On the Origins of Memes by Means of Fringe Web Communities
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Great Meme War:” the Alt-Right and Its Multifarious Enemies
Angles New Perspectives on the Anglophone World 10 | 2020 Creating the Enemy The “Great Meme War:” the Alt-Right and its Multifarious Enemies Maxime Dafaure Electronic version URL: http://journals.openedition.org/angles/369 ISSN: 2274-2042 Publisher Société des Anglicistes de l'Enseignement Supérieur Electronic reference Maxime Dafaure, « The “Great Meme War:” the Alt-Right and its Multifarious Enemies », Angles [Online], 10 | 2020, Online since 01 April 2020, connection on 28 July 2020. URL : http:// journals.openedition.org/angles/369 This text was automatically generated on 28 July 2020. Angles. New Perspectives on the Anglophone World is licensed under a Creative Commons Attribution- NonCommercial-ShareAlike 4.0 International License. The “Great Meme War:” the Alt-Right and its Multifarious Enemies 1 The “Great Meme War:” the Alt- Right and its Multifarious Enemies Maxime Dafaure Memes and the metapolitics of the alt-right 1 The alt-right has been a major actor of the online culture wars of the past few years. Since it came to prominence during the 2014 Gamergate controversy,1 this loosely- defined, puzzling movement has achieved mainstream recognition and has been the subject of discussion by journalists and scholars alike. Although the movement is notoriously difficult to define, a few overarching themes can be delineated: unequivocal rejections of immigration and multiculturalism among most, if not all, alt- right subgroups; an intense criticism of feminism, in particular within the manosphere community, which itself is divided into several clans with different goals and subcultures (men’s rights activists, Men Going Their Own Way, pick-up artists, incels).2 Demographically speaking, an overwhelming majority of alt-righters are white heterosexual males, one of the major social categories who feel dispossessed and resentful, as pointed out as early as in the mid-20th century by Daniel Bell, and more recently by Michael Kimmel (Angry White Men 2013) and Dick Howard (Les Ombres de l’Amérique 2017). -
Towards Understanding the Information Ecosystem Through the Lens of Multiple Web Communities Arxiv:1911.10517V1 [Cs.SI] 24
Towards Understanding the Information Ecosystem Through the Lens of Multiple Web Communities Savvas Zannettou A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy of Cyprus University of Technology. arXiv:1911.10517v1 [cs.SI] 24 Nov 2019 Department of Electrical Engineering, Computer Engineering and Informatics Cyprus University of Technology November 26, 2019 Abstract The Web consists of numerous Web communities, news sources, and services, which are often ex- ploited by various entities for the dissemination of false or otherwise malevolent information. Yet, we lack tools and techniques to effectively track the propagation of information across the multiple diverse communities, and to capture and model the interplay and influence between them. Further- more, we lack a basic understanding of what the role and impact of some emerging communities and services on the Web information ecosystem are, and how such communities are exploited by bad actors (e.g., state-sponsored trolls) that spread false and weaponized information. In this thesis, we shed some light on the complexity and diversity of the information ecosystem on the Web by presenting a typology that includes the various types of false information, the involved actors as well as their possible motives. Then, we follow a data-driven cross-platform quantitative approach to analyze billions of posts from Twitter, Reddit, 4chan’s Politically Incorrect board (/pol/), and Gab, to shed light on: 1) how news and image-based memes travel from one Web community to another and how we can model and quantify the influence between the various Web communities; 2) characterizing the role of emerging Web communities and services on the information ecosystem, by studying Gab and two popular Web archiving services, namely the Wayback Machine and archive.is; and 3) how popular Web communities are exploited by state-sponsored actors for the purpose of spreading disinformation and sowing public discord. -
All Your Ideas Are Belong to Us Internet- MEME
