VOL. 41, NO. 2 SPRING/SUMMER 1997

Ten-Year Index Volumes 31-40 * 1987-96

From the Editor

This fourth ten-year index spans the period of transition from the publication of Ethnomust- cology by the Society for Ethnomusicology to its publication by the University of Illinois Press, which began with volume 36 in 1992. Many thanks are due to those involved in this changeover, particularly to Jeff Titon, the transitional editor; to Judith McCullough, chair of the SEM Editorial Advisory Board; and to Carole Appel, journals manager at the Press at the time of transfer, Ann Lowry, current journals manager, and Cynthia Mitchell, journals editor at the Press. This index was prepared by Giancarlo Vulcano and Jaime Jones, both students at Sarah Lawrence College and editorial assistants during my term as editor. On behalf of the Society, I extend much gratitude to them, the officers and business office staff of SEM, the team at the University of Illinois Press, and the various editors, reviewers, compilers, manu- script readers, and authors whose expert work is represented herein. JAMES R. COWDERY

Editorial Board Members, 1987-96

Editors

K. Peter Etzkorn 1987 - Vol. 31 Issues 1, 2, 3 Charles Capwell 1988 - Vol. 32 Issues 1, 2, 3 1989 - Vol. 33 Issues 1, 2, 3 1990 - Vol. 34 Issues 1, 2, 3 Jeff Todd Titon 1991 - Vol. 35 Issues 1, 2, 3 1992 - Vol. 36 Issues 1, 2, 3 1993 - Vol. 37 Issues 1, 2, 3 1994 - Vol. 38 Issues 1, 2, 3 1995 - Vol. 39 Issues 1, 2, 3 James R. Cowdery 1996 - Vol. 40 Issues 1, 2, 3

Assistant Editors

Sandra Rosenblum 1987 Margaret Sarkissian 1988-90 James R. Cowdery 1991-5 Edward Herbst 1996

Editorial Assistants

Patrick Hutchinson 1991-2 Gregory F. Barz 1993 Steven Taylor 1994-5 Giancarlo Vulcano 1996

347

University of Illinois Press , Society for Ethnomusicology are collaborating with JSTOR to digitize, preserve and extend access to Ethnomusicology www.jstor.org 348 Ethnomusicology, Spring/Summer 1997

Book Review Editors Ter Ellingson 1987-8 R. Anderson Sutton 1989-90 Anne Dhu Shapiro 1991-2 Judith A. Gray 1993-6

Recording Review Editors Philip Schuyler 1987 Dorothy Sara Lee 1988 Roderic C. Knight 1989-90 Dale A. Olsen 1991-4 Ted Levin 1995-6

Film Review Editors

Carl Rahkonen 1987-9 Barry Domfeld 1990-5 Rebecca Miller 1996

Compilers of the Current Bibliography, Discography, and Filmography Joseph C. Hickerson, Nora Yeh, Carl Rahkonen 1987-8 Joseph C. Hickerson, Mary E. Russell, Carl Rahkonen 1989 Jennifer C. Post, Joseph C. Hickerson, Mary E. Russell, Barry Domfeld 1990 Jennifer C. Post, Mary E. Russell, Barry Domfeld 1991 Jennifer C. Post, Mary Russell Bucknum, Barry Dornfeld 1992 Jennifer C. Post, Laurel Sercombe, Leslie C. Gay, Jr. 1993-6

Volume 31 corresponds to 1987 Volume 32 corresponds to 1988 Volume 33 corresponds to 1989 Volume 34 corresponds to 1990 Volume 35 corresponds to 1991 Volume 36 corresponds to 1992 Volume 37 corresponds to 1993 Volume 38 corresponds to 1994 Volume 39 corresponds to 1995 Volume 40 corresponds to 1996

Issue Number 1 corresponds to February (Winter Issue) Issue Number 2 corresponds to June (Spring/Summer Issue) Issue Number 3 corresponds to October (Fall Issue)

Index to Authors, Titles, and Subject Areas of Articles and Miscellaneous Contributions

A

"Abraham A. Schwadron (1925-87): In Me- "Afaq Husain Khan (1930-1990): In Memo- moriam," by Anthony Palmer, 32(2): riam," by Jim Kippen, 34(3):429-30 273-4 AGAWU, V. KOFI, "Music in the Funeral ABRAHAM, OTTO and ERICH M. VON Traditions of the Akpafu," 32(1):75- HORNBOSTEL, "Suggested Methods for 105. "Variation Procedures in Northern the Transcription of Exotic Music," Ewe ," 34(2):221-43 38(3):425-56 al FARUQI, LOIS, "Qur'an Reciters in "Academic Ignorance or Political Taboo? Competition in Kuala Lumpur," 31(2): Some Issues in China's Study of its Folk 221-8 Song Culture," by Yang Mu, 38(2):303- Albanian music, 33(2):191-215 20 ALEN, OLAVO, "Rhythm as Duration of Index 349

Sounds in ," 39(1):55- BECKER, HOWARD, S., "Ethnomusicology 71 and Sociology: A Letter to Charles See- America, African, 31(3):381-94; 39(1):21- ger" (Charles Seeger Memorial Lecture, 54; 39(2):193-217; 40(2):223-48 1988), 33(2):275-85 America, Native, 31(1):18-55; 31(2):261- BECKER, JUDITH, "Earth, Fire, Sakti, and 72; 38(1):81-125 the Javanese ," 32(3):385-91. American immigrant, folk, country, blue- "A Brief Note on Turtles, Claptrap, and grass, etc., 31(1):87-102; 32(1):1-21; Ethnomusicology" (Call & Response), 35(1):31-53; 36(1):1-87; 37(1):63-86; 35(3):393-6 39(2):179-92; 40(1):35-47 "Beyond Bibliography: Interpreting Hawai- "Analyses and Interpretations of Chinese ian-Language Protestant Hymn Im- Seven-string Zither Music: The Case of prints," by Amy Ku'uleialoha Stillman, the Lament of Empress Chen," by Jo- 40(3):469-88 seph S. C. Lam, 37(3):353-85 BLUM, STEPHEN, "Commentary" (Response "Andalusian, Gypsy, and Class Identity in to the Symposium Papers), 34(3):413- the Contemporary Com- 21 plex," by Peter Manuel, 33(1):47-65 BOHLMAN, PHILIP V., "Pilgrimage, Poli- "Anraje to Angaje: Carnival Politics and tics, and the Musical Remapping of the Music in ," by Gage Averill, New Europe," 40(3):375-412 38(2):217-47 BOOTH, GREGORY D., "Brass Bands: Tra- Arab music, 34(1):1-18; 36(2):171-95; dition, Change, and the Mass Media in 38(1):37-57 Indian Wedding Music," 34(2):245-62 ARAGON, LORRAINE V., "Suppressed and "Boris Kremenliev (1911-88): In Memori- Revised Performances: Raego' of am," by James Porter, 32(3):429-33 Central Sulawesi," 40(3):413-39 "Brass Bands: Tradition, Change, and the AROM, SIMHA, "More on Rhythmical Mass Media in Indian Wedding Music," Marking: A Reply to Herve Riviere," by Gregory D. Booth, 34(2):245-62 38(2):321-2 "A Brief Note on Turtles, Claptrap, and "At the Crossroads: Rap Music and Its Afri- Ethnomusicology" (Call & Response), can Nexus," by Cheryl L. Keyes, by Judith Becker, 35(3):393-6 40(2):223-48 BRINNER, BENJAMIN, "Cultural Matrices Australia, 40(2):182-222; 37(3):309-38 and the Shaping of Innovation in Central "'Authority' Revisited: The 'Other' in An- Javanese Performing Arts," 39(3):433-56 thropology and Popular Music Studies," BROWN, ROBERT E., "T. Ranganathan by Line Grenier and Jocelyne Guilbault, (1925-1987): In Memoriam," 34(3):381-97 32(2):275-7 AVERILL, GAGE, "Anraje to Angaje : Car- BUCHANAN, DONNA A., "Metaphors of nival Politics and Music in Haiti," Power, Metaphors of Truth: The Poli- 38(2):217-47 tics of Music Professionalism in Bulgari- an Folk Orchestras," 39(3):381-416 B "Bulgareasca/Bulgarish/Bulgar: The Trans- BAES, JONAS, "Ya-Ye-Yo-Na-I-Yu-Nan: formation of a Klezmer Dance Genre," Swaying in the Vocal Music of the Iraya by Walter Feldman, 38(1):1-35 People of Mindoro, Philippines," Bulgaria, 39(3):381-416 31(2):229-39 C BAKLANOFF, JOY DRISKELL, "The Cele- bration of a Feast: Music, Dance, and Cambodia, 39(2):229-43 Possession Trance in the Black Primi- Canada, 35(2):173-93; 37(2):155-200 tive Baptist Footwashing Ritual," CAPWELL, CHARLES, "Sourindro Mohun 31(3):381-94 Tagore and the National Anthem BEALLE, JOHN, "Self Involvement in Musi- Project," 31(3):407-30 cal Performance: Stage Talk and Inter- "The Carans of Gujarat: Caste Identity, Mu- pretive Control at a Bluegrass Festival," sic, and Cultural Change," by Gordon 37(1):63-86 R. Thompson, 35(3):381-91 350 Ethnomusicology, Spring/Summer 1997

"Careers, 'Alternative Careers,' and the CRAWFORD, RICHARD, "Response to Unity Between Theory and Practice in Rice," 31(3):511-3 Ethnomusicology," by Martha Ellen , 33(3):379-89; 38(2):249-80; Davis, 36(3):361-87 39(1):55-71 "Catching Rhymes: Generative Musical Pro- "Cultural Matrices and the Shaping of Inno- cesses in the Compositions of a French vation in Central Javanese Performing Newfoundland Fiddler," by Colin Quig- Arts," by Benjamin Brinner, 39(3):433- ley, 37(2):155-200 56 "The Celebration of a Feast: Music, Dance, and Possession Trance in the Black D Primitive Baptist Footwashing Ritual," DAVIS, MARTHA ELLEN, "Careers, 'Alter- by Joy Driskell Baklanoff, 31(3):381-94 native Careers,' and the Unity Between "Chant and Spell: Sonemic Contrasts in a Theory and Practice in Ethnomusi- Melpa Ritual Sequence," by Andrew cology," 36(3):361-87 Strathern, 39(2):219-27 de HEN, FERDINAND J., "Paul Collaer China, 31(2):240-60; 35(1):1-29; (1891-1989): In Memoriam," 37(3):353-85; 38(2):303-20; 40(1):49- 34(3):423-4 73 "Deep Structure and Surface Structure in CHOPYAK, JAMES D., "The Role of Music Javanese Music: A Grammar of Gendh- in Mass Media, Public Education and ing Lampah" by David W. Hughes, the Formation of a Malaysian National 32(1):23-74 Culture," 31(3):431-54 "A Dialectical Perspective on Musical In- "The Classical Musics of Cambodia and struments: The East-Mediterranean Thailand: A Study of Distinctions," by Mijwiz," by Ali Jihad Racy, 38(1):37-57 Terry E. Miller and Sam-ang Sam, "Do We Need to Remodel Ethnomusi- 39(2):229-43 cology?" by Anthony Seeger, "Cognitive Aspects of amadinda Xylo- 31(3):491-5 phone Music From Buganda: Inherent DORNFELD, BARRY, "Representation and Patterns Reconsidered," by Ulrich Weg- Authority in Ethnographic Film/Video: ner, 37(2):201-41 Reception" (Call & Response), "The Coherence of Social Style and Musi- 36(1):95-8 cal Creation Among the Aymara in "Drone, Melody, and Decoration--Para- Southern Peru," by Thomas Turino, digm Lost," by Richard M. Moyle, 33(1):1-30 37(3):387-405 "Commentary," (Response to the Sympo- DUDLEY, SHANNON, "Judging 'By the sium Papers), by Stephen Blum, Beat': Calypso versus Soca," 40(2):269- 34(3):413-21 98 "Contextual Strategies of Inquiry and Sys- tematization," (Charles Seeger Memori- E al Lecture), by J.H. Kwabena Nketia, "Earth, Fire, Sakti, and the Javanese 34(1):75-97 Gamelan," by Judith Becker, 32(3):385- COOKE, PETER, "A Reply to Ulrich Wegn- 91 er" (Call & Response), 38(3):475-79 "Economics of Music Patronage Among COPLAN, DAVID B., "Musical Understand- Polish and Ukrainian Peasants to 1939," ing: The Ethnoaesthetics of Migrant by William Noll, 35(3):349-79 Workers' Poetic Song in Lesotho," "Editor's Note," by Pirkko Moisala, 32(3):337-68 38(3):417 CORNELIUS, RICHARD & O'GRADY, TER- "Elizabeth May Slater (1907-88):In Memo- ENCE J., "Reclaiming a Tradition: The riam," by Henry F. May, 32(3):435 Soaring Eagles of Oneida," 31(2):261-72 ELLIS, CATHERINE and UDO WILL, "A Re- COWDERY, JAMES R., "'Everyone Had a Analyzed Australian Western Desert Bit of It and No One Had It All,'" Song: Frequency Performance and In- 39(1):73-4 terval Structure," 40(2):182-222 Index 351

"Emotion and Devotion, Lingering and G Longing in Some Nepali Songs," by "The Genesis of Music and Language," by David Henderson, 40(3):440-68 Bryan G. Levman, 36(2):147-70 "Eric Werner (1901-1988): In Memoriam," GEORGE, KENNETH M., "Music-Making, by Israel J. Katz, 33(1):113-9 Ritual, and Gender in a Southeast Asian ERLMANN, VEIT, "Migration and Perfor- Hill Society," 37(1):1-27 mance: Zulu Migrant Workers' Isica- Ghana, 32(1):75-105; 34(2):221-43 thamiya Performance in South Africa, GOERTZEN, CHRIS, "Popular Music Trans- 1890-1950," 34(2):199-220. "A Reply fer and Transformation: The Case of to Mark Slobin" (Call & Response), American Country Music in Vienna," 37(2):263-7 "Ernst Emsheimer (1904-1989): In Memo- 32(1):1-21. "Mrs. Joe Person's Popular Airs. Early Blackface Minstrel Tunes in riam," by Jan Ling, 34(3):425-8 Oral Tradition," 35(1):31-53 "Ethnomusicology and Music Law," by An- GRENIER, LINE and JOCELYNE GUIL- thony Seeger, 36(3):345-59 BAULT, "'Authority' Revisited: The "Ethnomusicology and Sociology: A Letter 'Other' in Anthropology and Popular to Charles Seeger" (Charles Seeger Me- Music Studies," 34(3):381-97 morial Lecture, 1988), by Howard S. GUILBAULT, JOCELYNE, "Fitness and Flex- Becker, 33(2):275-85 ibility: Funeral Wakes in St. Lucia, West "Ethnomusicology in Finland," by Pirkko Indies," 31(2):273-99 Moisala, 38(3):399-400 GUILBAULT, JOCELYNE AND LINE GRENI- "Ethnomusicology vis-a-vis Musicology," by ER, "'Authority' Revisited: The 'Other' Timo Leisi6, 38(3):412-4 in Anthropology and Popular Music ETZION, JUDITH and SUSANA WEICH- Studies," 34(3):381-97 SHAHAK, "The Spanish and the Sephardic Romances: Musical Links," H 32(2):173-209 Europe, 31(1):9-17; 36(1):1-87; Haiti, 38(2):217-47 40(3):375-412 HALL, EDWARD T., "Improvisation as an Acquired, Multilevel Process," F 36(2):223-35 HARWOOD, DANE L., "Interpretive Activi- FELDMAN, WALTER, "Bulgareasca/Bulgar- ty: A Response to Rice's 'Toward the ish/Bulgar: The Transformation of a Remodeling of Ethnomusicology,'" Klezmer Dance Genre," 38(1):1-35 31(3):503-10. "Response to Articles on "A Few Notions about Philosophy and Participatory Discrepancies," 39(1):74- Strategy in Applied Ethnomusicology," 7 by Daniel Sheehy, 36(3):323-36 Hawai'i, 40(3):469-88 "Filming Music and Looking at Music Film" HAWES, BESS LOMAX, "Practice Makes (Charles Seeger Memorial Lecture, Perfect: Lessons in Active Ethnomusi- 1987), by Hugo Zemp, 32(3):393-427 cology," 36(3):337-43. "Reminiscences Finland, 38(3) and Exhortations: Growing Up in Amer- "Fitness and Flexibility: Funeral Wakes in ican Folk Music," 39(2):179-92 St. Lucia, West Indies," by Jocelyne "Hearts and Minds: Three Attitudes toward Guilbault, 31(2):273-99 Performance Practice and Music Theo- FRISBIE, CHARLOTTE J., "Helen Heffron Roberts (1888-1985): In Memoriam," ry in the Yemen Arab Republic," by Philip Schuyler, 34(1):1-18 33(1):97-111 "Helen Heffron Roberts (1888-1985): In FRISCH, MICHAEL, "Notes on the Teach- Memoriam," by Charlotte J. Frisbie, ing and Learning of Old-Time Fiddle," 33(1):97-111 31(1):87-102 HENDERSON, DAVID, "Emotion and Devo- "From Popular to 'Traditional' Theater: tion, Lingering and Longing in Some The Dynamics of Change in Bangsawan Nepali Songs," 40(3):440-68 of Malaysia," by Sooi-Beng Tan, HENRY, EDWARD O., "Institutions for the 33(2):229-74 Promotion of Indigenous Music: The 352 Ethnomusicology, Spring/Summer 1997

Case for Ireland's Comhaltas Ceoltoiri," Comhaltas Ceoltoiri," by Edward O. 33(1):67-95. "Jogis and Nirgun Henry, 33(1):67-95 in Bhojpuri-Speaking India: In- "Interpreting Electronic Sound Technology tra-Gene Heterogeneity, Adaption, and in the Contemporary Javanese Sound- Functional Shift," 35(2):221-42 scape," by R. Anderson Sutton, HERNDON, MARCIA, "Toward Evaluating 40(2):249-68 Musical Change Through Musical Po- "Interpretive Activity: A Response to Rice's tential," 31(3):455-68 'Toward the Remodeling of Ethnomusi- "Hewitt Pantaleoni (1929-1988): In Memo- cology,"' by Dane L. Harwood, riam," by David P. McAllester, 31(3):503-10 33(2):287-91 "Introductory Essay on H. Robert's 'Spiritu- "The Historical Approach and Applied Eth- als or Revival Hymns...,'" by Terry E. nomusicology," by Vesa Kurkela, Miller, 33(3):405-8 38(3):402-5 "Involving the Performers in Transcription "Historical, Geographical, and Political Im- and Analysis: A Collaborative Approach plications in Finnish Ethnomusicology," to ," by Richard Widdess, byJukka Louhivuori, 38(3):410-2 38(1):59-79 HORNBOSTEL, ERICH M. VON and OTTO Ireland, 33(1):67-95 ABRAHAM, "Suggested Methods for the Transcription of Exotic Music," J 38(3):425-56 Jamaica, 33(3):405-74 HOWARD, KEITH, "John Blacking: An In- Japan, 40(1):1-34 terview," 35(1):55-76 Java, 32(1):23-74; 32(3):385-91; HUGHES, DAVID W., "Deep Structure and 33(2):217-27; 34(1):19-35; 37(1):29- Surface Structure in Javanese Music: A 39; 35(3):315-48; 39(3):433-56; Grammar of Gendbing Lampah, " 40(2):249-68 32(1):23-74 Jewish diaspora, 32(2):173-290; 32(3):369-84; 37(1):41-62; 38(1):1-35 "Jiangnan Sizhu Music Clubs in Shanghai: "Ida Halpern (1910-1987): In Memoriam," Context, Concept and Identity," by J. by Frederic Lieberman, 31(3):537-8 Lawrence Witzleben, 31(2):240-60 IJZERMANS, JAN J., "Music and Theory of "Jogis and Nirgun Bhajans in Bhojpuri- the Possession Cult Leaders in Chibale, Speaking India: Intra-Gene Heterogene- Serenje District, Zambia," 39(2):245-74 ity, Adaption, and Functional Shift," by "'I'm a Yankee Doodle Dandy?': Identity Edward O. Henry, 35(2):221-42 and Melody at an American Simbat "John Blacking: An Interview," by Keith Torab Celebration," by Jeffrey A. Sum- Howard, 35(1):55-76 mit, 37(1):41-62 "John Blacking (1928-1990): In Memori- "Impressions of Finnish Music Research," am," by Jim Kippen, 34(2):263-70 by John Richardson, 38(3):414-6 JONES, STEPHEN and XUE YIBING, "The "Improvisation as an Acquired, Multilevel Music Associations of the Hebei Prov- Process," by Edward T. Hall, ince, China: A Preliminary Report," 36(2):223-35 35(1):1-29 India, 31(1):56-86; 31(3):407-30; "Judging 'By the Beat': Calypso versus 32(2):249-64; 34(2):245-62; Soca," by Shannon Dudley, 40(2):269- 35(2):221-42; 35(3):381-9; 38(1):59- 98 79; 39(3):417-32 "Indian Music in the Indian School in K South Africa: The Use of Cultural Forms KAEMMER, JOHN E., "Social Power and as a Political Tool," by Jayendran Pillay, Musical Change Among the Shona," 38(2):281-301 33(1):31-45 "Institutions for the Promotion of Indige- KAEPPLER, ADRIENNE L., "Letter to the nous Music: The Case for Ireland's Editor," 34(2):275-79. "Music, Meta- Index 353

phor, and Misunderstanding," "Letter to the Editor," by Henry Kingsbury, 38(3):457-73 35(1):79-82 KATZ, ISRAEL J., "Eric Werner (1901- "Letter to the Editor," by Ellen Koskoff, 1988): In Memoriam," 33(1):113-9 35(1):82-4 KEIL, CHARLES "The Theory of Participa- "Letter to the Editor," by Richard Moyle, tory Discrepancies: A Progress Report," 34(2):271-5 39(1):1-19. "Rejoinder to the Respons- LEVMAN, BRYAN G., "The Genesis of Mu- es to the Articles on Participatory Dis- sic and Language," 36(2):147-70 crepancies,"39(1):97-100 LIEBERMAN, FREDERIC, "Ida Halpern KEYES, CHERYL L., "At the Crossroads: (1910-1987): In Memoriam," Rap Music and Its African Nexus," 31(3):537-8 40(2):223-48 LING, JAN, "Ernst Emsheimer (1904- KINGSBURY, HENRY "Letter to the Edi- 1989): In Memoriam," 34(3):425-8 tor," 35(1):79-82. "Sociological Factors LIST, GEORGE, "Stability and Variation in a in Musicological Poetics," 35(2):195- Hopi Lullaby," 31(1):18-34 219 LOCKE, DAVID, "Response to Articles on KIPPEN, JIM, "John Blacking (1928-1990): Participatory Discrepancies," 39(1):80- In Memoriam," 34(2):263-70. "Afaq 2 Husain Khan (1930-1990): In Memori- "Lois Lamya Ibsen al Faruqi (1927-1986): am," 34(3):429-30. "Response to Arti- In Memoriam," by Regula Burckhardt cles on Participatory Discrepan- Qureshi, 32(2):265-8 cies,"39(1):77-8 LOUHIVUORI, JUKKA, "Historical, Geo- KIRSHENBLATT-GIMBLETT, BARBARA, graphical, and Political Implications in "Theorizing Heritage," 39(3):367-80 Finnish Ethnomusicology," 38(3):410-2 KISLIUK, MICHELLE, "Response to Articles LYSLOFF, RENE T.A., "Non-Puppets and on Participatory Discrepancies, Non-Gamelan: Parody in 39(1):79-80 Banyumas," 34(1):19-35 KOSKOFF, ELLEN, "Response to Rice," LYSLOFF, RENE T. A. and DEBORAH 31(3):497-502. "Letter to the Editor," WONG, "Threshhold to the Sacred: 35(1):82-84 The Overture in Thai and Javanese Rit- KRADER, BARBARA, "Slavic Folk Music: ual Performance," 35(3):315-48 Forms of Singing and Self-Identity," 31(1):9-17 M KRUGER, JACO, "Rediscovering the Venda Malaysia, 31(2):221-8; 31(3):431-54; Ground-bow," 33(3):391-404 33(2):229-74 KUBIK, GERHARD, "Nsenga/Shona Har- MALM, KRISTER, "Music on the Move: Tra- monic Patterns and the San Heritage in ditions and Mass Media," 37(3):339-52 Southern Africa," 32(2)211-48 MANUEL, PETER, "Andalusian, Gypsy, and KURKELA, VESA, "The Historical Approach Class Identity in the Contemporary Fla- and Applied Ethnomusicology," menco Complex," 33(1):47-65. "Puerto 38(3):402-5 Rican Music and Cultural Identity: Cre- ative Appropriation of Cuban Sources L from Danza to Salsa," 38(2):249-80 LAITINEN, HEIKKI, "Music-Making as a Re- MARCUS, SCOTT L., "Modulation in Arab search Method," 38(3):408-10 Music: Documenting Oral Concepts, LAM, JOSEPH S. C., "Analyses and Interpre- Performance Rules, and Strategies," tations of Chinese Seven-string Zither 36(2):171-95 Music: The Case of the Lament of Em- MAY, HENRY F., "Elizabeth May Slater press Chen," 37(3):353-85 (1907-88): In Memoriam," 32(3):435 LEISIO, TIMO, "Ethnomusicology vis-a-vis McALLESTER, DAVID P., "Hewitt Pantaleo- Musicology," 38(3):412-4 ni (1929-1988): In Memoriam," "Letter to the Editor," by Adrienne L. 33(2):287-91. "Willard Rhodes (1901- Kaeppler, 34(2):275-9 1992)" (Obituary), 37(2):251-62 354 Ethnomusicology, Spring/Summer 1997

McDANIEL, LORNA, "A Page on Turtle Re- "Moses Asch (1905-1986): In Memoriam," lations" (Call & Response), 35(3):396-8 by Pete Seeger, 32(2):269-71 MEADOWS, EDDIE S., "Response to Arti- MOYLE, RICHARD, "Letter to the Editor," cles on Participitory Discrepan- 34(2):271-5. "Drone, Melody, and Dec- cies,"39(1):82-4 oration-Paradigm Lost," 37(3):387- MEINTJES, LOUISE, "Paul Simon's Grace- 405 land, South Africa, and the Meditation "Mrs. Joe Person's Popular Airs: Early of Musical Meaning," 34(1):37-73 Blackface Minstrel Tunes in Oral Tradi- "Metaphors of Power, Metaphors of Truth: tion," by Chris Goertzen, 35(1):31- The Politics of Music Professionalism in 53 Bulgarian Folk Orchestras," by Donna MULDER, JEAN, "Structural Organization A. Buchanan, 39(3):381-416 in Coast Tsimshian Music," 38(1):81- MEYER, LEONARD B., "Response to Arti- 125 cles on Participatory Discrepancies," "Music and Theory of the Possession Cult 39(1):84-7 Leaders in Chibale, Serenje District, "Micromusics of the West: A Comparative Zambia," by Jan J. Ijzermans, Approach," by Mark Slobin, 36(1):1-87 39(2):245-74 "Migration and Performance: Zulu Migrant "The Music Associations of the Hebei Prov- Workers' Isicathamiya Performance in ince, China: A Preliminary Report," by South Africa, 1890-1950," by Veit Er- Stephen Jones and Xue Yibing, Imann, 34(2):199-220 35(1):1-29 MILLER, TERRY E., "Introductory Essay on "Music in the Funeral Traditions of the Ak- H. Robert's 'Spirituals or Revival pafu," by V. Kofi Agawu, 32(1):75-105 Hymns...,'" 33(3):405-8. "The Theory "Music, Metaphor, and Misunderstanding," and Practice of Thai Musical Nota- by Adrienne L. Kaeppler, 38(3):457-73 tions," 36(2)197-221 "Music on the Move: Traditions and Mass MILLER, TERRY E. and SAM-ANG SAM, Media," by Krister Maim, 37(3):339-52 "The Classical Musics of Cambodia and "Music, the Public Interest, and the Prac- Thailand: A Study of Distinctions," tice of Ethnomusicology," by Jeff Todd 39(2):229-43 Titon, 36(3):315-22 MITCHELL, TONY, "World Music and the "Music-Making as a Research Method," by Popular Music Industry: An Australian Heikki Laitinen, 38(3):408-10 View," 37(3):309-338 "Music-Making, Ritual, and Gender in a "Mode and Scale, Modulation and Tuning Southeast Asian Hill Society," by Ken- in Japanese Shamisen Music: The Case neth M. George, 37(1):1-27 of Kiyomoto Narrative," by Alison Mc- "Musical Narrative, Ideology and the Life Queen Tokita, 40(1):1-34 of Abing," by Jonathan P.J. Stock, "Modulation in Arab Music: Documenting 40(1):49-73 Oral Concepts, Performance Rules, and "Musical Sound and Contextual Input: A Strategies," by Scott L. Marcus, Performance Model for Musical Analy- 36(2):171-95 sis," by Regula Burckhardt Qureshi, MOISALA, PIRKKO, "Ethnomusicology in 31(1):56-86 Finland," 38(3):399-400. "The Wide "Musical Understanding: The Ethnoaesthet- Field of Finnish Ethnomusicology," ics of Migrant Workers' Poetic Song in 38(3):417-22. "Editor's Note," Lesotho," by David B. Coplan, 38(3):417 32(3):337-68 MONSON, INGRID, "Response to Articles on Participatory Discrepancies," N 39(1):87-9 "Nationalism, Regionalism, Leftism, and In- "More on Rhythmical Marking: A Reply to dividualism," by Erkki Pekkili, Herve Rivieire," by Simha Arom, 38(3):405-8 38(2):321-2 Nepal, 40(3):440-68 Index 355

"The Nightingale and the Partridge: Sing- PEKKILA, ERKKI, "Nationalism, Regional- ing and Gender among Prespa Alba- ism, Leftism, and Individualism," nians," by Jane Sugarman, 33(2):191- 38(3):405-8 215 Peru, 33(1):1-30 NKETIA, J.H. KWABENA, "Contextual Philippines, 31(2):229-39 Strategies of Inquiry and Systematiza- "Pilgrimage, Politics, and the Musical tion" (Charles Seeger Memorial Lec- Remapping of the New Europe," by ture), 34(1):75-97 Philip V. Bohlman, 40(3):375-412 NOLL, WILLIAM, "Economics of Music Pa- PILLAY, JAYENDRAN, "Indian Music in the tronage Among Polish and Ukrainian Indian School in South Africa: The Use Peasants to 1939," 35(3):349-79 of Cultural Forms as a Political Tool," "Non-Puppets and Non-Gamelan: Wayang 38(2):281-301 Parody in Banyumas," by Rene T. A. "Polka Bands and Choral Groups: The Mu- Lysloff, 34(1):19-35 sical Self- Representation of Polish- "Notes on the Teaching and Learning of Americans in Detroit," by Paula Sava- Old-Time Fiddle," by Michael Frisch, glio, 40(1):35-47 31(1):87-102 Poland, 35(3):349-79 "Nsenga/Shona Harmonic Patterns and the "Popular in Benares: Some 'Great' San Heritage in Southern Africa," by Aspects of a Little Tradition," by Gerhard Kubik, 32(2)211-48 Stephen Slawek, 32(2):249-64 "Popular Music Transfer and Transforma- O tion: The Case of American Country O'GRADY, TERENCE J. and RICHARD Music in Vienna," by Chris Goertzen, CORNELIUS, "Reclaiming a Tradition: 32(1):1-21 The Soaring Eagles of Oneida," PORTER, JAMES, "Boris Kremenliev (1911- 31(2):261-72 88): In Memoriam," 32(3):429-33 "On Rhythmical Marking in Music," by "Practical and Abstract Taxonomy in Cu- Herve Riviere, 37(2):243-50 ban Music," by James Robbins, "One of Densmore's Dakota Rhythms Re- 33(3):379-89 considered," by Hewitt Pantaleoni, "Practice Makes Perfect: Lessons in Active 31(1):35-55 Ethnomusicology," by Bess Lomax "'Our Tradition is a Very Modem Tradition': Hawes, 36(3):337-43 Popular Music and the Construction of PROGLER, J.A., "Searching for Swing: Par- the Pan-Yoruba Identity," by Christo- ticipatory Discrepancies in the Jazz pher A. Waterman, 34(3):367-79 Rhythm Section," 39(1):21-54. "Rejoin- der to the Responses to the Articles on P Participatory Discrepancies," 39(1):100-4 "A Page on Turtle Relations" (Call & Re- sponse), by Lorna McDaniel, "Puerto Rican Music and Cultural Identity: 35(3):396-8 Creative Appropriation of Cuban Sourc- PALMER, ANTHONY, "Abraham A. es from Danza to Salsa," by Peter Man- uel, 38(2):249-80 Schwadron (1925-87): In Memoriam," 32(2):273-4 Q PANTALEONI, HEWIITT, "One of Dens- more's Dakota Rhythms Reconsidered," QUIGLEY, COLIN, "Catching Rhymes: 31(1):35-55 Generative Musical Processes in the Papua New Guinea, 39(2):219-27 Compositions of a French Newfound- "Paul Collaer (1891-1989): In Memoriam," land Fiddler," 37(2):155-200 by Ferdinand J. de Hen, 34(3):423-4 "Qur'an Reciters in Competition in Kuala "Paul Simon's Graceland, South Africa, Lumpur," by Lois al Faruqi, 31(2):221-8 and the Meditation of Musical Mean- QURESHI, REGULA BURCKHARDT, "Musi- ing," by Louise Meintjes, 34(1):37-73 cal Sound and Contextual Input: A Per- 356 Ethnomusicology, Spring/Summer 1997

formance Model for Musical Analysis, Tone Measurements," by Roger Vetter, 31(1):56-86. "Lois Lamya Ibsen al Faru- 33(2):217-27 qi (1927-1986): In Memoriam," RICE, TIMOTHY, "Timothy Rice Re- 32(2):265-8 sponds," 31(3):515-6, "Toward the Re- modeling of Ethnomusicology," R 31(3):469-88 RACY, ALI JIHAD, "A Dialectical Perspec- RICHARDSON, JOHN, "Impressions of tive on Musical Instruments: The East- Finnish Music Research," 38(3):414-6 Mediterranean Mtwiz, " 38(1):37-57 RIVIMRE, HERVE, "On Rhythmical Marking "A Re-Analyzed Australian Western Desert in Music," 37(2):243-50 Song: Frequency Performance and In- ROBBINS, JAMES, "Practical and Abstract terval Structure," by Catherine Ellis and Taxonomy in Cuban Music," Udo Will, 40(2):182-222 33(3):379-89 "Reclaiming a Tradition: The Soaring Ea- ROBERTS, HELEN H., "Spiritual or Revival gles of Oneida," by Richard Cornelius Hymns of the Jamaican Negro," and Terence J. O'Grady, 31(2):261-72 33(3):409-74 "Rediscovering the Venda Ground-bow," "The Role of Music in Mass Media, Public by Jaco Kruger, 33(3):391-404 Education and the Formation of a Ma- "Rejoinders to the Responses to the Arti- laysian National Culture," by James D. cles on Participatory Discrepancies," by Chopyak, 31(3):431-54 Charles Keil, J.A. Pr6gler, 39(1):97-104 "Rhythm as Duration of Sounds in Tumba "Reminiscences and Exhortations: Grow- Francesa," by Olavo Alen, 39(1):55-71 ing Up in American Folk Music," by "Rhythm, Rhyme, and Rhetoric in the Mu- Beth Lomax Hawes, 39(2):179-92 sic of Public Enemy," by Robert Wals- "A Reply to Mark Slobin" (Call & Re- er, 39(2):193-217 sponse), by Veit Erlmann, 37(2):263-7 S "A Reply to Ulrich Wegner" (Call & Re- sponse), by Peter Cooke, 38(3):475-9 SAHA, HANNU, "The Study of Traditional "A Reply to Veit Erlmann" (Call & Re- Finnish Music versus Ethnomusi- sponse), by Mark Slobin, 37(2):267-9 cology," 38(3):400-2 "Representation and Authority in Ethno- SAM, SAM-ANG and TERRY E. MILLER, graphic Film/Video: Production" (Call "The Classical Musics of Cambodia and & Response), by Jeff Todd Titon, Thailand: A Study of Distinctions," 36(1):89-94 39(2): 229-43 "Representation and Authority in Ethno- SAVAGLIO, PAULA, "Polka Bands and Cho- graphic Film/Video: Reception" (Call & ral Groups: The Musical Self-Represen- Response), by Barry Dornfeld, tation of Polish-Americans in Detroit," 36(1):95-8 40(1):35-47 "Response to Rice," by Richard Crawford, SCHUYLER, PHILIP, "Hearts and Minds: 31(3):511-13 Three Attitudes toward Performance "Response to Rice," by Ellen Koskoff, Practice and Music Theory in the Ye- 31(3):497-502 men Arab Republic," 34(1):1-18 "Response to Rice," by Kay Kaufman "Searching for Swing: Participatory Dis- Shelemay, 31(3):489-90 crepancies in the Jazz Rhythm Sec- "Responses to Articles on Participatory tion," byJ.A. Pr6gler, 39(1):21-54 Discrepancies," by James R. Cowdery, SEEGER, ANTHONY, "Do We Need to Re- Dane L. Harwood, James Kippen, model Ethnomusicology?" 31(3):491- Michelle Kisliuk, David Locke, Eddie S. 95. "Ethnomusicology and Music Law," Meadows, Leonard B. Meyer, Ingrid 36(3):345-59 Monson, John Shepherd, Christopher SEEGER, PETE, "Moses Asch (1905-1986): Small, Christopher Waterman, In Memoriam," 32(2):269-71 39(1):73-96 "Self Involvement in Musical Performance: "A Retrospect on a Century of Gamelan Stage Talk and Interpretive Control at a Index 357

