Grete T. Viddal

Total Page:16

File Type:pdf, Size:1020Kb

Grete T. Viddal Grete T. Viddal Stone Center for Latin American Studies 917 Washington Ave, Apt D 100 Jones Hall New Orleans, LA 70130 Tulane University (617) 666-1964 New Orleans, LA 70118 EDUCATION PhD African and African American Studies, Harvard University, Cambridge, 2014 Dissertation: Vodú Chic: Cuba’s Haitian Heritage, the Folkloric Imaginary, and the State Committee: Ingrid Monson, Michael Herzfeld, Suzanne Blier, Raul Fernandez, Katherine Hagedorn MA Anthropology, Harvard University, Cambridge, 2007 BA International Relations, Tufts University, Medford, 1988 EMPLOYMENT 2015 Zemurray Stone Postdoctoral Fellow at the Roger Thayer Stone Center for Latin American Studies, Tulane University 2014 PLALA Fellow (Program for Latin American Libraries and Archives) a postdoctural appointment at the David Rockefeller Center for Latin American Studies, Harvard University PUBLICATIONS Manuscripts in Preparation My book manuscript, Vodú Chic: Cuba’s Haitian Heritage, the Folkloric Imaginary, and the State, is under agreement for publication in “Folklore Studies in a Multicultural World,” a series sponsored by the Mellon Foundation together with the University of Mississippi, University of Illinois, and University of Wisconsin Presses. Peer Reviewed Journals 2012 “Vodú Chic: Haitian Religion and the Role of Folklore in Socialist Cuba.” New West Indian Guide, Vol. 86, No. 3-4, pp. 205-236. 2006 “Sueño de Haití: Danced Identity in Eastern Cuba” in Journal of Haitian Studies, Vol. 12, No. 1, pp. 50-64. page 2 Viddal – Curriculum Vitae Reprints in Translation 2015 “El Encanto del Vodú: la religión haitiana y el imaginario folklórico en Cuba actual” forthcoming in Del Caribe (Spanish language reprint of “Vodú Chic” first published in NWIG) 2013 “Vodú Chic: Haitiansk religion og folkloristisk fantasi i det socialistiske Cuba” in ARR: Idéhistorisk tidsskrift, Nr.1-2, pp. 47-61. (Norwegian language reprint of “Vodú Chic” first published in NWIG) Edited Volumes 2010 “Haitian Migration and Danced Identity in Eastern Cuba,” in Making Caribbean Dance. Editor Susanna Sloat, Gainesville: University Press of Florida, pp. 83-93. Reviews • Encyclopedia Entries • Other Publications 2015 “Review of Kate Ramsey, The Spirits and the Law: Vodou and Power in Haiti,” in Religion in Society: Advances in Research, forthcoming. 2014 “Haitian Culture in Cuba” in The Digital Library of the Caribbean (dLOC.com) 2007 “Cuba’s Tumba Francesa: Diaspora Dance, Colonial Legacy” in ReVista: Harvard Review of Latin America, fall issue, pp. 48-50. 2006 “Review of Karen E. Richman, Migration and Vodou,” H-AfrArts, H-Net Reviews FELLOWSHIPS AND AWARDS 2012 Society for Ethnomusicology Nahumck Fellowship for Dance-related Research 2008 Harvard University Frederick Sheldon Traveling Fellowship 2007 TIAA-CREF Ruth Simms Hammond Research Fellowship 2007 Harvard University Philip Hofer Prize 2007 Mellon Foundation Summer Research Fellowship in Latin American History 2005 David Rockefeller Center for Latin American Studies at Harvard: Summer Travel Grant 2005 Foreign Language Area Study (FLAS): grant for summer study of Haitian Creole page 3 Viddal – Curriculum Vitae SELECTED CONFERENCE PRESENTATIONS 2016 (upcoming) Latin American Studies Association Conference (LASA): “From Religion to Folklore: Adapting Spiritual Traditions for the Stage” New York City, 27-30 May. 2015 Florida International University, Cuban Research Institute, conference on Racial Politics in Cuba and the Americans, “Reshaping Revolutionary Citizenship in Cuba,” Miami, FL, 26-28 February. 