BRAMBLE P D CV 2020C Copy 7.Pages
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Fall 2005 $2.50
American Jewish Historical Society Fall 2005 $2.50 PRESIDENTIAL DINNER 'CRADLED IN JUDEA' EXHIBITION CHANUKAH AMERICAN STYLE BOSTON OPENS 350TH ANNIVERSARY EXHIBIT FROM THE ARCHIVES: NEW YORK SECTION, NCJW NEW JEWISH BASEBALL DISCOVERIES TO OUR DONORS The American Jewish Historical Society gratefully STEVEN PLOTNICK HENRY FRIESS JACK OLSHANSKY ARNOLD J. RABINOR KARL FRISCH KATHE OPPENHEIMER acknowledges the generosity of our members and TOBY & JEROME RAPPOPORT ROBERTA FRISSELL JOAN & STEVE ORNSTEIN donors. Our mission to collect, preserve and disseminate JEFF ROBINS PHILLIP FYMAN REYNOLD PARIS ROBERT N. ROSEN DR. MICHAEL GILLMAN MITCHELL PEARL the record of the American Jewish experience would LIEF ROSENBLATT RABBI STEVEN GLAZER MICHAEL PERETZ be impossible without your commitment and support. DORIS ROSENTHAL MILTON GLICKSMAN HAROLD PERLMUTTER WALTER ROTH GARY GLUCKOW PHILLIP ZINMAN FOUNDATION ELLEN R. SARNOFF MARC GOLD EVY PICKER $100,000+ FARLA & HARVEY CHET JOAN & STUART SCHAPIRO SHEILA GOLDBERG BETSY & KEN PLEVAN RUTH & SIDNEY LAPIDUS KRENTZMAN THE SCHWARTZ FAMILY JEROME D. GOLDFISHER JACK PREISS SANDRA C. & KENNETH D. LAPIDUS FAMILY FUND FOUNDATION ANDREA GOLDKLANG ELLIOTT PRESS MALAMED NORMAN LISS EVAN SEGAL JOHN GOLDKRAND JAMES N. PRITZKER JOSEPH S. & DIANE H. ARTHUR OBERMAYER SUSAN & BENJAMIN SHAPELL HOWARD K. GOLDSTEIN EDWARD H RABIN STEINBERG ZITA ROSENTHAL DOUGLAS SHIFFMAN JILL GOODMAN ARTHUR RADACK CHARITABLE TRUST H. A. SCHUPF LEONARD SIMON DAVID GORDIS NANCY GALE RAPHAEL $50,000+ ARTHUR SEGEL HENRY SMITH LINDA GORENS-LEVEY LAUREN RAPPORT JOAN & TED CUTLER ROSALIE & JIM SHANE TAWANI FOUNDATION GOTTESTEIN FAMILY FOUNDATION JULIE RATNER THE TRUSTEES VALYA & ROBERT SHAPIRO MEL TEITELBAUM LEONARD GREENBERG ALAN REDNER UNDER THE WILL OF STANLEY & MARY ANN SNIDER MARC A. -
LACMA Presents …Is James Bond, Co-Organized with LMU's School Of
LACMA presents …Is James Bond, co-organized with LMU’s School of Film and Television, June 9 – September 9, 2012 Exhibition features all twenty-two James Bond opening credit sequences, fourteen of which were created by film title designer Maurice Binder, in celebration of the fiftieth anniversary of the Bond franchise (LOS ANGELES, June 4, 2012) – The Los Angeles County Museum of Art (LACMA) presents …Is James Bond, the first exhibition to feature the complete opening credit sequences from twenty-two James Bond films produced by Eon Productions. Co-organized by LACMA and Loyola Marymount University’s School of Film and Television (SFTV), the exhibition celebrates the fiftieth anniversary of one of the most successful and long-lasting film franchises of all time: James Bond. SFTV Dean Stephen Ujlaki says, “Bond’s impact on popular culture is immense, from music to fashion and automobiles, and on the business side, the people who advanced the franchise deserve immense credit, among them LMU alumna Barbara Broccoli, and Eon Productions.” Over the course of fifty years and twenty-two films (soon to be twenty-three with the release of Skyfall), James Bond has gone from Sean Connery to Daniel Craig, from the Soviets to the North Koreans, from M as a man to a woman, from secret nefarious organizations to power-mad tycoons. And while 007 was changing, the opening credit sequence remained constant. “Beginning with Dr. No, the opening credits, created by Maurice Binder, have functioned as pieces of art that comment on the films, while remaining separate from them,” says Elvis Mitchell, curator for Film Independent at LACMA. -
