The Disaster Artist

Total Page:16

File Type:pdf, Size:1020Kb

The Disaster Artist BOOK EARLY PROGRAMMEr’S PICK MONDO MONDAY BOOK EARLY Suburbicon (15) Battle of the Sexes (12A) Marie Curie: The Courage Mountain (PG) The Disaster Artist (15) The Room (15) Three Billboards Outside Hostiles (15) A Woman’s Life (12A) Fri 5 – Thu 11 January Fri 5 – Wed 17 January of Knowledge (TBA) Sat 20 – Wed 24 January Fri 26 Jan – Thu 1 February Mon 29 January, 8pm Ebbing, Missouri (15) Fri 9 – Thu 15 February Fri 16 – Wed 21 February Dir. George Clooney, US, 2017, 104 mins. Cast. Dir. Jonathan Dayton, Valerie Faris, US, 2017, 122 Fri 12 – Thu 18 January Dir. Jennifer Peedom, Australia, 2017, 74 mins. Dir. James Franco, US, 2017, 108 mins. Cast. Zoey Dir. Tommy Wiseau, US, 2003, 99 mins. Cast. Fri 9 – Thu 15 February Dir. Scott Cooper, US, 2017, 127 mins. Cast. Dir. Stephane Brize, France, 2017, 116 mins, Matt Damon, Julianne Moore, Oscar Isaac. mins. Cast. Emma Stone, Steve Carell, Andrea Dir. Marie Noelle, Germany/Fr/Poland, 2016, 100 Cast. Robert Macfarlane, Jennifer Peedom. Deutch, Alison Brie, James Franco. Tommy Wiseau, Greg Sestero, Juliette Danielle. Dir. Martin McDonagh, UK, 2017, 115mins. Cast. Christian Bale, Rosamund Pike, Wes Studi, Ben subtitled. Cast. Judith Chemla, Jean-Pierre Riseborough. mins, subtitled. Cast. Karolina Gruszka, Charles Frances McDormand, Woody Harrelson, Sam Foster. Darroussin, Yolande Moreau. George Clooney directs a wildly Berling, Andre Wilms. Narrated by Willem Dafoe, who When wannabe actor Greg Sestero As a very special treat, we are Rockwell, Abbie Cornish. entertaining, deliciously dark The televised 1973 tennis match reads an evocative text by Robert meets eccentric Tommy Wiseau hosting MONDO MONDAY’S In this 19th-century western an A powerful adaptation of Guy de satire co-scripted by the Coen between women’s world champion Physicist, chemist, and pioneer Macfarlane, this is a guaranteed they decide to move to LA and return to Plymouth Arts Centre with This pitch-black comedic drama Army captain agrees to escort a Maupassant’s first novel ‘Une Vie’. Brothers set in 1959 that is Billie Jean King and ex-men’s- in the study of radioactivity, Curie adrenaline rush that almost makes make a movie. But as the cameras a screening of The Room which features a blistering central dying Cheyenne war chief back Jeanne is a young woman full of unsettlingly pertinent to the present champ and serial hustler Bobby spent her life setting precedents. you feel like you’ve scaled a peak start to roll, Greg discovers that has famously been called ‘the performance from Frances to his tribal lands. Setting out childish dreams and innocence day. Suburbicon is a peaceful, Riggs was billed as the Battle of the She was the first woman to win the yourself. A beautiful and awe- he has vastly underestimated Citizen Kane of bad movies’, one McDormand as foul-mouthed, through dangerous territory, much when she returns home after idyllic suburban community with Sexes. Billie and Bobby served up Nobel Prize and the first person to inspiring symphony of images Tommy’s quirks and overestimated of the most beloved cult classics tough-as-nails Mildred Hayes, who of it inhabited by hostile tribes, finishing school in a convent. affordable homes and manicured a cultural spectacle that resonated win it twice. The film brings to life and sound, combining archive his skill - and pretty much every- of all time. takes matters into her own hands the small band of soldiers and Yet little by little her illusions are lawns... but the tranquil