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Oral Defensiveness
ORAL DEFENSIVENESS Oral Defensiveness is an aversive response to touch sensations in and around the mouth that may cause extreme sensory, emotional and behavioural responses when eating. Treatment Principles • In all instances, approach oral defensiveness in a fun and playful way. • Rapport must be well established with the child. • Intervention should be carried out at times other than meal times. • Allow the child to be an active participant in therapy as much as possible. • Take turns at playing the games with the child or include siblings. • Slow and steady wins the race. • Establish a routine - Performing the routine the same way in each session helps a child to know the expectations. • Take it one step at a time - For severely orally aversive children you may not even be able to start near their mouth. Work your way from the outer perimeter of the face in toward the mouth, then the outside of the mouth, and gradually work your way into the mouth • Reinforce all positive responses. Give verbal praise and tangible reinforcement Therapy should be directed toward reducing the sensory problems that triggered the food refusal. However, the general strategy is to influence the sensory processing system, not just the mouth. Many of the strategies used in Sensory Integration programs are effective. These include use of vestibular input(movement through space), deep- pressure touch, and proprioceptive input through the joints. Rhythmical, organizing music and sound can also influence the auditory-vestibular system. Most of these strategies can be incorporated in the family routine to prepare. For example, spoon feeding can be introduced while providing vestibular input in a rocking chair, or using specific types of organizing music during the meal. -
Episode 17: Welcoming Polyamory Released on February 5, 2020
Episode 17: Welcoming Polyamory Released on February 5, 2020 [00:00:00.33] ANTHONY SIS: The opinions expressed by the guests and contributors of this podcast are their own, and do not necessarily reflect the views of Cornell University or its employees. [00:00:09.03] [MUSIC PLAYING] [00:00:11.86] On today's episode, we'll be exploring the topic of polyamory. According to Merriam-Webster, polyamory can be defined as the state or practice of having more than one open romantic relationship at a time. Polyamory is a relationship structure that is oftentimes not thought of as a form of diversity, which is why we are talking about it on today's show with a special guest named Amanda. My name is Anthony Sis. [00:00:36.67] TORAL PATEL: My name is Toral Patel. [00:00:38.02] ANTHONY SIS: And you are listening to the Inclusive Excellence podcast. [00:00:41.36] [MUSIC PLAYING] [00:00:59.39] Welcome back. Thank you for joining me and Toral on another episode of the Inclusive Excellence podcast. Toral, how are you doing today? [00:01:06.86] TORAL PATEL: I am doing great, Anthony. How are you? [00:01:09.17] ANTHONY SIS: I'm doing pretty good. I'm excited for the semester and what's to come. [00:01:12.53] TORAL PATEL: Yeah, and the weather is not bad. [00:01:14.42] ANTHONY SIS: The weather is not bad. It's a little cold. We got snow again. [00:01:16.94] TORAL PATEL: We did. -
Recent Critical Praise for My Brightest Diamond's This Is My Hand
Recent critical praise for My Brightest Diamond’s This Is My Hand Favorite Songs of 2014 “‘Pressure’: This baroque pop gem opens with drum corps and woodwinds, tacks on a tribal rhythm breakdown and just goes for it. All the way.” “…one of the most powerful and dramatic voices of the past decade.” “…an ability to cultivate intimacy through flawless, complex production with a beating heart.” “As a musician, Worden (who performs as My Brightest Diamond) builds her songs deliberately and impeccably…words are painted, sounds are sculpted, and the nature of Worden’s voice itself adds dimension—more than a single vocalist usually can. Her wholly enveloping, finely tuned alto sounds by turns forceful, vulnerable, cooing, playful, and endlessly emotive.” “…has a feeling for both the grandeur and the grain, building every sweeping gesture in her music out of a swarm of small