DOCSLIB.ORG

Science @ the Symphony Ontario Science Centre, Concert Partner

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Science @ the Symphony Ontario Science Centre, Concert Partner Science @ the Symphony Ontario Science Centre, concert partner The Toronto Symphony Orchestra’s Student Concerts are generously supported by Mrs. Gert Wharton and an anonymous donor. The Toronto Symphony Orchestra gratefully acknowledges Sarah Greenfield for preparing the lesson plans for the Junior/Intermediate Student Concert Study Guide. Junior/Intermediate Level Student Concert Study Guide Study Concert Student Level Junior/Intermediate Table of Contents Table of Contents 1) Concert Overview & Repertoire Page 3 2) Composer Biographies and Programme Notes Page 4 - 11 3) Unit Overview & Lesson Plans Page 12 - 23 4) Lesson Plan Answer Key Page 24 - 30 5) Artist Biographies Page 32 - 34 6) Musical Terms Glossary Page 35 - 36 7) Instruments in the Orchestra Page 37 - 45 8) Orchestra Seating Chart Page 46 9) Musicians of the TSO Page 47 10) Concert Preparation Page 48 11) Evaluation Forms (teacher and student) Page 49 - 50 The TSO has created a free podcast to help you prepare your students for the Science @ the Symphony Student Concerts. This podcast includes excerpts from pieces featured on the programme, as well as information about the instruments featured in each selection. It is intended for use either in the classroom, or to be assigned as homework. To download the TSO Junior/Intermediate Student Concert podcast please visit www.tso.ca/studentconcerts, and follow the links on the top bar to Junior/Intermediate. The Toronto Symphony Orchestra wishes to thank its generous sponsors: SEASON PRESENTING SPONSOR OFFICIAL AIRLINE SEASON PATRON The Renette and David Berman Family Foundation Science @ the Symphony Junior/Intermediate Level: Suitable for students in grades 4-8 Evan Mitchell conductor Amir Safavi, violin Ontario Science Centre, concert partner Heidi Breier, host Sean Lee Ying, host Donna Francis, host and researcher Science: Fiction or Fact? The TSO and the Ontario Science Centre present an intriguing exploration of sound, technology, space, and mind-blowing science experiments! All budding scientists are encouraged to bring their curious minds and be prepared to be a part of this interactive concert experience. Programme to include excerpts from*: Jonathan Newman Blow it Up, Start Again Evan Mitchell Awesome Orchestra Fucik Entrance of the Gladiators John Williams Excerpt from Theme from Jurassic Park Vivaldi Mvt. 1 from “Winter”, No. 4 from The Four Seasons for Violin and Orchestra, Op. 8 Ryan Trew Excerpt from Starlike Holst Excerpt from “Jupiter” from The Planets Liz Gilpatrick, arr. Mitch Clarke The Water Song (RECORDER/SING-ALONG) J. Strauss Thunder and Lightning Polka, Op. 324 Stravinsky Excerpt from Finale from The Firebird *Programme subject to change 3 Composer Biographies and Programme Notes Jonathan Newman Life: b. 1972 Nationality: American Piece to Study: Blow It Up, Start Again Biography Jonathan Newman studied composition and conducting at Boston University’s School for the Arts and The Juilliard School. A recipient of the Charles Ives Scholarship, Newman has studied with notable composers such as John Corgiliano, David Del Tredici and and Lucas Foss. He is a founding mem- ber of the composer consortium BCM International which consists of four composers (including Eric Whitacre!) dedi- cated to enriching repertoire with exciting new works that are not limited by traditional approaches. Many of his works are scored for wind ensemble and incorporate many diverse styles of pop, blues, jazz, folk and funk into his composi- tions. For more information check out Jonathan Newman’s website here: http://jonathannewman.com/biography.php Listen on Jonathan’s website! http://jonathannewman.com/music.php?id=044 About Blow It Up, Start Again This piece was originally commissioned in 2011 by the Chicago Youth Symphony Orchestra. Described as “riotously funky” by the Chicago Tribune, Blow It Up, Start Again highlights the unique capabilities of string instruments with glissandos, octave leaps, staccatos, tremolos and sustained chords. This piece is a musical depiction of the infamous Gunpowder Plot as suggested by Mr. Newman’s single program note - “If the system isn’t working anymore, then do what Guy Fawkes tried and go anarchist: Blow it all up, and start again.” Did you know? The Gunpowder Plot: A failed conspiracy in 1605 to blow up the English Parliament and return it to Catholic rule. Gunpowder Plot conspirator Guy Fawkes (1570 - 1606) attempts to plant gunpowder in the cellar. 