2014 El Caribe Que Nos Une: “Saint-Domingue y Haití - Dos oleadas migratorias separadas por un siglo: Quiénes llevaron el Vodú a Cuba?” Santiago de Cuba, 4-7 July. 2012 ARR Idéhistorisk tidsskrift conference of the Norwegian Society of Historians of the Idea: “Vodú Chic: Haitian Religion and the Folkloric Imaginary in Cuba,” Havana, Cuba, 15-20 October. El Caribe Que Nos Une: “El Vodú en Boston: fiesta del santo,” Santiago de Cuba, 4-7 July. 2011 Instituto de Ciências Sociais, Universidade de Lisboa, Workshop on New Research in Afro- Cuban Religion: “From el campo to la cuidad: the Evolution of Haitian Vodú in Cuba,” Lisbon, Portugal, 20-21 April. 2010 El Caribe Que Nos Une: “Kouzen Zaka: transculturación, vida agraria, la urbanisazion, y vodú,” Santiago de Cuba, 3-7 July. 2009 Colloquium IX on Haitian Religion (KOSANBA): “Haitian Identity and the Socialist State in Cuba,” Mirebalais, Haiti, 13-17 July. Festival Folklórico Eva Gaspar in Memóriam: “Artes populares de Haití,” Primero de Enero, Cuba, 28 April. Coloquio II Joel James: “Artes populares de Haití,” Santiago de Cuba, 11-13 January. 2008 Bannzil Kiba Kreyol: “Vodú transnacional en Puerto Principe y Boston” Havana, Cuba, 1-3 August. El Caribe Que Nos Une: “Vodú transnacional,” Santiago de Cuba, 3-7 July. Haitian Studies Association: “A Party for the Spirits: Transnational Vodou in Haiti and Boston,” Montrouis, Haiti, 6-9 November. 2007 Latin American Studies Association Conference (LASA): “Sueño de Haití,” Montreal, Canada, 6-7 September. Congress on Dance Research (CORD): “Sueño de Haití,” New York, NY, 8-11 November. Colloquium VIII on Haitian Religion (KOSANBA): “The Haitian Diaspora in Cuba,” University of Massachusetts, Boston, MA, 1-2 November. page 4 Viddal – Curriculum Vitae 2006 Colloquium VII on Haitian Religion (KOSANBA): “Danced Identity in Eastern Cuba,” Wayne State University, Detroit, MI, 31 March - 1 April. Caribbean Research on Learning and Education (CRIOLE): “Danced Identity in Eastern Cuba,” Harvard University, Cambridge, MA, 17 March. 2005 New Dialogues On Latin American, the Caribbean, and Latino Studies” (CLACLS): “What do Mickey Mouse, a Teletubbie, and Darth Vader have in common? Pop Culture Icons and the Divine in Afro-Atlantic Art,” University of Massachusetts, Amherst, MA, 30 April. INVITED LECTURES 2014 Little Haiti Cultural Center & Museum: “The Haitian-Cuban Connection,” Miami, FL, 18 July. 2013 Eastern Chapter of the Fulbright Alumni Association: “Vodú Chic: Haitian Religion and the Folkloric Imaginary in Socialist Cuba,” Siena College, Albany, NY, 22 January. 2012 Harvard Alumni Association Travel Program: “Caribbean Connections: Ethnicity, Migration, and Regionalism in Cuba” and “Cuentapropistas: the New Entrepreneurs” and “Afro-Cuban Religions, Folk Catholicism, and the Church in Cuba,” Havana, Cuba, 26 January - 2 February. 2011 Fine Arts Center - Pre-Concert Lecture: “The Creole Choir: Cuba’s Haitian Heritage,” University of Massachusetts, Amherst, MA, 12 October. 2009 Consejo Provincial de las Artes Plasticas: “Haiti: artes populares,” Santiago de Cuba, 5 July. CAMPUS PRESENTATIONS 2014 Arts@DRCLAS, sponsored by the David Rockefeller Center for Latin American Studies and the Real Colegio Complutense in honor of International Dance Day: Discussant for “Dance/Transit/Displacement: Perspectives on Cross-Temporal Reenactments, Cosmopolitan Modnerisms, and Diasporic Bodies,” Harvard University, 29 April. 2014 Harvard Cuban Studies Program and the Afro-Latin Research Insitute: “Ethnic Alterity and Political Loyalty: Cuba’s Haitian-Heritage Communities,” Harvard University, 18 April. 