Page 10 — Trucker Imprint ENTERTAINMENT Wednesday, April 17, 2019

Total Page:16

File Type:pdf, Size:1020Kb

Page 10 — Trucker Imprint ENTERTAINMENT Wednesday, April 17, 2019 NORWALK HIGH SCHOOL TRUCKER IMPRINT Volume 17, No. 5 350 Shady Lane Drive, Norwalk, OH Wednesday, April 17, 2019 NHS artists to state By Brenna Mock Ward’s winning project was a Ward’s favorite artist is junior ceramic piece called Lemon Dylan Castle. Two Norwalk High School Lime Surprise. “I’ve never seen such talent students won at the Ohio Gover- “I felt happy when I found and such a good personality nor’s Youth Art Exhibition: the out,” she said. “I never thought wrapped up in one person,” she first state winners from NHS I’d do something like that.” said. since 2016. The piece took about two Montana’s winning piece was Seniors Petra Montana and weeks and was made out of white called Neo Nineteenth Century. Sophia Ward will have their art clay and glaze. The piece was made out of featured in the exhibition in Co- “I love that art is something I acrylic paint and a canvas. lumbus. can make from my own mind,” Montana has been a lover of Regional judging took place Ward said. “There were often art since she can remember. on March 2 and state judging rubrics and criteria but in the end “It felt very satisfying win- took place on March 9 at Hilliard it’s all about what your personali- ning,” she said. “I’ve been work- Davidson High School. ty is like to make the piece really ing [to win] for three years.” Artwork by 11,500 students work.” Montana said it took a month from 1,112 schools was submit- Ward said she has loved art to create her winning project. ted. From there it was narrowed since kindergarten. “I am so proud of her. She has down to 2,500 students at the “I can remember loving to worked very hard in all of her art regional judging. Three hundred draw and color since about kin- classes all four years,” art teacher Submitted photos students’ art pieces were chosen dergarten and how excited I Rachel Hipp said. “It’s only fit- Neo Nineteenth Century (above) was to be a part of the exhibit at the would be when we got clay in art ting that she has one of the best made by Petra Montana. Lemon Lime final stage, including Montana class.” 300 pieces in the state of Ohio.” Surprise (below) was made by Sophia and Ward. Ward said she does not plan Montana created the painting Ward. NHS submitted 33 pieces of to continue art as a career, but in Hipp’s painting class. art from 22 students. Regional plans to keep doing it as a hobby. She said she plans to continue winners were sophomores Sevan- “The winning piece that So- art as an art therapist and sees na Keegan, Kara Mosser, Tracy phia entered showed great control herself treating patients with art. Silcox and Nancy Sommers; jun- of clay as a medium and her at- “My favorite part about art is iors Dylan Castle, Devin tention to detail and craftsman- seeing something in my head Dellinger, Bree McGlaston, An- ship really helped to make the come to life through a medium,” gela Olivarez-Ramirez and Cale piece stand out in judging. She Montana said. Ours; and seniors Leonela Esco- has always had great control of “I get goosebumps thinking bar, Abby Marchione, Alyssa 3D art and is creative in her de- about it,” Hipp said about the Walsh, Montana and Ward. sign and color choices,” art winning pieces. For a picture of the regional teacher Tracy VanBuskirk said. The exhibit opens April 22 at winners, see page 3. Ward created the project in the James A. Rhodes State Office VanBuskirk’s ceramics class. Tower and closes May 16. Norwalk’s newest sensation By Olivia Schaffer ticipated in a He got in- “My situation could easily be TED confer- vited to replaced with someone else,” Lin- Recently, you may have been ence. He speak to denberger said. seeing a familiar face on the added that Congress by He added that the best part of news. Senior Ethan Lindenberger his favorite Tennessee his experience has been than he has been making headlines as his interview Senator La- did not do much to get to where story becomes more popular. was with an mar Alex- he is. As a result of his story and In November, Lindenberger Australian ander’s of- more debate about vaccinations, took to Reddit to get advice after radio station. fice. He Facebook has changed their poli- making the decision to get vac- Traveling said that he cy regarding anti-vaccination cinated after he turned 18. Lin- to Washing- was asked posts and information by making denberger said that at first, his ton, D.C., to over Face- it more difficult