surface far beyond the tennis court, that Curie’s inspiring story of discovery, footage of early mountaineers with thing that can go wrong, does on after her daughter is murdered and Cheyenne navigate the beautiful stripped away when she marries a masks a disturbing reality. continues to reverberate today. heartbreak, and triumph. majestic shots of the peaks. their film, The Room. the police investigation goes quiet. prairies and wilds of the west. local Viscount. PROGRAMMEr’S PICK PROGRAMMEr’S PICK BOOK EARLY BOOK EARLY Unrest (12A) Jane (PG) Happy End (15) Lost in Paris (12A) Most Beautiful Island (18) The Greatest Showman Darkest Hour (PG) Jupiter’s Moon (15) The Post (TBC) Wed 17 – Thu 18 January Fri 19 - Thu 25 January Fri 19 – Thu 25 January Fri 26 January – Thu 1 February Fri 2 – Thu 8 February (TBC) Fri 16 – Wed 21 February Fri 23 Feb – Thu 1 Mar Fri 23 February – Thu 1 March Dir. Jennifer Brea, US, 2017, 98 mins. Cast. Dir. Brett Morgan, US, 2017, 90 mins. Dir. Michael Haneke, Fr/Aus/Germany, 2017, 108 Dir. Fiona Gordon, Dominique Abel, Fr/Canada, Dir. Ana Asensio, Spain/US, 2017, 80 mins, some Fri 2 – Thu 8 February Dir. Joe Wright, UK, 2017, 125 mins. Cast. Gary Dir. Kornel Mundruczo, Hungary, 2017, 129 mins, Dir. Steven Spielberg, US, 2017, ? mins. Cast. Jennifer Brea. mins, subtitled. Cast. Isabelle Huppert, Jean-Louis 2017, 83 mins, subtitled. Cast. Fiona Gordon, subtitles. Cast. Ana Asensio, Natasha Romanova, Oldman, Kristin Scott Thomas, Lily James, Stephen some subtitles. Cast. Merab Ninidze, Zsombor Meryl Streep, Tom Hanks, Alison Brie, Sarah Dir. Michael Gracey, US, 2017, ? mins. Cast. Hugh Drawing from over 100 hours Trintignant, Mathieu Kassovitz. Dominique Abel, Emmanuelle Riva. David Little, Nicholas Tucci. Dillane. Jeger, Monika Balsai, Gyorgy Cserhhalmi. Paulson. Unrest details filmmaker Brea’s of never-before-seen footage Jackman, Michelle Williams, Rebecca Ferguson, Zac Efron. fight to overcome the disabling from the National Geographic A biting satire on bourgeois family When Fiona’s life is disrupted by a Inspired by her own experiences, This stirring historical drama from Riveting Palme d’Or nominated Katharine Graham was the disease commonly known as archives, Oscar®-nominated director values. Set in Calais, it focuses on letter of distress from her 88-year- director-writer-producer Asensio Inspired by the imagination of P.T. Atonement director Joe Wright supernatural thriller. A young first female publisher of The Chronic Fatigue Syndrome. With Brett Morgan tells the story of the wealthy, neurotic and self- old Aunt Martha in Paris, she hops plays Luciana, a Spanish immigrant Barnum, The Greatest Showman is ushers us into the backrooms and refugee called Aryan is shot Washington Post. With help from many questions left unanswered primatologist Jane Goodall. Set to obsessed Laurent family. Happy on a plane and arrives to discover trying to build a life for herself in an original musical that celebrates bunkers of British government while illegally trying to cross the Editor Ben Bradlee, they exposed by medical experts, Brea turned to a majestic score from legendary End bears all the hallmarks of that Martha has disappeared. In an the Big Apple. When her Russian the birth of show business & tells of during a pivotal point in World Hungarian border. While tending a massive cover-up of government the internet and found not only that composer Philip Glass, the film Haneke’s style: pairing pitch-black avalanche of spectacular disasters, friend Olga suggests a highly-paid, a visionary who rose