2011 African Dance Diaspora: a Symposium on Embodied Knowledge - Panelist: “New Directions: An Open Conversation,” Harvard University, 25-27 March. page 5 Viddal – Curriculum Vitae TEACHING EXPERIENCE Tulane University 2015 “Revolutionary Identities in the Caribbean: Cuba and Haiti.” Teaching Fellow - Harvard University 2014 Senior Thesis Supervisor – The Committee on Folklore Studies The History of the African Americas from the Slave Trade to the Great Migration 2013 From R&B to Neo-Soul: Black Music and Social Change 2011 Sex and Power in Latin American Literature & Film Creole Pop Iconographies 2009 Gender & Performance 2008 American Revolutions in the Atlantic World 2007 African Religion in Africa and the Diaspora Slavery and Slave Trade in Africa and the Americas 2007 Religion and Society in Nigeria Other African Americans African Studies Junior Tutorial – Department of African and African American Studies Senior Thesis Supervisor – Department of African and African American Studies Teaching Fellow - Harvard Divinity School 2007 Christianity, Identity, and Civil Society in Africa Teaching Awards and Fellows Positions 2010 Nominated finalist for the Harvard Undergraduate Council for the “Joseph R. Levenson Memorial Teaching Prize” for exceptional dedication in engaging undergraduate students. 2007 Bok Center Writing Fellow, an interdisciplinary pedagogical fellowship focused on coaching writing skills to enhance student learning in the classroom. SERVICE 2014-2016 Fellowship Review Committee, Society for Ethnomusicology, Nahumck Fellowship 2013-2015 Junior Advisory Committee, KOSANBA, Association for the Study of Haitian Vodou 2012 Peer Reviewer, Latin American Music Review (LAMR) 2007 Assistant Photo Editor, ReVista: Harvard Review of Latin America page 6 Viddal – Curriculum Vitae LANGUAGES: Spanish (highly proficient) Haitian Creole (intermediate) Norwegian (fluent heritage speaker) PROFESSIONAL SKILLS: Photography & documentary video Caribbean and African dance Feldenkrais Method™ movement analysis PROFESSIONAL AFFILIATIONS: American Anthropological Association Latin American Studies Association Center for Cuban Studies Haitian Studies Association Congress on Dance Research Society for Ethnomusicology American Folklore Society RELEVANT PROFESSIONAL EXPERIENCE Director, Kaplan Educational Center, Amherst, MA, 1998-2004: Revived stagnant business; received company’s
Recommended publications
  • Liste Représentative Du Patrimoine Culturel Immatériel De L'humanité
    Liste représentative du patrimoine culturel immatériel de l’humanité Date de Date récente proclamation Intitulé officiel Pays d’inscriptio Référence ou première n inscription Al-Ayyala, un art traditionnel du Oman - Émirats spectacle dans le Sultanat d’Oman et 2014 2014 01012 arabes unis aux Émirats arabes unis Al-Zajal, poésie déclamée ou chantée Liban 2014 2014 01000 L’art et le symbolisme traditionnels du kelaghayi, fabrication et port de foulards Azerbaïdjan 2014 2014 00669 en soie pour les femmes L’art traditionnel kazakh du dombra kuï Kazakhstan 2014 2014 00011 L’askiya, l’art de la plaisanterie Ouzbékistan 2014 2014 00011 Le baile chino Chili 2014 2014 00988 Bosnie- La broderie de Zmijanje 2014 2014 00990 Herzégovine Le cante alentejano, chant polyphonique Portugal 2014 2014 01007 de l’Alentejo (sud du Portugal) Le cercle de capoeira Brésil 2014 2014 00892 Le chant traditionnel Arirang dans la République 2014 2014 00914 République populaire démocratique de populaire Date de Date récente proclamation Intitulé officiel Pays d’inscriptio Référence ou première n inscription Corée démocratique de Corée Les chants populaires ví et giặm de Viet Nam 2014 2014 01008 Nghệ Tĩnh Connaissances et savoir-faire traditionnels liés à la fabrication des Kazakhstan - 2014 2014 00998 yourtes kirghizes et kazakhes (habitat Kirghizistan nomade des peuples turciques) La danse rituelle au tambour royal Burundi 2014 2014 00989 Ebru, l’art turc du papier marbré Turquie 2014 2014 00644 La fabrication artisanale traditionnelle d’ustensiles en laiton et en
