DOCSLIB.ORG

TV Drama Vision 2020! Marike Muselaers, Content & Strategy / Co-CEO of Lumière the Seminars Are Held in English

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
TV Drama Vision 2020! Marike Muselaers, Content & Strategy / Co-CEO of Lumière the Seminars Are Held in English 1 2020 TV Drama Vision 43d Göteborg Film Festival goteborgfilmfestival.se Jan 24–Feb 3 2020 #gbgfilmfestival Cover photo from Cry Wolf Wednesday, January 29 Advisory Board 10:00–16:30 Conference at Stora Teatern We want to thank our much-appreciated Advisory 19:00–00:00 Award ceremony and dinner at Valand Board for their continuing support. Contents Thursday, January 30 Stefan Baron, Head of Business Affairs, YellowBird 09:00–16:45 Conference at Stora Teatern Piv Bernth, Founder, Apple Tree Venues Anna Croneman, Head of Drama, SVT Stora Teatern, Kungsparken 1 Liselott Forsman, CEO Nordisk Film & TV Fond Valand, Vasagatan 41 Petri Kempinnen, Film and TV Consultant 4–5 Welcome to Ivar Køhn, Head of Drama, NRK Information TV Drama Vision 2020! Marike Muselaers, Content & Strategy / Co-CEO of Lumière The seminars are held in English. Group For more info, pricing and list of all delegates, see 6–7 Schedule Wednesday, Jan 29 Hanne Palmquist, Commissioning Editor & VP, Original goteborgfilmfestival.se Programming, HBO Nordic [email protected] 8–9 Schedule Thursday, Jan 30 Josefine Tengblad, Head of Drama, TV4/C More Wi-Fi at Stora Teatern Christian Wikander, Director Co-Production, Twelwe Town 10–11 Nordisk Film & TV Fond Prize User: goteborgfree Password: no password Thomas Gammeltoft, Executive Producer, Sweet Chili Entertainment For more info, including list of all delegates, see: 12–19 Series presented at Walter Iuzzolini, Chief Creator Office, GSN goteborgfilmfestival.se/tv Katrine Vogelsang, Head of Fiction, TV2 Danmark TV Drama Vision Christian Rank, Head of Drama, DR Göteborg Film Festival Office 22–37 Guests and Speakers Olof Palmes Plats 1 41304 Göteborg Thank you Phone: +46 (0) 31 339 30 00 Susann Billberg, Head of Nordic TV Drama SF Studios, Kristina 38 Moderators Artistic Director Börjeson, Head of Production/Administration TV4/C More, Jonas Holmberg Tomas Eskilsson, Head of Strategy, Film i Väst, Torleif Hauge, [email protected] Project Advisor - Fiction, Nordisk Film & TV Fond, Peter Hiltunen, Culture Academy, Christina Jeurling Birro, journalist, CEO Tim King, Exec VP President Production, SF Studios, Eda Mirja Wester Koppel, Head of Marketing, Estonian Film Institute, Laura [email protected] Kuulasmaa, Acquisitions Executive, Elisa Viihde, Henric Head of Industry Larsson, CEO Nordics, Chimney, Alexandra Lebret, Managing Cia Edström Director, The European Producers Club, Jon Petterson, Head of [email protected] Scripted Nordic Entertainment Group, Ragnhild Thorbech, SVP Supported by: Acquisitions, HBO Nordic, Katrina Wood, CEO, MediaXchange Editorials Cia Edström, Head of programme TV Drama Vision is supported by Creative Europe Media, Jenny Runsten, Producer Nordisk Film & TV Fond, Västra Götalandsregionen and Film i Josef Kullengård, Communications Väst. Partner Events: Drama Series Days, Series Mania, CineLink Patrik Svensson, Nordisk Film & TV Fond Prize Drama, Helsinki Script and Copenhagen Masterclasses. Music Coordinator Partner events: Collaborators: partner: Audio Network. Manlin Sterner, International Press Photo Editor Camilla Lindberg Music partner: Layout Felicia Fortes, Gustaf Normark 2 3 Focus on ZDF: Meet Simone Emmelius European Highlights Welcome to & Frank Seyberth TV Drama Vision takes a wider look across Europe. Meet Simone Emmelius, SVP Inter national Fiction The talented producers Olesya Lukyanenko and – Coproduction & Acquisition, and Frank Seyberth, Kateryna Vyshnevska will present a case study of TV Drama Vision 2020! Commissioner, Series and International Co- the newly released Ukrainian noir series Hide and Productions, from ZDF. In a changing environment, Seek, as well as their upcoming sci-fi coming-of- Global trends shaping the industry where Local has become the new Global, Germany age series Alive. We also welcome the Bulgarian is a huge market for European drama