4 Composer Biographies and Programme Notes Antonio Vivaldi Life: 1831-1881 Nationality: Italian Piece to Study: Mvt. 1 from “Winter” from The Four Seasons for Violin and Orchestra Biography Antonio Vivaldi was a Venetian priest, virtuoso violinist and Ba- roque composer. Ordained as a priest in 1703, Vivaldi was nick- named “The Red Priest” because of his wild red hair. Vivaldi suffered from a respiratory illness (believed to be asthma or angina) which greatly influenced his personal and professional life. Often unable to perform mass due to his condition, he soon left the church to pursue a musical career as a performer, conductor and composer. He began teaching at the Ospedale della Pietà, an institution where orphans received instruction in trades and music. He composed most of his major works in this position over three decades. An innovator of form and pattern, Vivaldi is most well known for his Baroque con- certos and his operas Argippo and Bajazet. About Mvt. 1 from “Winter” from The Four Seasons for Violin and Orchestra The Four Seasons was inspired by a set of four sonnets, which many historians believe Vivaldi wrote him- self, that describe a typical scene from each season. Vivaldi uses different techniques in the violins to cre- ate vivid images which come directly from the sonnets. If you listen carefully to “Winter”, you will hear the violins portraying icy rain using pizzicato notes from the high strings and the smooth surface of ice portrayed by a solo cello playing one note sustained. For this reason, The Four Seasons is often referred to as “programmatic music”, music which is clearly connected to a story, person or idea. The 1st movement is inspired by the four lines below. Did you know? To shiver, frozen, amid icy snow in the bitter blast of a horrible wind; Best known for his violin to run, constantly stamping one’s feet; concertos, Vivaldi composed and to feel one’s teeth chatter on account of the excessive cold; over 400 of them! After his death, many of his works were lost but musicians and scholars revived Vivaldi’s mu- Watch & Listen on Youtube! sic in the early 20th century. Julie Fischer, violinist https://www.youtube.com/watch?v=p1qNOfdMyGA 5 Composer Biographies and Programme Notes Ryan Trew Life: Born 1979 Nationality: Canadian Piece to Study: Starlike Biography A native of Barrie Ontario, Ryan Trew is a composer, percussionist and music theory pedagog. His compositions focus on rhythmic, harmonic and timbral relationships, and incorporate elements from popular and classical music. Ryan received his Bachelor of Music in Composition and Theory from Wilfred Laurier University, his Master’s degree from the University of Toronto and a Doctoral degree from the Uni- versity of British Columbia. Ryan has studied with notable Canadian composers such as Christos Hatzis, Peter Hatch, Glenn Buhr and Dorothy Chang. Ryan’s work has been com- missioned and performed by numerous orchestras in Canada including the Vancouver Symphony Orchestra, Prince George Symphony Orchestra, the National Academy Orchestra, and the Kitchener-Waterloo Symphony. Listen on Ryan’s website! https://ryantrew.wordpress.com/sound-media/ About Starlike Lush and ethereal, Starlike was commissioned by the Vancouver Symphony Orchestra as part of the 2010 Olympic Commissioning Project. Inspired by the stars and universes beyond, Starlike is a meditation on the “twinkling points of light” in the sky that serve as a source of inspiration and explanation of the human experience. For more information, check out Ryan Trew’s website: https://ryantrew.wordpress.com/ Image from NASA’s Spitzer Space Telescope shows infant stars “hatching” in the head of the hunter constellation, Orion. Image credit: NASA/JPL-Caltech/ Laboratorio de Astrofísica Espacial y Física Fundamental 6 Composer Biographies and Programme Notes Julius Fucíkˇ Life: 1872-1916 Nationality: Czech Piece to Study: Entrance of the Gladiators Biography Julius Fucík was a prolific Czech composer and conductor of military bands. Often known as the “Bohemian Sousa”, he composed over 300 marches, polkas and waltzes (“Sousa” is a reference to John Philip Sousa, nicknamed “The March King”, who was one of the most popular and prolific American march composers). After successfully conducting a number of military bands, Fucík later moved to Berlin in order ot start his own band and music publishing company. Today his marches are still performed in the Czech Republic; however his most well known work is his piece Entrance of the Gladiators. About Entrance of the Gladiators The piece was first titledGrande Marche Chromatique because of the heavy use of chromatic scales, but was later changed because of Fucík’s interest in the Roman Empire. Composed in 1897 for orches- tra it was originally conceived as a light symphonic march. However in 1910, it was arranged for band under the title Thunder and Blazes and became immensely popular in North America as a screamer march (see definition below). Today the piece is mainly known by this wind band connection and is played at frantic speeds. Chromolithograph by Gibson & Co., Cincinnati, Ohio, copyrighted 1874 Watch & Listen on Youtube! Teatro Massimo Orchestra Fun Fact: https://www.youtube.com/watch?v=u5vo6Vbzpmo You can hear this piece in the film Madagascar! It might remind you of a circus. Did you know? A screamer march is a descriptive name for a circus march, in particular, an upbeat march intended to stir up the audience during the show. 7 Composer Biographies and Programme Notes Gustav Holst Life: Born 1874-1934 Nationality: English Piece to Study: “Jupiter” from The Planets Biography Gustav Holst was a renowned 20th century classical composer.
Load more

Recommended publications
  • SWR2 Musikstunde
    SWR2 MANUSKRIPT SWR2 Musikstunde "Musikalisches Recycling - das ist doch noch gut?!" (1) Mit Nele Freudenberger Sendung: 22. Januar 2018 Redaktion: Dr. Ulla Zierau Produktion: SWR 2017 Bitte beachten Sie: Das Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des Urhebers bzw. des SWR. Service: SWR2 Musikstunde können Sie auch als Live-Stream hören im SWR2 Webradio unter www.swr2.de Kennen Sie schon das Serviceangebot des Kulturradios SWR2? Mit der kostenlosen SWR2 Kulturkarte können Sie zu ermäßigten Eintrittspreisen Veranstaltungen des SWR2 und seiner vielen Kulturpartner im Sendegebiet besuchen. Mit dem Infoheft SWR2 Kulturservice sind Sie stets über SWR2 und die zahlreichen Veranstaltungen im SWR2- Kulturpartner-Netz informiert. Jetzt anmelden unter 07221/300 200 oder swr2.de SWR2 Musikstunde mit Nele Freudenberger 22. Januar – 26. Januar 2018 "Musikalisches Recycling - das ist doch noch gut?!" (1) Signet Mit Nele Freudenberger – guten Morgen! Heute starten wir mit unserer Wochenreihe zum Thema „musikalisches Recycling“. Das hat in der Musikgeschichte viel größere Spuren hinterlassen als man annehmen könnte. Fremde Themen werden ausgeliehen, bearbeitet, variiert, eigene Themen wieder verwendet. Sogar eine eigene Gattung ist aus dem musikalischen Recycling hervorgegangen: das Pasticcio – und mit dem werden wir uns heute eingehender beschäftigen (0:26) Titelmelodie Ein musikalisches Pasticcio wird in Deutschland auch „Flickenoper“ genannt. Dieser wenig schmeichelhafte Name sagt eigentlich schon alles. Zum einen bezeichnet er treffend das zugrunde liegende Kompositionsprinzip: handelt es sich doch um eine Art musikalisches Patchwork, das aus alten musikalischen Materialien besteht. Die können von einem oder mehreren Komponisten stammen. Zum anderen gibt es auch gleich eine ästhetische Einordnung, denn „Flickenoper“ klingt wenn nicht schon verächtlich, so doch wenigstens despektierlich.