from nothing War II, when Winston Churchill him back to health, a doctor at a secrets. Described as a Hollywood her condition has a name: myalgic offers an unprecedented portrait humour with chillingly precise she encounters the affable, but no-questions-asked job, Luciana is to create a spectacle that became was thrust into the role of Prime refugee camp discovers that Aryan all-star team’s riposte to Donald encephalomyelitis (ME), but along of a trailblazer who defied the odds direction, it’s proof that he remains annoying tramp Dom. The film is a in no position to say no. A veritable a worldwide sensation. Minister and the United Kingdom has gained an extraordinary talent Trump, The Post dramatises the with it a supportive community of to become one of the world’s most one of cinema’s true visionaries. wondrously fun and hectic tale of masterclass in mounting tension seemed on the brink of invasion. – he can levitate at will. Washington Post’s publication of sufferers. admired conservationists. peculiar people finding love. and insidious discomfort. the classified Pentagon Papers FIRST WEEK OF JANUARY NT LIVE SPECIAL OFFERS Film Diary Cinema January Matinée Early Late Tuesday 2 – Loving Vincent, 6pm Film Stars Don’t Die In Liverpool, 8.30pm January— Wednesday 3 In A Lonely Place, 2.30pm Film Stars Don’t Die In Liverpool, 6pm Loving Vincent, 8.30pm Thursday 4 Loving Vincent, 2.30pm (RS) Loving Vincent, 6pm Film Stars Don’t Die In Liverpool, 8.30pm February Friday 5 – Suburbicon, 6pm Battle of the Sexes, 8.30pm Saturday 6 Suburbicon, 2.30pm Battle of the Sexes, 5.30pm Suburbicon, 8pm 2018 Tuesday 9 – Suburbicon, 6pm Battle of the Sexes, 8.30pm Wednesday 10 Battle of the Sexes, 2.30pm Battle of the Sexes, 6pm Suburbicon, 8.30pm Thursday 11 Battle of the Sexes, 11am (BIB) Suburbicon 6pm Battle of the Sexes, 8.30pm Friday 12 – Battle of the Sexes, 6pm Marie Curie: The Courage... 8.30pm Saturday 13 Marie Curie: The Courage... 2.30pm Battle of the Sexes, 5.30pm Marie Curie: The Courage... 8pm Tuesday 16 – Battle of the Sexes, 6pm Marie Curie: The Courage... 8.30pm In A Lonely Place Cat on a Hot Tin Roof This is our most F-Rated season Wednesday 17 Marie Curie: The Courage... 2.30pm Unrest, 6pm Battle of the Sexes, 8.30pm Fri 29 Dec - Wed 3 January Thu 22 Feb, 7pm ever! The rating is designed to Thursday 18 – Unrest, 6pm Marie Curie: The Courage... 8.30pm Suspenseful noir with Humphrey Runtime 210 mins approx. Dir. Benedict Andrews. support and promote women Friday 19 – Jane, 6pm Happy End, 8.30pm Cast.
Recommended publications
  • Before the Forties
    Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY
    [Show full text]
  • Hole a Remediative Approach to the Filmmaking of the Coen Brothers
    University of Dundee DOCTOR OF PHILOSOPHY Going Down the 'Wabbit' Hole A Remediative Approach to the Filmmaking of the Coen Brothers Barrie, Gregg Award date: 2020 Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 24. Sep. 2021 Going Down the ‘Wabbit’ Hole: A Remediative Approach to the Filmmaking of the Coen Brothers Gregg Barrie PhD Film Studies Thesis University of Dundee February 2021 Word Count – 99,996 Words 1 Going Down the ‘Wabbit’ Hole: A Remediative Approach to the Filmmaking of the Coen Brothers Table of Contents Table of Figures ..................................................................................................................................... 2 Declaration ............................................................................................................................................
