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Cahiers d’ethnomusicologie Anciennement Cahiers de musiques traditionnelles 14 | 2001 Le geste musical Édition électronique URL : http://journals.openedition.org/ethnomusicologie/70 ISSN : 2235-7688 Éditeur ADEM - Ateliers d’ethnomusicologie Édition imprimée Date de publication : 1 décembre 2001 ISBN : 2-8257-07-61-9 ISSN : 1662-372X Référence électronique Cahiers d’ethnomusicologie, 14 | 2001, « Le geste musical » [En ligne], mis en ligne le 01 juin 2011, consulté le 06 mai 2019. URL : http://journals.openedition.org/ethnomusicologie/70 Ce document a été généré automatiquement le 6 mai 2019. Tous droits réservés 1 Seuls la musique des sphères, la harpe éolienne et quelques instruments électroniques récents se passent de l'homme pour être mis en vibration. C'est finalement au corps humain que revient le rôle d'agitateur, de stimulateur et d'organisateur de la matière sonore. Au plus intime du corps naît la voix. A l'origine cachée du chant, un mouvement intérieur se traduit en geste phonatoire. La danse n'est pas loin : les pieds, les mains, spontanément, répondent à ce surgissement dont l'oreille assure le relais. Comment naît le geste vocal ? Comment vient la danse ? Comment l'instrument accueille-t-il celui qui en joue, comment s'adapte-t-il à la physiologie humaine ? A quelles impulsions obéissent le souffle, la voix, les mains, les doigts ou les pieds lorsqu'ils se meuvent pour produire des sons, et quelle est la part des automatismes dans le geste "intérieur" - geste "antérieur" au son - qui conduit le jeu du musicien ? Telles sont, parmi d’autres, les questions qui se posent lorsqu’on pense aux mouvements de la musique dans l’homme, lorsqu’on réfléchit aux gestes de l’homme musicien. Cahiers d’ethnomusicologie, 14 | 2001 2 SOMMAIRE Dossier : le geste musical « Et la voix s’est faite chair… ». Naissance, essence, sens du geste vocal Claire Gillie-Guilbert Hand Made. Pour une anthropologie du geste musical Jean During Note sur le jeu du qin Georges Goormaghtigh Le danseur et le musicien, une connivence nécessaire Anca Giurchescu Vers une culture musicale du corps Lothaire Mabru « Jouer », « sonner », « toucher » Une taxinomie française historique et dualiste du geste musical Luc Charles-Dominique L’interaction homme-instrument. Vers une conceptualisation John Baily Le geste divinisé. Regards sur la transe ritualisée au Kumaon (Himalaya occidental) Franck Bernède Autour du geste musical andin Rosalía Martínez Geste individuel, mémoire collective. Le jeu du pan dans les steelbands de Trinidad & Tobago Aurélie Helmlinger Raison morphologique et langage musical : musiques de xylophone en Afrique centrale Sylvie Le Bomin Du fait gestuel à l’empreinte sonore Apollinaire Anakesa Kululuka Geste instrumental et transmission musicale Laurent Blum Entretien Aux sources de la recherche américaine. 1950-2000 Un demi-siècle d’ethnomusicologie avec Bruno Nettl Yves Defrance et Bruno Nettl Cahiers d’ethnomusicologie, 14 | 2001 3 Livres Lucie RAULT, Instruments de musique du monde Paris : La Martinière, 2000. 232 p., photographies noir-blanc et couleurs Laurent Aubert Artur SIMON, éd., Das Berliner Phonogramm-Archiv 1900-2000. Sammlungen der Traditionellen Musik der Welt Berlin : VWB – Verlag für Wissenschaft und Bildung, 2000. 264 p., photos, bibliographie, édition bilingue allemand- anglais. ISBN 3-86135-680-5 Susanne Fürniß L’Encyclopedie Garland des musiques du monde (suite), The Garland Encyclopedia of World Music New York and London: Garland Publishing, Inc. 10 vol., 1998-2004 Yves Defrance Jean-Michel BEAUDET, Souffles d’Amazonie les orchestres tule des Wayãpi Nanterre : Société d’Ethnologie, 1997. Collection « Hommes et Musiques » Jean-Pierre Estival Maya ROY, Musiques Cubaines Paris, Cité de la Musique/Arles, Actes Sud, collection « Musiques du Monde », 1998. 