series. Scan- series Babyland, the Austrian series Snow and and stories of tomorrow dinavian drama is now competing with talent and from across the Baltic sea, we present the Estonian success from other territories. Together with moder- cyber- crime series The Deep. ator Johanna Koljonen, this prestige panel will tell us more about the German market and elaborate Nordisk Film & TV Fond Prize on their future plans. – meet the nominees and jury Will the TV bubble burst due to audiences facing high-end TV world with shows like The Returned, Five new Nordic drama series compete for the NOK too many choices? How will we create sustainability The Last Panthers and Sorrentino’s The Young Pope Simply cash or creative resources 200,000 Nordisk Film & TV Fond Prize 2020. At TV in the industry as well as high quality drama in the and The New Pope. Producers and company co- – the state of production incentives Drama Vision we will meet our prestigious jury as years to come? As we are entering a new decade, heads Caroline Benjo and Carole Scotta discuss Six countries in the Nordic and Baltic region pro- well as the nominated screenwriters on stage to which are the drama series the audience will em- working between cinema and episodic work, mining vide tax or cash rebates for productions. Petri present their series and talk about the art of writing brace in the years to come? TV Drama Vision takes the current trends in French TV, and collaborating Kemppinen, Film and TV consultant, takes a look a successful drama. This year’s Nordisk Film & TV a closer look at current global trends and with the with international partners. Moderated by Wendy at the different models and discusses impact on Fond jury consists of acclaimed Norwegian actor help of some of the very best analysts and experts Mitchell. producer’s choice, economy and local industry de- Jakob Oftebro, Swedish actor Moa Gammel, Polish we hope to shed some light on the future. velopment with hands-on experts. award-winning producer and director Dariusz Facts and Insights: Guy Bisson on Jabłoński and Norwegian journalist Cecilie Asker Presenting two inspiring days with the talent and global drama trends New and upcoming Nordic Drama Series (Aftenposten). key executives creating today’s TV drama land- In a future-oriented session leading market analyst We are delighted to present a wide range of upcom- scape. More than 60 guests will take the stage Guy Bisson, Executive Director at Ampere Analysis, ing drama series from the Nordics. Works in Pro- Nostradamus @ TV Drama Vision: and close to 40 upcoming series will be present- will give us the ten global trends that will shape the gress of Dreaming of England (Art&Bob for SVT), Summary and sneak peek ed making this the best networking opportunity near future. After his keynote he will be interviewed Belzebubs (Pyjama Films for YLE) and My Funeral Media analyst Johanna Koljonen will give a sum- in the region. on-stage by Johanna Koljonen, media analyst and (Glassriver for Simmin), a case study of Swedish mary and analyze this year’s TV Drama Vision author of the Göteborg Film Festival’s Nostradamus Beartown (Filmlance for HBO). In addition, we in the light of the upcoming 2020 Nostradamus Opening speaker: Vincent F. Hendricks Report about the future of the screen industries. showcase the region by presenting projects in de- report. We are delighted to present this year’s opening velopment and a first glimpse of new drama series. speaker: Vincent F. Hendricks, Professor of formal The European Model A warm welcome! philosophy at Copenhagen University and the European broadcasters, commissioners and produc- On the Horizon: Nordic broadcasters Director of the Center for Information and Bubble ers are still champions of some of the greatest shows We welcome key content players from the Nordics Cia Edström, Head of TV Drama Vision Studies. Vincent will open TV Drama Vision with on screen. With increasing production volumes and on stage to present new and upcoming series, the Jenny Runsten, TV Drama Vision Producer a speech focusing on filter bubbles, sustainability major global competition, how do we create suc- stories