details.” The Best of 2014 “…added to her smart, savvy chamber pop the influence of funk and marching bands. Her flawless voice pecks, jabs and floats above a world of rhythm that gives the new music its motion and undeniable heartbeat.” “At times, This Is My Hand all but commands listeners to dance.” “On her new album, This Is My Hand, she continues to reach far and wide with great success, adding marching-band rhythms and funky horns to her mix.” “…sounds like a modern-day Nina Simone…” “…This is My Hand works on a visceral level, conjuring Worden’s intended image of tribal, fireside collaboration through a rich diversity of texture, detail, and tone.” “…successful exercise in percussive, jagged art-pop that explores themes of self-acceptance, sensuality, and community.” “...unique and oddly beautiful.” “…presents an invigorating progression of Worden’s sonic palette…” #3: MBE Producer Ariana Morgenstern’s Top Albums of 2014 “…gorgeous new album…” “This Is My Hand is an album I would recommend to anyone—for exactly all the reasons that it’s hard to write about. -
TABOO WORDS in the LYRICS of CARDI B on ALBUM INVASION of PRIVACY THESIS Submitted to the Board of Examiners in Partial Fulfillm
TABOO WORDS IN THE LYRICS OF CARDI B ON ALBUM INVASION OF PRIVACY THESIS Submitted to the Board of Examiners In Partial Fulfillment of the Requirement For Literary Degree at English Literature Department by PUTRI YANELIA NIM: AI.160803 ADAB AND HUMANITIES FACULTY STATE ISLAMIC UNIVERSITY SULTAN THAHA SAIFUDDIN JAMBI 2020 NOTA DINAS Jambi, 25 Juli 2020 Pembimbing I : Dr. Alfian, M.Ed…………… Pembimbing II : Adang Ridwan, S.S, M.Pd Alamat : Fakultas Adab dan Humaniora UIN STS Jambi Kepada Yth Ibu Dekan Fakultas Adab dan Humaniora UIN STS Jambi Di- Tempat Assalamu‟alaikum wr.wb Setelah membaca dan mengadakan perbaikan seperlunya, maka kami berpendapat bahwa skripsi saudari: Putri Yanelia, Nim. AI.160803 yang berjudul „“Taboo words in the lyrics of Cardi bAlbum Invasion of Privacy”‟, telah dapat diajukan untuk dimunaqosahkan guna melengkapi tugas - tugas dan memenuhi syarat – syarat untuk memperoleh gelar sarjana strata satu (S1) pada Fakultas Adab dan Humaniora, UIN STS Jambi. Maka, dengan itu kami ajukan skripsi tersebut agar dapat diterima dengan baik. Demikianlah kami ucapkan terima kasih, semoga bermanfaat bagi kepentingan kampus dan para peneliti. Wassalamu‟alaikum wr.wb Pembimbing I Pembimbing II Dr. Alfian, M.Ed Adang Ridwan, S.S., M.Pd NIP: 19791230200604103 NIDN: 2109069101 i APPROVAL Jambi, July 25th 2020 Supervisor I : Dr. Alfian, M.Ed……………… Supervisor II :Adang Ridwan, M.Pd ………………… Address : Adab and HumanitiesFaculty .. …………State Islamic University ,,,,,,,,,,,,,,,,,,,, ,,,,,,,Sulthan Thaha Saifuddin Jambi. To The Dean of Adab and Humanities Faculty State Islamic University In Jambi Assalamu‟alaikum wr. Wb After reading and revising everything extend necessary, so we agree that the thesis entitled“Taboo Words in the Lyrics of Cardi b on Album Invasion of Privacy”can be submitted to Munaqasyah exam in part fulfillment to the Requirement for the Degree of Humaniora Scholar.We submitted it in order to be received well. -
Natasha Bedingfield Leaves It Unwritten
20/20 BY CHERYLZHANG Natasha Bedingfi eld leaves it unwritten Leaving it ‘Unwritten’ has defi nitely gotten her name written down in the Billboard charts for Natasha Bedingfi eld. Since the overwhelming success of the album, which sold over 2.3 million copies worldwide, Natasha Bedingfi eld has been hard at work, releasing a second album in April 2007 entitled ‘N.B.’ (no, it’s not some dialect vulgarity, it’s her initials you foul-minded people). I’M A BOMB to be a bit more tough and I feel like I defi nitely have noticed a Bedingfi eld isn’t any prima donna who demands Perrier and red diff erence in myself when I’m in other countries and I feel more at carpets to be rolled out. In fact, she’s exactly like any other reader home when I’m here [in London].” of Choices! Currently dating someone whose identity she refuses “I love going to clubs and I love music that you can dance to. to reveal, Bedingfi eld had been incorrectly linked to several You know I put on the Justin Timberlake album at my birthday a celebrities such as Nick Lachey and Maroon 5 lead singer Adam few months ago and I hadn’t realised what a great album it was Levine. until it was actually like a party and I put it on and me and all my girlfriends were dancing in the kitchen (laughing). It was great, STARTING OUT it was actually… it just had a really good beat to dance to. And Despite being extremely proud of her British heritage, Bedingfi eld that’s the thing about music is that you’ve got to have something has spent most of the past 18 months in America, and lets us in for everything, and you need the music you can chill out to or on the reason why. -
