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Ten-Year Index: Volumes 31-40, 1987-96

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Ten-Year Index: Volumes 31-40, 1987-96 VOL. 41, NO. 2 ETHNOMUSICOLOGY SPRING/SUMMER 1997 Ten-Year Index Volumes 31-40 * 1987-96 From the Editor This fourth ten-year index spans the period of transition from the publication of Ethnomust- cology by the Society for Ethnomusicology to its publication by the University of Illinois Press, which began with volume 36 in 1992. Many thanks are due to those involved in this changeover, particularly to Jeff Titon, the transitional editor; to Judith McCullough, chair of the SEM Editorial Advisory Board; and to Carole Appel, journals manager at the Press at the time of transfer, Ann Lowry, current journals manager, and Cynthia Mitchell, journals editor at the Press. This index was prepared by Giancarlo Vulcano and Jaime Jones, both students at Sarah Lawrence College and editorial assistants during my term as editor. On behalf of the Society, I extend much gratitude to them, the officers and business office staff of SEM, the team at the University of Illinois Press, and the various editors, reviewers, compilers, manu- script readers, and authors whose expert work is represented herein. JAMES R. COWDERY Editorial Board Members, 1987-96 Editors K. Peter Etzkorn 1987 - Vol. 31 Issues 1, 2, 3 Charles Capwell 1988 - Vol. 32 Issues 1, 2, 3 1989 - Vol. 33 Issues 1, 2, 3 1990 - Vol. 34 Issues 1, 2, 3 Jeff Todd Titon 1991 - Vol. 35 Issues 1, 2, 3 1992 - Vol. 36 Issues 1, 2, 3 1993 - Vol. 37 Issues 1, 2, 3 1994 - Vol. 38 Issues 1, 2, 3 1995 - Vol. 39 Issues 1, 2, 3 James R. Cowdery 1996 - Vol. 40 Issues 1, 2, 3 Assistant Editors Sandra Rosenblum 1987 Margaret Sarkissian 1988-90 James R. Cowdery 1991-5 Edward Herbst 1996 Editorial Assistants Patrick Hutchinson 1991-2 Gregory F. Barz 1993 Steven Taylor 1994-5 Giancarlo Vulcano 1996 347 University of Illinois Press , Society for Ethnomusicology are collaborating with JSTOR to digitize, preserve and extend access to Ethnomusicology www.jstor.org 348 Ethnomusicology, Spring/Summer 1997 Book Review Editors Ter Ellingson 1987-8 R. Anderson Sutton 1989-90 Anne Dhu Shapiro 1991-2 Judith A. Gray 1993-6 Recording Review Editors Philip Schuyler 1987 Dorothy Sara Lee 1988 Roderic C. Knight 1989-90 Dale A. Olsen 1991-4 Ted Levin 1995-6 Film Review Editors Carl Rahkonen 1987-9 Barry Domfeld 1990-5 Rebecca Miller 1996 Compilers of the Current Bibliography, Discography, and Filmography Joseph C. Hickerson, Nora Yeh, Carl Rahkonen 1987-8 Joseph C. Hickerson, Mary E. Russell, Carl Rahkonen 1989 Jennifer C. Post, Joseph C. Hickerson, Mary E. Russell, Barry Domfeld 1990 Jennifer C. Post, Mary E. Russell, Barry Domfeld 1991 Jennifer C. Post, Mary Russell Bucknum, Barry Dornfeld 1992 Jennifer C. Post, Laurel Sercombe, Leslie C. Gay, Jr. 1993-6 Volume 31 corresponds to 1987 Volume 32 corresponds to 1988 Volume 33 corresponds to 1989 Volume 34 corresponds to 1990 Volume 35 corresponds to 1991 Volume 36 corresponds to 1992 Volume 37 corresponds to 1993 Volume 38 corresponds to 1994 Volume 39 corresponds to 1995 Volume 40 corresponds to 1996 Issue Number 1 corresponds