they are hoping to find and their plans for the Patrik Svensson, Nordisk Film & TV Fond Prize and the model of a liberal democracy. Presented in cessful high-end drama? How can we optimize col- future. This year we meet Katrine Vogelsang, Head Coordinator collaboration with Copenhagen Film Fund. laborations in a competitive world while nurturing of Fiction at TV 2 Denmark, Josefine Tengblad, talent and keeping our European independence? Head of Drama and Kristina Börjeson, Head of Pro- France’s Finest – Caroline Benjo and Simone Emmelius, SVP International Fiction – Co- duction/Administration at TV4/C More, Ivar Køhn, Carole Scotta production & Acquisition ZDF, Lars Blomgren, Head Head of Drama at NRK, Camilla Rydbacken, VP Haut et Court is one of France’s most successful of Scripted EMEA Endemole Shine Group, Dariuzs Nordic Scripted Content and Fredrik Ljungberg, VP and influential independent producers and distrib- Jablonski, producer/director, Anna Croneman, International Scripted Content at Nordic Entertain- utors, with credits ranging from Ma Vie en Rose and Head of Drama SVT and Christian Rank, Head of ment Group, Anna Croneman, Head of Programme The Class to The Lobster and Rocks. They have Drama DR takes the stage for an in-depth panel Film & TV drama at SVT and Jarmo Lampela, Head recently also carved a space in the prestigious discussion moderated by Johanna Koljonen. of Drama at YLE Drama. 4 5 Wednesday, January 29 10:00–16:40 08:30–09:45 11:40–12:00 14:30–15:00 Break 17:00–18:30 Registration and coffee Facts and Insights: Guy Bisson on Drinks hosted by Chimney Global Drama trends 15:00–15:45 Vallgatan 22 (3 min walk from Stora Teatern) Guy Bisson, Executive director Ampere Analysis 10:00–10:05 The European Model Welcome and introduction A panel discussion on how we create success- 19:00–00:00 12:00–12:30 ful high-end drama in a world of major global 30th anniversary Nordisk Film & TV Analyzing the trends: Guy Bisson in competition and increasing production volumes.
Load more

Recommended publications
  • Viaplay Included in Bahnhof's Top-Tier TV Package and Available As Add-On Subscription • Bahnhof to Distribute NENT Grou
    • Viaplay included in Bahnhof’s top-tier TV package and available as add-on subscription • Bahnhof to distribute NENT Group’s premium V channels for the first time • Partnership reflects NENT Group’s unique content offering and strategic focus on long-term distribution deals Nordic Entertainment Group (NENT Group), the Nordic region’s leading streaming company, has extended and expanded its distribution agreement with Swedish broadband and IPTV provider Bahnhof. NENT Group’s Viaplay streaming service will continue to be available to Bahnhof’s 350,000 customers in Sweden as an add-on subscription, and Viaplay’s TV & Movie package will now be included in Bahnhof’s top-tier TV offering, TV Stor. In addition, Bahnhof customers can add NENT Group’s premium V film and sports channels to their subscriptions for the first time, and the recently launched V Sport Extra channel will be included in the TV Stor package. NENT Group’s Swedish channels TV3, TV6, TV8 and TV10 will remain part of all Bahnhof’s TV packages. Kim Poder, NENT Group Chief Commercial Officer: “Our content offering is in a class of its own, and we are delighted to expand this relationship with Bahnhof, which is one of Sweden’s fastest growing operators. We have recently renewed our Swedish rights to the Premier League until 2028, we will be the home of FIS winter sports from 2021 and we continue to invest in Viaplay originals, the best Hollywood films and series, and high-quality kids content. We want Viaplay and our unique content to be as widely available as possible, and we are constantly exploring new ways to bring them to even more homes.” Jon Karlung, CEO, Bahnhof: “I am excited that we now have one of Sweden’s strongest entertainment offerings, thanks to our newly expanded agreement with NENT Group.” The partnership with Bahnhof reflects NENT Group’s strategic focus on long-term distribution deals that ensure the broad availability of its streaming services and TV channels across the Nordic region.