“Rapper's Delight”
1 “Rapper’s Delight” From Genre-less to New Genre I was approached in ’77. A gentleman walked up to me and said, “We can put what you’re doing on a record.” I would have to admit that I was blind. I didn’t think that somebody else would want to hear a record re-recorded onto another record with talking on it. I didn’t think it would reach the masses like that. I didn’t see it. I knew of all the crews that had any sort of juice and power, or that was drawing crowds. So here it is two years later and I hear, “To the hip-hop, to the bang to the boogie,” and it’s not Bam, Herc, Breakout, AJ. Who is this?1 DJ Grandmaster Flash I did not think it was conceivable that there would be such thing as a hip-hop record. I could not see it. I’m like, record? Fuck, how you gon’ put hip-hop onto a record? ’Cause it was a whole gig, you know? How you gon’ put three hours on a record? Bam! They made “Rapper’s Delight.” And the ironic twist is not how long that record was, but how short it was. I’m thinking, “Man, they cut that shit down to fifteen minutes?” It was a miracle.2 MC Chuck D [“Rapper’s Delight”] is a disco record with rapping on it. So we could do that. We were trying to make a buck.3 Richard Taninbaum (percussion) As early as May of 1979, Billboard magazine noted the growing popularity of “rapping DJs” performing live for clubgoers at New York City’s black discos.4 But it was not until September of the same year that the trend gar- nered widespread attention, with the release of the Sugarhill Gang’s “Rapper’s Delight,” a fifteen-minute track powered by humorous party rhymes and a relentlessly funky bass line that took the country by storm and introduced a national audience to rap. -
Nothing Else Matters Free
FREE NOTHING ELSE MATTERS PDF Patricia St. John | 176 pages | 30 Apr 2007 | Scripture Union Publishing | 9781844272884 | English | Bucks, United Kingdom Metallica - Nothing Else Matters lyrics | LyricsFreak Connect your Spotify account to your Last. Connect to Spotify. A new version of Last. Replace video. Discuss these lyrics on MetroLyrics. Don't want to see ads? Upgrade Now. Scrobbling Nothing Else Matters when Last. Learn more. Javascript is required to view shouts on this page. Go directly to shout page. View full artist profile. View all similar artists. View all trending tracks. Loading player…. Scrobble from Spotify? Connect to Spotify Dismiss. Search Search. Play album. Length Nothing Else Matters Nothing Else Matters 8th track Nothing Else Matters Metallica's famous "Metallica" album referred often to as "the Black Album" due to the cover Nothing Else Matters. The album has sold over 25 million copies world wide. It was Metallica's first, more popular sounding album. The track was composed and written by James Hetfield to his girlfriend whom he missed during long touring sessions. The track became a massive hit instantly after the album was published. Producer for this Nothing Else Matters is Bob Rock, and Lars Ulrich is a co-writer. It's also the only Metallica song that Hetfield pla… read more. Nothing Else Matters is 8th track off Nothing Else Matters famous "Metallica" album referred often to as "the Black Album" due to th… read more. The album has sold over… read more. Related Tags metal heavy metal ballad metallica rock Add tags View all tags. From The Album Play album. -
ACT Early Milestone Moments
