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Sand Dune Systems in Iran - Distribution and Activity
Sand Dune Systems in Iran - Distribution and Activity. Wind Regimes, Spatial and Temporal Variations of the Aeolian Sediment Transport in Sistan Plain (East Iran) Dissertation Thesis Submitted for obtaining the degree of Doctor of Natural Science (Dr. rer. nat.) i to the Fachbereich Geographie Philipps-Universität Marburg by M.Sc. Hamidreza Abbasi Marburg, December 2019 Supervisor: Prof. Dr. Christian Opp Physical Geography Faculty of Geography Phillipps-Universität Marburg ii To my wife and my son (Hamoun) iii A picture of the rock painting in the Golpayegan Mountains, my city in Isfahan province of Iran, it is written in the Sassanid Pahlavi line about 2000 years ago: “Preserve three things; water, fire, and soil” Translated by: Prof. Dr. Rasoul Bashash, Photo: Mohammad Naserifard, winter 2004. Declaration by the Author I declared that this thesis is composed of my original work, and contains no material previously published or written by another person except where due reference has been made in the text. I have clearly stated the contribution by others to jointly-authored works that I have included in my thesis. Hamidreza Abbasi iv List of Contents Abstract ................................................................................................................................................. 1 1. General Introduction ........................................................................................................................ 7 1.1 Introduction and justification ........................................................................................................ -
Semiology Study of Shrine Geometric Patterns of Damavand City of Tehran Province1
Special Issue INTERNATIONAL JOURNAL OF HUMANITIES AND December 2015 CULTURAL STUDIES ISSN 2356-5926 Semiology Study of Shrine Geometric patterns of Damavand City of Tehran Province1 Atieh Youzbashi Masterof visual communication, Faculty of Art, Shahed University, Tehran, Iran [email protected] Seyed Nezam oldin Emamifar )Corresponding author) Assistant Professor of Faculty of Art, Shahed University, Tehran city, Iran [email protected] Abstract Remained works of decorative Arts in Islamic buildings, especially in religious places such as shrines, possess especial sprits and visual depth. Damavand city having very beautiful architectural works has been converted to a valuable treasury of Islamic architectural visual motifs. Getting to know shrines and their visual motifs features is leaded to know Typology, in Typology, Denotation and Connotation are the concept of truth. This research is based on descriptive and analytical nature and the collection of the data is in a mixture way. Sampling is in the form of non-random (optional) and there are 4 samples of geometric motifs of Damavand city of Tehran province and the analysis of information is qualitatively too. In this research after study of geometric designs used in this city shrines, the amount of this motifs confusion are known by semiotic concepts and denotation and connotation meaning is stated as well. At first the basic articles related to typology and geometric motifs are discussed. Discovering the meaning of these motifs requires a necessary deep study about geometric motifs treasury of believe and religious roots and symbolic meaning of this motifs. Geometric patterns with the centrality of the circle In drawing, the incidence abstractly and creating new combination is based on uniformly covering surfaces in order not to attract attention to designs independently creating an empty space also recalls “the principle of unity in diversity” and “diversity in unity”. -