All your ideas are belong to us Internet- MEME kurz & geek erlehmann & O’REILLY plomlompom Die Informationen in diesem Buch wurden mit größter Sorgfalt erarbeitet. Dennoch können Fehler nicht vollständig ausgeschlossen werden. Verlag, Autoren und Über- setzer übernehmen keine juristische Verantwortung oder irgendeine Haftung für eventuell verbliebene fehlerhafte Angaben und deren Folgen. Alle Warennamen werden ohne Gewährleistung der freien Verwendbarkeit benutzt und sind möglicherweise eingetragene Warenzeichen. Der Verlag richtet sich im Wesentlichen nach den Schreibweisen der Hersteller. Das Werk einschließlich aller seiner Teile ist urheberrechtlich geschützt. Dieses Werk ist unter einer Creative Commons Lizenz vom Typ Namensnennung - Nicht-kommerziell - Weitergabe unter gleichen Bedingungen 3.0 Deutschland zugänglich. Um eine Kopie dieser Lizenzbestimmung einzusehen, konsultieren Sie http://creativecommons.org/ licenses/by-nc-sa/3.0/de/. Sobald der O'Reilly-Verlag den Vertrieb einstellt, ist dieses Werk unter einer Creative Commons Lizenz vom Typ Namensnennung - Weitergabe unter gleichen Bedingungen 3.0 Deutschland zugänglich. Um eine Kopie dieser Lizenz einzusehen, konsultieren Sie http://creativecommons.org/ licenses/by-sa/3.0/de/. Kommentare und Fragen können Sie gerne an uns richten: O’Reilly Verlag Balthasarstr. 81 50670 Köln E-Mail: [email protected] Copyright der deutschen Ausgabe: © 2013 by O’Reilly Verlag GmbH & Co. KG 1. Auflage 2013 Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek -
UN COUNTRYBALLS Vs. the NATION STATE WHAT ARE
The age of Salvini, Wilders, Lucke and Le Pen needs flag, interacting in often broken English (with the NATIONALISM IS AN INFANTILE THING. national identities to exist even if outdated, and the exception of countryballs that speak English natively), Countryballs’ format, even if often used to laugh at usually with regional and/or national variations (e.g. IT IS THE MEASLES OF HUMANKIND. presumed national identities, actually naturalizes their France’s Engrish is interspersed with French words). A. Einstein ft. Clusterduck very existence, once again demonstrating the extreme The characters poke fun at national stereotypes and resilience and pervasiveness of the cultural technology international relations, as well as historical conflicts. we call “nation-state”. So how to escape this rusty iron Countryballs have also been used in videos and cage? How to formulate an alternative? comics involving alternate and speculative history. It is an Internet meme which originated on the /int/ board The first step would be to demonstrate that national of German imageboard Krautchan.net in the latter half identities don’t exist – or, more precisely, they exist of 2009. The comics style may be referred to both only as long as our discourses and their constant as Polandball (by convention, even in cases where Clusterduck presents: reiteration allow them to do so. They are ‘imagined there is no Poland among the cartoon characters) and UN_COUNTRYBALLS vs. THE NATION STATE communities’, as Benedict Anderson showed in countryball (or, collectively, countryballs). his eponymous masterpiece. We need to imagine Source: https://en.wikipedia.org/wiki/Polandball#Background alternative communities, capable of satisfying the We live in times of hate and division. -
“Libertarian” “Econom Ic -R Ig
AUTISTIC SCREECHING MEME (COMMUNIST) A1 A11 WOLF (POLITICAL COMPASS MEME) FORMER SOVIET UNION NATIONAL & POLITICAL SYMBOL A2 A12 NATIONAL SECURITY AGENCY (NSA) FLAG OF NORTH KOREA A3 A13 PEPE THE FROG / NAZI PEPE NORTH KOREAN CHEERLEADERS A4 A14 BOSTON DYNAMICS DOG 50 CENT ARMY, CHINA A6 “AUTHORITARIAN” A15 DISCORD EMOTE (EMOJI) 50 CENT ARMY, CHINA A7 A16 14/88 (CODE FOR « FOURTEEN WORDS / HEIL HITLER ») « I DON’T WANT 60 CENTS, 50 IS ENOUGH! » A8 A17 JARED TAYLOR INTERNET WATER ARMY, CHINA A9 A19 GÉNÉRATION IDENTITAIRE GEORGE ORWELL, 1984 A10 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 A20 AUTISTIC SCREECHING MEME (WHITE SUPREMACIST) RED FLAG (EMOJI) B1 B11 WHITE POLO SHIRT NUCLEAR WEAPON, NORTH KOREA B2 B12 ADER JANOS KIM JONG-UN B4 B17 RODRIGO DUTERTE BEE (EMOJI) B5 B18 BREITBART NEWS NETWORK « UNHEALTHY INTERNET » COMIC STRIPS, CHINA B6 A A B18 RED PILL « I AM A FIFTY CENTER, AND PROUD OF IT! » B7 FLAG OF NORTH KOREA NORTH KOREAN 50 CENT ARMY, CHINA 50 CENT ARMY, CHINA GÉNÉRATION IDENTITAIRE B19 RICHARD SPENCER CHEERLEADERS FLAG OF CHINA B9 « I DON’T WANT 60 CENTS, NATIONAL SECURITY CODE FOR « FOURTEEN JARED TAYLOR B20 FLAG OF CHILE GEORGE ORWELL, 1984 WOLF AUTISTIC SCREECHING 50 IS ENOUGH! » AGENCY (NSA) WORDS / HEIL HITLER » AUTISTIC SCREECHING BOSTON DYNAMICS DOG DONALD TRUMP WITH KIM JONG-UN B10 MEME (COMMUNIST) MEME (WHITE C11 JAROSŁAW KACZYŃSKI PEPE THE FROG / RODRIGO DUTERTE SUPREMACIST) JOSEPH STALIN (MEME) C1 NAZI PEPE C14 PEPE THE FROG / ANGRY PEPE INTERNET WATER ARMY, INTERNET CULTURE BUSINESS LICENSE C5 -
