DOCSLIB.ORG

Antonio Vivaldi” Management Artistico Management Artistico MORTARA MORTARA Associazione Musicale ”Antonio Vivaldi” SETTIMANA VIVALDIANA NAZIONALE 2020 V EDIZIONE

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Antonio Vivaldi” Management Artistico Management Artistico MORTARA MORTARA Associazione Musicale ”Antonio Vivaldi” SETTIMANA VIVALDIANA NAZIONALE 2020 V EDIZIONE in collaborazione con Associazione Musicale “Antonio Vivaldi” Management Artistico Management Artistico MORTARA MORTARA Associazione Musicale ”Antonio Vivaldi” SETTIMANA VIVALDIANA NAZIONALE 2020 V EDIZIONE COMUNE DI OCCIMIANO SETTIMANA VIVALDIANA NAZIONALE 2020 V EDIZIONE Presentazione del volume “Il Prete all’Opera! Antonio Vivaldi, il Teatro ed i Teatri a Venezia COMUNE DI OCCIMIANO tra XVII e XVIII secolo” CONCERTO Management Artistico Antonio Vivaldi Management Artistico & Sinfonie & Ouvertures Orchestra da Camera Italiana Via Solferino 10 da I Drammi per Musica “Antonio Vivaldi” 27036 MORTARA (PV) sono anche su ORCHESTRA DA CAMERA ITALIANA “ANTONIO VIVALDI” Italy DIRETTORE AL CEMBALO: ROBERTO ALLEGRO [email protected] Sabato 5 settembre ore 21 www.musicornermanagement.it Chiesa Parrocchiale di San Valerio OCCIMIANO Presentazione del volume A. Vivaldi Armida al campo d’Egitto RV 699 “Il Prete all’Opera! (Allegro-Andante-Allegro) Antonio Vivaldi, il Teatro ed i Teatri a Venezia tra XVII e XVIII secolo” Arsilda Regina di Ponto RV 700 a cura di Roberto Allegro e Vittoria Aicardi (Allegro-Andante e pianissimo-Presto) L’Orchestra da Camera Italiana “Antonio Vivaldi”, fondata nell’anno 2010 è formata da musicisti provenienti da varie ed importanti esperienze artistiche in Italia ed all’estero Bajazet (Il Tamerlano) RV 703 con particolare riferimento al settore della prassi esecutiva barocca anche con strumenti (Allegro-Andante molto-Allegro) d’epoca. L’orchestra, diretta fino dalla sua fondazione dal M° Roberto Allegro è balzata da subito all’attenzione della critica musicale nazionale ed internazionale soprattutto per le raffinate ed accurate esecuzioni del repertorio barocco italiano, con particolare riferi- Dorilla in Tempe RV 709 mento alla Scuola Barocca veneziana e napoletana. Si è esibita in importati sale da con- certo e per prestigiose Istituzioni musicali sia in Italia che all’estero (Venezia, Chiesa di S. (Allegro-Andante-Allegro) Giovanni in Bràgora, la Chiesa dove è stato battezzato Antonio Vivaldi e Scuola Grande di S. Marco, Milano, Coro della Chiesa di S. Maurizio, Associazione Amici del Loggione del Teatro alla Scala e Pontificio Istituto Ambrosiano di Musica Sacra, Teatro di Corte Il Farnace RV 711 della Reggia di Caserta, Sanremo, Teatro del Casino, Canterbury (UK), Conquest House, (Allegro-Andante-Allegro) Amsterdam, nella maestosa cattedrale Onze Lieve Vrouwekerk etc.). Dall’anno 2018 il sodalizio artistico è l’orchestra stabile della “Settimana Vivaldiana Nazionale”. L’orchestra ha anche collaborato con importanti e prestigiosi solisti quali il violinista Pie- Il Giustino RV 717 ro Toso, i pianisti Bruno Canino ed Antonio Ballista, l’oboista Carlo Romano, i flautisti (Allegro-Andante-Allegro) Enzo Caroli e Filippo Staiano, e molti altri ancora, ottenendo costantemente importanti ed unanimi consensi di critica e di pubblico. La Griselda RV 718 (Allegro-Andante-Allegro) Orchestra da Camera Italiana “Antonio Vivaldi” Flauto: Ludovico Allegro L’Incoronazione di Dario RV 719 Oboe: Federico Allegro (Allegro-Andante e pianissimo-Presto) Fagotto: Diego Cristofari L’Olimpiade RV 725 Violini: Lucia Allegro, Davide Scognamiglio, Giulia Arnaud (Allegro-Andante sempre piano-Allegro) Viola: Lorenzo Lombardo Violoncello: Chiara Torselli La Verità in Cimento RV 739 Contrabbasso: Giorgio Magistroni (Allegro-Andante-Presto) Direttore al cembalo: Roberto Allegro .