Milestone Moments Learn the Signs. Act Early. Learn the Signs. Act Early. www.cdc.gov/milestones 1-800-CDC-INFO Adapted from CARING FOR YOUR BABY AND YOUNG CHILD: BIRTH TO AGE 5, Fifth Edition, edited by Steven Shelov and Tanya Remer Altmann © 1991, 1993, 1998, 2004, 2009 by the American Academy of Pediatrics and You can follow your child’s development by watching how he or BRIGHT FUTURES: GUIDELINES FOR HEALTH SUPERVISION OF INFANTS, CHILDREN, AND ADOLESCENTS, Third she plays, learns, speaks, and acts. Edition, edited by Joseph Hagan, Jr., Judith S. Shaw, and Paula M. Duncan, 2008, Elk Grove Village, IL: American Academy of Pediatrics. Special acknowledgements to Susan P. Berger, PhD; Jenny Burt, PhD; Margaret Greco, MD; Katie Green, MPH, Look inside for milestones to watch for in your child and how you CHES; Georgina Peacock, MD, MPH; Lara Robinson, PhD, MPH; Camille Smith, MS, EdS; Julia Whitney, BS; and can help your child learn and grow. Rebecca Wolf, MA. Centers for Disease Centers for Disease Control and Prevention Control and Prevention www.cdc.gov/milestones www.cdc.gov/milestones 1-800-CDC-INFO 1-800-CDC-INFO 220788 Milestone Moments How your child plays, learns, speaks, and acts offers important clues about your child’s development. Developmental milestones are things most children can do by a certain age. The lists that follow have milestones to look for when your child is: 2 Months ............................................................... page 3 – 6 Check the milestones your child has reached at each age. 4 Months ............................................................... page 7 –10 Take this with you and talk with your child’s doctor at every visit about the milestones your child has reached and what to 6 Months .............................................................. -
2. Case Study: Anime Music Videos
2. CASE STUDY: ANIME MUSIC VIDEOS Dana Milstein When on 1 August 1981 at 12:01 a.m. the Buggles’ ‘Video Killed the Radio Star’ aired as MTV’s first music video, its lyrics parodied the very media pre- senting it: ‘We can’t rewind, we’ve gone too far, . put the blame on VTR.’ Influenced by J. G. Ballard’s 1960 short story ‘The Sound Sweep’, Trevor Horn’s song voiced anxiety over the dystopian, artificial world developing as a result of modern technology. Ballard’s story described a world in which natu- rally audible sound, particularly song, is considered to be noise pollution; a sound sweep removes this acoustic noise on a daily basis while radios broad- cast a silent, rescored version of music using a richer, ultrasonic orchestra that subconsciously produces positive feelings in its listeners. Ballard was particu- larly criticising technology’s attempt to manipulate the human voice, by con- tending that the voice as a natural musical instrument can only be generated by ‘non-mechanical means which the neruophonic engineer could never hope, or bother, to duplicate’ (Ballard 2006: 150). Similarly, Horn professed anxiety over a world in which VTRs (video tape recorders) replace real-time radio music with simulacra of those performances. VTRs allowed networks to replay shows, to cater to different time zones, and to rerecord over material. Indeed, the first VTR broadcast occurred on 25 October 1956, when a recording of guest singer Dorothy Collins made the previous night was broadcast ‘live’ on the Jonathan Winters Show. The business of keeping audiences hooked 24 hours a day, 7 days a week, promoted the concept of quantity over quality: yes- terday’s information was irrelevant and could be permanently erased after serving its money-making purpose. -
July Parent and Caregiver Guide
Big Heart World Parent & Caregiver Guide Friendship Released July 2021 What is Big Heart World? Big Heart World helps families learn together about social and emotional skills — what it means to have a big heart and how to grow one. This means: ● Learning about me (self) ● Learning about you (others) ● Learning about us (relationships) Learning social and emotional skills is always important to children’s development. From the time babies are born, they are learning about who they are, developing confidence, compassion, and a sense of what is right and what is wrong. Parents are particularly concerned about their children’s social and emotional development now due to transitions and school closures brought about by COVID-19. If you’re wondering how to help your child express their feelings, figure