Film Calendar October 13 - December 14, 2017
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GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
Taylor B Dbs Rday 2019.Pdf (989.1Kb)
Break Something and Write about the Pieces File Types, Formats and Collaborative Creative Media Practice in the Classroom Dr. Barnaby Taylor Dublin Business School June 2019 Questions How do we teach the same things differently? How do we innovate in the classroom? Where are the opportunities for innovation to be found in the classroom? Is assessment is a key area for innovation? voicesonfilm Co-curated, collaborative, audiovisual academic research initiative Provides opportunities for academic content creation Engages in relevant audiovisual debate, academic branding, innovation, and entrepreneurship, A continual emphasis on the relationship between research and practice. voicesonfilm Facebook Twitter YouTube Vimeo voicesonfilm 2013 ‘Film and Moving Image Studies: Re-Born Digital?’ 2014 Barr on Barr – creative documentary series 2015 ‘Cultivating Film-makers’ 2016 ‘The Disaster Artist: Inside The Room with Greg Sestero’ 2016 ‘Story16 – The Art of Digital Storytelling’ 2017 Showreal 17 2018 Professor Laura Mulvey, ‘Remixing Hollywood movies of the 1950s’ Lumière Word Cloud (2017) A co-curated experiment in the design and execution of academic/student collaborative assessment methods at Third Level. Inspired by classroom conversations regarding the parallels between the earliest forms of cinema – as exemplified by the films of Auguste and Louis Lumière – and the now ubiquitous .gif file Lumière Word Cloud also asks us to reconsider the position and position that cinema history occupies in the contemporary classroom. Lumière Word Cloud (2017) As the result of a classroom discussion following a screening of these early films, ten key words were generated. CAT SEA TRAIN CROWD BABY HORSE WINE BOUNCE CAMERA WALK Basic Mechanics 6 collaborators 3 files for each word Independent selection – no discussion The url for each .gif was collected All files inserted into a single timeline Order of the images was the order of the contributions Files were captured via QuickTime but not edited Outcome How Do We See What We See? 1. -
Film Guide April 2018
FILM GUIDE APRIL 2018 www.loftcinema.org BEST F(R)IENDS & THE DISASTER ARTIST W/ GREG SESTERO IN PERSON! LAWRENCE OF ARABIA PRESENTED IN 70MM • SUNDAY, APRIL 15 AT NOON! ENJOY BEER & WINE AT THE LOFT CINEMA! We also offer Fresco Pizza*, Tucson Tamale Factory Tamales, Burritos from Tumerico, Ethiopian Wraps from Cafe Desta and Sandwiches from the 4th Ave. Deli, along with organic popcorn, craft chocolate bars, vegan cookies and more! *Pizza served after 5pm daily. APRIL 2018 SPECIAL ENGAGEMENTS 4-23 JOURNALISM ON SCREEN 6 BEER OF THE MONTH: LOFT MEMBERSHIPS 8 FIRESTONE LAGER LOFT JR. 12 BY FIRESTONE WALKER BREWING CO. ESSENTIAL CINEMA 14 ONLY $3.50 ALL THROUGH APRIL! SCIENCE ON SCREEN 16 NATIONAL THEATRE LIVE 17 NEW AT THE LOFT CINEMA! MONTH-LONG SERIES 19-20 The Loft Cinema now offers Closed Captions and Audio LOFT STAFF SELECTS 21 Descriptions for films whenever they are available. Check our COMMUNITY RENTALS 23-24 website to see which films offer this technology. NEW FILMS 25-34 REEL READS SELECTION 32 FILM GUIDES ARE AVAILABLE AT: MONDO MONDAYS 35 • aLoft Hotel • Espresso Art • Revolutionary Grounds • Antigone Books • Fantasy Comics • Rincon Market CULT CLASSICS 36 • Aqua Vita • First American Title • Rocco’s Little Chicago • Art Institute of Tucson • Fresco Pizza • Rogue Theatre THE LOFT CINEMA • AZ Title Security • Fronimos • Santa Barbara Ice Cream 3233 E. Speedway Blvd. • Bentley’s • Heroes & Villains • Shot in the Dark Café Tucson, AZ 85716 • Black Crown Coffee • Hotel Congress • Southern AZ AIDS • Bookman’s • How Sweet It Was -
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“Can We Get a Cleanup On Aisle 2?” Previous: The Antisocial Fantasies of Jude the Obscure by Matthew Risling “Can We Get a Cleanup On Aisle 2?”: How Film Critics Mopped Up the Transgressions of Jenny McCarthy’s Dirty Love Sara Swain Pivot is published through Open Journal Systems (OJS) at York University 2 Introduction Dirty Love (John Asher, 2005) is the consequence of Jenny McCarthy’s fearless foray into the risky territory of the gross-out comedy. The film endured a long and laborious gestation period under the threat of financial ruin. The project began as a sitcom pilot that McCarthy had initially penned for Fox Television. Fox passed, deeming the project “too edgy and too controversial for TV” “Can We Get a Cleanup On (qtd. in Kevin Aisle 2?”: Williamson). But McCarthy and her How Film