    [Show full text]
  • Haitian Migration and Danced Identity in Eastern Cuba
    Haitian Migration and Danced Identity in Eastern Cuba The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Viddal, Grete. 2010. Haitian migration and danced identity in eastern Cuba. In Making Caribbean Dance: Continuity and Creativity in Island Cultures, ed. Susanna Sloat, 83-94. Gainesville, FL: University Press of Florida. Published Version doi:10.5744/florida/9780813034676.003.0007 Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:10384888 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA 7 Haitian Migration and Danced Identity in Eastern Cuba Grete Viddal I arrive at Santiago de Cuba’s Teatro Oriente to see a small crowd of locals and tourists waiting outside. We are here to see Ballet Folklórico Cutumba, one of eastern Cuba’s premier folkloric dance troupes. Although the theater is run down and no longer has electricity or running water, its former el- egance is apparent. As we enter, we see that lush but tattered velvet drapes flank the stage and ornate architectural details adorn the walls underneath faded and peeling paint. Light filters in through high windows. As the per- formance starts, women in elaborate ball gowns enter this dusty stage. They must hold up their voluminous skirts to keep yards of fabric from drag- ging on the floor. Men sport white topcoats with tails and matching white cravats.
    [Show full text]
  • Cognición, Lengua Y Dinámicas Biopoéticas De Evolución Social En Ortega Y Gasset
    COGNICIÓN, LENGUA Y DINÁMICAS BIOPOÉTICAS DE EVOLUCIÓN SOCIAL EN ORTEGA Y GASSET. MODELOS COGNITIVOS DE ORGANIZACIÓN TEMPORAL DEL CONCEPTO HUMANO EN EL TEXTO LA DESHUMANIZACIÓN DEL ARTE (1925) Autor Michal Stanislaw Góral Directora Juana Teresa Guerra de la Torre Las Paltnas de Gran Canaria 2015 UNIVERSIDAD DE LAS PALMAS DE GRAN CANARIA Departamento de Filología Moderna D. JOSÉ ISERN GONZÁLEZ, SECRETARIO DEL DEPARTAMENTO DE FILOLOGÍA MODERNA DE LA UNIVERSIDAD DE LAS PALMAS DE GRAN CANARIA CER TIFICA Que en el Consejo de Doctores del Departamento en su sesión de 20 de abril de 2015 tomó el acuerdo de dar el consentimiento para la tramitación de la Tesis Doctoral titulada "COGNICIÓN, LENGUA Y DINÁMICAS BIOPOÉTICAS DE EVOLUCIÓN SOCIAL EN ORTEGA Y GASSET. MODELOS COGNITIVOS DE ORGANIZACIÓN TEMPORAL DEL CONCEPTO HUMANO EN EL TEXTO LA DESHUMANIZACIÓN DEL ARTE (1925)", presentada por D. MICHAt STANIStAW GÓRAL, y dirigida por la doctora Dª. JUANA TERESA GUERRA DE LA TORRE. Y para que así conste, y a efectos de lo previsto en el artículo 8 del Reglamento de estudios de doctorado de esta universidad, firmo el presente certificado en Las Palmas de Gran Canaria, a 20 de abril de 2015. Fdo.: José Isern González Secretario del Departamento de Filología Moderna Anexo 11 UNIVERSIDAD DE LAS PALMAS DE GRAN CANARIA Departamento/Instituto/Facultad: Departamento de Filología Moderna/Facultad de Filología Programa de doctorado: Nuevas perspectivas cognitivas en los estudios de lengua, literatura y traducción Título de la Tesis "COGNICIÓN, LENGUA Y DINÁMICAS BIOPÉTICAS DE EVOLUCIÓN SOCIAL EN ORTEGA Y GASSET. MODELOS COGNITIVOS DE ORGANIZACIÓN TEMPORAL DEL CONCEPTO HUMANO EN EL TEXTO LA DESHUMANIZACIÓN DEL ARTE (1925)" Tesis Doctoral presentada por O: Michal Góral Dirigida por el Dra.
