The Habsburg Monarchy's Many-Languaged Soul. Translating
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BULGARIA and HUNGARY in the FIRST WORLD WAR: a VIEW from the 21ST CENTURY 21St -Century Studies in Humanities
BULGARIA AND HUNGARY IN THE FIRST WORLD WAR: A VIEW FROM THE 21ST CENTURY 21st -Century Studies in Humanities Editor: Pál Fodor Research Centre for the Humanities Budapest–Sofia, 2020 BULGARIA AND HUNGARY IN THE FIRST WORLD WAR: A VIEW FROM THE 21ST CENTURY Editors GÁBOR DEMETER CSABA KATONA PENKA PEYKOVSKA Research Centre for the Humanities Budapest–Sofia, 2020 Technical editor: Judit Lakatos Language editor: David Robert Evans Translated by: Jason Vincz, Bálint Radó, Péter Szőnyi, and Gábor Demeter Lectored by László Bíró (HAS RCH, senior research fellow) The volume was supported by theBulgarian–Hungarian History Commission and realized within the framework of the project entitled “Peripheries of Empires and Nation States in the 17th–20th Century Central and Southeast Europe. Power, Institutions, Society, Adaptation”. Supported by the Hungarian Academy of Sciences NKFI-EPR K 113004, East-Central European Nationalisms During the First World War NKFI FK 128 978 Knowledge, Lanscape, Nation and Empire ISBN: 978-963-416-198-1 (Institute of History – Research Center for the Humanities) ISBN: 978-954-2903-36-9 (Institute for Historical Studies – BAS) HU ISSN 2630-8827 Cover: “A Momentary View of Europe”. German caricature propaganda map, 1915. Published by the Research Centre for the Humanities Responsible editor: Pál Fodor Prepress preparation: Institute of History, RCH, Research Assistance Team Leader: Éva Kovács Cover design: Bence Marafkó Page layout: Bence Marafkó Printed in Hungary by Prime Rate Kft., Budapest CONTENTS INTRODUCTION .................................... 9 Zoltán Oszkár Szőts and Gábor Demeter THE CAUSES OF THE OUTBREAK OF WORLD WAR I AND THEIR REPRESENTATION IN SERBIAN HISTORIOGRAPHY .................................. 25 Krisztián Csaplár-Degovics ISTVÁN TISZA’S POLICY TOWARDS THE GERMAN ALLIANCE AND AGAINST GERMAN INFLUENCE IN THE YEARS OF THE GREAT WAR................................ -
Translation and Geopolitical Relations SECTION I: VENUTI References Bennett, Paul
Translation and Geopolitical Relations SECTION I: VENUTI References Bennett, Paul (1999) Review of The Scandals of Translation by Lawrence Venuti, The Translator 5(1): 127-134. Boyden, Michael (2006) „Language Politics, Translation, and American Literary History‟, Target 18(1): 121-137. Lane-Mercier, Gillian (1997) „Translating the Untranslatable: The Translator‟s Aesthetic, Ideological and Political Responsibility‟, Target 9(1): 43-68. Pym, Anthony (1996) „Venuti‟s Visibility‟, Target 8(2): 165-177. Tymoczko, Maria (2000) „Translation and Political Engagement: Activism, Social Change and the Role of Translation in Geopolitical Shifts‟, The Translator 6(1): 23-47. Venuti, Lawrence (1990) „Genealogies of Translation Theory: Schleiermacher‟, TTR 4(2): 125-150. Venuti, Lawrence (ed.) (1992) Rethinking Translation. Discourse, Subjectivity, Ideology, London & New York: Routledge. Venuti, Lawrence (1993/2010) „Translation as Cultural Politics: Regimes of Domestication in English‟, Textual Practice 7: 208-23; reprinted in Mona Baker (ed.) Critical Readings in Translation Studies, London & New York: Routledge, 65-79. Venuti, Lawrence (1995a) The Translator’s Invisibility, London & New York: Routledge. Venuti, Lawrence (1995b) „Translation, Authorship, Copyright‟, The Translator 1(1): 1-24. Venuti, Lawrence (1998a) „Strategies of Translation‟, in Mona Baker (ed.) Routledge Encyclopedia of Translation Studies, London: Routledge, first edition. Venuti, Lawrence (1998b) The Scandals of Translation. Towards an Ethics of Difference, London & New York: Routledge. Venuti, Lawrence (ed) (1998c) Translation and Minority. Special issue of The Translator 4(2). Venuti, Lawrence (2000) „Translation, Community, Utopia‟, in Lawrence Venuti (ed.) The Translation Studies Reader, London & New York: Routledge, 468-488. Venuti is concerned that translation is a means by which Anglo-American society (a) imposes its cultural values on a vast foreign readership, and (b) ensures that its culture at home remains aggressively monolingual. -
