Inside Facts of Stage and Screen (May 10, 1930)
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Fall 2005 $2.50
American Jewish Historical Society Fall 2005 $2.50 PRESIDENTIAL DINNER 'CRADLED IN JUDEA' EXHIBITION CHANUKAH AMERICAN STYLE BOSTON OPENS 350TH ANNIVERSARY EXHIBIT FROM THE ARCHIVES: NEW YORK SECTION, NCJW NEW JEWISH BASEBALL DISCOVERIES TO OUR DONORS The American Jewish Historical Society gratefully STEVEN PLOTNICK HENRY FRIESS JACK OLSHANSKY ARNOLD J. RABINOR KARL FRISCH KATHE OPPENHEIMER acknowledges the generosity of our members and TOBY & JEROME RAPPOPORT ROBERTA FRISSELL JOAN & STEVE ORNSTEIN donors. Our mission to collect, preserve and disseminate JEFF ROBINS PHILLIP FYMAN REYNOLD PARIS ROBERT N. ROSEN DR. MICHAEL GILLMAN MITCHELL PEARL the record of the American Jewish experience would LIEF ROSENBLATT RABBI STEVEN GLAZER MICHAEL PERETZ be impossible without your commitment and support. DORIS ROSENTHAL MILTON GLICKSMAN HAROLD PERLMUTTER WALTER ROTH GARY GLUCKOW PHILLIP ZINMAN FOUNDATION ELLEN R. SARNOFF MARC GOLD EVY PICKER $100,000+ FARLA & HARVEY CHET JOAN & STUART SCHAPIRO SHEILA GOLDBERG BETSY & KEN PLEVAN RUTH & SIDNEY LAPIDUS KRENTZMAN THE SCHWARTZ FAMILY JEROME D. GOLDFISHER JACK PREISS SANDRA C. & KENNETH D. LAPIDUS FAMILY FUND FOUNDATION ANDREA GOLDKLANG ELLIOTT PRESS MALAMED NORMAN LISS EVAN SEGAL JOHN GOLDKRAND JAMES N. PRITZKER JOSEPH S. & DIANE H. ARTHUR OBERMAYER SUSAN & BENJAMIN SHAPELL HOWARD K. GOLDSTEIN EDWARD H RABIN STEINBERG ZITA ROSENTHAL DOUGLAS SHIFFMAN JILL GOODMAN ARTHUR RADACK CHARITABLE TRUST H. A. SCHUPF LEONARD SIMON DAVID GORDIS NANCY GALE RAPHAEL $50,000+ ARTHUR SEGEL HENRY SMITH LINDA GORENS-LEVEY LAUREN RAPPORT JOAN & TED CUTLER ROSALIE & JIM SHANE TAWANI FOUNDATION GOTTESTEIN FAMILY FOUNDATION JULIE RATNER THE TRUSTEES VALYA & ROBERT SHAPIRO MEL TEITELBAUM LEONARD GREENBERG ALAN REDNER UNDER THE WILL OF STANLEY & MARY ANN SNIDER MARC A. -
Online Versions of the Handouts Have Color Images & Hot Urls September
Online versions of the Handouts have color images & hot urls September 6, 2016 (XXXIII:2) http://csac.buffalo.edu/goldenrodhandouts.html Sam Wood, A NIGHT AT THE OPERA (1935, 96 min) DIRECTED BY Sam Wood and Edmund Goulding (uncredited) WRITING BY George S. Kaufman (screenplay), Morrie Ryskind (screenplay), James Kevin McGuinness (from a story by), Buster Keaton (uncredited), Al Boasberg (additional dialogue), Bert Kalmar (draft, uncredited), George Oppenheimer (uncredited), Robert Pirosh (draft, uncredited), Harry Ruby (draft uncredited), George Seaton (draft uncredited) and Carey Wilson (uncredited) PRODUCED BY Irving Thalberg MUSIC Herbert Stothart CINEMATOGRAPHY Merritt B. Gerstad FILM EDITING William LeVanway ART DIRECTION Cedric Gibbons STUNTS Chuck Hamilton WHISTLE DOUBLE Enrico Ricardi CAST Groucho Marx…Otis B. Driftwood Chico Marx…Fiorello Marx Brothers, A Night at the Opera (1935) and A Day at the Harpo Marx…Tomasso Races (1937) that his career picked up again. Looking at the Kitty Carlisle…Rosa finished product, it is hard to reconcile the statement from Allan Jones…Ricardo Groucho Marx who found the director "rigid and humorless". Walter Woolf King…Lassparri Wood was vociferously right-wing in his personal views and this Sig Ruman… Gottlieb would not have sat well with the famous comedian. Wood Margaret Dumont…Mrs. Claypool directed 11 actors in Oscar-nominated performances: Robert Edward Keane…Captain Donat, Greer Garson, Martha Scott, Ginger Rogers, Charles Robert Emmett O'Connor…Henderson Coburn, Gary Cooper, Teresa Wright, Katina Paxinou, Akim Tamiroff, Ingrid Bergman and Flora Robson. Donat, Paxinou and SAM WOOD (b. July 10, 1883 in Philadelphia, Pennsylvania—d. Rogers all won Oscars. Late in his life, he served as the President September 22, 1949, age 66, in Hollywood, Los Angeles, of the Motion Picture Alliance for the Preservation of American California), after a two-year apprenticeship under Cecil B. -