    [Show full text]
  • 'New Challenges for Law: Genetic Edition, Human
    STUDIES ON LIFE AND HUMAN DIGNITY INTERNATIONAL SEMINAR JUNE 21st 2019 ‘NEW CHALLENGES FOR LAW: GENETIC EDITION, HUMAN ECOLOGY, AND HUMAN DIGNITY IN LIFE AND DEATH’ LOCATION: Hauser Hall 105, Harvard Law School DATE: Friday June 21st 2019 Respect for human dignity at the end of life and the limits of power available to each person regarding their own existence have become major issues in the Western world. The aim of this international seminar is to bring new ideas to the contemporary debate on human dignity in life and death in Europe and America in the twentieth and twenty- first centuries. To do this it is necessary to analyze the philosophical principles and historical events that have helped shape the current views on questions as genetic edition, human ecology, human dignity, death penalty, euthanasia, human enhancement or technological singularity, as well as their treatment by public opinion in Western countries. DIRECTOR: José-María Puyol Montero (Universidad Complutense de Madrid). ORGANIZING COMMITTEE: José-Manuel Martínez Sierra (Director, RCC at Harvard), Jane Driver (Harvard Medical School), José-Miguel Serrano Ruiz-Calderón (Universidad Complutense de Madrid), Vicente Bellver (University of Valencia), and María-Luisa Gómez Jiménez (Universidad de Málaga). SPONSORS: Real Colegio Complutense at Harvard University, Institute for Global Law and Policy (IGLP), The Harvard Law School Criminal Justice Policy Program (HLSCJPP), Tatiana Pérez de Guzmán el Bueno Foundation, and Tirant lo Blanch Publisher. AIM: A day of discussion on genetic edition, human ecology, and human dignity in life and death, directed to Professors, Fellows of Real Colegio Complutense at Harvard and Researchers.
    [Show full text]
  • 2 Letter from the Director 3 Cmes Opens Field Office in Tunisia 6 News and Notes 26 Event Highlights
    THE CENTER FOR MIDDLE EASTERN STUDIES NEWS HARVARD UNIVERSITY 2016–17 2 LETTER FROM THE DIRECTOR A message from William Granara 3 CMES OPENS FIELD OFFICE IN TUNISIA Inaugural celebration 6 NEWS AND NOTES Updates from faculty, students, alumni, and visiting researchers; Margaux Fitoussi on the Hara of Tunis; Q&A with Emrah Yildiz 26 EVENT HIGHLIGHTS Lectures, workshops, and conferences; Maribel Fierro’s view of Medieval Spain; the art of Helen Zughaib LETTER FROM THE DIRECTOR 2016–17 HIGHLIGHTS WE COME TO THE END OF ANOTHER ACADEMIC YEAR about which CMES can boast an impressive list of accomplishments. It was a year in which we welcomed the largest cohort of our AM program, 15, increasing this year’s total enrollment to 28 students! I’m happy to report that we will be receiving 18 AM students next fall, testament to a highly successful and thriving master’s program in Middle Eastern studies at Harvard. A highlight of spring semester was the official opening and inaugural celebration of the CMES Tunisia Office, which we have been planning for the past three years. Mr. Hazem Ben-Gacem, AB ’92, our host and benefactor, opened the celebrations. Margot Gill, FAS Administrative Dean for International Affairs, and Malika Zeghal, Prince Alwaleed Bin Talal Professor in Contemporary Islamic Thought and Life, joined me in welcoming our Tunisian guests, along with Melani Cammett, Professor of Government, Lauren Montague, CMES Executive Director, and Harry Bastermajian, CMES Graduate Programs Coordinator. Ten graduate students participated in our second annual Winter Term program in Tunis and were also part of the hosting committee for the event.