    [Show full text]
  • A Formalist Critique of Three Crime Films by Joel and Ethan Coen Timothy Semenza University of Connecticut - Storrs, [email protected]
    University of Connecticut OpenCommons@UConn Honors Scholar Theses Honors Scholar Program Spring 5-6-2012 "The wicked flee when none pursueth": A Formalist Critique of Three Crime Films by Joel and Ethan Coen Timothy Semenza University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/srhonors_theses Part of the Film and Media Studies Commons Recommended Citation Semenza, Timothy, ""The wicked flee when none pursueth": A Formalist Critique of Three Crime Films by Joel and Ethan Coen" (2012). Honors Scholar Theses. 241. https://opencommons.uconn.edu/srhonors_theses/241 Semenza 1 Timothy Semenza "The wicked flee when none pursueth": A Formalist Critique of Three Crime Films by Joel and Ethan Coen Semenza 2 Timothy Semenza Professor Schlund-Vials Honors Thesis May 2012 "The wicked flee when none pursueth": A Formalist Critique of Three Crime Films by Joel and Ethan Coen Preface Choosing a topic for a long paper like this can be—and was—a daunting task. The possibilities shot up out of the ground from before me like Milton's Pandemonium from the soil of hell. Of course, this assignment ultimately turned out to be much less intimidating and filled with demons than that, but at the time, it felt as though it would be. When you're an English major like I am, your choices are simultaneously extremely numerous and severely restricted, mostly by my inability to write convincingly or sufficiently about most topics. However, after much deliberation and agonizing, I realized that something I am good at is writing about film.
    [Show full text]
  • CELEBRATING FORTY YEARS of FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and Counting…
    5 JAN 18 1 FEB 18 1 | 5 JAN 18 - 1 FEB 18 88 LOTHIAN ROAD | FILMHOUSECinema.COM CELEBRATING FORTY YEARS OF FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and counting… As you’ll spot deep within this programme (and hinted at on the front cover) January 2018 sees the start of a series of films that lead up to celebrations in October marking the 40th birthday of Filmhouse as a public cinema on Lothian Road. We’ve chosen to screen a film from every year we’ve been bringing the very best cinema to the good people of Edinburgh, and while it is tremendous fun looking back through the history of what has shown here, it was quite an undertaking going through all the old programmes and choosing what to show, and a bit of a personal journey for me as one who started coming here as a customer in the mid-80s (I know, I must have started very young...). At that time, I’d no idea that Filmhouse had only been in existence for less than 10 years – it seemed like such an established, essential institution and impossible to imagine it not existing in a city such as Edinburgh. My only hope is that the cinema is as important today as I felt it was then, and that the giants on whose shoulders we currently stand feel we’re worthy of their legacy. I hope you can join us for at least some of the screenings on this trip down memory lane... And now, back to the now.
    [Show full text]
  • Programme 2013 / 2014 Films Shown Monthly September to April
    Films are shown in Appleby Magna Church Hall usually on the second Friday of the month: Appleby Magna Matinee: 2.30 pm Refreshments available during the interval and subtitles for the hard of hearing. Film Society Evening: 8.00 pm No interval. To join the Film Society Come along to a showing or contact Sonia Liff Programme 2013 / 2014 Tel. 01530 272327 Email: [email protected] Films shown monthly Annual Membership: £29 (£24 for over 60’s) for eight films Guests: £6 (£5 for over 60’s) per film September to April Members must be 16 years or over Friday afternoons at 2.30 pm New members are made very welcome. and Disabled Access: The Church hall is only accessible via four steep steps Friday evenings at 8.00 pm with a handrail on an upward sloping tarmac path. The Committee reserve the right to amend the programme if unavoidable. Appleby Magna Church Hall, Church Street, Appleby Magna DE 12 7BB (Opposite the Church) Appleby Magna Film Society is a not-for-profit club run by volunteers 13th September 2013 10th January 2014 ‘SONG FOR MARION’ UK 2012 Cert.PG13 (93 min.) ‘QUARTET’ UK 2012 Cert. PG12A (99 min.) Stars: Terence Stamp, Vanessa Redgrave, Gemma Arterton, Stars: Maggie Smith, Tom Courtnenay, Billy Connolly, Pauline Collins, Michael Gambon Director: Paul Andrew Williams Director: Dustin Hoffman A heart-warming story of a loving marriage between grumpy pensioner, Arthur (Terence Bittersweet tale of ageing former opera stars who reunite for one performance to fundraise Stamp) and the ever cheerful Marion (Vanessa Redgrave).
