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The Oxford Handbook of GREEK DRAMA in the AMERICAS
The Oxford Handbook of GREEK DRAMA IN THE AMERICAS Edited by KATHRYN BOSHER, FIONA MACINTOSH, JUSTINE MCCONNELL, AND PATRICE RANKINE 1 3 Great Clarendon Street, Oxford, OX2 6DP, United Kingdom Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries © Oxford University Press 2015 The moral rights of the authors have been asserted First Edition published in 2015 Impression: 1 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by licence or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this work in any other form and you must impose this same condition on any acquirer Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016, United States of America British Library Cataloguing in Publication Data Data available Library of Congress Control Number: 2014950700 ISBN 978–0–19–966130–5 Printed and bound by CPI Group (UK) Ltd, Croydon, CR0 4YY Links to third party websites are provided by Oxford in good faith and for information only. -
1967 History of the Eloise Butler Wildflower Garden and the Friends of the Wild Flower Garden, Inc. Winter 1965/1966
1967 History of the Eloise Butler Wildflower Garden and The Friends of the Wild Flower Garden, Inc. Winter 1965/1966 Ken Avery begins his ninth year as Gardener. He was no longer entitled to use the term "curator" in his title. He was now officially "gardener II" in the Park Board hierarchy. In The Friend’s Newsletter, The Fringed Gentian™ Vol 15 No.1 Jan 1967, Martha Crone would write: “When the first snowflakes begin to fall, silent and soft, is a time to be brought together around the open fireside for relaxation.” “Indoors the frosty landscapes on the window panes are much enjoyed, while outside snowdrifts like white tents are heaped everywhere. Winter in its deepest snow speaks always of the spring not far behind. The door swings shut on another year and it opens again on a new year. Each season seems to reach a peak and end.” She also writes of the strange antics of the Fox Sparrow: “Your editor had the rare occasion of observing a flock of Fox Sparrows along the North Shore of Superior. During the middle of October, they had just arrived from further north and were stopping to feed for a few days. They were very timid and easily disturbed; a slight rustle and they were gone. However, watching them from my window, they little suspected that anyone was near. During their The Garden Office in Winter. Photo from a Kodachrome taken by Martha feeding they hop from the ground and while still in the air Crone on March 9, 1953. kick the leaves and debris backward with both feet. -
Frank Grace – Interview Transcript
THEATRE ARCHIVE PROJECT http://sounds.bl.uk Frank Grace – interview transcript Interviewer: Clare Brewer 8 December 2008 Theatre goer. Anna Lucasta; Windsor Rep; The Gioconda Smile; September Tide; The Second Mrs Tanqueray; Oklahoma; Annie Get your Gun; Shakespeare; The Old Vic; Peter Brook; Olivier; Amateur Theatre; Woolford; Look back In Anger; Encore; Theatre Cruelty; Roots; Tis Pity She’s a Whore; A View From the Bridge; Censorship; Theatre Clubs; The Bald Prima Donna; Oh What a Lovely War; Arthur Miller. This transcript has been edited by the interviewee and thus differs in places from the recording. CB: How did you first become interested in theatre? FG: I suppose through [act]ing at school, but in terms of any serious theatre going I suppose it goes back to the late 1940’s... interestingly enough, when I re-looked at the [programmes] that I have got, the first play that I saw [in] the West End was most unusual for the late 1940’s, it was a play called Anna Lucasta,an American play; what was unusual for the 1940s was that it was an all black cast. CB: Really… FG: And it was about a prostitute and my parents took me [laughs] and I think they must have been slightly worried because I was fourteen at the time and it was one of my first experiences. But that was not typical of the first sort of phase of my theatre-going between that moment in 1949 and about 1951 I suppose and [after where] something dramatic begins to happen, I think. -
2017 Grand Lodge of Minnesota Annual Communication Proceedings