Critics Mopped Up the production team could Transgressions of Jenny McCarthy’s not be dissuaded. They Dirty Love bought the rights back Sara Swain from Fox and McCarthy went to work transforming the script into a feature film (Kates). She insists that she never wanted to be a writer but because of the dearth of onscreen comedic roles for women, she was forced to take matters into her own hands (qtd. in Sobczynski). Dirty Love eventually debuted at the Sundance Film Festival in late January 2005, where it was warmly received. John Cooper, the Festival’s Programming Director, lauded the filmmakers in the program notes for so brazenly travelling “across a comic minefield where few dare to tread.” Soon after the film was picked up for distribution. -
Irish Gothic Fiction
THE ‘If the Gothic emerges in the shadows cast by modernity and its pasts, Ireland proved EME an unhappy haunting ground for the new genre. In this incisive study, Jarlath Killeen shows how the struggle of the Anglican establishment between competing myths of civility and barbarism in eighteenth-century Ireland defined itself repeatedly in terms R The Emergence of of the excesses of Gothic form.’ GENCE Luke Gibbons, National University of Ireland (Maynooth), author of Gaelic Gothic ‘A work of passion and precision which explains why and how Ireland has been not only a background site but also a major imaginative source of Gothic writing. IRISH GOTHIC Jarlath Killeen moves well beyond narrowly political readings of Irish Gothic by OF IRISH GOTHIC using the form as a way of narrating the history of the Anglican faith in Ireland. He reintroduces many forgotten old books into the debate, thereby making some of the more familiar texts seem suddenly strange and definitely troubling. With FICTION his characteristic blend of intellectual audacity and scholarly rigour, he reminds us that each text from previous centuries was written at the mercy of its immediate moment as a crucial intervention in a developing debate – and by this brilliant HIST ORY, O RIGI NS,THE ORIES historicising of the material he indicates a way forward for Gothic amidst the ruins of post-Tiger Ireland.’ Declan Kiberd, University of Notre Dame Provides a new account of the emergence of Irish Gothic fiction in the mid-eighteenth century FI This new study provides a robustly theorised and thoroughly historicised account of CTI the beginnings of Irish Gothic fiction, maps the theoretical terrain covered by other critics, and puts forward a new history of the emergence of the genre in Ireland. -
Sunday Morning Grid 9/24/17 Latimes.Com/Tv Times
SUNDAY MORNING GRID 9/24/17 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) The NFL Today (N) Å Football Houston Texans at New England Patriots. (N) Å 4 NBC Today in L.A. Weekend Meet the Press (N) (TVG) NBC4 News Presidents Cup 2017 TOUR Championship Final Round. (N) Å 5 CW KTLA 5 Morning News at 7 (N) Å KTLA News at 9 In Touch Paid Program 7 ABC News This Week News Rock-Park Outback Jack Hanna Ocean Sea Rescue Basketball 9 KCAL KCAL 9 News Sunday (N) Joel Osteen Schuller Mike Webb Paid Program REAL-Diego Paid 11 FOX Fox News Sunday FOX NFL Kickoff (N) FOX NFL Sunday (N) Football New York Giants at Philadelphia Eagles. (N) Å 13 MyNet Paid Matter Fred Jordan Paid Program MLS Soccer LA Galaxy at Sporting Kansas City. (N) 18 KSCI Paid Program Paid Program 22 KWHY Paid Program Paid Program 24 KVCR Paint With Painting Joy of Paint Wyland’s Paint This Oil Painting Milk Street Mexican Cooking Jazzy Baking Project 28 KCET 1001 Nights 1001 Nights Mixed Nutz Edisons DW News: Live Coverage of German Election 2017 Å 30 ION Jeremiah Youseff In Touch Law Order: CI Law Order: CI Law Order: CI Law Order: CI 34 KMEX Conexión Paid Program Como Dice el Dicho La Comadrita (1978, Comedia) María Elena Velasco. República Deportiva 40 KTBN James Win Walk Prince Carpenter Jesse In Touch PowerPoint It Is Written Jeffress Super Kelinda John Hagee 46 KFTR Paid Program Recuerda y Gana The Reef ›› (2006, Niños) (G) Remember the Titans ››› (2000, Drama) Denzel Washington. -
“No Reason to Be Seen”: Cinema, Exploitation, and the Political