to find false in- story did not blow up. After a testify in book and formation pertaining to vaccina- small science magazine picked up front of Photo from Twitter.com was given a tions. his story, things began to snow- Congress Senior Ethan Lindenberger testifies in week no- Lindenberger’s future plans front of Congress. ball. interfered tice. are to become a pastor. He will Lindenberger said he has done with school, After much attend Calvary Chapel Bible Col- close to 200 interviews and has Lindenberger said. He added that preparation and stress, Lindenberger lege next year and will continue been featured on news outlets his grades have not gone down gave his testimony to Congress. He to spread his story. He said he such as BBC, MSNBC, The but it was difficult to catch up will travel to at least four different may also go to law school and Washington Post, USA Today, and he would not recommend states in the next couple months for become involved in politics, Fox and CNN. He had also testi- missing a week of school. interviews, speeches and meetings. eventually running for the House fied in front of Congress and par- of Representatives. TLC and students dance for the kids By Mascie Horner room to the event this year, which was also a big hit. Teen Leadership Corps (TLC) hosted the After the night was complete, NHS raised ap- fifth annual Dance Marathon at Norwalk proximately $7,000 for the Children’s Miracle Net- High School on March 30. work. The event started at 8 p.m. and ran until Senior TLC member Jalyn Moore said the night 6 the following morning. Students enjoyed was very successful. competitive games as they stood “for the “Everyone was very pleased with the amount of kids” as the night went on. support we got throughout the night. A lot of peo- Activities at Dance Marathon included ple came and it was both fun and successful,” she basketball, quidditch, car smash, volleyball said. and dodgeball. Over the past five years, TLC’s Dance Mara- Juniors Ben Penrose and Quinn Jaworski thon has been able to raise more than $45,000 for and senior Anna Little added an escape the Children’s Miracle Network. Submitted photo Juniors (front from left) Grace Albright, Allison Fry, (back from left) Gabe Hainline, Brianna McGlaston, Tyler Hall, Claire Kelley and Colin Bement stop to pose for a picture at Dance Marathon. Issue of the Issue E sports are coming Successful winter seasons Why do students Next school year, Winter sports form cliques? Does E sports are had successful NHS have them? coming to seasons. Read Read up on our Issue Norwalk High up on news of the Issue: cliques School. Read about about state on on page 3. them on page 7. pages 12-13. Page 2 — Trucker Imprint OUR VOICES Wednesday, April 17, 2019 Staff Editorial Students stick to making cliques Every high school has cliques, or groups of peo- ing. Some students think being in a clique gives ple who stick together and exclude others who are them a higher status. different. People should see each other as equal, but be- Why do high schools have cliques and why do cause somebody appears different, people just as- we, as students, separate ourselves into groups? sume they are in a specific clique that they may see Students’ minds assign people to different groups as unequal or lower. based on judgment. Students often see certain groups Being a part of several cliques is a good thing: it differently because other groups do things different- can show a person that not all people are different. ly than the group they consider themselves to be a Nobody ever thinks about how alike everyone is part of. and how we are all in the same boat here as high This is called stereotyping and it is part of defin- school students. ing a clique. Students should be more willing to let others into Cliques give students a sense of belonging. their clique and give another group a shot. Some students want the feeling of being popular, Students: try to talk to people you normally and trying to be in a clique can give them that feel- wouldn’t. You may end up with a best friend you never knew you would have. For stories about cliques, see pages 4 and 5... Recycling: How long does it last? By Madisyn Alt I am all for getting rid of plastic straws and saving the ocean life, but what about the number of trees being used for unnecessary amounts of Recycling has become more paper? Since I was a freshman, I remember always thinking “Why does popular as the years go by, which will the recycling seem to end so early in the year? That is when students get make any nature lover happy.