Heritage Vol.1 No.2 Newsletter of the American Jewish Historical Society Fall/Winter 2003
HERITAGE VOL.1 NO.2 NEWSLETTER OF THE AMERICAN JEWISH HISTORICAL SOCIETY FALL/WINTER 2003 “As Seen By…” Great Jewish- American Photographers TIME LIFE PICTURES © ALL RIGHTS RESERVED INC. Baseball’s First Jewish Superstar Archival Treasure Trove Yiddish Theater in America American Jewish Historical Society 2002 -2003 Gift Roster This list reflects donations through April 2003. We extend our thanks to the many hundreds of other wonderful donors whose names do not appear here. Over $200,000 Genevieve & Justin L. Wyner $100,000 + Ann E. & Kenneth J. Bialkin Marion & George Blumenthal Ruth & Sidney Lapidus Barbara & Ira A. Lipman $25,000 + Citigroup Foundation Mr. David S. Gottesman Yvonne S. & Leslie M. Pollack Dianne B. and David J. Stern The Horace W. Goldsmith Linda & Michael Jesselson Nancy F. & David P. Solomon Mr. and Mrs. Sanford I. Weill Foundation Sandra C. & Kenneth D. Malamed Diane & Joseph S. Steinberg $10,000 + Mr. S. Daniel Abraham Edith & Henry J. Everett Mr. Jean-Marie Messier Muriel K. and David R Pokross Mr. Donald L. SaundersDr. and Elsie & M. Bernard Aidinoff Stephen and Myrna Greenberg Mr. Thomas Moran Mrs. Nancy T. Polevoy Mrs. Herbert Schilder Mr. Ted Benard-Cutler Mrs. Erica Jesselson Ruth G. & Edgar J. Nathan, III Mr. Joel Press Francesca & Bruce Slovin Mr. Len Blavatnik Renee & Daniel R. Kaplan National Basketball Association Mr. and Mrs. James Ratner Mr. Stanley Snider Mr. Edgar Bronfman Mr. and Mrs. Norman B. Leventhal National Hockey League Foundation Patrick and Chris Riley aMrs. Louise B. Stern Mr. Stanley Cohen Mr. Leonard Litwin Mr. George Noble Ambassador and Mrs. Felix Rohatyn Mr. -
El Videoclip Como Paradigma De La Música Contemporánea, De 1970 a 2015
UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE CIENCIAS DE LA INFORMACIÓN DEPARTAMENTO DE COMUNICACIÓN AUDIOVISUAL Y PUBLICIDAD I TESIS DOCTORAL El videoclip como paradigma de la música contemporánea, de 1970 a 2015 MEMORIA PARA OPTAR AL GRADO DE DOCTORA PRESENTADA POR Lara García Soto DIRECTOR Francisco Reyes Sánchez Madrid, 2017 © Lara García Soto, 2016 Universidad Complutense de Madrid Facultad de CC. de la Información Comunicación Audiovisual y Publicidad I El videoclip como paradigma de la música contemporánea, de 1970 a 2015 Tesis doctoral presentada por: Lara García Soto. Tesis doctoral dirigida por: Francisco Reyes Sánchez. Madrid, 2015 El ejemplo, la fuerza y el esfuerzo, mis padres. La paciencia y apoyo, Adrián. La música, baile y mi inspiración, Michael Jackson. Gracias. ÍNDICE 1. Introducción y Objeto de estudio……………………………………1 2. Objetivos……………………………………………………………….6 3. Metodología………………………………………............................10 