to February (Winter Issue) Issue Number 2 corresponds to June (Spring/Summer Issue) Issue Number 3 corresponds to October (Fall Issue) Index to Authors, Titles, and Subject Areas of Articles and Miscellaneous Contributions A "Abraham A. Schwadron (1925-87): In Me- "Afaq Husain Khan (1930-1990): In Memo- moriam," by Anthony Palmer, 32(2): riam," by Jim Kippen, 34(3):429-30 273-4 AGAWU, V. KOFI, "Music in the Funeral ABRAHAM, OTTO and ERICH M. VON Traditions of the Akpafu," 32(1):75- HORNBOSTEL, "Suggested Methods for 105. "Variation Procedures in Northern the Transcription of Exotic Music," Ewe Song," 34(2):221-43 38(3):425-56 al FARUQI, LOIS, "Qur'an Reciters in "Academic Ignorance or Political Taboo? Competition in Kuala Lumpur," 31(2): Some Issues in China's Study of its Folk 221-8 Song Culture," by Yang Mu, 38(2):303- Albanian music, 33(2):191-215 20 ALEN, OLAVO, "Rhythm as Duration of Index 349 Sounds in Tumba Francesa," 39(1):55- BECKER, HOWARD, S., "Ethnomusicology 71 and Sociology: A Letter to Charles See- America, African, 31(3):381-94; 39(1):21- ger" (Charles Seeger Memorial Lecture, 54; 39(2):193-217; 40(2):223-48 1988), 33(2):275-85 America, Native, 31(1):18-55; 31(2):261- BECKER, JUDITH, "Earth, Fire, Sakti, and 72; 38(1):81-125 the Javanese Gamelan," 32(3):385-91. American immigrant, folk, country, blue- "A Brief Note on Turtles, Claptrap, and grass, etc., 31(1):87-102; 32(1):1-21; Ethnomusicology" (Call & Response), 35(1):31-53; 36(1):1-87; 37(1):63-86; 35(3):393-6 39(2):179-92; 40(1):35-47 "Beyond Bibliography: Interpreting Hawai- "Analyses and Interpretations of Chinese ian-Language Protestant Hymn Im- Seven-string Zither Music: The Case of prints," by Amy Ku'uleialoha Stillman, the Lament of Empress Chen," by Jo- 40(3):469-88 seph S. C. Lam, 37(3):353-85 BLUM, STEPHEN, "Commentary" (Response "Andalusian, Gypsy, and Class Identity in to the Symposium Papers), 34(3):413- the Contemporary Flamenco Com- 21 plex," by Peter Manuel, 33(1):47-65 BOHLMAN, PHILIP V., "Pilgrimage, Poli- "Anraje to Angaje: Carnival Politics and tics, and the Musical Remapping of the Music in Haiti," by Gage Averill, New Europe," 40(3):375-412 38(2):217-47 BOOTH, GREGORY D., "Brass Bands: Tra- Arab music, 34(1):1-18; 36(2):171-95; dition, Change, and the Mass Media in 38(1):37-57 Indian Wedding Music," 34(2):245-62 ARAGON, LORRAINE V., "Suppressed and "Boris Kremenliev (1911-88): In Memori- Revised Performances: Raego' Songs of am," by James Porter, 32(3):429-33 Central Sulawesi," 40(3):413-39 "Brass Bands: Tradition, Change, and the AROM, SIMHA, "More on Rhythmical Mass Media in Indian Wedding Music," Marking: A Reply to Herve Riviere," by Gregory D. Booth, 34(2):245-62 38(2):321-2 "A Brief Note on Turtles, Claptrap, and "At the Crossroads: Rap Music and Its Afri- Ethnomusicology" (Call & Response), can Nexus," by Cheryl L. Keyes, by Judith Becker, 35(3):393-6 40(2):223-48 BRINNER, BENJAMIN, "Cultural Matrices Australia, 40(2):182-222; 37(3):309-38 and the Shaping of Innovation in Central "'Authority' Revisited: The 'Other' in An- Javanese Performing Arts," 39(3):433-56 thropology and Popular Music Studies," BROWN, ROBERT E., "T. Ranganathan by Line Grenier and Jocelyne