Interview with Bahman Jalali1
11 Interview with Bahman Jalali1 By Catherine David2 Catherine David: Among all the Muslim countries, it seems that it was in Iran where photography was first developed immediately after its invention – and was most inventive. Bahman Jalali: Yes, it arrived in Iran just eight years after its invention. Invention is one thing, what about collecting? When did collecting photographs beyond family albums begin in Iran? When did gathering, studying and curating for archives and museum exhibitions begin? When did these images gain value? And when do the first photography collections date back to? The problem in Iran is that every time a new regime is established after any political change or revolution – and it has been this way since the emperor Cyrus – it has always tried to destroy any evidence of previous rulers. The paintings in Esfahan at Chehel Sotoon3 (Forty Pillars) have five or six layers on top of each other, each person painting their own version on top of the last. In Iran, there is outrage at the previous system. Photography grew during the Qajar era until Ahmad Shah Qajar,4 and then Reza Shah5 of the Pahlavi dynasty. Reza Shah held a grudge against the Qajars and so during the Pahlavi reign anything from the Qajar era was forbidden. It is said that Reza Shah trampled over fifteen thousand glass [photographic] plates in one day at the Golestan Palace,6 shattering them all. Before the 1979 revolution, there was only one book in print by Badri Atabai, with a few photographs from the Qajar era. Every other photography book has been printed since the revolution, including the late Dr Zoka’s7 book, the Afshar book, and Semsar’s book, all printed after the revolution8. -
Tourism Boom by Islamic Art Spiritual Attractions in Iran Perspective Elements
ISSN 2039-2117 (online) Mediterranean Journal of Social Sciences Vol 7 No 4 S1 ISSN 2039-9340 (print) MCSER Publishing, Rome-Italy July 2016 Tourism Boom by Islamic Art Spiritual Attractions in Iran Perspective Elements Susan Khataei Assistant Professor, Department of Graphic Design, Faculty of Architecture and Urban Design, Shahid Rajaee Teacher Training University, Tehran, Iran Doi:10.5901/mjss.2016.v7n4s1p40 Abstract Iran is one of the ten first countries in the world on the subject of tourism attractions. Iran, the land of four seasons simultaneously, and historical and scientific - cultural buildings is of interest for many tourists. Various works of Islamic art in the perspective of Iran that have been arisen in different periods and regions all have the same message and truth and have a sign of coordination and the greatness of Islamic civilization and culture. The artistic unity that stems from ideological unity, is able to attract many audience and can transcends the boundaries of time and place and communicate spiritually with all its contacts and believers. Islamic art and architecture is derived from religious sources and has an appearance (form) and the inside. Forms are created to give meaning and generally in Islamic art, nothing is void of the "meaning". General feeling of foreign tourists by observing Islamic-Iranian monuments is along with surprise, admiration and a sense of spirituality. In this study, the role of decorations in mosques and shrines in Iranian - Islamic architecture to establish spiritual relationship with the audience is emphasized. This is an applied research with analytical descriptive method which have been done based on observation and documentary studies. -