4. Orígenes……………………………………………………………….13 4.1. Cine sonoro y experiencias artísticas………………………13 4.2. Cine Musical…………………………………………………..18 4.3. Soundies y Scopitones……………………………………….25 4.4. La llegada de las películas rock, grabaciones de conciertos. Décadas de los 50 y 60……………………………………………29 4.5. El videoarte……………………………….............................38 4.6. La televisión y los programas musicales………………......41 4.6.1. La MTV………………………………………………...........48 4.6.2. Programas musicales en España………………………...57 4.6.3. Los canales temáticos de música y videoclips………….65 5. Historia de la música y relación con los videoclips……………….68 5.1. Los años 70…………………………………………………..69 5.2. Los años 80…………………………………………………..76 5.2.1. La televisión y los videoclips. Desarrollo del rap…..80 5.2.2. El primer muro. El PMRC…………………………….86 5.2.3. Continúa la evolución: música, tecnología y moda..89 5.2.4. -
Precinct Committee Write in Results May 17, 2016 Primary Election
Precinct Committee Write In Results May 17, 2016 Primary Election Sum of Votes Party2 Precinct Gender2 Candidate Total Democratic 2701 Female Ann Hayes 1 Blank 2 Karin McDonogh 1 Linsay Littlejo 1 Nancy Draper 1 Male Blank 4 Carlos Agayo 1 Marcus Judkins 1 Roger Martin 1 2701 Total 13 2702 Female Alexa Vascomcyos 1 Blank 1 Carolyn Schulte 1 Cheryll J. Brounstein 1 Heidi Saldvan 1 Janice Wallenstein 1 Karla Forsythe 1 Kayelle Garn 1 Martha Hart 3 Naomi Deitz 1 Male Blank 2 Dale A. Brounstein 1 George WA 1 James W. Buell 1 John Calhoun 1 Terry Bernhard 1 2702 Total 19 3101 Female Agnes Zach 2 Alisa Rowe 1 Alycia M. Ferris 1 Annika Donaldson 1 Blank 3 Brittany Korfel 1 Joanne M James 1 Kathleen Molony 2 Kimberly K Burton 1 Kristi Jo Lewis 1 Nancy Jo Orr 1 Patricia McGroin 1 Pinn Crawford 1 Rose Gobeo Radich 1 Sarah Iannarone 1 Male Adam Jones 1 Multnomah County, Oregon Precinct Committee Write In Results May 17, 2016 Primary Election Democratic 3101 Male Alexander Tretheny 1 Bear Wilner-Nugent 2 Ben Nussb 1 Brian yoder 1 Lawrence Roe 1 Mattew Marcot 1 Matthew Radich 1 Patrick Bryson 2 Richard Nibbler 1 Sidney Walters 1 Steven 1 Stuart Emmons 1 William E. Crawford 1 William Makli 1 3101 Total 36 3102 Female Abbi Bugg 1 Ambikakaph 1 Anna Squire 1 Beverly Bugg 1 Blank 3 Bonnie Leis 2 Glenda St Bearded 1 Jillian King 1 Judith Sowd 1 Kalliste Edeen 2 Kimberly Goddard 1 Lisabeth A Skoch 1 Martha Stewart 1 Maryellen Hocken 1 Michele Roy 1 Rhonda Reed 1 Roberts 1 Salli Archibald 1 Sen Speroff 1 Sharon Knachrel 1 Stephanie Vasquez 2 Teresa Hunter -
Corpus Antville
Corpus Epistemológico da Investigação Vídeos musicais referenciados pela comunidade Antville entre Junho de 2006 e Junho de 2011 no blogue homónimo www.videos.antville.org Data Título do post 01‐06‐2006 videos at multiple speeds? 01‐06‐2006 music videos based on cars? 01‐06‐2006 can anyone tell me videos with machine guns? 01‐06‐2006 Muse "Supermassive Black Hole" (Dir: Floria Sigismondi) 01‐06‐2006 Skye ‐ "What's Wrong With Me" 01‐06‐2006 Madison "Radiate". Directed by Erin Levendorf 01‐06‐2006 PANASONIC “SHARE THE AIR†VIDEO CONTEST 01‐06‐2006 Number of times 'panasonic' mentioned in last post 01‐06‐2006 Please Panasonic 01‐06‐2006 Paul Oakenfold "FASTER KILL FASTER PUSSYCAT" : Dir. Jake Nava 01‐06‐2006 Presets "Down Down Down" : Dir. Presets + Kim Greenway 01‐06‐2006 Lansing‐Dreiden "A Line You Can Cross" : Dir. 01‐06‐2006 SnowPatrol "You're All I Have" : Dir. 01‐06‐2006 Wolfmother "White Unicorn" : Dir. Kris Moyes? 