Bluegrass Festival," by John Bealle, STOCK, JONATHAN P.J., "Musical Narra- 37(1):63-86 tive, Ideology and the Life of Abing," SHEEHY, DANIEL, "A Few Notions about 40(1):49-73 Philosophy and Strategy in Applied Eth- STRATHERN, ANDREW, "Chant and Spell: nomusicology," 36(3):323-36 Sonemic Contrasts in a Melpa Ritual Se- SHELEMAY, KAY KAUFMAN, "Response to quence," 39(2):219-27 Rice," 31(3):489-90. "Together in the "Structural Organization in Coast Tsim- Field: Team Research among Syrian shian Music," by Jean Mulder, Jews in Brooklyn, New York," 38(1):81-125 32(3):369-84 "Structure, Context, and Strategy in Music SHEPHERD, JOHN, "Response to Articles Ethnography," by Thomas Turino, on Participatory Discrepancies," 34(3):399-412 39(1):89-90 "The Study of Traditional Finnish Music "Slavic Folk Music: Forms of Singing and versus Ethnomusicology," by Hannu Self-Identity," by Barbara Krader, Saha, 38(3):400-2 31(1):9-17 SUGARMAN, JANE, "The Nightingale and SLAWEK, STEPHEN, "Popular Kirtan in the Partridge: Singing and Gender Benares: Some 'Great' Aspects of a Lit- among Prespa Albanians," 33(2):191- tle Tradition," 32(2):249-64 215 SLOBIN, MARK, "Micromusics of the West: "Suggested Methods for the Transcription A Comparative Approach," 36(1):1-87. of Exotic Music," by Otto Abraham and "A Reply to Veit Erlmann" (Call & Re- Erich M. von Hornbostel, 38(3):425-56 sponse), 37(2):267-69 Sulawesi, 37(1):1-27; 40(3):413-39 SMALL, CHRISTOPHER, "Response to Arti- SUMMIT, JEFFREY A., "'I'm a Yankee Doo- cles on Participatory Discrepancies," dle Dandy?': Indentity and Melody at an 39(1):90-2 American Simbat Torah Celebration," SMITH, BARBARA BARNARD, "Variability, 37(1):41-62 Change, and the Learning of Music," "Suppressed and Revised Performances: 31(2):201-20 Raego' Songs of Central Sulawesi," by "Social Power and Musical Change Among Lorraine V. Aragon, 40(3):413-39 the Shona," by John E. Kaemmer, SUTTON, R. ANDERSON, "Interpreting 33(1):31-45 Electronic Sound Technology in the "Sociological Factors in Musicological Poet- Contemporary Javanese Soundscape," ics," by Henry Kingsbury, 35(2):195-219 40(2):249-68 "Sourindro Mohun Tagore and the National Anthem Project," by Charles Capwell, T 31(3):407-30 "T. Ranganathan (1925-1987): In Memori- South Africa, 32(2):211-48; 32(3):337-68; am," by Robert E. Brown, 32(2):275-7 33(3):391-404; 34(1):37-73; TAN, SOOI-BENG, "From Popular to 'Tradi- 34(2):199-220; 38(2):281-301 tional' Theater: The Dynamics of Spain, 32(2):173-209; 33(1):47-65 Change in Bangsawan of Malaysia," "The Spanish and the Sephardic Romanc- 33(2):229-74 es: Musical Links," by Judith Etzion and Thailand, 35(3):315-48; 36(2):197-221; Susana Weich-Shahak, 32(2):173-209 39(2):229-43 "Spiritual or Revival Hymns of the Jamai- "Theorizing Heritage," by Barbara Kirshen- can Negro," by Helen H. Roberts, blatt-Gimblett, 39(3):367-80 33(3):409-74 "The Theory and Practice of Thai Musical "Stability and Variation in a Hopi Lullaby," Notations," by Terry E. Miller, by George List, 31(1):18-34 36(2)197-221 STILLMAN, AMY KU'ULEIALOHA, "Beyond "Theory in Institutional Pedagogy and Bibliography: Interpreting Hawaiian- 'Theory in Practice' for Sundanese Language Protestant Hymn Imprints," Gamelan Music," by Andrew N. Wein- 40(3):469-88 traub, 37(1):29-39 358 Ethnomusicology, Spring/Summer 1997

"The Theory of Participatory Discrepan- V cies: A Progress Report," by Charles "Variability, Change, and the Learning of Keil, 39(1):1-19 Music," by Barbara Barnard Smith, THOMPSON, GORDON R., "The Carans of 31(2):201-20 Gujarat: Caste Identity, Music, and Cul- "Variation Procedures in Northern Ewe tural Change," 35(3):381-91. "What's Song," by V. Kofi Agawu, 34(2):221-43 in a Dhal? Evidence of -like Ap- VETTER, ROGER, "A Retrospect on a Cen- proaches in a Gujarati Musical tradi- tury of Gamelan Tone Measurements," tion," 39(3):417-32 33(2):217-27 "Threshhold to the Sacred: The Overture

in Thai and Javanese Ritual Perfor- w mance," by Deborah Wong and Rene T.A. Lysloff, 35(3):315-48 WALSER, ROBERT, "Rhythm, Rhyme, and Rhetoric in the Music of Public Ene- "Timothy Rice Responds," by Timothy Rice, 31(3):515-6, "Toward the Remod- my," 39(2):193-217 eling of Ethnomusicology," 31(3):469- WATERMAN, CHRISTOPHER A., "'Our 88 Tradition is a Very Modem Tradition': TITON, JEFF TODD, "From the Editor," Popular Music and the Construction 35(1):77-8. "Representation and Au- of the Pan-Yoruba Identity," 34(3): thority in Ethnographic Film/Video: 367-79. "Response to Articles on Par- Production," (Call & Response), ticipatory Discrepancies," 39(1):92- 36(1):89-94. "Music, the Public Inter- 96 est, and the Practice of Ethnomusi- WEGNER, ULRICH, "Cognitive Aspects of cology," 36(3):315-22 amadinda Music From "Together in the Field: Team Research Buganda: Inherent Patterns Reconsid- among Syrian Jews in Brooklyn, New ered," 37(2):201-41 York," by Kay Kaufman Shelemay, WEICH-SHAHAK, SUSANA and JUDITH 32(3):369-84 ETZION, "The Spanish and the TOKITA, ALISON MCQUEEN, "Mode and Sephardic Romances: Musical Links," Scale, Modulation and Tuning in Japa- 32(2):173-209 nese Shamisen Music: The Case of Kiy- WEINTRAUB, ANDREW N., "Theory in In- omoto Narrative," 40(1):1-34 stitutional Pedagogy and 'Theory in Practice' for Sundanese Gamelan Mu- Tonga, 37(3):387-405; 38(3):457-73 "Toward Evaluating Musical Change sic," 37(1):29-39 Through Musical Potential," by Marcia West Indies, 31(2):273-99 Herndon, 31(3):455-68 "What's in a Dhal? Evidence of Raga-like "Toward the Remodeling of Ethnomusi- Approaches in a Gujarati Musical tradi- cology," by Timothy Rice, 31(3):469- tion," by Gordon R. Thompson, 88 39(3):417-432 "Traditional Music Performance Among WIDDESS, RICHARD, "Involving the Per- G6rale in Canada," by Louise Wrazen, formers in Transcription and Analysis: 35(2):173-93 A Collaborative Approach to Dhru- Trinidad, 40(2):269-98 pad," 38(1):59-79 "The Wide Field of Finnish Ethnomusi- TURINO, THOMAS, "The Coherence of So- cial Style and Musical Creation Among cology," by Pirkko Moisala, 38(3):417- 22 the Aymara in Southern Peru," 33(1):1- 30. "Structure, Context, and Strategy in WILL, UDO and CATHERINE ELLIS, "A Re- Music Ethnography," 34(3):399-412 Analyzed Australian Western Desert Song: Frequency Performance and In- U terval Structure," 40(2):182-222 "Willard Rhodes (1901-1992)" (Obituary), Uganda, 37(2):201-4 by David P. McAllester, 37(2):251-62 Ukraine, 35(3):349-79 Index 359

WITZLEBEN, LAWRENCE J., "Jiangnan Y Sizhu Music Clubs in Shanghai: Context, "Ya-Ye-Yo-Na-I-Yu-Nan: Swaying in the Vo- Concept and Identity," 31(2):240-60 cal Music of the Iraya People of Mind- WONG, DEBORAH and RENE T.A. LYS- oro, Philippines," by Jonas Baes, LOFF, "Threshhold to the Sacred: The 31(2):229-39 Overture in Thai and Javanese Ritual YANG MU, "Academic Ignorance or Politi- Performance," 35(3):315-48 cal Taboo? Some Issues in China's Study "World Music and the Popular Music In- of its Folk Song Culture," 38(2):303-20 dustry: An Australian View," by Tony Mitchell, 37(3):309-38 Yemen Arab Republic 34(1):1-18 WRAZEN, LOUISE, "Traditional Music Per- formance Among G6rale in Canada," Z 35(2):173-93 Zambia 39(2):245-74 ZEMP, HUGO, "Filming Music and Looking X at Music Film" (Charles Seeger Memori- al Lecture, 1987), 32(3):393-427 XUE YIBING and STEPHEN JONES, "The Music Associations of the Hebei Prov- Zimbabwe, 33(1):31-45; 32(2):211-48 ince, China: A Preliminary Report," 35(1):1-29

Index to Authors and Titles of Books Reviewed, and Reviewers of Books

A Aboriginal Music: Education for Living. Kwabena Nketia, edited by Jacqueline Cross-cultural Experiences from South Cogdell Djedje, rev. by V. Kofi Agawu, Australia, by Catherine J. Ellis, rev. by 34(3):460-3 Richard M. Moyle, 31(1):155-7 Africanisms in American Culture, edited ABRAHAMS, ROGER D., The Man-of-Words by Joseph E. Holloway, rev. by Ernest in the West Indies: Performance and Douglas Brown, 36(3):433-5 the Emergence of Creole Culture, rev. Afrikanische Saiteninstrumente, by Ulrich by Jocelyne Guilbault, 32(3):455-8 Wegner, rev. by Veit Erlmann, ADAMS, RICHARD, A Book of British Mu- 31(1):147-9 sic Festivals, rev. by Ruth Finnegan, AGAWU, V. KOFI, rev. of African Musicol- 33(3):530-1 ogy: Current Trends, Volume I. A ADDISS, STEPHEN, Tall Mountains and Festschrift Presented to J.H. Kwabena Flowing Waters: The Arts of Urabami Nketia, edited by Jacqueline Cogdell Gyokudo, rev. by Frederic Lieberman, Djedje, 34(3):460-3 32(2):312-4 Aixa, Revista Anual de la Gabella, Museu ADLER, ISRAEL, BATHJA BAYER, and Etnologic Del Montseny: La Mzisica ELIYAHU SCHLEIFER (eds.), Yuval. tradicional a recds de la muntanya, Studies of the Jewish Music Research 'briefly noted' rev. by Anne Dhu McLu- Centre, Volume 5: The Abraham Zvi cas, 37(1):130-1 Idelsohn Memorial Volume, rev. by ALBERT, RICHARD N. (ed.), From Blues to Peter Laki, 33(1):151-3 Bop: A Collection ofJazz Fiction, Aesthetic Tradition and Cultural Transi- 'briefly noted' rev. by Anne Dhu Sha- tion in Java and Bali, edited by piro, 35(3):43, 36(2):271 Stephanie Morgan and Laurie Jo Sears, ALBURGER, MARY ANNE, Scottish Fid- rev. by Margaret J. Kartomi, 31(1):140- dlers and their Music, rev. by H.R.N. 43 Macdonald, 31(1):134-6 African Musicology: Current Trends, Vol- All That Is Native and Fine: The Politics ume I. A Festschrift Presented to J.H. of Culture in an American Region, by 360 Ethnomusicology, Spring/Summer 1997

David E. Whisnant, rev. by Doris J. Economy of Music, rev. by Ronald M. Dyen, 31(2):365-7 Radano, 33(1):161-3 Alyawarra Music: Songs and Society in a AUBERT, LAURENT, Musique Tradition- Central Australian Community, by nelles: Guide du Disque, 'briefly noted' Richard M. Moyle, rev. by Jan Laurids- rev. by Judith A. Gray, 39(2):306 en, 38(1):159-62 Aural Thinking in Norway: Performance ALYN, GLEN, I Say Me for a Parable: The and Communication with the Hard- Oral Autobiography of Mance Lip- ingfele, by Pandora Hopkins, rev. by scomb, Texas Bluesman, rev. by Rob Marlena Frackowski, 36(2):257-9 van der Bliek, 40(1):97-9 Aussereuropdische Musik (Tell 2), by American Antislavery Songs: A Collection Hans Oesch, rev. by Bruno Nettl, and Analysis, by Vicky L. Eaklor, rev. 33(1)147-9 by Doris Evans McGinty, 34(2):309-11 Aux sources du Barzaz-Breiz: La mdmot- America's Music. From the Pilgrims to re d'un peuple, by Donatien Laurent, the Present, by Gilbert Chase, rev. by rev. by Lois Kuter, 43(3):473-4 Judith Tick, 33(2):325-30 AVERILL, GAGE, rev. of La Musique dans Anthology of Hassidic Music, by Chemjo la Socidt Antillaise, 1635-1902: Mar- Vinaver, rev. by Judit Frigyesi, tinique, Guadeloupe, by Jacqueline 33(2):360-4 Rosemain, 33(1):153-56; rev. of Mu- ARAUJO, SAMUEL, rev. of Masters of Con- sique aux Antilles: Mizik bd kay, by temporary Brazilian Song, by Charles Maurice Jallier and Yollen Lossen, A. Perrone, 35(1):277-9 33(1):153-56; rev. of Intercultural Mu- ARMISTEAD, SAMUEL G., The Spanish sic Studies 2-Music in the Dialogue Tradition in Louisiana; I Isleflo Folk of Cultures: Traditional Music and Literature, rev. by Janet L. Sturman, Cultural Policy, edited by Max Peter 40(1):199-201 Baumann, 38(3):515-8 ARMISTEAD, SAMUEL G. & JOSEPH H. SIL- VERMAN, Folk Literature of the B Sephardic Jews. Volume 2: Judeo-Span- BABIRACKI, CAROL, rev. of Chant the ish Ballads from Oral Tradition. 1: Names of God: Musical Culture in Epic Ballads, rev. by Kay Kaufman Bhojpuri-Speaking India, by Edward Shelemay, 31(2):353-4 0. Henry, 37(2):295-8 ARNOLD, ALISON E., rev. of Stage Music The Bagpipe and Its Music, by Roderick of , by Ashok D. Ranade, D. Cannon, rev. by Iain MacInnes, 33(3):545-6; rev. of Cassette Culture: 34(2):319-20 Popular Music and Technology in BAHR, DONALD, rev. of Sacred Language: North India, by Peter Manuel, The Nature of Supernatural Discourse 40(1):104-7 in Lakota, by William K. Powers, ARNOLD, DENIS (ed.), The New Oxford 32(3):460-2 Companion to Music, rev. by James BAILY, JOHN, Music of Afghanistan: Pro- Porter, 31(1):128-31 fessional Musicians in the City of Her- The Art of Reciting the Qu'ran, by Kristi- at, rev. by Mark Slobin, 34(2):308-9 na Nelson, rev. by Regula Burckhardt BAJZEK, DIETER, Percussion: An Annotat- Qureshi, 33(3):522-7 ed Bibliography, rev. by Steven Corne- ASCH, MICHAEL, Kinship and the Drum lius, 34(1):147-8 Dance in a Northern Dene Communi- Balinese Music, by Michael Tenzer, rev. by ty, rev. by Shirley A. Hauck, 34(1):139- Andrew N. Weintraub, 38(2):364-7 40 BANDERA, MARK JAROSLAV, The Tsym- ASOCIACION CRAVO NORTE, Cantan los baly Maker and His Craft, rev. by Alcaravanes, rev. by Laura Larco, Brian Cherwick, 39(3):495-7 37(3):429-31 BANERJEE, JAYASRIM (ed.), The Music of ATTALI, JACQUES, Noise: The Political Bengal: Essays in Contemporary Per- Index 361

spective, rev. by Charles Capwell, Beitrdge Zur Traditionellen Musik. Ber- 33(3):541-2 icht uber die Tagung des Nationalko- BARON, ROBERT and NICHOLAS R. mitees der DDR im ICTM in Neustrel- SPITZER, Public Folklore, rev. by Lau- itz, 27-29 September 1989, edited by rie Kay Sommers, 39(3):491-3 Andreas Michel and Jiirgen Elsner, Barrio Rhythm: Mexican American Music 'briefly noted' rev. by Anne Dhu McLu- in Los Angeles, by Steven Loza, rev. by cas, 37(1):131 Ted Solis, 40(1):102-4 BENAMOU, MARC, rev. of L'Improvisation BARWICK, LINDA, rev. of Songs of Ab- dans les musiques de tradition orale, original Australia, edited by Margaret edited by Bernard Lortat-Jacob, Clunies Ross, Tamsin Donaldson, and 33(3):551-5 Stephen A. Wild, 34(1):177-9; rev. ofIll BERLIN, EDWARD A., Reflections and Re- concetto di musica: Contributi e pros- search on Ragtime, rev. by Scott De- pettive della ricerca etnomusicologica, Veaux, 32(2):314-7 by Francesco Giannattasio, 39(2):286- BERMAN, JOAN, rev. of A Guide to Early 8; rev. of Il maggio drammatico: Una Field Recordings (1900-1949) at the tradizione di teatro in musica, edited Lowie Museum of Anthropology, by by Tullia Magrini, 39(2):288-90 Richard Keeling, 39(1):132-3 BASSO, ELLEN B., A Musical View of the Bibliographical Handbook of American Universe: Kalapalo Myth and Ritual Music, by D.W. Krummel, rev. by Rich- Performances, rev. by Carol E. Robert- ard Crawford, 33(2):324-5 son, 33(3):549-51 Bikmaus: A Journal of Papua New Guin- BAUMANN, MAX PETER (ed.), Intercultur- ea Affairs, Ideas and the Arts, edited al Music Studies 2--Music in the Dia- by Don Niles, rev. by Adrienne L. Kaep- logue of Cultures: Traditional Music pler, 32(2):327 and Cultural Policy, rev. by Gage Blackfoot Musical Thought: Comparative Averill, 38(3):515-8 Perspectives, by Bruno Nettl, rev. by BEAMER, NONA (ed.), Na Mele Hula, A Judith Vander, 34(2):317-8 Collection of Hawaiian Hula Chants, BLACKING, JOHN, "A common-sense view rev. by Elizabeth Tatar, 32(3):466-8 of all music": Reflections on Percy BEAUDRY, NICOLE, rev. of CanMus Docu- Grainger's contribution to ethnomusi- ments 5: Ethnomusicology in Canada, cology and music education, rev. by edited by Robert Witmer, 36(3):425-6 David Josephson, 35(2):263-8 BECKER, JOHN, Discord: The Story of the BLASDEL, CHRISTOPHER YOHMEI, and Vancouver Symphony Orchestra, rev. YUKO KAMISANGO, The Shakuhacht: by Henry Kingsbury, 35(1):113-5 A Manual for Learning, rev. by Riley BECKER, JUDITH and ALAN H. FEINSTEIN Kelly Lee, 34(1):179-81 (ed.), Karawitan: Source Readings in Bluegrass: A History, by Neil V. Rosen- Javanese Gamelan and Vocal Music, berg, rev. by Louis Martin, 33(3):520-2 rev. by Ben Brinner, 34(1):140-6 BLUM, JOSEPH, rev. of Sweet Soul Music: BECKERMAN, MICHAEL, rev. of A Collec- Rhythm and Blues and the Southern tion of Russian Folk Songs by Nikolai Dream of Freedom, by Peter Lvov and Ivan Prach, edited by Mal- Guralnick, 31(1):157-8; rev. of Music com Hamrick Brown with Margarita as Propaganda: Art to Persuade, Art Mazo, 34(3):468-70 to Control, by Arnold Perris, BECKWITH, JOHN (ed.), Sing Out the 32(1):152-3 Glad News: Hymn Tunes in Canada, BLUM STEPHEN, rev. of The Con- rev. by Terry E. Miller, 32(3):462-4 cept in Persian Music, by Hormoz Far- The Bedhaya Court Dances of Central hat, 36(3):422-5 Java, by Clara Brakel-Papenhuijzen, BLUM, STEPHEN, PHILIP V. BOHLMAN, rev. by R. Anderson Sutton, 38(3):536- and DANIEL M. NEUMAN (eds.), Ethno- 8 musicology and Modern Music Histo- 362 Ethnomusicology, Spring/Summer 1997

ry, rev. by Bonnie C. Wade, 38(1):169- BRAKEL-PAPENHUIJZEN, CLARA, The 75 Bedhaya Court Dances of Central BODMAN, ELLEN-FAIRBANKS (ed.), The Java, rev. by R. Anderson Sutton, World of Islam, Images and Echoes: A 38(3):536-8 Critical Guide to Films and Record- BRANDA-LACERDA, MARCOS, Kultische ings & Images: Guide to Films, rev. by Trommelmusik der Yoruba in der George D. Sawa, 31(1):131-3 Volksrepublik Benin: Bata-Sango und BOHLMAN, PHILIP V., rev. of Good Bata-Egungun in den Stddten PobW Friends and Bad Enemies: Robert und Saktd6, rev. by Claus Raab, Winslow Gordon and the Study of 34(2):337-41 American Folksong, by Debora Kod- Brasilien: Einfiihrung in Musiktradition- ish, 33(3):542-5; rev. of Chosen Voices: en Brasiliens, edited by Tiago de Ol- The Story of the American Cantorate, iveira Pinto, rev. by Maria Elizabeth Lu- by Mark Slobin, 34(2):303-6. The Land cas, 34(1):165-7 Where Two Streams Flow": Music in BRAUN, JOACHIM AND KARLIS BRAM- the German-Jewish Community of Is- BATS (eds.), Selected Writings on rael, rev. by Jehoash Hirshberg, Latvian Music: A Bibliography, rev. by 35(1):115-7. The Study of Folk Music Maija M. Lutz, 33(1):163-4 in the Modern World, rev. by Chris Go- The Brazilian Sound: , Bossa ertzen, 35(3):41-23 Nova, and the Popular Music of Bra- A Book of British Music Festivals, by zil, by Chris McGowan and Ricardo Richard Adams, rev. by Ruth Finnegan, Pessanha, rev. by John K. Galm, 33(3):530-1 38(2):353-5 BOR, JOEP, rev. of Imago Musicae V edit- BRINCARD, MARIE-THERESE (ed.), Sound- ed by Tilman Seebass, 38(1):162-6. The ing Forms: African Musical Instru- Voice of the Sarangi: An Illustrated ments, rev. by Artur Simon, 35(3):423- History of Bowing in India, rev. by 6 Regula Burckhardt Qureshi, 38(1):166-9 Bringing It All Back Home.' The Influence BOREL, FRANCOIS, Collections of Irish Music, by Nuala O Connor, rev. d'instruments de Musique: Les Sanza, by Meabh Ni FhuartAin, 38(2):355-7 rev. by Roderic C. Knight, 32(3):472-4 BRINNER, BEN, rev. of Karawitan: Source BOWERS, JANE and JUDITH TICK, Women Readings inJavanese Gamelan and Making Music: The Western Art Tradi- Vocal Music, edited by Judith Becker tion, rev. by Ellen Koskoff, 32(3):474-8 and Alan H. Feinstein, 34(1):140-6 BOYER, HORACE CLARENCE, rev. of Vir- BROFSKY, HOWARD, rev. of Goin' to ginia's Blues, Country, & Gospel Kansas City, by Nathan W. Pearson, Records 1902-1943: An Annotated 33(2):334-6 Discography, by Kip Lornell, BROWN, ERNEST D., rev. of Extensions of 35(2):284-5; rev. of The Rise of Gospel the Blues, by Mary Ellison, 35(1):123- Blues: The Music of Thomas Andrew 5; rev. of Africanisms in American Dorsey in the Urban Church, by Mi- Culture, edited by Joseph E. Holloway, chael W. Harris, 39(2):295-7 36(3):433-5 BOYES, GEORGINA, The Imagined Vil- BROWN, MALCOLM HAMRICK with MAR- lage: Culture, Ideology and the En- GARITA MAZO (ed.), A Collection of glish Folk Revival, rev. by Elaine Bradt- Russian Folk Songs by Nikolai Lvov ke, 39(3):500-2 and Ivan Prach, rev. by Michael Beck- BRADTKE, ELAINE, rev. of The Imagined erman, 34(3):468-70 Village: Culture, Ideology and the En- BUCHMANN-MOLLER, FRANK, You Just glish Folk Revival, by Georgina Boyes, Fight For Your Life: The Story of Lest- 39(3):500-2 er Young, rev. by Ingrid Monson, BRAILOIU, CONSTANTIN, Problems of 35(1):117-9 Ethnomusicology, rev. by Ann Schuurs- BURMAN-HALL, LINDA, rev. of Fiddlin' ma, 31(1):150-1 Georgia Crazy: Fiddlin'John Carson, Index 363

His Real World, and the World of His CAUTHEN, JOYCE H., With Fiddle and Songs, by Gene Wiggins, 35(1):153-4; Well-Rosined Bow: Old-Time Fiddling rev. of Khmer Classical Dance Song- in Alabama, rev. by Chris Goertzen, book, by Amy Catlin, 39(3):508-10 36(3):413-4 BURNIM, MELLONEE, rev. of "Happy in CAZDEN, NORMAN, and HERBERT HAU- the Service of the Lord": Afro-Ameri- FRECHT, and NORMAN STUDER (eds.), can Gospel Quartets in Memphis, by Folk Songs of the Catskills, rev. by Kip Lornell, 34(2):320-2 Doris J. Dyen, 31(2):363-4 BUSHELL, GARVIN,Jazz from the Begin- CHAMORRO, BENJAMIN YEPEZ, La Mtsi- ing, rev. by Robert Witmer, 34(1):154-6 ca de los Guabibo: Sikuant-Cuiba, rev. by Dale A. Olsen, 32(3):483-4 C Chant the Names of God: Musical Culture Calypso Calaloo: Early Carnival Music in in Bhojpuri-Speaking India, by Ed- Trinidad, by Donald R. Hill, rev. by ward O. Henry, rev. by Carol Babiracki, Jocelyne Guilbault, 40(2):336-9 37(2):295-8 Canconer Tradicional del Baix Camp i el Chants d Penser Gbaya (Centrafrique), Montsant, by Gabriel Ferre, Salvador by Vincent Dehoux, rev. by Roderic C. Rebes, and Isabel Ruiz, rev. by M. Knight, 32(3):472-4 Antonia Juan i Nebot, 37(3):431-3 Charles Seeger: A Life in American Music, CanMus Documents 5: Ethnomusicology by Ann M. Pescatello, rev. by Vivian in Canada, edited by Robert Witmer, Perlis, 39(2):290-2 rev. by Nicole Beaudry, 36(3):425-6 CHASE, GILBERT, America's Music: From CANNON, RODERICK D., The Bagpipe the Pilgrims to the Present, rev. by Ju- and Its Music, rev. by Iain MacInnes, dith Tick, 33(2):325-30 34(2):319-20 CHERWICK, BRIAN, rev. of The Tsymbaly Cantan los Alcaravanes, by Asociacion Maker and His Craft, by Mark Jaroslav Cravo Norte, rev. by Laura Larco, Bandera, 39(3):495-7 37(3):429-31 CHIANIS, SAM (SOTIRIOS), rev. of Text CAPWELL, CHARLES, The Music of the and Context: Folksong in a Bosnian of Bengal, rev. by Peter Manuel, Muslim Village, by Yvonne R. Lock- 32(2)317-9; rev. of The Music of Ben- wood, 31(1):139-40 gal: Essays in Contemporary Perspec- Chicago Soul, by Robert Pruter, rev. by tive, edited by Jayasri Banerjee, David Sanjek, 38(2):362-4 33(3):541-2 Choctaw Music and Dance, by James H. CARNEY, GEORGE O. (ed.), The Sounds of Howard and Victoria Lindsay Levine, People and Places: Readings in the rev. by David E. Draper, 36(3):416-20 Geography of American Folk and Pop- Chosen Voices: The Story of the American ular Music, rev. by Andrew Kaye, Cantorate, by Mark Slobin, rev. by Phil- 33(1):164-6 ip V. Bohlman, 34(2):303-6 Cassette Culture: Popular Music and CHRISTENSEN, DIETER, rev. of Die Musik Technology in North India, by Peter der Araber, by Habib Hassan Touma, Manuel, rev. by Alison E. Arnold, 35(10):148-50 40(1): 104-7 Classical Music of South India: Karnatic CATLIN, AMY, rev. of Traditional Music Tradition in Western Notation, by of the Lao: Kaen Playing and Kanthimathi Kumar and Jean Stack- Mawlum Singing in Northeast Thai- house, rev. by Richard K. Wolf, land, by Terry E. Miller, 32(1):135-7. 33(1):175-7 Khmer Classical Dance Songbook, rev. Club Date Musicians: Playing the New by Linda Burman-Hall, 39(3):508-10 York Party Circuit, by Bruce A. MacLe- CATON, MARGARET, rev. of The Radif of od, rev. by Leslie C. Gay, 40(3):538-42 Persian Music: Studies of Structure COHEN, JUDITH R., rev. of Judeo-Spanish and Cultural Context, by Bruno Nettl, Moroccan Songs for the Life Cycle/ 33(2):349-52 Cantares Judeo-Espafloles de Marrue- 364 Ethnomusicology, Spring/Summer 1997

cos para el Ciclo de la Vida/Shirei Feintuch, rev. by Doris J. Dyen, Makhazor Hakhayim shel Hayebudim 33(3):546-9 Hasefaradim be-Maroko, by Susana Contemplating Music: Challenges to Musi- Welch-Shahak, 37(3):442-5 cology, by Joseph Kerman, rev. by COHEN, NORM, rev. of Roll Me in Your James Porter, 33(3):531-5 Arms: "Unprintable" Ozark Folksongs COOK, RICHARD and BRIAN MORTON, and Folklore. Volume 1. Folksongs The Penguin Guide to Jazz on CD, LP and Music, by Vance Randolph, and & Cassette, 'briefly noted' rev. by Ju- The Erotic Muse: American Bawdy dith A. Gray, 39(2):306 Songs, by Ed Cray, 38(3):521-5 COOKE, PETER, rev. of Drum Damba: COHN, RICHARD L., rev. of A Theory for Talking Drum Lessons, by David All Music: Problems and Solutions to Locke, 37(2):120-1 the Analysis of Non-Western Forms, by COPLAN, DAVID B., In Township Tonight! Jay Rahn, 32(1):149-52 South Africa's Black City Music and Coleccion de Instrumentos Musicales, by Theatre, rev. by Christopher A. Water- Jose Ignacio Perdomo Escobar, rev. by man, 31(1):152-4; rev. of Popular Mu- Dale A. Olsen, 32(3):482-4 sics of the Non-Western World, by Pe- Colin McPhee: Composer in Two Worlds, ter Manuel, 34(1):151-54 by Carol Oja, rev. by Larry Polansky, CORNELIUS, STEVEN, rev. of Percussion: 37(3):437-41 An Annotated Bibliography, by Dieter Collections d'instruments de Musique: Les Bajzek, 34(1):147-8 Sanza, by Francois Borel, rev. by Ro- Cousin Joe: Blues from New Orleans, by deric C. Knight, 32(3):472-4 Pleasant "Cousin Joe" Ottenheimer and A Collection of Russian Folk Songs by Ni- Harriet J. Ottenheimer, rev. by David kolai Lvov and Ivan Prach, edited by Evans, 32(2): 322-4 Malcom Hamrick Brown with Margarita COWDERY, JAMES, rev. of The Tradition- Mazo, rev. by Michael Beckerman, al Music of Britain and Ireland. A Re- 34(3):468-70 search and Information Guide, by COLLIER, JAMES LINCOLN, The Reception James Porter, 35(1):150-2; rev. of Sam ofJazz in America: A New View, rev. Henry's "Songs of the People," edited by Lawrence Gushee, 33(2):352-4 by Gale Huntington, 35(2):285-7. The Come and I Will Sing You: A Newfound- Melodic Tradition of Ireland, rev. by land Songbook, edited by Genevieve Micheil 0 Suiilleabhain, 37(1):109-112 Lehr, rev. by David Melhorn-Boe, COX, DONNA MCNEIL, rev. of We'll Un- 33(1):171-2 derstand It Better By and By: Pioneer- Comics and Visual Culture: Research ing African American Gospel Compos- Studies from Ten Countries, edited by ers, edited by Bernice Johnson Reagon, Alphons Silbermann and H. D. Dryoff, 39(2):292-4 rev. by K. Peter Etzkorn, 31(3):534 CRABTREE, PHILLIP D. and DONALD H. Commercial Recordings of Papua New FOSTER, Sourcebook for Research in Guinea Music, 1949-1983: 1984 Sup- Music, 'briefly noted' rev. by Judith plement, by Don Niles, rev. by Steven Gray, 39(2):307 Feld, 31(1):163 CRAWFORD, RICHARD, rev. of Biblio- Commercial Recordings of Papua New graphical Handbook of American Mu- Guinea Music: 1988 Supplement, by sic, by D.W. Krummel, 33(2):324-5 Don Niles, 'briefly noted' rev. by Judith CRAY, ED, The Erotic Muse: American A. Gray, 39(2):308 Bawdy Songs, rev. by Norm Cohen, "A common-sense view of all music": 38(3):521-5 Reflections on Percy Grainger's contri- CREIGHTON, HELEN, Songs and Ballads bution to ethnomusicology and music form Nova Scotia, 'briefly noted' rev. education, by John Blacking, rev. by by Judith A. Gray, 39(2):305 David Josephson, 35(2):263-8 CROCHU, D., Y. DEFRANCE, A. M. DE- The Conservation of Culture: Folklorists SPRINGRE, J. FRIBOURG, D. LAURENT, and the Public Sector, edited by Burt H. RIVIERE, and H. RYCKEBOER, Index 365