Recommended publications
  • 'Tommy Wiseau's '
    MEDIA ALERT – January 16, 2018 Due to Overwhelming Fan Demand, Encore of ‘Tommy Wiseau’s ‘The Room’’ Comes to Cinemas for One More Night on January 19 WHAT: Referred to as "the ‘Citizen Kane’ of bad movies," “The Room” has received a remarkable resurgence due to the popularity of James Franco’s “The Disaster Artist” and Tommy Wiseau’s recent appearance on The Golden Globes. On January 10, fans came out in droves as Wiseau’s opus hit more than 500 big screens across the nation with “Tommy Wiseau’s ‘The Room.’” Due to overwhelming demand, an encore screening has been set for Friday, January 19, 2018. In addition to the full-length feature, moviegoers will enjoy a special look at the new “Best F(r)iends” trailer, starring Wiseau and Greg Sestero. Starring Tommy Wiseau, directed by Tommy Wiseau, written by Tommy Wiseau, screenplay by Tommy Wiseau and produced by Tommy Wiseau, “The Room” follows the story of Johnny (Wiseau). Johnny is a bank employee who, seemingly, lives happily in a San Francisco townhouse with Lisa, his fiancée. One day she gets bored with Tommy and seduces his best friend, Mark (played by Wiseau’s best friend, Greg Sestero, author of the award-winning 2013 memoir “The Disaster Artist”). Johnny screams, “You’re tearing me apart, Lisa!”– and, with that, nothing, or no one, will ever be the same. WHO: Fathom Events WHEN: Friday, January 19, 2018; 7:00 p.m. local time WHERE: Tickets for “Tommy Wiseau’s ‘The Room’” encore will be available throughout the week online by visiting www.FathomEvents.com or at participating theater box offices.
    [Show full text]
  • How's It Going Bros: Pewdiepie's Memeing in Tertiary Orality
    HOW’S IT GOING BROS: PEWDIEPIE’S MEMEING IN TERTIARY ORALITY by TRAVIS BROWN (Under the Direction of Shira Chess) ABSTRACT PewDiePie, the most subscribed YouTuber with 61 million subscribers, became a controversial figure in 2017 after cases of hate speech in his videos. While his hate speech has obvious room for exploration, it is impossible to examine his hate speech without first analyzing the creation of his memetic language within the broader digital culture in which he exists and how users within that digital culture adopt his language. This thesis explores the development of orality in digital culture, placing PewDiePie in the middle of the tertiary orality and meme culture. Upon analysis of PewDiePie’s videos and the language adopted by his audience, I conclude PewDiePie’s intent for his speech does not matter, as propagators of hate speech interpellated that they are the subject of his speech. INDEX WORDS: orality; tertiary orality; digital culture; participatory culture; memetics; internet memes; ambivalent internet; interpellation; YouTube; PewDiePie HOW’S IT GOING BROS: PEWDIEPIE’S MEMEING IN TERTIARY ORALITY by TRAVIS BROWN A.B.J., The University of Georgia, 2016 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2018 © 2018 Travis Brown All Rights Reserved HOW’S IT GOING BROS: PEWDIEPIE’S MEMEING IN TERTIARY ORALITY by TRAVIS BROWN Major Professor: Shira Chess Committee: Itai Himelboim Jay Hamilton Electronic Version Approved: Suzanne Barbour Dean of the Graduate School The University of Georgia May 2018 DEDICATION To Mom, for instilling in me my love for learning; And Elizabeth, for keeping me sane while I do so.
    [Show full text]
  • Wiseau Studio, LLC Et Al. V. Harper Et Al., 2020 ONSC 2504 (Canlii)
    1 "If a lot of people love each other, the world would be a better place to live." Johnny, The Room. Wiseau Studio, LLC et al. v. Harper et al., 2020 ONSC 2504 (CanLII) (CanLII case link) A failed lawsuit against an amateur Ottawa-based documentary team leaves Tommy Wiseau - the eccentric writer, director, producer, and star of the cult classic The Room - on the hook for $550,000 USD in compensatory damages and $200,000 CDN in punitive damages. FACTS The case begins in 2011 when the defendants sponsored a screening of Wiseau's The Room in Ottawa and paid for the star's attendance. The Room is a cult-hit, known for being so uniquely terrible that it is transfixing. Its one-of-a-kind strangeness has inspired a dedicated subculture and fanbase. The film is often screened before jeering and rambunctious audiences which, from time to time, Wiseau will attend to meet fans, answer questions, sell merchandise, and so forth. Such appearances help fuel the enduring interest in the 2003 film, as does the curio of Wiseau's personality and his elusive biography (e.g. Wiseau refuses to reveal his birth name, his birth place, or how he financed his film). Making the movie In 2011, the defendants raised the idea to Wiseau of making a documentary about The Room and its peculiar fandom. Initially, Wiseau was supportive of the project, and agreed to participate. Soon after, the defendants began pre-production purchases and hires. However, about a month in, they received an email from a “John” on behalf of Wiseau, withdrawing the invitation to participate.