Heritage Vol.1 No.2 Newsletter of the American Jewish Historical Society Fall/Winter 2003
HERITAGE VOL.1 NO.2 NEWSLETTER OF THE AMERICAN JEWISH HISTORICAL SOCIETY FALL/WINTER 2003 “As Seen By…” Great Jewish- American Photographers TIME LIFE PICTURES © ALL RIGHTS RESERVED INC. Baseball’s First Jewish Superstar Archival Treasure Trove Yiddish Theater in America American Jewish Historical Society 2002 -2003 Gift Roster This list reflects donations through April 2003. We extend our thanks to the many hundreds of other wonderful donors whose names do not appear here. Over $200,000 Genevieve & Justin L. Wyner $100,000 + Ann E. & Kenneth J. Bialkin Marion & George Blumenthal Ruth & Sidney Lapidus Barbara & Ira A. Lipman $25,000 + Citigroup Foundation Mr. David S. Gottesman Yvonne S. & Leslie M. Pollack Dianne B. and David J. Stern The Horace W. Goldsmith Linda & Michael Jesselson Nancy F. & David P. Solomon Mr. and Mrs. Sanford I. Weill Foundation Sandra C. & Kenneth D. Malamed Diane & Joseph S. Steinberg $10,000 + Mr. S. Daniel Abraham Edith & Henry J. Everett Mr. Jean-Marie Messier Muriel K. and David R Pokross Mr. Donald L. SaundersDr. and Elsie & M. Bernard Aidinoff Stephen and Myrna Greenberg Mr. Thomas Moran Mrs. Nancy T. Polevoy Mrs. Herbert Schilder Mr. Ted Benard-Cutler Mrs. Erica Jesselson Ruth G. & Edgar J. Nathan, III Mr. Joel Press Francesca & Bruce Slovin Mr. Len Blavatnik Renee & Daniel R. Kaplan National Basketball Association Mr. and Mrs. James Ratner Mr. Stanley Snider Mr. Edgar Bronfman Mr. and Mrs. Norman B. Leventhal National Hockey League Foundation Patrick and Chris Riley aMrs. Louise B. Stern Mr. Stanley Cohen Mr. Leonard Litwin Mr. George Noble Ambassador and Mrs. Felix Rohatyn Mr. -
Jack Benny, 1937
7/18/2020 Tralfaz: Jack Benny, 1937 More [email protected] Dashboard Sign Out Sunday, 7 February 2016 About Me Jack Benny, 1937 View my complete It must be nice to be under movie contract and then tell the studio profile you’re not going to show up because you’re on holidays. That’s what Jack Benny did in 1937. Blogs to See The Motion Picture Herald reported on April 17th that Jack’s three- Movies with Michael picture deal with Paramount was for “Artists and Models,” “The Big Some Broadcast of 1938” and “Cuckoo College.” But he never appeared Cartoons For in “Big Broadcast” because he was too busy on a European Saturday vacation. W.C. Fields was named to replace him (it was the movie Morning that Bob Hope and Shirley Ross sang “Thanks for the Memory,” #80 - Hello my friends making Hope a film star in the process). What “Cuckoo College” and welcome back for turned into, I don’t know; Jack’s next movie was “Artists and another selection of classic Models Abroad” (with the wonderful Fritz Feld) in 1938. The same cartoons. Today's selection begins with one of the great with “Never Say Die,” which was being cast in December, with Mickey, Donald and Goofy Raoul Walsh named to direct starting in Feb. 1938. car... 6 hours ago On radio in 1937, Jack’s unexpected feud with Fred Allen turned Way Too Damn Lazy To into an unexpected smash hit. It was capped by a Benny trip to New York City where he “fought” Fred Allen on Write A Blog his broadcast of March 14th. -
Goodwill Court Off the Air?