    [Show full text]
  • Antonio Lucio VIVALDI
    AN IMPORTANT NOTE FROM Johnstone-Music ABOUT THE MAIN ARTICLE STARTING ON THE FOLLOWING PAGE: We are very pleased for you to have a copy of this article, which you may read, print or save on your computer. You are free to make any number of additional photocopies, for johnstone-music seeks no direct financial gain whatsoever from these articles; however, the name of THE AUTHOR must be clearly attributed if any document is re-produced. If you feel like sending any (hopefully favourable) comment about this, or indeed about the Johnstone-Music web in general, simply vis it the ‘Contact’ section of the site and leave a message with the details - we will be delighted to hear from you ! Una reseña breve sobre VIVALDI publicado por Músicos y Partituras Antonio Lucio VIVALDI Antonio Lucio Vivaldi (Venecia, 4 de marzo de 1678 - Viena, 28 de julio de 1741). Compositor del alto barroco, apodado il prete rosso ("el cura rojo" por ser sacerdote y pelirrojo). Compuso unas 770 obras, entre las cuales se cuentan 477 concerti y 46 óperas; especialmente conocido a nivel popular por ser el autor de Las cuatro estaciones. johnstone-music Biografia Vivaldi un gran compositor y violinista, su padre fue el violinista Giovanni Batista Vivaldi apodado Rossi (el Pelirrojo), fue miembro fundador del Sovvegno de’musicisti di Santa Cecilia, organización profesional de músicos venecianos, así mismo fue violinista en la orquesta de la basílica de San Marcos y en la del teatro de S. Giovanni Grisostomo., fue el primer maestro de vivaldi, otro de los cuales fue, probablemente, Giovanni Legrenzi.
    [Show full text]
  • Howard Mayer Brown Microfilm Collection Guide
    HOWARD MAYER BROWN MICROFILM COLLECTION GUIDE Page individual reels from general collections using the call number: Howard Mayer Brown microfilm # ___ Scope and Content Howard Mayer Brown (1930 1993), leading medieval and renaissance musicologist, most recently ofthe University ofChicago, directed considerable resources to the microfilming ofearly music sources. This collection ofmanuscripts and printed works in 1700 microfilms covers the thirteenth through nineteenth centuries, with the bulk treating the Medieval, Renaissance, and early Baroque period (before 1700). It includes medieval chants, renaissance lute tablature, Venetian madrigals, medieval French chansons, French Renaissance songs, sixteenth to seventeenth century Italian madrigals, eighteenth century opera libretti, copies ofopera manuscripts, fifteenth century missals, books ofhours, graduals, and selected theatrical works. I Organization The collection is organized according to the microfilm listing Brown compiled, and is not formally cataloged. Entries vary in detail; some include RISM numbers which can be used to find a complete description ofthe work, other works are identified only by the library and shelf mark, and still others will require going to the microfilm reel for proper identification. There are a few microfilm reel numbers which are not included in this listing. Brown's microfilm collection guide can be divided roughly into the following categories CONTENT MICROFILM # GUIDE Works by RISM number Reels 1- 281 pp. 1 - 38 Copies ofmanuscripts arranged Reels 282-455 pp. 39 - 49 alphabetically by institution I Copies of manuscript collections and Reels 456 - 1103 pp. 49 - 84 . miscellaneous compositions I Operas alphabetical by composer Reels 11 03 - 1126 pp. 85 - 154 I IAnonymous Operas i Reels 1126a - 1126b pp.155-158 I I ILibretti by institution Reels 1127 - 1259 pp.
    [Show full text]
  • Antonio Vivaldi from Wikipedia, the Free Encyclopedia
    Antonio Vivaldi From Wikipedia, the free encyclopedia Antonio Lucio Vivaldi (Italian: [anˈtɔːnjo ˈluːtʃo viˈvaldi]; 4 March 1678 – 28 July 1741) was an Italian Baroque composer, virtuoso violinist, teacher and cleric. Born in Venice, he is recognized as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He is known mainly for composing many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as The Four Seasons. Many of his compositions were written for the female music ensemble of the Ospedale della Pietà, a home for abandoned children where Vivaldi (who had been ordained as a Catholic priest) was employed from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for preferment. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died less than a year later in poverty. Life Childhood Antonio Lucio Vivaldi was born in 1678 in Venice, then the capital of the Republic of Venice. He was baptized immediately after his birth at his home by the midwife, which led to a belief that his life was somehow in danger. Though not known for certain, the child's immediate baptism was most likely due either to his poor health or to an earthquake that shook the city that day.