A Comparison Between the Translation Dichotomies Suggested by Juliane House and Lawrence Venuti
Journal of Practical Studies in Education ISSN: 2634-4629 www.jpse.gta.org.uk A Comparison between the Translation Dichotomies Suggested by Juliane House and Lawrence Venuti Seyyed Yahya Barkhordar (Corresponding author) Allameh Tabataba’i University, Iran Email: [email protected] Reza Fatemi Imam Reza International University, Iran Received: 20/08/2020 Accepted: 07/10/2020 Published: 01/11/2020 Volume: 1 Issue: 2 How to cite this paper: Barkhordar, S. Y. & Fatemi, R. (2020). A Comparison between the Translation Dichotomies Suggested by Juliane House and Lawrence Venuti. Journal of Practical Studies in Education, 1(2), 9-15 DOI: https://doi.org/10.46809/jpse.v1i2.13 Copyright © 2020 by author(s) and Global Talent Academy Ltd. This work is licensed under the Creative Commons Attribution International License (CC BY 4.0). http://creativecommons.org/licenses/by/4.0/ Abstract Juliane House has split translation into “overt” and “covert” types. Translation has been classified by Lawrence Venuti into “domestication” and “foreignization”. This research attempted to compare the translation typologies rendered by House and Venuti. House’ and Venuti’s translation typologies are similar in 8 points and differ in 4 ones. Overt translation corresponds to foreignization and covert translation to domestication. Dichotomy is neither superior nor inferior to the others. Keywords: Overt Translation, Covert Translation, Foreignization, Domestication, Cultural Filter, Translator’s Invisibility 1. Introduction Communication is a complex and dynamic process. It has a message sender and a message receiver. The former encodes the meaning into a form that the latter recognizes. The receiver decodes the form back into meaningful messages. -
Conrad Von Hötzendorf and the “Smoking Gun”: a Biographical Examination of Responsibility and Traditions of Violence Against Civilians in the Habsburg Army 55
1914: Austria-Hungary, the Origins, and the First Year of World War I Günter Bischof, Ferdinand Karlhofer (Eds.) Samuel R. Williamson, Jr. (Guest Editor) CONTEMPORARY AUSTRIAN STUDIES | VOLUME 23 uno press innsbruck university press Copyright © 2014 by University of New Orleans Press, New Orleans, Louisiana, USA All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced or transmitted in any form, or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without prior permission in writing from the publisher. All inquiries should be addressed to UNO Press, University of New Orleans, LA 138, 2000 Lakeshore Drive. New Orleans, LA, 70119, USA. www.unopress.org. Printed in the United States of America Design by Allison Reu Cover photo: “In enemy position on the Piave levy” (Italy), June 18, 1918 WK1/ALB079/23142, Photo Kriegsvermessung 5, K.u.k. Kriegspressequartier, Lichtbildstelle Vienna Cover photo used with permission from the Austrian National Library – Picture Archives and Graphics Department, Vienna Published in the United States by Published and distributed in Europe University of New Orleans Press by Innsbruck University Press ISBN: 9781608010264 ISBN: 9783902936356 uno press Contemporary Austrian Studies Sponsored by the University of New Orleans and Universität Innsbruck Editors Günter Bischof, CenterAustria, University of New Orleans Ferdinand Karlhofer, Universität Innsbruck Assistant Editor Markus Habermann -
Venuti, “Translation and Pedagogy,”
327 TRANSLATION AND THE PEDAGOGY OF LITERATURE Lawrence Venuti he reflections that follow derive fundamentally from the current predicament of English-language translation in the global cultural economy. English remains the most translated language worldwide, but one of the least trans lated into. The translations issued by British and American publishers com Iprise about 2 percent of their total output each year, approximately 1200 to 1400 books, whereas in many foreign countries, large and small, west and east, the per centage tends to be significantly higher: 6 percent in Japan approximately 2500 books, 10 percent in France 4000, 14 percent in Hungary 1200, 15 percent in Germany 8000, 25 percent in Italy 3000 Grannis 1993. This asymmetry in translation