Arctic Culture and Climate: Large Print Exhibition Text
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Wearing Our Identity – the First People's Collection
Wearing our Identity – The First People’s Collection Texts of the exhibition Table of content Introduction 2. Fashioning identity 2. 1 – Wearing who I am 3. 1.1 – Wearing where I come from 3. 1.2 – Wearing life’s passages 3. 1.3 – Wearing my family 6. 1.4 – Wearing my rank 7. 2 – Wearing our culture 10. 2.1 – Wearing our traditions 10. 2.2 – Wearing our legends 15. 2.3 – Wearing our present 16. 3 – Wearing our history 17. 3.1 – Wearing our honour 18. 3.2 – Wearing our struggles 20. 3.3 – Wearing our resilience 21. 4 – Wearing our beliefs 23. 4.1 – Wearing our universe 23. 4.2 – Wearing animal power 24. 4.3 – Wearing spiritual respect 25. 2 Wearing our Identity – The First People’s Collection © McCord Museum, 2013 0 – Introduction Wearing Our Identity The First Peoples Collection Questions of identity lie at the heart of many debates in today’s rapidly changing world. Languages and traditions are threatened with extinction. When this happens, unique knowledge, beliefs and histories are wiped out. First Peoples understand well the challenges and tensions that can erode a sense of self and belonging. Yet, they have shown remarkable resilience in both preserving ancient identities and forging new ones. Whether building on the rich textures of the past or fearlessly transforming contemporary fashion, First Nations, Inuit and Métis use clothing to communicate the strength and meaning of their lives. An exploration of First Peoples dress is a compelling and emotional experience – one that must follow interwoven threads of community and spirituality, resistance and accommodation, history and innovation. -
Cosmology and Shamanism and Shamanism INTERVIEWING INUIT ELDERS
6507.3 Eng Cover w/spine/bleed 5/1/06 9:23 AM Page 1 INTERVIEWINGCosmology INUIT ELDERS and Shamanism Cosmology and Shamanism INTERVIEWING INUIT ELDERS Mariano and Tulimaaq Aupilaarjuk, Lucassie Nutaraaluk, Rose Iqallijuq, Johanasi Ujarak, Isidore Ijituuq and Michel Kupaaq 4 Edited by Bernard Saladin d’Anglure 6507.5_Fre 5/1/06 9:11 AM Page 239 6507.3 English Vol.4 5/1/06 9:21 AM Page 1 INTERVIEWING INUIT ELDERS Volume 4 Cosmology and Shamanism Mariano and Tulimaaq Aupilaarjuk, Lucassie Nutaraaluk, Rose Iqallijuq, Johanasi Ujarak, Isidore Ijituuq and Michel Kupaaq Edited by Bernard Saladin d’Anglure 6507.3 English Vol.4 5/1/06 9:21 AM Page 2 Interviewing Inuit Elders Volume 4 Cosmology and Shamanism Copyright © 2001 Nunavut Arctic College, Mariano and Tulimaaq Aupilaarjuk, Bernard Saladin d’Anglure and participating students Susan Enuaraq, Aaju Peter, Bernice Kootoo, Nancy Kisa, Julia Saimayuq, Jeannie Shaimayuk, Mathieu Boki, Kim Kangok, Vera Arnatsiaq, Myna Ishulutak, and Johnny Kopak. Photos courtesy Bernard Saladin d’Anglure; Frédéric Laugrand; Alexina Kublu; Mystic Seaport Museum. Louise Ujarak; John MacDonald; Bryan Alexander. Illustrations courtesy Terry Ryan in Blodgett, ed. “North Baffin Drawings,” Art Gallery of Ontario; 1923 photo of Urulu, Fifth Thule Expedition. Cover illustration “Man and Animals” by Lydia Jaypoody. Design and production by Nortext (Iqaluit). All rights reserved. The use of any part of this publication, reproduced, transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, or stored in a retrieval system, without written consent of the publisher is an infringement of the copyright law. ISBN 1-896-204-384 Published by the Language and Culture Program of Nunavut Arctic College, Iqaluit, Nunavut with the generous support of the Pairijait Tigummivik Elders Society. -
Inuktut Language Month
DEPARTMENT OF CULTURE AND HERITAGE eNewsletter In this issue: Uqausirmut Quviasuutiqarniq 2018 ....................................................... 2 Literacy Boxes to Schools, Daycares, and Libraries! . 2 Inuit Beliefs and Myths .................................................................... 3 Songwriting Contest Winners ............................................................ 7 Online Resources ........................................................................ 