On the Origins of Memes by Means of Fringe Web Communities∗
On the Origins of Memes by Means of Fringe Web Communities∗ Savvas Zannettou?, Tristan Caulfieldz, Jeremy Blackburny, Emiliano De Cristofaroz, Michael Sirivianos?, Gianluca Stringhini‡, and Guillermo Suarez-Tangilz+ ?Cyprus University of Technology, zUniversity College London yUniversity of Alabama at Birmingham, Boston University, +King’s College London [email protected] ft.caulfield,[email protected] [email protected], [email protected], [email protected], [email protected] Abstract no bad intentions, others have assumed negative and/or hateful connotations, including outright racist and aggressive under- Internet memes are increasingly used to sway and manipulate tones [84]. These memes, often generated by fringe commu- public opinion. This prompts the need to study their propa- nities, are being “weaponized” and even becoming part of po- gation, evolution, and influence across the Web. In this paper, litical and ideological propaganda [67]. For example, memes we detect and measure the propagation of memes across mul- were adopted by candidates during the 2016 US Presidential tiple Web communities, using a processing pipeline based on Elections as part of their iconography [19]; in October 2015, perceptual hashing and clustering techniques, and a dataset of then-candidate Donald Trump retweeted an image depicting 160M images from 2.6B posts gathered from Twitter, Reddit, him as Pepe The Frog, a controversial character considered 4chan’s Politically Incorrect board (/pol/), and Gab, over the a hate symbol [58]. In this context, polarized communities course of 13 months. We group the images posted on fringe within 4chan and Reddit have been working hard to create Web communities (/pol/, Gab, and The Donald subreddit) into new memes and make them go viral, aiming to increase the clusters, annotate them using meme metadata obtained from visibility of their ideas—a phenomenon known as “attention Know Your Meme, and also map images from mainstream hacking” [64]. -
Copyright Fair Use and the Digital Carnivalesque: Towards a New Lexicon of Transformative Internet Memes
Fordham Intellectual Property, Media and Entertainment Law Journal Volume 31 XXXI Number 3 Article 3 2021 Copyright Fair Use and the Digital Carnivalesque: Towards A New Lexicon of Transformative Internet Memes David Tan National University of Singapore, [email protected] Angus J. Wilson National University of Singapore, [email protected] Follow this and additional works at: https://ir.lawnet.fordham.edu/iplj Part of the Entertainment, Arts, and Sports Law Commons, Intellectual Property Law Commons, and the Internet Law Commons Recommended Citation David Tan and Angus J. Wilson, Copyright Fair Use and the Digital Carnivalesque: Towards A New Lexicon of Transformative Internet Memes, 31 Fordham Intell. Prop. Media & Ent. L.J. 864 (2021). Available at: https://ir.lawnet.fordham.edu/iplj/vol31/iss3/3 This Article is brought to you for free and open access by FLASH: The Fordham Law Archive of Scholarship and History. It has been accepted for inclusion in Fordham Intellectual Property, Media and Entertainment Law Journal by an authorized editor of FLASH: The Fordham Law Archive of Scholarship and History. For more information, please contact [email protected]. Copyright Fair Use and the Digital Carnivalesque: Towards A New Lexicon of Transformative Internet Memes Cover Page Footnote * Professor and Vice Dean (Academic Affairs), Faculty of Law, National University of Singapore; Head (Intellectual Property), E.W. Barker Centre for Law & Business; Deputy Director, Centre for Technology, Robotics, Artificial Intelligence & the Law, National -
The Meme Is the Message 4Chan Culture and Incels Francesco Imbimbo 14Th May 2020