Load more

Recommended publications
  • Science @ the Symphony Ontario Science Centre, Concert Partner
    Science @ the Symphony Ontario Science Centre, concert partner The Toronto Symphony Orchestra’s Student Concerts are generously supported by Mrs. Gert Wharton and an anonymous donor. The Toronto Symphony Orchestra gratefully acknowledges Sarah Greenfield for preparing the lesson plans for the Junior/Intermediate Student Concert Study Guide. Junior/Intermediate Level Student Concert Study Guide Study Concert Student Level Junior/Intermediate Table of Contents Table of Contents 1) Concert Overview & Repertoire Page 3 2) Composer Biographies and Programme Notes Page 4 - 11 3) Unit Overview & Lesson Plans Page 12 - 23 4) Lesson Plan Answer Key Page 24 - 30 5) Artist Biographies Page 32 - 34 6) Musical Terms Glossary Page 35 - 36 7) Instruments in the Orchestra Page 37 - 45 8) Orchestra Seating Chart Page 46 9) Musicians of the TSO Page 47 10) Concert Preparation Page 48 11) Evaluation Forms (teacher and student) Page 49 - 50 The TSO has created a free podcast to help you prepare your students for the Science @ the Symphony Student Concerts. This podcast includes excerpts from pieces featured on the programme, as well as information about the instruments featured in each selection. It is intended for use either in the classroom, or to be assigned as homework. To download the TSO Junior/Intermediate Student Concert podcast please visit www.tso.ca/studentconcerts, and follow the links on the top bar to Junior/Intermediate. The Toronto Symphony Orchestra wishes to thank its generous sponsors: SEASON PRESENTING SPONSOR OFFICIAL AIRLINE SEASON
    [Show full text]
  • 2257-AV-Venice by Night Digi
    VENICE BY NIGHT ALBINONI · LOTTI POLLAROLO · PORTA VERACINI · VIVALDI LA SERENISSIMA ADRIAN CHANDLER MHAIRI LAWSON SOPRANO SIMON MUNDAY TRUMPET PETER WHELAN BASSOON ALBINONI · LOTTI · POLLAROLO · PORTA · VERACINI · VIVALDI VENICE BY NIGHT Arriving by Gondola Antonio Vivaldi 1678–1741 Antonio Lotti c.1667–1740 Concerto for bassoon, Alma ride exulta mortalis * Anon. c.1730 strings & continuo in C RV477 Motet for soprano, strings & continuo 1 Si la gondola avere 3:40 8 I. Allegro 3:50 e I. Aria – Allegro: Alma ride for soprano, violin and theorbo 9 II. Largo 3:56 exulta mortalis 4:38 0 III. Allegro 3:34 r II. Recitativo: Annuntiemur igitur 0:50 A Private Concert 11:20 t III. Ritornello – Adagio 0:39 z IV. Aria – Adagio: Venite ad nos 4:29 Carlo Francesco Pollarolo c.1653–1723 Journey by Gondola u V. Alleluja 1:52 Sinfonia to La vendetta d’amore 12:28 for trumpet, strings & continuo in C * Anon. c.1730 2 I. Allegro assai 1:32 q Cara Nina el bon to sesto * 2:00 Serenata 3 II. Largo 0:31 for soprano & guitar 4 III. Spiritoso 1:07 Tomaso Albinoni 3:10 Sinfonia to Il nome glorioso Music for Compline in terra, santificato in cielo Tomaso Albinoni 1671–1751 for trumpet, strings & continuo in C Sinfonia for strings & continuo Francesco Maria Veracini 1690–1768 i I. Allegro 2:09 in G minor Si 7 w Fuga, o capriccio con o II. Adagio 0:51 5 I. Allegro 2:17 quattro soggetti * 3:05 p III. Allegro 1:20 6 II. Larghetto è sempre piano 1:27 in D minor for strings & continuo 4:20 7 III.