10 And much more! Uqausirmut Quviasuutiqarniq | 2018 Uqausirmut Quviasuutiqarniq Literacy Boxes to Schools, 2018 Daycares, and Libraries! February is Inuktut Language Month. This is The Department of Culture and Heritage is a time when Nunavummiut celebrate Inuit pleased to be sending out over 100 boxes of language and culture across our territory! books to celebrate Language Month. Schools, daycares, and libraries across Nunavut are This newsletter was developed to support once again receiving these boxes with carefully the promotion and use of Inuktut in our selected resources in Inuktut. workplaces, communities, and homes. Each box includes a range of picture books, In the following pages, you will find out about novels, and information books. The books were the theme for Uqausirmut Quviasuutiqarniq chosen for the age groups receiving them and this year, including announcements, resources, to match this year’s theme of Inuit beliefs and and information about programs that suppor t myths. Inuktut. Uqausirmut Quviasuutiqarnirmut Themes 2018-19 Inuit Beliefs and Myths 2019-20 Traditional Songs and Chants 2020-21 Inuit Names 2021-22 Traditional Games 2 Uqausirmut Quviasuutiqarniq | 2018 The 2018 Theme for There were so many beliefs about how we treated people. We were told never to make Inuktut Language Month fun of people who had physical deformities, Inuit Beliefs and Myths had mental challenges, and so on. If we made fun of them, our children or grandchildren As an Inuk growing up in Canada’s Arctic, I would have those characteristics. -
Documenting Inuit Knowledge of Coastal Oceanography in Nunatsiavut
Respecting ontology: Documenting Inuit knowledge of coastal oceanography in Nunatsiavut By Breanna Bishop Submitted in partial fulfillment of the requirements for the degree of Master of Marine Management at Dalhousie University Halifax, Nova Scotia December 2019 © Breanna Bishop, 2019 Table of Contents List of Tables and Figures ............................................................................................................ iv Abstract ............................................................................................................................................ v Acknowledgements ........................................................................................................................ vi Chapter 1: Introduction ............................................................................................................... 1 1.1 Management Problem ...................................................................................................................... 4 1.1.1 Research aim and objectives ........................................................................................................................ 5 Chapter 2: Context ....................................................................................................................... 7 2.1 Oceanographic context for Nunatsiavut ......................................................................................... 7 2.3 Inuit knowledge in Nunatsiavut decision making ......................................................................... -
First Nations Perspectives on Sea Otter Conservation in British Columbia and Alaska: Insights Into Coupled Human Àocean Systems
Chapter 11 First Nations Perspectives on Sea Otter Conservation in British Columbia and Alaska: Insights into Coupled Human ÀOcean Systems Anne K. Salomon 1, Kii’iljuus Barb J. Wilson 2, Xanius Elroy White 3, Nick Tanape Sr. 4 and Tom Mexsis Happynook 5 1School of Resource and Environmental Management, Simon Fraser University, Burnaby, BC, Canada, 2Skidegate, Haida Gwaii, BC, Canada, 3Bella Bella, BC, Canada, 4Nanwalek, AK, USA, 5Uu-a-thluk Council of Ha’wiih, Huu-ay-aht, BC, Canada Sea Otter Conservation. DOI: http://dx.doi.org/10.1016/B978-0-12-801402-8.00011-1 © 2015 Elsevier Inc. All rights reserved. 301 302 Sea Otter Conservation INTRODUCTION: REGIME SHIFTS AND TRANSFORMATIONS ALONG NORTH AMERICA’S NORTHWEST COAST One of our legends explains that the sea otter was originally a man. While col- lecting chitons he was trapped by an incoming tide. To save himself, he wished to become an otter. His transformation created all otters. Alutiiq Museum and Archaeological Repository (2005) Human interactions with sea otters and kelp forest ecosystems have spanned millennia ( Figure 11.1 ; Rick et al., 2011 ). In fact, archeological evidence suggests that the highly productive kelp forests of the Pacific Rim may have sustained the original coastal ocean migration route of maritime people to the Americas near the end of the Pleistocene ( Erlandson et al., 2007 ). Similarly, many coastal First Nations stories speak of ancestors who came from the sea (Boas, 1932; Brown and Brown, 2009; Guujaaw, 2005; Swanton, 1909). Yet this vast and aqueous “kelp highway,” providing food, tools, trade goods, and safe anchorage for sophisticated watercraft, would have been highly susceptible to overgrazing by sea urchins had it not been FIGURE 11.1 Sea otter pictographs from Kachemak Bay, Alaska. -