    [Show full text]
  • Estreno Mundial Del Motezuma De Vivaldi
    A partir del descubrimiento sobre Vivaldi más importante en los últimos cincuenta años Estreno mundial del Motezuma de Vivaldi Gabriel Pareyón Rotterdam, 15 de junio [de 2005].- El fin de semana pasado se presentó en De Doelen, considerada la sala de conciertos más importante de esta ciudad holandesa, la ópera en tres actos Motezuma (1733), de Antonio Vivaldi (1678- 1741), en versión de concierto, sin decorados ni escenografía. La interpretación, que se anunció en todo el país como “estreno mundial”, estuvo a cargo del ensamble barroco Modo Antiguo, bajo la dirección de Federico María Sardelli. En realidad la ópera se estrenó el 14 de noviembre de 1733 en el teatro Sant’Angelo de Venecia, pero con tan mala fortuna que nunca se volvió a ejecutar hasta el sábado pasado, tras 271 años de silencio. Este largo período de olvido se debió principalmente a dos causas. Una de orden musical y otra fortuita. La primera ocurrió con el estreno mismo de la obra en que, al parecer, la mezzosoprano solista Anna Girò tuvo algunos problemas para cantar. Como resultado la prima donna de Vivaldi no volvería a interpretar ninguna ópera suya, a excepción de Il Tamerlano (1735). A ello se sumó cierto malestar del público, que tal vez juzgó la pieza “demasiado seria” (pues no hay siquiera un duo de amor ni ninguna danza) y que además esperaba del compositor, en vano, algún gesto de sumisión ante la poderosa novedad del estilo de Nápoles. Éste, conocido como “estilo galante”, significaría la vuelta de página entre las tendencias veneciana y napolitana, que se tradujo en el paso del barroco hacia el clasicismo (transición que en México representó Ignacio de Jerusalem [1707-1769] frente al estilo de Manuel de Sumaya [1676-1755]).
    [Show full text]
  • Antonio Vivaldi (1678-1741)
    Ospedale della Pietà in Venice Opernhaus Prag Antonio Vivaldi (1678-1741) Complete Opera – Antonio Vivaldi – Complete Opera – Index - Complete Operas by Antonio Vivaldi Page Preface 3 Cantatas 1 RV687 Wedding Cantata 'Gloria e Imeneo' (Wedding cantata) 4 2 RV690 Serenata a 3 'Mio cor, povero cor' (My poor heart) 5 3 RV693 Serenata a 3 'La senna festegiante' 6 Operas 1 RV697 Argippo 7 2 RV699 Armida al campo d'Egitto 8 3 RV700 Arsilda, Regina di Ponto 9 4 RV702 Atenaide 10 5 RV703 Bajazet - Il Tamerlano 11 6 RV705 Catone in Utica 12 7 RV709 Dorilla in Tempe 13 8 RV710 Ercole sul Termodonte 14 9 RV711 Farnace 15 10 RV714 La fida ninfa 16 11 RV717 Il Giustino 17 12 RV718 Griselda 18 13 RV719 L'incoronazione di Dario 19 14 RV723 Motezuma 20 15 RV725 L'Olimpiade 21 16 RV726 L'oracolo in Messenia 22 17 RV727 Orlando finto pazzo 23 18 RV728 Orlando furioso 24 19 RV729 Ottone in Villa 25 20 RV731 Rosmira Fedele 26 21 RV734 La Silvia (incomplete) 27 22 RV736 Il Teuzzone 27 23 RV738 Tito Manlio 29 24 RV739 La verita in cimento 30 25 RV740 Il Tigrane (Fragment) 31 2 – Antonio Vivaldi – Complete Opera – Preface In 17th century Italy is quite affected by the opera fever. The genus just newly created is celebrated everywhere. Not quite. For in Romee were allowed operas for decades heard exclusively in a closed society. The Papal State, who wanted to seem virtuous achieved at least outwardly like all these stories about love, lust, passions and all the ancient heroes and gods was morally rather questionable.
