John Ebden Production Designer

Total Page:16

File Type:pdf, Size:1020Kb

John Ebden Production Designer John Ebden Production Designer Agents Andrew Naylor Assistant [email protected] Lizzie Quinn +44 (0) 203 214 0899 [email protected] +44 (0)20 3214 0911 Credits Film Production Company Notes MISSILE FROM THE EAST Sky Documentary 2021 Prod co: HLA CONSPIRACY OF SILENCE Dir: John Deere DEAD HEAT Dir: Mark Malone WAKING NED DEVINE Dir: Kirk Jones LA VIE DE BOHEME Dir: Aki Kaurismaki I HIRED A CONTRACT KILLER Dir: Aki Kaurismaki Television Production Company Notes COMIC STRIP PRESENTS Dir: Peter Richardson THE STRIKE Dir: Peter Richardson *Winner of Rose D'Or GLC Dir: Peter Richardson United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes SOUTH ATLANTIC RAIDERS Dir: Peter Richardson RED NOSE OF COURAGE Dir: Peter Richardson FOUR MEN IN A PLANE Dir: Peter Richardson Short Films Production Company Notes SHELL EUREKA Rogue Dir: Kevin McDonald Other Production Company Notes BOND TITLE SEQUENCES Eon/ Rattling Goldeneye Stick Tomorrow Never Dies Die Another Day Casino Royale Skyfall MERCEDES BENZ ''Falling In Love'' GDT Films Dir: Gerard de Thame *Winner of AICP award *Work included in Dept of Film & TV MoMa New York RUG 360 Founder w/ Dinos Laftsidis Advanced visualisation company creating high end photo realistic visuals (Featuring the RUG 360 interactive player) ''How The Best TV Commercials Are Made'' Book Full interview included in publication Commercials Production Company Notes EUROMILLIONS HunkyDory Dir: Conor Byrne 2021 JOSE CURVEO 1st Avenue Machine 2021 DHSC HLA Dir: Simon Ratigan 2021 VW Biscuit Dir: Noam Murro 2020 Need for Speed Rattling Stick Dir: Gabe Turner 2020 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes SKY Biscuit Dir: Dan DiFelice 2020 MCDONALDS Inependent Dir: Tony Barry 2020 MCDONALDS Friend Dir: Jake Mavity 2019 BRITBOX Rattling Stick Dir: Daniel Kleinman 2019 HAVEN Academy Dir: Vince Squibb 2019 FAN DUEL Smith & Jones Dir: Ulf Johansson 2019 AXE Rattling Stick Dir: Andy McLeod 2019 CARPHONE WAREHOUSE Rattling Stick Dir: Daniel Kleinman 2019 DIRECT LINE Rattling Stick Dir: Daniel Kleinman 2019 LEXUS Rattling Stick Dir: Daniel Kleinman 2019 SANTANDER Rattling Stick Dir: Daniel Kleinman 2019 TREBOR Rattling Stick Dir: Andy McLeod 2018 TESCO Riff Raff Dir: The Sacred Egg 2018 CRUNCHY NUT Rattling Stick Dir: Danny Kleinman 2018 MILKA Acne Dir: Tomas Skoging 2018 CADBURY'S Knucklehead Dir: Tony Barry 2018 VAUXHALL Knucklehead Dir: Tony Barry 2018 MCDONALDS Knucklehead Dir: Tony Barry 2018 VISA Rattling Stick Dir: Traktor 2018 MCDONALDS Bold Dir: Henry Mason 2017 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes ANCESTRY Biscuit Dir: Noam Murro 2017 