Panel 2A Abstracts
Panel 2A: Greenland-Denmark relations in history: Insights from the ERC Arctic Cultures project Format: Paper panel in English Conveners: Dr Peter Martin & Richard Powell Panel 2A abstract: This panel will present findings from the European Research Council funded project, ‘Arctic Cultures’, 2017-22, that relate to the conference theme on Greenland-Denmark relations. The ARCTIC CULT project investigates the imaginative construction of the Arctic that emerged from the exploration of the region by Europeans and North Americans and their contacts with indigenous peoples from the middle of the sixteenth century. During the exploration and colonisation of the Arctic, particular texts, cartographic representations and objects were collected and returned to sites like Copenhagen, Berlin, Philadelphia and New York. The construction of the Arctic thereby became entwined with the growth of colonial museum cultures and, indeed, western modernity. The panel will present aspects of research from the project that focus upon relations between Greenland and Denmark, as well as other imperial states such as Britain and Germany. Studying transnational histories of knowledge co-production, papers will reflect on the formations of cartographic, ethnographic and geographic knowledges within the Danish-Greenlandic colonial context. The panel will also consider the extent to which these processes of knowledge formation continue to have important consequences for contemporary relations between Greenland and Denmark. Speaker 1: Dr Richard Powell Title: Introduction to the Panel – ERC Arctic Cultures Project Abstract: A brief introduction to the ERC Arctic Cultures project and the context for the panel papers and discussion. Speaker 2: Dr Peter Martin Title: Anthropogeography in the Arctic: H.P. -
Moving Archives Agency, Emotions and Visual Memories of Industrialization in Greenland Jørgensen, Anne Mette
Moving Archives Agency, emotions and visual memories of industrialization in Greenland Jørgensen, Anne Mette Publication date: 2017 Document version Other version Document license: CC BY-NC-ND Citation for published version (APA): Jørgensen, A. M. (2017). Moving Archives: Agency, emotions and visual memories of industrialization in Greenland. Det Humanistiske Fakultet, Københavns Universitet. Download date: 26. Sep. 2021 UNIVERSITY OF COPENHAGEN FACULTY OR HUMANITIES PhD Thesis Anne Mette Jørgensen Moving Archives. Agency, emotions and visual memories of industrialization in Greenland Supervisor: Associate Professor Ph.D. Kirsten Thisted Submitted on: 15 February 2017 Name of department: Department of Cross-Cultural and Regional Studies Name of department: Minority Studies Section Author(s): Anne Mette Jørgensen Title and subtitle: Moving Archives. Agency, emotions and visual memories of industrialization in Greenland Topic description: Memory, emotion, agency, history, visual anthropology, methodology, museums, post-colonialism, Greenland Supervisor: Kirsten Thisted Submitted on: 15 February 2017 Cover photography: A table during a photo elicitation interview, Ilulissat April 2015 ©AMJørgensen 2 CONTENTS Pre-face 5 Abstract 7 Resumé in Danish 8 1. Introduction 9 a. Aim and argument 9 b. Research questions 13 c. Analytical framework 13 d. Moving archives - Methodological engagements 16 e. The process 18 f. Outline of the Thesis 23 2. Contexts 27 a. Themes, times, spaces 27 b. Industrialization in Greenland 28 c. Colonial and postcolonial archives and museums 40 d. Industrialization in the Disko Bay Area 52 3. Conceptualizing Memory as Moving Archives 60 a. Analytical framework: Memory, agency and emotion 61 b. Memory as agency 62 c. Memory as practice 65 d. Memory as emotion 67 e. -
Greenland Explorer