Guilbault, (1925-1987): In Memoriam," 34(3):381-97 32(2):275-7 AVERILL, GAGE, "Anraje to Angaje : Car- BUCHANAN, DONNA A., "Metaphors of nival Politics and Music in Haiti," Power, Metaphors of Truth: The Poli- 38(2):217-47 tics of Music Professionalism in Bulgari- an Folk Orchestras," 39(3):381-416 B "Bulgareasca/Bulgarish/Bulgar: The Trans- BAES, JONAS, "Ya-Ye-Yo-Na-I-Yu-Nan: formation of a Klezmer Dance Genre," Swaying in the Vocal Music of the Iraya by Walter Feldman, 38(1):1-35 People of Mindoro, Philippines," Bulgaria, 39(3):381-416 31(2):229-39 C BAKLANOFF, JOY DRISKELL, "The Cele- bration of a Feast: Music, Dance, and Cambodia, 39(2):229-43 Possession Trance in the Black Primi- Canada, 35(2):173-93; 37(2):155-200 tive Baptist Footwashing Ritual," CAPWELL, CHARLES, "Sourindro Mohun 31(3):381-94 Tagore and the National Anthem BEALLE, JOHN, "Self Involvement in Musi- Project," 31(3):407-30 cal Performance: Stage Talk and Inter- "The Carans of Gujarat: Caste Identity, Mu- pretive Control at a Bluegrass Festival," sic, and Cultural Change," by Gordon 37(1):63-86 R. Thompson, 35(3):381-91 350 Ethnomusicology, Spring/Summer 1997 "Careers, 'Alternative Careers,' and the CRAWFORD, RICHARD, "Response to Unity Between Theory and Practice in Rice," 31(3):511-3 Ethnomusicology," by Martha Ellen Cuba, 33(3):379-89; 38(2):249-80; Davis, 36(3):361-87 39(1):55-71 "Catching Rhymes: Generative Musical Pro- "Cultural Matrices and the Shaping of Inno- cesses in the Compositions of a French vation in Central Javanese Performing Newfoundland Fiddler," by Colin Quig- Arts," by Benjamin Brinner, 39(3):433- ley, 37(2):155-200 56 "The Celebration of a Feast: Music, Dance, and Possession Trance in the Black D Primitive Baptist Footwashing Ritual," DAVIS, MARTHA ELLEN, "Careers, 'Alter- by Joy Driskell Baklanoff, 31(3):381-94 native Careers,' and the Unity Between "Chant and Spell: Sonemic Contrasts in a Theory and Practice in Ethnomusi- Melpa Ritual Sequence," by Andrew cology," 36(3):361-87 Strathern, 39(2):219-27 de HEN, FERDINAND J., "Paul Collaer China, 31(2):240-60; 35(1):1-29; (1891-1989): In Memoriam," 37(3):353-85; 38(2):303-20; 40(1):49- 34(3):423-4 73 "Deep Structure and Surface Structure in CHOPYAK, JAMES D., "The Role of Music Javanese Music: A Grammar of Gendh- in Mass Media, Public Education and ing Lampah" by David W. Hughes, the Formation of a Malaysian National 32(1):23-74 Culture," 31(3):431-54 "A Dialectical Perspective on Musical In- "The Classical Musics of Cambodia and struments: The East-Mediterranean Thailand: A Study of Distinctions," by Mijwiz," by Ali Jihad Racy, 38(1):37-57 Terry E. Miller and Sam-ang Sam, "Do We Need to Remodel Ethnomusi- 39(2):229-43 cology?" by Anthony Seeger, "Cognitive Aspects of amadinda Xylo- 31(3):491-5 phone Music From Buganda: Inherent DORNFELD, BARRY, "Representation and Patterns Reconsidered," by Ulrich Weg- Authority in Ethnographic Film/Video: ner, 37(2):201-41 Reception" (Call & Response), "The Coherence of Social Style and Musi- 36(1):95-8 cal Creation Among the Aymara in "Drone, Melody, and Decoration--Para- Southern Peru," by Thomas Turino, digm Lost," by Richard M.
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