190 pages, illustrations et photographies en noir et blanc, bibliographie, discographie sélective, glossaire des termes vernaculaires et musicaux, un disque compact de 20 titres commentés (réédité en juin 2001) Patrik Vincent Dasen René LANGEL, Le jazz orphelin de l’Afrique Paris, Payot, 2001. 317 p., bibliographie, index. Denis-Constant Martin Sylvie LE BOMIN (éd.), Parcours musical en Afrique Paris, Société des Africanistes, 1999. Numéro thématique du Journal des Africanistes, tome 69, fascicule 2, 1999. – 190 p. Avec un CD encarté François Borel Lajos VARGYAS, Egy felvidéki falu zeneii világa - Áj, 1940 [The Musical World of a Hungarian Village – Aj, 1940] Budapest, Planétás, 1999. 1122 pages + transcriptions musicales, photos, plusieurs index ; accompagné d’un CD : Ájfalusi utca végig bazsarosa… Egy felvidéki falu dalai 1939-40-ben és 1999-ben [The Áj Street is all Peonies… Songs of a Hungarian village in 1939-40 and 1999]. Biem-Artisjus, FA-078-2 Bernard Lortat-Jacob Mireille HELFFER (a cura di), Musiche dal Tetto del mondo Torino, testo & immagine, 2000, XXVIII + 243 pages, bibliographie, discographie, lexique, illustrations. Giovanni Giuriati Sabine TREBINJAC, Le pouvoir en chantant Nanterre, Société d’ethnologie, 2000. 412 p., illustrations, bibliographies chinoise, ouïgoure et occidentale, index thématique Georges Goormaghtigh Lucie RAULT, Musiques de la tradition chinoise Paris, Collection « Musiques du monde ». Paris, Cité de la musique / Arles, Actes Sud, 2000. 190 p., 33 illustrations, glossaire et dessins d’instruments, bibliographie, discographie, accompagné d’un CD Henri Lecomte Yoshihiko TOKUMARU, L’aspect mélodique de la musique de syamisen Collection Selaf, no 378. Paris, Peters, 2000. 166 p. Andreas Gutzwiller Cahiers d’ethnomusicologie, 14 | 2001 4 Daniele SESTILI, La voce degli dèi [la voix des dieux], Musica e religione nel rito giapponese del kagura Ricerche di Etnomusicologia. Bologna, Ut Orpheus edizioni, 2000. 160 p. Illustrations, transcriptions musicales, bibliographie, discographie, vidéographie, glossaire et index analytique Bernard Lortat-Jacob Mervyn MCLEAN, Weavers of song. Polynesian music and dance Auckland, Auckland University Press, 1999. X + 543 pages, cartes, transcriptions musicales, nombreuses illustrations (B&W), plusieurs appendices et un CD annoté. Relié Peter Crowe CD Trois disques d’Europe orientale (Roumanie, Transylvanie) Etienne Bours Guitarra flamenca. Parrilla de Jerez : « Nostalgia » Prise de son : Errol Maibach ; texte : Laurent Aubert. Enregistrements (juillet 1998) effectués à Genève par les Ateliers d’ethnomusicologie. 1 CD AIMP (Archives internationales de musique populaire) LIX / VDE-GALLO CD-985, 1999. Corinne Frayssinet Savy Tunisie : La mémoire des Juifs de Djerba. Yaacov Bchiri Luc Weissenberg Deux disques de musique gnawa Luc Weissenberg Archives 1910-1960 du MRAC / KMMA Archieven 1910-1960 (Africa Museum Tervuren) Textes en français et néerlandais de Jos Gansemans, Didier Demolin et Jean-Baptiste Nkulikiyinka. 1 CD Fonti Musicali fmd 220, 2000 François Borel Cahiers d’ethnomusicologie, 14 | 2001 5 Madagascar, Accordéons et esprits ancestraux Enregistrements, texte et photographies : Ron Emoff. Traduction française : Isabelle Schulte-Tenckhoff. 