BOOTS Rattling Stick Dir: Danny Kleinman 2017 BODDINGTON'S Rattling Stick Dir: Danny Kleinman 2017 HP Rattling Stick Dir: Sara Dunlop 2017 M&S CHRISTMAS Rattling Stick Dir: Danny Kleinman 2017 VODAFONE Rattling Stick Dir: Danny Kleinman 2017 FIRST DIRECT Smuggler Dir: Guy Shelmerdine, 2017 MERCEDES Rattling Stick Dir: Danny Kleinman 2017 MCCOYS Rattling Stick Dir: Danny Kleinman 2017 SKODA Stink Dir: Martin Krejci 2016 CARLSBERG Stink Dir: Martin Krejci 2016 SPECSAVERS 'BOILER' Rattling Stick Dir: Danny Kleinman 2016 PLANTERS Blink Dir: The Bobbsey Twins 2016 MACYS Biscuit Dir: Noam Murro 2016 CAMELOT Biscuit Dir: Jeff Low 2016 NESPRESSO Park Pictures Dir: Grant Heslov 2016 INFINITI Partizan Dir: Antoine Bardou-Jacquet 2016 M&S SUMMER Park Pictures Dir: Christian & Patrick 2016 MCCOYS Rattling Stick Dir: Danny Kleinman 2016 AIRWICK Another Film Co. Dir: Mark Denton 2016 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes SKY Biscuit Dir: Johnny Green 2015 JOSE CUERVO Rattling Stick Dir: Danny Kleinman 2015 TESCO Rattling Stick Dir: Danny Kleinman 2015 SONY Rattling Stick Dir: Danny Kleinman 2015 BOND TITLES Rattling Stick Dir: Danny Kleinman 2015 BEAGLE STREET Rattling Stick Dir: Danny Kleinman 2015 BUDWEISER Rattling Stick Dir: Danny Kleinman 2015 MORRISONS Rattling Stick Dir: Danny Kleinman 2015 CRUNCHY NUT Rattling Stick Dir: Danny Kleinman 2015 JACOBS Smuggler Dir: Jon Watts 2014 118 DQ & APP Bold Dir: Dave Waters 2014 118 118 Smersh Dir: Dave Waters 2014 AUDI Rattling Stick Dir: Danny Kleinman 2014 Pâtek Philippe Partizan Dir: Michael Geoghegan 2014 SNICKERS Rattling Stick Dir: Danny Kleinman 2014 COORS Rattling Stick Dir: Danny Kleinman 2014 CRUNCHY NUT Rattling Stick Dir: Danny Kleinman 2013 NIKE Rattling Stick Dir: Danny Kleinman 2013 NIKE Stink Dir: Adam Berg (London Shoot) 2013 WEETABIX Smuggler Dir: Jun Diaz 2013 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes KELLOGG'S CRUNCHY NUT Rattling Stick Dir: Danny Kleinman 2013 Halifax Epoch Dir: Mike Long 3 x 60 sec spots 2013 The Global Beer Initiative Smuggler Dir: Guy Shelmerdine 2013 VODAFONE Rattling Stick Dir: Sara Dunlop 2013 LEXUS Rattling Stick Dir: Danny Kleinman 2013 MCDONALDS ''A-Z'' Rattling Stick Dir: Sara Dunlop 2012 *Nominated for British Arrows Craft Award FORD RSA Dir: David Lodge 2012 GALAXY Rattling Stick Dir. Danny Kleinman 2012 INTEL 'Train' & 'Egypt' Rattling Stick Dir: Danny Kleinman 2012 TALK TALK Rattling Stick Dir: Danny Kleinman 2012 JAMES BOND 'SKYFALL' TITLE Rattling Stick Dir: Danny Kleinman SEQUENCE 2012 BA Partizan Dir: Michael Geoghegan (Prep) 2012 DHL Partizan Dir: Thomas Hilland 2012 INTEL Rattling Stick Dir: Danny Kleinman 2012 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected].