    [Show full text]
  • SWR2 Musikstunde
    SWR2 MANUSKRIPT SWR2 Musikstunde "Musikalisches Recycling - das ist doch noch gut?!" (1) Mit Nele Freudenberger Sendung: 22. Januar 2018 Redaktion: Dr. Ulla Zierau Produktion: SWR 2017 Bitte beachten Sie: Das Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des Urhebers bzw. des SWR. Service: SWR2 Musikstunde können Sie auch als Live-Stream hören im SWR2 Webradio unter www.swr2.de Kennen Sie schon das Serviceangebot des Kulturradios SWR2? Mit der kostenlosen SWR2 Kulturkarte können Sie zu ermäßigten Eintrittspreisen Veranstaltungen des SWR2 und seiner vielen Kulturpartner im Sendegebiet besuchen. Mit dem Infoheft SWR2 Kulturservice sind Sie stets über SWR2 und die zahlreichen Veranstaltungen im SWR2- Kulturpartner-Netz informiert. Jetzt anmelden unter 07221/300 200 oder swr2.de SWR2 Musikstunde mit Nele Freudenberger 22. Januar – 26. Januar 2018 "Musikalisches Recycling - das ist doch noch gut?!" (1) Signet Mit Nele Freudenberger – guten Morgen! Heute starten wir mit unserer Wochenreihe zum Thema „musikalisches Recycling“. Das hat in der Musikgeschichte viel größere Spuren hinterlassen als man annehmen könnte. Fremde Themen werden ausgeliehen, bearbeitet, variiert, eigene Themen wieder verwendet. Sogar eine eigene Gattung ist aus dem musikalischen Recycling hervorgegangen: das Pasticcio – und mit dem werden wir uns heute eingehender beschäftigen (0:26) Titelmelodie Ein musikalisches Pasticcio wird in Deutschland auch „Flickenoper“ genannt. Dieser wenig schmeichelhafte Name sagt eigentlich schon alles. Zum einen bezeichnet er treffend das zugrunde liegende Kompositionsprinzip: handelt es sich doch um eine Art musikalisches Patchwork, das aus alten musikalischen Materialien besteht. Die können von einem oder mehreren Komponisten stammen. Zum anderen gibt es auch gleich eine ästhetische Einordnung, denn „Flickenoper“ klingt wenn nicht schon verächtlich, so doch wenigstens despektierlich.
    [Show full text]
  • Antonio Lucio VIVALDI
    AN IMPORTANT NOTE FROM Johnstone-Music ABOUT THE MAIN ARTICLE STARTING ON THE FOLLOWING PAGE: We are very pleased for you to have a copy of this article, which you may read, print or save on your computer. You are free to make any number of additional photocopies, for johnstone-music seeks no direct financial gain whatsoever from these articles; however, the name of THE AUTHOR must be clearly attributed if any document is re-produced. If you feel like sending any (hopefully favourable) comment about this, or indeed about the Johnstone-Music web in general, simply vis it the ‘Contact’ section of the site and leave a message with the details - we will be delighted to hear from you ! Una reseña breve sobre VIVALDI publicado por Músicos y Partituras Antonio Lucio VIVALDI Antonio Lucio Vivaldi (Venecia, 4 de marzo de 1678 - Viena, 28 de julio de 1741). Compositor del alto barroco, apodado il prete rosso ("el cura rojo" por ser sacerdote y pelirrojo). Compuso unas 770 obras, entre las cuales se cuentan 477 concerti y 46 óperas; especialmente conocido a nivel popular por ser el autor de Las cuatro estaciones. johnstone-music Biografia Vivaldi un gran compositor y violinista, su padre fue el violinista Giovanni Batista Vivaldi apodado Rossi (el Pelirrojo), fue miembro fundador del Sovvegno de’musicisti di Santa Cecilia, organización profesional de músicos venecianos, así mismo fue violinista en la orquesta de la basílica de San Marcos y en la del teatro de S. Giovanni Grisostomo., fue el primer maestro de vivaldi, otro de los cuales fue, probablemente, Giovanni Legrenzi.