10 plages (59'14''). CD AIMP LXV, VDE-Gallo CD-1065, 2001. Julien Mallet Thèses récentes Luc CHARLES-DOMINIQUE, Musiques de Dieu, Musiques du Diable. Anthropologie de l’esthétique musicale française, du Moyen Age à l’âge baroque Thèse de doctorat en Anthropologie sociale et historique de l’Europe, 535 p., 1 tabl., 77 ill. - Toulouse : Ecole des Hautes Etudes en Sciences Sociales (Centre d’Anthropologie, Toulouse), soutenue le 2 avril 2001. Directeur de thèse : Daniel Fabre Xavier VATIN, Étude comparative de différentes nations de candomblé à Bahia, Brésil. Thèse de doctorat en Anthropologie sociale et Ethnologie, 430 p., Paris : Ecole des Hautes Etudes en Sciences Sociales, soutenue le 22 mars 2001. Directeur de Thèse : Simha Arom Droit de réponse À propos du compte rendu des deux volumes de Chants populaires de la Grande Lande, de Félix Arnaudin Lothaire Mabru Cahiers d’ethnomusicologie, 14 | 2001 6 Dossier : le geste musical Cahiers d’ethnomusicologie, 14 | 2001 7 « Et la voix s’est faite chair… ». Naissance, essence, sens du geste vocal Claire Gillie-Guilbert 1 Instrument de musique enfoui dans des lieux du corps inaccessibles à l’œil nu, la voix jaillit des méandres du « corps biologique1 » pour s’insinuer en d’autres lieux intimes de l’auditeur. Qu’elle se fasse parole, cri, sanglot ou chant, elle engage les couples musiquants-musiqués2 dans un corps à corps ; le geste vocal est à la voix ce qu’est le geste amoureux à l’amour. Offrande lyrique, la voix se donne dans un geste qui peut faire dire à l’autre : « ton geste me touche ; ta voix est si touchante ! ». 2 Le langage regorge d’autres expressions populaires qui prouvent cette incarnation de la voix qui a besoin du geste, du mouvement du corps pour se propulser à la rencontre de l’autre dans un espace qu’elle cherche à occuper, à traverser : « poser, projeter sa voix, retenir, pousser, tenir un son, etc. ». Ne dit-on pas que l’on « joint le geste à la parole » pour souligner combien le corps ne peut demeurer étranger au geste vocal ? On va de même ponctuer son discours d’un geste précis, révélateur, comme si l’expression de ce geste dans l’espace était capable de laisser des traces visuelles de ces messages sonores qui n’ont fait que passer. 3 Sa corporéité n’est pas sans poser les problèmes de la jouissance provoquée par la voix, aussi bien chez celui qui l’émet que chez celui qui la reçoit. Elle éveille dans le corps des sensations assez fortes pour déclencher des polémiques dans les différentes religions
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  • T>HE JOURNAL MUSIC ACADEMY

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    T>HE JOURNAL OF Y < r f . MUSIC ACADEMY MADRAS A QUARTERLY IrGHTED TO THE ADVANCEMENT OF THE SCIENCE ' AND ART OF MUSIC XXXVIII 1967 Part.' I-IV ir w > \ dwell not in Vaikuntha, nor in the hearts of Yogins, ^n- the Sun; (but) where my Bhaktas sing, there L ^ Narada ! ” ) EDITED BY v. RAGHAVAN, M.A., p h .d . 1967 PUBLISHED BY 1US1C ACADEMY, MADRAS a to to 115-E, MOWBRAY’S ROAD, MADRAS-14 bscription—Inland Rs. 4. Foreign 8 sh. X \ \ !• ADVERTISEMENT CHARGES \ COVER PAGES: Full Page Half Page i BaCk (outside) Rs. 25 Rs. 13 Front (inside) 99 20 .. 11. BaCk (Do.) 30 *# ” J6 INSIDE PAGES: i 1st page (after Cover) 99 18 io Other pages (eaCh) 99 15 .. 9 PreferenCe will be given (o advertisers of musiCal ® instruments and books and other artistic wares. V Special positions and speCial rates on appliCation. t NOTICE All correspondence should be addressed to Dr. V. Ragb Editor, Journal of the MusiC ACademy, Madras-14. Articles on subjects of musiC and dance are accepte publication on the understanding that they are Contributed to the Journal of the MusiC ACademy. f. AIT manuscripts should be legibly written or preferabl; written (double spaced—on one side of the paper only) and be sigoed by the writer (giving his address in full). I The Editor of the Journal is not responsible for tb expressed by individual contributors. AH books, advertisement moneys and cheques du> intended for the Journal should be sent to Dr. V, B Editor. CONTENTS Page T XLth Madras MusiC Conference, 1966 OffiCial Report ..