2017 PROCEEDINGS The Grand Lodge A.F. and A.M. Minnesota Robert L. Darling, Grand Master Link to interactive index page 2017 ANNUAL PROCEEDINGS GRAND LODGE A. F. & A. M. of MINNESOTA 11501 Masonic Home Drive Bloomington, MN 55437-3699 952-948-6700 800-245-6050 952-948-6710 Fax E-Mail:[email protected] www.mn-masons.org 2017 ANNUAL PROCEEDINGS 3 ROBERT L. DARLING GRAND MASTER 4 GRAND LODGE OF MINNESOTA BIOGRAPHY GRAND MASTER ROBERT L. DARLING Robert L. Darling, “Bob”, was born on February 17, 1956 in Mattoon, Illinois. His parents were Russell D. and Theresa D. Darling. They lived in Greenup, Illinois. The family moved from Greenup to Decatur, Illinois and then to Maroa, Illinois where he attended the Maroa Elementary and Maroa-Forsyth High School. After graduating from the high school in mid-year, Bob enrolled and attended Illinois State University located in Normal, Illinois. In December 1976, he graduated with a B.S. Degree in Industrial Technology. Bob has worked for numerous companies including Caterpillar Inc. in Decatur, Illinois; Baldwin Associates, Clinton, Illinois; Schrock Cabinets/An Electrolux Company, Arthur, Illinois, Electrolux Home Products, St. Cloud, Minnesota. He is currently employed with the State of Minnesota, Department of Labor and Industry, OSHA Enforcement as a Safety Investigator Principal, and has worked there since 2003. Bob has been a Master Mason for 29 years. He was initiated on November 23, 1987; passed to a Fellowcraft on December 12, 1987; and was raised to the Sublime Degree of a Master Mason on January 9, 1988 by Maroa Lodge No. -
Sir Hugh Casson Interviewed by Cathy Courtney: Full Transcript of the Interview
IN PARTNERSHIP WITH NATIONAL LIFE STORIES LEADERS OF NATIONAL LIFE Sir Hugh Casson Interviewed by Cathy Courtney C408/16 This transcript is copyright of the British Library Board. Please refer to the Oral History curators at the British Library prior to any publication or broadcast from this document. Oral History The British Library 96 Euston Road NW1 2DB 020 7412 7404 [email protected] IMPORTANT Every effort is made to ensure the accuracy of this transcript, however no transcript is an exact translation of the spoken word, and this document is intended to be a guide to the original recording, not replace it. Should you find any errors please inform the Oral History curators ([email protected]) British Library Sound Archive National Life Stories Interview Summary Sheet Title Page Ref no: C408/16/01-24 Playback no: F1084 – F1093; F1156 – F1161; F1878 – F1881; F2837 – F2838; F6797 Collection title: Leaders of National Life Interviewee’s surname: Casson Title: Mr Interviewee’s forename: Hugh Sex: Male Occupation: Architect Date and place of birth: 1910 - 1999 Mother’s occupation: Father’s occupation: Dates of recording: 1990.02.13, 1990.02.16, 1990.02.19, 1990.03.13, 1990.04.19, 1990.05.11, 1990.05.22, 1990.08.28, 1990.07.31, 1990.08.07, 1991.05.22, 1991.06.03, 1991.06.18, 1991.07.13 Location of interview: Interviewer's home, National Sound Archive and Interviewee's home Name of interviewer: Cathy Courtney Type of recorder: Marantz CP430 Type of tape: TDK 60 Mono or stereo: Stereo Speed: N/A Noise reduction: Dolby B Original or copy: Original Additional material: Copyright/Clearance: Interviewer’s comments: Sir Hugh Casson C408/016/F1084-A Page 1 F1084 Side A First interview with Hugh Casson - February 13th, 1990. -
ISSN: 2320-5407 Int. J. Adv. Res. 7(8), 331-336 RESEARCH ARTICLE
ISSN: 2320-5407 Int. J. Adv. Res. 7(8), 331-336 Journal Homepage: -www.journalijar.com Article DOI:10.21474/IJAR01/9509 DOI URL: http://dx.doi.org/10.21474/IJAR01/9509 RESEARCH ARTICLE PIONEERS OF REPERTORY THEATRES. Dr. Pradnya S. Yenkar. Associate Professor, Department of English,Vidyabharati Mahavidyalaya, AMRAVATI (MS)-444602.INDIA. …………………………………………………………………………………………………….... Manuscript Info Abstract ……………………. ……………………………………………………………… Manuscript History The staging of Shakespeare‟s plays was revolutionized by Granville- Received: 06 June 2019 Barker‟s productions at the Savoy Theatre, which were admired for Final Accepted: 08 July 2019 their simplicity, fluidity, and speed. Equally significant for the British Published: August 2019 theatre was the founding of the first provincial repertory theatre in 1908 by Horniman at the Gaiety, Manchester. It not only provided opportunities for promising British playwrights but also presented works by important Continental dramatists. Mainstream British theatre paid very little attention to the antirealistic movements that characterized experimental theatre in the rest of Europe. The domination of the actor-manager was effectively challenged by Harley Granville-Barker and John E. Vedrenne at London‟s Royal Court Theatre; between 1904 and 1907 they staged numerous new plays by British and Continental writers. The major dramatist at the Royal Court, indeed the most important British dramatist of the century, was the Irish-born George Bernard Shaw. The Irish theatre movement and the repertory theatres -