    [Show full text]
  • Vivaldi Antonio Dille Ch Il Viver Mio Aria from the Opera Il Teuzzone Arranged for Voice and Piano D Minor Sheet Music
    Vivaldi Antonio Dille Ch Il Viver Mio Aria From The Opera Il Teuzzone Arranged For Voice And Piano D Minor Sheet Music Download vivaldi antonio dille ch il viver mio aria from the opera il teuzzone arranged for voice and piano d minor sheet music pdf now available in our library. We give you 2 pages partial preview of vivaldi antonio dille ch il viver mio aria from the opera il teuzzone arranged for voice and piano d minor sheet music that you can try for free. This music notes has been read 3367 times and last read at 2021-09-22 12:52:10. In order to continue read the entire sheet music of vivaldi antonio dille ch il viver mio aria from the opera il teuzzone arranged for voice and piano d minor you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Soprano Voice, Tenor Voice, Voice Solo, Piano Accompaniment Ensemble: Mixed Level: Advanced [ READ SHEET MUSIC ] Other Sheet Music Vivaldi Antonio Dille Ch Il Viver Mio Aria From The Opera Il Teuzzone Arranged For Voice And Piano B Minor Vivaldi Antonio Dille Ch Il Viver Mio Aria From The Opera Il Teuzzone Arranged For Voice And Piano B Minor sheet music has been read 3565 times. Vivaldi antonio dille ch il viver mio aria from the opera il teuzzone arranged for voice and piano b minor arrangement is for Advanced level. The music notes has 2 preview and last read at 2021-09-25 09:29:01. [ Read More ] Vivaldi Antonio Amato Ben Aria From The Opera La Verit In Cimento Arranged For Voice And Piano C Minor Vivaldi Antonio Amato Ben Aria From The Opera La Verit In Cimento Arranged For Voice And Piano C Minor sheet music has been read 4632 times.
    [Show full text]
  • Vivaldi Antonio Dille Ch Il Viver Mio Aria from the Opera Il Teuzzone Arranged for Voice and Piano B Minor Sheet Music
    Vivaldi Antonio Dille Ch Il Viver Mio Aria From The Opera Il Teuzzone Arranged For Voice And Piano B Minor Sheet Music Download vivaldi antonio dille ch il viver mio aria from the opera il teuzzone arranged for voice and piano b minor sheet music pdf now available in our library. We give you 2 pages partial preview of vivaldi antonio dille ch il viver mio aria from the opera il teuzzone arranged for voice and piano b minor sheet music that you can try for free. This music notes has been read 10882 times and last read at 2021-09-18 14:13:03. In order to continue read the entire sheet music of vivaldi antonio dille ch il viver mio aria from the opera il teuzzone arranged for voice and piano b minor you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Alto Voice, Baritone Voice, Voice Solo, Piano Accompaniment Ensemble: Mixed Level: Advanced [ Read Sheet Music ] Other Sheet Music Vivaldi Antonio Dille Ch Il Viver Mio Aria From The Opera Il Teuzzone Arranged For Voice And Piano D Minor Vivaldi Antonio Dille Ch Il Viver Mio Aria From The Opera Il Teuzzone Arranged For Voice And Piano D Minor sheet music has been read 10895 times. Vivaldi antonio dille ch il viver mio aria from the opera il teuzzone arranged for voice and piano d minor arrangement is for Advanced level. The music notes has 2 preview and last read at 2021-09-26 15:29:40. [ Read More ] Vivaldi Antonio Amato Ben Aria From The Opera La Verit In Cimento Arranged For Voice And Piano C Minor Vivaldi Antonio Amato Ben Aria From The Opera La Verit In Cimento Arranged For Voice And Piano C Minor sheet music has been read 12494 times.