FEBRUARY A MACFADDEN PUBLICATION THE LAWYERS DRIVE GOODWILL COURT OFF THE AIR? COMPLETE WORDS Answering All AND MUSIC TO A Your Questions FAMOUS THEME About SONG IN THIS ISSUE TELEVISION De e tf* etit YES, IF YOUR MAKE -UP'S NATURAL WHAT IS BEAUTY FOR -if All over the world smartly-groomed incredible, astounding effect is that not to set masculine hearts women say Princess Pat rouge is their of color coming from within the skin, favorite. Let's discover its secret of just like a natural blush. You'll be a athrob -if not to bring the thrill utterly natural color. Your rouge-unless glamorous person with Princess Pat of conquests -if not to sing it is Princess Pat -most likely is one flat rouge -irresistible. Try it -and see. little songs of happiness in tone. But Princess Pat rouge is duo -tone. your heart when he admires? There's an under- Make -up's so important - tone that blends especially your rouge! with an overtone, to change magically There's nothing beautiful about on your skin. It be- rouge that looks painted, that outlines comes richly beauti- - itself as a splotch. But Princess Pat ful, vital, real -no r - ------r---- rouge- duo -lone -Ah, there is beauty! outline. The almost PRINCESS PAT, Dept. 792 FREE 2709 South Wells Street, Chicago w Without cost or obligation please send me a Princess Pat cosmetics «r. s are non -allergic! free sample of Princess Pat rouge, as checked English Tint Poppy Gold Squaw Vivid Tan Medium Theatre Nile PRINCESS PAT ROUGE One sample free; additional samples lOc each. -
El Videoclip Como Paradigma De La Música Contemporánea, De 1970 a 2015
UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE CIENCIAS DE LA INFORMACIÓN DEPARTAMENTO DE COMUNICACIÓN AUDIOVISUAL Y PUBLICIDAD I TESIS DOCTORAL El videoclip como paradigma de la música contemporánea, de 1970 a 2015 MEMORIA PARA OPTAR AL GRADO DE DOCTORA PRESENTADA POR Lara García Soto DIRECTOR Francisco Reyes Sánchez Madrid, 2017 © Lara García Soto, 2016 Universidad Complutense de Madrid Facultad de CC. de la Información Comunicación Audiovisual y Publicidad I El videoclip como paradigma de la música contemporánea, de 1970 a 2015 Tesis doctoral presentada por: Lara García Soto. Tesis doctoral dirigida por: Francisco Reyes Sánchez. Madrid, 2015 El ejemplo, la fuerza y el esfuerzo, mis padres. La paciencia y apoyo, Adrián. La música, baile y mi inspiración, Michael Jackson. Gracias. ÍNDICE 1. Introducción y Objeto de estudio……………………………………1 2. Objetivos……………………………………………………………….6 3. Metodología………………………………………............................10 4. Orígenes……………………………………………………………….13 4.1. Cine sonoro y experiencias artísticas………………………13 4.2. Cine Musical…………………………………………………..18 4.3. Soundies y Scopitones……………………………………….25 4.4. La llegada de las películas rock, grabaciones de conciertos. Décadas de los 50 y 60……………………………………………29 4.5. El videoarte……………………………….............................38 4.6. La televisión y los programas musicales………………......41 4.6.1. La MTV………………………………………………...........48 4.6.2. Programas musicales en España………………………...57 4.6.3. Los canales temáticos de música y videoclips………….65 5. Historia de la música y relación con los videoclips……………….68 5.1. Los años 70…………………………………………………..69 5.2. Los años 80…………………………………………………..76 5.2.1. La televisión y los videoclips. Desarrollo del rap…..80 5.2.2. El primer muro. El PMRC…………………………….86 5.2.3. Continúa la evolución: música, tecnología y moda..89 5.2.4. -