Podsie chanties de tradition orale en de FERRANTI, HUGH, rev. of The Way of Flandre et en Bretagne, rev. by Lois the Pipa: Structure and Imagery in Kuter, 38(2):351-3 Chinese Lute Music, by John E. Myers, CROSS, BRIAN, It's Not About Salary: 40(1):107-11 Rap, Race, and Resistance in Los An- de GOROG, LISA, From Sibelius to Sallin- geles, rev. by Robert Walser, en. Finnish Nationalism and the Mu- 39(3):493-4 sic of Finland, rev. by Carl Rahkonen, CZEKANOWSKA, ANNA, Polish Folk Mu- 35(1):119-21 sic: Slavonic Heritage, Polish Tradi- de OLIVEIRA PINTO, TIAGO (ed.), Brasil- tion, Contemporary Trends, rev. by ien: Einfblhrung in Musiktraditionen William Noll, 38(2):367-72 Brasiliens, rev. by Maria Elizabeth Lu- cas, 34(1):165-7 D DEVALE, SUE CAROLE, rev. of Stringed In- DABROWSKA, GRAZYNA, Wesele kurpio- struments of Ancient Greece, by Mar- wskie ["The Wedding Sequence In the tha Maas and Jane McIntosh Snyder, Region Kurpie"], rev. by William Noll, 35(1):135-9 32(3):478-80 DEHOUX, VINCENT, Chants d Penser Dance and Stress: Resistance, Reduction, Gbaya (Centrafrique), rev. by Roderic and Euphoria. Stress and Modem So- C. Knight, 32(3):472-4 ciety, Number 13, by Judith Lynne Demetrius Cantemir: The Collection of Hanna, 'briefly noted' by Anne Dhu Notations. Part I: Text, transcribed and Shapiro, 35(3):442-3 annotated by Owen Wright, rev. by Dance, Sex and Gender: Signs of Identity, Walter Feldman, 39(1):146-50 Dominance, Defiance, and Desire, by Deutsche Volksliedlandschaften, by Petra Judith Lynne Hanna, rev. by Ellen Kosk- Farwick, rev. by Anna Katharina off, 34(3):457-60 Schaller-Wenzlitschke, 33(1):178-9 Dances of the Tewa Indians: Expressions DeVEAUX, SCOTT, rev. of Reflections and of New Life, by Jill D. Sweet, rev. by Research on Ragtime, by Edward A. Gertrude Prokosch Kurath, 31(2):358- Berlin and Ragtime: Its History, Com- 9 posers and Music, by John Edward DANIEL, WAYNE W., Pickin' on Peach- Hasse, 32(2):314-7 tree: A History of Country Music in At- The DhimaybaJa of Bhaktapur: Studies lanta, Georgia, rev. by Aaron A. Fox, in Newar Drumming I, by Gert-Matthi- 37(1):112-4 as Wegner, rev. by Ter Ellingson, DANIELSON, VIRGINIA, rev. of Maqam-- 32(1):138-45 Raga-Zeilenmelodik.: Konzeptionen DIALLO, YAYA and MITCHELL HALL, The und Prinzipien der Musikproduktion. Healing Drum: African Wisdom Materialien der 1. Arbeitstagung der Teachings, rev. by Roderic Knight, Study Group "Maqam" beim Interna- 35(1):121-3 tional Council for Traditional Music DIAMOND, BEVERLEY, rev. of Native vom 28. Juni bis 2. Jul 1988 in Berlin, American Dance: Ceremonies and So- edited byJiirgen Eisner, 38(3):509-12 cial Traditions, by Charlotte Heth, DARGIE, DAVID, Xhosa Music: Its Tech- 40(3):533-38 niques and Instruments, with a Col- Die Musik der Araber, by Habib Hassan lection of Songs, rev. by Veit Erlmann, Touma, rev. by Dieter Christensen, 34(2):323-4 35(10):148-50 Das korsische Volkslied. Ethnographie Discord: The Story of the Vancouver Sym- und Geschichte, Gattungen und stil, phony Orchestra, by John Becker, rev. Volume 3: Aufnahmekatalog und by Henry Kingsbury, 35(1):113-5 Liedtexte, by Wolfgang Laade, rev. by Discoursing Sweet Music. Town Bands Hugh Shields, 33(3):535-7 and Community Life in Turn of the The Dastgah Concept in Persian Music, Century Pennsylvania, by Kenneth by Hormoz Farhat, rev. by Stephen Kreitner, rev. by Emma S. Rocco, Blum, 36(3):422-5 37(3):435-6 366 Ethnomusicology, Spring/Summer 1997

Divided Soul: The Life of Marvin Gaye, by Vance Randolph, 31(2)363-64; rev. of David Ritz, rev. by Charles Keil, The Conservation of Culture: Folklor- 31(2):367-70 ists and the Public Sector, edited by DJEDJE, JACQUELINE COGDELL, rev. of Burt Feintuch, 33(3):546-49 Women and Music in Cross-Cultural DYER, JOSEPH, rev. of Re-Envisioning Perspective, edited by Ellen Koskoff, Past Musical Cultures: Ethnomust- 33(3):514-20; editor of African Musi- cology in the Study of Gregorian cology: Current Trends, Volume I: A Chant, by Peter Jeffery, 39(3):502-6 Festschrift Presented to J.H. Kwabena Nketia, rev. by V. Kofi Agawu, E 34(3):460-3 EAKLOR, VICKY L., American Antislavery DONNER, PHILIP (ed.), Idols and Myths Songs: A Collection and Analysis, rev. in Music, rev. by Elizabeth Tolbert, by Doris Evans McGinty, 34(2):309-11 33(1):156-8 Early Field Recordings: A Catalogue of DOUBLEDAY, VERONICA, Three Women Cylinder Collections at the Indiana of Herat, rev. by Hiromi Lorraine Saka- University Archives of Traditional ta, 32(3):480-1; 'briefly noted' rev. by Music, by Anthony Seeger and Louise S. Anne Dhu Shapiro, 35(3):442-43 Spear, rev. by Jennifer C. Post, DOWLING, JAY W. and DANE L. HAR- 32(3):453-5 WOOD, Music Cognition, rev. by Ellen Echoes: Guide to Recordings, edited by Koskoff, 32(1):155-9 Lorraine Sakata, rev. by George D. Downhome Blues Lyrics: An Anthology Sawa, 31(1):131-3 from the Post-World War Two Era, ed- EDWARDS, CAROL L. and KATHLEEN E.B. ited by Jeff Todd Titon, 'briefly noted' MANLEY (eds.), Narrative Folksong. rev. by Anne Dhu Shapiro, 35(3):442-3 New Directions: Essays in Apprecia- DRAPER, DAVID E. rev. of Choctaw Music tion of W Edson Richmond, rev. by and Dance, by James H. Howard and Anne Dhu Shapiro, 34(1):157-9 Victoria Lindsay Levine, 36(3):416-20 EL-DABH, HALIM, rev. of Drum Gahu: A Dried Millet Breaking: Time, Words, and Systematic Method for an African Per- Song in the Woi Epic of the Kpelle, by cussion Piece, by David Locke, Ruth M. Stone, rev. by David Locke, 43(3):475-7 34(1):172-4 ELLIOT, DAVID J., Music Matters: A New Drum Damba: Talking Drum Lessons, by Philosophy of Music Education, rev. David Locke, rev. by Peter Cooke, by Natalie Sarrazin, 40(3):530-3 37(2):120-1 ELLINGSON, TER, rev. of The Dhimaybaja Drum Gahu: A Systematic Method for an of Bhaktapur.' Studies in Newar African Percussion Piece, by David Drumming I, by Gert-Matthias Wegner, Locke, rev. by Halim EI-Dabh, and Jhigu Baja Jhigu Sanskrti: Dapha 43(3):475-7 Bhajanaya Gwara Samgraha [Our DURING, JEAN, La Musique traditionelle Music, Our Culture: Collected Dapha de l'Azerbayjan et la science des mu- Devotional Musical Compositions], by qams, rev. by George Dimitri Sawa, Kirtiman Sakya, 32(1):138-45; rev. of 43(3):463-8 Zlos-Gar: Performing Traditions of Ti- DYAL, SUSAN, Preserving Traditional bet, by Jamyang Norbu, 32(3):145-9; Arts: A Toolkit for Native American rev. of Music and Media in Local Life: Communities, rev. by Marcia Herndon, Music Practice in a Newar Neighbour- 33(1):182-5 hood in Nepal, by Ingemar Grandin, DYEN, DORIS J., rev. of All That Is Native 35(2):269-72 and Fine: The Politics of Culture in an ELLIS, CATHERINE J., Aboriginal Music: American Region, by David E. Whis- Education for Living. Cross-cultural nant, 31(2):365-67; rev. of Folk Songs Experiences from South Australia, rev. of the Catskills, edited by Norman by Richard M. Moyle, 31(1):155-7 Cazden, Herbert Haufrecht, and Nor- ELLISON, MARY, Extensions of the Blues, man Studer, and Ozark Folksongs, by rev. by Ernest D. Brown, 35(1):123-25. Index 367

Lyrical Protest. Black Music's Struggle Bohlman, and Daniel M. Neuman, rev. Against Discrimination, 'briefly noted' by Bonnie C. Wade, 38(1):169-75 rev. by Anne Dhu Shapiro, 35(3):442-3 ETZKORN, K. PETER, rev. of Comics and ELSNER, JURGEN (ed.), Maqam-Raga-- visual Culture: Research Studies from Zeilenmelodik: Konzeptionen und ten Countries, edited by Alphons Sil- Prinzipien der Musikproduktion. Ma- bermann and H.-D. Dryoff, and Klassik- terialien der 1. Arbeitstagung der er der Kunstsoziologie, edited by Al- Study Group "Maqam" beim Interna- phons Silbermann, 31(3):534 tional Council for Traditional Music EVANS, DAVID, rev. of Cousin Joe: Blues vom 28. Juni bis 2. Juli 1988 in Ber- from New Orleans, by Pleasant "Cous- lin, rev. by Virginia Danielson, in Joe" Ottenheimer and Harriet J. Ot- 38(3):509-12 tenheimer, 32(2): 322-4 The Emergency of Black and the Emer- EVERS, LARRY and MOLINA, FELIPE S., gence of Rap. A Special Issue of Black Yaqui Deer Songs, Maso Bwikam: A Sacred Music: A Joural of Theomusi- Native American Poetry, rev. by Rich- cology, by Jon Michael Spencer, rev. by ard Keeling, 32(3)464-6 Kai Fikentscher, 38(2):349-51 The Evolution of avanese Gamelan, ERDELY, STEPHEN, rev. of Folklore et Book III. Paragon of the Roaring Sea, Transcendance dans L'Oeuvre Americ- by Ki Mantle Hood, rev. by , aine de B6la Bart6k (1940-1945): 34(2):328-31 Extensions of the Blues, Mary Ellison, rev. Contributions a L'Jtude de L'Activitt Scienttfique et Crdatrice du Compos- by Ernest D. Brown, 35(1):123-5 iteur, by Yves Lenoir, 33(3):511-4 ERLMANN, VEIT, rev. of Afrikanische Sait- F eninstrumente, by Ulrich Wegner, The Face of Dance: Yup'ik Eskimo Masks 31(1):147-9; rev. of Xhosa Music: Its from Alaska, by Lynn Ager Wallen, Techniques and Instruments, with a rev. by Thomas F. Johnston, 35(3):438- Collection of Songs, by David Dargie, 9 34(2):323-24; rev. of Where is the FARHAT, HORMOZ, The Dastgah Concept Way: Song and Struggle in South Afri- in Persian Music, rev. by Stephen ca, by Helen Q. Kivnick, 36(2):260-1 Blum, 36(3):422-5 The Erotic Muse: American Bawdy Songs, FARWICK, PETRA, Deutsche Volkslied- by Ed Cray, rev. by Norm Cohen, landschaften, rev. by Anna Katharina 38(3):521-5 Schaller-Wenzlitschke, 33(1):178-9 ESCOBAR, JOSE IGNACIO PERDOM, Colec- The Federal Cylinder Project: A Guide to cdon de Instrumentos Musicales, by Field Cylinder Collections in Federal Dale A. Olsen, 32(3):482-4 Agencies, Volume 2 (Northeastern Indi- Essays in Musicology, edited by R.C. Meh- an Catalog, Southeastern Indian Cata- ta, rev. by Stephen Slawek, 33(1):169- log), by Judith A. Gray and Dorothy 71 Sara Lee, rev. by David P. McAllester, Essays on Sino-Korean Musicology: Early 33(1):149-50 Sources for Korean Ritual Music, by FEINTUCH, BURT (ed.), The Conservation Robert C, Provine, rev. by Keith of Culture: Folklorists and the Public Howard, 36(2):266-9 Sector, rev. by Doris J. Dyen, Ethnic Music on Records: A Discography 33(3):546-9 of Ethnic Recordings Produced in the FELD, STEVEN, rev. of Commercial Re- United States, 1893 to 1942, by Rich- cordings of Papua New Guinea Music, ard K. Spottswood, rev. by Philippe 1949-1983: 1984 Supplement, by Don Varlet, 35(3):433-6 Niles, 31(1):163; rev. of Music in Soci- Etnomusicologie enJaap Kunst, by ety. A Guide to the Sociology of Music, Gustaaf Walgraeve, rev. by R. Anderson by Ivo Supicic, 33(2):321-4; rev. of Sutton, 35(3):436-8 Papua New Guinea Music Collections, Ethnomusicology and Modern Music His- compiled and annotated by Don Niles tory, edited by Stephen Blum, Philip V. and Michael Webb, 34(2):332-5; rev. of 368 Ethnomusicology, Spring/Summer 1997

Riwain: Papua New Guinea Pop no and Jose Elgorriaga, rev. by Peter Songs, compiled by Michael Webb, and Manuel, 36(2):269-71 Don Niles, 34(2):335-7 Flamenco: Gypsy Dance and Music from FELDMAN, WALTER, rev. of Demetrius Andalusia, edited by Claus Schreiner, Cantemir: The Collection of Notations. rev. by Peter Manuel, 36(2):269-71 Part IP Text, transcribed and annotated FLESHMAN, BOB (ed.), Theatrical Move- by Owen Wright, 39(1):146-50 ment: A Bibliographical Anthology, FERRE, GABRIEL, SALVADOR REBES, and rev. by Judy Van Zile, 32(3):449-51 ISABEL RUIZ, Canconer Tradicional Folk Literature of the SephardicJews, Vol- del Baix Camp i el Montsant, rev. by ume 2: Judeo-Spanish Ballads from M. Antbnia Juan i Nebot, 37(3):431-3 Oral Tradition. 1: Epic Ballads, by Sam- FHUARTHAIN, MIABH NI, rev. of The uel G. Armistead and Joseph H. Silver- Irish Flute Player's Handbook: A Com- man, rev. by Kay Kaufman Shelemay, prehensive Guide to the Traditional 31(2):353-4 Flute in Ireland, by S.C. Hamilton, Folk Music. Hungarian Musical Idiom, by 36(2):255-6. rev. of Bringing It All Bitint SSirosi, rev. byJudit Frigyesi, Back Home: The Influence of Irish 35(2):428-33 Music, by Nuala O Connor, 38(2):355- Folk Music in America: A Reference 7 Guide, by Terry Miller, rev. Jennifer C. Fiddlin' Georgia Crazy: Fiddlin'John Post, 32(3):452-3 Carson, His Real World, and the Folk Songs of the Catskills, edited by Nor- World of His Songs, by Gene Wiggins, man Cazden, Herbert Haufrecht, and rev. by Linda Burman-Hall, 35(1):153-4 Norman Studer, rev. by Doris J. Dyen, FIDLER, LINDA M. and RICHARD S. JAMES 31(2):363-4 (eds.), International MusicJournals, Folk Songs of Australia and the Men and 'briefly noted' rev. by Anne Dhu Sha- Women Who Sang Them, by John piro, 36(2):272 Meredith, Roger Covell, and Patricia FIKENTSCHER, KAI, rev. of Rap Attack 2: Brown, rev. by Jill Stubington, African Rap to Global Hip Hop, by 32(2):311-2 David Toop, 38(2):349-51; rev. of The Folklore et Transcendance dans L'Oeuvre Emergency of Black and the Emer- Americaine de B6la Bart6k (1940- gence of Rap. A Special Issue of Black 1945): Contributions a L'Jttude de Sacred Music: A Joural of Theomust- L'Activit6 Scienttfique et Crdatrice du cology, by Jon Michael Spencer, Compositeur, by Yves Lenoir, rev. by 38(2):349-51 Stephen Erdely, 33(3):511-4 FINNEGAN, RUTH, rev. of A Book of Brit- Folklorica: Festschrift for Felix J Oinas, ish Music Festivals, by Richard Adams, edited by Egle Victoria Zygas and Peter 33(3):530-1 Voorheis, rev. by Barbara Krader, Finnish Folk Hymn Singing: Study in Mu- 33(2):332-3 sic Anthropology, by Paivikki Suojanen, Folkmusikvigen/The Folk Music Vogue, rev. by Seppo Saari, 34(1):161-3 by Birgit Kjellstr6m, et al, rev. by Ola First Pressings: Rock History As Chroni- Kai Ledang, 31(2):361-3 cled In Billboard Magazine, compiled Folksongs of New Brunswick, by Edward and edited by Galen Gart, rev. by Ray- D. Ives, rev. by Doreen Klassen, mond F. Kennedy, 37(2):299-301 35(1):128-9 FIRTH, RAYMOND with MERVYN Forms and Styles of Traditional Banoni MCLEAN, Tikopia Songs: Poetic and Music, by Regis N. Stella, rev. by Mi- musical art of a Polynesian people of chael Webb, 39(3):506-7 the Solomon Islands, rev. by Jane Mink FORNER, MICHELLE, rev. of A Trade Like Rossen, 38(3):525-30 Any Other: Female Singers and Danc- FISKE, ROGER, Scotland in Music, rev. by ers in Egypt, by Karin Van Nieuwkerk, H.R.N. Macdonald, 31(1):134-6 40(3):524-5 Flamenco, Body and Soul, by Juan Serra- Forty Years of Steel. An Annotated Dis- Index 369

cography of Steel Band and Pan Re- History As Chronicled In Billboard cordings, compiled by Jeffrey Thomas, Magazine, rev. by Raymond F. rev. by Jacob Wainright Love, Kennedy, 37(2):299-301 40(1):113-5 GAY, LESLIE C., rev. of Club Date Musi- FOX, AARON A., rev. of Pickin' on Peacht- cians: Playing the New York Party ree: A History of Country Music in At- Circuit, by Bruce A. MacLeod, lanta, Georgia, by Wayne W. Daniel, 40(3):538-42 37(1):112-4 GELO, DANIEL J., rev. of Havasupai FRACKOWSKI, MARLENA, rev. of Aural Songs: A Linguistic Perspective, by Thinking in Norway: Performance Leanne Hinton, 33(3):539-41 and Communication with the Hard- GERARD, CHARLEY, Salsa: The Rhythm of ingfele, by Pandora Hopkins, Latin Music, rev. by John Murphy, 36(2):257-9 34(2):315-6 FRIGYESI, JUDIT, rev. of Anthology of GERBERG, MIRIAM, rev. of Jewish Musical Hassidic Music, by Chemjo Vinaver, Traditions, by Amnon Shiloah, 33(2):360-64; rev. of Folk Music. Hun- 39(1):150-2 garian Musical Idiom, by Balint Sirosi, Ghost Dance Songs and Religion of a 35(2):428-33; Hungarian Folk Danc- Wind River Shoshone Woman, by Ju- es, by Gyorgy Martin, and Hungarian dith Vander, rev. by Charlotte J. Fris- Folk Songs and Folk Instruments, by bie, 32(3):470-1 Janos Manga, 35(3):428-33 GIANNATTASIO, FRANCESCO, Il concetto FRISBIE, CHARLOTTE J., rev. of Ghost di musica: Contributi e prospettive Dance Songs and Religion of a Wind della ricerca etnomusicologica, rev. by River Shoshone Woman, by Judith Linda Barwick, 39(2):286-8 Vander, 32(3):470-1 GIGLIO, VIRGINIA, rev. of Music, Gender, From Blues to Bop: A Collection ofJazz and Culture, edited by Marcia Herndon Fiction, edited by Richard N. Albert, and Susanne Ziegler, 37(1):115-7 'briefly noted' rev. by Anne Dhu Sha- GOERTZEN, CHRIS, rev. of The Study of piro, 35(3):442, 36(2):271 Folk Music in the Modern World, by From Sibelius to Sallinen: Finnish Na- Philip V. Bohlman, 35(3):421-3; rev. of tionalism and the Music of Finland, With Fiddle and Well-Rosined Bow: by Lisa de Gorog, rev. by Carl Rah- Old-Time Fiddling in Alabama, by konen, 35(1):119-21 Joyce H. Cauthen, 36(3):413-4 Frontier Fiddler: The Life of a Northern Goin' to Kansas City, by Nathan W. Pear- Arizona Pioneer, by Kenner Casteel son, rev. by Howard Brofsky, Kartchner, rev. by Carl Rahkonen, 33(2):334-6 37(3):433-4 Good Friends and Bad Enemies: Robert Fusion of the Worlds. An Ethnography of Winslow Gordon and the Study of Possession Among the Sonhay of Ni- American Folksong, by Debora Kod- ger, by Paul Stoller, rev. by Caroline ish, rev. by Philip V. Bohlman Card Wendt, 36(3):420-2 33(3):542-5 GRANDIN, INGEMAR, Music and Media G in Local Life: Music Practice in a GALM, JOHN K., rev. of The Brazilian Newar Neighbourhood in Nepal, rev. Sound: Samba, Bossa Nova, and the by Ter Ellingson, 35(2):269-72 Popular Music of Brazil, by Chris GRAU, ANDREE, rev. of Ten Lectures on McGowan and Ricardo Pessanha, Theories of the Dance, by Drid Wil- 38(2):353-5 liams, 39(1):139-43 GANSEMANS, JOS, Les Instruments de GRAY, HERMAN, Producing Jazz: The Ex- Musique du Rwanda: Etude Ethnomu- perience of an Independent Record sicologique, rev. by Ake Norborg, Company, rev. by Robert Witmer, 35(1):125-6 34(1):156-7 GART, GALEN (ed.), First Pressings: Rock GRAY, JUDITH, rev. of Songprints: The 370 Ethnomusicology, Spring/Summer 1997

Musical Experience of Five Shoshone thropology, by Richard Keeling, rev. by Women, by Judith Vander, 34(1):148- Joan Berman, 39(1):132-3 51; 'briefly noted' rev. of Singing for A Guide to the Blues, Who's Who, Re- Power: The Song Magic of the Papago search, by Austin Sonnier, rev. by Barry Indians of Southern Arizona, by Ruth Lee Pearson, 40(2):346-8 Murray Underhill, Songs and Ballads A Guide to the Gamelan, by Neil Sorrell, form Nova Scotia, by Helen Creighton, rev. by Roger Vetter, 36(1):131-4 Ways of the Hand: The Organization GUILBAULT, JOCELYNE, rev. of The Man- of Improvised Conduct, by David Sud- of-Words in the West Indies: Perfor- now, Larry Gorman: The Man Who mance and the Emergence of Creole Made the Songs, by Edward D. Ives, Culture, by Roger D. Abrahams, and L'Ethnomusicologie en Europe, 32(3):455-8; rev. of Calypso Calaloo: Rdpetoire des Institutions et Ressourc- Early Carnival Music in Trinidad, by es. Socidtdd Franvaise d'Ethnomusi- Donald R. Hill, 40(2):336-9 cologie, 39(2):304-6; 'briefly noted' GURALNICK, PETER, Sweet Soul Music: rev. of Musique Traditionnelles: Rhythm and Blues and the Southern Guide du Disque, by Laurent Aubert, Dream of Freedom, rev. by Joseph The Penguin Guide to Jazz on CD, Blum, 31(1):157-8 LP & Cassette, by Richard Cooke and GUSHEE, LAWRENCE, rev. of The Recep- Brian Morton, Jaap Kunst, Correspon- tion ofJazz in America. A New View, dence 1920-1940: An Annotated In- by James Lincoln Collier, 33(2):352-4 dex, by L.M. Van Proosdij-ten Have and H M.J. Van Roon, Sourcebook for Re- search in Music, by Phillip D. Crabtree Half a Century of Dance Research: Essays and Donald H. Foster, Yiddish Ameri- by Gertrude Prokosch Kurath, by Ger- can Popular Songs 1895 to 1950: A trude Prokosch Kurath, rev. by Cynthia Catalog based on the Lawrence Mar- J. Novack, 33(1):158-61 wick Roster of Copyright Entries, by The Half-Barbaric Twang: The Banjo in Irene Heskes, and Commercial Record- American Popular Culture, by Karen ings of Papua New Guinea Music: Linn, rev. by Robert B. Winans, 1988 Supplement, by Don Niles, 38(3):512-4 39(2):306-8 HAMILTON, S.C., The Irish Flute Player's GRAY, JUDITH A. and DOROTHY SARA Handbook. A Comprehensive Guide to LEE, The Federal Cylinder Project: A the Traditional Flute in Ireland, rev. Guide to Field Cylinder Collections in by Meabh Ni Fhuarthiin, 36(2):255-6 Federal Agencies, Volume 2: Northeast- HANNA, JUDITH LYNNE, Dance, Sex and ern Indian Catalog, Southeastern In- Gender: Signs of Identity, Dominance, dian Catalog, rev. by David P. McAll- Defiance, and Desire, rev. by Ellen Ko- ester, 33(1):149-50 skoff, 34(3):457-60. Dance and Stress: GREENE, VICTOR, A Passion for Polka: Resistance, Reduction, and Euphoria. Old-Time Ethnic Music in America, Stress and Modern Society, Number rev. by Richard March, 39(2):298-301 13, 'briefly noted' rev. by Anne Dhu The Greig-Duncan Folk Song Collection, Shapiro, 35(3):442-3 Volume 4, edited by Patrick Shuldham- HANSEN, KATHRYN, Grounds for Play: Shaw, Emily B. Lyle, and Andrew R. The Nautanki Theatre of North India, Hunter, rev. by James Porter, rev. by FrankJ. Korom, 39(2):282-5 38(1):178-9 "Happy in the Service of the Lord":Afro- Grounds for Play: The Nautanki Theatre American Gospel Quartets in Mem- of North India, by Kathryn Hansen, phis, by Kip Lornell, rev. by Mellonee rev. by Frank J. Korom, 39(2):282-5 Burnim, 34(2):320-2 A Guide to Early Field Recordings (1900- HARRIS, MICHAEL W., The Rise of Gospel 1949) at the Lowie Museum ofAn- Blues: The Music of Thomas Andrew Index 371

Dorsey in the Urban Church, rev. by HETH, CHARLOTTE, Sharing a Heritage: Horace Clarence Boyer, 39(2):295-7 American Indian Arts, rev. by Marcia HASSE, JOHN EDWARD, Ragtime: Its His- Herndon, 33(1):182-5. Native Ameri- tory, Composers and Music, rev. by can Dance: Ceremonies and Social Scott Deveaux, 32(2):314-7 Traditions, rev. by Beverley Diamond, HASSELAGER, RIGMOR, rev. of Tradition- 40(3):533-8 al Greenlandic Music, by Michael Highbrow/Lowbrow. The Emergence of Hauser, 39(3):497-9 Cultural Hierarchy in America, by HAUCK, SHIRLEY A., rev. of Kinship and Lawrence W. Levine, rev. by Karen the Drum Dance in a Northern Dene Linn, 34(2):306-8 Community, by Michael Asch, HILL, DONALD R., Calypso Calaloo: Early 34(1):139-40 Carnival Music in Trinidad, rev. by HAUSER, MICHAEL, Traditional Greenlan- Jocelyne Guilbault, 40(2):336-9 dic Music, rev. by Rigmor Hasselager, HINTON, LEANNE, Havasupai Songs: A 39(3):497-9 Linguistic Perspective, rev. by Daniel J. Havasupai Songs: A Linguistic Perspec- Gelo, 33(3):539-41 tive, by Leanne Hinton, rev. by Daniel HIRSHBERG, JEHOASH, rev. of The Land J. Gelo, 33(3):539-41 Where Two Streams Flow": Music in HAVE, L.M. VAN PROOSDIJ and M.J. VAN the German-Jewish Community of Is- ROON, Jaap Kunst, Correspondence rael, by Philip V. Bohlman, 35(1):115- 1920-1940. An Annotated Index, 7 'briefly noted' rev. by Judith A. Gray, Hi-Tech Shiva and Other Apocryphal Sto- 39(2):306-7 ries, by N.A. Jairazbhoy, rev. by Hawaiian Music: An Annotated Bibliog- Stephen Slawek, 39(1):136-9 raphy, compiled by Bryan C. Stoneb- HOERBURGER, FELIX, Volksmusikfors- urner, rev. by Elizabeth Tatar, chung: Aufsdtze und Vortrage 1953- 33(2):342-3 1984 ilber Volkstanz und instrumen- The Healing Drum: African Wisdom tale Volksmusik, rev. by Anna Teachings, by Yaya Diallo and Mitchell Katharina Schaller-Wenzlitschke, Hall, rev. by Roderic Knight, 33(1):177-8 35(1):121-3 HOLLOWAY, JOSEPH E. (ed.), Africanisms HEINS, ERNST, Music in Java: Current in American Culture, rev. by Ernest Bibliography 1973-1989, rev. of Rog- Douglas Brown, 36(3):433-5 er Vetter, 35(1): 126-8 HOOD, KI MANTLE, rev. of The Kettle- HENRY, EDWARD O., Chant the Names of drums of Southeast Asia: A Bronze God: Musical Culture in Bhojpuri- Age World and its Aftermath, by A.J. Speaking India, rev. by Carol Babirac- Bernet Kempers, 33(2):330-2. The Evo- ki, 37(2):295-8 lution of avanese Gamelan, Book III HERNDON, MARCIA, rev. of Preserving Paragon of the Roaring Sea, rev. by Traditional Arts: A Toolkit for Native Sumarsam, 34(2):328-31 American Communities, by Susan HOPKINS, PANDORA, Aural Thinking in Dyal, 33(1):182-85. rev. of Sharing a Norway: Performance and Communi- Heritage: American Indian Arts, edit- cation with the Hardingfele, rev. by ed by Charlotte Heth, 33(1):182-85 Marlena Frackowski, 36(2):257-9 HERNDON, MARCIA and SUSANNE ZIE- HOWARD, JAMES H. and VICTORIA LIND- GLER (eds.), Music, Gender, and Cul- SAY LEVINE, Choctaw Music and ture, rev. by Virginia Giglio, 37(1):115-7 Dance, rev. by David E. Draper, HESKES, IRENE, Yiddish American Popu- 36(3):416-20 lar Songs 1895 to 1950: A Catalog HOWARD, KEITH, Korean Musical Instru- based on the Lawrence Marwick Ros- ments: A Practical Guide, rev. by Rob- ter of Copyright Entries, 'briefly noted' ert C. Provine, 35(1):139-41. rev. of Es- rev. by Judith A. Gray, 39(2):307-8 says on Sino-Korean Musicology: 372 Ethnomusicology, Spring/Summer 1997

Early Sources for Korean Ritual Mu- M. Schechter, rev. by Sandra Smith, sic, by Robert C, Provine, 36(2):266-9 38(3):530-2 HOWARD, WAYNE, Veda Recitation in Instruments and the Electronic Age: To- Varanasi, rev. by David Roche, ward a Terminology for a Unified De- 33(1): 172-5. Matralaksanam: Test, scription of Playing Technique, by Translation, Extracts from the Com- Tellef Kvifte, rev. by Rene T.A. Lysloff, mentary, and Notes, Including Refer- 35(1):129-33 ences in Two Oral Traditions of South Intercultural Music Studies 2-Music in India, rev. by Allyn Miner, 36(1):129-31 the Dialogue of Cultures: Traditional HUGHES, DAVID W., rev. of The Oral and Music and Cultural Policy, edited by the Literate in Music, edited by Toku- Max Peter Baumann, rev. by Gage Aver- maru Yosihiko and Yamaguti Osamu, ill, 38(3):515-8 34(1):175-7 International MusicJournals, edited by Hungarian Folk Dances, by Gy6rgy Mar- Linda M. Fidler and Richard S. James, tin, rev. byJudit Frigyesi, 35(3):428-33 'briefly noted' rev. by Anne Dhu Sha- Hungarian Folk Songs and Folk Instru- piro, 36(2):272 ments, by Janos Manga, rev. by Judit The Irish Flute Player's Handbook: A Frigyesi, 35(3):428-33 Comprehensive Guide to the Tradi- HUNTINGTON, GALE (ed.), Sam Henry's tional Flute in Ireland, by S.C. Hamil- "Songs of the People, " rev. by James ton, rev. by Meabh Ni Fhuarthain, Cowdery, 35(2):285-7 36(2):255-6 Irish Folk Music: A Selected Discography, by Deborah L. Schaeffer, 'briefly noted' I Say Me for a Parable: The Oral Autobi- rev. by Anne Dhu Shapiro, 36(2):272 ography of Mance Lipscomb, Texas It's Not About Salary: Rap, Race, and Re- Bluesman, by Glen Alyn, rev. by Rob sistance in Los Angeles, by Brian Cross, van der Bliek, 40(1):97-9 rev. by Robert Walser, 39(3):493-4 Idols and Myths in Music, edited by Philip IVES, EDWARD D., Folksongs of New Donner, rev. by Elizabeth Tolbert, Brunswick, rev. by Doreen Klassen, 33(1):156-8 35(1):128-29. Larry Gorman: The II concetto di musica: Contributi e pros- Man Who Made the Songs 'briefly not- pettive della ricerca etnomusicologica, ed' rev. by Judith A. Gray, 39(2):305 by Francesco Giannattasio, rev. by Lin- da Barwick, 39(2):286-8 II maggio drammatico: Una tradizione Jaap Kunst, Correspondence 1920-1940: di teatro in musica, edited by Tullia An Annotated Index, by L.M. Van Magrini, rev. by Linda Barwick, Proosdij-ten Have and M.J. Van Roon, 39(2):288-90 'briefly noted' rev. by Judith A. Gray, The Imagined Village: Culture, Ideology 39(2):306-7 and the English Folk Revival, by Geor- JACKSON, IRENE V. (ed.), More Than gina Boyes, rev. by Elaine Bradtke, Dancing: Essays on Afro-American 39(3):500-2 Music and Musicians, and More Than Imago Musicae V, edited by Tilman See- Drumming: Essays on African and bass, rev. byJoep Bor, 38(1):162-6 Afro-Latin Music and Musicians, rev. In Township Tonight! South Africa's by Christopher A. Waterman, Black City Music and Theatre, by Dav- 33(2):336-39. id B. Coplan, rev. by Christopher A. JAIRAZBHOY, N.A., Hi-Tech Shiva and Waterman, 31(1):152-4 Other Apocryphal Stories, rev. by The Indispensable Harp: Historical Devel- Stephen Slawek, 39(1):136-9 opment, Modem Roles, Configura- JALLIER, MAURICE and YOLLEN LOSSEN, tions, and Performance Practices in Musique aux Antilles: Mizik bda kay, Ecuador and Latin America, by John rev. by Gage Averill, 33(1):153-6 Index 373