01‐06‐2006 Fiona Apple ‐ Across The Universe ‐ Director ‐ Paul Thomas Anderson. 02‐06‐2006 Ayumi Hamasaki ‐ Real Me ‐ Director: Ukon Kamimura 02‐06‐2006 They Might Be Giants ‐ "Dallas" d. Asterisk 02‐06‐2006 Bersuit Vergarabat "Sencillamente" 02‐06‐2006 Lily Allen ‐ LDN (epk promo) directed by Ben & Greg 02‐06‐2006 Jamie T 'Sheila' directed by Nima Nourizadeh 02‐06‐2006 Farben Lehre ''Terrorystan'', Director: Marek Gluziñski 02‐06‐2006 Chris And The Other Girls ‐ Lullaby (director: Christian Pitschl, camera: Federico Salvalaio) 02‐06‐2006 Megan Mullins ''Ain't What It Used To Be'' 02‐06‐2006 Mr. -
Transtextuality .,,In Pnn~, ,,,,,, Tlar Ant,.,,,,, Tcir ,,,Nn Commercial Radio
National Library Bibliotheque nationale of Canada du Canada Acquisitions and Direction des accuisitions et Bibliographic Services Branch des services bibli~graphiques 395 Wellington Siret 395, rue Wellington Ottawa, Ontario Ottawa (Ontario) KIA ON4 KIA ON4 The quality of this microform is La qualite de cette microforme heavily dependent upon the depend grandernent de la qualit@ quality of the original thesis de la thQse soumise au submitted for microfilming. microfilmage. Hous awns tout Every effort has been made to fait pour assurer une qualit6 ensure the highest quality of suphrieure de reproduction. reproduction psssible. If pages are missing, contact the S'il manque des pages, veuillez university which granted the communiquer avec I'universite degree. qui a confere le grade. Some pages may have indistinct La qualite d'irnpression de print especially if the original certaines pages peut laisser a pages were typed with a poor dbsirer, surtout si les pages typewriter ribbon or if the originales ont et6 university sent us an inferior dactylographiees a I'aide d'un photocopy. ruban us6 ou si I'universite nous a fait parvenir une photocopie de qualite inferieure. Reproduction in full or in part of La reproduction, m&ma partielle, this microform is governed by de cette microforme est soumise the Canadian Copyright Act, a la Loi canadienne sur Ce droit RSC 1970, c. C-30, and d'auteur, SRC 1970, c. C-30,et subsequent amendments. ses amendements su bsequents. Eric James Spalding E.A., Concordia University, 1985 M.A., gniversit6 du Quhbec ~ontrgal,1988 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in the Department of COMMUNICATION (C) Eric James SpaLdlng 1992 SIMON FRASER UNIVERSITY August 1992 All rights reserved. -
Von Hofmannsthals Lyrik Des Hauchs Zur Atemperformance“