patterns ensures that the United States and the United Kingdom enjoy a hegemony over foreign countries that is not simply political and economic, as the particular case may be, but cultural as well. The international sway of English, furthennore, coincides with the marginality of translation in contemporary Anglo-American culture. Although British and Amer ican literature circulates in many foreign languages, commanding the capital of many foreign publishers, the translating of foreign literatures into English attractsrelatively little investment and notice. Translation is underpaid, critically unrecognized, and largely invisible to English-language readers. The power of Anglo-American culture abroad has limited the circulation of foreign cultures at home, decreasing the domes tic oppommities for thinking about the nature of linguistic and cultural difference. Of course, no language can entirely exclude the possibility of different dialects and discourses, different cultural codes and constituencies. -
The Retranslation Phenomenon
The Retranslation Phenomenon A Sociological Approach to the English Translations of Dickens’ Great Expectations into Arabic Shatha Abdullah Abdulrahman Al-Shaye Submitted in accordance with the requirements for the degree of PhD Centre for Translation Studies (CenTraS) University College London July 2018 The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. Contents Contents ......................................................................................................................... i Figures .......................................................................................................................... ix Tables ............................................................................................................................ xi Abstract and keywords ............................................................................................. xiii Declaration ................................................................................................................. xvi Acknowledgements ................................................................................................. xviii Abbreviations .............................................................................................................. xx 1 Introduction ......................................................................................................... -
Hermann Cohen's History and Philosophy of Science"
"Hermann Cohen's History and Philosophy of Science" Lydia Patton Department of Philosophy McGill University, Montreal October, 2004 A thesis submitted to McGill University in partial fulfilment of the requirements of the degree ofPh.D. © Lydia Patton 2004 Library and Bibliothèque et 1+1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A ON4 Ottawa ON K1A ON4 Canada Canada Your file Votre référence ISBN: 0-494-06335-1 Our file Notre référence ISBN: 0-494-06335-1 NOTICE: AVIS: The author has granted a non L'auteur a accordé une licence non exclusive exclusive license allowing Library permettant à la Bibliothèque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l'Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans loan, distribute and sell th es es le monde, à des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, électronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in et des droits moraux qui protège cette thèse. this thesis. Neither the thesis Ni la thèse ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent être imprimés ou autrement may be printed or otherwise reproduits sans son autorisation. -
Songfest 2008 Book of Words