    [Show full text]
  • Nordic Drama
    NORDIC DRAMA PUBLIC SERVICE ORIGINALS A stronger Nordic public service drama collaboration The Nordic public service media companies DR, NRK, RUV, SVT and Yle have in recent years been renowned for outstanding Nordic drama productions. High quality drama with a clear local anchoring and strong public service ambitions has become one of our distinguishing trademarks. To ensure that strong, local drama remains a trademark of the Nordic public service broadcasters in a digital world, the Nordvision partners have decided to build a stronger public service drama portfolio. A strengthening that will increase both the volume of Nordic drama that each company have available on their “players” as well as the quality of the publishing right the partners secure for each other. A clear focus on drama that reflects a Nordic culture, reality and identity fits naturally with the public service mission, and it provides a genuine and recognizable promise to the users that sets Nordic public service apart from other content providers. The initiative is called “Nordic Twelve” (N12). What is N12? N12 – is a yearly package of 12 Nordic drama series with 12 month of rights in the Nordic region. In the following you can find all the N12 drama series: N12 - 2018, N12 - 2019, and some drama series from N12 - 2020. The Nordic partners also co-produce between 8 and 10 young adult drama series a year. For more information see www.nordvision.org 4 N12 2018 8 LIBERTY / DR 10 RIDE UPON THE STORM 2 / DR 12 HOME GROUND 1 / NRK 14 MANNERS / RUV 16 SISTERS 1968 / SVT 18 THE DAYS THE FLOWERS BLOOM / SVT 20 BONUS FAMILY 3 / SVT 22 BLIND DONNA / YLE 24 HOOKED 1 + 2 / YLE N12 2019 26 FOLLOW THE MONEY 3 / DR 28 DELIVER US / DR 30 TWIN / NRK 32 HOME GROUND 2 / NRK 34 EVERYTHING I DON´T REMEMBER / SVT 36 SWIPE RIGHT / SVT 38 INVISIBLE HEROES / YLE 40 THE PARADISE / YLE N12 2020 42 A FAMILY MATTER / DR 44 22.