Recommended publications
  • LACMA Presents …Is James Bond, Co-Organized with LMU's School Of
    LACMA presents …Is James Bond, co-organized with LMU’s School of Film and Television, June 9 – September 9, 2012 Exhibition features all twenty-two James Bond opening credit sequences, fourteen of which were created by film title designer Maurice Binder, in celebration of the fiftieth anniversary of the Bond franchise (LOS ANGELES, June 4, 2012) – The Los Angeles County Museum of Art (LACMA) presents …Is James Bond, the first exhibition to feature the complete opening credit sequences from twenty-two James Bond films produced by Eon Productions. Co-organized by LACMA and Loyola Marymount University’s School of Film and Television (SFTV), the exhibition celebrates the fiftieth anniversary of one of the most successful and long-lasting film franchises of all time: James Bond. SFTV Dean Stephen Ujlaki says, “Bond’s impact on popular culture is immense, from music to fashion and automobiles, and on the business side, the people who advanced the franchise deserve immense credit, among them LMU alumna Barbara Broccoli, and Eon Productions.” Over the course of fifty years and twenty-two films (soon to be twenty-three with the release of Skyfall), James Bond has gone from Sean Connery to Daniel Craig, from the Soviets to the North Koreans, from M as a man to a woman, from secret nefarious organizations to power-mad tycoons. And while 007 was changing, the opening credit sequence remained constant. “Beginning with Dr. No, the opening credits, created by Maurice Binder, have functioned as pieces of art that comment on the films, while remaining separate from them,” says Elvis Mitchell, curator for Film Independent at LACMA.
    [Show full text]
  • “Old Dog, New Tricks” James Bond’S Digital Chaos
    “Old Dog, New Tricks” James Bond’s Digital Chaos CHRISTOPHER HOLLIDAY The James Bond flm series has, since the turn of the millennium, evolved an in- creasingly vexed and ambivalent relationship to digital visual efects and com- puter graphics, one that can be squared to the perceived ideological and stylistic fracture between the opposing tones of the ierce Brosnan !"##$-2&&%' and (aniel )raig !%&&*-present' eras. The signifcance of &&,-s grittier, revisionist re- newal and the framing of more recent Bond cinema since )raig’s debut in Casino Royale !Martin )ampbell, %&&*' as an active /going against0, has been critically and culturally understood as a move intended to correct the franchise-s in- creased encroachment towards digital imagery and computer processes as vital support for Bond-s unique brand of suave endeavour, physical dexterity, and heroic heterosexual masculinity+ As 2rit 3ussfeld )ohen argues, /the gradual in- crease in digiti4ation0 across the James Bond franchise since the release of GoldenEye !Martin )ampbell, "##$' reached its pinnacle with the %&th instalment and 5&th anniversary feature Die Another Day !Lee Tamahori, %&&%', a flm that mar7ed a clear shi8 in aesthetic priorities from the /careful and discrete deploy- ment of digital technology towards a combination of multiple digital techniques0 !%&"*, "&9'+ :esponses to the flm in the ;ollywood trade and British press !both at the time, and particularly following )raig’s dar7er, moodier tenure as &&,' have routinely expressed reservations at how Brosnan-s fnal outing
    [Show full text]
  • King's Research Portal
    King’s Research Portal DOI: 10.1080/01956051.2018.1423210 Document Version Peer reviewed version Link to publication record in King's Research Portal Citation for published version (APA): Holliday, C. (2018). London, the Post-7/7 Bond Films and Mourning Work. JOURNAL OF POPULAR FILM AND TELEVISION , 46(1), 56-63. https://doi.org/10.1080/01956051.2018.1423210 Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim.
    [Show full text]
  • A Spoiler-Free Review of CASINO ROYALE (2006). Published November 6, 2006
    A spoiler-free review of CASINO ROYALE (2006). Published November 6, 2006. Review by Anders Frejdh, Founder & Editor of From Sweden with Love “A DIFFERENT BOND TO ENJOY” It was a privilege to be present during the preview press screening for the world’s press of the 21st official James Bond film CASINO ROYALE. Based on the first 007 novel by Ian Fleming, published in 1953, one hoped the film would be good. Having seen it, one is filled with admiration and respect for the film makers and the new James Bond, Daniel Craig. Craig is a terrific choice to play Bond and his incredible talent as an actor gives the performance an added dimension. Those so-called fans who believed the producers had selected the wrong successor to Pierce Brosnan have been proved wrong. Craig is tough and vulnerable and yet unstoppable. Craig is wonderful in the role – in only minutes you realise that this is a guy who has taken 007 close to his heart. The film succeeds in taking a novel written 53 years ago and updating it very well for the 21st epic in the 21st century. It is this talent that has made the Bond series the longest running and most successful film franchise ever. This must have been a difficult process. I am already looking forward to the next film. The villain, ’Le Chiffre’ is cleverly played by Dane, Mads Mikkelsen, making Bond’s enemy an evil, cold, mathematical genius. Mad is very effective in the painful torture sequence, where the chemistry between Bond and Le Chiffre is chilling.