A Book of Words Created and edited by David TriPPett SongFest 2008 A Book of Words The SongFest Book of Words , a visionary Project of Graham Johnson, will be inaugurated by SongFest in 2008. The Book will be both a handy resource for all those attending the master classes as well as a handsome memento of the summer's work. The texts of the songs Performed in classes and concerts, including those in English, will be Printed in the Book . Translations will be Provided for those not in English. Thumbnail sketches of Poets and translations for the Echoes of Musto in Lieder, Mélodie and English Song classes, comPiled and written by David TriPPett will enhance the Book . With this anthology of Poems, ParticiPants can gain so much more in listening to their colleagues and sharing mutually in the insights and interPretative ideas of the grouP. There will be no need for either ParticiPating singers or members of the audience to remain uninformed concerning what the songs are about. All attendees of the classes and concerts will have a significantly greater educational and musical exPerience by having word-by-word details of the texts at their fingertiPs. It is an exciting Project to begin building a comPrehensive database of SongFest song texts. SPecific rePertoire to be included will be chosen by Graham Johnson together with other faculty, and with regard to choices by the Performing fellows of SongFest 2008. All 2008 Performers’ names will be included in the Book . SongFest Book of Words devised by Graham Johnson Poet biograPhies by David TriPPett Programs researched and edited by John Steele Ritter SongFest 2008 Table of Contents Songfest 2008 Concerts . -
The Unique Cultural & Innnovative Twelfty 1820
Chekhov reading The Seagull to the Moscow Art Theatre Group, Stanislavski, Olga Knipper THE UNIQUE CULTURAL & INNNOVATIVE TWELFTY 1820-1939, by JACQUES CORY 2 TABLE OF CONTENTS No. of Page INSPIRATION 5 INTRODUCTION 6 THE METHODOLOGY OF THE BOOK 8 CULTURE IN EUROPEAN LANGUAGES IN THE “CENTURY”/TWELFTY 1820-1939 14 LITERATURE 16 NOBEL PRIZES IN LITERATURE 16 CORY'S LIST OF BEST AUTHORS IN 1820-1939, WITH COMMENTS AND LISTS OF BOOKS 37 CORY'S LIST OF BEST AUTHORS IN TWELFTY 1820-1939 39 THE 3 MOST SIGNIFICANT LITERATURES – FRENCH, ENGLISH, GERMAN 39 THE 3 MORE SIGNIFICANT LITERATURES – SPANISH, RUSSIAN, ITALIAN 46 THE 10 SIGNIFICANT LITERATURES – PORTUGUESE, BRAZILIAN, DUTCH, CZECH, GREEK, POLISH, SWEDISH, NORWEGIAN, DANISH, FINNISH 50 12 OTHER EUROPEAN LITERATURES – ROMANIAN, TURKISH, HUNGARIAN, SERBIAN, CROATIAN, UKRAINIAN (20 EACH), AND IRISH GAELIC, BULGARIAN, ALBANIAN, ARMENIAN, GEORGIAN, LITHUANIAN (10 EACH) 56 TOTAL OF NOS. OF AUTHORS IN EUROPEAN LANGUAGES BY CLUSTERS 59 JEWISH LANGUAGES LITERATURES 60 LITERATURES IN NON-EUROPEAN LANGUAGES 74 CORY'S LIST OF THE BEST BOOKS IN LITERATURE IN 1860-1899 78 3 SURVEY ON THE MOST/MORE/SIGNIFICANT LITERATURE/ART/MUSIC IN THE ROMANTICISM/REALISM/MODERNISM ERAS 113 ROMANTICISM IN LITERATURE, ART AND MUSIC 113 Analysis of the Results of the Romantic Era 125 REALISM IN LITERATURE, ART AND MUSIC 128 Analysis of the Results of the Realism/Naturalism Era 150 MODERNISM IN LITERATURE, ART AND MUSIC 153 Analysis of the Results of the Modernism Era 168 Analysis of the Results of the Total Period of 1820-1939 -
How Comp Lit Continues to Suppress Translated Texts Lawrence Venuti
boundary 2 Hijacking Translation: How Comp Lit Continues to Suppress Translated Texts Lawrence Venuti Uneven Developments Academia is slow to change. The snag, as Pierre Bourdieu observed, is resistance to new ideas, which favors those that currently enjoy authority in a particular field.1 Academics harbor an anti- intellectualism, ironically, bred by the splintering of intellectual labor into so many institutional com- partments. To specialize, however productive the yield in quantity and depth of knowledge, is to clap on a set of blinders. Take the field of comparative literature. It originated in late nineteenth- century Europe, and from the mid- 1950s onward it was firmly established in the United States, housed in departments and programs at many academic This essay began as a comment on the panel “Debating World Literature” at the Institute for World Literature at Harvard University, June 28, 2013. I would like to thank the director, David Damrosch, for the opportunity to speak there. My thanks also to Karen Van Dyck, Brent Hayes Edwards, Trevor Margraf, and Peter Connor for helpful responses to later drafts. Sally Mitchell led me to useful data on Victorian housing. Susan Bernofsky provided information about the activities of the Occupy Wall Street Translation Working Group. 1. Pierre Bourdieu, Homo Academicus, trans. Peter Collier (Stanford, CA: Stanford Uni- versity Press, 1988), 94–95. boundary 2 43:2 (2016) DOI 10.1215/01903659- 3469952 © 2016 by Duke University Press Published by Duke University Press boundary 2 180 boundary 2 / May 2016 institutions. By 1975, a total of 150 schools offered degrees or concentra- tions at both the undergraduate and graduate levels; currently, that figure stands at 187.2 Despite this remarkable growth, comparatists took more than a century to recognize that the field was grounded on fundamentally Eurocentric and nationalist assumptions. -