    [Show full text]
  • List of the 90 Masterpieces of the Oral and Intangible Heritage
    Albania • Albanian Folk Iso-Polyphony (2005) Algeria • The Ahellil of Gourara (2005) Armenia • The Duduk and its Music (2005) Azerbaijan • Azerbaijani Mugham (2003) List of the 90 Masterpieces Bangladesh • Baul Songs (2005) of the Oral and Belgium • The Carnival of Binche (2003) Intangible Belgium, France Heritage of • Processional Giants and Dragons in Belgium and Humanity France (2005) proclaimed Belize, Guatemala, by UNESCO Honduras, Nicaragua • Language, Dance and Music of the Garifuna (2001) Benin, Nigeria and Tog o • The Oral Heritage of Gelede (2001) Bhutan • The Mask Dance of the Drums from Drametse (2005) Bolivia • The Carnival Oruro (2001) • The Andean Cosmovision of the Kallawaya (2003) Brazil • Oral and Graphic Expressions of the Wajapi (2003) • The Samba de Roda of Recôncavo of Bahia (2005) Bulgaria • The Bistritsa Babi – Archaic Polyphony, Dances and Rituals from the Shoplouk Region (2003) Cambodia • The Royal Ballet of Cambodia (2003) • Sbek Thom, Khmer Shadow Theatre (2005) Central African Republic • The Polyphonic Singing of the Aka Pygmies of Central Africa (2003) China • Kun Qu Opera (2001) • The Guqin and its Music (2003) • The Uyghur Muqam of Xinjiang (2005) Colombia • The Carnival of Barranquilla (2003) • The Cultural Space of Palenque de San Basilio (2005) Costa Rica • Oxherding and Oxcart Traditions in Costa Rica (2005) Côte d’Ivoire • The Gbofe of Afounkaha - the Music of the Transverse Trumps of the Tagbana Community (2001) Cuba • La Tumba Francesa (2003) Czech Republic • Slovácko Verbunk, Recruit Dances (2005)
    [Show full text]
  • Intangible Cultural Heritage 2 EXT COM
    Intangible Cultural Heritage 2 EXT COM ITH/08/2.EXT.COM/CONF.201/7 Corr. Paris, 11 February 2008 Distribution limited Original: French UNITED NATIONS EDUCATIONAL, SCIENTIFIC AND CULTURAL ORGANIZATION INTERGOVERNMENTAL COMMITTEE FOR THE SAFEGUARDING OF THE INTANGIBLE CULTURAL HERITAGE Second Extraordinary Session Sofia, Bulgaria, 18 to 22 February 2008 Item 7 of the Provisional Agenda: Formal and procedural conditions concerning the incorporation of items proclaimed “Masterpieces of the Oral and Intangible Heritage of Humanity” in the Representative List, notably the Masterpieces present in the territories of States non party to the Convention CORRIGENDUM Paragraph 2 of the annex to Decision 2.EXT.COM 7 should read “This incorporation is enforceable against all States […]” instead of “This incorporation is binding on all States […]”. 1 Intangible Cultural Heritage 2 EXT COM ITH/08/2.EXT.COM/CONF.201/7 Paris, 11 February 2008 Distribution limited Original: French UNITED NATIONS EDUCATIONAL, SCIENTIFIC AND CULTURAL ORGANIZATION INTERGOVERNMENTAL COMMITTEE FOR THE SAFEGUARDING OF THE INTANGIBLE CULTURAL HERITAGE Second Extraordinary Session Sofia, Bulgaria, 18 to 22 February 2008 Item 7 of the Provisional Agenda: Formal and procedural conditions concerning the incorporation of items proclaimed “Masterpieces of the Oral and Intangible Heritage of Humanity” in the Representative List, notably the Masterpieces present in the territories of States non party to the Convention Summary In conformity with paragraph 6 of Decision 2.COM 14 taken in Tokyo at the second ordinary session of the Committee, this document presents a proposal relating to formal and procedural conditions concerning the incorporation in the Representative List of items proclaimed “Masterpieces of the Oral and Intangible Heritage of Humanity”, notably those present in the territories of States non party to the Convention.