    [Show full text]
  • Antonio Vivaldi from Wikipedia, the Free Encyclopedia
    Antonio Vivaldi From Wikipedia, the free encyclopedia Antonio Lucio Vivaldi (Italian: [anˈtɔːnjo ˈluːtʃo viˈvaldi]; 4 March 1678 – 28 July 1741) was an Italian Baroque composer, virtuoso violinist, teacher and cleric. Born in Venice, he is recognized as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He is known mainly for composing many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as The Four Seasons. Many of his compositions were written for the female music ensemble of the Ospedale della Pietà, a home for abandoned children where Vivaldi (who had been ordained as a Catholic priest) was employed from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for preferment. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died less than a year later in poverty. Life Childhood Antonio Lucio Vivaldi was born in 1678 in Venice, then the capital of the Republic of Venice. He was baptized immediately after his birth at his home by the midwife, which led to a belief that his life was somehow in danger. Though not known for certain, the child's immediate baptism was most likely due either to his poor health or to an earthquake that shook the city that day.
    [Show full text]
  • Opera Włoska We Wrocławiu (1725–1734) I Jej Związki Z Innymi Ośrodkami Muzycznymi
    DOI: http://dx.doi.org/10.15804/IW.2014.05.05 Walentyna Węgrzyn-Klisowska Uniwersytet Muzyczny Fryderyka Chopina w Warszawie Opera włOska we wrOcławiu (1725–1734) i jej związki z innymi OśrOdkami muzycznymi Do omówienia działalności teatru włoskiego we Wrocławiu niezbędne jest przynajmniej szkicowe przypomnienie sytuacji politycznej Śląska i uwarunkowań z tym związanych. W latach 1526–1741 cały Śląsk znaj- dował się pod panowaniem Habsburgów. W ramach monarchii austriac- kiej, na mocy postanowień pokoju zawartego w Augsburgu (1555), przy- jęto zasadę cuius regio, eius religio. Zasadę tę popierał także Kościół katolicki, reprezentowany na Śląsku głównie przez zakon jezuitów. Jego znakomicie wykształceni przedstawiciele pojawili się najpierw w Wied- niu, potem w Pradze i w Innsbrucku, a następnie w miastach śląskich, w tym także we Wrocławiu. Długo dojrzewała atmosfera sprzyjająca dominacji katolików. Przyczynili się do tego w znacznym stopniu wło- scy artyści, szczególnie za panowania cesarza Rudolfa II (1552–1612). Za panowania cesarza Macieja (1612–1619) wystawiano w języku wło- skim opery, a spektakle religijne przedstawiano w języku łacińskim. O ich realizacji decydowały władze cenzorskie, świeckie i kościelne. Opery wystawiano zwykle w karnawale, a przedstawienia religijne lub moralizatorskie (m.in. jasełka, spektakle pasyjne i alegoryczne, sacre rappresentazioni) w okresach Adwentu, Bożego Narodzenia, Wielkiego Postu i na Boże Ciało. Daty spektakli operowych wiązały się zwykle z ważnymi okolicznościami reprezentacyjnymi. Wykonawcami byli członkowie trup teatralnych. 124 Walentyna Węgrzyn-Klisowska Po raz pierwszy poza terenem Włoch, w dniu 10 lutego 1614 r., wystawiono operę włoską L’Orfeo w Salzburgu w teatrze na zamku ar- cybiskupa hr. Marcusa Sitticusa. Było to dzieło nieznanych dziś z na- zwiska twórców.