out friendships, share, enter a classroom environment, or learn what makes them special, Big Heart World is for you. If you’re feeling overwhelmed by the pandemic and endless change and transition, Big Heart World is for you. If you feel like you can’t handle one more tantrum and you want to know what your child is really trying to tell you when they act out, Big Heart World is for you. This guide walks you through what is available on Big Heart World this month and what you can do with it. Learn more: www.BigHeartWorld.org Big Heart World is produced by Sparkler Learning with support from Noggin, the Walton Family Foundation, and many non-profit partner organizations. 1 Friendship: The Fourth Unit of Big Heart “I learned that a friend may be waiting behind a stranger’s face.” — Maya Angelou “Each new friendship can make you a new person, because it opens up new doors inside of you.” — Kate DiCamillo “Let us be grateful to the people who make us happy; they are the charming gardeners who make our souls blossom.” — Marcel Proust Why have people been writing about friendship forever? It is really important for all people, kids included. -
Your Little Bit Matters
Your Little Bit Matters Bob Setzer, Jr. Pastor Knollwood Baptist Church Winston Salem, NC www.knollwood.org November 11, 2018 1 Kings 17:8-16; Mark 12:38-44 In his book, All Over but The Shouting, Rick Bragg writes about growing up poor in Alabama. Once when his daddy left again and his brave but heartbroken mama was nearly defeated, there was a knock at the door. It was a little boy, “the color of bourbon. He said his mama had some corn left over and please take it ma’am, we’d like it.” “They knew,” Bragg continues. “They were poor, very poor. Living in unpainted houses that leaned. But for a window in time, they had more than us.” “It may seem like a little biddy thing by 1990s reasoning. (But) this was a time when out of pure meanness, it was routine to take a young black man for a ride and leave him cut, broken, or worse on the side of some pulp wood road, just for sport, for fun. “This was a time of horrors in Birmingham, in the back woods of Mississippi; this was a time when the whole damn world was on fire. That was why it mattered so.” Jesus told the story of a widow who did a little biddy thing. She dared to drop her two copper pennies into the temple treasury while others dropped in their fistfuls of cash. But for Jesus, it wasn’t the size of the widow’s gift that grabbed his attention and stole his heart. -
Songs for Waiters: a Lyrical Play in Two Acts
SONGS FOR WAITERS: A LYRICAL PLAY IN TWO ACTS Thesis Submitted to The College of Arts and Sciences of the UNIVERSITY OF DAYTON In Partial Fulfillment for the Requirements for The Degree of Master of Arts in English By Andrew Eberly Dayton, Ohio May, 2012 SONGS FOR WAITERS: A LYRICAL PLAY IN TWO ACTS Name: Eberly, Andrew M. APPROVED BY: ___________________ Albino Carillo, M.F.A. Faculty Advisor ____________________ John P. McCombe, Ph.D. Faculty Reader ____________________ Andrew Slade, Ph.D. Faculty Reader ii ABSTRACT SONGS FOR WAITERS: A LYRICAL PLAY IN TWO ACTS Name: Eberly, Andrew M. University of Dayton Advisor: Albino Carillo, M.F.A. Through the creative mediums of lyrical poetry, monologues, and traditional dramatic scenes, Songs for Waiters concerns an owner and two employees at an urban bar/restaurant. Through their work, their interactions with the public and each other, and reflecting on their own lives, the three men unpack contemporary debates on work, violence, and sexuality. The use of lyrical poetry introduces the possibility of these portions of the play being put to music in a performance setting, as the play is written to be workshopped and performed live in the future. iii TABLE OF CONTENTS ABSTRACT……………………………………………………………….…………..…iii ACT I…………………………………………………………………………...…………1 ACT II……………………………………………………………………………………35 iv ACT I The play begins with no actors onstage. The set consists of café tables upstage right and left and a bar upstage center. The décor is that of a classic bar with some history. The bar is George’s—known for good food. It’s independent, casual, eclectic, open late, and located on High Street in Columbus, Ohio.