    [Show full text]
  • European Public Service Broadcasting Online
    UNIVERSITY OF HELSINKI, COMMUNICATIONS RESEARCH CENTRE (CRC) European Public Service Broadcasting Online Services and Regulation JockumHildén,M.Soc.Sci. 30November2013 ThisstudyiscommissionedbytheFinnishBroadcastingCompanyǡYle.Theresearch wascarriedoutfromAugusttoNovember2013. Table of Contents PublicServiceBroadcasters.......................................................................................1 ListofAbbreviations.....................................................................................................3 Foreword..........................................................................................................................4 Executivesummary.......................................................................................................5 ͳIntroduction...............................................................................................................11 ʹPre-evaluationofnewservices.............................................................................15 2.1TheCommission’sexantetest...................................................................................16 2.2Legalbasisofthepublicvaluetest...........................................................................18 2.3Institutionalresponsibility.........................................................................................24 2.4Themarketimpactassessment.................................................................................31 2.5Thequestionofnewservices.....................................................................................36
    [Show full text]
  • BONNIER ANNUAL REPORT 2017 Table of Contents
    BONNIER ANNUAL REPORT 2017 Table of Contents Board of Directors’ Report 3 Consolidated Income Statements 12 Consolidated Statements of Comprehensive Income 12 Consolidated Statements of Financial Position 13 Consolidated Statements of Changes in Equity 15 Consolidated Statements of Cash Flow 16 Notes to the Consolidated Financial Statements 17 The Parent Company’s Income Statements 42 The Parent Company’s Statements of Comprehensive Income 42 The Parent Company’s Balance Sheets 43 The Parent Company’s Statements of Changes in Equity 44 The Parent Company’s Statements of Cash Flow 44 Notes to the Parent Company’s Financial Statements 45 Auditor’s Report 55 Multi-year Summary 57 Annual Report for the financial year January 1- December 31, 2017 The Board of Directors and the CEO of Bonnier AB, Corporate Registration No. 556508-3663, herewith submit the following annual report and consolidated financial statements on pages 3-54. Translation from the Swedish original BONNIER AB ANNUAL REPORT 2017 2 Board of Directors’ Report The Board of Directors and the CEO of Bonnier AB, corporate reg- Books includes the Group’s book businesses. It includes Bon- istration no. 556508-3663, herewith submit the annual report and nierförlagen, Adlibris, Pocket Shop, Bonnier Media Deutschland, consolidated financial statements for the 2017 financial year. Bonnier Publishing in England, Bonnier Books in Finland, Akateeminen (Academic Bookstore) in Finland, 50% in Cappelen The Group’s business area and Damm in Norway and BookBeat. 2017 was a year of contrasts, Bonnier is a media group with companies in TV, daily newspapers, where above all the German and Swedish publishers continued to business media, magazines, film production, books, e-commerce perform strongly, while physical retail had a challenging year.
    [Show full text]
  • Black Nights Stars Programme
    %ODFN 1RYHPEHU 1LJKWV ,QGXVWU\#7DOOLQQ %DOWLF(YHQW 6WDUV Black Nights Stars is designed to support young actors from ‘It was a tremendously gratifying experience to serve on the the Baltic Sea region, to make their next steps into the in- BLACK NIGHT STARS Jury to select stellar talent from the ternational arena by connecting them to key international Baltics. Though all unique, they share an amazing presence, film professionals, such as casting directors, casting agents, an unexpected force, mystery, soulful beauty, fierce inten- producers and the press and acquire various practical skills sity, intricate sensuality, and deepness which feels unique needed in their future international careers. to their countries and still universal in their sincerity. It is of great value to the film industry to discover these marvellous The five-day online event, highlights the emerging talent of and fresh artists who will shine, not just in their country, but eight young actors and actresses, all selected by an interna- internationally. To bring them to the film industry’s atten- tional jury of experts, based on their first feature films and TV tion so they can further enrich our experience as audiences roles. The program consists of masterclasses, workshops and and bring us closer together is a treasure’. networking events with international casting professionals from Europe and the USA and focuses on the future of cast- Lina Todd, Lina Todd Casting Agency, New York ing and auditioning online, presenting oneself at industry and media events, how to make your best Self Video and about ‘Black Nights Stars is a wonderful way to celebrate local Intimacy in Front of the Camera.