    [Show full text]
  • Shoot to Thrill
    Shoot to thrill From the iconic gun-barrel perspective in Dr No to the top-secret opening credits of the latest James Bond movie, SPECTRE, the franchise has always been defned by its experimental title sequences. Sam Delaney tracks the men behind the images The charismatic designer Robert Brownjohn and his team do a preparatory study for the Goldfnger title sequence, 1964. Right Maurice Binder’s opening to Dr No, 1962 © 2015 ELIZA BROWNJOHN/MOMA/SCALA ARCHIVES. DR NO © 1962 METRO-GOLDWYN-MAYER STUDIOS INC AND DANJAQ, LLC/ALAMY 74 TELEGRAPH MAGAZINE TELEGRAPH MAGAZINE 75 Maurice Binder’s opening titles for 1962’s Dr No were little more than an extended gun-barrel sequence. But, set to Monty Norman’s equally iconic Bond theme music, it would lay the foundations for the most distinctive titles in cinematic history. white dot blinks across the screen, from left unashamedly overblown openers. Every one is dif- It is unlikely that they realised they were doing A to right. It settles on the far right-hand ferent, but all share the ability to place an audience so. Binder had graduated from art school then edge, then opens up to reveal the inside of immediately on Planet Bond, instantly readying our taken a job as a tea boy at Macy’s department a sniper’s gun barrel. The barrel follows the silhou- minds for a couple of hours of action, glamour and store before eventually becoming the frm’s art ette of James Bond as he walks across the white preposterous chat-up lines. director.
    [Show full text]
  • Ts, Xl-James Bond Archives
    All About James Bond! First XL-Edition Golden Edition Copies 001–500* *No. 007 not for sale; to be auctioned for charity Limited to 500 num- “We wanted to create a book that Features include: would be an appropriate tribute to this bered copies, signed incredible 50-year milestone. A book – Celebrating the 50th anniversary of the most by Daniel Craig that would show the familiar, but also things never seen before, treasures successful and longest-running film franchise in uncovered, moments long since cinema history! forgotten. A book that would look not – Made with unrestricted access to the Bond archives, just at the world of Bond films, but the world behind the films, at everything this XL tome recounts the entire history of James Bond it took to make this 50-year journey in words and pictures happen.” – Among the 1100 images are many previously unseen — Michael G. Wilson and Barbara Broccoli, EON Productions stills, on-set photos, memos, documents, storyboards, posters, and designs, plus unused concepts, and With an archival, museum- alternative designs quality pigment print THE JAMES BOND ARCHIVES – Behind-the-scenes stories from the people who were signed by legendary Bond LIMITED FIRST EDITION there: producers, directors, actors, screenwriters, set designer Sir Ken Adam Edited by Paul Duncan production designers, special effects technicians, Hardcover + film strip of Dr. No stuntmen, and other crew members 41.1 x 30 cm (16.2 x 11.8 in.), 600 pages – Chapters written by Ellen Cheshire, Danny Graydon, Howard Hughes, Colin Odell & Michelle Le Blanc, Editions: Jamie Russell, and Paul Duncan English: ISBN 978–3–8365–2105-5 – Includes every Bond film ever made, from Dr.
    [Show full text]
  • The Cultural Life of James Bond the Cultural Life of James Bond
    THE CULTURAL LIFE OF JAMES BOND Verheul (ed.) Verheul P E C T E R S O F The Cultural Life of James Bond James of Life Cultural The 0 0 7 Edited by Jaap Verheul The Cultural Life of James Bond The Cultural Life of James Bond Specters of 007 Edited by Jaap Verheul Amsterdam University Press The publication of The Cultural Life of James Bond: Specters of 007 is made possible by a grant from The Faculty of Arts and Humanities at King’s College London. Cover illustration: Poster Art for Spectre (UK/USA/Austria/Mexico/Italy/Morocco: Sam Mendes, 2015) by Karolis Strautniekas. Commissioned by Human After All, United Kingdom, 2015. Copyright of Karolis Strautniekas, Lithuania; and Folio Art Limited, United Kingdom. Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6298 218 5 e-isbn 978 90 4853 211 7 doi 10.5117/9789462982185 nur 670 © The authors / Amsterdam University Press B.V., Amsterdam 2020 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. Every effort has been made to obtain permission to use all copyrighted illustrations reproduced in this book. Nonetheless, whosoever believes to have rights to this material is advised to contact the publisher. To my parents Table of Contents Acknowledgements 9 Introduction : Specters of 007 11 Jaap Verheul Part I Beyond Britain: The Transnational Configuration of the James Bond Phenomenon 1.