Javanese Gamelan: Traditional Orchestra K of , by Jennifer Lindsay, rev. KAEPPLER, ADRIENNE L., rev. of Bik- by Sumarsam, 39(1):143-6 maus: A Journal of Papua New Guin- Javanese Shadow Puppets, by Ward Keel- ea Affairs, Ideas and the Arts, edited er, rev. by Sumarsam, 39(1):143-6 by Don Niles, 32(2):327-7; rev. of Ton- Jazz from the Begining, by Garvin Bush- gan Music, by Richard Moyle, ell, rev. by Robert Witmer, 34(1):154-6 33(2):354-58 JEFFERSON, THOMAS F., rev. of Stan Getz, KAPTAIN, LAURENCE, The Wood That by Richard Palmer, 34(1):171-2 Sings: The Marimba in Chiapas, Mexi- JEFFERY, PETER, Re-Envisioning Past Mu- co, rev. by Sergio Navarrete, 39(2):279- sical Cultures: Ethnomusicology in the 82 Study of Gregorian Chant, rev. by Jo- Karawitan: Source Readings in Javanese seph Dyer, 39(3):502-6 Gamelan and Vocal Music, edited by Jewish Musical Traditions, by Amnon Judith Becker and Alan H. Feinstein, Shiloah, rev. by Miriam Gerberg, rev. by Ben Brinner, 34(1):140-6 39(1):150-2 KARTCHNER, KENNER CASTEEL, Frontier Jhigu Baja Jhigu Sanskrti: Dapha Fiddler. The Life of a Northern Arizo- Bhajanaya Gwara Samgraha [Our na Pioneer, rev. by Carl Rahkonen, Music, Our Culture. Collected Dapha 37(3):433-4 Devotional Musical Compositions], by KARTOMI, MARGARET J., rev. of Aesthetic Kirtiman Sakya, rev. by Ter Ellingson, Tradition and Cultural Transition in 32(1):138-45 Java and Bali, edited by Stephanie JOHNSTON, THOMAS F., rev. of The Face Morgan and Laurie Jo Sears, 31(1):140- of Dance: Yup'ik Eskimo Masks from 3 Alaska, by Lynn Ager Wallen, KASSLER, JAMIE C. (ed.), Metaphor: A Mu- 35(3):438-9 sical Dimension, rev. by Marc Perlman, JORGENSEN, PETER, rev. of The Song to 38(2):360-2 the Flying Fox: The Public and Esoter- KASSLER, JAMIE AND JILL STUBINGTON, ic Knowledge of the Important Men of Problems and Solutions: Occasional Kandingei about Totemic Songs, Essays in Musicology Presented to Al- Names, and Knotted Cords, by Jiirg ice M. Moyle, rev. by Ray Keogh, Wassmann, 38(3):541-2 31(2):359-61 JOSEPHSON, DAVID, rev. of "A common- KAUFMANN, WALTER, Selected Musical sense view of all music": Reflections Terms of Non-Western Cultures: A on Percy Grainger's contribution to Notebook-Glossary, rev. by R. Ander- ethnomusicology and music educa- son Sutton, 35(3):426-8 tion, by John Blacking, 35(2):263-8 KAYE, ANDREW, rev. of The Sounds of Judeo-Spanish Moroccan Songs for the People and Places: Readings in the Life Cycle/Cantares Judeo-Espagoles Geography of American Folk and Pop- de Marruecos para el Ciclo de la ular Music, edited by George O. Car- Vida/Shirei Makhazor Hakhayim shel ney, 33(1):164-6; rev. ofJ4/j: A Social Hayehudim Hasefaradim be-Maroko, History and Ethnography of an Afri- by Susana Welch-Shahak, rev. by Judith can Popular Music, by Christopher A. R. Cohen, 37(3):442-5 Waterman, 35(3):439-42 J/jti: A Social History and Ethnography KEALIINOHOMOKU, JOANN W., rev. of of an African Popular Music, by Chris- Nineteenth Century Hawaiian Chant, topher A. Waterman, rev. of Andrew by Elizabeth Tatar, 31(1):143-45. rev. Kaye, 35(3):439-42 of Music and Dance of Aboriginal Just Before Jazz: Black Musical Theater Australia and the South Pacific: The in New York, 1890-1915, by Thomas Effects of Documentation on the Liv- L. Riis, rev. by Robert Witmer, ing Tradition, edited by Alice Marshall 35(1):141-3 Moyle, 39(2):277-9 374 Ethnomusicology, Spring/Summer 1997

KEELER, WARD, Javanese Shadow Pup- Bronze Age World and its Aftermath, pets, rev. by Sumarsam, 39(1):143-6 by A.J. Bernet Kempers, rev. by Ki KEELING, RICHARD, rev. of Yaqui Deer Mantle Hood, 33(2):330-2 Songs, Maso Bwikam: A Native Ameri- Khmer Classical Dance Songbook, by can Poetry, by Larry Evers and Felipe S. Amy Catlin, rev. by Linda Burman-Hall, Molina, 32(3)464-6. Editor of Women 39(3):508-10 in North American Indian Music: Six : Creativity within North India's Essays, rev. by Victoria Lindsay Levine, Classical Music Tradition, by Bonnie 38(1):175-8. A Guide to Early Field Wade, rev. by Daniel M. Neuman, Recordings (1900-1949) at the Lowie 32(1):131-5 Museum of Anthropology, rev. by Joan KIMBERLIN, CYNTHIA TSE, rev. of Search- Berman, 39(1):132-3 ingfor a Baby's Calabash: A Study of KEIL, CHARLES, rev. of Divided Soul: The Arusha Maasai Fertility Songs as Crys- Life of Marvin Gaye, by David Ritz, talized Expression of Central Cultural 31(2):367-70 Values, by Doris Wagner-Glenn, KEIL, CHARLES and ANGELIKI V. KEIL, 40(1):116-9 Polka Happiness, rev. by Richard The King Labels.- A Discography, by Mich- March, 39(2):298-301 el Ruppli, rev. by Raymond F. KEILLOR, ELAINE, rev. of Singing Menno- Kennedy, 37(2):299-301 nite: Low German Songs Among the KINGSBURY, HENRY, Music, Talent and Mennonites, by Doreen Helen Klassen, Performance: A Conservatory System, 34(3):482-4 rev. by Ellen Koskoff, 34(2):311-4; rev. KELLER, MARCELLO SORCE, rev. of La of Discord: The Story of the Vancou- Collezione Degli Strumenti Musicali ver Symphony Orchestra, by John (Museo Nazional delle Arti e Tradizio- Becker, 35(1):113-5 ni Popolari-Roma), edited by Paola Kinship and the Drum Dance in a North- Elisabetta Simeoni and Roberta Tucci, ern Dene Community, by Michael 38(3):538-40; Tradizione orale e can- Asch, rev. by Shirley A. Hauck, to corale: ricerca musicologica in 34(1):139-40 Trentino, con un'appendice di mu- KIVNICK, HELEN Q., Where is the Way: siche della Val di Fassa trascritte da Song and Struggle in South Africa, Armando Franceschini, rev. by Tullia rev. by Veit Erlmann, 36(2):260-1 Magrini, 40(2):340-3 KJELLSTROM, BIRGIT, et al., Folk- KEMPERS, A.J., The Kettledrums of South- musikvdgen/The Folk Music Vogue, east Asia: A Bronze Age World and its rev. by Ola Kai Ledang, 31(2):361-3 Aftermath, rev. by Ki Mantle Hood, KLASSEN, DOREEN HELEN, Singing Men- 33(2):330-2 nonite: Low German Songs Among KENNEDY, RAYMOND F., rev. of First the Mennonites, rev. by Elaine Keillor, Pressings: Rock History As Chronicled 34(3):482-4; rev. of Folksongs of New In Billboard Magazine, compiled Brunswick, by Edward D. Ives, and edited by Galen Gart, 37(2):299- 35(1):128-9 301; rev. of The King Labels: A Discog- Klassiker der Kunstsoziologie, edited by raphy, by Michel Ruppli, 37(2):299- Alphons Silbermann, rev. by K. Peter 301 Etzkorn, 31(3):534 KEOGH, RAY, rev. of Problems and Solu- KNIGHT, RODERIC, rev. of Santal Music: tions: Occasional Essays in Musicolo- A Study in Pattern and Process of Cul- gy Presented to Alice M Moyle, by tural Persistence, by Onkar Prasad, Jamie Kassler and Jill Stubington, rev. 32(1):154-5; rev. of Collections by Ray Keogh, 31(2):359-61 d'instruments de Musique: Les Sanza, KERMAN, JOSEPH, Contemplating Music: by Francois Borel, and Chants 4 Penser Challenges to Musicology, rev. by Gbaya (Centrafrique), by Vincent De- James Porter, 33(3):531-5 houx, 32(3):472-74; rev. of The Heal- The Kettledrums of Southeast Asia: A ing Drum: African Wisdom Teachings, Index 375

by Yaya Diallo and Mitchell Hall, book of American Music, rev. by Rich- 35(1):121-3 ard Crawford, 33(2):324-5 KODISH, DEBORA, Good Friends and KUBIK, GERHARD (ed.), Westafrika, rev. Bad Enemies: Robert Winslow Gordon by Raimund Vogels, 34(3):479-81 and the Study of American Folksong, Kultische Trommelmusik der Yoruba in rev. by Philip V. Bohlman33(3):542-5 der Volksrepublik Benin: Bata-Sango Korean Musical Instruments: A Practical und Bata-Egungun in den Stddten Guide, by Keith Howard, rev. by Rob- PobB und Sakdtd, by Marcos Branda- ert C. Provine, 35(1):139-41 Lacerda, rev. by Claus Raab, 34(2):337- KOROM, FRANK J., rev. of Grounds for 41 Play: The Nautanki Theatre of North KUMAR, KANTHIMATHI and JEAN STACK- India, by Kathryn Hansen, 39(2):282- HOUSE, Classical Music of South In- 5 dia: Karnatic Tradition in Western KOSKOFF, ELLEN, rev. of Music Cogni- Notation, rev. by Richard K. Wolf, tion, by Jay W. Dowling and Dane L. 33(1):175-7 Harwood, 32(1):155-9; rev. of Women KUMER, ZMAGA, MILKO MATICETOV, Making Music: The Western Art Tradi- BORIS MERHAR, and VALENS VO- tion, by Jane Bowers and Judith Tick, DUSEK (eds.), Slovenske ljudske pesmi 32(3):474-8. Editor of Women and (Slovenian Folk Songs), rev. by Bar- Music in Cross-Cultural Perspective, bara Krader, 31(1):136-9 rev. by Jacqueline Cogdell DjeDje, KURATH, GERTRUDE PROKOSCH, rev. of 33(3):514-20; rev. of Music, Talent Dances of the Tewa Indians: Expres- and Performance.- A Conservatory Sys- sions of New Life, by Jill D. Sweet, tem, by Henry Kingsbury, 34(2):311-4; 31(2):358-9. Half a Century of Dance rev. of Dance, Sex and Gender: Signs Research: Essays by Gertrude Proko- of Identity, Dominance, Defiance, and sch Kurath, rev. by Cynthia J. Novack, Desire, by Judith Lynne Hanna, 33(1):158-61 34(3):457-60 KUTER, LOIS, rev. of Aux sources du Bar- KOUDAL, JENS HENRIK, Rasmus Storms zaz-Breiz: La mdmoire d'un peuple, by Nodebog: En Fynsk Tjenestekarls Dan- Donatien Laurent, 34(3):473-4. rev. of semelodier 0. 1760, rev. by Bent Chr. Podsie chantdes de tradition orale en Neilsen, 32(3):482. Sang og Musik i Flandre et en Bretagne, by D. Crochu, Dansk Folkemindesamling en indfoer- Y. Defrance, A.-M. Despringre, J. Fri- ing, rev. by Jane Mink Rossen, 35(2)- bourg, D. Laurent, H. Rivibre, and H. 273-5 Ryckeboer, 38(2):351-3 KRADER, BARBARA, rev. of Slovenske KVIFTE, TELLEF, Instruments and the ljudske pesmi (Slovenian Folk Songs), Electronic Age: Toward a Terminology edited by Kumer, Zmaga, Milko Matice- for a Unified Description of Playing tov, Boris Merhar, and Valens Vodusek, Technique, rev. by Rene T.A. Lysloff, 31(1):136-9; rev. of Folklorica: 35(1):129-33 Festschrift for FeltxJ. Oinas, edited by Egle Victoria Zygas and Peter Voorheis, L 33(2):332-33 La Binarizaci6n de los ritmos ternarios KRAUS, RICHARD CURT, Piano and Poll- africanos en America Latina, by Ro- tics in China: Middle Class Ambitions lando Antonio Perez Fernindez, rev. by and the Struggle over Western Music, James Robbins, 34(1):137-9 rev. by Bell Yung, 35(1):275-7 La Collezione Degli Strumenti Musicali KREITNER, KENNETH, Discoursing Sweet (Museo Nazional delle Arti e Tradizio- Music: Town Bands and Community ni Popolari-Roma), edited by Paola Life in Turn of the Century Pennsylva- Elisabetta Simeoni and Roberta Tucci, nia, rev. by Emma S. Rocco, rev. by Marcello Sorce Keller, 37(3):435-6 38(3):538-40 KRUMMEL, D.W., Bibliographical Hand- La Mitsica de los Guahibo: Sikuant-Cut- 376 Ethnomusicology, Spring/Summer 1997

ba, by Benjamin Yepez Chamorro, rev. LEDANG, OLA KAI, rev. of Folkmusikvd- by Dale A. Olsen, 32(3):483-4 gen/The Folk Music Vogue, by Birgit La Musique dans la Socidtd Antillaise, Kjellstr6m, rev. by Ola Kai Ledang, 1635-1902: Martinique, Guadeloupe, 31(2):361-3 by Jacqueline Rosemain, rev. by Gage LEE, RILEY KELLY, rev. of The Shakuha- Averill, 33(1):153-6 chi: A Manual for Learning, by Chris- La Musique traditionelle de l'Azerbayjan topher Yohmei Blasdel, and Yuko Ka- et la science des , by Jean Dur- misango, 34(1):179-81 ing, rev. by George Dimitri Sawa, LEHR, GENEVIEVE (ed.), Come and I Will 43(3):463-68 Sing You.: A Newfoundland Songbook, LAADE, WOLFGANG, Das korsische Volk- rev. by David Melhorn-Boe, 33(1):171- slied. Ethnographie und Geschichte, 2 Gattungen und stil, Volume 3: LENOIR, YVES, Folklore et Transcendance Aufnahmekatalog und Liedtexte, rev. dans L'Oeuvre Americaine de Bela by Hugh Shields, 33(3):535-37 Bart6k (1940-1945): Contributions a LAKI, PETER, rev. of Yuval: Studies of the L'ttude de L'Activit6 Scientifique et Jewish Music Research Centre, Volume Crdatrice du Compositeur, rev. by 5: The Abraham Zvi Idelsohn Memorial Stephen Erdely, 33(3):511-4 Volume, edited Israel Adler, Bathja Bay- Les Instruments de Musique du Rwanda: er, and Eliyahu Schleifer, and Syna- Etude Ethnomusicologique, by Jos gogue Song in America, by Joseph A. Gansemans, rev. by Ake Norborg, Levine, 35(1):133-5 35(1):125-6 LAM, JOSEPH S.C., rev. of Music from the L'Ethnomusicologie en Europe, Rdpetoire Tang Court, volumes 2 and 3, by Lau- des Institutions et Ressources, 'briefly rence Picken, 33(2):345-8; rev. of New noted' rev. by Anne Dhu McLucas, Perspectives on Chu Culture During 37(1):130 the Eastern Zhou Period, edited by L'Ethnomusicologie en Europe, Rdpetoire Thomas Lawton, 37(1):117-20 des Institutions et Ressources. Soci&t6 LAMBERT, JEAN, rev. of Studies on the Frangaise d'Ethnomusicologie, 'briefly Tihamah: The Report of the Tihama noted' rev. by Judith A. Gray, Expedition 1982 and Related Papers, 39(2):305-6 edited by Francine Stone, 31(2):350-2 LEVINE, JOSEPH A., Synagogue Song in "The Land Where Two Streams Flow": America, rev.by Peter Laki, 35(1):133- Music in the German-Jewish Commu- 5 nity of Israel, by Philip V. Bohlman, LEVINE, LAWRENCE W., Highbrow/Low- rev. byJehoash Hirshberg, 35(1):115-7 brow: The Emergence of Cultural Hi- LARCO, LAURA, rev. of Cantan los Alcara- erarchy in America, rev. by Karen vanes, by Asociacion Cravo Norte, Linn, 34(2):306-8 37(3):429-31 LEVINE, VICTORIA LINDSAY, rev. of War Larry Gorman: The Man Who Made the Dance: Plains Indian Musical Perfor- Songs, by Edward D. Ives, 'briefly not- mance, by William K. Powers, ed' rev. by Judith A. Gray, 39(2):305 36(3):426-8. rev. of Women in North LAURENT, DONATIEN, Aux sources du American Indian Music: Six Essays, Barzaz-Breiz: La mdmoire d'un peu- edited by Richard Keeling, 38(1):175-8 ple, rev. by Lois Kuter, 43(3):473-4 LEVY, MARK rev. of Worlds of Music. An LAURIDSEN, JAN, rev. of Alyawarra Mu- Introduction to the Music of the sic: Songs and Society in a Central World's Peoples, edited by Jeff Todd Australian Community, by Richard M. Titon, 38(3):532-5 Moyle, 38(1):159-162 LIANG, MINGYUE, Music of the Billion: LAWTON, THOMAS (ed.), New Perspec- An Introduction to Chinese Musical tives on Chu Culture During the East- Culture, rev. by Alan R. Thrasher, ern Zhou Period, rev. by Joseph Lam, 31(1):159-62 37(1):117-20 LIEBERMAN, FREDERIC, rev. of Tall Index 377

Mountains and Flowing Waters:. The Los Caminos del Tiple, by David Puerta Arts of Urabami Gyokudo, by Stephen Zuluaga, rev. by Richard Pinnell, Addiss, 32(2):312-4 37(3):446-8 L'Improvisation dans les musiques de LOVE, JACOB WAINWRIGHT, rev. of tradition orale, edited by Bernard Lor- Songs of Bellona Island (Na Taungua tat-Jacob, rev. by Marc Benamou, o Mungiki), by Jane Mink Rossen, 33(3):551-5 33(3):555-8; rev. of Traditional Samo- LINDSAY, JENNIFER, Javanese Gamelan: an Music, by Richard Moyle, 34(3)470- Traditional Orchestra of Indonesia, 3. Sdmoan Variations: Essays on the rev. by Sumarsam, 39(1):143-6 Nature of Traditional Oral Arts, rev. LINN, KAREN, rev. of Highbrow/Low- by Richard Moyle, 38(2):357-59; rev. brow: The Emergence of Cultural Hi- of Forty Years of Steel.: An Annotated erarchy in America, by Lawrence W. Discography of Steel Band and Pan Levine, 34(2):306-8. The Half-Barbaric Recordings, compiled by Jeffrey Thom- Twang: The Banjo in American Popu- as, 40(1):113-5 lar Culture, rev. by Robert B. Winans, LOZA, STEVEN, Barrio Rhythm: Mexican 38(3):512-4 American Music in Los Angeles, rev. LIPSITZ, GEORGE, rev. of Music Matters: by Ted Solis, 40(1):102-4 The Performer and the American Fed- LUCAS, MARIA ELIZABETH, rev. of Brasil- eration of Musicians, by George Selt- ien: Einfabhrung in Musiktraditionen zer, 34(3):481-2 Brasiliens, edited by Tiago de Oliveira LIST, GEORGE, Music and Poetry in a Co- Pinto, 34(1):165-7 lombian Village: A Tri-cultural Heri- LUND, CASJA (ed.), The Second Conference tage, rev. by Thomas Turino, of the ICTM Study Group on Music Ar- 32(2):319-22 chaeology, Volume 1: General Studies, LOCKE, DAVID, rev. of Dried Millet and Volume 2: The Bronze Lurs, rev. by Breaking: Time, Words, and Song in Dale A. Olsen, 34(1):167-71 the Woi Epic of the Kpelle, by Ruth M. LUTZ, MAIJA M., rev. of Selected Writings Stone, 34(1):172-4. Drum Gahu: A on Latvian Music: A Bibliography, ed- Systematic Method for an African Per- ited by Joachim Braun and Karlis Bram- cussion Piece, rev. by Halim El-Dabh, bats, 33(1):163-4 43(3):475-7. Drum Damba: Talking Lyrical Protest: Black Music's Struggle Drum Lessons, rev. by Peter Cooke, Against Discrimination, by Mary Elli- 37(2):120-1 son, 'briefly noted' by Anne Dhu Sha- LOCKWOOD, YVONNE R., Text and Con- piro, 35(3):442-3 text: Folksong in a Bosnian Muslim LYSLOFF, RENE T.A., rev. of Instruments Village, rev. by Sam (Sotirios) Chianis, and the Electronic Age: Toward a Ter- 31(1):139-40 minology for a Unified Description of Lokananta: A Discography of the Nation- Playing Technique, by Tellef Kvifte, al Recording Company of Indonesia 35(1):129-33 1957-1985, by Philip Yampolsky, rev. by Hardja Susilo, 33(2):358-60 M LORNELL, KIP, Happy in the Service of MAAS, MARTHA and JANE MCINTOSH the Lord": Afro-American Gospel SNYDER, Stringed Instruments ofAn- Quartets in Memphis, rev. by Mellonee cient Greece, rev. by Sue Carole DeVa- Burnim, 34(2):320-2. Virginia's Blues, le, 35(1):135-9 Country, & Gospel Records 1902- MACDONALD, H.R.N., rev. of Scottish Fid- 1943.' An Annotated Discography, rev. dlers and their Music, by Mary Anne by Horace Clarence Boyer, 35(2):284-5 Alburger, and Scotland in Music, by LORTAT-JACOB, BERNARD (ed.), Roger Fiske, 31(1):134-6 L'Improvisation dans les musiques de MACINNES, IAIN, rev. of The Bagpipe and tradition orale, rev. by Marc Benamou, Its Music, by Roderick D. Cannon, 33(3):551-5 34(2):319-20 378 Ethnomusicology, Spring/Summer 1997

MACLEOD, BRUCE A., Club Date Musi- MARCH, RICHARD, rev. of A Passion for cians: Playing the New York Party Polka: Old-Time Ethnic Music in Circuit, rev. by Leslie C. Gay, America, by Victor Greene, and Polka 40(3):538-42 Happiness, by Charles Keil and Angeli- MACNEILL, SEUMAS and FRANK RICH- ki V. Keil, 39(2):298-301 ARDSON, Piobaireachd and Its Inter- MARCUS, SCOTf L., rev. of Sitar Tech- pretation: Classical Music of the High- nique in Nibaddh Forms, by Stephen land Bagpipe, rev. by David M. Slawek, 33(1):167-9 Waterhouse, 32(3):468-9 MARKOFF, IRENE, rev. of Sufi Music of In- MAGRINI, TULLIA (ed.), Il maggio dram- dia and Pakistan: Sound, Context and matico: Una tradizione di teatro in Meaning in , by Regula musica, rev. by Linda Barwick, Burckhardt Qureshi, 35(2):279-81 39(2):288-90; rev. of Tradizione orale MARTIN, GYORGY, Hungarian Folk Danc- e canto corale: ricerca musicologica es, rev. by Judit Frigyesi, 35(3):428-33 in Trentino, con un'appendice di mu- MARTIN, LOUIS, rev. of Bluegrass: A His- stche della Val di Fassa trascritte da tory, by Neil V. Rosenberg, 33(3):520- Armando Franceschini, by Marcello 22; rev. of Traveling the High Way Sorce Keller, 40(2):340-3 Home: Ralph Stanley and the World MALM, WILLIAM P., Six Hidden Views of of Traditional Bluegrass Music, by Japanese Music, rev. by Ohtani Kimi- John Wright, 40(2):348-50 ko, 36(2):261-3 Masters of Contemporary Brazilian Song, MANGA, JANOS, Hungarian Folk Songs by Charles A. Perrone, rev. by Samuel and Folk Instruments, rev. by Judit Fri- Araujo, 35(1):277-9 gyesi, 35(3):428-33 Matralaksanam: Test, Translation, Ex- The Man-of-Words in the West Indies: Per- tracts from the Commentary, and formance and the Emergence of Cre- Notes, Including References in Two ole Culture, by Roger D. Abrahams, Oral Traditions of South India, by rev. byJocelyne Guilbault, 32(3):455-8 Wayne Howard, rev. by Allyn Miner, MANUEL, PETER, rev. of The Music of the 36(1):129-31 Bauls of Bengal, by Charles Capwell, MAZO, MARGARITA, rev. of Russian Tra- 32(2):317-19. Popular Musics of the ditional Folksong, by Elizabeth A. Non-Western World, rev. by David B. Warner and Evgenii Kustovskii, Coplan, 34(1):151-54; rev. of Studying 36(3):428-33 Popular Music, by Richard Middleton, MCALLESTER, DAVID P., rev. of The Feder- 36(2):263-6; rev. of Flamenco, Body al Cylinder Project: A Guide to Field and Soul, by Juan Serrano and Jose El- Cylinder Collections in Federal Agen- gorriaga, and Flamenco: Gypsy Dance cies, Volume 2: Northeastern Indian and Music from Andalusia, edited by Catalog, Southeastern Indian Catalog, Claus Schreiner, 36(2):269-71. by Judith A. Gray and Dorothy Sara in Historical and Stylistic Perspectives, Lee, 33(1):149-50 rev. by Bonnie C. Wade, 39(1):129-32. MCGINTY, DORIS EVANS, rev. of Ameri- Cassette Culture: Popular Music and can Antislavery Songs: A Collection Technology in North India, rev. by Ali- and Analysis, by Vicky L. Eaklor, son E. Arnold, 40(1):104-7 34(2):309-11 Maqam-Raga-Zeilenmelodik: Konzep- MCGOWAN, CHRIS and RICARDO PES- tionen und Prinzipien der Musik- SANHA, The Brazilian Sound: Samba, produktion. Materialien der 1. Arbeit- Bossa Nova, and the Popular Music of stagung der Study Group "Maqam" Brazil, rev. by John K. Galm, beim International Council for Tradi- 38(2):353-5 tional Music vom 28. Junt bis 2. Juli MCLEAN, MERVYN, Occasional Papers in 1988 in Berlin, edited by Jiirgen El- Pacific Ethnomusicology No. 1: The sner, rev. by Virginia Danielson, Structure of Tikopia Music, rev. by 38(3):509-12 Jane Mink Rossen, 38(3):525-30 Index 379

MCLEAN, MERVYN and MARGARET Singing in Northeast Thailand, rev. by ORBELL, Traditional Songs of the Amy Catlin, 32(1):135-7. Folk Music in Maori, rev. by Richard Nunns, America: A Reference Guide, rev. by 37(1):122-3 Jennifer C. Post, 32(3):452-3; rev. of MCLUCAS, ANNE DHU [see also SHAPIRO, Sing Out the Glad News. Hymn Tunes ANNE DHU], 'briefly noted' rev. of in Canada, edited by John Beckwith, L'Ethnomusicologie en Europe, R6pe- 32(3):462-4 toire des Institutions et Resources, MINER, ALLYN, rev. of Matralaksanam: Aixa, Revista Anual de la Gabella, Test, Translation, Extracts from the Museu Etnologic Del Montseny: La Commentary, and Notes, Including Masica tradicional a rec6s de la mun- References in Two Oral Traditions of tanya, and Beitrage Zur Tradition- South India, by Wayne Howard, ellen Musik. Bericht uber die Tagung 36(1):129-31 des Nationalkomitees der DDR im Mode in Javanese Music, by Susan Pratt ICTM in Neustrelitz, 27.-29. September Walton, rev. by Roger Vetter, 1989, edited by Andreas Michel and 32(2):324-5 Jiirgen Elsner, 37(1):130-1. Modern Jews and Their Musical Agendas, MEADOWS, EDDIE S., rev. of Music of the edited by Ezra Mendlesohn, rev. by Jef- Common Tongue: Survival and Cele- frey A. Summit, 40(2):343-6 bration in Afro-American Music, by MOISALA, PIRKKO, rev. of The Naykhiba- Christopher Small, 33(2):348-9 ja of the Newar Butchers: Studies in MEHTA, R.C. (ed.), Essays in Musicology, Newari Drumming II, by Gert-Matthias rev. by Stephen Slawek, 33(1):169-71 Wegner, 34(1):159-61 MELHORN-BOE, DAVID, rev. of Come and MONSON, INGRID, rev. of You Just Fight I Will Sing You: A Newfoundland For Your Life. The Story of Lester Songbook, edited by Genevieve Lehr, Young, by Frank Bichmann-Moller, 33(1):171-2 35(1):117-9 The Melodic Tradition of Ireland, by More Than Dancing: Essays on Afro- James R. Cowdery, rev. by Micheil 0 American Music and Musicians, edit- Stiilleabhain, 37(1):109-112 ed by Irene Jackson, rev. by Christo- MENDELSOHN, EZRA (ed.), Modern Jews pher A. Waterman, 33(2):336-9 and Their Musical Agendas, rev. by More Than Drumming: Essays on African Jeffrey A. Summit, 40(2):343-6 and Afro-Latin Music and Musicians, MEREDITH, JOHN, ROGER COVELL, AND edited by Irene V. Jackson, rev. by PATRICIA BROWN, Folk Songs of Aus- Christopher A. Waterman, 33(2):336-9 tralia and the Men and Women Who MOOREFIELD, ARTHUR, A., rev. of Music, Sang Them, rev. by Jill Stubington, Ritual, and Falasha History, by Kay 32(2):311-2 Kaufman Shelemay, 33(1)179-82 Metaphor: A Musical Dimension, edited MORGAN, STEPHANIE and SEARS, LAURIE by Jamie C. Kassler, rev. by Marc Per- JO (eds.), Aesthetic Tradition and Cul- lman, 38(2):360-2 tural Transition in Java and Bali, rev. MICHEL, ANDREAS and JURGEN ELSNER by Margaret J. Kartomi, 31(1):140-3 (eds.), Beitrdge Zur Traditionellen Moving Away from Silence: Music of the Musik. Bericht iiber die Tagung des Peruvian Altiplano and the Experi- Nationalkomitees der DDR im ICTM ence of Urban Migration, by Thomas in Neustrelitz, 27.-29. September Turino, rev. by Daniel K. Riiegg, 1989, 'briefly noted' rev. by Anne Dhu 39(3):510-3 McLucas, 37(1):131 Moving with the Face of the Devil: Art MIDDLETON, RICHARD, Studying Popu- and Politics in Urban West Africa, by lar Music, rev. by Peter Manuel, John W. Nunley, rev. by Cynthia 36(2):263-6 Schmidt, 34(2):325-8 MILLER, TERRY E., Traditional Music of MOYLE, ALICE MARSHALL (ed.), Music the Lao: Kaen Playing and Mawlum and Dance of Aboriginal Australia 380 Ethnomusicology, Spring/Summer 1997

and the South Pacific: The Effects of Music from the Tang Court, vols. 2 & 3, Documentation on the Living Tradi- by Laurence Picken, rev. by Joseph S.C. tion, rev. by Joann W. Kealiino- Lam, 33(2):345-8 homoku, 39(2):277-9 Music, Gender, and Culture, edited by MOYLE, RICHARD M., rev. of Aboriginal Marcia Herndon and Susanne Ziegler, Music: Education for Living. Cross-cul- rev. by Virginia Giglio, 37(1):115-7 tural Experiences from South Austra- Music in Java: Current Bibliography lia, by Catherine J. Ellis, 31(1):155-7. 1973-1989, by Ernst Heins, rev. of Tongan Music, rev. by Adrienne L. Roger Vetter, 35(1): 126-8 Kaeppler, 33(2):354-8. Traditional Sa- Music in Society: A Guide to the Sociology moan Music, rev. by Jacob Wainwright of Music, by Ivo Supicic, rev. by Steven Love, 34(3)470-3. Alyawarra Music: Feld, 33(2):321-4 Songs and Society in a Central Austra- Music Librarianship in America, edited lian Community, rev. by Jan Laurids- by Michael Ochs, 'briefly noted' rev. by en, 38(1):159-162; rev. of Sdmoan Anne Dhu Shapiro, 36(2):272 Variations: Essays on the Nature of Music Matters: A New Philosophy of Mu- Traditional Oral Arts, by Jacob Wain- sic Education, by David J. Elliot, rev. wright Love, 38(2):357-59 by Natalie Sarrazin, 40(3):530-3 MURPHY, JOHN, rev. of Salsa: The Music Matters: The Performer and the Rhythm of Latin Music, by Charley American Federation of Musicians, by Gerard, 34(2):315-6 George Seltzer, rev. by George Lipsitz, Music and Dance in Puerto Rico from the 34(3):481-2 Age of Columbus to Modern Times: Music of Afghanistan: Professional Musi- An Annotated Bibliography, by cians in the City of Herat, by John Bai- Donald Thompson and Annie F. ly, rev. by Mark Slobin, 34(2):308-9 Thompson, rev. by Drid Williams, The Music of Bengal: Essays in Contem- 39(2):301-4 porary Perspective, edited by Jayasri Music and Dance of Aboriginal Australia Banerjee, rev. by Charles Capwell, and the South Pacific: The Effects of 33(3):541-2 Documentation on the Living Tradi- The Music of Su-chou T'an-tz'u: Elements tion, edited by Alice Marshall Moyle, of the Chinese Southern Singing-Nar- rev. by Joann W. Kealiinohomoku, rative, by Pen-yeh Tsao, rev. by 39(2):277-9 Francesca Rebollo-Sborgi, 34(3):477-9 Music and Media in Local Life: Music The Music of the Bauls of Bengal, by Practice in a Newar Neighbourhood Charles Capwell, rev. by Peter Manuel, in Nepal, by Ingemar Grandin, rev. by 32(2)317-9 Ter Ellingson, 35(2):269-72 Music of the Billion: An Introduction to Music and Poetry in a Colombian Vil- Chinese Musical Culture, by Mingyue lage: A Tri-cultural Heritage, by Liang, rev. by Alan R. Thrasher, George List, rev. by Thomas Turino, 31(1):159-62 32(2):319-22 Music of the Common Tongue: Survival Music as Propaganda: Art to Persuade, and Celebration in Afro-American Art to Control, by Arnold Perris, rev. Music, by Christopher Small, rev. by by Joseph Blum, 32(1):152-3 Eddie S. Meadows, 33(2):348-9 Music as Social Text, by John Shepherd, Music Performance Practice in the Early rev. by Janet L. Sturman, 37(1):124-7 'Abbasid Era, 132-320 A.H./750-932 Music Cognition, by Jay W. Dowling and A.D., by George D. Sawa, rev. by Ali Ji- Dane L. Harwood, rev. by Ellen Kosk- had Racy, 35(1):143-6 off, 32(1):155-9 Music, Ritual, and Falasha History, by A Music for the Millions: Antebellum Kay Kaufman Shelemay, rev. by Arthur Democratic Attitudes and the Birth of A, Moorefield, 33(1)179-82 American Popular Music, by Nicholas Music, Talent and Performance: A Con- Tawa, rev. by Christopher Small, servatory System, by Henry Kingsbury, 31(1):145-7 rev. by Ellen Koskoff, 34(2):311-4 Index 381