    [Show full text]
  • Reminder List of Productions Eligible for the 90Th Academy Awards Alien
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
    [Show full text]
  • 'Tommy Wiseau's '
    MEDIA ALERT – January 16, 2018 Due to Overwhelming Fan Demand, Encore of ‘Tommy Wiseau’s ‘The Room’’ Comes to Cinemas for One More Night on January 19 WHAT: Referred to as "the ‘Citizen Kane’ of bad movies," “The Room” has received a remarkable resurgence due to the popularity of James Franco’s “The Disaster Artist” and Tommy Wiseau’s recent appearance on The Golden Globes. On January 10, fans came out in droves as Wiseau’s opus hit more than 500 big screens across the nation with “Tommy Wiseau’s ‘The Room.’” Due to overwhelming demand, an encore screening has been set for Friday, January 19, 2018. In addition to the full-length feature, moviegoers will enjoy a special look at the new “Best F(r)iends” trailer, starring Wiseau and Greg Sestero. Starring Tommy Wiseau, directed by Tommy Wiseau, written by Tommy Wiseau, screenplay by Tommy Wiseau and produced by Tommy Wiseau, “The Room” follows the story of Johnny (Wiseau). Johnny is a bank employee who, seemingly, lives happily in a San Francisco townhouse with Lisa, his fiancée. One day she gets bored with Tommy and seduces his best friend, Mark (played by Wiseau’s best friend, Greg Sestero, author of the award-winning 2013 memoir “The Disaster Artist”). Johnny screams, “You’re tearing me apart, Lisa!”– and, with that, nothing, or no one, will ever be the same. WHO: Fathom Events WHEN: Friday, January 19, 2018; 7:00 p.m. local time WHERE: Tickets for “Tommy Wiseau’s ‘The Room’” encore will be available throughout the week online by visiting www.FathomEvents.com or at participating theater box offices.
    [Show full text]
  • Dp La Bonne Epouse Fr-Nl-En
    PRESENTE / PRESENTEERT LA BONNE EPOUSE un film de / een film van Martin PROVOST avec / met Juliette BINOCHE, Yolande MOREAU, Noémie LVOVSKY, Edouard BAER RENDEZ-VOUS UNIFRANCE 2020 – OPENING FILM FESTIVAL DE MONS 2020 – OPENING FILM France / Frankrijk– 2020 – DCP – Couleur/Kleur – 2.39 :1 – 5.1 VO avec ST NL / OV met NL OT - 109’ Distribution / Distributie : IMAGINE SORTIE NATIONALE RELEASE 11/03/2020 KIJKWIJZER / CINECHECK : 12 - peur/angst T : +32 2 331 64 31 / M Tinne Bral : +32 499 25 25 43 photos / foto's : http://press.imaginefilm.be SYNOPSIS FR Tenir son foyer et se plier au devoir conjugal sans moufter : c’est ce qu’enseigne avec ardeur Paulette Van Der Beck dans son école ménagère. Ses certitudes vacillent quand elle se retrouve veuve et ruinée. Est-ce le retour de son premier amour ou le vent de liberté de mai 68 ? Et si la bonne épouse devenait une femme libre ? NL Boersch, Elzas, eind 1967. Paulette Van Der Beck en haar man runnen al jaren een huishoudschool. Hun missie is om tienermeisjes te trainen om perfecte huisvrouwen te worden die onderdanig zijn aan hun man. Na de plotselinge dood van haar man ontdekt Paulette dat de school op de rand van het faillissement staat en moet ze kordaat optreden. Maar terwijl voorbereidingen worden getroffen voor de Beste huishouden competitie-televisieshow, beginnen zij en haar levendige studenten te twijfelen aan het nut ervan. EN Paulette Van Der Beck and her husband have been running the housekeeping school of Bitche in Alsace for many years. Their mission is to train teenage girls to become the perfect housewives at a time when women were expected to be subservient to their husband.