    [Show full text]
  • Estreno Mundial Del Motezuma De Vivaldi
    A partir del descubrimiento sobre Vivaldi más importante en los últimos cincuenta años Estreno mundial del Motezuma de Vivaldi Gabriel Pareyón Rotterdam, 15 de junio [de 2005].- El fin de semana pasado se presentó en De Doelen, considerada la sala de conciertos más importante de esta ciudad holandesa, la ópera en tres actos Motezuma (1733), de Antonio Vivaldi (1678- 1741), en versión de concierto, sin decorados ni escenografía. La interpretación, que se anunció en todo el país como “estreno mundial”, estuvo a cargo del ensamble barroco Modo Antiguo, bajo la dirección de Federico María Sardelli. En realidad la ópera se estrenó el 14 de noviembre de 1733 en el teatro Sant’Angelo de Venecia, pero con tan mala fortuna que nunca se volvió a ejecutar hasta el sábado pasado, tras 271 años de silencio. Este largo período de olvido se debió principalmente a dos causas. Una de orden musical y otra fortuita. La primera ocurrió con el estreno mismo de la obra en que, al parecer, la mezzosoprano solista Anna Girò tuvo algunos problemas para cantar. Como resultado la prima donna de Vivaldi no volvería a interpretar ninguna ópera suya, a excepción de Il Tamerlano (1735). A ello se sumó cierto malestar del público, que tal vez juzgó la pieza “demasiado seria” (pues no hay siquiera un duo de amor ni ninguna danza) y que además esperaba del compositor, en vano, algún gesto de sumisión ante la poderosa novedad del estilo de Nápoles. Éste, conocido como “estilo galante”, significaría la vuelta de página entre las tendencias veneciana y napolitana, que se tradujo en el paso del barroco hacia el clasicismo (transición que en México representó Ignacio de Jerusalem [1707-1769] frente al estilo de Manuel de Sumaya [1676-1755]).
    [Show full text]
  • Vivaldi US 11/15/07 2:14 PM Page 12
    660211-13 bk Vivaldi US 11/15/07 2:14 PM Page 12 Also available: VIVALDI 3 CDs Griselda Ainsworth • Huhtanen • McMurtry Nedecky • Newman • Tomkins Opera in Concert / Aradia Ensemble Kevin Mallon 8.557445 8.557852 8.660211-13 12 660211-13 bk Vivaldi US 11/15/07 2:14 PM Page 2 Antonio Aradia Ensemble VIVALDI One of the most exciting new groups to emerge in the early music world, the Toronto-based Aradia Ensemble (1678-1741) specialises in presenting an eclectic blend of orchestral, operatic and chamber music played on original instruments. The group records for Naxos, for whom it has made more than twenty recordings. They have made two music Griselda, RV718 (1735) videos, one film soundtrack, have collaborated with Isadora Duncan and Baroque dancers, have co-produced opera and worked with Balinese Gamelan. While focusing heavily on the repertoire of seventeenth-century France and Dramma per musica in Three Acts England, Aradia also performs works by the Italian and German masters of the baroque, as well as contemporary pieces commissioned by the group. In July 2000 Aradia was the featured ensemble in residence at the New Zealand Libretto by Apostolo Zeno (1668-1750), revised by Carlo Goldoni (1707-1793) Chamber Music Festival and in July 2003 performed at Musica nel Chiostro in Tuscany. According to Robert (Performing edition prepared by Kevin Mallon) Graves, Aradia was the daughter of Apollo’s twin sisters. She was sent by the gods to teach mankind to order the music of the natural world into song. Gualtiero, King of Tessaglia (Thessaly) .