Mirrored Interiors of Iran Palaces and Holy Places Lustrzane Wnętrza Irańskich Pałaców I Świętych Miejsc
1/2019 PUA DOI: 10.4467/00000000PUA.19.006.10009 Olga Shkolna orcid.org/0000-0002-7245-6010 Borys Grinchenko Kyiv University Mirrored interiors of Iran palaces and holy places Lustrzane wnętrza irańskich pałaców i świętych miejsc Abstract Typical mirrored interiors of Iran from the eighteenth to the beginning of nineteenth century are discussed in this article. Aesthetic, plastic, architectural and design peculiarities of such places in the Persian tradition are researched using examples of the Golestan and Saadabad royal complexes in Tehran, religious sights of Qazvin (the holy place Hossein Imamzadeh grave mosque and Friday mosque); the mausoleum of the descendant of Abraham, the prophet Keydar in Ostan-e Zanjan; the Sayed Alaeddin Hussein mosque, the Shah Cheragh mosque (blue or mirrored mosque), and Ali Ibn Hamzeh mausoleum in Shiraz. Peculiarities of the addition of mirrored sculptural elements, precious stones and silver plates to amalgamated glass in such complexes are clarified. Keywords: Iran, mirrored interior, palaces, mosques, holy places, eighteenth to the beginning of nineteenth century Streszczenie W tym artykule omówiono typowe lustrzane wnętrza Iranu od XVIII do początku XIX wieku. Cechy estetyczne, plastyczne, architektoniczne i projektowe takich miejsc w tradycji perskiej są badane na przykładach królewskich kompleksów Golestan i Saadabad w Teheranie, zabytków religijnych w Ka- zwinie (mauzoleum Hossein Imamzadeh wraz z meczetem piątkowym); mauzoleum potomka Abra- hama, proroka Keydara w Ostan-e Zanjan; meczet Sayed Alaeddin Hussein, meczet Shah Cheragh (niebieski lub lustrzany meczet) i mauzoleum Ali Ibn Hamzeha w Shiraz. Artykuł wyjaśnia specyfikację dodawania lustrzanych elementów rzeźbiarskich, kamieni szlachetnych i srebrnych płytek do amal- gamowanego szkła w takich kompleksach. -
The Art of Islamic Architecture During the Safavid Period and the Introduction of the Teachings of Islam
Journal of Fine Arts Volume 1, Issue 3, 2018, PP 37-42 ISSN 2637-5885 The Art of Islamic Architecture during the Safavid Period and the Introduction of the Teachings of Islam Ali reza Khajegir PhD*1, Mohammad reza Afroogh PhD student2, Ali reza Fahim PhD2 1Shahrekord University, Iran 2Department of Law and Theology, Najafabad Branch, Islamic Azad university, Najafabad, Iran *Corresponding Author: Ali reza Khajegir, Shahrekord University, Iran ABSTRACT Islam played an important role in the development and progress of most arts in different periods, especially during the Safavid period in Iran. During the Safavid period, the arts, paintings, lines, gilding, carpet weaving, cloth, tiling, etc. reached the peak of their evolution, which is seen less in the past and subsequent times. The extensive activity of the Safavid era began since Shah Abbas. In Safavid era, the style of ancient architecture of Iran was renewed and in the design of buildings, the shape and materials of buildings opened their place. Most of the buildings in the Safavid period were built like four-edged mosques, schools and caravansaries. The use of mosaic tiles and seven colors for decorations has become widespread. In this paper we try to reveal some ways they use to develop Islamic cultural concepts in architecture field. Keywords: Architecture, culture, Safavid era, art, Islam INTRODUCTION during the 42 years of his rule, he continued to develop the country, especially Esfahan. The One of the brightest artistic periods of great square of the role of the world, the great architecture in Iran is Safavid era, in 1502 AD. -