DISSERTATION Titel der Dissertation „Kunst und Pneuma. Von Hofmannsthals Lyrik des Hauchs zur Atemperformance“ Verfasserin Mag. Dorothea Rebecca Schönsee angestrebter akademischer Grad Doktorin der Philosophie (Dr.phil.) Wien, 2011 Studienkennzahl lt. Studienblatt: A 092 332 Dissertationsgebiet lt. Studienblatt: Deutsche Philologie Betreuer: Univ. Doz. Dr. Roland Innerhofer Danksagung Die Hauptwege und Nebenwege von Hofmannsthals Lyrik des Hauchs zur Atemperformance im Feld von Kunst und Pneuma hätte ich ohne die großzügige Unterstützung meiner Eltern, ihr Vertrauen in meine Forschung und ihren Rückhalt nicht in dem beabsichtigten Maße erschließen und nachzeichnen können. Ihnen ist diese Arbeit daher zugeschrieben. Mein ganz besonderer Dank gilt darüber hinaus der äußerst aufmerksamen Begleitung Roland Innerhofers, seiner verständnisvollen Betreuung und seinen stets im rechten Moment gesetzten feinsinnigen Impulsen, die den pneumatischen Gedankenspielen entscheidende Richtungen gewiesen haben. Den von Friedrich Teja Bach initiierten ‚Gesprächen über Kunst’ im Rahmen seines Privatissimums zur ästhetischen Theorie verdanke ich sehr viel, vor allem im Hinblick auf den Brückenschlag in die Atemperformances der Moderne und Gegenwart. Besonders gedankt sei des Weiteren Michael Rohrwasser für die großzügige Bereitschaft, sich des vorliegenden ‚Gesprächs über Gedichte’ anzunehmen. Für ihr Engagement danke ich ebenfalls Christine Gaigg, Susanne Hochreiter und Wolfram Pichler, ferner Sergius Kodera für seine anregenden Forschungen zu dem nolanischen -
“Old Dog, New Tricks” James Bond’S Digital Chaos
“Old Dog, New Tricks” James Bond’s Digital Chaos CHRISTOPHER HOLLIDAY The James Bond flm series has, since the turn of the millennium, evolved an in- creasingly vexed and ambivalent relationship to digital visual efects and com- puter graphics, one that can be squared to the perceived ideological and stylistic fracture between the opposing tones of the ierce Brosnan !"##$-2&&%' and (aniel )raig !%&&*-present' eras. The signifcance of &&,-s grittier, revisionist re- newal and the framing of more recent Bond cinema since )raig’s debut in Casino Royale !Martin )ampbell, %&&*' as an active /going against0, has been critically and culturally understood as a move intended to correct the franchise-s in- creased encroachment towards digital imagery and computer processes as vital support for Bond-s unique brand of suave endeavour, physical dexterity, and heroic heterosexual masculinity+ As 2rit 3ussfeld )ohen argues, /the gradual in- crease in digiti4ation0 across the James Bond franchise since the release of GoldenEye !Martin )ampbell, "##$' reached its pinnacle with the %&th instalment and 5&th anniversary feature Die Another Day !Lee Tamahori, %&&%', a flm that mar7ed a clear shi8 in aesthetic priorities from the /careful and discrete deploy- ment of digital technology towards a combination of multiple digital techniques0 !%&"*, "&9'+ :esponses to the flm in the ;ollywood trade and British press !both at the time, and particularly following )raig’s dar7er, moodier tenure as &&,' have routinely expressed reservations at how Brosnan-s fnal outing -
King's Research Portal
King’s Research Portal DOI: 10.1080/01956051.2018.1423210 Document Version Peer reviewed version Link to publication record in King's Research Portal Citation for published version (APA): Holliday, C. (2018). London, the Post-7/7 Bond Films and Mourning Work. JOURNAL OF POPULAR FILM AND TELEVISION , 46(1), 56-63. https://doi.org/10.1080/01956051.2018.1423210 Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. -