    [Show full text]
  • The Disaster Plaintiff: the Best Worst Litigation Strategy Created by and Starring Tommy Wiseau
    Intellectual Property | Injunctions 1 Margaret Robbins May 7, 2020 416-865-2893 [email protected] The Disaster Plaintiff: The Best Worst Litigation Strategy Created by and Starring Tommy Wiseau The legacy of the movie The Room, Tommy Wiseau’s infamously terrible 2003 cult classic, reached new heights (or lows depending on your point of view) last week when it made its mark on Canadian law in Justice Schabas’ decision in Wiseau Studio, LLC v Harper. A movie lovingly advertised as providing a viewing experience akin to “getting stabbed in the head” prompted copyright litigation and, in the process, has provided a new story of the risks of pursuing an ill-advised litigation strategy through trial. The Room premiered in 2003 to terrible reviews. Where many independent movies that open to bad reviews simply fade in the cultural zeitgeist, The Room, and its creator and star Mr. Wiseau, gained fame because of how exceptionally and remarkably bad The Room was. It is a rare film that is so bad that it turns out to be good. The Room became a cult classic amongst a sub-genre of movie goers and provided Mr. Wiseau with a certain celebrity and notoriety. Mr. Wiseau’s co-star and friend published a non- fiction book in 2011 detailing the making of The Room entitled The Disaster Artist – My Life Inside The Room The Greatest Bad Movie Ever Made. The book was turned into an award- winning feature film of the same name starring James Franco as Mr. Wiseau in 2017, which premiered at the Toronto International Film Festival.
    [Show full text]
  • Sincerely Celebrating Failure: Tommy Wiseau’S the Room and the Search for Sincerity
    Dimitrios Pavlounis Sincerely Celebrating Failure: Tommy Wiseau’s The Room and the Search for Sincerity Abstract This paper examines the relationship between Tommy Wiseau’s cult sensation The Room and its fans by exploring the fans’ active impulse to construct The Room as a failed film in order to allow for a hybrid form of ironic and sincere reception. The first part of this paper examines how The Room does not conform to traditional discourses surrounding cult films and how many fans ofThe Roomwork to construct the film as a failure, even as Wiseau insists that every aspect of the film is intentional. The second part of the paper examines exactly why some fans do this work and how they are able to transform public screenings of The Room into spaces in which audiences can safely try out different ways of relating to the world by combining postmodern irony with what has popularly been called the New Sincerity. Opening in Los Angeles in 2003 to little fanfare and what radio host Jesse Thorn has called “The and scathing reviews, director/writer/actor/ New Sincerity,”3 and public screenings of the film producer Tommy Wiseau’s magnum opus The serve as the field on which this battle is fought. In Room—commonly referred to as “the Citizen Kane fact, I will argue that these screenings can offer safe of bad movies”1—now plays to sold-out audiences spaces for audiences to relate to the world from throughout North America and Europe. Telling within both paradigms in ways that potentially the simple tale of its protagonist Johnny’s (Wiseau) challenge the stability of the success/failure binary betrayal at the hands of his girlfriend Lisa ( Juliette altogether.
    [Show full text]
  • Download Your Metro Guide Today!
    metrocinema MARCH / APRIL 2018 guide WHERE COMMUNITY MEETS CINEMA SPOTLIGHT ON GUILLERMO DEL TORO EDMONTON INTERNATIONAL WOMen’S FESTIVAL LEPRECHAUN FRENCH FILM FESTIVAL SATURDAY MORNING ALL-YOU-CAN-EAT- CEREAL CARTOON PARTY! WALK WITH ME FAVA FEST SING-A-LONG JESUS CHRIST SUPERSTAR BEST F(R)IENDS MARCH 30 – APRIL 3 AFTER 15 YEARS, GREG SESTERO AND TOMMY WISEAU ARE FINALLY BACK ON SCREEN TOGETHER... metrocinema at the Garneau 8712 - 109 Street, Edm AB T6G 1E9 LIKE YOU’VE NEVER SEEN THEM BEFORE. www.metrocinema.org metrocinema.org 1 METRO CINEMA .ORG METRO RETRO Page: 15 MUSIC DOCS PagE: 8 metrocinema at the Garneau 8712 - 109 Street, Edm AB T6G 1E9 TEL 780 425 9212 www.metrocinema.org FACEBOOK /metrocinema TWITTER & INSTAGRAM @themetrocinema SERIES HIGHLIGHTS ADMISSION Adult $13 Student/Senior $10 (Matinee $8) Children 12 & Under $8 PASSES Night at the Movies $30 Adult Six Pack $60 SUNDAY CLASSICS Student/Senior Six Pack $50 AFTERNOONPage: 10 TEA PagE: 16 Silver Screen $300 METRO OPERATIONS Dan Nielsen – President Heather Noel – Vice President Randal Pruss – Treasurer Alex Dimitroff – Secretary JD Crookshanks, Anthony Dionigi, METRO CINEMA is a community based not for profit society devoted to creating and fostering Steve Grubich, Sandy Hoye, Chris Provins, opportunities for the exhibition of diverse and unique shared viewing experiences in Edmonton, Brad Stromberg, Hitomi Suzuta, Alberta Canada. We believe that film and media art are significant art forms; a means of commu- Connie Zimmerman – Directors nication, discussion, and education.