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IN THE NAME OF GOD IRAN NAMA RAILWAY TOURISM GUIDE OF IRAN List of Content Preamble ....................................................................... 6 History ............................................................................. 7 Tehran Station ................................................................ 8 Tehran - Mashhad Route .............................................. 12 IRAN NRAILWAYAMA TOURISM GUIDE OF IRAN Tehran - Jolfa Route ..................................................... 32 Collection and Edition: Public Relations (RAI) Tourism Content Collection: Abdollah Abbaszadeh Design and Graphics: Reza Hozzar Moghaddam Photos: Siamak Iman Pour, Benyamin Tehran - Bandarabbas Route 48 Khodadadi, Hatef Homaei, Saeed Mahmoodi Aznaveh, javad Najaf ...................................... Alizadeh, Caspian Makak, Ocean Zakarian, Davood Vakilzadeh, Arash Simaei, Abbas Jafari, Mohammadreza Baharnaz, Homayoun Amir yeganeh, Kianush Jafari Producer: Public Relations (RAI) Tehran - Goragn Route 64 Translation: Seyed Ebrahim Fazli Zenooz - ................................................ International Affairs Bureau (RAI) Address: Public Relations, Central Building of Railways, Africa Blvd., Argentina Sq., Tehran- Iran. www.rai.ir Tehran - Shiraz Route................................................... 80 First Edition January 2016 All rights reserved. Tehran - Khorramshahr Route .................................... 96 Tehran - Kerman Route .............................................114 Islamic Republic of Iran The Railways -
Strategies Employed in Translation of Tourist Guidebooks Culture-Specific Items from Persian Into English
ISSN 1799-2591 Theory and Practice in Language Studies, Vol. 4, No. 4, pp. 750-757, April 2014 © 2014 ACADEMY PUBLISHER Manufactured in Finland. doi:10.4304/tpls.4.4.750-757 Strategies Employed in Translation of Tourist Guidebooks Culture-specific Items from Persian into English Masoome Rezaei Department of English Language, East Azarbaijan Science and Research Branch, Islamic Azad University, Tabriz, Iran Davud Kuhi Department of English Language, Maragheh Branch, Islamic Azad University, Maragheh, Iran Abstract—One of the major duties of every translator is to use an appropriate method in dealing with culture- specific items (CSIs). In this paper an attempt has been made to study the translation of two Iran tourist guidebooks translated by Oksana Beheshti and Amir Hassan Hakimian from Persian into English in order to analyze the strategies the translators have employed for translating CSIs based on Newmark’s model and then to explore whether most these CSIs are domesticated or foreignized. For this purpose a number of instances which are highly specific cultural references have been collected and the strategies applied by translators have been identified. According to the obtained results, the most abundant strategies used in the translation of these two corpses are Newmark’s transference with the addition of some notes. Therefore, although both domesticating and foreignizing strategies have been used, the most common strategy in the translation of these two tourist guidebooks is foreignization. Index Terms—culture, culture-specific items (CSIs), domestication and foreignization, tourist guidebooks, translation strategies I. INTRODUCTION By knowing the languages alone it is not possible to guarantee the success of translations. -