Macbeth” the Man Macbeth
THE PLAY “MACBETH” THE MAN MACBETH * THE FACTS OF THE PLAY WRITTEN: Shakespeare wrote the story of MACBETH in 1606. However, “it is probable that the surviving play is an abridged text for a Court performance in the summer of 1606 before King James I”, three years after the death of Queen Elizabeth I and the rise of James to the throne. It is important to note that James I of Great Britain and Ireland had been serving as James VI, King of Scotland when Elizabeth I died; he was her nearest surviving relative and thus rose to the throne. So fond of theater was James I that as soon as he was crowned in 1603 he became the patron of Shakespeare’s “Lord Chamberlain’s Men” appropriately changing the company’s name to “The King’s Men”. A play dealing with early Scottish history -- indeed the only one of Shakespeare’s plays to be devoted to that theme -- would have clearly been done in honor of James’s Scottish origins. Furthermore, James traced his ancestry to Macbeth’s fellow-thane Banquo and took an avid interest in witchcraft, having published a book on the topic in 1599. Page 2 PUBLISHED: The play was first published as the sixth of the tragedies in the First Folio of 1623. Because the text is unusually short compared with the other tragedies, it is thought to have been cut for performance at some point between 1606 and 1623. The play also contains some passages which have long been held to be interpolations from another hand: the passages involving Hecate, Queen of the Witches, which are written mainly in octosyllabic couplets rather than in iambic pentameter. -
Former Fellows Biographical Index Part
Former Fellows of The Royal Society of Edinburgh 1783 – 2002 Biographical Index Part One ISBN 0 902 198 84 X Published July 2006 © The Royal Society of Edinburgh 22-26 George Street, Edinburgh, EH2 2PQ BIOGRAPHICAL INDEX OF FORMER FELLOWS OF THE ROYAL SOCIETY OF EDINBURGH 1783 – 2002 PART I A-J C D Waterston and A Macmillan Shearer This is a print-out of the biographical index of over 4000 former Fellows of the Royal Society of Edinburgh as held on the Society’s computer system in October 2005. It lists former Fellows from the foundation of the Society in 1783 to October 2002. Most are deceased Fellows up to and including the list given in the RSE Directory 2003 (Session 2002-3) but some former Fellows who left the Society by resignation or were removed from the roll are still living. HISTORY OF THE PROJECT Information on the Fellowship has been kept by the Society in many ways – unpublished sources include Council and Committee Minutes, Card Indices, and correspondence; published sources such as Transactions, Proceedings, Year Books, Billets, Candidates Lists, etc. All have been examined by the compilers, who have found the Minutes, particularly Committee Minutes, to be of variable quality, and it is to be regretted that the Society’s holdings of published billets and candidates lists are incomplete. The late Professor Neil Campbell prepared from these sources a loose-leaf list of some 1500 Ordinary Fellows elected during the Society’s first hundred years. He listed name and forenames, title where applicable and national honours, profession or discipline, position held, some information on membership of the other societies, dates of birth, election to the Society and death or resignation from the Society and reference to a printed biography. -
GBS in the 1890S 1. One of the Pieces in Essays in Fabian Socialism