    [Show full text]
  • The Disaster Artist
    BOOK EARLY PROGRAMMEr’S PICK MONDO MONDAY BOOK EARLY Suburbicon (15) Battle of the Sexes (12A) Marie Curie: The Courage Mountain (PG) The Disaster Artist (15) The Room (15) Three Billboards Outside Hostiles (15) A Woman’s Life (12A) Fri 5 – Thu 11 January Fri 5 – Wed 17 January of Knowledge (TBA) Sat 20 – Wed 24 January Fri 26 Jan – Thu 1 February Mon 29 January, 8pm Ebbing, Missouri (15) Fri 9 – Thu 15 February Fri 16 – Wed 21 February Dir. George Clooney, US, 2017, 104 mins. Cast. Dir. Jonathan Dayton, Valerie Faris, US, 2017, 122 Fri 12 – Thu 18 January Dir. Jennifer Peedom, Australia, 2017, 74 mins. Dir. James Franco, US, 2017, 108 mins. Cast. Zoey Dir. Tommy Wiseau, US, 2003, 99 mins. Cast. Fri 9 – Thu 15 February Dir. Scott Cooper, US, 2017, 127 mins. Cast. Dir. Stephane Brize, France, 2017, 116 mins, Matt Damon, Julianne Moore, Oscar Isaac. mins. Cast. Emma Stone, Steve Carell, Andrea Dir. Marie Noelle, Germany/Fr/Poland, 2016, 100 Cast. Robert Macfarlane, Jennifer Peedom. Deutch, Alison Brie, James Franco. Tommy Wiseau, Greg Sestero, Juliette Danielle. Dir. Martin McDonagh, UK, 2017, 115mins. Cast. Christian Bale, Rosamund Pike, Wes Studi, Ben subtitled. Cast. Judith Chemla, Jean-Pierre Riseborough. mins, subtitled. Cast. Karolina Gruszka, Charles Frances McDormand, Woody Harrelson, Sam Foster. Darroussin, Yolande Moreau. George Clooney directs a wildly Berling, Andre Wilms. Narrated by Willem Dafoe, who When wannabe actor Greg Sestero As a very special treat, we are Rockwell, Abbie Cornish. entertaining, deliciously dark The televised 1973 tennis match reads an evocative text by Robert meets eccentric Tommy Wiseau hosting MONDO MONDAY’S In this 19th-century western an A powerful adaptation of Guy de satire co-scripted by the Coen between women’s world champion Physicist, chemist, and pioneer Macfarlane, this is a guaranteed they decide to move to LA and return to Plymouth Arts Centre with This pitch-black comedic drama Army captain agrees to escort a Maupassant’s first novel ‘Une Vie’.
    [Show full text]
  • Buzz Bombs: the Room, Snakes on a Plane and Cult Audiences in the Internet Era
    Buzz Bombs: The Room, Snakes on a Plane and Cult Audiences in the Internet Era Derek Godin A Thesis In The Mel Hoppenheim School of Cinema Presented in Partial Fulfilment of the Requirements for the Degree of Master of Arts (Film Studies) at Concordia University Montreal, Quebec, Canada July 2013 © Derek Godin, 2013 ii CONCORDIA UNIVERSITY School of Graduate Studies This is to certify that the thesis prepared By: Derek Godin Entitled: Buzz Bombs: The Room, Snakes on a Plane and Cult Audiences in the Internet Era and submitted in partial fulfilment of the requirements for the degree of Master of Arts (Film Studies) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final Examining Committee: ________________________ Chair Dr. Ernest Mathijs______________ Examiner Dr. Marc Steinberg______________ Examiner Dr. Haidee Wasson______________ Supervisor Approved by _________________________ Chair of Department or Graduate Program Director ____________ 2013 _________________________ Dean of Faculty iii ABSTRACT Buzz Bombs: The Room, Snakes on a Plane and Cult Audiences in the Internet Era Derek Godin This thesis will chart the lives of two films released in the 21st century that had audiences identifiable as cult: The Room (Tommy Wiseau, 2003) and Snakes on a Plane (David R. Ellis, 2006). It will cover each film's conception, production history, release, reception and ongoing half-life. But special focus will be given in each case to the online activities of the fans, be it creating fan art or spreading word of these particular films. Specifically, this thesis will discuss online fan activity pertaining to both films, and how each film and fan activities related to each fit in the context of fan studies and cult studies.