GREENLAND EXPLORER Valleys and Fjords EXPEDITION IN BRIEF The Trip Overview Meet locals along the west coast of Greenland and experience traditional Inuit settlements Visit the Ilulissat Icefjord, a UNESCO World Heritage Site The west coast of Greenland is Europe’s final frontier, and sailing along it is Explore historic places from Norse the best way to sample its captivating history, enthralling wildlife and distinct and Viking eras culture. Explore places from the Norse and Viking eras, experience the Spot arctic wildlife, such as whales, birds and seals Ilulissat Icefjord—a UNESCO World Heritage Site— and visit two Greenland Cruise in a Zodiac to get up close to communities, encountering an ancient culture surviving in a modern world. glaciers, fjords, icebergs and more For trip inquiries, speak to our Polar Travel Advisers at 1. 844.205.0837 | Visit QuarkExpeditions.com for more details or get a free quote here. and geography of Greenland, your next Itinerary stop. Join expedition staff on deck and on the bridge as they look out for whales and seabirds, get to know your fellow Ban Bay GREENLAND DAY 1 | ARRIVE IN guests or simply take in the natural REYKJAVIK, ICELAND ARCTIC beauty that surrounds you. CIRCLE Arrive in the Icelandic capital in the Eqip Sermia Ilulissat morning and make your way to your DAY 4 | EAST GREENLAND Sisimiut Kangerlussuaq Experience a true arctic ghost town Itilleq included hotel. You will have the day Scoresby Sund to explore the city on your own. In when we visit the abandoned settlement Nuuk of Skjoldungen, where inhabitants the evening, join us at your hotel for a Skjoldungen Denmark Strait welcome briefing. -
The Invisible Man-Exhibition-Advisory-6.20.19.Pdf
Image captions on page 3 The Los Angeles County Museum of Art (LACMA) presents The Invisible Man and the Masque of Blackness, marking the artist Zak Ové’s first solo exhibition in Los Angeles. Ové (b. 1966) is a British visual artist of Trinidadian descent who works in sculpture, film, and photography. His 40-piece sculptural installation The Invisible Man and the Masque of Blackness features a group of identical, 6 1/2-foot-tall reproductions of an African figure that the artist received as a gift from his father in his early childhood. Ové’s figures, fabricated from resin and graphite, hold their hands up at shoulder level in an act of quiet strength and resilience, and are spaced evenly in rows to ironically recall the formation of either a group soldiers or political dissidents. The exhibition title references two milestones in black history: Ben Jonson’s 1605 play The Masque of Blackness, the first stage production to utilize blackface makeup, and Ralph Ellison’s 1952 novel Invisible Man, the first novel by an African American to win the National Book Award. In addition to literary references, the artist draws inspiration from Caribbean Carnival, a festival that originated in the Mardi Gras celebrations of the region’s French colonists, and Canboulay, a parallel celebration in which enslaved people expressed themselves through music and costume and paid homage to their African traditions. Overall, the sculpture encapsulates the complex history of racial objectification and the evolution of black subjectivity. LACMA’s presentation will be the first time The Invisible Man and the Masque of Blackness is installed at an encyclopedic institution. -
Ilulissat Icefjord
World Heritage Scanned Nomination File Name: 1149.pdf UNESCO Region: EUROPE AND NORTH AMERICA __________________________________________________________________________________________________ SITE NAME: Ilulissat Icefjord DATE OF INSCRIPTION: 7th July 2004 STATE PARTY: DENMARK CRITERIA: N (i) (iii) DECISION OF THE WORLD HERITAGE COMMITTEE: Excerpt from the Report of the 28th Session of the World Heritage Committee Criterion (i): The Ilulissat Icefjord is an outstanding example of a stage in the Earth’s history: the last ice age of the Quaternary Period. The ice-stream is one of the fastest (19m per day) and most active in the world. Its annual calving of over 35 cu. km of ice accounts for 10% of the production of all Greenland calf ice, more than any other glacier outside Antarctica. The glacier has been the object of scientific attention for 250 years and, along with its relative ease of accessibility, has significantly added to the understanding of ice-cap glaciology, climate change and related geomorphic processes. Criterion (iii): The