    [Show full text]
  • 'Perry Mason' Lays Down the Law Anew On
    Visit Our Showroom To Find The Perfect Lift Bed For You! June 19 - 25, 2020 2 x 2" ad 300 N Beaton St | Corsicana | 903-874-82852 x 2" ad M-F 9am-5:30pm | Sat 9am-4pm milesfurniturecompany.com FREE DELIVERY IN LOCAL AREA WA-00114341 E A D T Y E A W A H P Y F A Z Your Key I J P E C L K S N Z R A E T C 2 x 3" ad To Buying R E Q I P L Y U G R P O U E Y Matthew Rhys stars P F L U J R H A E L Y N P L R and Selling! 2 x 3.5" ad F A R H O W E P L I T H G O W in “Perry Mason,” I F Y P N M A S E P Z X T J E premiering Sunday D E L L A Z R E S S E A M A G on HBO. Z P A R T R Y D L I G N S U S B F N Y H N E M H I O X L N N E R C H A L K D T J L N I A Y U R E L N X P S Y E Q G Y R F V T S R E D E M P T I O N H E E A Z P A V R J Z R W P E Y D M Y L U N L H Z O X A R Y S I A V E I F C I P W K R U V A H “Perry Mason” on HBO Bargain Box (Words in parentheses not in puzzle) Perry (Mason) (Matthew) Rhys (Great) Depression Place your classified Classified Merchandise Specials Solution on page 13 Della (Street) (Juliet) Rylance (Los) Angeles ad in the Waxahachie Daily Light, Merchandise High-End 2 x 3" ad Paul (Drake) (Chris) Chalk Origins Midlothian Mirror and Ellis (Sister) Alice (Tatiana) Maslany (Private) Investigator County Trading1 Post! x 4" ad Deal Merchandise Word Search (E.B.) Jonathan (John) Lithgow Redemption Call (972) 937-3310 Run a single item Run a single item priced at $50-$300 priced at $301-$600 ‘Perry Mason’ lays down for only $7.50 per week for only $15 per week 6 lines runs in The Waxahachie Daily2 x Light, 3.5" ad Midlothian Mirror and Ellis County Trading Post and online at waxahachietx.com All specials are pre-paid.
    [Show full text]
  • A Film by Catherine BREILLAT Jean-François Lepetit Présents
    a film by Catherine BREILLAT Jean-François Lepetit présents WORLD SALES: PYRAMIDE INTERNATIONAL FOR FLASH FILMS Asia Argento IN PARIS: PRESSE: AS COMMUNICATION 5, rue du Chevalier de Saint George Alexandra Schamis, Sandra Cornevaux 75008 Paris France www.pyramidefilms.com/pyramideinternational/ IN PARIS: Phone: +33 1 42 96 02 20 11 bis rue Magellan 75008 Paris Fax: +33 1 40 20 05 51 Phone: +33 (1) 47 23 00 02 [email protected] Fax: +33 (1) 47 23 00 01 a film by Catherine BREILLAT IN CANNES: IN CANNES: with Cannes Market Riviera - Booth : N10 Alexandra Schamis: +33 (0)6 07 37 10 30 Fu’ad Aït Aattou Phone: 04.92.99.33.25 Sandra Cornevaux: +33 (0)6 20 41 49 55 Roxane Mesquida Contacts : Valentina Merli - Yoann Ubermulhin [email protected] Claude Sarraute Yolande Moreau Michael Lonsdale 114 minutes French release date: 30th May 2007 Screenplay: Catherine Breillat Adapted from the eponymous novel by Jules Barbey d’Aurevilly Download photos & press kit on www.studiocanal-distribution.com Produced by Jean-François Lepetit The storyline This future wedding is on everyone’s lips. The young and dissolute Ryno de Marigny is betrothed to marry Hermangarde, an extremely virtuous gem of the French aristocracy. But some, who wish to prevent the union, despite the young couples’ mutual love, whisper that the young man will never break off his passionate love affair with Vellini, which has been going on for years. In a whirlpool of confidences, betrayals and secrets, facing conventions and destiny, feelings will prove their strength is invincible... Interview with Catherine Breillat Film Director Photo: Guillaume LAVIT d’HAUTEFORT © Flach Film d’HAUTEFORT Guillaume LAVIT Photo: The idea “When I first met producer Jean-François Lepetit, the idea the Marquise de Flers, I am absolutely “18th century”.