Notes INTRODUCTION: G.B.S. IN THE 1890s 1. One of the pieces in Essays in Fabian Socialism, 'The Common Sense of Municipal Trading7, was published in 1904; all the others belong to the 1890s. 2. Saturday Review (London), 26 September 1896. Our Theatres in the Nineties, II, pp. 195-6. 3. Holbrook Jackson, The Eighteen Nineties (Harmondsworth: Pelican (Penguin), 1939, repr. 1950), p. 194. 4. Bernard Shaw: Theatrics, ed. Dan H. Laurence (Toronto: University of Toronto Press, 1995), p. 42. 5. Star (London), 10 December 1892; an unsigned notice but almost certainly by Walkley. 6. Appendix I: 'The Author to the Dramatic Critics7, Widowers' Houses (London: Henry & Co., 1893), p. 102 passim. 7. Athenaeum (London), 28 April 1894. 8. World (London), 25 April 1894. 9. Speaker (London), 28 April 1894. 10. 5 November 1896. Collected Letters, 1874-1897, ed. Dan H. Laurence (London: Reinhardt, 1965), p. 695. 11. 8 November 1896. Ibid., p. 698. 12. Critic (New York), July-August 1898. 13. The New York Times, 3 October 1897. 14. The New York Times Illustrated Magazine, 10 October 1897. 15. 27 January 1900. Bernard Shaw. Collected Letters, 1898-1910, ed. Dan H. Laurence (London: Reinhardt, 1972), p. 143. CHAPTER 1 JANUARY-MAY 1901: A NATURAL-BORN MOUNTEBANK 1. The Times (London), 1 January 1901. 2. Kipling's 'Recessional7 marked 1897, the year of the Queen's Diamond Jubilee; his 'The Young Queen' 1900, the year in which Australia became a Federation. 3. The Times (London), 23 January 1901. Austen's poem continues: Can it be That She who scarce but yesterday upheld The Dome of Empire, so the twain seemed one, Whose goodness shone and radiated round The circle of her still expanding Rule Whose Sceptre was self-sacrifice, whose Throne Only a loftier height from which to scan The purpose of her People, their desires Thoughts, hopes, fears, needs, joys, sorrows, sadnesses .. -
Xerox University Microfilms 300 North Zm (> Road Ann Arbor, Michigan 48106 75-3059
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COUNCI L *Sir Ernest Pooley, K .C .V .O., LL .D. (Chairman ) *Dr. B . [for Evans, M .A., D .Litt. (Vice-Chairman ) *Sir Bronson Albery *Mr. C . M . Bowra, D .Litt ., F .B.A. Sir Kenneth Clark, K .C.B. 'Mr. Joseph Compton, M .A. Mrs. Hugh Dalton, L.C .C. The Viscount Esher, M .B.E. Mr . Wyn Griffith, O .B.E . The Lady Keynes Mr . Eric Linklater, M .A., LL .D . The Countess of Rosebery, J.P. Mr . James Welsh, D.L ., LL.D. Dr. R. Vaughan Williams, O.M . *Mr. W . E. Williams, C .B.E., B.A. 'Dr . Thomas Wood, M .A., D.Mus . (Oxon .) SCOTTISH COMMITTE E Dr . James Welsh (Chairman) Dr. Ernest Bullock Mr . James Fergusson Mr . Ian Finla y Mr. W . O . Hutchison Mr . Eric Linklater Mr. George McGlashan Dr. O . H . Mavor Sir Frank Mears Mr . J. R. Peddi e (James Bridie) The Countess of Rosebery Mr . Neil Sha w WELSH COMMITTE E Mr. Wyn Griffith (Chairman) Mr . P. H . Burton Sir William Llewellyn Davies Mrs . Emrys Evan s Mr. C . E . Gittins Professor Gwyn Jones Mr . Morgan Nicholas Mr . D. H . 1 . Powell Dr . Pany Williams Dr . W . J . Williams ART PANE L Mr. W . E . Williams (Chairman) Mr . Colin Anderson Sir Leigh Ashton Miss G . V. Barnard Mr . Oliver Brown Mr. Philip Hendy Mr . P. H . Jowet t Mrs . Cazalet Kcir Mr. Edward Le Bas Mr . Henry Moor e Mr . Ernest Musgrave Mr. Eric Newton Mr . Herbert Rea d Mr . John Rothenstein Mr . Gordon Russell Mrs . Somerville DRAMA PANE L Sir Bronson Albery (Chairman) Miss Peggy Ashcroft Mr . -
MIINNUI% Si&Eg
A-20 *• THE EVENING STAR, Washington, D. C. PaiDAY, JANUAEV *6, 10*7 WHERE THE PASSING SHOW AND WHEN 7 Current Theater Attractions Brilliant'Oedipus and Time of Showing I "SPECTACULAR AND AWESOME...THIS I Stage ’t ,v~' j, | Arena Stage—" The Girl on the Comes Via Flamlnia”; 8:30 pm. I FILM IS A JEWEL OF GREAT PRICE!” I toM'Arthur Mow Vork Timo, National—“The Chalk Gar- > letter CrowMtof. By JAY CARMODY den”; 8:30 p.m. tragedy mMm Bhubert—Dark. The of "Oedipus Rex" will be intensified if the film "Tim. ho. not blunt.* it. I ,rf |#w, comp(mieß I version which opened last night at the MacArthur Theater ia not Theaters ov wish as popular as it deserves to be. Ambassador “The Wrong prim.vo powor. It sti j As directed by Tyrone Guthrie, Sophocles’ immortal play is KT* Man”; 1, 3:06. 6:18, 7:25 and an grond.ur and b.auty merely M not a work of classic grandeur but also an incredibly 9:40 p.m. hvP»®««« «*¦” gripping piece ondh.ortbf.ok” of entertainment. With all due respect to its Capitol “Anastasia”; 11:30 ;-/§pI WHsom K Zmiitr. Harold TnmiM mIJI stature as the greatest play ever am., 1:30, 3:35, 5:40, 7:40 and written. Director Guthrie has •OEDIPUS Rax." a Motion Picture 9:45 pm. made it not Dto'rlbutor, Inc., releaet, ot an Irvins for the elite but for M Lesser presentation, produced by Colony “Wee Oeordie”; 8. the masses. Leonard KipnU. directed by Tyrone ''SPLENDIDLY ACTED, " Outhrle.