    [Show full text]
  • Film Calendar October 13 - December 14, 2017
    FILM CALENDAR OCTOBER 13 - DECEMBER 14, 2017 James Franco’s THE DISASTER ARTIST Opening December 1 Chicago’s Year-Round Film Festival 3733 N. Southport Avenue, Chicago www.musicboxtheatre.com 773.871.6607 CINEPOCALYPSE THE SQUARE HITCHCOCK’S THE SOUND OF MUSIC IT’S A WONDERFUL LIFE GENRE FILM FESTIVAL PALME D’OR VERTIGO SING-A-LONG & WHITE CHRISTMAS NOVEMBER 2-9 WINNER ON 70MM NOVEMBER 24-26 DECEMBER 9-24 OPENS NOVEMBER 10 NOVEMBER 18 & 19 & DECEMBER 2-3 Welcome TO THE MUSIC BOX THEATRE! FEATURE FILMS 5 LOVING VINCENT OPENS OCTOBER 13 6 CHAVELA OPENS OCTOBER 20 7 FACES PLACES OPENS OCTOBER 27 8 NIGHT OF THE LIVING DEAD OPENS OCTOBER 27 9 HUMAN FLOW NOVEMBER 3-9 12 THE SQUARE OPENS NOVEMBER 10 12 78/52 NOVEMBER 10-16 14 120 BPM NOVEMBER 17-23 16 THE DISASTER ARTIST OPENS DECEMBER 1 20 COMMENTARY SERIES 24 CLASSIC MATINEES 26 CINEMA SCIENCE FIELD TRIPS 27 SILENT CINEMA 27 IS IT STILL FUNNY? 28 CHICAGO FILM SOCIETY ACCEPTING LOCALLY-PRODUCED & 28 FROM STAGE TO SCREEN CHICAGO-FOCUSED FILM SUBMISSIONS 30 MIDNIGHTS SPECIAL EVENTS OCTOBER 16 – DECEMBER 15, 2017 5 LE CHEF FROM À LA CARTE OCTOBER 15 FRENCH FOOD FEST 6 ISRAELI FILM FESTIVAL OCTOBER 26 8 ROCKY HORROR HALLOWEEN OCTOBER 27, 28 & 31 9 HEX-A-LONG HOCUS POCUS OCTOBER 30 In our first four years, Chicago Onscreen brought more than 60 10 CINEPOCALYPSE NOVEMBER 2-9 13 ADVENTURE FILM FESTIVAL NOVEMBER 12 local films to free, outdoor screenings in 25 parks across the city. 13 AN EVENING WITH JOHN HODGMAN NOVEMBER 15 We are on the lookout for exciting local films to feature in our parks 14 BEST IN SHOW NOVEMBER 29 15 SING-A-LONG SOUND OF MUSIC NOV 24-26, DEC 2-3 in our fifth season, and your film could be next! 17 MIRACLE ON SOUTHPORT DECEMBER 14 18 CHRISTMAS SING-A-LONG AND DECEMBER 9-24 Submission is free and open to filmmakers of all ages, skill DOUBLE FEATURE levels and professional experience.