    [Show full text]
  • Antonio Vivaldi (1678-1741)
    Ospedale della Pietà in Venice Opernhaus Prag Antonio Vivaldi (1678-1741) Complete Opera – Antonio Vivaldi – Complete Opera – Index - Complete Operas by Antonio Vivaldi Page Preface 3 Cantatas 1 RV687 Wedding Cantata 'Gloria e Imeneo' (Wedding cantata) 4 2 RV690 Serenata a 3 'Mio cor, povero cor' (My poor heart) 5 3 RV693 Serenata a 3 'La senna festegiante' 6 Operas 1 RV697 Argippo 7 2 RV699 Armida al campo d'Egitto 8 3 RV700 Arsilda, Regina di Ponto 9 4 RV702 Atenaide 10 5 RV703 Bajazet - Il Tamerlano 11 6 RV705 Catone in Utica 12 7 RV709 Dorilla in Tempe 13 8 RV710 Ercole sul Termodonte 14 9 RV711 Farnace 15 10 RV714 La fida ninfa 16 11 RV717 Il Giustino 17 12 RV718 Griselda 18 13 RV719 L'incoronazione di Dario 19 14 RV723 Motezuma 20 15 RV725 L'Olimpiade 21 16 RV726 L'oracolo in Messenia 22 17 RV727 Orlando finto pazzo 23 18 RV728 Orlando furioso 24 19 RV729 Ottone in Villa 25 20 RV731 Rosmira Fedele 26 21 RV734 La Silvia (incomplete) 27 22 RV736 Il Teuzzone 27 23 RV738 Tito Manlio 29 24 RV739 La verita in cimento 30 25 RV740 Il Tigrane (Fragment) 31 2 – Antonio Vivaldi – Complete Opera – Preface In 17th century Italy is quite affected by the opera fever. The genus just newly created is celebrated everywhere. Not quite. For in Romee were allowed operas for decades heard exclusively in a closed society. The Papal State, who wanted to seem virtuous achieved at least outwardly like all these stories about love, lust, passions and all the ancient heroes and gods was morally rather questionable.
    [Show full text]
  • Vivaldi Antonio Dille Ch Il Viver Mio Aria from the Opera Il Teuzzone Arranged for Voice and Piano D Minor Sheet Music
    Vivaldi Antonio Dille Ch Il Viver Mio Aria From The Opera Il Teuzzone Arranged For Voice And Piano D Minor Sheet Music Download vivaldi antonio dille ch il viver mio aria from the opera il teuzzone arranged for voice and piano d minor sheet music pdf now available in our library. We give you 2 pages partial preview of vivaldi antonio dille ch il viver mio aria from the opera il teuzzone arranged for voice and piano d minor sheet music that you can try for free. This music notes has been read 3367 times and last read at 2021-09-22 12:52:10. In order to continue read the entire sheet music of vivaldi antonio dille ch il viver mio aria from the opera il teuzzone arranged for voice and piano d minor you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Soprano Voice, Tenor Voice, Voice Solo, Piano Accompaniment Ensemble: Mixed Level: Advanced [ READ SHEET MUSIC ] Other Sheet Music Vivaldi Antonio Dille Ch Il Viver Mio Aria From The Opera Il Teuzzone Arranged For Voice And Piano B Minor Vivaldi Antonio Dille Ch Il Viver Mio Aria From The Opera Il Teuzzone Arranged For Voice And Piano B Minor sheet music has been read 3565 times. Vivaldi antonio dille ch il viver mio aria from the opera il teuzzone arranged for voice and piano b minor arrangement is for Advanced level. The music notes has 2 preview and last read at 2021-09-25 09:29:01. [ Read More ] Vivaldi Antonio Amato Ben Aria From The Opera La Verit In Cimento Arranged For Voice And Piano C Minor Vivaldi Antonio Amato Ben Aria From The Opera La Verit In Cimento Arranged For Voice And Piano C Minor sheet music has been read 4632 times.