The Meme is the Message 4chan Culture and Incels Francesco Imbimbo 14th May 2020 Contents Birth of ‘Meme’ . 1 4chan Meme Identity . 1 Duality of Identity Memetics . 1 Political Pepe . 1 Wistful Wojak . 2 TFWNOGF................................................ 3 Inceldom . 3 Conclusion . 4 Bibliography 5 Author Biography 6 Birth of ‘Meme’ As human culture and technology evolve, as does the expression of comedy, mirroring the society along with it. Within the post-PC era (D.D.Clark 1999 ) comedy is accelerating at an incredible pace, prominately with memes taking its form. Meme, first introduced by Richard Dawkins (1976 ), describes the flow and flux of culture by copying or imitation from person to person. Its realisation can vary from popular tunes, catch phrases, fashion trends, architectural styles, ways of doing things, and so on. While this term was conceived long before the post dot com burst, since 2005 it was reterritorialised (Deleuze & Guattari 1980 ) by Internet users, who invoke it to describe their mundane cultural activities. In addition to Dawkin’s definition, I like to add Hito Steyerl’s poor image (2018 ) which compliments the memes of today, being mutable from constant uploading, downloading, editing, and then reuploading, ad infinitum. Furthermore, online users are in a position to participate, providing the largest catalyst for a new type of meme: customisable memes. Important to note: a meme is not a meme until someone replicates it by passing it on to someone else, not posted randomly, but addressing a specific group directly tied to the values, beliefs and practices of that group (Nissenbaum & Shifman 2015 ). In this essay I shall explore how the 4chan tribe use memes to contribute to its hivemind ideology, birthing a new stereotype of digital and physical self-harm. -
Developing Conceptions of Humour: Irony and Internet Memes by Raoul Titulaer
p. 1 Developing Conceptions of Humour: Irony and Internet Memes By Raoul Titulaer p. 2 “Humor can be dissected, as a frog can, but the thing dies in the process and the innards are discouraging to any but the purely scientific mind.” -E.B. White Table of Contents 1. Introduction……………………………………………………………………p.3 2. Memes beyond memetics – the post-Dawkinsian meme…………………….p.4 3. Kinds of memes – a pragmatic typology……………………………………..p.6 4. On laughter – a brief critical and historical overview………………………p.12 5. Le Rire and interrelations of theories of humour……………………………p.14 6. Bergson’s tools for analysing humour………………………………………..p.17 7. Contemporary counterparts and the tools they offer……………………….p.19 8. A multi-layered analysis of different types of memes……………………….p.22 9. Closing remarks on irony, memes, and our attempts to theorise………..…p.27 10. Bibliography…………………………………………………………………...p.28 p. 3 1. Introduction Through my early adolescence up until now, I have often been confronted with and amused by memes. I want to clarify that I do not mean this in the sense of pertaining to the field of memetics as Richard Dawkins coined the term in The Selfish Gene (1976), but in its common usage: referring, bluntly, to a funny picture on the internet. What always intrigued me about them is not just the amusement they provided, but the fact that this amusement came seemingly out of nowhere, often leaving me confounded about why I was laughing this much. Some examples of memes that I will consider in this thesis include cats that act like humans, symptoms of being scrambled, and a favourable comparison of anti-natalists to people who have children. -
On the Origins of Memes by Means of Fringe Web Communities
On the Origins of Memes by Means of Fringe Web Communities ? Savvas Zannettou , Tristan Cauleld‡, Jeremy Blackburn†, Emiliano De Cristofaro‡, ? + Michael Sirivianos , Gianluca Stringhini⇧, and Guillermo Suarez-Tangil ? Cyprus University of Technology, ‡University College London, + †University of Alabama at Birmingham, ⇧Boston University, King’s College London [email protected], {t.cauleld,e.decristofaro}@ucl.ac.uk, [email protected], [email protected], [email protected], [email protected] ABSTRACT ACM Reference Format: Internet memes are increasingly used to sway and manipulate pub- Savvas Zannettou, Tristan Cauleld, Jeremy Blackburn, Emiliano lic opinion. This prompts the need to study their propagation, evo- De Cristofaro, Michael Sirivianos, Gianluca Stringhini, and Guillermo lution, and inuence across the Web. In this paper, we detect and Suarez-Tangil. 