A Musical View of the Universe: Kalapalo NETTL, BRUNO, rev. of Myth and Ritual Performances, by Aussereuropdische Musik (Tell 2), by Ellen B. Basso, rev. by Carol E. Robert- Hans Oesch, 33(1)147-9. The Radif of son, 33(3):549-51 Persian Music: Studies of Structure Musique aux Antilles: Mizik bd kay, by and Cultural Context, rev. by Margaret Maurice Jallier and Yollen Lossen, rev. Caton, 33(2):349-52. Blackfoot Musi- by Gage Averill, 33(1):153-6 cal Thought: Comparative Perspec- Musique Traditionnelles: Guide du tives, rev. by Judith Vander, 34(2):317- Disque, by Laurent Aubert, 'briefly not- 8 ed' rev. by Judith A. Gray, 39(2):306 NEUMAN, DANIEL M., rev. of Khyal: Cre- MYERS, JOHN E., The Way of the Pipa: ativity within North India's Classical Structure and Imagery in Chinese Music Tradition, by Bonnie Wade, Lute Music, rev. by Hugh DeFerranti, 32(1):131-5 40(1):107-11 New Music in the Orient: Essays on Com- position in Asia Since World War II, N edited by Harrison Ryker, rev. by Li Na Mele Hula, A Collection of Hawaiian Wei, 38(3):518-21 Hula Chants, edited by Nona Beamer, The New Oxford Companion to Music, ed- rev. by Elizabeth Tatar, 32(3):466-8 ited by Denis Arnold, rev. by James Narrative Folksong. New Directions: Es- Porter, 31(1):128-31 says in Appreciation of W. Edson New Perspectives on Chu Culture During Richmond, edited by Carol L. Edwards the Eastern Zhou Period, edited by and Kathleen E.B. Manley, rev. by Anne Thomas Lawton, rev. by Joseph Lam, Dhu Shapiro, 34(1):157-59 37(1):117-20 Native American Dance: Ceremonies and NILES, DON, Commercial Recordings of Social Traditions, by Charlotte Heth, Papua New Guinea Music, 1949- rev. by Beverley Diamond, 40(3):533- 1983: 1984 Supplement, rev. by Steven 38 Feld, 31(1):163. Editor of Bikmaus: A NAVARRETE, SERGIO, rev. of The Wood Journal of Papua New Guinea Af- That Sings: The Marimba in Chiapas, fairs, Ideas and the Arts, rev. by Adri- Mexico, by Laurence Kaptain, enneL. Kaeppler, 32(2):327. Commer- 39(2):279-82 cial Recordings of Papua New Guinea The Naykhibaja of the Newar Butchers: Music: 1988 Supplement, 'briefly not- Studies in Newari Drumming II, by ed' rev. by Judith A. Gray, 39(2):308 Gert-Matthias Wegner, rev. by Pirkko NILES, DON and MICHAEL WEBB, Papua Moisala, 34(1):159-61 New Guinea Music Collection, rev. by NEBOT, M. ANTONIA JUAN I, rev. of Can- Steven Feld, 34(2):332-5. Riwain: Pap- coner Tradicional del Baix Camp i el ua New Guinea Pop Songs, rev. by Montsant, by Gabriel Ferre, Salvador Steven Feld, 34(2):335-7 Rebes, and Isabel Ruiz, 37(3):431-3 Nineteenth Century Hawaiian Chant, by NEELEY, PAUL, rev. of Yoruba Dundun Elizabeth Tatar, rev. by Joann W. Kealii- Music: A New Notation with Basic Ex- nohomoku, 31(1):143-5 ercises & Five Yoruba Drum Repe- Noise: The Political Economy of Music, by toires and Yoruba Bata Music: A New Jacques Attali, rev. by Ronald M. Notation with Basic Exercises and En- Radano, 33(1):161-3 semble Pieces, by Muraina Oyelami, NOLL, WILLIAM, rev. of Songs to Seven 40(1):111-3 Strings, by Gerald Stanton Smith, NEILSEN, BENT CHR., rev. of Rasmus 31(2):355-7. rev. of Wesele kurpio- Storms Nodebog: En Fynsk Tjenest- wskie ["The Wedding Sequence In the ekarls Dansemelodier 0. 1760, by Jens Region Kurpie"], by Grazyna Dabrows- Henrik Koudal, 32(3):482 ka, 32(3):478-80; rev. of Polish Folk NELSON, KRISTINA, The Art of Reciting Music: Slavonic Heritage, Polish Tradi- the Qu'ran, rev. by Regula Burckhardt tion, Contemporary Trends, by Anna Qureshi, 33(3):522-7 Czekanowska, 38(2):367-2 382 Ethnomusicology, Spring/Summer 1997

NORBORG, AKE, rev. of Les Instruments ICTM Study Group on Music Archaeol- de Musique du Rwanda: Etude Ethno- ogy, Volume 1: General Studies, and musicologique, by Jos Gansemans, Volume 2 The Bronze Lurs, edited by 35(1):125-6 Casja Lund, 34(1):167-71 NORBU, JAMYANG, Zlos-Gar: Performing On the Nature of Music, by Hewitt Panta- Traditions of Tibet, rev. by Ter Elling- leoni, rev. by Anne Dhu Shapiro, son, 32(3):145-9 33(2):339-42 NOVACK, CYNTHIA J., Half a Century of The Oral and the Literate in Music, edited Dance Research: Essays by Gertrude by Tokumaru Yosihiko and Yamaguti Prokosch Kurath, by Gertrude Proko- Osamu, rev. by David W. Hughes, sch Kurath, 33(1):158-61 34(1):175-7 NUNLEY, JOHN W., Moving with the Face Origins of the Popular Style: The Anteced- of the Devil: Art and Politics in Urban ents of Twentieth-Century Popular West Africa, rev. by Cynthia Schmidt, Music, by Peter van der Merwe, rev. by 34(2):325-8 Paul F. Wells, 36(3):414-6 NUNNS, RICHARD, rev. of Traditional OTTENHEIMER, PLEASANT "COUSIN JOE" Songs of the Maori, by Mervyn McLean AND HARRIET J. OTTENHEIMER, Cous- and Margaret Orbell, 37(1):122-3 in Joe: Blues from New Orleans, rev. by David Evans, 32(2): 322-4 O OYELAMI, MURAINA, Yoruba Dundun O CONNOR, NUALA, Bringing It All Back Music: A New Notation with Basic Ex- Home: The Influence of Irish Music, ercises & Five Yoruba Drum Repe- rev. by Meabh Ni Fhuartlin, 38(2):355- toires and Yoruba Bata Music: A New 57 Notation with Basic Exercises and En- 6 SUILLEABHAIN, MICHEAL, rev. of The semble Pieces, rev. by Paul Neeley, Melodic Tradition of Ireland, by James 40(1):111-3 R. Cowdery, 37(1):109-112 Ozark Folksongs, by Vance Randolph, rev. Occasional Papers in Pacific Ethnomusi- by Doris J. Dyen, 31(2)363-4 cology No. 1: The Structure of Tikopia P Music, by Mervyn Mclean, rev. by Jane Mink Rossen, 38(3):525-30 PALMER, RICHARD, Stan Getz, rev. by OCHS, MICHAEL (ed.), Music Librarian- Thomas F. Jefferson, 34(1):171-2 ship in America, 'briefly noted' rev. by PANTALEONI, HEWITT, On the Nature of Anne Dhu Shapiro, 36(2):272 Music, rev. by Anne Dhu Shapiro, OESCH, HANS, Aussereuropatsche Musik 33(2):339-42 (Teil 2), rev. by Bruno Nettl, 33(1)147- Papua New Guinea Music Collections, 9 compiled and annotated by Don Niles OHTANI, KIMIKO, rev. of Six Hidden and Michael Webb, rev. by Steven Feld, Views of apanese Music, by William 34(2):332-5 P. Maim, 36(2):261-3 A Passion for Polka: Old-Time Ethnic Mu- OJA, CAROL, Colin McPhee: Composer in sic in America, by Victor Greene, rev. Two Worlds, rev. by Larry Polansky, by Richard March, 39(2):298-301 37(3):437-41 PAVLOVSKY, NATALKA, rev. of The Plain- Old Jewish Folk Music: the Collections chant Tradition of Southwestern Rus', and Writings of Moshe Beregovski, ed- by John L. Roccasalvo, 32(3):458-60 ited and translated by Mark Slobin, rev. PEARSON, BARRY LEE, rev. of A Guide to by Johanna Spector, 31(1):163-9 the Blues, Who's Who, Research, by OLSEN, DALE A., rev. of Coleccion de In- Austin Sonnier, 40(2):346-8 strumentos Musicales, by Jose Ignacio PEARSON, NATHAN W., Goin' to Kansas Perdomo Escobar, and La Masica de City, rev. by Howard Brofsky, los Guahibo: Sikuani-Cuiba, by Ben- 33(2):334-6 jamin Yepez Chamorro, 32(3):482-84; The Penguin Guide to Jazz on CD, LP & rev. of The Second Conference of the Cassette, by Richard Cooke and Brian Index 383

Morton, 'briefly noted' rev. by Judith A. Y. Defrance, A.-M. Despringre, J. Fri- Gray, 39(2):306 bourg, D. Laurent, H. Riviere, and H. Percussion: An Annotated Bibliography, Ryckeboer, rev. by Lois Kuter, by Dieter Bajzek, rev. by Steven Corne- 38(2):351-3 lius, 34(1):147-8 POLANSKY, LARRY, rev. of Colin McPhee: PEREZ FERNANDEZ, ROLANDO ANTO- Composer in Two Worlds, by Carol NIO, La Binarizaci6n de los ritmos Oja, 37(3):437-41 ternarios africanos en America Lati- Polish Folk Music: Slavonic Heritage, Pol- na, rev. by James Robbins, 34(1):137-9 ish Tradition, Contemporary Trends, PERLIS, VIVIAN, rev. of Charles Seeger: A by Anna Czekanowska, rev. by William Life in American Music, by Ann M. Noll, 38(2):367-72 Pescatello, 39(2):290-2 Polka Happiness, by Charles Keil and An- PERLMAN, MARC, rev. of Metaphor: A Mu- geliki V. Keil, rev. by Richard March, sical Dimension, edited by Jamie C. 39(2):298-301 Kassler, 38(2):360-2 Popular Musics of the Non-Western PERRIS, ARNOLD, Music as Propaganda: World, by Peter Manuel, rev. by David Art to Persuade, Art to Control, rev. by B. Coplan, 34(1):151-4 Joseph Blum, 32(1):152-3 PORTER, JAMES, rev. of The New Oxford PERRONE, CHARLES A., Masters of Con- Companion to Music, edited by Denis temporary Brazilian Song, rev. by Arnold, 31(1):128-31; rev. of Contem- Samuel Araujo, 35(1):277-9 plating Music: Challenges to Musicolo- PESCATELLO, ANN M., Charles Seeger: A gy, by Joseph Kerman, 33(3):531-5. Life in American Music, rev. by Vivian The Traditional Music of Britain and Perlis, 39(2):290-2 Ireland: A Research and Information Piano and Politics in China: Middle Class Guide, rev. by James Cowdery, Ambitions and the Struggle over West- 35(1):150-2; rev. of The Greig-Duncan ern Music, by Richard Curt Kraus, rev. Folk Song Collection, Volume 4, edited by Bell Yung, 35(1):275-7 by Patrick Shuldham-Shaw, Emily B. PICKEN, LAURENCE, Music from the Lyle, and Andrew R. Hunter, Tang Court, vols. 2 & 3, rev. by Joseph 38(1):178-9 S.C. Lam, 33(2):345-8 POST, JENNIFER C., rev. of Folk Music in Pickin' on Peachtree: A History of Coun- America: A Reference Guide, by Terry try Music in Atlanta, Georgia, by Miller, and Early Field Recordings. A Wayne W. Daniel, rev. by Aaron A. Catalogue of Cylinder Collections at Fox, 37(1):112-4 the Indiana University Archives of PINNELL, RICHARD, rev. of Los Caminos Traditional Music, by Anthony Seeger del Tiple, by David Puerta Zuluaga, and Louise S. Spear, 32(3):452-55 37(3):446-8 Powerhouse for God: Speech, Chant, and Piobaireachd and Its Interpretation: Clas- Song in an Appalachian Baptist sical Music of the Highland Bagpipe, Church, by Jeff Todd Titon, rev. by by Seumas MacNeill and Frank Richard- Brett Sutton, 33(3):527-9 son, rev. by David Waterhouse, POWERS, WILLIAM K., Sacred Language: 32(3):468-9 The Nature of Supernatural Discourse The Plainchant Tradition of Southwest- in Lakota, rev. by Donald Bahr, ern Rus, by Joan L. Roccasalvo, rev. by 32(3):460-2. War Dance: Plains Indi- Natalka Pavlovsky, 32(3):458-60 an Musical Performance, rev. by Vic- Po sledam vesnianki izforteptannogo toria Lindsay Levine, 36(3):426-8 kontserta P. Vbaikovskogo: Istoriches- PRASAD, ONKAR, Santal Music: A Study kaia morofologiia narodnoi pesni, by in Pattern and Process of Cultural Izalii losifovich Zemtsovsky, rev. by Ed- Persistence, rev. by Roderic Knight, ward V. Williams, 34(1):163-5 32(1):154-5 Podsie chanties de tradition orale en Preserving Traditional Arts: A Toolkit for Flandre et en Bretagne, by D. Crochu, Native American Communities, by Su- 384 Ethnomusicology, Spring/Summer 1997

san Dyal, rev. by Marcia Herndon, Structure and Cultural Context, by 33(1):182-5 Bruno Nettl, rev. by Margaret Caton, Problems and Solutions: Occasional Es- 33(2):349-52 says in Musicology Presented to Alice Ragtime.: Its History, Composers and Mu- M Moyle, by Jamie Kassler and Jill sic, by John Edward Hasse, rev. by Stubington, rev. by Ray Keogh, Scott Deveaux, 32(2):314-7 31(2):359-61 RAHKONEN, CARL, rev. of From Sibelius Problems of Ethnomusicology, by Con- to Sallinen: Finnish Nationalism and stantin Brailoiu, rev. by Ann Schuurs- the Music of Finland, by Lisa de Gor- ma, 31(1):150-1 og, 35(1):119-21; rev. of Frontier Fid- Producing Jazz: The Experience of an In- dler: The Life of a Northern Arizona dependent Record Company, by Her- Pioneer, by Kenner Casteel Kartchner, man Gray, rev. by Robert Witmer, 37(3):433-4 34(1):156-7 RAHN, JAY, A Theory for All Music. Prob- PROVINE, ROBERT C., rev. of The Sanjo lems and Solutions to the Analysis of Tradition of Korean Komun'go Music, Non-Western Forms, rev. by Richard L. by Bang-song Song, 33(3):537-9; rev. Cohn, 32(1):149-52 of Korean Musical Instruments: A RANADE, ASHOK D., Stage Music of Ma- Practical Guide, by Keith Howard, harashtra, rev. by Alison E. Arnold, 35(1):139-41. Essays on Sino-Korean 33(3):545-6 Musicology: Early Sources for Korean RANDOLPH, VANCE, Ozark Folksongs, Ritual Music, rev. by Keith Howard, rev. by Doris J. Dyen, 31(2)363-4. Roll 36(2):266-9 Me in Your Arms: "Unprintable" PRUTER, ROBERT, Chicago Soul, rev. by Ozark Folksongs and Folklore, Vol- David Sanjek, 38(2):362-4 ume 1: Folksongs and Music, rev. by Public Folklore, by Robert Baron and Norm Cohen, 38(3):521-5 Nicholas R. Spitzer, rev. by Laurie Kay Rap Attack 2: African Rap to Global Hip Sommers, 39(3):491-3 Hop, by David Toop, rev. by Kai Fikentscher, 38(2):349-51 Q Rasmus Storms Nodebog: En Fynsk QURESHI, REGULA BURCKHARDT, rev. of Tjenestekarls Dansemelodier 0. 1760, The Art of Reciting the Qu'ran, by by Jens Henrik Koudal, rev. by Bent Kristina Nelson, 33(3):522-7. Sufi Mu- Chr. Neilsen, 32(3):482 sic of India and Pakistan: Sound, REAGON, BERNICE JOHNSON (ed.), We'll Context and Meaning in Qawwali, Understand It Better By and By: Pio- rev. by Irene Markoff, 35(2):279-81; neering African American Gospel rev. of The Voice of the Sarangi: An Composers, rev. by Donna McNeil Cox, Illustrated History of Bowing in In- 39(2):292-4 dia, by Joep Bor, 38(1):166-9 REBOLLO-SBORGI, FRANCESCA, rev. of The Music of Su-chou T'an-tz'u: Ele- R ments of the Chinese Southern Sing- RAAB, CLAUS, rev. of Kultische Trommel- ing-Narrative, by Pen-yeh Tsao, musik der Yoruba in der Volksrepub- 34(3):477-9 lik Benin: Bata-Sango und Bata-Egun- The Reception ofJazz in America: A New View, by James Lincoln Collier, rev. by gunby Marcos in den Branda-Lacerda,Stddten PobW und 34(2):337-41 Sakdt,, Lawrence Gushee, 33(2):352-4 RACY, ALI JIHAD, rev. of Music Perfor- Re-Envisioning Past Musical Cultures: mance Practice in the Early 'Abbasid Ethnomusicology in the Study of Gre- Era, 132-320 A.H./750-932 A.D., by gorian Chant, by Peter Jeffery, rev. by George D. Sawa, 35(1):143-6 Joseph Dyer, 39(3):502-6 RADANO, RONALD M., rev. of Noise: The Reflections and Research on Ragtime, by Political Economy of Music, by Edward A. Berlin, rev. by Scott De- Jacques Attali, 33(1):161-3 veaux, 32(2):314-7 The Radif of Persian Music: Studies of RIIS, THOMAS L., Just Before Jazz: Black Index 385

Musical Theater in New York, 1890- art of a Polynesian people of the So- 1915, rev. by Robert Witmer, lomon Islands, by Raymond Firth with 35(1):141-3 Mervyn McLean, 38(3):525-30; rev. of The Rise of Gospel Blues: The Music of Occasional Papers in Pacific Ethno- Thomas Andrew Dorsey in the Urban musicology No. 1: The Structure of Church, by Michael W. Harris, rev. by Tikopia Music, by Mervyn Mclean, Horace Clarence Boyer, 39(2):295-7 38(3):525-30 RITZ, DAVID, Divided Soul.: The Life of RUiEGG, DANIEL K., rev. of Moving Away Marvin Gaye, rev. by Charles Keil, from Silence: Music of the Peruvian 31(2):367-70 Altiplano and the Experience of Ur- Riwain: Papua New Guinea Pop Songs, ban Migration, by Thomas Turino, compiled by Michael Webb, and Don 39(3):510-3 Niles, rev. by Steven Feld, 34(2):335-7 RUPPLI, MICHEL, The King Labels: A Dis- ROBBINS, JAMES, rev. of La Binarizaci6n cography, rev. by Raymond F. de los ritmos ternarios africanos en Kennedy, 37(2):299-301 America Latina, by Rolando Antonio Russian Traditional Folksong, by Eliza- Perez Fernmndez, 34(1):137-9 beth A. Warner and Evgenii Kustovskii, ROBERTSON, CAROL E., rev. of A Musical rev. by Margarita Mazo, 36(3):428-33 View of the Universe: Kalapalo Myth RYKER, HARRISON (ed.), New Music in and Ritual Performances, by Ellen B. the Orient: Essays on Composition in Basso, 33(3):549-51 Asia Since World War II, rev. by Li ROCCASALVO, JOHN L., The Plainchant Wei, 38(3):518-21 Tradition of Southwestern Rus, rev. by Natalka Pavlovsky, 32(3):458-60 S ROCCO, EMMA S., rev. of Discoursing SAARI, SEPPO, rev. of Finnish Folk Hymn Sweet Music: Town Bands and Com- Singing: Study in Music Anthropology, munity Life in Turn of the Century by Piivikki Suojanen, 34(1):161-3 Pennsylvania, by Kenneth Kreitner, Sacred Language: The Nature of Super- 37(3):435-6 natural Discourse in Lakota, by Wil- ROCHE, DAVID, rev. of Veda Recitation liam K. Powers, rev. by Donald Bahr, in Varanasi, by Wayne Howard, 32(3):460-2 33(1):172-5 SAKATA, LORRAINE (ed.), Echoes: Guide Roll Me in Your Arms: "Unprintable" to Recordings, rev. by George D. Sawa, Ozark Folksongs and Folklore, Vol- 31(1):131-3; rev of Three Women of ume 1: Folksongs and Music, by Vance Herat, by Veronica Doubleday, Randolph, rev. by Norm Cohen, 32(3):480-1 38(3):521-5 SAKYA, KIRTIMAN,Jhigu Baja Jhigu San- ROSEMAIN, JACQUELINE, La Musique skrti: Dapha Bhajanaya Gwara dans la Soci't& Antillaise, 1635-1902: Samgraha [Our Music, Our Culture: Martinique, Guadeloupe, rev. by Gage Collected Dapha Devotional Musical Averill, 33(1):153-6 Compositions], rev. by Ter Ellingson, ROSENBERG, NEIL V., Bluegrass: A Histo- 32(1):138-45 ry, rev. by Louis Martin, 33(3):520-2 The Chants: A Review of Re- ROSS, MARGARET CLUNIES, TAMSIN search, by R.C. Tarlekar, rev. by DONALDSON, and STEPHEN A. WILD Stephen M. Slawek, 35(1):146-8 (eds.), Songs of Aboriginal Australia, Samoan Variations: Essays on the Nature rev. by Linda Barwick, 34(1):177-9 of Traditional Oral Arts, by Jacob ROSSEN, JANE MINK, Songs of Bellona Is- Wainwright Love, rev. by Richard land (Na Taungua o Mungiki), rev. Moyle, 38(2):357-9 by Jacob Wainwright Love, 33(3):555- SANJEK, DAVID, rev. of Chicago Soul, by 8. rev. of Sang og Musik i Dansk Robert Pruter, 38(2):362-4 Folkemindesamling en indfoering, by The Sanjo Tradition of Korean Komun'go Jens Henrik Koudal, 35(2)-273-5; rev. Music, by Bang-song Song, rev. by Rob- of Tikopia Songs: Poetic and musical ert C. Provine, 33(3):537-9 386 Ethnomusicology, Spring/Summer 1997

SAROSI, BALINT, Folk Music. Hungarian SCHREINER, CLAUS (ed.), Flamenco: Gyp- Musical Idiom, rev. by Judit Frigyesi, sy Dance and Music from Andalusia, 35(2):428-33 rev. by Peter Manuel, 36(2):269-71 Salsa: The Rhythm of Latin Music, by SCHUURSMA, ANN, rev. of Problems of Charley Gerard, rev. by John Murphy, Ethnomusicology, by Constantin 34(2):315-6 Brailoiu, 31(1):150-1 Sam Henry's "Songs of the People. ", edit- The Science of the Singing Voice, by Johan ed by Gale Huntington, rev. by James Sundberg, 'briefly noted' by Anne Dhu Cowdery, 35(2):285-7 Shapiro, 35(3):442-3 Sang og Musik i Dansk Folkemindesam- Scotland in Music, by Roger Fiske, rev. by ling en indfoering, by Jens Henrik H.R.N. Macdonald, 31(1):134-6 Koudal, rev. by Jane Mink Rossen, SCOTf-MAXWELL, ALINE, rev. of Tradi- 35(2)-273-5 tions of Gamelan Music in Java: Mu- Santal Music: A Study in Pattern and sical Pluralism and Regional Identity, Process of Cultural Persistence, by by R. Anderson Sutton, 39(1):133-6 Onkar Prasad, rev. by Roderic Knight, Scottish Fiddlers and their Music, by Mary 32(1):154-5 Anne Alburger, rev. by H.R.N. Mac- SARRAZIN, NATALIE, rev. of Music Mat- donald, 31(1):134-6 ters: A New Philosophy of Music Edu- Searching for a Baby's Calabash: A Study cation, by David J. Elliot, 40(3):530-3 of Arusha Maasai Fertility Songs as SAWA, GEORGE D., rev. of The World of Crystalized Expression of Central Cul- Islam, Images and Echoes: A Critical tural Values, by Doris Wagner-Glenn, Guide to Films and Recordings & Im- rev. by Cynthia Tse Kimberlin, ages: Guide to Films, by Ellen-Fair- 40(1):116-9 banks Bodman, 31(1):131-3; rev. of The Second Conference of the ICTM Study Echoes: Guide to Recordings, edited by Group on Music Archaeology, Volume Lorraine Sakata, 31(1):131-3; rev. of La 1: General Studies and Volume 2: The Musique traditionelle de l'Azerbayjan Bronze Lurs, edited by Casja Lund, rev. et la science des muqams, by Jean Dur- by Dale A. Olsen, 34(1):167-71 ing, 43(3):463-8. Music Performance SEEBASS, TILMAN (ed.), Imago Musicae V, Practice in the Early 'Abbasid Era, rev. byJoep Bor, 38(1):162-6 132-320 A.H./750-932 A.D., rev. by SEEGER, ANTHONY and LOUISE S. SPEAR, Ali Jihad Racy, 35(1):143-6 Early Field Recordings: A Catalogue of SCHAEFFER, DEBORAH L., Irish Folk Mu- Cylinder Collections at the Indiana sic: A Selected Discography, 'briefly University Archives of Traditional noted' rev. by Anne Dhu Shapiro, Music, rev. by Jennifer C. Post, 36(2):272 32(3):453-5 SCHALLER-WENZLITSCHKE, ANNA Selected Musical Terms of Non-Western KATHARINA, rev. of Volksmusikfors- Cultures: A Notebook-Glossary, by chung: Aufsdtze und Vortrdge 1953- Walter Kaufmann, rev. by R. Anderson 1984 aber Volkstanz und instrumen- Sutton, 35(3):426-8 tale Volksmusik, by Felix Hoerburger, Selected Writings on Latvian Music: A and Deutsche Volksliedlandschaften, Bibliography, edited by Joachim Braun by Petra Farwick, 33(1):177-79 and Karlis Brambats, rev. by Maija M. SCHECTER, JOHN M., The Indispensable Lutz, 33(1):163-4 Harp: Historical Development, Mod- SELTZER, GEORGE, Music Matters: The ern Roles, Configurations, and Perfor- Performer and the American Federa- mance Practices in Ecuador and Lat- tion of Musicians, rev. by George Lip- in America, rev. by Sandra Smith, sitz, 34(3):481-2 38(3):530-2 SERRANO, JUAN and JOSE ELGORRIAGA, SCHMIDT, CYNTHIA, rev. of Moving with Flamenco, Body and Soul, Flamenco, the Face of the Devil: Art and Politics Body and Soul, rev. by Peter Manuel, in Urban West Africa, by John W. 36(2):269-71 Nunley, 34(2):325-8 The Shakuhachi: A Manual for Learning, Index 387

by Christopher Yohmei Blasdel, and The Greig-Duncan Folk Song Collec- Yuko Kamisango, rev. by Riley Kelly tion, Volume 4, rev. by James Porter, Lee, 34(1):179-81 38(1):178-9 SHAPIRO, ANNE DHU, [see also McLUCAS, SILBERMANN, ALPHONS (ed.), Klassiker ANNE DHU] rev. of On the Nature of der Kunstsoziologie, rev. by K. Peter Music, by Hewitt Pantaleoni, Etzkorn, 31(3):534 33(2):339-42; rev. of Narrative Folk- SILBERMANN, ALPHONS AND H. D. DRY- song. New Directions. Essays in Appre- OFF (eds.), Comics and Visual Cul- ciation of W Edson Richmond, edited ture: Research Studies from Ten Coun- by Carol L. Edwards and Kathleen E.B. tries, rev. by K. Peter Etzkorn, Manley, 34(1): 157-9; 'briefly noted' 31(3):534 rev. of Dance and Stress: Resistance, SIMEONI, PAOLA ELISABETTA and ROBER- Reduction, and Euphoria. Stress and TA TUCCI (eds.), La Collezione Degli Modern Society, Number 13, by Judith Strumenti Musicali (Museo Nazional Lynne Hanna, Downhome Blues Lyrics: delle Arti e Tradizioni Popolari- An Anthology from the Post-World Roma), rev. by Marcello Sorce Keller, War Two Era, edited by Jeff Todd 38(3):538-40 Titon, From Blues to Bop: A Collection SIMON, ARTUR, rev. of Sounding Forms: ofJazz Fiction, edited by Richard N. African Musical Instruments, edited Albert, Lyrical Protest: Black Music's by Marie-Therese Brincard, 35(3):423-6 Struggle Against Discrimination, by Sing Out the Glad News: Hymn Tunes in Mary Ellison, The Science of the Sing- Canada, edited by John Beckwith, rev. ing Voice, by Johan Sundberg, and by Terry E. Miller, 32(3):462-4 Three Women of Herat, by Veronica Singing for Power: The Song Magic of the Doublday, 35(3):442-43; 'briefly noted' Papago Indians of Southern Arizona, rev. of Music Librarianship in Ameri- by Ruth Murray Underhill, 'briefly not- ca, edited by Michael Ochs, Irish Folk ed' rev. by Judith A. Gray, 39(2):304 Music: A Selected Discography, by Singing Mennonite: Low German Songs Deborah L. Schaeffer, and Internation- Among the Mennonites, by Doreen al Music Journals, edited by Linda M. Helen Klassen, rev. by Elaine Keillor, Fidler and Richard S. James, 36(2):272 34(3):482-4 Sharing a Heritage: American Indian Sitar Technique in Nibaddh Forms, by Arts, edited by Charlotte Heth, rev. by Stephen M. Slawek, rev. by Scott L. Marcia Herndon, 33(1):182-5 Marcus, 33(1):167-9 SHELEMAY, KAY KAUFMAN, rev. of Folk Six Hidden Views of apanese Music, by Literature of the Sephardic Jews, Vol- William P. Maim, rev. by Ohtani Kimi- ume 2: Judeo-Spanish Ballads from ko, 36(2):261-3 Oral Tradition. 1: Epic Ballads, by Sam- SLAWEK, STEPHEN M., Sitar Technique in uel G. Armistead & Joseph H. Silver- Nibaddh Forms, rev. by Scott L. Mar- man, 31(2):353-4. Music, Ritual, and cus, 33(1):167-69; rev. of Essays in Falasha History, rev. by Arthur A, Musicology, edited by R.C. Mehta, Moorefield, 33(1)179-82 33(1):169-71; rev. of The Saman SHEPHERD, JOHN, Music as Social Text, Chants: A Review of Research, by R.C. rev. by Janet L. Sturman, 37(1):124-7 Tarlekar, 35(1):146-8. rev. of Hi-Tech SHIELDS, HUGH, rev. of Das korsische Shiva and Other Apocryphal Stories, Volkslied. Ethnographie und Geschich- by N.A. Jairazbhoy, 39(1):136-9 te, Gattungen und stil, Volume 3: SLOBIN, MARK (ed. and trans.), OldJew- Aufnahmekatalog und Liedtexte, by ish Folk Music: the Collections and Wolfgang Laade, 33(3):535-7 Writings of Moshe Beregovski, rev. by SHILOAH, AMNON, Jewish Musical Tradi- Johanna Spector, 31(1):163-9. Chosen tions, rev. by Miriam Gerberg, Voices: The Story of the American 39(1):150-2 Cantorate, rev. by Philip V. Bohlman, SHULDHAM-SHAW, PATRICK, EMILY B. 34(2):303-6; rev. of Music of Afghani- LYLE, and ANDREW R. HUNTER (eds.), stan: Professional Musicians in the 388 Ethnomusicology, Spring/Summer 1997

City of Herat, by John Baily, Jacob Wainwright Love, 33(3):555-8 34(2):308-9 Songs to Seven Strings, by Gerald Stanton Slovenske ljudske pesmi (Slovenian Folk Smith, rev. by William Noll, 31(2):355-7 Songs), edited by Kumer, Zmaga, Milko SONNIER, AUSTIN, A Guide to the Blues, Maticetov, Boris Merhar, and Valens Who's Who, Research, rev. by Barry Vodusek, rev. by Barbara Krader, Lee Pearson, 40(2):346-8 31(1):136-9 SORRELL, NEIL, A Guide to the Gamelan, SMALL, CHRISTOPHER, Music of the Com- rev. by Roger Vetter, 36(1):131-4 mon Tongue: Survival and Celebra- The Sounds of People and Places: Read- tion in Afro-American Music, rev. by ings in the Geography of American Eddie S. Meadows, 33(2):348-9 Folk and Popular Music, edited by SMALL, NICHOLAS, rev. of A Music for the George O. Carney, rev. by Andrew Millions: Antebellum Democratic Atti- Kaye, 33(1):164-6 tudes and the Birth of American Pop- Sounding Forms: African Musical Instru- ular Music, by Nicholas Tawa, ments, edited by Marie-Therese Brin- 31(1):145-7 card, rev. by Artur Simon, 35(3):423-6 SMITH, GERALD STANTON, Songs to Sev- Sourcebook for Research in Music, by en Strings, rev. by William Noll, Phillip D. Crabtree and Donald H. Fos- 31(2):355-7 ter, 'briefly noted' rev. by Judith Gray, SMITH, SANDRA, rev. of The Indispens- 39(2):307 able Harp: Historical Development, The Southern Harmony and Musical Modern Roles, Configurations, and Companion, by William Walker, rev. Performance Practices in Ecuador by David Warren Steel, 33(2):343-5 and Latin America, by John M. The Spanish Tradition in Louisiana; I Schechter, 38(3):530-2 Isleflo Folk Literature, by Samuel G. SOLIS, TED, rev. of Barrio Rhythm: Mexi- Armistead, rev. by Janet L. Sturman, can American Music in Los Angeles, 40(1):199-201 by Steven Loza, 40(1):102-4 SPECTOR, JOHANNA, rev. of Old Jewish SOMMERS, LAURIE KAY, rev. of Public Folk Music: the Collections and Writ- Folklore, by Robert Baron and Nicholas ings of Moshe Beregovski, edited and R. Spitzer, 39(3):491-3 translated by Mark Slobin, 31(1):163-9 SONG, BANG-SONG, The Sanjo Tradition SPENCER, JON MICHAEL (ed.), The Emer- of Korean Komun'go Music, rev. by gency of Black and the Emergence of Robert C. Provine, 33(3):537-9 Rap. A Special Issue of Black Sacred The Song to the Flying Fox: The Public Music: A Joural of Theomusicology, and Esoteric Knowledge of the Impor- rev. by Kai Fikentscher, 38(2):349-51 tant Men of Kandingei about Totemic SPOTTSWOOD, RICHARD K., Ethnic Mu- Songs, Names, and Knotted Cords, by sic on Records. A Discography of Eth- Jiirg Wassmann, rev. by Peter Jorgens- nic Recordings Produced in the Unit- en, 38(3):541-2 ed States, 1893 to 1942, rev. by Songprints: The Musical Experience of Philippe Varlet, 35(3):433-6 Five Shoshone Women, by Judith Stage Music of Maharashtra, by Ashok D. Vander, rev. by Judith Gray, 34(1):148- Ranade, rev. by Alison E. Arnold, 51 33(3):545-6 Songs and Ballads from Nova Scotia, by Stan Getz, by Richard Palmer, rev. by Helen Creighton, 'briefly noted' rev. by Thomas F. Jefferson, 34(1):171-2 Judith A. Gray, 39(2):305 STEEL, DAVID WARREN, rev. of The Songs of Aboriginal Australia, edited by Southern Harmony and Musical Com- Margaret Clunies Ross, Tamsin Donald- panion, by William Walker, 33(2):343- son, and Stephen A. Wild, rev. by Linda 5 Barwick, 34(1):177-9 STELLA, REGIS N., Forms and Styles of Songs of Bellona Island (Na Taungua o Traditional Banoni Music, rev. by Mi- Mungiki), by Jane Mink Rossen, rev. by chael Webb, 39(3):506-7 Index 389