“No Reason to Be Seen”: Cinema, Exploitation, and the Political by Gordon Sullivan B.A., University of Central Florida, 2004 M.A., North Carolina State University, 2007 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2017 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Gordon Sullivan It was defended on October 20, 2017 and approved by Marcia Landy, Distinguished Professor, Department of English Jennifer Waldron, Associate Professor, Department of English Daniel Morgan, Associate Professor, Department of Cinema and Media Studies, University of Chicago Dissertation Advisor: Adam Lowenstein, Professor, Department of English ii Copyright © by Gordon Sullivan 2017 iii “NO REASON TO BE SEEN”: CINEMA, EXPLOITATION, AND THE POLITICAL Gordon Sullivan, PhD University of Pittsburgh, 2017 This dissertation argues that we can best understand exploitation films as a mode of political cinema. Following the work of Peter Brooks on melodrama, the exploitation film is a mode concerned with spectacular violence and its relationship to the political, as defined by French philosopher Jacques Rancière. For Rancière, the political is an “intervention into the visible and sayable,” where members of a community who are otherwise uncounted come to be seen as part of the community through a “redistribution of the sensible.” This aesthetic rupture allows the demands of the formerly-invisible to be seen and considered. We can see this operation at work in the exploitation film, and by investigating a series of exploitation auteurs, we can augment our understanding of what Rancière means by the political. -
Autoethnographic Research Through Storytelling in Animation and Video Games
Autoethnographic Research through Storytelling in Animation and Video Games Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Fine Arts in the Graduate School of The Ohio State University By Renee Chia-Lei Chen B.S. Graduate Program in Design The Ohio State University 2016 Master’s Examination Committee: Susan Melsop, Advisor Linda Mizejewski Alan Price Copyright by Renee Chia-Lei Chen 2016 Abstract This thesis serves as a deep exploration of myself through my storytelling work in animation and video games. In this thesis study, I seek to build a philosophy that explains my value about what storytelling can do. The objective is threefold. I aim to use storytelling to reveal a deep sense of myself, unpack social and cultural biases to express my values within my design work, and affect the viewers by fostering empathy. By adapting my attitude and my values to visual components, I seek to find ways to use storytelling as a voice for social-justice purposes. The reflective process of this thesis provides me a way to see a holistic picture of the relationship between society and me, and how my pessimistic worldview may have been formed. Storytelling, in my philosophy, can serve as an acceptable reprisal to seek social justice. For this reason, I choose to use storytelling as a social experiment. I see the viewers’ responses as an acknowledgement of my emotional pain, and as an attack to the offenders in society. I use storytelling as a cathartic method to tell society that it has wronged me. I see this process as a coping mechanism for artists who are as hopeless about changing society as I am. -
Transatlantica, 2 | 2017 Marianne Kac-Vergne, Masculinity in Contemporary Science Fiction Cinema
Transatlantica Revue d’études américaines. American Studies Journal 2 | 2017 (Hi)stories of American Women: Writings and Re- writings / Call and Answer: Dialoguing the American West in France Marianne Kac-Vergne, Masculinity in Contemporary Science Fiction Cinema. Cyborgs, Troopers and Other Men of the Future Mehdi Achouche Electronic version URL: https://journals.openedition.org/transatlantica/10482 DOI: 10.4000/transatlantica.10482 ISSN: 1765-2766 Publisher Association française d'Etudes Américaines (AFEA) Electronic reference Mehdi Achouche, “Marianne Kac-Vergne, Masculinity in Contemporary Science Fiction Cinema. Cyborgs, Troopers and Other Men of the Future”, Transatlantica [Online], 2 | 2017, Online since 19 April 2019, connection on 20 May 2021. URL: http://journals.openedition.org/transatlantica/10482 ; DOI: https:// doi.org/10.4000/transatlantica.10482 This text was automatically generated on 20 May 2021. Transatlantica – Revue d'études américaines est mise à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Marianne Kac-Vergne, Masculinity in Contemporary Science Fiction Cinema. Cybo... 1 Marianne Kac-Vergne, Masculinity in Contemporary Science Fiction Cinema. Cyborgs, Troopers and Other Men of the Future Mehdi Achouche REFERENCES Marianne Kac-Vergne, Masculinity in Contemporary Science Fiction Cinema. Cyborgs, Troopers and Other Men of the Future, London, I.B. Tauris, 2018, 246 pages, ISBN 978-1-78076-748-2, 3 1 If, as J.P. Telotte has pointed out, science fiction cinema “has focused its attention on the problematic nature of human being and the difficult task of being human” (2), this “humanist” proclivity is in fact often, like da Vinci’s Vitruvian Man, about making white men the heart of the system. -
'Tommy Wiseau's '