    [Show full text]
  • Kanalplan Laholm (HC561)
    C561000 150331 Kanalplan Laholm (HC561) SVT1 Sveriges Televisions huvudkanal, med ett utbud som omfattar allt från familjeunderhållning till debattprogram, barnprogram och kultur. Kanalplats 04. SVT2 Sveriges Televisions andra kanal, med ett utbud som omfattar allt från familjeunderhållning till debattprogram, barnprogram och kultur. Kanalplats 06. TV4 Den breda svenska underhållningskanalen med populära serier, filmer, sport, nyheter och dokumentärer. Kanalplats S10 E8. Barnkanalen SVT:s egna, reklamfria barnkanal varvar klassiska favoriter med nya produktioner. Kanalen fokuserar även på interaktivitet och barnens egen medverkan. Kanalplats S14. Kunskapskanalen SVTs kanal som sänder program inom ämnesområden som historia, natur, vetenskap, kultur, omvärld och språk. Kanalplats S16. SVT 24 Temakanal för sport och nyheter. Samhällsprogram och fördjupningar varvas med en mängd olika sporter. Kanalplats S14. TV 3 är kanalen som bjuder på underhållande program i form av film, serier, talkshows etc. Kanalplats E9. Kanal 5 är en av Sveriges största TV-kanaler och gör TV för moderna och aktiva människor, med inriktning på underhållning, serier, drama och film. Kanalplats 11. TV 6 är den nya breda underhållningskanalen. Kanalen är ett perfekt komplement till TV3 och ger dig bl a sport, actionfilmer, humor och realityserier. Kanalplats S19. Sjuan Sjuan är en bred kvinnlig kanal som bjuder på mängder av färgstark underhållning i form av realityserier, dramaserier, filmer och spänning. Kanalplats 12. Discovery Channel Unika produktioner om forskning, vetenskap, teknik, natur och historia. Kanalplats S18. MTV Europas mest populära musikkanal med intervjuer, livespelningar, hitlistor och mycket mer – dygnet runt! Kanalplats S15. TV 8 Svensk aktualitetskanal som blandar nyheter, inrikes- och utrikesmagasin och dokumentärer med filmer och underhållning. Kompletteras med börsinfo från Bloomberg, DiTV och nyheter från Deutsche Welle.
    [Show full text]
  • ANNUAL REPORT 2020 Table of Contents
    ANNUAL REPORT 2020 Table of Contents Board of Directors’ Report 3 Consolidated Income Statements 9 Consolidated Statements of Comprehensive Income 9 Consolidated Statements of Financial Position 10 Consolidated Statements of Changes in Equity 12 Consolidated Statements of Cash Flow 13 Notes to the Consolidated Financial Statements 14 The Parent Company’s Income Statements 43 The Parent Company’s Statements of Comprehensive Income 43 The Parent Company’s Balance Sheets 44 The Parent Company’s Statements of Changes in Equity 45 The Parent Company’s Statements of Cash Flow 45 Notes to the Parent Company’s Financial Statements 46 Auditor’s Report 56 Multi-year Summary 58 Translation from the Swedish original bonnier group ab annual report 2020 2 Board of Directors’ Report The Board of Directors and the CEO of Bonnier Group AB, corporate Development of the operations, financial position and registration no. 556576-7463, herewith submit the annual report profit or loss (Group) and consolidated financial statements for the 2020 financial year on pages 3-57. SEK million (unless stated otherwise) 2020 2019 Net sales 20,130 20,240 The Group’s business area and business model EBITA1) 945 -48 Bonnier Group AB is a parent company in a media group with Operating profit/loss 1,002 -140 companies in daily newspapers, business media, magazines, film Net financial items 1,096 -61 production, books, e-commerce and digital media and services. The Profit/loss before tax 2,098 -201 Group conducts operations in 12 countries with its base in the Nor- Profit/loss for the year 2,114 2,657 dic countries and operations in the United States, Germany, United EBITA margin 4.7% -0.2% Kingdom and Eastern Europe.