STOLLER, PAUL, Fusion of the Worlds: An donesia, by Jennifer Lindsay, Ethnography of Possession Among the 39(1):143-6; rev. of Javanese Shadow Sonhay of Niger, rev. by Caroline Card Puppets, by Ward Keeler, 39(1):143-6 Wendt, 36(3):420-2 SUMMIT, JEFFREY A., rev. of Modern Jews STONE, FRANCINE (ed.), Studies on the and Their Musical Agendas, edited by Tihamah:. The Report of the Tihama Ezra Mendlesohn, 40(2):343-6 Expedition 1982 and Related Papers, Sundanese Music in the Cianjuran Style: rev. by Jean Lambert, 31(2):350-2 Anthropological and Musicological As- STONE RUTH, M., Dried Millet Breaking: pects of Tembang Sunda, by Wim van Time, Words, and Song in the Woi Zanten, rev. by R. Anderson Sutton, Epic of the Kpelle, rev. by David Locke, 35(2):282-4 34(1):172-4 SUNDBERG, JOHAN, The Science of the STONEBURNER, BRYAN C., Hawaiian Singing Voice, 'briefly noted' by Anne Music: An Annotated Bibliography, Dhu Shapiro, 35(3):442-3 rev. by Elizabeth Tatar, 33(2):342-3 SUOJANEN, PAIVIKKI, Finnish Folk Stringed Instruments of Ancient Greece, Hymn Singing. Study in Music Anthro- by Martha Maas and Jane McIntosh Sny- pology, rev. by Seppo Saari, 34(1):161- der, rev. by Sue Carole DeVale, 3 35(1):135-9 SUPICIC, IVO, Music in Society: A Guide STUBINGTON, JILL, rev. of Folk Songs of to the Sociology of Music, rev. by Australia and the Men and Women Steven Feld, 33(2):321-4 Who Sang Them, by John Meredith, SUSILO, HARDJA, rev. of Lokananta: A Roger Covell, and Patricia Brown, Discography of the National Record- 32(2):311-2 ing Company of Indonesia 1957- Studies on the Tihamah: The Report of 1985, by Philip Yampolsky, 33(2):358- the Tihama Expedition 1982 and Re- 60 lated Papers, edited by Francine Stone, SUTTON, BRETT, rev. of Powerhouse for rev. by Jean Lambert, 31(2):350-2 God: Speech, Chant, and Song in an The Study of Folk Music in the Modern Appalachian Baptist Church, by Jeff World, by Philip V. Bohlman, rev. by Todd Titon, rev. by Brett Sutton, Chris Goertzen, 35(3):421-3 33(3):527-9 Studying Popular Music, by Richard Mid- SUTTON, R. ANDERSON, rev. of Sun- dleton, rev. by Peter Manuel, danese Music in the Cianjuran Style: 36(2):263-6 Anthropological and Musicological As- STURMAN, JANET L., rev. of Music as So- pects of Tembang Sunda, by Wim van cial Text, by John Shepherd, Zanten, 35(2):282-84; rev. of Selected 37(1):124-7. rev. of The Spanish Tra- Musical Terms of Non-Western Cul- dition in Louisiana; I Islefro Folk Lit- tures: A Notebook-Glossary, by Walter erature, by Samuel G. Armistead, Kaufmann, 35(3):426-28; rev. of Etno- 40(1):199-201 musicologie enJaap Kunst, by Gustaaf SUDNOW, DAVID, Ways of the Hand: The Walgraeve, 35(3):436-8; rev. of The Organization of Improvised Conduct, Bedhaya Court Dances of Central 'briefly noted' rev. by Judith A. Gray, Java, by Clara Brakel-Papenhuijzen, 39(2):305 38(3):536-8. Traditions of Gamelan Sufi and Pakistan: Sound, Music in Java: Musical Pluralism and Context and Meaning in Qawwali, by Regional Identity, rev. by Aline Scott- Regula Burckhardt Qureshi, rev. by Maxwell, 39(1):133-6. Variation in Irene Markoff, 35(2):279-81 Central Javanese Gamelan Music.: Dy- SUMARSAM, rev. of The Evolution ofJav- namics of a Steady State, rev. by Sarah anese Gamelan, Book III. Paragon of Weiss, 40(3):545-8 the Roaring Sea, by Ki Mantle Hood, SWEET, JILL D., Dances of the Tewa Indi- 34(2):328-31; rev. of Javanese ans. Expressions of New Life, rev. by Gamelan: Traditional Orchestra of In- Gertrude Prokosch Kurath, 31(2):358-9 390 Ethnomusicology, Spring/Summer 1997

Sweet Soul Music: Rhythm and Blues and THOMPSON, DONALD and ANNIE F. the Southern Dream of Freedom, by THOMPSON, Music and Dance in Pu- Peter Guralnick, rev. by Joseph Blum, erto Rico from the Age of Columbus 31(1):157-8 to Modern Times: An Annotated Bibli- Synagogue Song in America, by Joseph A. ography, rev. by Drid Williams, Levine, rev.by Peter Laki, 35(1):133-5 39(2):301-4 THRASHER, ALAN R., rev. of Music of the T Billion: An Introduction to Chinese Tall Mountains and Flowing Waters: The Musical Culture, by Mingyue Liang, Arts of Urabami Gyokudo, by Stephen 31(1):159-62 Addiss, rev. by Frederic, Lieberman, Three Women of Herat, by Veronica Dou- 32(2):312-4 bleday, rev. by Hiromi Lorraine Sakata, TARLEKAR, R.C., The Saman Chants: A 32(3):480-1, 'briefly noted' rev. by Review of Research, rev. by Stephen Anne Dhu Shapiro, 35(3):442-3 M. Slawek, 35(1):146-8 Thumri in Historical and Stylistic Per- TATAR, ELIZABETH, Nineteenth Century spectives, by Peter Manuel, rev. by Bon- Hawaiian Chant, rev. by Joann W. nie C. Wade, 39(1):129-32 Kealiinohomoku, 31(1):143-5. rev. of TICK, JUDITH, rev. of America's Music. Na Mele Hula, A Collection of Hawai- From the Pilgrims to the Present, by ian Hula Chants, edited by Nona Gilbert Chase, 33(2):325-30 Beamer, 32(3):466-8. rev. of Hawaiian Tikopia Songs: Poetic and musical art of Music: An Annotated Bibliography, a Polynesian people of the Solomon compiled by Bryan C. Stoneburner, Islands, by Raymond Firth with Mervyn 33(2):342-3 McLean, rev. by Jane Mink Rossen, TAWA, NICHOLAS, A Music for the Mil- 38(3):525-30 lions. Antebellum Democratic Atti- TITON, JEFF TODD, Powerhouse for God: tudes and the Birth of American Pop- Speech, Chant, and Song in an Appala- ular Music, rev. by Christopher Small, chian Baptist Church, rev. by Brett Sut- 31(1):145-7 ton, 33(3):527-9. Editor of Downhome Ten Lectures on Theories of the Dance, by Blues Lyrics: An Anthology from the Drid Williams, rev. by Andree Grau, Post-World War Two Era, 'briefly not- 39(1):139-43 ed' by Anne Dhu Shapiro, 35(3):442-43. TENZER, MICHAEL, Balinese Music, rev. Editor of Worlds of Music: An Introduc- by Andrew N. Weintraub, 38(2):364-67 tion to the Music of the World's Peo- Text and Context: Folksong in a Bosnian ples, rev. by Mark Levy, 38(3):532-5 Muslim Village, by Yvonne R. Lock- TOLBERT, ELIZABETH, rev. of Idols and wood, rev. by Sam (Sotirios) Chianis, Myths in Music, edited by Philip Don- 31(1):139-40 ner, 33(1):156-8 Theatrical Movement: A Bibliographical Tongan Music, by Richard Moyle, rev. by Anthology, edited by Bob Fleshman, Adrienne L. Kaeppler, 33(2):354-8 rev. by Judy Van Zile, 32(3):449-51 TOOP, DAVID, Rap Attack 2: African Rap A Theory for All Music: Problems and So- to Global Hip Hop, rev. by Kai lutions to the Analysis of Non-Western Fikentscher, 38(2):349-51 Forms, by Jay Rahn, rev. by Richard L. TOUMA, HABIB HASSAN, Die Musik der Cohn, 32(1):149-52 Araber, rev. by Dieter Christensen, THOMAS, JEFFREY, Forty Years of Steel: 35(10):148-50 An Annotated Discography of Steel A Trade Like Any Other: Female Singers Band and Pan Recordings, rev. by Ja- and Dancers in Egypt, by Karin Van cob Wainright Love, 40(1):113-5 Nieuwkerk, rev. by Michelle Forner, Thomas W Talley's Negro Folk Rhymes: A 40(3):524-5 New, Expanded Edition, with Music, Traditional Greenlandic Music, by Mi- edited by Charles K. Wolfe, rev. by chael Hauser, rev. by Rigmor Hasselag- Paul F. Wells, 37(1):127-30 er, 39(3):497-9 Index 391

The Traditional Music of Britain and Ire- Mance Lipscomb, Texas Bluesman, by land: A Research and Information Glen Alyn, 40(1):97-9 Guide, by James Porter, rev. by James VAN DER MERWE, PETER, Origins of the Cowdery, 35(1):150-2 Popular Style: The Antecedents of Traditional Music of the Lao: Kaen Play- Twentieth-Century Popular Music, rev. ing and Mawlum Singing in North- by Paul F. Wells, 36(3):414-6 east Thailand, by Terry E. Miller, rev. VAN NIEUWKERK, KARIN, A Trade Like by Amy Catlin, 32(1):135-7 Any Other: Female Singers and Danc- Traditional Samoan Music, by Richard ers in Egypt, rev. by Michelle Forner, Moyle, rev. by Jacob Wainwright Love, 40(3):524-5 34(3)470-3 VAN ZANTEN, WIM, Sundanese Music in Traditional Songs of the Maori, by the Cianjuran Style: Anthropological Mervyn McLean and Margaret Orbell, and Musicological Aspects of Tem- rev. by Richard Nunns, 37(1):122-3 bang Sunda, rev. by R. Anderson Sut- Traditions of Gamelan Music in Java: ton, 35(2):282-4 Musical Pluralism and Regional Iden- VAN ZILE, JUDY, rev. of Theatrical Move- tity, by R. Anderson Sutton, rev. by ment: A Bibliographical Anthology, Aline Scott-Maxwell, 39(1):133-6 edited by Bob Fleshman, 32(3):449-51 Tradizione orale e canto corale: ricerca VANDER, JUDITH, Ghost Dance Songs musicologica in Trentino, con and Religion of a Wind River Shosho- un'appendice di musiche della Val di ne Woman, rev. by Charlotte J. Frisbie, Fassa trascritte da Armando Frances- 32(3):470-1. Songprints: The Musical chini, by Marcello Sorce Keller, rev. by Experience of Five Shoshone Women, Tullia Magrini, 40(2):340-3 rev. by Judith Gray, 34(1):148-51; rev. Traveling the High Way Home: Ralph of Blackfoot Musical Thought: Com- Stanley and the World of Traditional parative Perspectives, by Bruno Nettl, Bluegrass Music, by John Wright, rev. 34(2):317-18 by Louis Martin, 40(2):348-50 Variation in Central Javanese Gamelan TSAO, PEN-YEH, The Music of Su-chou Music: Dynamics of a Steady State, by T'an-tz'u: Elements of the Chinese R. Anderson Sutton, rev. by Sarah Southern Singing-Narrative, rev. by Weiss, 40(3):545-8 Francesca Rebollo-Sborgi, 34(3):477-9 VARLET, PHILIPPE, rev. of Ethnic Music The Tsymbaly Maker and His Craft, by on Records: A Discography of Ethnic Mark Jaroslav Bandera, rev. by Brian Recordings Produced in the United Cherwick, 39(3):495-7 States, 1893 to 1942, by Richard K. TURINO, THOMAS, rev. of Music and Po- Spottswood, 35(3):433-6 etry in a Colombian Village: A Tri-cul- Veda Recitation in Varanast, by Wayne tural Heritage, by George List, Howard, rev. by David Roche, 32(2):319-22. Moving Away from Si- 33(1):172-5 lence: Music of the Peruvian Altiplano VETTER, ROGER, rev. of Mode in Jay- and the Experience of Urban Migra- anese Music, by Susan Pratt Walton, tion, rev. by Daniel K. Riiegg, 32(2):324-5. rev. of Music in Java: 39(3):510-3 Current Bibliography 1973-1989, by Ernst Heins, 35(1): 126-8; rev. of A U Guide to the Gamelan, by Neil Sorrell, UNDERHILL, RUTH MURRAY, Singing for 36(1):131-4 Power: The Song Magic of the Papago VINAVER, CHEMJO, Anthology of Hassid- Indians of Southern Arizona, 'briefly ic Music, rev. by Judit Frigyesi, noted' rev. by Judith A. Gray, 39(2):304 33(2):360-4 Virginia's Blues, Country, & Gospel V Records 1902-1943: An Annotated VAN DER BLIEK, ROB, rev. of I Say Me for Discography, by Kip Lornell, rev. by a Parable: The Oral Autobiography of Horace Clarence Boyer, 35(2):284-5 392 Ethnomusicology, Spring/Summer 1997

VOGELS, RAIMUND, rev. of Westafrika, WASSMANN, JUiRG, The Song to the Fly- edited by Gerhard Kubik, 34(3):479-81 ing Fox: The Public and Esoteric The Voice of the Sarangi: An Illustrated Knowledge of the Important Men of History of Bowing in India, by Joep Kandingei about Totemic Songs, Bor, rev. by Regula Burckhardt Names, and Knotted Cords, rev. by Pe- Qureshi, 38(1):166-9 ter Jorgensen, 38(3):541-2 Volksmusikforschung: Aufsdtze und Vor- WATERHOUSE, DAVID, rev. of Pi- tra'ge 1953-1984 iber Volkstanz und obaireachd and Its Interpretation: instrumentale Volksmusik, by Felix Classical Music of the Highland Bag- Hoerburger, rev. by Anna Katharina pipe, by Seumas MacNeill and Frank Ri- Schaller-Wenzlitschke, 33(1):177-8 chardson, 32(3):468-9 WATERMAN, CHRISTOPHER, A., rev. of In w Township Tonight! South Africa's WADE, BONNIE, Khyal: Creativity within Black City Music and Theatre, by Dav- North India's Classical Music Tradi- id B. Coplan, 31(1):152-4; rev. of More tion, rev. by Daniel M. Neuman, Than Dancing: Essays on Afro-Ameri- 32(1):131-5; rev. of Ethnomusicology can Music and Musicians, and More and Modern Music History, edited by Than Drumming. Essays on African Stephen Blum, Philip V. Bohlman, and and Afro-Latin Music and Musicians, Daniel M. Neuman, 38(1):169-75; rev. edited by Irene V. Jackson 33(2):336-9. of Thumri in Historical and Stylistic Jfjaii: A Social History and Ethnogra- Perspectives, by Peter Manuel, phy of an African Popular Music, rev. 39(1):129-32 by Andrew Kaye, 35(3):439-42 WAGNER-GLENN, DORIS, Searching for a The Way of the Pipa: Structure and Imag- Baby's Calabash: A Study of Arusha ery in Chinese Lute Music, by John E. Maasai Fertility Songs as Crystalized Myers, rev. by Hugh DeFerranti, Expression of Central Cultural Values, 40(1):107-1 rev. by Cynthia Tse Kimberlin, Ways of the Hand: The Organization of 40(1):116-9 Improvised Conduct, by David Sud- WALGRAEVE, GUSTAAF, Etnomusicologie now, 'briefly noted' rev. by Judith A. en Jaap Kunst, rev. by R. Anderson Gray, 39(2):305 Sutton, 35(3):436-38 WEBB, MICHAEL, rev. of Forms and Styles WALKER, WILLIAM, The Southern Harmo- of Traditional Banoni Music, by Regis ny and Musical Companion, rev. by N. Stella, 39(3):506-7 David Warren Steel, 33(2):343-5 WEGNER, GERT-MATTHIAS, The Dhbimay- WALLEN, LYNN AGER, The Face of baja of Bhaktapur: Studies in Newar Dance: Yup'ik Eskimo Masks from Drumming I, rev. by Ter Ellingson, Alaska, rev. by Thomas F. Johnston, 32(1):138-45. The Naykhbibaja of the 35(3):438-9 Newar Butchers.' Studies in Newari WALSER, ROBERT, rev. of It's Not About Drumming II, rev. by Pirkko Moisala, Salary: Rap, Race, and Resistance in 34(1):159-61 Los Angeles, by Brian Cross, 39(3):493- WEGNER, ULRICH, Afrikanische Saitenin- 4 strumente, rev. by Veit Erlmann, WALTON, SUSAN PRATT, Mode in Jav- 31(1):147-9 anese Music, rev. by Roger Vetter: WEI, LI, rev. of New Music in the Orient.: 32(2):324-5 Essays on Composition in Asia Since War Dance: Plains Indian Musical Per- World War II, edited by Harrison Ryk- formance, by William K. Powers, rev. er, 38(3):518-21 by Victoria Lindsay Levine, 36(3):426-8 WEINTRAUB, ANDREW N., rev. of Ba- WARNER, ELIZABETH A. and EVGENII linese Music, by Michael Tenzer, KUSTOVSKII, Russian Traditional 38(2):364-7 Folksong, rev. by Margarita Mazo, WEISS, SARAH, rev. of Variation in Cen- 36(3):428-33 tralJavanese Gamelan Music: Dy- Index 393

namics of a Steady State, by R. Ander- fologiia narodnot pesni, by Izalii Iosi- son Sutton, 40(3):545-8 fovich Zemtsovsky, 34(1):163-5 WELCH-SHAHAK, SUSANA, Judeo-Spanish WINANS, ROBERT B., rev. of The Half- Moroccan Songs for the Life Cycle/ Barbaric Twang.' The Banjo in Ameri- Cantares Judeo-Espafroles de Marrue- can Popular Culture, by Karen Linn, cos para el Ciclo de la Vida/Shirei 38(3):512-4 Makhazor Hakhayim shel Hayehudim With Fiddle and Well-Rosined Bow: Old- Hasefaradim be-Maroko, rev. by Ju- Time Fiddling in Alabama, by Joyce dith R. Cohen, 37(3):442-5 H. Cauthen, rev. by Chris Goertzen, We'll Understand It Better By and By: Pi- 36(3):413-4 oneering African American Gospel WITMER, ROBERT, rev. of Jazz from the Composers, edited by Bernice Johnson Begining, by Garvin Bushell, Reagon, rev. by Donna McNeil Cox, 34(1):154-6; rev. of Producing Jazz: 39(2):292-4 The Experience of an Independent WELLS, PAUL F., rev. of Origins of the Record Company, by Herman Gray, Popular Style: The Antecedents of 34(1): 156-7; rev. of Just Before Jazz: Twentieth-Century Popular Music, by Black Musical Theater in New York, Peter van der Merwe, 36(3):414-16; 1890-1915, by Thomas L. Riis, rev. of Thomas W Talley's Negro Folk 35(1):141-3. Editor of CanMus Docu- Rhymes: A New, Expanded Edition, ments 5: Ethnomusicology in Canada, with Music, edited by Charles K. rev. by Nicole Beaudry, 36(3):425-6 Wolfe, 37(1):127-30 WOLF, RICHARD K., rev. of Classical Mu- WENDT, CAROLINE CARD, rev. of Fusion sic of South India: Karnatic Tradition of the Worlds: An Ethnography of Pos- in Western Notation, by Kanthimathi session Among the Sonhay of Niger, Kumar and Jean Stackhouse, by Paul Stoller, 36(3):420-2 33(1):175-7 Wesele kurpiowskie ["The Wedding Se- WOLFE, CHARLES K. (ed.), Thomas W quence In the Region Kurpie"], by Gra- Talley's Negro Folk Rbymes: A New, zyna Dabrowska, rev. by William Noll, Expanded Edition, with Music, rev. by 32(3):478-80 Paul F. Wells, 37(1):127-30 Westafrika, edited by Gerhard Kubik, rev. Women and Music in Cross-Cultural Per- by Raimund Vogels, 34(3):479-81 spective, edited by Ellen Koskoff, rev. Where is the Way: Song and Struggle in by Jacqueline Cogdell DjeDje, South Africa, by Helen Q. Kivnick, rev. 33(3):514-20 by Veit Erlmann, 36(2):260-1 Women in North American Indian Music: WHISNANT, DAVID E., All That Is Native Six Essays, edited by Richard Keeling, and Fine: The Politics of Culture in an rev. by Victoria Lindsay Levine, American Region, rev. by Doris J. 38(1):175-8 Dyen, 31(2):365-7 Women Making Music: The Western Art WIGGINS, GENE, Fiddlin' Georgia Crazy: Tradition, by Jane Bowers and Judith Fiddlin'John Carson, His Real World, Tick, rev. by Ellen Koskoff, 32(3):474-8 and the World of His Songs, rev. by The Wood That Sings: The Marimba in Linda Burman-Hall, 35(1):153-4 Chiapas, Mexico, by Laurence Kaptain, WILLIAMS, DRID, Ten Lectures on Theo- rev. by Sergio Navarrete, 39(2):279-82 ries of the Dance, rev. by Andrie Grau, The World of Islam, Images and Echoes: 39(1):139-43; rev. of Music and Dance A Critical Guide to Films and Record- in Puerto Rico from the Age of Colum- ings & Images: Guide to Films, edited bus to Modern Times: An Annotated by Ellen-Fairbanks Bodman, rev. by Bibliography, by Donald Thompson George D. Sawa, 31(1):131-3 and Annie F. Thompson, 39(2):301-4 Worlds of Music: An Introduction to the WILLIAMS, EDWARD V., rev. of Po sledam Music of the World's Peoples, edited by vesnianki izfortepiannogo kontserta Jeff Todd Titon, rev. by Mark Levy, P. Vbaikovskogo: Istoricheskaia moro- 38(3):532-5 394 Ethnomusicology, Spring/Summer 1997

WRIGHT, JOHN, Traveling the High Way YOSIHIKO, TOKUMARU and YAMAGUTI Home: Ralph Stanley and the World OSAMU (eds.), The Oral and the Liter- of Traditional Bluegrass Music, rev. ate in Music, rev. by David W. Hughes, by Louis Martin, 40(2):348-50 34(1):175-7 WRIGHT, OWEN, (transcriber and Annota- You Just Fight For Your Life: The Story of tor), Demetrius Cantemir: The Collec- Lester Young, by Frank Biichmann- tion of Notations. Part I: Text, rev. by MOller, rev. by Ingrid Monson, Walter Feldman, 39(1):146-50 35(1):117-9 YUNG, BELL, rev. of Piano and Politics in X China: Middle Class Ambitions and Xhosa Music: Its Techniques and Instru- the Struggle over Western Music, by ments, with a Collection of Songs, by Richard Curt Kraus, 35(1):275-7 David Dargie, rev. by Veit Erlmann, Yuval. Studies of the Jewish Music Re- 34(2):323-4 search Centre, Volume 5: The Abraham Zvi Idelsohn Memorial Volume, edited Y Israel Adler, Bathja Bayer, and Eliyahu YAMPOLSKY, PHILIP, Lokananta: A Dis- Schleifer, rev. by Peter Laki, 33(1):151- 3 cography of the National Recording Company of Indonesia 1957-1985, rev. by Hardja Susilo, 33(2):358-60 Z Yaqui Deer Songs, Maso Bwikam.: A Na- ZEMTSOVSKY, IZALII IOSIFOVICH, Po tive American Poetry, by Larry Evers sledam vesnianki iz fortepiannogo and Felipe S. Molina, rev. by Richard kontserta P. Vbaikovskogo: Istoriches- Keeling, 32(3)464-6 kaia morofologiia narodnoi pesni, Yiddish American Popular Songs 1895 to rev. by Edward V. Williams, 34(1):163- 1950: A Catalog based on the 5 Lawrence Marwick Roster of Copy- Zlos-Gar: Performing Traditions of Tibet, right Entries, Irene Heskes, 'briefly not- by Jamyang Norbu, rev. by Ter Elling- ed' rev. by Judith A. Gray, 39(2):307-8 son, 32(3):145-9 Yoruba Dundun Music: A New Notation ZULUAGA, DAVID PUERTA, Los Caminos with Basic Exercises & Five Yoruba del Tiple, rev. by Richard Pinnell, Drum Repetoires and Yoruba Bata 37(3):446-8 Music: A New Notation with Basic Ex- ZYGAS, EGLE VICTORIA and PETER ercises and Ensemble Pieces, by Murai- VOORHEIS (eds.), Folklorica: na Oyelami, rev. by Paul Neeley, Festschrift for FelixJ. Oinas, rev. by 40(1):111-3 Barbara Krader, 33(2):332-3

Index to Editors, Collectors, or Producers, and Titles of Recordings Reviewed, and Reviewers of Recordings

A Aarnion sisarukset: Hdmen polkka (The stan: The Rubab of Herat) (VDE CD- Aarnio Family Band: Finnish Folk 699), rev. by Mark Slobin, 39(1):172-4 Music from the 1930's) (Finland: Folk The Afro-Arabian Crossroad: Music of the Music Institute, KICD 28), rev. by Carl Tihama on the Red Sea (Lyrichord Rahkonen, 39(2):338-40 LLST 7384), rev. by Jean Lambert, Abana Ba Nasery. Classic Acoustic Re- 31(2):350-2 cordings From Western Kenya (Globe- Afternoon : Bhimpalasri, Multani style ORB 052), rev. by Stephen H. (Raga Records, Raga-211), rev. by Martin, 38(3):543-5 Stephen Slawek, 39(3):520-3 Afghanistan: Le rubab de Hdrat (Afghani- Ajoy Chakrabarty, Vocal (India Archive Index 395

Music IAM-CD 1005), rev. by David North Central Arnhem Land (EMI Aus- Roche, 39(2):327-33 tralia, Ltd.), rev. by Elizabeth Mackin- Albania: Vocal and Instrumental Poly- lay, 39(3):515-6 phonies (Le Chant du Monde LDX Azerbaidjan: musique et chants des 274897), rev. by Jane C. Sugarman, ashiq- Ashiq Hasan, Emran Heydari, 34(3):488-92 Alim Qasimov (Archives Internation- Amaduduzo: Siyabamukela (Rounder ales de Musique Populaire / VDE DC- 5043), rev. by David Coplan, 613), rev. by Anne Rasmussen, 43(3):505-7 36(2):273-8 An Anthology of African Music. Nigeria Azerbedyjan: Musique Traditionnelle/Az- III: Igbo Music (Birenreiter BM 30L erbaijan: Traditional Music (Le Chant 2311), rev. by Darius L. Thieme, du Monde LDX 274 901), rev. by Anne 36(1):137-40 Rasmussen, 36(2):273-8 ANDERSON, LOIS ANN, rev. of Music of the Comoro Islands: Domoni (Ethnic B Folkways Records FE 4243), 31(1):528- BAKAN, MICHAEL B., rev. of Gamelan Ba- 30 tel Wayang Ramayana (CMP CD Andrew "B.B." Odom & The Gold Tops: 3003), and Gamelan Semar Pegulin- Goin' to California (Flying Fish FF gan Saih Pitu: The Heavenly Orches- 70587), rev. by David Evans, tra of Bali (CMP CD 3008), 39(2):321- 38(3):562-4 24 Anka Dia: Musique et chants du Burkina BAKEWELL, ANDERSON, rev. of Nord- Faso (Auvidis Ethnic B6775), rev. by sudan: Musik der Nubier (Music Col- Roderic C. Knight, 38(3):557-8 lection Berlin [West]), and Sudan: Dikr Anthology of Korean Vocal Tradition: und Madih (Music Collection Berlin Kagok (The Korean Cultural Research [West]), 31(3):531-33 Center, Korea University, 8608 G112- BAKLANOFF, JOY, rev. of Possum Up a G117), rev. by Coralie Rockwell, Gum Stump: Home, Field, and Com- 36(1):141-4 mercial Recordings of Alabama Fid- Anthology of Modern Koto Music, Volume dlers Past and Present (Alabama Tradi- 6: The Music of Ishigaki Seizan (Vic- tions 103), 36(1):140-1 tor VXCD-2006), rev. by Elizabeth Fal- Bali: Folk Music (Auvidis-UNESCO coner, 39(1):176-0 D8003), rev. by David Harnish, Antologia de la mdsica afrocubana, Vol- 34(3):496-8 ume 2: Oru de Igbody (Areito [Egrem] Bali: Gamelan and Kecak (Nonesuch Ex- LD-3995), Antologia de la masica plorer Series 79204), rev. by David Har- afrocubana, Volume 3: Musica Iyesd nish, 34(3):492-5 (Areito [Egrem] LD-3747), Antologia Balkan Slavic Music from the Industrial de la musica afrocubana, Volumr 4: Midwest (Ohio Arts Council OAC 601), Musica Arard (Areito [Egrem] LD- rev. by Jane C. Sugarman, 34(3):488-92 3996), Antologia de la mtzsica afrocu- Ballades et frtes en Roumanie (Chant du bana, Volume 5: Tambor Yuka (Areito Monde LDX 74846/47), rev. by Ann [Egrem] LD-3994), Antologia de la Schuursma, 43(3)509-11 mtisica afrocubana, Volume 6: Fiesta Bayram: Turkish Folk Songs and Sufi de Bemb6 (Areito [Egrem] LD-3997), Melodies for Baglama and Voice (Mu- Antologia de la mtsica afrocubana, sic of the World, CDT-122), rev. by Volume 7: Tumba Francesa (Areito Yildiray Erdener, 37(1):139-40 [Egrem] LD-3606), rev. by Peter Man- BEHAGUE, GERARD, rev. of Capoeira, uel, 31(2):345-9 Samba, Candomble, Bahia, Brasil Aster A weke (Triple Earth 107), rev. by (Musem Collection, Berlin. CD 16), Ashenafi Kebede, 35(1):157-60 37(3):449-52 Australia: Goyulan: The Morning Star. An Bznin: Rhythmes et chants pour les vo- Aboriginal Clan Song Series from dun (Archives Internationales de Mu- 396 Ethnomusicology, Spring/Summer 1997

sique Populaire, Geneva), rev. by Lois 678), rev. by Marcello Sorce Keller, E. Wilcken, 39(2):313-5 34(2):343-7 Blues in the Mississippi Night (Rykodisk Capoeira, Samba, Candombld, Bahia, RCD-90155), rev. by David Evans, Brasil (Musem Collection, Berlin. CD 35(3):447-51 16), rev. by Gerard Behague, BOOTH, GREGORY, rev. of Flutes of Raj- 37(3):449-52 asthan (Le Chant du Monde, LDX 274 CAPWELL, CHARLES, rev. of Festival of 645), 34(2):298-300 India: A Hindustani Sampler (Music BRADTKE, ELAINE, rev. of Don't Mourn- of the World, CDT-121), and Modern Organize! Songs of Labor Songwriter Mandolin Maestro: U. Srinivas (Glob- Joe Hill (Smithsonian Folkways CD SF estyle CDORBD 068), 37(1):142-43; 400026), and Sing for Freedom: The rev. of Shahjahan Miah: chants mys- Story of the Civil Rights Movement tiques bauls du Bangladesh dans la Through its Songs (Smithsonian Folk- tradition de l'ordre Lalan Shahbi (La ways CD SF 400032), 37(3):452-55; Maison des Cultures du Monde), rev. of Cowboy Songs on Folkways 39(2):324-25 (Smithsonian/Folkways SF 40043), and CARLIN, RICHARD, rev. of The Celts Will The New Lost City Ramblers: The Ear- Rise (Green Linnet GLCD 104), ly Years, 1958-1962, 38(1):188-90 37(1):133-4 Brdsil Central. Chants et Danses des Indi- Carlos Paredes-Guitarra Portuguesa ens Kaiap6 (VDE-Gallo CD 554/535), (Electra/Nonesuch Records, Explorer rev. by Dale A. Olsen, 35(3):451-2 Series 9 79203-2), rev. by Gil Miranda, Bresil-Musiques du Haut Xingu (Harmo- 35(2):309-10 nia Mundi, C 580022), 'briefly noted' CARVALHO, MARTHA DE ULH_A, rev. of rev. by Dale A. Olsen, 38(1):202-3 Viola Caipira-Roberto Correa-Brazil BROWN, ERNEST D., rev. ofCentral Afri- (Musicaphon BM 505 801 DDD), can Republic: Music for 35(3):462-4 (Le Chant du Monde LDX 274932 CM CATLIN, AMY, Virgins, Orphans, Widows, 251), Zaire: The Music of the Nande Bards, Songs of Hmong Women (The (VDE-CD 652), and Zimbabwe: The Women's Building Gallery), rev. by Ndebele People (Jecklin-Disco JD 654- Mark Slobin, 32(2):336 2), 38(3):549-51 The Celts Will Rise (Green Linnet GLCD BRUNET, JACQUES, Java: Music of the 104), rev. by Richard Carlin, East (EMI-Odeon, 64-2403201), rev. by 37(1):133-4 Patricia Matusky, 32(2):331-2 Centrafrique: Musique Gbdyd/Chants a Buddhadev Das Gupta, Sarod (India Ar- penser (Ocora C580008), rev. by Ro- chive Music IAM-CD 1006), rev. by deric C. Knight, 38(3):552-7 David Roche, 39(2):328-33 Central African Republic. Music for Xylo- : Musical Crossroads of Asia phones (Le Chant du Monde LDX (Smithsonian/Folkways CD SF 40050), 274932 CM 251), rev. by Ernest D. rev. by Mark Slobin, 36(3):444-46 Brown, 38(2):548-9 in Forest Hills, New York: C , Music of the Bukharan Cambodge/Cambodia: Musiques de Jewish Ensemble (Smithsonian/Folk- l'exil/ Music of the Exile (VDE-Gallo ways CD SF 40050), rev. by Mark VDE CD-698, rev. by Terry E. Miller, Slobin, 36(3):444-6 39(2):333-5 Chansons traditionnelles du pays de Canada: Jeux vocaux des Inuit (Ocora FougOres: M6lanie Houedry (Saint- HM 83), rev. by Maija M. Lutz, Ouen-les-Alleux). Chanteurs et mu- 43(3):511-3 siciens de Bretagne No. 1. (Dastum, Cantate con not Choral and Popular AFAP, and La BoEze DAS-112), rev. by Songs from Northern and South-Cen- Lois Kuter, 36(2):278-83 tral Italy (Global Village Music GMV Chants etpoesies des sames laponie (ORS- Index 397