    [Show full text]
  • BRAMBLE P D CV 2020C Copy 7.Pages
    J O H N B R A M B L E P R O D U C T I O N D E S I G N E R AGENT: ART DEPT - : 0207 428 0500 E mail: [email protected] [email protected] Mb: 07973 560 291 www.johnbrambledesign.com n AWARDS BRITISH TELEVISION ADVERTISING AWARDS 2018 GOLD CRAFT ARROW VW GOLF GTE ‘The Button’ dir.Gary Freedman @ Independent won Gold - Best Production Design n D&AD’s 2018 VW GOLF GTE ‘The Button’ dir.Gary Freedman @ Independent won D&AD - Best Production Design https://www.campaignlive.co.uk/article/volkswagen-the-button-adam-eve-ddb/1438143 KINSALE Awards 2013 won Gold, best idea DFT- THINK BIKER - ‘Named Riders’ won Silver, best 60 sec cat BRITISH TV ADVERTISING AWARDS 2010 CADBURY’s – ‘Eyebrows’ dir. Tom Kuntz won Gold CREATIVE CIRCLE AWARDS 2010- best 60 sec tv advert CADBURY’s – ‘Eyebrows’ dir. Tom Kuntz won Gold D&AD’s 2009 Type to enter text CADBURY’s – ‘Eyebrows’ dir. Tom Kuntz won b CADS AWARDS 2006 nom. Best Production Design Award COLDPLAY ‘Talk’ music video dir. Anton Corbijn CANNES Television Advertising Festival 2003 X BOX ‘baby/champagne - life is short’ dir.Daniel Kleinman won Gold Lion BRITISH TV ADVERTISING AWARDS 2003 X BOX‘baby/champagne – life is short’ dir.Daniel Kleinman won Silver X BOX ‘mosquito – play more’ dir.Daniel Kleinman won Silver D&AD’s 2003 X BOX‘baby/champagne – life is short’ dir.Daniel Kleinman won Silver X BOX ‘mosquito – play more’ dir.Daniel Kleinman won Silver D&AD’s 2002 won Silver MASSIVE ATTACK ‘Angel’ dir.Walter Stern Best Music Video n BRITISH TV ADVERTISING AWARDS 2001 DoT ‘Kill your Speed’ - dir.
    [Show full text]
  • King's Research Portal
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by King's Research Portal King’s Research Portal DOI: 10.1080/01956051.2018.1423210 Document Version Peer reviewed version Link to publication record in King's Research Portal Citation for published version (APA): Holliday, C. (2018). London, the Post-7/7 Bond Films and Mourning Work. JOURNAL OF POPULAR FILM AND TELEVISION , 46(1), 56-63. https://doi.org/10.1080/01956051.2018.1423210 Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim.