    [Show full text]
  • Seznamy, Vysvětlivky, Rejstříky a Autorovo Slovo Na Závěr
    SEZNAMY, VYSVĚTLIVKY, REJSTŘÍKY A AUTOROVO SLOVO NA ZÁVĚR ORIENTAČNÍ PŘEHLED DÍLA ANTONIA VIVALDIHO Orientační přehled díla Antonia Vivaldiho Dílo Antonia Vivaldiho je velmi rozsáhlé. Není možno, abychom v naší knize uváděli úplný výčet skladatelových děl. Zájemce o ně se ovšem může orientovat v oficiálním seznamu Vivaldiho kompozic v díle Peter Ryom, Verzeichnis der Werke Antonio Vivaldis (RV), Kleine Ausgabe. VEB Deutscher Verlag für Musik, Leipzig: 1. vydání 1974, 2. vydání 1979. – Antonio Fanna, Antonio Vivaldi (1678–1741). Cata- logo Numerico-Tematico delle Opere Strumentali. Istituto Italiano Antonio Vivaldi. Fondato da Antonio Fanna. Edizioni Ricordi, G. Ricordi & C. s.p.a. Milano 1968, uvádí všechny Vivaldiho nástrojové stavby s původními italskými názvy, infor- muje o dedikacích, programních označeních děl, nových (tedy dnes soudobých) vydáních apod. Z Fanny se například dovídáme, že Vivaldi psal Koncerty pro housle Koncerty pro violu Koncerty pro violoncello Koncerty pro housle s jinými sólisty na smyčcové nástroje Koncerty pro mandolínu Koncerty pro flétnu Koncerty pro fagot Koncerty pro trubku (tromba) Koncerty pro roh (corno) Koncerty pro smyčcové nástroje Koncerty pro rozmanité soubory Sonáty pro housle Sonáty pro violoncello Sonáty pro dechové nástroje Sonáty pro rozmanité soubory přičemž Fanna také uvádí uložení nástrojových děl v těchto knihovnách: Biblio- teca Nazionale, Torino, 295 děl; Biblioteca del Conservatorio di Musica, Napoli, 3 díla; Biblioteca Querini Stampalia, Venezia, 1 dílo; Sächsische Landesbibliothek
    [Show full text]
  • 626 English Libretto Per WEB Layout 1
    DYNAMIC CDS 626/1-2 DDD DIGITAL LIVE RECORDING Antonio Vivaldi (Venice, 1678 - Vienna 1741) Argippo Dramma per musica, libretto by Domenico Lalli Reconstruction by Ondřej Macek Argippo Veronika Mráčková Fučíková Zanaida Pavla Štěpničková Osira Jana Bínová - Koucká Silvero Barbora Sojková Tisifaro Zdeněk Kapl Hofmusici Baroque Ensemble Artistic Director: Ondřej Macek Recorded at Teatro Goldoni, Venice, on 23rd October, 2008 as part of the Festival "I Luoghi di Baldassare", 2008 edition. ENGLISH LIBRETTO CD1 I have throne, and wealth, and I disdain myself: I lived and reigned: I live no more, nor do I reign. (He leaves.) 1 Sinfonia ACT ONE Scene III Cabinet of the Grand Mogor, in Indian style. Silvero alone. The Scene is set in the Royal palace of Agra, capital city and place of residence of the Grand Mogor. Hapless Zanaida, You think Argippo is your spouse since I, First Scene with hidden deception, tied the sacred knot with you. Tisifaro, and Zanaida weeping. I was glad then, now I am desperate. Argippo, having married another one, 2 Tisifaro - Daughter, must I live thus arouses a tremendous fury for ever? Must bitter tears for ever in this princess, and I feel wet your cheeks, and their source crushed by remorse, be unknown to me? which painfully scourges my heart, Zanaida - I am unworthy to be called a well-deserved punishment for too bold an error. your daughter: suffice this. 5 Remorse is the punishment of one’s faults! Tisifaro - Daughter… It corrodes, it bleeds you Zanaida - If, as you say, from within, a painful terror. I am your daughter, why tarry? Bare your sword, thrust it in me, and thus alone be just and merciful, The entrance of Tisifaro’s royal palace, with view over part of because I shall be punished; and in an instant the city, bathed by the river Gemini; from a strange vessel are removed from this cruel slow dying.
