the evolution of the eighteenth-century violin sonata, and the city of Vienna. -
In Ngukurr: a Remote Australian Aboriginal Community
Understanding ‘Work’ in Ngukurr: A Remote Australian Aboriginal Community Eva McRae-Williams (BA, BBH, MA) September 2008 Thesis submitted in fulfilment of the requirements for: Doctor of Philosophy (Anthropology) Charles Darwin University Statement of Authorship Except where referenced in the text of the research project, this dissertation contains no material published elsewhere or extracted in whole or part from a thesis or report by me for another degree or diploma. No other person’s work has been used without due acknowledgement in the main text of the dissertation. The dissertation has not been submitted for the award of any other degree or diploma in any other tertiary institution. Eva McRae-Williams Date: ……………… ii Abstract This thesis is an ethnographic study of the ‘work’ ideologies inherent in a remote Australian Aboriginal community; Ngukurr in South East Arnhem Land of the Northern Territory. Formerly known as the Roper River Mission and established in 1908, it is today home to approximately 1000 Aboriginal inhabitants. Fieldwork for this project was conducted in three phases between 2006 and 2007 totalling seven months. The aim of this research was to gain an insight into the meaning and value of ‘work’ for Aboriginal people in Ngukurr. First, this involved acknowledging the centrality of paid employment to mainstream western ‘work’ ideology and its influence on my own, and other non-Aboriginal peoples, understandings and ways of being in the world. Through this recognition the historical and contemporary relationship between Aboriginal and non-Aboriginal people in the northern part of Australia, specifically the Roper River region, was found to be fundamentally shaped by labour relations and dominant western ‘work’ ideology. -
Australia Council Support for Music
Inquiry into the Australian music industry Submission 98 AUSTRALIA COUNCIL FOR THE ARTS SUBMISSION TO THE STANDING COMMITTEE ON COMMUNICATIONS AND THE ARTS INQUIRY INTO THE AUSTRALIAN MUSIC INDUSTRY OCTOBER 2018 1 Inquiry into the Australian music industry Submission 98 Committee Secretary Standing Committee on Communications and the Arts PO Box 6021 Parliament House Canberra, ACT 2600 Dear Secretary, The Australia Council for the Arts welcomes the opportunity to provide this submission to the Inquiry into the Australian Music Industry. As the Australian Government’s principal arts funding and advisory body, the Council invests in artistic excellence through support for all facets of the creative process; increases awareness about the value of the arts; and is committed to the arts being more accessible to all Australians. Conducting, commissioning and publishing research into, and about, the arts is a key function under the Australia Council Act 2013.1 This submission outlines the role Council plays in supporting and promoting the diverse, excellent and energetic contemporary music culture. We would welcome the opportunity to discuss this further with you. Yours sincerely, Tony Grybowski Chief Executive Officer Australia Council for the Arts 1 Australia Council Act 2013 s.9 (Aust) 2 Inquiry into the Australian music industry Submission 98 Contents Executive summary 4 AUSTRALIA COUNCIL SUPPORT FOR MUSIC 7 FACTORS CONTRIBUTING TO GROWTH AND SUSTAINABILITY 9 Music practice 9 Disruption and resilience 11 Live music 14 Festivals 15 National -
1 Language Revitalisation at Ngukurr: One Tack Worked Partway
1 Language revitalisation at Ngukurr: One tack worked partway: Should we change tack? Margaret C. Sharpe BCSS University of New England [email protected] Map of traditionally spoken languages of the Ngukurr area The Ngukurr linguist’s duty statement included: to facilitate language teaching in the schools at Ngukurr, Minyerri (Hodgson Downs) and Urapunga The linguist was based at Ngukurr, and used to make weekly trips to Urapunga (25 mins drive) and fortnightly trips to Hodgson downs to be there for the weekly Alawa teaching day. Ngukurr: total population appox. 1500; school approx 280 pupils K-12. Hodgson Downs: total population prob. around 500. Urapunga much smaller. At Ngukurr: In 2008 semester 1, 30 minute weekly classes assigned for traditional languages. Five teams for 5 languages: Marra (4) , Ngandi (1) , Nunggubuyu (1), Rembarrnga (1- 2), Ritharrngu/Wägilak (4). Ritharrngu/Wägilak spoken further north, Rembarrnga spoken but threatened further north, Nunggubuyu old people at Numbulwar, Ngandi fading out, Marra some old speakers, not all on the teaching team, one of Marra team a trained teacher (retired head teacher). 2 School language teaching for some years has been words in a chosen domain, and some songs: e.g. in Marra: Nga-jurra na-balba-yurr , na-balba-yurr, na-balba-yurr Nga-jurra na-balba-yurr, Jurr-nga-ju na-warlanyan-i I-went masc-river-to catch-I-did masc-fish-for Minyerri School: a trained local teacher in charge, not an Alawa speaker, 1-2 Alawa speakers, two non-speaking Alawa helpers. 30 minute lessons, but better organised than at Ngukurr because co-ordinated by a trained teacher.