TOM SELAF/CETO 806), rev. by K. Olle (Globe style ORB 045), Philip Thabane Edstr6m, 35(2):296-8 and Malombo: Unhi (Nonesuch Ex- Chants traditionnels de Haute-Bretagne: plorer Series 79225), The Venanda Bogue d'Or 1989. Chanteurs et mu- Lovely Boys: Bo-Tata (Rounder 5033), siciens de Bretagne No.3. (Dastum and Amaduduzo: Siyabamukela Groupement Culturel Breton des Pays (Rounder 5043), 43(3):502-7; rev. of de Vilaine / DAS-113), rev. by Lois Kut- Homeland 2: A Collection of Black er, 36(2):278-83 South African Music (Rounder CD Charlie Patton, King of the Delta Blues 5028), 35(2):300-2 (Yazoo 2001), rev. by David Evans, CORNELIUS, STEVEN, rev. of Drums of 38(1):181-3 Defiance: Maroon Music from the Ear- Chasseurs Pygmies (ORSTOM/SELAF/ liest Free Black Communities of a- CETO 795), rev. by Michelle Kisliuk, maica (Smithsonian/Folkways SF CD 43(3):513-6 40412), 39(3):523-5 Chesta e' la voci ca canuscite. Southern Cowboy Songs on Folkways (Smithsonian/ Italian Mountain Music from Cala- Folkways SF 40043), rev. by Elaine bria, Campania, Basilicata, and Bradtke, 38(1):188-90 Abruzzi (Global Village Music GVM Cumbia Cumbia: A Selection of Colombi- 675), rev. by Marcello Sorce Keller, an Cumbia Recordings (World Cir- 34(2)343-7 cuit / WCD 016), rev. by Deborah China's Instrumental Heritage (N.d. Lyri- Pacini Hernandez, 36(2):288-96 chord Discs Inc. LYRCD 792), 'briefly noted' rev. by Dale A. Olsen, 38(1):199 D China: Music of the Pipa. Lui Pui-yuen, Dave Tarras: Yiddish-American Klezmer pipa. (Elektra Nonesuch 9 72085-2), Music: 1925-56 (Yazoo 7001), rev. by 'briefly noted' rev. by Dale A. Olsen, Alex Lubet, 39(1):160-2 37(1):144 DAVIS, RUTH, rev. of Taarab, the Music Chocolate: Peru's Master Percussionist of Zanzibar, Volume 1: Seif Salim Sa- (Lyrichord Disc Inc., LYRCD 7417), heh, Abdullah Mussa Ahmed, Volume rev. William Tompkins, 38(2):378-9 2: Ikhwani Safaa Musical Club (Globe Clarinettes et anciennes danses popu- Style Records ORBD 032 & ORBD 033), laires du Trdgor. Chanteurs et mu- 34(1):187-92 siciens de Bretagne No.5. (Dastum Bro The Deep-Rooted Tree Collection of Kore- Dreger and Dastum / DAS-115), rev. by an Songs of Sorrow (SEM Gramophone Lois Kuter. 36(2):278-83 SEL R0138), rev. by Robert C. Provine, Classical . The Dastgah Sys- 35(1):160-5 tems (Smithsonian/Folkways CD SF The Deep-Rooted Tree Sanjo Collection 40039), 'briefly noted' rev. by Dale A. (SEM Gramophone SEL R0137), rev. by Olsen, 38(1):200-1 Robert C. Provine, 35(1):160-5 Collection universelle de musique popu- DILLING, MARGARET WALKER, rev. of laire enregistree/ World Collection of Samulnori (CBS Sony 32DG 64), and Recorded Folk Music (Disques VDE- Samulnori: Record of Changes (CMP Gallo 30-425/430), rev. by Robert CD 3002), 38(2):373-76 Garfias, 31(2):333-9 Diomedes Diaz and Nicholas 'Colacho' Conjuntol Texas-Mexican Border Music, Mendoza: Cantandol (Globestyle, Orb Volumes 1 and 2, and Conjuntol Texas- 055), rev. by Deborah Pacini Hernan- Mexican Border Music, Volumes 3 and dez, 36(2):288-96 4 (Rounder CD 6024), rev. by Daniel Don't Mourn-Organizel Songs of Labor Sheehy, 36(2):283-8 Songwriter Joe Hill (Smithsonian Folk- COPLAN, DAVID, rev. of Iscathamiya: ways CD SF 400026), rev. by Elaine Zulu Workers Choirs in South Africa Bradtke, 37(3):452-5 (Heritage HT 313), 34(2):352-3; rev. of DURAN, LUCY, rev. of Routes of Rhythm, Noise Khanyile: The Art of Noise Volume 1: A Carnival of Cuban Music, 398 Ethnomusicology, Spring/Summer 1997

Volume 2: Cuban Dance Party, F (Rounder CD 5049), 35(2):292-6 FALCONER, ELIZABETH, rev. of The Wind Drums of Defiance: Maroon Music from the Earliest Free Black Communities is Calling Me Outside: Kazue Sawi Plays Yuji Takahashi (ASRAC R- of amaica (Smithsonian/Folkways SF OB0072), 36(2):302-06; rev. of Anthol- CD 40412), rev. by Steven Cornelius, ogy of Modern Koto Music, Volume 6: 39(3):523-5 The Music of Ishigaki Seizan (Victor E VXCD-2006), and Like a Bird: Satsuki Odamura with Ian Cleworth, Riley Eddie Shaw: In the Land of the Cross- Lee, Cleis Pearce, Kazue Sawai (Tall roads (Rooster Blues CD R72624), rev. Poppies Records), 39(1):167-72 by David Evans, 38(3):562-4 Feelin' Good. Jessie Mae Hemphill (High EDSTROM, K. OLLE, rev. of Chants etpoe- Water LP 1012), rev. by Eddie S. Mead- sies des sames laponie (ORSTOM SE- ows, 39(1):153-4 LAF/CETO 806), 35(2):296-8 FELDMAN, WALTER, rev. of Jakie Jazz Egitto I: Epica (I Suoni/Musica di Tradiz- 'Em Up: Old Time Klezmer Music ione Orale. Cetra/SU 5005), rev. by 1912-1926 (Global Village Music GVM Dwight F. Reynolds, 31(1):170-2 101), and Klezmer Music: Early Yid- Egypte. Les Musiciens du Nil, Volumes 1 dish Instrumental Music. The First Re- and 2 (OCORA 558-514 HM 52 & OCO- cordings: 1910-1927, from the collec- RA 558-525 HM 52), rev. by George D. tion of Dr. Martin Schwartz (Folklyric Sawa, 31(1):173-5 Records 9034), 31(2):340-3 ELLINGSON, TER, rev. of Sri Lanka: Festival of India: A Hindustani Sampler Kolam-The Masked Play (Bairenreiter- (Music of the World, CDT-121), rev. by Musicaphon BM 30 SL 2569), Charles Capwell, 37(1):142-3 31(1):187-9 Flaco Jimdnez: Arriba El Norte (Rounder ERDENER, YILDIRAY, rev. of Bayram: Records 6032), rev. by Steven Loza, Turkish Folk Songs and Sufi Melodies 37(3):455-7 for Baglama and Voice (Music of the Flaco Jimdnez: San Antonio Soul (Round- World, CDT-122), 37(1):139-40 er CD 6042), rev. by Daniel Sheehy, Ethiopia III: Three Chordophone Tradi- 36(2):283-8 tions (Musicaphon BM 30 SL 2314), Flights of Improvisation (LYRCRD 7416), rev. by Ashenafi Kebede, 34(1):196-8 rev. by Gordon Thompson, 39(2):325-7 EVANS, DAVID, rev. of Blues in the Missis- Flutes of Rajasthan (Le Chant du Monde, sippi Night (Rykodisk RCD-90155), LDX 274 645), rev. by Gregory Booth, 35(3):447-51; rev. of Lightnin' Hopkins 34(2):298-300 (Smithsonian Folkways CD SF 40019), 37(3):465-7; rev. of Charlie Patton, G King of the Delta Blues (Yazoo 2001), Gamelan Batel Wayang Ramayana (CMP Masters of the Delta Blues: The Friends CD 3003), and Gamelan Semar Pegul- of Charlie Patton (Yazzo 2002), and ingan Saib Pitu: The Heavenly Orches- Honeyboy Edwards, Delta Bluesman tra of Bali (CMP CD 3008), rev. by Mi- (Earwig 4922CD), 38(1):181-6; rev. of chael B. Bakan, 39(2):321-4 Andrew "B.B." Odom & The Gold Tops: GARFIAS, ROBERT, rev. of Collection uni- Goin' to California (Flying Fish FF verselle de musique populaire enregis- 70587), and Eddie Shaw: In the Land tree/ World Collection of Recorded of the Crossroads (Rooster Blues CD Folk Music (Disques VDE-Gallo 30-425/ R72624), 38(3):562-4 430), 31(2):333-9 EVELEV, YALE and GUGUM GUMBIRA, Id- Gendang Karo/Northern Sumatra, Indo- jab Hadidjah, Tonggeret (Icon nesia. Trance and Dance Music of the Records, Elektra/Nonesuch, Explorer Karo Batak (Museum fUr V61kerkunde Series 9 79137-1), rev. by Patricia Ma- Berlin), rev. by Roger Vetter, tusky, 32(2):333-4 33(3):563-5 Index 399

Ghana: Ancient Ceremonies. Songs and Water LP 1011), rev. by Eddie S. Mead- Dance in Music (Elektra Nonesuch 9 ows, 39(1):153-4 72082-2), rev. by Dale A. Olsen, Homeland 2: A Collection of Black South 37(1):144-5 African Music (Rounder CD 5028), GOERTZEN, CHRIS, rev. of Now That's a rev. by David Coplan, 35(2):300-2 Good Tune: Masters of Traditional Honeyboy Edwards, Delta Bluesman (Ear- Missouri Fiddling (Grey Eagle Records wig 4922CD), rev. by David Evans, 101), 37(3):467-9 38(1):185-6 GROESBECK, ROLF, rev. of Inde du sud: HOWARD, KEITH, rev. of Ppuri kip'un Musiques rituelles et th6dtre du Kera- namu p'alto sort (The Deep-Rooted la/South India: Ritual Music and The- Tree Collection of Korean Folk atre of Kerala (Le chant du monde Songs) (Korea Britannica Corporation/ LDX 274910), 37(3):458-61 Chigu JLS 120166-JLS 120176), Guinde: Recits et Epop6es (Ocora 32(1):165-71 C560009), rev. by Roderic C. Knight, Huaynos & Huaylas. The Real Music of 38(3):552-7 Peru (Globestyle Records), rev. by Dale A. Olsen, 35(3):453-6 H

HARNISH, DAVID, rev. of Ritual Music from Ball III: The Gede from Su- Idjab Hadidjah, Tonggeret (Icon Records, laban (Musicaphon BM 30 SL 2573), Elektra/Nonesuch, Explorer Series 9 34(1):185-7; rev. of Bali: Gamelan 79137-1), by Yale Evelev and Gugum and Kecak (Nonesuch Explorer Series Gumbira, rev. by Patricia Matusky, 79204), and Bali. Folk Music (Auvidis- 32(2):333-4 UNESCO D8003), 34(3):496-8; rev. of Inde Centrale: Traditions musicales des Kecak from Bali (Bridge 9019), Gond (AIMP XX CD-618), rev. by David 35(2):302-4 Roche, 36(3):440-4 HARRIS, LAURA ARNSTON, rev. of Kaira: Inde du sud: Musiques rituelles et thbdtre Toumani Diabat6 (Hannibal Records du Kerala/South India: Ritual Music HNBL 1338),Jatigui: Tata Bambo and Theatre of Kerala (Le chant du Kouyate (Globe Style ORB 042), and monde LDX 274910), rev. by Rolf Simnad: Pascal Diatta and Sona Groesbeck, 37(3):458-61 Man6 (Rogue Records FMSL 2017), rev. Iran: Persian Classical Music (Elektra 34(3):516-20 Nonesuch 9 72060-2), 'briefly noted' HATTON, ORIN T., rev. of Omaha Indian rev. by Dale A. Olsen, 37(1):145 Music: Historic Recordings from the Iscathamiya: Zulu Workers Choirs in Fletcher/La Flesche Collection (Ameri- South Africa (Heritage HT 313), rev. can Folldife Center, by David Coplan, 34(2):352-3 AFC L71), by Dorothy Sara Lee and Maria La Vigna, 32(2):334-5 J HERNANDEZ, DEBORAH PACINI, rev. of Jakie Jazz 'Em Up: Old Time Klezmer Cumbia Cumbia: A Selection of Co- Music 1912-1926 (Global Village Mu- lombian Cumbia Recordings (World sic GVM 101), rev. by Walter Feldman, Circuit / WCD 016), Peregoyo y Su 31(2):340-3 Combo Vacana: Tropicalismo (World Japan: Shakubachbi-the Japanese Flute. Circuit / 015), Joe Arroyo y La Verdad: Kobachiro Miyata, shakubachbi (Elek- Rebellion (World Circuit / WCD 012), tra Nonesuch 9 72076-2), 'briefly not- Diomedes Diaz and Nicholas 'Cola- ed' rev. by Dale A. Olsen, 37(1):145-6 cho' Mendoza: Cantandol (GlobeStyle, Japon: L'6pop&e des Heike-Junko Ueda: Orb 055), and The Merifto Brothers:. Satsumi-biwa (AIMP XXI / VDE-GALLO Dynamos! (GlobeStyle, Orb CD-650), rev. by Tone Takahashi, 049), 36(2):288-96 37(1):134-9 Hezekiah and the House Rockers (High Jatiguit Tata Bambo Kouyate (Globe Style 400 Ethnomusicology, Spring/Summer 1997

ORB 042), rev. by Laura Arntson Harris, tral Italy (Global Village Music GMV 34(3):516-20 678), 34(2):343-47 Java: Music of the East (EMI-Odeon, 64- Kenya and Tanzania: Witchcraft and Rit- 2403201), by Jacques Brunet, rev. by ual Music (Elektra Nonesuch 9 72066- Patricia Matusky, 32(2):331-2 2), 'briefly noted' rev. by Dale A. Ols- Joe Arroyo y La Verdad: Rebellion (World en, 37(2):146 Circuit / WCD 012), rev. by Deborah KIMBERLIN, CYNTHIA TSE, rev. of Sudan Pacini Hernandez, 36(2):288-96 IT Music of the Blue Nile Province; The JOHNSTON, THOMAS F., rev. of Mateso Gumuz Tribe (Musicaphon BM 30 SL (Suffering): Master Musicians of Tan- 2312), and Sudan II Music of the Blue zania (Triple Earth Records, Terra CD Nile Province; The Ingnessana and 104), and Musiker aus Malawi (Muse- Berta Tribes (Musicaphon BM 30 SL um Collection Berlin. ISBN 3-88609 2313), 34(2):349-52 515 0), 35(2):305-7 KISLIUK, MICHELLE, rev. of Chasseurs JONES-BAMMAN, RICHARD, rev. of Pygm6es (ORSTOM/SELAF/CETO 795), Samisk Musik iforvandling (Caprice 34(3):513-6 CAP 1351), 35(3):460-2 Klezmer Music: Early Yiddish Instrumen- Junior Parker, James Cotton, Pat Hare: tal Music. The First Recordings: 1910- "Mystery Train," (Rounder CD SS38), 1927, from the collection of Dr. Mar- rev. by Peter Roller, 37(3):461-5 tin Schwartz (Folklyric Records 9034), rev. by Walter Feldman 31(2):340-3 K KNIGHT, RODERIC, rev. of The Mande Kaira: Toumani Diabat6 (Hannibal Sound: African Popular Music on Records HNBL 1338), rev. by Laura Records, 33(2):371-7; rev. of Rhyth- Arnston Harris, 43(3):516-20 men der Malinke, Guinea (Museum KAMALIDIIN, SAIS, rev. of Marion Wil- Collection Berlin CD 18), 38(1):190-3; liams: Strong Again (Shanachie rev. of Centrafrique: Musique Gbdyd/ Records, Spirit Feel, SF 1013), Chants i penser (Ocora C580008), Si- 38(1):186-7 erra Leone: Musiques traditionelles KAYE, ANDREW, rev. of Madagasikara (Ocora 580036), Guin6e: Recits et Two: Current Popular Music of Mada- Epop6es (Ocora C560009), Ouganda: gascar (GlobeStyle CDORBD 013), Aux sources du Nil (Ocora C560032), 36(2):297-9 and Anka Dia: Musique et chants du KEBEDE, ASHENAFI, rev. of Ethiopia III: Burkina Faso (Auvidis Ethnic B6775), Three Chordophone Traditions (Musi- 38(3):557-8 caphon BM 30 SL 2314), 34(1):196-8; KOHL, RANDALL C., rev. of The Tau Moe rev. of Aster Aweke (Triple Earth 107), Family with Bob Brozman. 35(1):157-60 Ho'omana'o I Na Mele 0 Ka Wa U'i. Kecak from Bali (Bridge 9019), rev. by Remembering the Songs of Our Youth David Harnish, 35(2):302-4 (Rounder Records 6028), 35(3):445-7 KEILLOR, ELAINE, rev. of Old Native and KUO-HUANG, HAN, rev. of A Musical An- M6tis Fiddling in Manitoba, Volumes thology of the Orient: China. Record- 1 and 2, 34(1):192-6 ings from the People's Republic of Chi- KELLER, MARCELLO SORCE, rev. of Ches- na (Bairenreiter BM 30 SL 2032), ta e' la voci ca canuscite. Southern 33(3):567-9 Italian Mountain Music from Cala- KUTER, LOIS, rev. of Tradition Chante6 de bria, Campania, Basilicata, and Bretagne-Les Sources du Barzaz- Abruzzi (Global Village Music GVM Breiz aujourd'hui (Ar Men and Dastum 675), La baronessa di Carini. Sicilian SCM013), 34(3):507-8; rev. of Chan- Traditional Songs and Music (Global sons traditionnelles du pays de Village Music GMV 676/677), and Can- Foug?res: M6lanie Houedry (Saint- tate con noi. Choral and Popular Ouen-les-Alleux). Chanteurs et mu- Songs from Northern and South-Cen- siciens de Bretagne No. 1. (Dastum, Index 401

AFAP, and La Boeze DAS-112), Tradi- Lightnin' Hopkins (Smithsonian Folkways tion de veuze en pays nantais. Chan- CD SF 40019), rev. by David Evans, teurs et musiciens de Bretagne No. 2. 37(3):465-7 (Dastum and Sonneurs de Veuze / DAS- Like a Bird: Satsuki Odamura with Ian 112), Chants traditionnels de Haute- Cleworth, Riley Lee, Cleis Pearce, Ka- Bretagne: Bogue d'Or 1989. Chanteurs zue Sawai (Tall Poppies Records), rev. et musiciens de Bretagne No.3. (Das- by Elizabeth Falconer, 39(1):170-2 tum Groupement Culturel Breton des Little Milton: "The Sun Masters. " (Rounder Pays de Vilaine / DAS-113, Tradition fa- CD SS36), rev. by Peter Roller, miliale de chant en pays bigouden. 37(3):461-5 Chanteurs et musiciens de Bretagne LOZA, STEVEN, rev. of Flaco Jim6nez: Ar- No. 4. (Dastum / DAS-114), and Clari- riba El Norte (Rounder Records 6032), nettes et anciennes danses populaires Santiago Jim6nez, Jr.: Familia y du Tr6gor. Chanteurs et musiciens de Tradici6n (Rounder Records 6033), Bretagne No.5. (Dastum Bro Dreger and and Steve Jordan: El Huracdn (Round- Dastum / DAS-115), 36(2):278-83 er Records 6031), 37(3):455-7 KVAM, JANET, rev. of Polskan I Norden.: LUBET, ALEX, rev. of Maxwell Street Wed- Traditionsinspelningarfran Sverige, ding-The Maxwell Street Klezmer Norge, Danmark, Finland. (SVEA Band (Global Village CD 136), Fonogram, SVMC 2), and Skdmtvisor 39(1):158-60; rev. of Dave Tarras: fran Fem Sekel (SVEA Fonogram, Yiddish-American Klezmer Music: SVMC 3), 36(3):437-8 1925-56 (Yazoo 7001), 39(1):160-2; rev. of rhythm + jews--The Klezmat- L ics (Flying Fish FF 70591), 39(2):340- La baronessa di Carini. Sicilian Tradi- 42; rev. of Papirossn: Talila Chant le tional Songs and Music (Global Village Yiddish (Le Chant du Monde LDX 274 Music GMV 676/677), rev. by Marcello 956), 39(2):342-43 Sorce Keller, 34(2):343-7 LUTZ, MAIJA M., rev. of Canada:Jeux vo- LADAKH: Musique de monast~re et de vil- caux des Inuit (Ocora HM 83), lage / Monastic and village music (Le 43(3):511-3 Chant du Monde LDX 274 662), rev. by LYSLOFF, RENE, T.A., rev. of The Sultan's David B. Reck, 35(3):456-8 Pleasure: Javanese Gamelan & Vocal LAMBERT, JEAN, The Afro-Arabian Cross- Music (Music of the World), 36(2):299- road: Music of the Tibhama on the Red 302 Sea (Lyrichord LLST 7384), 31(2):350-2 M LAOS: Traditional Music of the South/ LAOS: Musique traditionnelle du sud MACKINLAY, ELIZABETH, rev. of Austra- (Auvidis D 8042), rev. by Terry E, Mill- lia: Goyulan: The Morning Star. An er, 39(1):163-5 Aboriginal Clan Song Series from Lauluja ltnnen kultalasta: Finnish Amer- North Central Arnhem Land (EMI Aus- ican Recordings 1907-1938. (Finland: tralia, Ltd.), 39(3):515-6 Folk Music Institute, KICD 25), rev. by Madagasikara Two: Current Popular Mu- Carl Rahkonen, 39(2):338-40 sic of Madagascar (GlobeStyle Laya Vinyas: The South Indian Drum- CDORBD 013), rev. by Andrew Kaye, ming of Trichy Sankaran (Music of 36(2):297-9 the World T-120), rev. by David Nel- The Mande Sound.: African Popular Music son, 35(3):458-60 on Records, rev. by Roderic Knight, LEE, DOROTHY SARA and MARIA LA VI- 33(2):371-7 GNA, Omaha Indian Music: Historic Mangbetu-Zaire (Ethnomusicologisch Cen- Recordings from the Fletcher/La Fle- trum Paul Collaer ECPC 03), rev. by Ka- sche Collection (American Folklife Cen- zadi wa Mukuna, 34(2):348-9 ter, Library of Congress AFC L71), rev. MANUEL, PETER, rev. of Ustad All Akbar by Orin T. Hatton, 32(2):334-5 Khan: Sarod (Water Lily Acoustics ES- 402 Ethnomusicology, Spring/Summer 1997

01), 31(1):183-86; rev. of Antologia de MEADOWS, EDDIE S., rev. of Feelin' la mtsica afrocubana, Volume 2: Oru Good. Jessie Mae Hemphill (High Wa- de Igbody (Areito [Egrem] LD-3995), ter LP 1012), and Hezekiah and the Volume 3: Musica lyesd (Areito House Rockers (High Water LP 1011), [Egrem] LD-3747), Volume 4: Musica 39(1):153-4 Arard (Areito [Egrem] LD-3996), Vol- The Meriflo Brothers: Vallenato Dyna- ume 5: Tambor Yuka (Areito [Egrem] mos! (GlobeStyle, Orb 049), rev. by LD-3994), Volume 6: Fiesta de Bemb6 Deborah Pacini Hernandez, 36(2):288- (Areito [Egrem] LD-3997), Volume 7: 96 Tumba Francesa (Areito [Egrem] LD- Mexico: Fiestas of Chiapas and Oaxaca 3606), 31(2):345-49 (Elektra Nonesuch 9 72070-2), 'briefly Marion Williams. Strong Again (Shanach- noted' rev. by Dale A. Olsen, 37(1):147 ie Records, Spirit Feel, SF 1013), rev. MILLER, TERRY E., rev. of Viet-Nam IIT by Sais Kamalidiin, 38(1):186-7 Court Theatre Music. Hdt-b6i-Vietnam- Maroc: Musique classique Andalou-Magh- ese Theatre (Southern Tradition) (EMI rdbine (OCORA 558 588/Harmonia [Musical Atlas] 2602821), 33(3):565-7; Mundi HM 57), rev. by Philip D. rev. of Thailand: The Music of Chieng Schuyler, 31(1):176-9 Mai (Auvidis-Unesco D 8007), MARTIN, STEPHEN H., rev. of Tanzania 34(3):485-7; rev. of LAOS: Traditional Yetu (Triple Earth Records Terra 101), Music of the South/ LAOS: Musique 34(2):353-5; rev. of Taarab: The Music traditionnelle du sud (Auvidis D of Zanzibar, Volume 4: Cultural Musi- 8042), 39(1):163-5; rev. of Cambodge/ cal Club (Globe Style ORBD 041), and Cambodia: Musiques de l'exil/ Music Nyota: Classic Taarab Recordings of the Exile (VDE-Gallo VDE CD-698, from Tanga (Globe style ORB 044), 39(2):333-5 34(3):500-2; rev. of Abana Ba Nasery: MILLER, TERRY E. and PANYA ROONGRU- Classic Acoustic Recordings From ANG, Siamese Classical Music (MVD Western Kenya (Globestyle ORB 052), Music und Video Distribution), and Piny Ose Mer (The World Upside 38(1):193-8 Down). "The Best of Benga From the MIRANDA, GIL, rev. of Carlos Paredes- West of Kenya" (Globe Style ORB 046), Guitarra Portuguesa (Electra/None- 38(3):543-7 such Records, Explorer Series 9 79203- Masters of the Delta Blues: The Friends of 2), 35(2):309-10 Charlie Patton (Yazzo 2002), rev. by Modern Mandolin Maestro: U. Srinivas David Evans, 38(1):183-5 (Globestyle CDORBD 068), rev. by Mateso (Suffering): Master Musicians of Charles Capwell, 37(1):142-3 Tanzania (Triple Earth Records, Terra Mongolie: Musique et Chants de l'Altai CD 104), rev. by Thomas F. Johnston, (CETO 811), rev. by Mark Slobin, 35(2):305-7 36(3):444-6 MATUSKY, PATRICIA, rev. of Java: Music Mountain Music of Peru, Volume 1 of the East (EMI-Odeon, 64-2403201), (Smithsonian/Folkways CD SF 40020), by Jacques Brunet, and Idjah Hadid- 'briefly noted' rev. by Dale A. Olsen, jah, Tonggeret (Icon Records, Elektra/ 38(1):199-200 Nonesuch, Explorer Series 9 79137-1), MUKUNA, KAZADI WA, rev. of Rwanda- by Yale Evelev and Gugum Gumbira, traditionele muziek (Ethnomusicolo- 32(2):333-4 gisch Centrum Paul Collaer ECPC 04- Maxwell Street Wedding-The Maxwell 05), 34(2):347-8; rev. of Mangbetu- Street Klezmer Band (Global Village Zaire (Ethnomusicologisch Centrum CD 136), rev. by Alex Lubet, Paul Collaer ECPC 03), 34(2):348-9; 39(1):158-60 rev. of Rujindire, Maitre de l"Inanga. Mbuti Pygmies of the Ituri Rainforest Musique de l'Ancienne cour de Rwan- (Smithsonian/Folkways CD SF 40401), da (Fonti Musicali FMD 186), 'briefly noted' rev. by Dale A. Olsen, 36(3):438-40 38(1):201-2 Index 403

Music of Indonesia 2. Indonesian Popu- Musique sur les Routes de la Sole (Music lar Music: Kroncong, Dangdut, and on the Silk Roads) (Auvidis B 6776), Langgam Jawa (Smithsonian/Folkways rev. by Mark Slobin, 39(1):172-4 CD SF 40056), and Music of Indonesia The Mystical Flute of Hariprasad Chur- 3.Music from the Outskirts of Jakarta: asia; Zakir Hussain, tabla (Oriental Kromong (Smithsonian Records BGRP 1025), rev. by Brian Q. Folkways CD SF 40057), rev. by Hardja Silver, 31(1):179-3 Susilo, 36(3):449-51 The Music of KR.T Wasitodiningrat. N JAVA (CMP Records 3007), rev. by R. NavaJo Songs (Smithsonian Folkways CD Anderson Sutton, 38(3):546-7 SF 40403), rev. by Brenda M. Romero, Music of Madura: Java, Indonesia (ODE 39(2):309-13 Recording Company, ODE 1381): rev. NELSON, DAVID, rev. of Laya Vinyas: The by R. Anderson Sutton, 36(3):446-9 South Indian Drumming of Trichy Music of New Mexico: Hispanic Tradi- Sankaran (Music of the World T-120), tions (Smithsonian Folkways CD SF 35(3):458-60 40409) and Music of New Mexico: Na- The New Lost City Ramblers: The Early tive American Traditions (Smithsonian Years, 1958-1962., rev. by Elaine Folkways CD SF 40408), rev. by Brenda Bradtke, 38(1):188-90 M. Romero, 39(2):309-13 Nicaraguan Folk Music from Masaya: Music of the Comoro Islands. Domoni Milsica Folkl6rica de Masaya (Flying (Ethnic Folkways Records FE 4243), Fish Records FF 474), rev. by Linda rev. by Lois Ann Anderson, 31(3):528- O'Brien-Rothe, 38(2):376-9 30 Noise Khanyile: The Art of Noise (Globe Music of the Nile Valley (Lyrichord Discs style ORB 045), rev. by David Coplan, LLST 7355), rev. by Dwight F. Rey- 34(3):502-5 nolds, 31(1):170-2 Nordsudan: Musik der Nubier (Music Col- Masica Tradicional de Cajamarca and lection Berlin [West]), rev. by Ander- Masica Tradicional del Valle del Cal- son Bakewell, 31(3):531-3 ca (Pontifica Universidad Cat61ica del Now That's a Good Tune: Masters of Tra- Peri), rev. by Dale A. Olsen, ditional Missouri Fiddling (Grey Eagle 35(2):307-9 Records 101), rev. by Chris Goertzen, Masica Tradicional del Cusco (Music of 37(3):467-9 the World, Ltd., AMTA-5), and Miisica Nyota. Classic Taarab Recordings from Tradicional de Lambayeque (Music of Tanga (Globe style ORB 044), rev. by the World, AMTA-6), rev. by Dale A. Stephen H. Martin, 43(3):500-2 Olsen, 39(1):154-7 Masica Tradicional del Valle del Mantaro O (Pontificia Universidad Catolica del O'BRIEN-ROTHE, LINDA, rev. of Nicara- Perii), rev. by Dale A. Olsen, guan Folk Music from Masaya: Misi- 34(1):183-4 ca Folkl6rica de Masaya (Flying Fish A Musical Anthology of the Orient: China. Records FF 474), 38(2):376-9 Recordings from the People's Republic Old Native and Mdtis Fiddling in Manito- of China (Birenreiter BM 30 SL 2032), ba, Volumes 1 and 2, rev. by Elaine rev. by Han Kuo-Huang, 33(3):567-9 Keillor, 34(1):192-6 A Musical Journey Through India: 1963- OLSEN, DALE A., rev. of Mtasca Tradicio- 1964 A Series of ten talks given for nal del Valle del Mantaro (Pontificia the BBC Third Programme in 1969 Universidad Caitolica del Peri), 34(1): (UCLA), rev. by Brian Q. SIlver, 183-4; rev. of Misica Tradicional de 35(2):289-2 Cajamarca (Pontificia Universidad Musiker aus Malawi (Museum Collection Cat61ica del Periu), and Mtisica Tradicio- Berlin. ISBN 3-88609 515 0), rev. by nal del Valle del Calca (Pontifica Uni- Thomas F. Johnston, 35(2):305-7 versidad Cat61lica del Perui), 35(2):307- 404 Ethnomusicology, Spring/Summer 1997

09; rev. of Brdsil Central Chants et Papirossn: Talila Chant le Yiddish (Le Danses des Indiens Kaiap6 (VDE-Gallo Chant du Monde LDX 274 956), rev. by CD 554/535), and Huaynos & Huaylas. Alex Lubet, 39(2):340-3 The Real Music of Peru (Globestyle Peregoyo y Su Combo Vacana: Tropicalis- Records), 35(3):453-6; 'briefly noted' mo (World Circuit / 015), rev. by Deb- rev. of China: Music of the Pipa. Lul orah Pacini Hernandez, 36(2)288-96 Pui-yuen, pipa. (Elektra Nonesuch 9 Philip Thabane and Malombo: Unhi 72085-2), Ghana: Ancient Ceremonies. (Nonesuch Explorer Series 79225), rev. Songs and Dance in Music (Elektra by David Coplan, 43(3):502-5 Nonesuch 9 72082-2), Iran: Persian Piny Ose Mer (The World Upside Down). Classical Music (Elektra Nonesuch 9 "The Best of Benga From the West of 72060-2), Japan: Shakuhachi-theJapa- Kenya" (Globe Style ORB 046), rev. by nese Flute. Kohachiro Miyata, shakuh- Stephen H. Martin, 38(3):543-7 achi (Elektra Nonesuch 9 72076-2), Pizmon: Syrian-Jewish Religious and So- Kenya and Tanzania: Witchcraft and cial Song (Meadowlark Records 105), Ritual Music (Elektra Nonesuch 9 rev. by Karl Signell, 31(2):343-5 72066-2), Mexico: Fiestas of Chiapas Polskan I Norden: Traditionsinspelningar and Oaxaca (Elektra Nonesuch 9 fran Sverige, Norge, Danmark, Fin- 72070-2), and West Indies: An Island land. (SVEA Fonogram, SVMC 2), rev. Carnival (Elektra Nonesuch 9 72091-2), by Janet Kvam, 36(3):437-8 37(1):144-8; 'briefly noted' rev. of Chi- Possum Up a Gum Stump: Home, Field, na's Instrumental Heritage (N.d. Lyri- and Commercial Recordings of Ala- chord Discs Inc. LYRCD 792), Moun- bama Fiddlers Past and Present (Ala- tain Music of Peru, Volume 1 bama Traditions 103), rev. of Joy Bakl- (Smithsonian/Folkways CD SF 40020), anoff, 36(1):140-1 Classical Music of Iran. The Dastgah Ppuri kip'un namu p'alto sori (The Deep- Systems (Smithsonian/Folkways CD SF Rooted Tree Collection of Korean Folk 40039), Mbuti Pygmies of the Ituri Songs) (Korea Britannica Corporation/ Rainforest (Smithsonian/Folkways CD Chigu JLS 120166-JLS 120176), rev. by SF 40401), and Bresil-Musiques du Haut Keith Howard, 32(1):165-71 Xingu (Harmonia Mundi, C 580022), Prof. Debu Chaudhuri Sitar (India Ar- 38(1):199-203; rev. of Misica Tradicio- chive Music IAM-CD 1002), rev. by nal del Cusco (Music of the World, Ltd., David Roche, 39(2):327-33 AMTA-5), and Masica Tradicional de PROVINE, ROBERT C., rev. of The Deep- Lambayeque (Music of the World, Rooted Tree Sanjo Collection (SEM AMTA-6), 39(1):154-7; rev. of The Spirit Gramophone SEL R0137), and The Cries. Music from the Rainforests of Deep-Rooted Tree Collection of Kore- South America and the Caribbean an Songs of Sorrow (SEM Gramophone (Rykodisc RCD 10250), 39(1):165-7 SEL R0138), 35(1):160-5 Omaha Indian Music: Historic Record- ings from the Fletcher/La Flesche Col- Q lection (American Folklife Center, Li- brary of Congress AFC L71), by R Dorothy Sara Lee and Maria La Vigna, RAHKONEN, CARL, rev. of Lauluja ldnnen rev. by Orin T. Hatton, 32(2):334-5 kultalasta: Finnish American Record- Ouganda: Aux sources du Nil (Ocora ings 1907-1938 (Finland: Folk Music C560032), rev. by Roderic C. Knight, Institute, KICD 25), and Aarnion st- 38(3):552-7 sarukset: Hamen polkka (The Aarnio Family Band: Finnish Folk Music from P the 1930's) (Finland: Folk Music Insti- PanditJasraj sings Darbari and Ahirb- tute, KICD 28), 39(2):338-40 hairav; Zakir Hussain, tabla (Oriental Rashid Khan, Vocal (India Archive Music Records BGRP 1029), rev. by Brian Q. IAM-CD 1003), rev. by David Roche, Silver, 31(1):179-83 39(2):327-33 Index 405