    [Show full text]
  • Cahiers D'ethnomusicologie, 14
    Cahiers d’ethnomusicologie Anciennement Cahiers de musiques traditionnelles 14 | 2001 Le geste musical Édition électronique URL : http://journals.openedition.org/ethnomusicologie/70 ISSN : 2235-7688 Éditeur ADEM - Ateliers d’ethnomusicologie Édition imprimée Date de publication : 1 décembre 2001 ISBN : 2-8257-07-61-9 ISSN : 1662-372X Référence électronique Cahiers d’ethnomusicologie, 14 | 2001, « Le geste musical » [En ligne], mis en ligne le 01 juin 2011, consulté le 06 mai 2019. URL : http://journals.openedition.org/ethnomusicologie/70 Ce document a été généré automatiquement le 6 mai 2019. Tous droits réservés 1 Seuls la musique des sphères, la harpe éolienne et quelques instruments électroniques récents se passent de l'homme pour être mis en vibration. C'est finalement au corps humain que revient le rôle d'agitateur, de stimulateur et d'organisateur de la matière sonore. Au plus intime du corps naît la voix. A l'origine cachée du chant, un mouvement intérieur se traduit en geste phonatoire. La danse n'est pas loin : les pieds, les mains, spontanément, répondent à ce surgissement dont l'oreille assure le relais. Comment naît le geste vocal ? Comment vient la danse ? Comment l'instrument accueille-t-il celui qui en joue, comment s'adapte-t-il à la physiologie humaine ? A quelles impulsions obéissent le souffle, la voix, les mains, les doigts ou les pieds lorsqu'ils se meuvent pour produire des sons, et quelle est la part des automatismes dans le geste "intérieur" - geste "antérieur" au son - qui conduit le jeu du musicien ? Telles sont, parmi d’autres, les questions qui se posent lorsqu’on pense aux mouvements de la musique dans l’homme, lorsqu’on réfléchit aux gestes de l’homme musicien.
    [Show full text]
  • Confidential Briefing for Lawrence H
    Harvard Regional Centers Contacts: AFRICA Harvard Center for African Studies: Li-Ming Tseng - [email protected]; Alex Taylor - [email protected]: Lindsay Moats - [email protected] ASIA-PACIFIC Harvard Asia-Center: Liz Liao - [email protected] Harvard China Fund: Daniel Murphy - [email protected] Harvard Committee on Australian Studies: David Haig - [email protected] Harvard Fairbank Center: Daniel Murphy - [email protected] Harvard Korea Institute: Susan Laurence - [email protected] Harvard Reischauer Institute of Japanese Studies: Gavin Whitelaw – [email protected] Harvard Lakshmi Mittal and Family South Asia Institute: Chelsea Ferrell - [email protected] Harvard Weatherhead Center US-Japan Program: Shinju Fujihira - [email protected] CANADA Harvard Weatherhead Center, Canada Program: Helen Clayton - [email protected] EUROPE Harvard Davis Center for Russian and Eurasian Studies: Donna Griesenbeck - [email protected] Harvard Minda de Gunzburg Center for European Studies: Vassilis Coutifaris - [email protected] Harvard Ukrainian Research Institute: Tymish Holowinsky - [email protected] Real Colegio Complutense at Harvard: Rodrigo Cetina - [email protected] Villa I Tatti Harvard University Center for Italian Renaissance Studies: Amanda Smith - [email protected]; Christiana Killian - [email protected] LATIN AMERICA & CARIBBEAN Harvard David Rockefeller Center for Latin American Studies: Andrew
    [Show full text]
  • The Awakening of Endymion
    [Recepción del artículo: 08/08/2019] [Aceptación del artículo revisado: 30/08/2019] THE AWAKENING OF ENDYMION: BEAUTY, TIME, AND ETERNITY IN ROMANESQUE SCULPTURE, AND ITS PHOTOGRAPHIC AFTERLIFE EL DESPERTAR DE ENDIMIÓN: BELLEZA, TIEMPO Y ETERNIDAD EN LA ESCULTURA ROMÁNICA Y SU DEVENIR FOTOGRÁFICO FRANCISCO PRADO-VILAR Real Colegio Complutense, Harvard [email protected] ABSTRACT Focusing on a series of extraordinary photographs of the sarcophagus lid of Alfonso Ansúrez (d. 1093), I delve in this essay into its formal, iconographic and performative aspects as I follow its geographical and temporal iterations in the first decades of the twentieth century. It traveled from the municipal cemetery of Sahagún, where it had been reused as the tombstone of a local townsman, sailing across the Atlantic to the Fogg Art Museum at Harvard, and then returning to Spain