Molecular and Serological Detection of Ehrlichia Canis in Naturally
Original Article Braz. J. Vet. Parasitol., Jaboticabal, v. 23, n. 1, p. 16-22, Jan-Mar 2014 ISSN 0103-846X (Print) / ISSN 1984-2961 (Electronic) Molecular and serological detection of Ehrlichia canis in naturally exposed dogs in Iran: an analysis on associated risk factors Detecção molecular e sorológica de Ehrlichia canis em cães naturalmente expostos no Irã: uma análise dos fatores de risco associados Nadi Maazi1; Abdolali Malmasi1*; Parviz Shayan2; Seyed Mahdi Nassiri3; Taghi Zahraei Salehi4; Mojdeh Sharifian Fard5 1Department of Internal Medicine, Faculty of Veterinary Medicine, University of Tehran, Tehran, Iran 2Center for Ticks and Tick-borne Diseases, Faculty of Veterinary Medicine, University of Tehran, Tehran, Iran 3Department of Pathobiology, Faculty of Veterinary Medicine, University of Tehran, Tehran, Iran 4Department of Microbiology and Immunology, Faculty of Veterinary Medicine, University of Tehran, Tehran, Iran 5Department of Pathology, Bacteriology and Avian Diseases, Faculty of Veterinary Medicine, Ghent University, Belgium Received June 18, 2013 Accepted December 5, 2013 Abstract The general aim of this study, which was conducted for the first time in Iran, was to evaluate the seroprevalence and geographical distribution of Ehrlichia canis in a dog population in Iran, followed by molecular confirmation using PCR and sequencing. Blood samples were collected from 240 dogs in different areas of Alborz and Tehran Provinces and initially analyzed using the immunofluorescent antibody (IFA) test to detect anti-Ehrlichia canis IgG antibodies. Subsequently, nested PCR was performed based on a fragment of the 16S rRNA gene of E. canis on serologically positive samples. The results showed that 40/240 dogs (16.6%) presented anti-Ehrlichia canis IgG antibodies and that nine of the blood samples from the 40 seropositive dogs (22.5%) contained E. -
Sultan Amir Ahmad Bathhouse : Khan Gostar Restaurant Gorgeous Ancient Spa in Iran
ا تتی یتاست تایاک رﻓﺘﻦ ﻧﻮد ﻣﺮدى اتاا ﻓﻘﺮآﻫﻦ زﻣﺎﻧﯽ ﮐﻪ او در زﻧﺪان ﺑﻮد، ﻣﻦ ﺑﺎ ﻣﻌﻠﻢ ﺑﯿﻤﺎرى ﺷﺎﯾﻊ زﻧﺎن زﺑﺎن ﭘﺴﺮم آﺷﻨﺎ ﺷﺪم و او ﺑﻪ ﻣﻦ ﻋﻼﻗﻪ ﮐﺮﺑ اﻣﻦ اﺳﺖ ﮐﻢ ﺧﻮﻧﻰ ﻧﺎﺷﻰ از ﻓﻘﺮآﻫﻦ از ﺷﺎﯾﻊ ﺗﺮﯾﻦ ﻣﻨﺪ ﺷﺪ و ﮔﻔﺖ: از ﺷﻮﻫﺮت ﻃﻼ ﺑﮕﯿﺮ ﺷﺮﮐﺖ در ﻣﺮاﺳﻢ ﭘﯿﺎده روى ارﺑﻌﯿﻦ اﻣﺮاض ﺧﺼﻮﺻﺎ در ﻣﯿﺎن زﻧﺎن اﺳــﺖ، ﺑﻪ و ﺑﯿﺎ ﺑﺎ ﻫﻢ ﺑﻪ ﺧﺎر از ﮐﺸــﻮر ﺑﺮوﯾﻢ . او ﺣﺴــﯿﻨﻰ از ﻃﺮﯾﻖ ﺛﺒﺖ ﻧﺎم در ﺳﺎﻣﺎﻧﻪ اﻧﺪازه اى ﮐﻪ ﻫﻤﻪ روزه ﺑﯿﻤﺎران ﻣﺘﻌﺪدى ﺑﻪ ﺗﺎﮐﯿﺪ ﮐﺮد ﮐﻪ ﭘﺴﺮم را ﻫﻤﺮاﻫﻢ ﻧﺒﺮم، ﺳــﻤﺎ( samah .haj .ir) ﺳﺎزﻣﺎن ﺣ ﻋﻠﺖ ﻋﻮارض ﻧﺎﺷﻰ از ﻓﻘﺮآﻫﻦ رواﻧﻪ ﻣﺮاﮐﺰ اﻣﺎ ﻣﻦ ﺑﻪ ﭘﺴﺮم واﺑﺴﺘﻪ ام؛ ﻓﮑﺮ ﻣﯽ ﮐﻨﻢ ﺳﺮ ﺳﻔﯿﺪ در داﻧﺎه و زﯾﺎرت اﻣﮑﺎن ﭘﺬﯾﺮ اﺳــﺖ ﮐﻪ ﺗﺎ 24 ﻣﺮم درﻣﺎﻧﻰ و ﺗﺨﺖ ﻫﺎى ﺑﯿﻤﺎرﺳﺘﺎﻧﻰ ﻣﻰ ﺷﻮﻧﺪ. ﺑﺎ ﻣﻌﻠﻢ زﺑﺎن ﭘﺴﺮم ﺧﻮﺷﺒﺨﺖ ﻣﯽ ﺷﻮم ﻧﻘﺪ و ﺑﺮرﺳﻰ ﻣﻰ ﺷﻮد آﺑﺎن ﻣﺎه اداﻣﻪ دارد. ﻏﻼﻣﻌﻠﻰ زاﻫﺪى ﮐﻔ ﻫﺎ را آوﯾﺨﺖ ﺗﺤﻘﯿﻘﺎت ﻣﯿﺪاﻧﻰﻧ ﺸﺎن ﻣ ﻰدﻫﺪا ﮐﺜﺮ ﻣﺮدم وﻟﯽ ﭘﺴﺮم را ﻧﻤ ﯽداﻧﻢ... ﻣﺪﯾﺮﮐﻞ ﺣ و زﯾﺎرت اﺳﺘﺎن... ﻧﺴﺒﺖ... | | | | | | ﺳﻪ ﺷﻨﺒﻪ 27 ﻣﻬﺮ 1395 18 اﮐﺘﺒﺮ 2016 16 ﻣﺤﺮم 1438 ﺳﺎل ﺑﯿﺴﺖ و ﭘﻨﺠﻢ ﺷﻤﺎره 5242 ﺻﻔﺤﻪ WWW. NASLEFARDA.NET naslefardanews naslfarda 30007232 17 ﯾﺎاﺷﺖ وﯿﺖ ﯿﻔﻰ ا اﺻﻔﻬﺎن وﺑﺎر ر ﺷاﯾ ﻧﺎﺳﺎ ﺑا ﮔو ﺎ ﺣﺎ ار ار ﺎ از ﺷﻌﺎرﻫﺎى ﻧ ﻧﻤﺎ ﺷﺪه دﺳﺖ ﺑﺮدارﯾ د ار درﯾﺎ وﻓﺎﯾﻰ ﺳﺎزﻣﺎن ﻓﺎﺋﻮ 16 اﮐﺘﺒﺮﻫﺮﺳــﺎل را روزﺟﻬﺎﻧﻰ ﻏﺬا ﻧﺎﻣﮕﺬارى ﮐﺮد ﺗﺎ اﯾــﻦ روز ﺑﻬﺎﻧﻪ اى ﺑﺎﺷــﺪ ﺑﺮاى ﻫﻤﺪردى ﺑﺎ ﮔﺮﺳــﻨﮕﺎﻧﻰ ﮐﻪ از اﺑﺘﺪاﯾﻰ ﺗﺮﯾﻦ ﺣﻖ ﺧﻮد ﯾﻌﻨﻰ ﻏــﺬا ﻣﺤﺮوﻣﻨﺪ و ﺻــﺪ اﻟﺒﺘﻪ ﺗﻠﻨﮕﺮى ﺑﺎﺷــﺪ ﺑﺮاى ﺑﯿﺪارى وﺟﺪان ﻫﺎى ﺑﻪ ﺧﻮاب رﻓﺘﻪ. -
Kerman Province