Bibliographic Essay for Alex Ross's Wagnerism: Art and Politics in The
Bibliographic Essay for Alex Ross’s Wagnerism: Art and Politics in the Shadow of Music The notes in the printed text of Wagnerism give sources for material quoted in the book and cite the important primary and secondary literature on which I drew. From those notes, I have assembled an alphabetized bibliography of works cited. However, my reading and research went well beyond the literature catalogued in the notes, and in the following essay I hope to give as complete an accounting of my research as I can manage. Perhaps the document will be of use to scholars doing further work on the phenomenon of Wagnerism. As I indicate in my introduction and acknowledgments, I am tremendously grateful to those who have gone before me; a not inconsiderable number of them volunteered personal assistance as I worked. Wagner has been the subject of thousands of books—although the often-quoted claim that more has been written about him than anyone except Christ or Napoleon is one of many indestructible Wagner myths. (Barry Millington, long established one of the leading Wagner commentators in English, disposes of it briskly in an essay on “Myths and Legends” in his Wagner Compendium, published by Schirmer in 1992.) Nonetheless, the literature is vast, and since Wagner himself is not the central focus of my book I won’t attempt any sort of broad survey here. I will, however, indicate the major works that guided me in assembling the piecemeal portrait of Wagner that emerges in my book. The most extensive biography, though by no means the most trustworthy, is the six- volume, thirty-one-hundred-page life by the Wagner idolater Carl Friedrich Glasenapp (Breitkopf und Härtel, 1894–1911). -
Unterhã¤Ndler Auslã¤Ndischer Dichter╌
pen Zeitschrift für Germanistik | Neue Folge XXIX (2019), Peter Lang, Bern | H. 2, S. 304–327 HÉCTOR CANAL „Unterhändler ausländischer Dichter“. Johann Diederich Gries’ Calderón-Übersetzungen I. Der Übersetzer Gries. Im Gegensatz zu anderen berühmten zeitgenössischen Übersetzern, wie August Wilhelm Schlegel oder Johann Heinrich Voß, machte Johann Diederich Gries (1775–1842) das Übersetzen zum (fast) ausschließlichen Gegenstand seines literarischen Schaffens. Sein Verzicht auf übersetzungstheoretische Ansprüche und sein spärlicher Um- gang mit Paratexten zu seinen Übersetzungen trugen trotz strenger und fundierter Kriterien sowie eines ausgesprochenen Sprachtalents zur stiefmütterlichen Behandlung Gries’ in der literaturwissenschaftlichen Forschung bei.1 Seine dichterische Produktion mit einem Übergewicht von Gelegenheitsgedichten, die, im Gegensatz etwa zu Friedrich und A. W. Schlegels Dichtungen,2 keine selbstreflexiven und avantgardistischen Ansprüche erhoben, stieß ebenfalls auf wenig Resonanz in der Forschung. Von seinen Zeitgenossen durchweg anerkannt, in seinen Anfängen von Wieland, Schiller oder A. W. Schlegel gefördert, später von Goethe gelobt,3 war Gries einer der wichtigsten Vermittler romanischer Literaturen und insbesondere des italienischen Epos im deutschsprachigen Raum. Seinen Ruf verdankte er zunächst den Übertragungen von Tasso4 und Ariosto5, die wiederaufgelegt (und nach- gedruckt!) wurden und zu kanonischen Versionen avancierten. Außerdem übersetzte er Fortiguerri6 und Boiardo7. Neben den italienischen Epen widmete sich Gries dem spanischen Theater. Seine Calderón-Übersetzungen,8 die sich im Lesekanon etablierten und bis ins 20. Jahrhundert abgedruckt wurden und als Vorlage für Theaterbearbeitungen dienten, stehen im Mittel- punkt dieses Beitrags. Er ist als archivalische Spurensuche durch den verstreuten Nachlass konzipiert, die Gries’ Netzwerke sichtbar werden lässt, und konzentriert sich aus Platz- und Zeitgründen auf die beiden ersten Stücke: Die Große Zenobia und Das Leben ein Traum.