    [Show full text]
  • Media Industries You Will Need to Consider
    Media Studies - TV Student Notes Media Industries You will need to consider: • Processes of production, distribution and circulation by organisations, groups and individuals in a global context. • The specialised and institutionalised nature of media production, distribution and circulation. • The significance of patterns of ownership and control including conglomerate ownership, vertical integration and diversification. • The significance of economic factors, including commercial and not-for-profit public funding, to media industries and their products. • How media organisations maintain, including through marketing, varieties of audiences nationally and globally. • The regulatory framework of contemporary media in the UK. • How processes of production, distribution and circulation shape media products. • The role of regulation in global production, distribution and circulation. • Regulation (including Livingstone and Lunt) at A level. • Cultural industries (including Hesmondhalgh) at A Level. No Burqas Behind Bars This should be linked where relevant to • Social, • Cultural, • Economic, • Political and • Historical contexts. • The significance of different ownership and/or funding models in the television industry (i.e. whether media companies are privately or publicly owned, whether they are publicly or commercially funded etc.) • The growing importance of co-productions (including international co-productions) in the television industry today Media Studies - TV 1 Media Studies - TV Student Notes • The way in which production values
    [Show full text]
  • Public Service Broadcasting As an Object for Cultural Policy in Norway and Sweden a Policy Tool and an End in Itself
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Göteborgs universitets publikationer - e-publicering och e-arkiv Nordicom Review 32 (2011) 2, pp. 35-47 Public Service Broadcasting as an Object for Cultural Policy in Norway and Sweden A Policy Tool and an End in Itself Håkon Larsen Abstract The future of public service broadcasting (PSB), and its role for democracy and culture in an age of globalization and digitalization, is a disputed issue among communication scholars, journalists, the general public and politicians. The PSB institutions are dependent on politi- cal support for their survival, and they have to live up to cultural policy obligations. The focus of this analysis is on the rhetoric employed in the white papers on PSB and overall cultural policy, produced between 2005 and 2007 in Norway and Sweden. The analysis shows that both countries emphasize the need to secure an inclusive public sphere, a vivid democracy and a national culture. The rhetoric differs in the sense that the Norwegian focus is on PSB as a tool for achieving cultural policy goals, while the Swedish focus is more on why the idea of PSB is important in itself. Keywords: public service broadcasting, cultural policy, media policy, cultural repertoire, Norway, Sweden Introduction Public service broadcasters have traditionally been strong media institutions in Scandi- navia. Today, the institutions are struggling to maintain their centrality and importance, as a result of the ongoing technological and economical development within the media landscape. The future of public service broadcasting (PSB) is a debated issue among scholars, politicians, journalists and the general public – “The new context of PSB has serious consequences for every aspect of its operations: for its mission, programming, organization and funding” (Bardoel and l’Haenens 2008: 342).
    [Show full text]
  • Håkan Nesser’S Van Veeteren Books, DOG‐ Series PresentaOn
    SPRING 2019 RIGHTS GUIDE BONNIER RIGHTS SWEDEN Fiction and Narrative Non-Fiction Highlighted Ficon Tina Frennstedt Taken Book #1 in the Cold Case Sweden series Cold Case Sweden brings together the best of Scandinavian TV producons The Bridge and The Killing in a crime series wrien by cold case expert Tina Frennstedt Sixteen years ago, a 19‐year old disappears in the middle of summer in southern Sweden. The case is never solved, and the girl remains missing. Now, a killer aacking women in their own homes is terrorising Malmö, and evidence points the invesgaon to a long sought‐aer Danish mur‐ derer and rapist, the Valby Killer. Celebrated Danish criminal profiler and expert on the Valby Killer, Carsten Morris, becomes part of the Swedish invesgaon. In a wholly unexpected turn of events, another link is made: fingerprints from the Malmö crime scene trace back to the cold case of the missing teenager from 2002. Can the two be linked? Detecve Inspector and Head of Sweden’s Cold Case Group, Tess Hjalmarsson, is now in charge of the invesgaon. She’s driven, bordering on obsessive, to solve cases long aer the original invesga‐ on has ended. With her hot‐headed and feisty partner Marie Erling, she is determined to solve both cases, before the killer strikes again. Using her experience from more than 25 years as a crime reporter, Tina Frennstedt draws inspiraon from criminal cases she has reported on, bringing a rare and refreshing authencity to her wring. Introducing the Cold Case Sweden series, TAKEN takes place in southern Sweden, in and around Malmö, the seng of some of the most Rights sold celebrated Swedish book and TV series.