    [Show full text]
  • Taking You Further Into Film 2020
    2020 taking you further into film FILMSOCIETYWELLINGTON.NET.NZ Wellington Film Society WELCOME WELLINGTON FILM SOCIETY 2020 taking you further into film Welcome to Wellington Film Society’s 2020 season of classic and contemporary cinema from around the world and our own doorstep. Enjoy the big screen experience with us at The Embassy! • Exciting cinema that pushes the boundaries • See films you may never have heard of • Weekly screenings give you time to reflect • Guest speakers and Q&A with filmmakers • Exceptional value – a full membership subscription works out at under $4 a film (even less with discounted membership) • Great discounts at local cinemas (Roxy Cinema, The Embassy, Penthouse Cinema, all Lighthouse Cinemas), and the New Zealand International Film Festival 2020 – Wellington, 31 July–16 August The Wellington Film Society, now in its 74th year, is affiliated to the NZ Federation of Film Societies, New Zealand’s only alternative non-profit network of film exhibition. Members only Membership gives free access to all our films. The Wellington Film Society is open to everyone. However, we operate on a subscription basis to comply with conditions of distribution. Join online or by filling in the attached form. The Wellington Film Society is run on behalf of its members by a voluntary committee elected at the Annual General Meeting. We are a registered charitable entity under the Charities Act 2005 and have donee status approved by Inland Revenue. If you wish to give us extra financial support in our efforts to secure great films to screen, please use the ‘donation’ box on the application form and a receipt will be issued for you to claim with your tax return.
    [Show full text]
  • Andreas MESZAROS 1St ASSISTANT DIRECTOR
    Andreas MESZAROS 1st ASSISTANT DIRECTOR 3 rue de Tombouctou, 75018 Paris (film, television and commercials) 0033 / 6-11-18-06-46 [email protected] Nationality: German, born in 1964 Languages: German (native), French (fluent), English (fluent), Spanish (notions) EDUCATION GERMANY/Cologne 1983 High School Diploma, Majors: English/French FRANCE / Paris 84-86 Film School: Conservatoire Libre du Cinéma Français U.S.A. / New York 1993 School of Visual Arts: Photography FEATURE - LENGTH FILMS = * TELEVISION = ** . film in English . Foreign Production August - Nov. 2020 THE BODINS * by Frédéric FORESTIER (1st AD) Cheyenne Prod/TA Prod : Shooting in Thailand (Bangkok/South) March - July 2020 IL ETAIT UNE FOIS A MONACO ** by Frédéric FORESTIER (1st AD) Beaubourg Stories: Shooting in Monaco/Nice Nov. - Feb. 2020 FLIGHT MH370 ** by Gilles Bannier (1st AD) Alef One, pre-prep schedule & recce Australia March - June 2019 A TABLE IN THE PROVENCE** by Dagmar SEUME (1st AD) ZDF: shooting in South of France: Montpellier Oct. - Dec. 2018 THE DECISION** by Sven FEHRENSEN (1st AD) UFA/Cactus Films : shooting in Marseille July – Oct. 2018 RIVIERA ** by Paul WALKER & Destiny EKARAGHA (1st AD) Sky Drama, Peninsula Film, shooting in Nice, Monaco, Cannes Jan.- June 2018 RED SNAKE * by Caroline FOUREST (1st AD) Place du Marché/Agora Films, shooting in Maroc March 2017 - July 2017 TRANSIT * by Christian PETZOLD (Co-1st AD) Schramm Films/Neon Productions (french-german co-production) shooting in Marseille May 2016 - Oct. 2016 LE SEMEUR * by Marine FRANCEN (1st AD) Les Films du Worso Nov. 2015 - April 2016 LA PROMESSE DE L’AUBE * by Éric BARBIER (actor: Charlotte Gainsbourg/Pierre Niney).
    [Show full text]