In TheGod Name of Kerman Ganjali khan water reservoir / Contents: Subject page Kerman Province/11 Mount Hezar / 11 Mount joopar/11 Kerman city / 11 Ganjalikhan square / 11 Ganjalikhan bazaar/11 Ganjalikhan public bath /12 Ganjalikhan Mint house/12 Ganjalikhan School/12 Ganjalikhan Mosque /13 Ganjalikhan Cross market place /13 Alimardan Khan water reservoir /13 Ibrahimkhan complex/ 13 Ibrahimkhan Bazaar/14 Ibrahimkhan School /14 Ibrahimkhan bath/14 Vakil Complex/14 Vakil public bath / 14 Vakil Bazaar / 16 Vakil Caravansary / 16 Hajagha Ali complex / 16 Hajagha Ali mosque / 17 Hajagha Ali bazaar / 17 Hajagha Ali reservoir / 17 Bazaar Complex / 17 Arg- Square bazaar / 18 Kerman Throughout bazaar / 18 North Copper Smithing bazaar / 18 Arg bazaar / 18 West coppersmithing bazaar / 18 Ekhteyari bazaar / 18 Mozaffari bazaar / 19 Indian Caravansary / 19 Golshan house / 19 Mozaffari grand mosque / 19 Imam mosque / 20 Moshtaghieh / 20 Green Dome / 20 Jebalieh Dome / 21 Shah Namatollah threshold / 21 Khaje Etabak tomb / 23 Imam zadeh shahzadeh Hossien tomb / 23 Imam zadeh shahzadeh Mohammad / 23 Qaleh Dokhtar / 23 Kerman fire temple / 24 Moaidi Ice house / 24 Kerman national library / 25 Gholibig throne palace / 25 Fathabad Garden / 25 Shotor Galoo / 25 Shah zadeh garden / 26 Harandi garden / 26 Arg-e Rayen / 26 Ganjalikhan anthropology museum / 27 Coin museum / 27 Harandi museum garden / 27 Sanatti museum / 28 Zoroasterian museum / 28 Shahid Bahonar museum / 28 Holy defense museum / 28 Jebalieh museum / 29 Shah Namatollah dome museum / 29 Ghaem wooden -
Expected Economic Impacts of Agro-Tourism Development in Development Agro-Tourism of Impacts Economic Expected F.,Azimi, & (2016)
International Journal of Agricultural Management and Development (IJAMAD) Available online on: www.ijamad.iaurasht.ac.ir ISSN: 2159-5852 (Print) ISSN:2159-5860 (Online) Expected Economic Impacts of Agro-Tourism Development in Rural Areas of Tehran Province (Case Study of Pakdasht County) Farideh Azimi 1* and Samvel Avetisyan 2 Received: 29 October 2015, his study determined the situation of rural tourism and Accepted: 13 December 2015 agro-tourism in Tehran Province as well as the expected economicT impacts of agro-tourism development on it. In this research, we used documental research method and field research based on questionnaires and face-to-face interview. It was found out that despite different tourist attractions in rural areas of Tehran Province, tourist arrival to the rural areas was only due to natural attractions. Almost all counties have agri- cultural tourist attractions, but no comprehensive and coherent programs have been implemented for the development of agro- tourism in the region. It was revealed that one job can be created in exchange for the arrival of nearly 133 Agro-tourists, that tourists in their rural trips are more willing to buy Abstract agricultural products and homemade processed foods as compared to handicrafts and other goods, that in rural trips, agro-tourists will spend more money for their purchases than other rural tourists, and that agro-tourists earn much more benefit on their purchasing as compared to rural tourists. Based on the results, the most important expected economic impacts of agro-tourism development in Tehran Province include the Keywords: increase in agro-tourist arrivals to the rural regions, the increase Agro-tourism, Economic impacts, Rural develop- in job creation, the improvement of rural economy and much ment, Rural economy, more agro-tourism revenue in rural areas as compared to other Rural tourism fields of rural tourism.