2018. On the Origins of Memes by Means of Fringe measure the propagation of memes across multiple Web commu- Web Communities. In Proceedings of IMC ’18. ACM, New York, NY, nities, using a processing pipeline based on perceptual hashing USA, 15 pages. https://doi.org/10.1145/3278532.3278550 and clustering techniques, and a dataset of 160M images from 2.6B posts gathered from Twitter, Reddit, 4chan’s Politically Incorrect board (/pol/), and Gab, over the course of 13 months. We group 1 INTRODUCTION the images posted on fringe Web communities (/pol/, Gab, and The Web has become one of the most impactful vehicles for the The_Donald subreddit) into clusters, annotate them using meme propagation of ideas and culture. Images, videos, and slogans are metadata obtained from Know Your Meme, and also map images created and shared online at an unprecedented pace. -
Understanding the Intent and Prevalence of Political Online Memes
POLITICAL THEMES IN POLITICAL MEMES: UNDERSTANDING THE INTENT AND PREVALENCE OF POLITICAL ONLINE MEMES Julia Nuckols Master’s thesis Sociology Faculty of Humanities and Social Sciences Spring 2018 University of Jyväskylä JYVÄSKYLÄN YLIOPISTO Tiedekunta – Faculty Laitos – Department Humanistis-yhteiskuntatieteellinen tiedekunta Yhteiskuntatieteiden ja filosofian laitos Tekijä – Author Julia Anneli-Abigail Nuckols Työn nimi – Title POLITICAL THEMES IN POLITICAL MEMES: UNDERSTANDING THE INTENT AND PREVALENCE OF POLITICAL ONLINE MEMES Oppiaine – Subject Työn laji – Level Sosiologia Pro Gradu-tutkielma Aika – Month and year Sivumäärä – Number of pages 05/2019 98 Tiivistelmä – Abstract Online memes have become an intricate part of political participation in the online world, whether it involves voicing one’s opinions or attempting to influence other users, memes offer a plethora of information in a small compact form. This paper takes on the case of the 2016 United States of America presidential elections including the surrounding timeline, examining the memes present in online discussions in relation to the elections and the candidates affiliated. Memes as a new social phenomenon alone is a fascinating topic, but it was particularly engrossing to examine the presence of memes in modern day political discourse and the symbiotic nature they inherit amongst online users, the media and politicians themselves. This dissertation aims to answer the following questions; 1) in what volumes have political memes been produced and shared in this particular case study and 2) what political rhetoric do they exhibit (political values, critique, awareness etc.), utilizing famous classical theories in a modern context such as Durkheim’s ritual theory as well as Cooley and Mead’s theory on symbolic interactionism, as well as modern day theories such as the theory of Participatory culture by Henry Jenkins. -
The Political Meme As a Social Anesthetic: Normalizing the Extreme
THE POLITICAL MEME AS A SOCIAL ANESTHETIC: NORMALIZING THE EXTREME THROUGH AMBIGUITY, IRONY, AND ANONYMITY Author: Anna Linda Tomp Supervisor: Afsoun Afsahi, PhD Second reader: Gordon Arlen, PhD June 2020 Master’s thesis Political Science (Political Theory) Summary This thesis investigates how political memes could influence political views and potentially normalize the presence of extreme political views in public discourse. The author argues that the characteristics specific to memes – ambiguity, language, anonymity and spreadability – make political memes stand out from other political content and could potentially work as a “social anesthetic” for normalizing extreme views, by either working as a gateway to attract followers towards extreme views or by normalizing the presence of extreme views in public discussion. This, in turn, could pose a threat to democracy – the thesis will look into how this process could undermine political culture and encourage further polarization. The thesis is illustrated by various memetic genres, with a specific focus on memes of the alt-right online movement. 2 Table of Contents Summary .................................................................................................................................... 2 Introduction ................................................................................................................................ 4 1. Theoretical framework ....................................................................................................... 6 1.1. Political