Daniel Landin, Bsc Director of Photography
Lux Artists Ltd. 12 Stephen Mews London W1T 1AH +44 (0)20 7637 9064 www.luxartists.net DANIEL LANDIN, BSC DIRECTOR OF PHOTOGRAPHY FILM/TELEVISION DIRECTOR PRODUCER THE YELLOW BIRDS Alexandre Moors Strong Mining & Winner, Best Cinematography, Sundance Film Festival (2017) Supply Co. UNDER THE SKIN Jonathan Glazer FilmFour/A24 Nominated, Outstanding British Film, BAFTA Awards (2015) Official Selection, Venice Film Festival (2014) Official Selection, London Film Festival (2014) 44 INCH CHEST Malcolm Venville Anonymous Content THE ORGAN GRINDER'S Dinos Chapman Warp Films MONKEY THE UNINVITED The Guard Brothers DreamWorks Goldcrest Pictures DIRECTORS/COMMERCIALS (Selected Credits) JONATHAN GLAZER Nike, Sony, Motorola, Stella Artois, Levi's, Guinness, Wrangler, VW, Flake DOUGAL WILSON John Lewis, Paralympics GUARD BROTHERS Nokia, N- Gage, Captain Morgan, Intel, Nike NICOLAI FUGLSIG Toyota, Mercedes, Audi ALISON MCCLEAN Phileas Fogg TOM HOOPER Jaguar, Jaguar V6 AMIR CHAMDIN H&M, Mango ANDREW DOUGLAS Apple ANTHONY ATANASIO Levi's, Nintendo, Jacques Varbre AOIFE MCARDLE Samsung TRAKTOR Cravendale, Sky, C.O.I. ATANASIO + MARTINEZ Etihad BENITO MONTORIO BBC Trailer, BBC Iplayer BRETT FORAKER Toyota, Sony CHRIS CAIRNS Audi NICK & WARREN Johnny Walker, BMW, Lancome, Schwepps, Thierry Mugler CHRIS HEWITT Stella Artois CHRIS PALMER Kidsco, Honda, Shell, Europcar, PMU, Halifax DANIEL KLEINMAN Tango, Lynx DANTE ARIOLA Orange DAWN SHADFORTH Boots DOM & NIC Barnado's, Toyota Corolla FRANK BUDGEN Cancer Research, Honda, British Heart Foundation JIM GILCHRIST -
A Spoiler-Free Review of CASINO ROYALE (2006). Published November 6, 2006
A spoiler-free review of CASINO ROYALE (2006). Published November 6, 2006. Review by Anders Frejdh, Founder & Editor of From Sweden with Love “A DIFFERENT BOND TO ENJOY” It was a privilege to be present during the preview press screening for the world’s press of the 21st official James Bond film CASINO ROYALE. Based on the first 007 novel by Ian Fleming, published in 1953, one hoped the film would be good. Having seen it, one is filled with admiration and respect for the film makers and the new James Bond, Daniel Craig. Craig is a terrific choice to play Bond and his incredible talent as an actor gives the performance an added dimension. Those so-called fans who believed the producers had selected the wrong successor to Pierce Brosnan have been proved wrong. Craig is tough and vulnerable and yet unstoppable. Craig is wonderful in the role – in only minutes you realise that this is a guy who has taken 007 close to his heart. The film succeeds in taking a novel written 53 years ago and updating it very well for the 21st epic in the 21st century. It is this talent that has made the Bond series the longest running and most successful film franchise ever. This must have been a difficult process. I am already looking forward to the next film. The villain, ’Le Chiffre’ is cleverly played by Dane, Mads Mikkelsen, making Bond’s enemy an evil, cold, mathematical genius. Mad is very effective in the painful torture sequence, where the chemistry between Bond and Le Chiffre is chilling.