combination of a huge ice sheet and a fast moving glacial ice-stream calving into a fjord covered by icebergs is a phenomenon only seen in Greenland and Antarctica. Ilulissat offers both scientists and visitors easy access for close view of the calving glacier front as it cascades down from the ice sheet and into the ice-choked fjord. The wild and highly scenic combination of rock, ice and sea, along with the dramatic sounds produced by the moving ice, combine to present a memorable natural spectacle. BRIEF DESCRIPTIONS Located on the west coast of Greenland, 250-km north of the Arctic Circle, Greenland’s Ilulissat Icefjord (40,240-ha) is the sea mouth of Sermeq Kujalleq, one of the few glaciers through which the Greenland ice cap reaches the sea. -
K11 Art Foundation and New Museum Co-Present After Us
FOR IMMEDIATE RELEASE January 17, 2017 K11 Art Foundation and New Museum co-present After us A group exhibition of Chinese and international artists exploring how the use of online personae relates to notions of being human K11 art museum, Shanghai 17 March – 31 May 2017 CHEN Zhou, Life Imitation, 2016, Video file, 1:22 min, Image courtesy of the artist The K11 Art Foundation (KAF) is pleased to present After us, their first major project in China in partnership with the New Museum, New York. Exhibition curator Lauren Cornell, New Museum Curator and Associate Director of Technology Initiatives, is supported by Chinese curator Baoyang Chen, appointed by KAF as Assistant Curator, to explore how Chinese and international artists use surrogates, proxies, and avatars to expand the notion of being human. The exhibition features an international group of artists while focusing on emerging artists from China, in line with KAF’s mission. Included in the exhibition are works in sculpture, installation, photography, performance and video as well as works engaged with augmented and virtual reality. After us looks at the original personae that artists are animating: ones that amplify current social and emotional conditions and speculate on potential future states. With the rise of artificial intelligence, the social web and gaming, the process of adopting newly invented personae is now a common part of popular culture and daily life. Stand-ins for the self, for feelings and products, and for values and beliefs have expanded our lives and sense of possibility. The title After us raises the spectre of a society that will replace our own, and yet, many of the featured artists instead layer virtual or imagined states onto the present. -
A Review of Information on Fish Stocks and Harvests in the South Slave Area, Northwest Territories
A Review of Information on Fish Stocks and Harvests in the South Slave Area, Northwest Territories DFO L b ary / MPO Bibliotheque 1 1 11 0801752111 1 1111 1 1 D.B. Stewart' Central and Arctic Region Department of Fisheries and Oceans Winnipeg, Manitoba R3T 2N6 'Arctic Biological Consultants Box 68, St. Norbert Postal Station 95 Turnbull Drive Winnipeg, MB, R3V 1L5. 1999 Canadian Manuscript Report of Fisheries and Aquatic Sciences 2493 Canadian Manuscript Report of Fisheries and Aquatic Sciences Manuscript reports contain scientific and technical information that contributes to existing knowledge but which deals with national or regional problems. Distribution is restricted to institutions or individuals located in particular regions of Canada. However, no restriction is placed on subject matter, and the series reflects the broad interests and policies of the Department of Fisheries and Oceans, namely, fisheries and aquatic sciences. Manuscript reports may be cited as full publications. The correct citation appears above the abstract of each report. Each report is abstracted in Aquatic Sciences and Fisheries Abstracts and indexed in the Department's annual index to scientific and technical publications. Numbers 1-900 in this series were issued as Manuscript Reports (Biological Series) of the Biological Board of Canada, and subsequent to 1937 when the name of the Board was changed by Act of Parliament, as Manuscript Reports (Biological Series) of the Fisheries Research Board of Canada. Numbers 901-1425 were issued as Manuscript Reports of the Fisheries Research Board of Canada. Numbers 1426-1550 were issued as Department of Fisheries and the Environment, Fisheries and Marine Service Manuscript Reports.