MEDIA ALERT – January 16, 2018 Due to Overwhelming Fan Demand, Encore of ‘Tommy Wiseau’s ‘The Room’’ Comes to Cinemas for One More Night on January 19 WHAT: Referred to as "the ‘Citizen Kane’ of bad movies," “The Room” has received a remarkable resurgence due to the popularity of James Franco’s “The Disaster Artist” and Tommy Wiseau’s recent appearance on The Golden Globes. On January 10, fans came out in droves as Wiseau’s opus hit more than 500 big screens across the nation with “Tommy Wiseau’s ‘The Room.’” Due to overwhelming demand, an encore screening has been set for Friday, January 19, 2018. In addition to the full-length feature, moviegoers will enjoy a special look at the new “Best F(r)iends” trailer, starring Wiseau and Greg Sestero. Starring Tommy Wiseau, directed by Tommy Wiseau, written by Tommy Wiseau, screenplay by Tommy Wiseau and produced by Tommy Wiseau, “The Room” follows the story of Johnny (Wiseau). Johnny is a bank employee who, seemingly, lives happily in a San Francisco townhouse with Lisa, his fiancée. One day she gets bored with Tommy and seduces his best friend, Mark (played by Wiseau’s best friend, Greg Sestero, author of the award-winning 2013 memoir “The Disaster Artist”). Johnny screams, “You’re tearing me apart, Lisa!”– and, with that, nothing, or no one, will ever be the same. WHO: Fathom Events WHEN: Friday, January 19, 2018; 7:00 p.m. local time WHERE: Tickets for “Tommy Wiseau’s ‘The Room’” encore will be available throughout the week online by visiting www.FathomEvents.com or at participating theater box offices. -
Filmic Bodies As Terministic (Silver) Screens: Embodied Social Anxieties in Videodrome
FILMIC BODIES AS TERMINISTIC (SILVER) SCREENS: EMBODIED SOCIAL ANXIETIES IN VIDEODROME BY DANIEL STEVEN BAGWELL A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Communication May 2014 Winston-Salem, North Carolina Approved By: Ron Von Burg, Ph.D., Advisor Mary Dalton, Ph.D., Chair R. Jarrod Atchison, Ph.D. ACKNOWLEDGMENTS A number of people have contributed to my incredible time at Wake Forest, which I wouldn’t trade for the world. My non-Deac family and friends are too numerous to mention, but nonetheless have my love and thanks for their consistent support. I send a hearty shout-out, appreciative snap, and Roll Tide to every member of the Wake Debate team; working and laughing with you all has been the most fun of my academic career, and I’m a better person for it. My GTA cohort has been a blast to work with and made every class entertaining. I wouldn’t be at Wake without Dr. Louden, for which I’m eternally grateful. No student could survive without Patty and Kimberly, both of whom I suspect might have superpowers. I couldn’t have picked a better committee. RonVon has been an incredibly helpful and patient advisor, whose copious notes were more than welcome (and necessary); Mary Dalton has endured a fair share of my film rants and is the most fun professor that I’ve had the pleasure of knowing; Jarrod is brilliant and is one of the only people with a knowledge of super-violent films that rivals my own. -
KPCC-KVLA-KUOR Quarterly Report OCT-DEC 2013
KPCC / KVLA / KUOR Quarterly Programming Report OCT NOV DEC 2013 Date Key Synopsis Guest/Reporter Duration 10/1/2013 DC California Congressman disagrees with party strategy on shutdown Felde 2:08 10/1/2013 LAW LA City will appeal judge's decision against LAPD's vehicle impound policy, Special Order 7 CC :09 10/1/2013 POLI EDD could face problems if shutdown continues Pringle :59 10/1/2013 HEAL Covered California opens CC :07 10/1/2013 HEAL Covered California opens CC :12 10/1/2013 HEAL Covered California opens CC :18 10/1/2013 IMM Former Guatemalan soldier accused of committing atrocities in 1980s found guilty of immigration fraud Berestein Rojas 1:34 10/1/2013 EDU LA Unified Board of Education is tired of conflicting reports on iPad rollout. Gilbertson :48 10/1/2013 ENV Fate of plans to drill for oil in Whittier remain uncertain Peterson :51 10/1/2013 LAW Four bodies found in wreckage of plane that crashed at Santa Monica Airport CC :16 10/1/2013 HEAL California's state-run health insurance marketplace opens for business O'Neill :58 10/1/2013 ENV California embarks on new way to regulate chemicals in consumer products Peterson 2:45 10/1/2013 HEAL It's a challenge to find Asian bone marrow donors Huang 4:01 10/1/2013 EDU LAUSD's music repair shop has large backlog of broken instruments Plummer 4:07 10/1/2013 POLI Shutdown closes National Parks Watt :48 10/1/2013 HEAL California's state-run health insurance marketplace opens for business Bartolone :50 10/1/2013 ECON Shutdown could hurt economic recovery CC :14 10/1/2013 ART Group of artists