    [Show full text]
  • Vivaldi Antonio Vedr Con Mio Diletto Aria from the Opera Il Giustino Arranged for Voice and Piano D Minor Sheet Music
    Vivaldi Antonio Vedr Con Mio Diletto Aria From The Opera Il Giustino Arranged For Voice And Piano D Minor Sheet Music Download vivaldi antonio vedr con mio diletto aria from the opera il giustino arranged for voice and piano d minor sheet music pdf now available in our library. We give you 3 pages partial preview of vivaldi antonio vedr con mio diletto aria from the opera il giustino arranged for voice and piano d minor sheet music that you can try for free. This music notes has been read 10022 times and last read at 2021-09-24 22:51:47. In order to continue read the entire sheet music of vivaldi antonio vedr con mio diletto aria from the opera il giustino arranged for voice and piano d minor you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Soprano Voice, Voice Solo, Piano Accompaniment Ensemble: Mixed Level: Advanced [ READ SHEET MUSIC ] Other Sheet Music Vivaldi Antonio Vedr Con Mio Diletto Aria From The Opera Il Giustino Arranged For Voice And Piano B Minor Vivaldi Antonio Vedr Con Mio Diletto Aria From The Opera Il Giustino Arranged For Voice And Piano B Minor sheet music has been read 6733 times. Vivaldi antonio vedr con mio diletto aria from the opera il giustino arranged for voice and piano b minor arrangement is for Advanced level. The music notes has 3 preview and last read at 2021-09-24 11:00:16. [ Read More ] Vivaldi Aria Vedr Con Mio Diletto From Il Giustino Rv 717 Arr For 2 Cellos Quintet Or Voice And String Quartet Vivaldi Aria Vedr Con Mio Diletto From Il Giustino Rv 717 Arr For 2 Cellos Quintet Or Voice And String Quartet sheet music has been read 5347 times.
    [Show full text]
  • Biografía Europa Galante (Intérpretes, Director)
    Biografía Europa Galante (intérpretes, director) Vivica Genaux, mezzosoprano (Argippo) La mezzosoprano Vivica Genaux, oriunda de Fairbanks, Alaska, recibió el Hasse-Preis 2019 de la Fundación Johann-Adolf Hasse y el Händel-Preis 2017 de la ciudad de Halle. Aclamada por su extraordinaria técnica y su fascinante presencia en el escenario, Vivica ha cantado en muchos de los más prestigiosos teatros de ópera y salas de conciertos del mundo, y su carrera está ampliamente documentada en grabaciones de audio y vídeo. La temporada 2020-2021 lleva a Vivica a lugares de todo el mundo para actuaciones que incluyen presentaciones de Gender Stories con Lawrence Zazzo y Lautten Compagney Berlin; una puesta en escena de su espectáculo multimedia Vivica & Viardot en el Salzburger Pfingstfestspiele; su debut en Tamerlano de Händel en Moscú; e Il divino sassone, un programa compuesto por música de Johann Adolf Hasse, en el Festival de Ópera Barroca de Bayreuth. En la Temporada 2020-2021 de la Opernhaus Zürich, Vivica como Megacle en L'olimpiade de Pergolesi y Malcolm en La donna del lago de Rossini, y regresa a los Estados Unidos en 2021 para dar conciertos en Chicago y con la Ópera Florentina de Milwaukee, con la que debutó profesionalmente. Sus últimos compromisos la han llevado a La Valetta para Porpora vs Händel con Les Musiciens du Louvre; a la Frauenkirche de Dresde para una actuación con Concerto Köln; a Reggio Emilia para Le Stagioni dell’anima con Il pomo d’oro; y a Estambul con Europa Galante. En la temporada 2019-2020 de Theater an der Wien, Vivica participó en los conciertos de Merope de Riccardo Broschi, Rodrigo de Händel e Irene de Hasse.
    [Show full text]