to become a stellar exhibit in the recently renovated National Archaeological Museum in Madrid. Each of these photographs records a unique intersubjective encounter between the figures carved on the lid, especially Alfonso’s marble embodiment, represented in the mo- ment of his glorious resurrection following classical models of the myth of Endymion, and the persons on the other side of the lens. Notable among them were the art historian Ricardo de Orueta, who was Director General of Fine Arts in the government of the Spanish Republic, and the eminent Harvard medievalist Arthur Kingsley Porter. Made available to many eyes/I’s through their photographs, the sepulchral slab acquired a new
    [Show full text]
  • Ten-Year Index: Volumes 31-40, 1987-96
    VOL. 41, NO. 2 ETHNOMUSICOLOGY SPRING/SUMMER 1997 Ten-Year Index Volumes 31-40 * 1987-96 From the Editor This fourth ten-year index spans the period of transition from the publication of Ethnomust- cology by the Society for Ethnomusicology to its publication by the University of Illinois Press, which began with volume 36 in 1992. Many thanks are due to those involved in this changeover, particularly to Jeff Titon, the transitional editor; to Judith McCullough, chair of the SEM Editorial Advisory Board; and to Carole Appel, journals manager at the Press at the time of transfer, Ann Lowry, current journals manager, and Cynthia Mitchell, journals editor at the Press. This index was prepared by Giancarlo Vulcano and Jaime Jones, both students at Sarah Lawrence College and editorial assistants during my term as editor. On behalf of the Society, I extend much gratitude to them, the officers and business office staff of SEM, the team at the University of Illinois Press, and the various editors, reviewers, compilers, manu- script readers, and authors whose expert work is represented herein. JAMES R. COWDERY Editorial Board Members, 1987-96 Editors K. Peter Etzkorn 1987 - Vol. 31 Issues 1, 2, 3 Charles Capwell 1988 - Vol. 32 Issues 1, 2, 3 1989 - Vol. 33 Issues 1, 2, 3 1990 - Vol. 34 Issues 1, 2, 3 Jeff Todd Titon 1991 - Vol. 35 Issues 1, 2, 3 1992 - Vol. 36 Issues 1, 2, 3 1993 - Vol. 37 Issues 1, 2, 3 1994 - Vol. 38 Issues 1, 2, 3 1995 - Vol. 39 Issues 1, 2, 3 James R.
    [Show full text]
  • Representative List of the Intangible Cultural Heritage Of
    RL cover [temp]:Layout 1 1/6/10 17:35 Page 2 2009 United Nations Intangible Educational, Scientific and Cultural Cultural Organization Heritage Representative List of the Intangible Cultural Heritage of Humanity RL cover [temp]:Layout 1 1/6/10 17:35 Page 5 Rep List 2009 2.15:Layout 1 26/5/10 09:25 Page 1 2009 Representative List of the Intangible Cultural Heritage of Humanity Rep List 2009 2.15:Layout 1 26/5/10 09:25 Page 2 © UNESCO/Michel Ravassard Foreword by Irina Bokova, Director-General of UNESCO UNESCO is proud to launch this much-awaited series of publications devoted to three key components of the 2003 Convention for the Safeguarding of the Intangible Cultural Heritage: the List of Intangible Cultural Heritage in Need of Urgent Safeguarding, the Representative List of the Intangible Cultural Heritage of Humanity, and the Register of Good Safeguarding Practices. The publication of these first three books attests to the fact that the 2003 Convention has now reached the crucial operational phase. The successful implementation of this ground-breaking legal instrument remains one of UNESCO’s priority actions, and one to which I am firmly committed. In 2008, before my election as Director-General of UNESCO, I had the privilege of chairing one of the sessions of the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage, in Sofia, Bulgaria. This enriching experience reinforced my personal convictions regarding the significance of intangible cultural heritage, its fragility, and the urgent need to safeguard it for future generations. Rep List 2009 2.15:Layout 1 26/5/10 09:25 Page 3 It is most encouraging to note that since the adoption of the Convention in 2003, the term ‘intangible cultural heritage’ has become more familiar thanks largely to the efforts of UNESCO and its partners worldwide.
    [Show full text]