Precinct Committee Write in Results May 17, 2016 Primary Election
Precinct Committee Write In Results May 17, 2016 Primary Election Sum of Votes Party2 Precinct Gender2 Candidate Total Democratic 2701 Female Ann Hayes 1 Blank 2 Karin McDonogh 1 Linsay Littlejo 1 Nancy Draper 1 Male Blank 4 Carlos Agayo 1 Marcus Judkins 1 Roger Martin 1 2701 Total 13 2702 Female Alexa Vascomcyos 1 Blank 1 Carolyn Schulte 1 Cheryll J. Brounstein 1 Heidi Saldvan 1 Janice Wallenstein 1 Karla Forsythe 1 Kayelle Garn 1 Martha Hart 3 Naomi Deitz 1 Male Blank 2 Dale A. Brounstein 1 George WA 1 James W. Buell 1 John Calhoun 1 Terry Bernhard 1 2702 Total 19 3101 Female Agnes Zach 2 Alisa Rowe 1 Alycia M. Ferris 1 Annika Donaldson 1 Blank 3 Brittany Korfel 1 Joanne M James 1 Kathleen Molony 2 Kimberly K Burton 1 Kristi Jo Lewis 1 Nancy Jo Orr 1 Patricia McGroin 1 Pinn Crawford 1 Rose Gobeo Radich 1 Sarah Iannarone 1 Male Adam Jones 1 Multnomah County, Oregon Precinct Committee Write In Results May 17, 2016 Primary Election Democratic 3101 Male Alexander Tretheny 1 Bear Wilner-Nugent 2 Ben Nussb 1 Brian yoder 1 Lawrence Roe 1 Mattew Marcot 1 Matthew Radich 1 Patrick Bryson 2 Richard Nibbler 1 Sidney Walters 1 Steven 1 Stuart Emmons 1 William E. Crawford 1 William Makli 1 3101 Total 36 3102 Female Abbi Bugg 1 Ambikakaph 1 Anna Squire 1 Beverly Bugg 1 Blank 3 Bonnie Leis 2 Glenda St Bearded 1 Jillian King 1 Judith Sowd 1 Kalliste Edeen 2 Kimberly Goddard 1 Lisabeth A Skoch 1 Martha Stewart 1 Maryellen Hocken 1 Michele Roy 1 Rhonda Reed 1 Roberts 1 Salli Archibald 1 Sen Speroff 1 Sharon Knachrel 1 Stephanie Vasquez 2 Teresa Hunter -
Bob Hope at the National Press Club, July 8, 1980
Bob Hope at the National Press Club, July 8, 1980 Bob Hope (right) with White House photographer Andrew J. “Buck” May (left), July 1980. National Press Club Archives Comedian Bob Hope (1903-2003) treated journalists at a National Press Club luncheon on July 8, 1980, to jokes he planned to deliver later in the week during performances at Washington’s Kennedy Center Concert Hall. As part of a summer tour that coincided with the 1980 presidential election campaign, Hope’s appearances at the Press Club and Kennedy Center gave audiences the opportunity to hear the legendary funnyman gently, but pointedly, skewer those in power, a talent he had perfected since Franklin D. Roosevelt’s presidency. When Hope appeared in March 1944 at the White House Correspondents Association dinner at the Statler Hotel—the annual political roast hosted by the Washington press corps—and left Roosevelt roaring with laughter, the syndicated columnist Richard Wilson announced that a new era had begun. “The gap left by the death of [political humorist] Will Rogers has been filled,” Wilson wrote. “Bob Hope has stepped into his shoes. From now on he will be sought in Washington to provide that extra touch at the capital’s lavish public functions.” Hope’s Press Club appearance came during the final phases of a career that spanned most of the twentieth century. The entertainment historian and critic Leonard Maltin has noted that Hope “may be the most popular entertainer in the history of Western civilization.” A versatile performer—in addition to comedy, he excelled as a singer and dancer—Hope began in vaudeville in the 1920s, gained prominence on the Broadway musical stage during the 1930s, and became one of the nation’s top radio 1 and movie stars in the 1940s. -