    [Show full text]
  • Angela Billows Costume Designer
    Angela Billows Costume Designer Agents Andrew Naylor Assistant [email protected] Lizzie Quinn +44 (0) 203 214 0899 [email protected] +44 (0)20 3214 0911 Credits Film Production Company Notes WILDFIRE Tempesta / Cowboy Dir: Cathy Brady Films / BFI / Film4 / IFB LONDON TOWN Dutch Tilt Films / Killer Dir: Derrick Borte Featuring Jonathan Rhys Meyers and Films / Culmination Prods: Tom Butterfield, Sofia Dougray Scott Productions Sondervan COUPLE IN A HOLE BFI / 011 Productions Dir: Tom Geens Featuring Paul Higgins, Kate Dickie Prod: Zorana Piggott YOU CAN'T WIN Parts and Labor Dir: Robinson Devore Featuring Julia Garner, Michael Pitt, Prods: Jay van Hoy, Lars Will Patton, Rusty Schwimmer, Lousa Knudsen, Michael Pitt, Krause, Hannah Marks, Jeremy Allen Zachariah Sebastian, Robert White Scarff GOLF IN THE KINGDOM Dir: Susan Streitfeld. (with David O'Hara, Mason Gamble, Prod: Mindy Affrime Malcolm McDowell, Frances Fisher, Tony Curran, Jim Turner) United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes FRENCH FILM Slingshot Productions Dir: Jackie Oudney (with Hugh Bonneville, Anne-Marie Prods:Arvind Ethan David, Duff, Douglas Henshall & Eric Rachael Conners Cantona) DANGEROUS PARKING Flaming Pie Films Dir: Peter Howitt (with Peter Howitt, Saffron Burrows, Prod: Richard Johns Sean Pertwee) THE RIDDLE Manuscript Films Dir: Brendan Foley (with Vinnie Jones, Vanessa Redgrave, Derek Jacobi) DIE ANOTHER DAY Dir: Daniel Kleinman (Title
    [Show full text]
  • The Cultural Life of James Bond the Cultural Life of James Bond
    THE CULTURAL LIFE OF JAMES BOND Verheul (ed.) Verheul P E C T E R S O F The Cultural Life of James Bond James of Life Cultural The 0 0 7 Edited by Jaap Verheul The Cultural Life of James Bond The Cultural Life of James Bond Specters of 007 Edited by Jaap Verheul Amsterdam University Press The publication of The Cultural Life of James Bond: Specters of 007 is made possible by a grant from The Faculty of Arts and Humanities at King’s College London. Cover illustration: Poster Art for Spectre (UK/USA/Austria/Mexico/Italy/Morocco: Sam Mendes, 2015) by Karolis Strautniekas. Commissioned by Human After All, United Kingdom, 2015. Copyright of Karolis Strautniekas, Lithuania; and Folio Art Limited, United Kingdom. Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6298 218 5 e-isbn 978 90 4853 211 7 doi 10.5117/9789462982185 nur 670 © The authors / Amsterdam University Press B.V., Amsterdam 2020 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. Every effort has been made to obtain permission to use all copyrighted illustrations reproduced in this book. Nonetheless, whosoever believes to have rights to this material is advised to contact the publisher. To my parents Table of Contents Acknowledgements 9 Introduction : Specters of 007 11 Jaap Verheul Part I Beyond Britain: The Transnational Configuration of the James Bond Phenomenon 1.
    [Show full text]
  • This Spoiler-Free Review of SKYFALL Was Published October 18, 2012
    This spoiler-free review of SKYFALL was published October 18, 2012 DANIEL CRAIG FINDS “HOME” AS JAMES BOND IN SKYFALL By Anders Frejdh, Editor of Scandinavia’s most comprehensive website about Ian Fleming’s James Bond – From Sweden with Love – http://jamesbond007.se James Bond is back at the cinemas in the 23rd film from EON Productions, SKYFALL. For the third time in a row, Daniel Craig plays Ian Fleming's immortal agent 007 with a licence to kill, this time more personal than ever. Craig feels at home and has now made the part his own. Although no one, in my eyes, will ever surpass Sean Connery's elegant and hard version of 007, I would say that Craig is a great actor, perhaps the greatest one in the role. The title SKYFALL is original and has not come from Ian Fleming's original novels or any of the other Bond books. Without revealing too much, the title has a great significance in the film, based on a screenplay by Neal Purvis & Robert Wade and John Logan. We'll see James Bond in situations that we have not seen him before. They can be proud, the script is strong and the film is enormously lavish and well executed. The film has no connection to the previous two with Craig. It starts with a spectacular and stunning chase sequence in Turkey with spectacular action mastered by the film's stunt coordinator, Gary Powell, and his talented team. One of Sweden's contributions to the film, Ola Rapace in the role of the mysterious Patrice, impresses in the fight with James Bond (Daniel Craig) on top of a speeding train.
    [Show full text]