    [Show full text]
  • Vivaldi Antonio Dille Ch Il Viver Mio Aria from the Opera Il Teuzzone Arranged for Voice and Piano B Minor Sheet Music
    Vivaldi Antonio Dille Ch Il Viver Mio Aria From The Opera Il Teuzzone Arranged For Voice And Piano B Minor Sheet Music Download vivaldi antonio dille ch il viver mio aria from the opera il teuzzone arranged for voice and piano b minor sheet music pdf now available in our library. We give you 2 pages partial preview of vivaldi antonio dille ch il viver mio aria from the opera il teuzzone arranged for voice and piano b minor sheet music that you can try for free. This music notes has been read 10882 times and last read at 2021-09-18 14:13:03. In order to continue read the entire sheet music of vivaldi antonio dille ch il viver mio aria from the opera il teuzzone arranged for voice and piano b minor you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Alto Voice, Baritone Voice, Voice Solo, Piano Accompaniment Ensemble: Mixed Level: Advanced [ Read Sheet Music ] Other Sheet Music Vivaldi Antonio Dille Ch Il Viver Mio Aria From The Opera Il Teuzzone Arranged For Voice And Piano D Minor Vivaldi Antonio Dille Ch Il Viver Mio Aria From The Opera Il Teuzzone Arranged For Voice And Piano D Minor sheet music has been read 10895 times. Vivaldi antonio dille ch il viver mio aria from the opera il teuzzone arranged for voice and piano d minor arrangement is for Advanced level. The music notes has 2 preview and last read at 2021-09-26 15:29:40. [ Read More ] Vivaldi Antonio Amato Ben Aria From The Opera La Verit In Cimento Arranged For Voice And Piano C Minor Vivaldi Antonio Amato Ben Aria From The Opera La Verit In Cimento Arranged For Voice And Piano C Minor sheet music has been read 12494 times.
    [Show full text]
  • Farnace • Antonio Vivaldi
    Y~ ionall optran al 1 debordei OPÉRA irchtstJ . balle NATIONAL W.' t«yl S BORDEAUX mrk ntiérti™ tu * ôs MAIRIE DE BORDEAUX FARNACE • ANTONIO VIVALDI RECUEIL DES AIRS FAVORIS AIJAVQX ANTONIO VIVALDI FARNACE ÀUA.VQX. I rie Favorite - Fa nui ri le Aires I'. Zaim»i. S. Miiijfarilo. V. IVrnainlcz. (.. liaiiililelli, S. l'rina. C. Korti-. I. Ht-diiii LE CONCERT DES NATIONS JOKDI SAVAI.I. 1 CD avec la sélection deaf Airs les plus beaux] j d'un opéra essen^el d«. Vivaldi. Disponible aussi (Lins sa version çoinpièie en 3 Cl) I \li\ vci Vl.1V VOX Distribution France: Vbeille VIu->i«jui' !•». rue du Mail "">002-Pari*- Ici. 01 4e) 26 01 40 hax 01 49 20 (>- >\ w n.aheilleinusique.com [email protected] F.XJMUT Management: TRI. +32 2 524 24 Fax +32 2 524 0. -(> [email protected] Recevez gratuitement le nouveau catalogue ALIA VOX 2003. en retournant le coupon ci-dessous chez ALIA VOX/ABEILLE MUSIQUE 13. rue du Mail 75002 Paris ou en envoyant vos coordonnées par mail à : aliavox@abei 1 lemusique.c^jfâ - - Prénom et Nom: Adresse: Ville: Code: Tel Farnace Dramma per musica en trois actes. Livret d'Antonio Maria Lucchini. Musique d'Antonio Vivaldi. Créé le 10 février 1727 au Teatro Sant' Angelo de Venise. Grand-Théâtre Bordeaux Kl Juin 2003 L'Opéra tient à remercier le Club des Partenaires de l'Opéra National de Bordeaux partenaires fondateurs Caisse d'Épargne Aquitaine-Nord Cofinoga Mercedes-Benz Bordeaux partenaires associés Air liquide Banque Populaire du Sud-Ouest Caisse des dépôts et consignations Casino de Bordeaux Château Haut-Bailly EDF Grands Clients Sud-Ouest France Telecom Gaz de Bordeaux Groupe CMR Chantiers d'Aquitaine CORDIER MESTREZAT & domaines Sanofi Winthrop Industrie (site d'Ambarès) SyndicatViticole de Pessac-Léognan partenaires Cocodi Librairie Mollat Société Bordelaise de CIC les entreprises qui soutiennent des projets..
    [Show full text]