Corpus Antville
Corpus Epistemológico da Investigação Vídeos musicais referenciados pela comunidade Antville entre Junho de 2006 e Junho de 2011 no blogue homónimo www.videos.antville.org Data Título do post 01‐06‐2006 videos at multiple speeds? 01‐06‐2006 music videos based on cars? 01‐06‐2006 can anyone tell me videos with machine guns? 01‐06‐2006 Muse "Supermassive Black Hole" (Dir: Floria Sigismondi) 01‐06‐2006 Skye ‐ "What's Wrong With Me" 01‐06‐2006 Madison "Radiate". Directed by Erin Levendorf 01‐06‐2006 PANASONIC “SHARE THE AIR†VIDEO CONTEST 01‐06‐2006 Number of times 'panasonic' mentioned in last post 01‐06‐2006 Please Panasonic 01‐06‐2006 Paul Oakenfold "FASTER KILL FASTER PUSSYCAT" : Dir. Jake Nava 01‐06‐2006 Presets "Down Down Down" : Dir. Presets + Kim Greenway 01‐06‐2006 Lansing‐Dreiden "A Line You Can Cross" : Dir. 01‐06‐2006 SnowPatrol "You're All I Have" : Dir. 01‐06‐2006 Wolfmother "White Unicorn" : Dir. Kris Moyes? 01‐06‐2006 Fiona Apple ‐ Across The Universe ‐ Director ‐ Paul Thomas Anderson. 02‐06‐2006 Ayumi Hamasaki ‐ Real Me ‐ Director: Ukon Kamimura 02‐06‐2006 They Might Be Giants ‐ "Dallas" d. Asterisk 02‐06‐2006 Bersuit Vergarabat "Sencillamente" 02‐06‐2006 Lily Allen ‐ LDN (epk promo) directed by Ben & Greg 02‐06‐2006 Jamie T 'Sheila' directed by Nima Nourizadeh 02‐06‐2006 Farben Lehre ''Terrorystan'', Director: Marek Gluziñski 02‐06‐2006 Chris And The Other Girls ‐ Lullaby (director: Christian Pitschl, camera: Federico Salvalaio) 02‐06‐2006 Megan Mullins ''Ain't What It Used To Be'' 02‐06‐2006 Mr. -
Transtextuality .,,In Pnn~, ,,,,,, Tlar Ant,.,,,,, Tcir ,,,Nn Commercial Radio
National Library Bibliotheque nationale of Canada du Canada Acquisitions and Direction des accuisitions et Bibliographic Services Branch des services bibli~graphiques 395 Wellington Siret 395, rue Wellington Ottawa, Ontario Ottawa (Ontario) KIA ON4 KIA ON4 The quality of this microform is La qualite de cette microforme heavily dependent upon the depend grandernent de la qualit@ quality of the original thesis de la thQse soumise au submitted for microfilming. microfilmage. Hous awns tout Every effort has been made to fait pour assurer une qualit6 ensure the highest quality of suphrieure de reproduction. reproduction psssible. If pages are missing, contact the S'il manque des pages, veuillez university which granted the communiquer avec I'universite degree. qui a confere le grade. Some pages may have indistinct La qualite d'irnpression de print especially if the original certaines pages peut laisser a pages were typed with a poor dbsirer, surtout si les pages typewriter ribbon or if the originales ont et6 university sent us an inferior dactylographiees a I'aide d'un photocopy. ruban us6 ou si I'universite nous a fait parvenir une photocopie de qualite inferieure. Reproduction in full or in part of La reproduction, m&ma partielle, this microform is governed by de cette microforme est soumise the Canadian Copyright Act, a la Loi canadienne sur Ce droit RSC 1970, c. C-30, and d'auteur, SRC 1970, c. C-30,et subsequent amendments. ses amendements su bsequents. Eric James Spalding E.A., Concordia University, 1985 M.A., gniversit6 du Quhbec ~ontrgal,1988 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in the Department of COMMUNICATION (C) Eric James SpaLdlng 1992 SIMON FRASER UNIVERSITY August 1992 All rights reserved. -