    [Show full text]
  • CITATION: Wiseau Studio, LLC Et Al. V. Harper Et Al., 2020 ONSC 2504 COURT FILE NO.: CV-17-577020 DATE: 2020-04-23
    CITATION: Wiseau Studio, LLC et al. v. Harper et al., 2020 ONSC 2504 COURT FILE NO.: CV-17-577020 DATE: 2020-04-23 SUPERIOR COURT OF JUSTICE - ONTARIO RE: WISEAU STUDIO, LLC and TOMMY WISEAU d.b.a. WISEAU-FILMS, Plaintiffs/Defendants by Counterclaim AND: RICHARD HARPER, FERNANDO FORERO MCGRATH, MARTIN RACICOT d.b.a. ROCKAHVEN PICTURES, ROOM FULL OF SPOONS INC., PARKTOWN STUDIOS INC., RICHARD STEWART TOWNS, Defendants/Plaintiffs by Counterclaim BEFORE: Schabas J. COUNSEL: Daniel Brinza, for the Plaintiffs Matthew Diskin, Meredith Bacal and Douglas Murray, for the Defendants HEARD: January 6-10, 13, 14 and 17, 2020 REASONS FOR JUDGMENT Introduction [1] In June 2003, the plaintiffs, Tommy Wiseau (“Wiseau”) and Wiseau Studio, LLC, released a feature film called The Room. It was a box office flop and received terrible reviews. Entertainment Media described the film as “[a] movie that prompts most of its viewers to ask for their money back – before even 30 minutes have passed.” A sign on the ticket booth where the film was playing read “NO REFUNDS” and contained an excerpt from a review that said, “watching this film is like getting stabbed in the head.” [2] Despite these reviews, or perhaps because of them, the film developed a cult-like status. Tommy Wiseau, who wrote, produced, directed and starred in The Room, has become somewhat of a celebrity, often attending screenings to promote the film, meet with fans, engage in question and answer sessions, and sell merchandise related to the film. [3] In 2011, Wiseau’s co-star and friend, Greg Sestero (“Sestero”), wrote a non-fiction book about the making of The Room called The Disaster Artist – My Life Inside The Room, The Greatest Bad Movie Ever Made.
    [Show full text]
  • 'Most People Bring Their Own Spoons': the Room's Participatory
    . Volume 8, Issue 2 November 2011 ‘Most People Bring Their Own Spoons’: The Room’s participatory audiences as comedy mediators Richard McCulloch University of East Anglia, UK Abstract The Room (Tommy Wiseau, 2003) has developed the unenviable reputation as being one of the worst films ever made, yet at the same time is celebrated by ‘fans’ who take considerable pleasure from its perceived ineptitude. Considerable media attention has also been afforded to the film’s participatory theatrical screenings, which typically feature constant heckling, chants, and the throwing of plastic spoons. Through the analysis of the film’s British audiences (in the form of surveys, interviews, observation and autoethnography), this article argues that The Room demonstrates the impact of audience participation on a film’s reception, which in this case transforms an ostensible drama into a comedy experience. These audiences function as temporary communities that encourage the search for humour in ‘badness’, creating a cycle of comedy mediation and verification that affirms the interpretive competence of all attendees. The article begins to theorise the previously underdeveloped concept of ‘so bad it’s good’ by drawing a link between comedy and cult media audiences, as well as exploring the social functions of comedy as they relate to cultural texts. Keywords: The Room, comedy, cult media, audiences, fandom, ‘so bad it’s good’, reception, participation, community, legitimation. With the regrettable exception of some popcorn at the age of twelve, this was the first time I had ever thrown anything in a cinema. It was July 2010, and as the film played out in front of me at the Prince Charles Cinema, London, I was relishing the opportunity to launch plastic cutlery and yell at the characters on screen.
    [Show full text]
  • Guilty Pleasures Transcript
    1 You’re listening to Imaginary Worlds, a show about how we create them and why we suspend our disbelief. I’m Eric Molinsky. A few months ago, we put out a call for our listeners to tell us about your favorite guilty pleasures. We heard from a lot of people, including a few of you who were against this premise on principle, because you said no one should feel guilty about liking a work of pop culture, so long as it’s not offensive. But what fascinates me about the concept of guiltily pleasures – especially with sci-fi and fantasy – is that these genres began with lowbrow origins in pulp fiction and Saturday matinee serials. Over the years, creators have tried to elevate sci-fi and fantasy to critical acclaim and levels of respectability. And I think many of these “guilty pleasures” are really about the pure pleasure of enjoying something that is just really weird or fantastical. And we got submissions about all types of media, but we were particularly in movies because movies work so well as spectacles, and they can give you that hit over and over again. So, let’s begin with Corey Esser. He calls himself a, quote, connoisseur of bad movies. In fact, he says they’re guilty pleasures only in that he feels guilt in how much he loves to inflict them on his friends. It all started when he was a kid. COREY: My uncle is eight years older than I am. And he, you know, watched me as a kid.
    [Show full text]