    [Show full text]
  • Filmfestival
    BUFF’s international catalogue is produced THE TEAM BEHIND CONTACT by BUFF Filmfestival. BUFF FILM FESTIVAL 2017: E-MAIL: info@buff .se PUBLISHER: Julia Jarl Katarina Bäck, researcher CREARTE PHONE: 040-302 505 EDITOR: Torun Spånberg Slettan Khaeta Chittick, communication BOARD: Rolf Isaksson (chairperson), coordinator CONTRIBUTORS: Khaeta Chittick, Mikael Mattesson, Jens Lanestrand, Pernilla Deborah Fusaro, Anna Håkansson, Julia Jarl, Deborah Fusaro, guest coordinator Röjner and Patrik Wiberg. Tim Kronström, Måns Leonartsson, Amanda Lindblad, Lina Linde, Fanny Loeb, Julia Jarl, festival director Daniel Lundquist, Tony Martelius Ågren, Måns Leonartsson, communicator and Chris Munsey, Clara Noreen and volunteer coordinator Torun Spånberg Slettan Lina Linde, project manager BUFFilusk PHOTO CONTRIBUTIONS: Håkan Nordman, Khaeta Chittick, Fanny Loeb, communicator Martina Hoogland Ivanow, Julia Clack. Daniel Lundquist, program manager TRANSLATION: Chris Munsey Torun Spånberg Slettan, festival producer PROOFREADING: Eva Bengtsson GRAPHIC DESIGN: Kolossal.se CONTENT INTRODUCTION SEMINARS FESTIVAL MAP & TICKET SALES 4 INTERNATIONAL DAY FOR THE ELIMINATION 47 OF RACIAL DISCRIMINATION PRICES & GOOD TO KNOW 5 THEME IMPACT · YOUNG PEOPLE’S INFLUENCE 48 WELCOME TO BUFF 2017 6 THEME IMPACT · WHOSE REALITY? 49 HIGHLIGHTS 8 THEME IMPACT · #SOFFAN: A BETTER WORLD 50 BUFF IN SWEDEN 2016 9 A DAY FOR FILM IN EDUCATION 51 PROJECTS AND COLLABORATIONS 10 WORK IN PROGRESS 52 FESTIVAL PROGRAMME CULTURAL EXPRESSION ON YOUNG PEOPLE’S TERMS 54 FAMILY SATURDAY 25 MARCH
    [Show full text]
  • Film Education (Levan Koghuashvili, Maia Gugunava, Tato Kotetishvili) 139 1001 Ingredients for Making Films from Nana Jorjadze 146
    ~ editors letter ~ The year of 2015 started with our becoming members of the Creative Europe, while by the end of the year, with the purpose of supporting the cinema industry, Geor- gian government introduced a cash rebate system, we have been working on since 2009. I believe both of these initiatives will make a huge contribution to the develop- ment of our industry. 1 In 2016, movies of different genres will be released. It is notable that three feature films among those are directed by women. Projects we are currently working on are very important. We have announced new types of competitions on script development, including comedy and children’s movies, adaptation of Georgian prose of the 21st century, scripts dedicated to the 100th anniver- sary of Georgia’s independence, and animation. Winners are given long- term work- shops by European script doctors, so 2016 will be dedicated to the script development. The young generation has become active in the field: we had premieres of six short films and a short film by Data Pirtskhalava “Father” was the winner of the main prize in this category at Locarno International Film Festival. Other films – “Ogasavara”, “Fa- ther”, “Exit”, “Preparation”, “The First Day” – are also participating at different festivals. Masters of Georgian cinema are also making films side-by-side with the young genera- tion. I have to mention a film by Rezo Esadze “Day as a Month” with its extraordinary nar- rative structure and visualaspect, which will take its noteworthy place in our film collection. One of the most important goals this year will be to return Georgian cinema heritage from archives in Moscow and design a suitable storage facility for it.
    [Show full text]