RASMUSSEN, ANNE, rev. of Azerbaidjan: ROCKWELL, CORALIE, rev. of Anthology musique et chants des ashiq- Ashiq of Korean Vocal Tradition: Kagok Hasan, Emran Heydari, Alim Qdsimov (The Korean Cultural Research Center, (Archives Internationales de Musique Korea University, 8608 G112-G117), Populaire-VDE DC-613), and Azer- 36(1):141-4 bdyjdn: Musique Traditionnelle/Azer- ROLLER, PETER, rev. of Junior Parker, bayjan: Traditional Music (Le Chant du James Cotton, Pat Hare: "Mystery Monde LDX 274 901), 36(2):273-8; rev. Train, " (Rounder CD SS38), Little Mil- of Sounds of the World. Music of the ton: "The Sun Masters," (Rounder CD Middle East: Arab, Persian/Iranian, SS35), Sonny Burgess: "We Wanna Bo- and Turkish Traditions in the United ogie," (Rounder CD SS36), and Sun States (Music Educators National Confer- Rockabilly: The Classic Recordings ence), 38(2):380-3; rev. of Turath (Her- (Rounder CD SS37), 37(3):461-65 itage). Simon Shaheen Performs Mas- ROMERO, BRENDA M., rev. of Music of terworks of the Middle East (CMP New Mexico: Hispanic Traditions Records), 39(2):315-21 (Smithsonian Folkways CD SF 40409), RECK, DAVID B., rev. of LADAKH: Mu- Music of New Mexico: Native Ameri- sique de monastcre et de village / Mo- can Traditions (Smithsonian Folkways nastic and village music (Le Chant du CD SF 40408), Navajo Songs (Smithso- Monde LDX 274 662), 35(3):456-8 nian Folkways CD SF 40403), and Talk- REYNOLDS, DWIGHT F., rev. of Egitto I: ing Spirits: Native American Music Epica (Musica di Tradizione Orale. Ce- from the Hopi, Zuni and San Juan tra/SU 5005), and Music of the Nile Pueblos (Music of the World CDT-126), Valley (Lyrichord Discs LLST 7355), 39(2):309-13 31(1):170-72 Roumanie: Polyphonie vocale des Arou- rhythm + jews- The Klezmatics (Flying mains (Le Chant du Monde LDX 74803), Fish FF 70591), rev. by Alex Lubet, rev. by Timothy Rice, 31(1):190-1 39(2):340-2 Routes of Rhythm, Volume 1: A Carnival Rhythmen der Malinke, Guinea (Museum of Cuban Music, Volume 2: Cuban Collection Berlin CD 18), rev. by Ro- Dance Party (Rounder CD 5049), rev. deric Knight, 38(1):190-3 by Lucy Duran, 35(2):292-6 RICE, TIMOTHY, rev. of Roumanie: Poly- Rujindire, Maitre de l"Inanga. Musique phonie vocale des Aroumains (Le de l'Ancienne cour de Rwanda (Fonti Chant du Monde LDX 74803), Musicali FMD 186), rev. by Kazadi wa 31(1):190-1 Mukuna, 36(3):438-40 Ritual Music from Bali III: The Gong Rwanda-traditionele muziek (Ethnomusi- Gede from Sulahan (Musicaphon BM cologisch Centrum Paul Collaer ECPC 30 SL 2573), rev. by David Harnish, 04-05), rev. by Kazadi wa Mukuna, 34(1):185-7 34(2):347-8 ROCHE, DAVID, rev. of Inde Centrale: Traditions musicales des Gond (AIMP S XX CD-618), 36(3):440-44; rev. of Us- Samisk Musik iforvandling (Caprice CAP tad Vilayat Khan, Sitar (India Archive 1351), rev. by Richard Jones-Bamman, Music IAM-CD 1001), Prof. Debu 35(3):460-2 Chaudhuri Sitar (India Archive Music Samulnori (CBS Sony 32DG 64), and Sam- IAM-CD 1002), Rashid Khan, Vocal ulnort: Record of Changes (CMP CD (India Archive Music IAM-CD 1003), 3002), rev. of Margaret Walker Dilling, Ajoy Chakrabarty, Vocal (India Ar- 38(2):373-6 chive Music IAM-CD 1005), Ustad Im- Santiago Jimdnez, Jr.: El Gato Negro rat Khan, Surbahar/Sitar (India Ar- (Rounder CD 6044), rev. by Daniel chive Music IAM-CD 1005), and Sheehy, 36(2):283-8 Buddhadev Das Gupta, Sarod (India Santiago Jimdnez, Jr.: Familia y Archive Music IAM-CD 1006), Tradici6n (Rounder Records 6033), 39(2):327-3 rev. by Steven Loza, 37(3):455-7 406 Ethnomusicology, Spring/Summer 1997

SAWA, GEORGE D., rev. of Egypte. Les Sounds of the Sandoor by Shivkumar Musiciens du Nil, Volumes 1 and 2 Sharma; Zakir Hussian, tabla (Orien- (OCORA 558-514 HM 52 & OCORA tal Records BGRP 1026), The Mystical 558-525 HM 52), 31(1):173-5 Flute of Hariprasad Chaurasia; Zakir SCHUURSMA, ANN, rev. of Ballades et Hussain, tabla (Oriental Records BGRP frtes en Roumanie (Chant du Monde 1025), and PanditJasraj sings Dar- LDX 74846/47), 43(3)509-11 bari and Ahirbhairav, accompanied SCHUYLER, PHILIP D., rev. of Maroc: Mu- on tabla by Zakir Hussain (Oriental sique classique Andalou-Maghrdbine Records BGRP 1029), 31(1):179-83; (OCORA 558-88/Harmonia Mundi HM rev. of A Musical Journey Through In- 57), 31(1):176-9 dia: 1963-1964. A Series of ten talks The Scintillating Sounds of the Santoor given for the BBC Third Programme by Shivkumar Sharma; Zakir Hus- in 1969 (UCLA), 35(2):289-92 sain, tabla (Oriental Records BGRP Simnad6: Pascal Diatta and Sona Man6 1026), rev. by Brian Q. Silver, (Rogue Records FMSL 2017), rev. by 31(1):17-83 Laura Arntson Harris, 34(3):516-20 SCOTT, JANE WELLS, rev. of Tom Doher- Skadmtvisorfran Fem Sekel (SVEA Fono- ty. Take the Bull by the Horns (Green gram, SVMC 3), rev. by Janet Kvam, Linnet Records, GLCD 1131), 36(3):437-8 39(3):525-7 SLAWEK, STEPHEN, rev. of Afternoon Ra- Shahjahan Miah: chants mystiques bauls gas: Bhimpalasri, Multani (Raga du Bangladesh dans la tradition de Records, Raga-211), 39(3):520-3 l'ordre Lalan Shahi (La Maison des SLOBIN, MARK, rev. of Virgins, Orphans, Cultures du Monde), rev. by Charles Widows, Bards, Songs of Hmong Capwell, 39(2):324-5 Women (The Women's Building Gal- SHEEHY, DANIEL, rev. of Conjuntol Texas- lery), by Amy Catlin, 32(2):336; rev. of Mexican Border Music, Volumes 1 and Tuva: Voices from the Center of Asia 2 (Rounder CD 6024), Conjuntol Tex- (Smithsonian/Folkways CD SF 40017), as-Mexican Border Music, Volumes 3 Bukhara: Musical Crossroads of Asia and 4 (Rounder CD 6024), Santiago (Smithsonian/Folkways CD SF 40050), Jimdnez, Jr.: El Gato Negro (Rounder Central Asia in Forest Hills, New CD 6044), and FlacoJimdnez: San An- York: Shashmaqam, Music of the tonio Soul (Rounder CD 6042), Bukharan Jewish Ensemble (Smithso- 36(2):283-88 nian/Folkways CD SF 40050), and Mon- Shobha Gurtu (CMP CD 3004), rev. by golie: Musique et Chants de l'Altai Gordon Thompson, 37(1):140-1 (CETO 811), 36(3):444-6; rev. of Mu- Siamese Classical Music (MVD Music und sique sur les Routes de la Soie (Music Video Distribution), rev. by Terry E. on the Silk Roads) (Auvidis B 6776), Miller and Panya Roongruang, Turkmenistan: La Musique des Bakhs- 38(1):193-8 hi (Turkmenistan: The Music of the Sierra Leone: Musiques traditionelles Bakhshy) (VDE CD-651), and Afghani- (Ocora 580036), rev. by Roderic C. stan: Le rubab de Hdrat (Afghanistan: Knight, 38(3):552-7 The Rubab of Herat) (VDE CD-699), Sierra Leone Music: West African Gramo- 39(1):172-4 phone Records Recorded at Freetown Sing for Freedom: The Story of the Civil in the 50s and early 60s (Zensor ZS Rights Movement Through its Songs 41), rev. by Chris Waterman, (Smithsonian Folkways CD SF 400032), 45(1):155-7 rev. by Elaine Bradtke, 37(3):452-5 SIGNELL, KARL, rev. of Pizmon: Syrian- Songs Before Dawn (Smithsonian/Folk- Jewish Religious and Social Song ways SF 40055), rev. of Paul Wolbers, (Meadowlark Records 105), 31(2):343- 38(2):383-6 5; rev. of Voices of the Rainforest Sonny Burgess: "We Wanna Boogie," (Rykodisk RCD 10173), 39(2):335-8 (Rounder CD SS36), rev. by Peter Roll- SILVER, BRIAN Q., rev. of The Scintillating er, 37(3):461-5 Index 407

Sounds of the World. Music of the Middle K.R. T Wasitodiningrat. JAVA (CMP East: Arab, Persian/Iranian, and Turk- Records 3007), 38(3):546-47 ish Traditions in the United States (Mu- sic Educators National Conference), rev. T by Anne Rasmussen, 38(2):380-3 Taarab, the Music of Zanzibar, Volume 1: South Indian Instrumental Ensemble Seif Salim Saheh, Abdullah Mussa (Music of the World CDT-125), rev. by Ahmed, Volume 2: Ikhwani Safaa Mu- Yoshitaka M. Terada, 38(3):559-61 sical Club (Globe Style Records ORBD The Spirit Cries: Music from the Rainfor- 032 & ORBD 033), rev. by Ruth Davis, ests of South America and the Carib- 34(1):187-92 bean (Rykodisc RCD 10250), rev. by Taarab: The Music of Zanzibar, Volume Dale A. Olsen, 39(1):165-7 4: Cultural Musical Club (Globe Style Sri Lanka: Kolam-The Masked Play ORBD 041), rev. by Stephen H. Martin, (Bairenreiter-Musicaphon BM 30 SL 43(3):498-500 2569), rev. by Ter Ellingson, Taiwan, Republic of China-Music of the 31(1):187-9 Aboriginal Tribes (Jecklin-Disco JD Steve Jordan: El Huracdn (Rounder 653-2), rev. by Cynthia Po-man Wong Records 6031), rev. by Steven Loza, and John Ting-jui Ho, 39(3):517-20 37(3):455-7 TAKAHASHI, TONE rev. of Japon: Sudan: Dikr und Madih (Music Collection L'6popde des Heike-Junko Ueda: Sat- Berlin [West]), rev. by Anderson sumi-biwa (AIMP XXI / VDE-GALLO Bakewell, 31(3):531-3 CD-650), 37(1):134-9 Sudan I: Music of the Blue Nile Province; Talking Spirits: Native American Music The Gumuz Tribe (Musicaphon BM 30 from the Hopi, Zuni and San Juan SL 2312), rev. by Cynthia Tse Kimber- Pueblos (Music of the World CDT-126), lin, 34(2):349-52 rev. by Brenda M. Romero, 39(2):309-13 Sudan II: Music of the Blue Nile Province; Tanzania Yetu (Triple Earth Records Ter- The Ingnessana and Berta Tribes (Mu- ra 101), rev. by Stephen H. Martin, sicaphon BM 30 SL 2313), rev. by Cyn- 34(2):353-5 thia Tse Kimberlin, 34(2):349-52 The Tau Moe Family with Bob Brozman. SUGARMAN, JANE C., rev. of Albania: Vo- Ho'omana'o I Na Mele 0 Ka Wa U't. cal and Instrumental Polyphonies (Le Remembering the Songs of Our Youth Chant du Monde LDX 274897), and (Rounder Records 6028), rev. by Ran- Balkan Slavic Music from the Indus- dall C. Kohl, 35(3):445-7 trial Midwest (Ohio Arts Council OAC TERADA, YOSHITAKA M., rev. of South 601), 34(3):488-92 Indian Instrumental Ensemble (Music The Sultan's Pleasure.Javanese Gamelan of the World CDT-125), 38(3):559-61 & Vocal Music (Music of the World), Thailand: The Music of Chieng Mai (Auvi- rev. by Rene T.A. Lysloff, 36(2):299-302 dis-Unesco D 8007), rev. by Terry E. Sun Rockabilly: The Classic Recordings Miller, 34(3):485-7 (Rounder CD SS37), rev. by Peter Roll- THIEME, DARIUS L., rev. of An Anthology er, 37(3):461-5 of African Music. Nigeria III: Igbo Mu- SUSILO, HARDJA, rev. of Music of Indone- sic (Biirenreiter BM 30L 2311), sia 2.Indonesian Popular Music: Kro- 36(1):137-40 ncong, Dangdut, and LanggamJawa THOMPSON, GORDON, rev. of Shobha (Smithsonian/Folkways CD SF 40056), Gurtu (CMP CD 3004), 37(1):140-1; and Music of Indonesia 3.Music from rev. of Flights of Improvisation (LYR- the Outskirts of akarta: Gambang CRD 7416), 39(2):325-7 Kromong (Smithsonian Folkways CD Tom Doherty: Take the Bull by the Horns SF 40057), 36(3):449-51 (Green Linnet Records, GLCD 1131), SUTTON, R. ANDERSON, rev. of Music of rev. of Jane Wells Scott, 39(3):525-7 Madura: Java, Indonesia (ODE Re- TOMPKINS, WILLIAM, rev. of Chocolate: cording Company, ODE 1381), Peru's Master Percussionist (Lyrichord 36(3):446-49; rev. of The Music of Disc Inc., LYRCD 7417), 38(2):378-9 408 Ethnomusicology, Spring/Summer 1997

Tradition Chanted de Bretagne-Les Virgins, Orphans, Widows, Bards, Songs Sources du Barzaz-Breiz aujourd'hui of Hmong Women (The Women's (Ar Men and Dastum SCM013), rev. by Building Gallery), by Amy Catlin, rev. Lois Kuter, 43(3):507-8 by Mark Slobin, 32(2):336 Tradition de veuze en pays nantais. Viola Caipira-Roberto Correa-Brazil (Mu- Chanteurs et musiciens de Bretagne sicaphon BM 505 801 DDD), rev. by No. 2. (Dastum and Sonneurs de Veuze Martha de Ulh6a Carvalho, 35(3):462-4 / DAS-112), Tradition familiale de Voices of the Rainforest (Rykodisk RCD chant en pays bigouden. Chanteurs et 10173), rev. by Karl Signell, 39(2):335-8 musiciens de Bretagne No.4. (Dastum / DAS-114), rev. by Lois Kuter, W 36(2):278-3 WATERMAN, CHRIS, rev. of Sierra Leone Turath (Heritage). Simon Shaheen Per- Music: West African Gramophone forms Masterworks of the Middle East Records Recorded at Freetown in the (CMP Records), rev. by Anne K. Ras- 50s and early 60s (Zensor ZS 41), mussen, 39(2):315-21 45(1):155-7 Turkmenistan: La Musique des Bakhshi West Indies: An Island Carnival (Elektra (Turkmenistan: The Music of the Ba- Nonesuch 9 72091-2), 'briefly noted' khshy) (VDE CD-651), rev. by Mark rev. by Dale A. Olsen, 37(1):147-8 Slobin, 39(1):172-4 WILCKEN, LOIS E., rev. of Bdnin: Tuva: Voices from the Center of Asia Rhythmes et chants pour les vodun (Smithsonian/Folkways CD SF 40017), (Archives Internationales de Musique rev. by Mark Slobin, 36(3):444-6 Populaire, Geneva), 39(2):313-5 The Wind is Calling Me Outside: Kazue U Sawi Plays Yuji Takahashi (ASRAC R- Ustad Ali Akbar Khan: Sarod (Water Lily OB0072), rev. by Elizabeth Falconer, Acoustics ES-01), rev. by Peter Manuel, 36(2):302-6 31(1):183-6 WOLBERS, PAUL, rev. of Songs Before Ustad Imrat Khan, Surbahar/Sitar (India Dawn (Smithsonian/Folkways SF Archive Music IAM-CD 1005), and Us- 40055), 38(2):383-6 tad Vilayat Khan, Sitar (India Archive WONG, CYNTHIA PO-MAN and JOHN TING- Music IAM-CD 1001), rev. by David JUI HO, rev. of Taiwan, Republic of Roche, 39(2):327-33 China-Music of the Aboriginal Tribes (jecklin-Disco JD 653-2), 39(3):517-20 V x The Venanda Lovely Boys: Bo-Tata (Rounder 5033), rev. by David Coplan, 43(3):505-7 Y VETTER, ROGER, rev. of Gendang Karo/ Northern Sumatra, Indonesia. Trance Z and Dance Music of the Karo Batak Zaire: The Music of the Nande (VDE-CD (Museum fiir V61kerkunde Berlin), 652), rev. by Ernest D. Brown, 33(3):563-5 38(3):549-50 Viet-Nam II: Court Theatre Music. H&t-b6i- Zimbabwe: The Ndebele People (ecklin- Vietnamese Theatre (Southern Tradi- Disco JD 654-2), rev. by Ernest D. tion) (EMI [Musical Atlas] 2602821), Brown, 38(3):550-1 rev. by Terry E. Miller, 33(3):565-7 Index 409

Index to Editors or Makers, and Titles of Films and Videos, and Reviewers of Films and Videos

A Amir: An Afghan Refugee Musician's Life gkor to America: The Cambodian in Peshawar, Pakistan (film), directed Dance and Music Prospect of Van by John Baily, rev. by Mark Slobin, Nuys, California 1984-1990, by Amy 32(1)161-2 Catlin, 39(3):538-40

B C

BAILY, JOHN, Amir: An Afghan Refugee Catching Up with Yesterday (video), by Musician's Life in Peshawar, Pakistan Stephen Plumlee, rev. by Jeff Todd (film), rev. by Mark Slobin, 32(1)161-2 Titon, 35(1):167-8 Bake Restudy 1984 (video), by Nazir Jair- CATLIN, AMY, From Angkor to America: azbhoy, rev. by Helen Myers, The Cambodian Dance and Music 38(3):565-8 Prospect of Van Nuys, California BAUMANN, MAX PETER, rev. of '"Jizli" 1984-1990, rev. by Linda Burman-Hall, of the Muotatal [Switzerland]: Part 1: 39(3):538-40 Yootzing and Yodelling. Part 2: Head Circles-Cycles Kathak Dance (film/video), Voice, Chest Voice. Part 3. The Wed- rev. by Robert Gottlieb, 35(2):311-2 ding of Susanne and Joseph. Part 4: COHEN, JOHN, rev. of Powerhouse for Glattalp (film), by Hugo Zemp, God, by Jeff Titon, Barry Dornfeld, and 34(2):357-61 Thomas Randkin, 34(2):361-4 BENDIX, JOHN, rev. of Sacred Harp Sing- Colin McPhee: The Lure of Asian Music ers (video), produced and directed by (film), by Michael Blackwood, rev. by Mark Brice and Chris Petry, 31(3):525- Mantle Hood, 31(1):126-7 6 COWDERY, JAMES, rev. of From Shore to BLACKWOOD, MICHAEL, Colin McPhee: Shore: Traditional Irish Music in New The Lure ofAsian Music (film), rev. by York City (video), by Patrick Mullins, Mantle Hood, 31(1):126-7 39(2):357-9 BLANK, LES, Sprout Wings and Fly (film/ CROWE, PETER, rev. ofMusique 'Ard'ar6 video), rev. by Carl Fleischhauer, (film/video), and Tailler le bambou 31(2):330-2. Ziveli.: Medecine for the (film/video), by Hugo Zemp, 31(2):326-9 Heart (film/video), rev. by Mark E. For- ry, 33(2):365-7. Marc and Ann (vid- D eo), rev. by C. Ray Brassieur, Dance and Human History (all formats), 37(1):149-51 by Alan Lomax and Forrestine Paulay, BLANK, LES and CHRIS STRACHWITZ, J'ai rev. by David Locke, 36(2):307-11 Lt6 au Bal (I Went to the Dance): The "Dance Like a River":Odadaal Drum- Cajun & Zydeco Music of Louisiana ming and Dancing in the U.S. (film/ (video), rev. by C. Ray Brassieur, video), by Barry Dornfeld and Tom 37(1):149-51 Rankin, rev. by Laura Arntson Harris, BRASSIEUR, C. RAY, rev. of J'ai It6 au Bal 33(1):187-8 (I Went to the Dance): The Cajun & Dance of Darkness (video), by Edin Velez, Zydeco Music of Louisiana (video), by rev. by Barry Dornfeld, 35(3):465-7 Les Blank and Chris Strachwitz, and The Dancer and the Dance (video), by Fe- Marc and Ann (video), by Les Blank, licia Hughes-Freeland, rev. by Marina 37(1):149-51 Roseman, 38(2):389-91 BRICE, MARK and CHRIS PETRY, Sacred DAVENPORT, TOM, DANIEL PATTERSON, Harp Singers (video), rev. by John Ben- and ALLEN TULLOS, A Singing Stream: dix, 31(3):525-6 A Black Family Chronicle (film/video), BURMAN-HALL, LINDA, rev. of From An- rev. by Joyce Marie Jackson, 38(2):391-5 410 Ethnomusicology, Spring/Summer 1997

DORNFELD, BARRY, rev. of Dance of H Darkness (video), by Edin Velez, HARRIS, LAURA ARNTSON, rev. of "Dance 35(3):465-7. Film Review Editor's Note, 39(2):345 Like a River":Odadaal Drumming DORNFELD, BARRY and TOM RANKIN, and Dancing in the U.S. (film/video), by Barry Dornfeld and Tom Rankin, "Dance Like a River":Odadaal Drum- 33(1):187-8 ming and Dancing in the U.S. (film/ Hawaiian Rainbow (video), by Robert video), rev. by Laura Arntson Harris, Mugge, rev. by Amy K. Stillman, 33(1):187-8 35(1):168-70 E Hood, Mantle, rev. of Colin McPhee: The Lure of Asian Music, (film), by Michael Ethnomusicology of the Low Caste Blackwood, 31(1):126-7 Groups of Two Cities of North India HUGHES-FREELAND, FELICIA, The Dancer (video), by Mahesh C. Pradhan and and the Dance (video), rev. by Marina Kunj B. Pradhan, rev. by Carl Rah- Roseman, 38(2):389-91 konen, 33(3):559-61 EVANS, DAVID, rev. of Saturday Night, Sunday Morning: The Travels of Gate- J mouth Moore. (video), by Louis Guida, 38(1):205-7 JACKSON, JOYCE MARIE, rev. of A Singing F Stream: A Black Family Chronicle (film/video), by Tom Davenport, Daniel FERRIS, COSTAS, , rev. by Mi- Patterson, and Allen Tullos, 38(2):391-5 chael G. Kaloyanides, 33(2):367-9 FLEISCHHAUER, CARL, rev. of Sprout J'ai ELtd au Bal (I Went to the Dance): The Cajun & Zydeco Music of Louisiana Wings and Fly (film/video), by Les (video), by Les Blank and Chris Strach- Blank, 31(2):330-2 witz, rev. by C. Ray Brassieur, FORRY, MARK E., rev. of Ziveli. Medecine 37(1):149-51 for the Heart (film/video), by Les Blank, 33(2):365-7 JAIRAZBHOY, NAZIR ALI, Kathputli: The Art of Rajasthani Puppeteers (video), From Angkor to America: The Cambodi- rev. by Mahesh C. Pradhan, 34(3):521- an Dance and Music Prospect of Van 2. Bake Restudy 1984 (video), rev. by Nuys, California 1984-1990, by Amy Helen Myers, 38(3):565-8 Catlin, rev. by Linda Burman-Hall, 39(3):538-40 JOHNSTON, THOMAS F., rev. of Songs in From Shore to Shore: Traditional Irish Minto Life (video), directed by Curt Madison, 32(1):162-3 Music in New York City (video), by A Jumpin' Night in the Garden of Eden Patrick Mullins, rev. by James Cowdery, (film/video), produced by Michal Gold- 39(2):357-9 man, rev. by Mark Slobin, 33(1):188-9 G 'Jiuzli" of the Muotatal [Switzerland]: Part 1: Yootzing and Yodelling. Part GOLDMAN, MICHAL, A Jumpin' Night in 2: Head Voice, Chest Voice. Part 3: The the Garden of Eden (film/video), rev. Wedding of Susanne and Joseph. Part by Mark Slobin, 33(1):188-9 4: Glattalp (film), by Hugo Zemp, rev. GOTTZIEB, ROBERT, rev. of Circles-Cycles by Max Peter Baumann, 34(2):357-61 Kathak Dance (film/video), 35(2):311-2 The JVC Video Anthology of World Music GRIMES, TERRENCE K., rev. of Say Amen, and Dance, by Ichikawa Katsumori, Somebody (film), produced by George rev. by Joann W. Kealiinohomoku, T. Nierenberg, 32(2):329-30 39(2):346-53. rev. also by Ben Levin, GUIDA, LOUIS, Saturday Night, Sunday 39(2):353-7 Morning: The Travels of Gatemouth The JVC Video Anthology of World Music Moore. (video), rev. by David Evans, and Dance, Vols. 1-15, by Fuji Tomoa- 38(1):205-7 ki, rev. by Deborah Wong, 39(3):529-37 Index 411

K MYERS, HELEN, rev. of Bake Restudy 1984 (video), by Nazir Jairazbhoy, KALOYANIDES, MICHAEL G., rev. of Rebe- 38(3):565-8 tiko, by Costas Ferris, 33(2):367-9 Kathputli: The Art of Rajasthani Puppe- N teers (video), by Nazir Ali Jairazbhoy, rev. by Mahesh C. Pradhan, 34(3):521- NIERENBERG, GEORGE T., Say Amen, 2 Somebody (film), rev. by Terrence K. KATSUMORI, ICHIKAWA, The JVC Video Grimes, 32(2):329-30 Anthology of World Music and Dance, O rev. by Joann W. Kealiinohomoku, 39(2):346-53. rev. also by Ben Levin, 39(2):353-7 P KEALIINOHOMOKU, JOANN W., rev. of Palm Play (all formats), by Alan Lomax The JVC Video Anthology of World and Forrestine Paulay, rev. by David Music and Dance, by Ichikawa Kat- Locke, 36(2):307-11 sumori, 39(2):346-53. PLUMLEE, STEPHEN, Catching Up with Kuma Hula: Keepers of a Culture (video), Yesterday (video), rev. by Jeff Todd by Robert Mugge, rev. by Amy K. Still- Titon, 35(1):167-8 man, 35(1):168-70 Powerhouse for God (film/video), by Jeff Titon, Barry Dornfeld, and Thomas L Rankin, rev. byJohn Cohen, 34(2):361- LEVIN, BEN, rev. of The JVC Video Anthol- 4 ogy of World Music and Dance, by PRADHAN, MAHESH C., rev. of Kathputli: Ichikawa Katsumori, 39(2):353-7 The Art of Rajasthani Puppeteers (vid- LOCKE, DAVID, rev. of Dance and Hu- eo), by Nazir Ali Jairazbhoy, 34(3):521-2 man History, Palm Play, and Step PRADHAN, MAHESH C. and KUNJ B. Style, (all formats), by Alan Lomax and PRADHAN, Ethnomusicology of the Forrestine Paulay, 36(2):307-11. Low Caste Groups of Two Cities of LOMAX, ALAN and FORRESTINE PAULAY, North India (video), rev. by Carl Rah- Dance and Human History, Palm konen, 33(3):559-61 Play, and Step Style (all formats), rev. by David Locke, 36(2):307-11 Q

M R MADISON, CURT, Songs in Minto Life RAHKONEN, CARL, rev. of Ethnomusi- (video), rev. by Thomas F. Johnston, cology of the Low Caste Groups of 32(1):162-3 Two Cities of North India (video), by Marc and Ann (video), by Les Blank, rev. Mahesh C. Pradhan and Kunj B. by C. Ray Brassieur, 37(1):149-51 Pradhan, 33(3):559-61 MUGGE, ROBERT, Hawaiian Rainbow Rebetiko, by Costas Ferris, rev. by Michael and Kuma Hula: Keepers of a Culture G. Kaloyanides, 33(2):367-9 (videos), rev. by Amy K. Stillman, ROSEMAN, MARINA, rev. of The Dancer 35(1):168-70 and the Dance (video), by Felicia MULLINS, PATRICK, From Shore to Shore: Hughes-Freeland, 38(2):389-91 Traditional Irish Music in New York City (video), rev. by James Cowdery, S 39(2):357-9 Sacred Harp Singers (video), produced Music in the Afghan North (video), pro- and directed by Mark Brice and Chris duced by Mark Slobin, rev. by Hiromi Petry, rev. by John Bendix, 31(3):525-6 Lorraine Sakata, 31(1):124-5 SAKATA, HIROMI LORRAINE, rev. of Mu- Musique 'Are 'are (film/video), by Hugo sic of the Afghan North (video), rev. Zemp, rev. by Peter Crowe, 31(2):326-9 by Hiromi Lorraine Sakata, 31(1):124-5 412 Ethnomusicology, Spring/Summer 1997

Saturday Night, Sunday Morning: The TITON, JEFF, BARRY DORNFELD and Travels of Gatemouth Moore. (video), THOMAS RANKIN, Powerhouse for by Louis Guida, rev. by David Evans, God (film/video), rev. by John Cohen, 38(1):205-7 34(2):361-4 Say Amen, Somebody (film), produced by TOKUMARU, YOSIHIKO, rev. of The Song George T. Nierenberg, rev. by Terrence of Harmonics (film/video), by Hugo K. Grimes, 32(2):329-30 Zemp and Tran Quang Hai, 38(2):387- A Singing Stream: A Black Family Chron- 9 icle (film/video), by Tom Davenport, TOMOAKI, FUJI (ed.), The JVC Video An- Daniel Patterson, and Allen Tullos, rev. thology of World Music and Dance, by Joyce Marie Jackson, 38(2):391-5 Vols. 1-15, rev. by Deborah Wong, SLOBIN, MARK, Music of the Afghan 39(3):529-37 North (video), rev. by Hiromi Lorraine Sakata, 31(1):124-5. "To the Film Re- U view Editor," 31(3):527; rev. of Amir. An Afghan Refugee Musician's Life in V Peshawar, Pakistan (film), directed by VELEZ, EDIN, Dance of Darkness (video), John Baily, 32(1)161-62; rev. of A rev. by Barry Dornfeld, 35(3):465-7 Jumpin' Night in the Garden of Eden (film/video), produced by Michal Gold- W man, 33(1):188-89 WONG, DEBORAH, rev. of TheJVC Video The Song of Harmonics (film/video), by Anthology of World Music and Dance, Hugo Zemp and Tran Quang Hai, rev. Vols. 1-15, 39(3):529-37 by Tokumaru Yosihiko, 38(2):387-9 Songs in Minto Life (video), directed by X Curt Madison, rev. by Thomas F. Johnston, 32(1):162-3 Y Songs of the Adventurers (film/video), by Gei Zantzinger, rev. by Alain Barker, z 32(3):487-8 Songs of the Badius (film/video), by Gei ZANTZINGER, GEI, Songs of the Adven- Zantzinger, rev. by Peter Manuel, turers (film/video), rev. by Alain Bark- 32(3):485-6 er, 32(3):487-8. Songs of the Badius Sprout Wings and Fly (film/video), by Les (film/video), rev. by Peter Manuel, Blank, rev. by Carl Fleischhauer, 32(3):485-6 31(2):330-2 ZEMP, HUGO, Musique 'Are 'are (film/vid- Step Style (all formats), by Alan Lomax and eo), and Tailler le bambou (film/vid- Forrestine Paulay, rev. by David Locke, eo), rev. by Peter Crowe, 31(2):326-9. 36(2):307-11 '"Ji#zli" of the Muotatal [Switzerland]: STILLMAN, AMY K., rev. of Hawaiian Part 1: Yootzing and Yodelling. Part Rainbow and Kuma Hula: Keepers of 2: Head Voice, Chest Voice. Part 3: The a Culture (videos), by Robert Mugge, Wedding of Susanne and Joseph. Part 35(1):168-70 4: Glattalp (film), rev. by Max Peter Baumann, 34(2):357-61 T ZEMP, HUGO and TRAN QUANG HAI, The Tailler le bambou (film/video), by Hugo Song of Harmonics (film/video), rev. Zemp, rev. by Peter Crowe, 31(2):326-9 by Tokumaru Yosihiko, 38(2):387-9 TITON, JEFF TODD, rev. of Catching Up Ziveli: Medecine for the Heart (film/vid- with Yesterday (video), by Stephen eo), by Les Blank, rev. by Mark E. For- Plumlee, 35(1):167-8 ry, 33(2):365-7