Von Hofmannsthals Lyrik Des Hauchs Zur Atemperformance“
DISSERTATION Titel der Dissertation „Kunst und Pneuma. Von Hofmannsthals Lyrik des Hauchs zur Atemperformance“ Verfasserin Mag. Dorothea Rebecca Schönsee angestrebter akademischer Grad Doktorin der Philosophie (Dr.phil.) Wien, 2011 Studienkennzahl lt. Studienblatt: A 092 332 Dissertationsgebiet lt. Studienblatt: Deutsche Philologie Betreuer: Univ. Doz. Dr. Roland Innerhofer Danksagung Die Hauptwege und Nebenwege von Hofmannsthals Lyrik des Hauchs zur Atemperformance im Feld von Kunst und Pneuma hätte ich ohne die großzügige Unterstützung meiner Eltern, ihr Vertrauen in meine Forschung und ihren Rückhalt nicht in dem beabsichtigten Maße erschließen und nachzeichnen können. Ihnen ist diese Arbeit daher zugeschrieben. Mein ganz besonderer Dank gilt darüber hinaus der äußerst aufmerksamen Begleitung Roland Innerhofers, seiner verständnisvollen Betreuung und seinen stets im rechten Moment gesetzten feinsinnigen Impulsen, die den pneumatischen Gedankenspielen entscheidende Richtungen gewiesen haben. Den von Friedrich Teja Bach initiierten ‚Gesprächen über Kunst’ im Rahmen seines Privatissimums zur ästhetischen Theorie verdanke ich sehr viel, vor allem im Hinblick auf den Brückenschlag in die Atemperformances der Moderne und Gegenwart. Besonders gedankt sei des Weiteren Michael Rohrwasser für die großzügige Bereitschaft, sich des vorliegenden ‚Gesprächs über Gedichte’ anzunehmen. Für ihr Engagement danke ich ebenfalls Christine Gaigg, Susanne Hochreiter und Wolfram Pichler, ferner Sergius Kodera für seine anregenden Forschungen zu dem nolanischen -
Daniel Landin, Bsc Director of Photography
Lux Artists Ltd. 12 Stephen Mews London W1T 1AH +44 (0)20 7637 9064 www.luxartists.net DANIEL LANDIN, BSC DIRECTOR OF PHOTOGRAPHY FILM/TELEVISION DIRECTOR PRODUCER THE YELLOW BIRDS Alexandre Moors Strong Mining & Winner, Best Cinematography, Sundance Film Festival (2017) Supply Co. UNDER THE SKIN Jonathan Glazer FilmFour/A24 Nominated, Outstanding British Film, BAFTA Awards (2015) Official Selection, Venice Film Festival (2014) Official Selection, London Film Festival (2014) 44 INCH CHEST Malcolm Venville Anonymous Content THE ORGAN GRINDER'S Dinos Chapman Warp Films MONKEY THE UNINVITED The Guard Brothers DreamWorks Goldcrest Pictures DIRECTORS/COMMERCIALS (Selected Credits) JONATHAN GLAZER Nike, Sony, Motorola, Stella Artois, Levi's, Guinness, Wrangler, VW, Flake DOUGAL WILSON John Lewis, Paralympics GUARD BROTHERS Nokia, N- Gage, Captain Morgan, Intel, Nike NICOLAI FUGLSIG Toyota, Mercedes, Audi ALISON MCCLEAN Phileas Fogg TOM HOOPER Jaguar, Jaguar V6 AMIR CHAMDIN H&M, Mango ANDREW DOUGLAS Apple ANTHONY ATANASIO Levi's, Nintendo, Jacques Varbre AOIFE MCARDLE Samsung TRAKTOR Cravendale, Sky, C.O.I. ATANASIO + MARTINEZ Etihad BENITO MONTORIO BBC Trailer, BBC Iplayer BRETT FORAKER Toyota, Sony CHRIS CAIRNS Audi NICK & WARREN Johnny Walker, BMW, Lancome, Schwepps, Thierry Mugler CHRIS HEWITT Stella Artois CHRIS PALMER Kidsco, Honda, Shell, Europcar, PMU, Halifax DANIEL KLEINMAN Tango, Lynx DANTE ARIOLA Orange DAWN SHADFORTH Boots DOM & NIC Barnado's, Toyota Corolla FRANK BUDGEN Cancer Research, Honda, British Heart Foundation JIM GILCHRIST