Books in Early Modern Norway Library of the Written Word
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Professional & Academic 2017 CATALOG Reliable. Credible
Professional & Academic CELEBRATING CONCORDIA PUBLISHING HOUSE 2017 CATALOG Reliable. Credible. Uniquely Lutheran. CPH.ORG NEW RELEASES PAGE 4 PAGE 9 PAGE 15 PAGE 17 PAGE 21 PAGE 29 PAGE 11 PAGE 10 PAGE 18 2 VISIT CPH.ORG FOR MORE INFORMATION 1-800-325-3040 FEATURED REFORMATION TITLES PAGE 12 PAGE 12 PAGE 25 PAGE 25 PAGE 25 PAGE 25 PAGE 26 PAGE 33 PAGE 7 @CPHACADEMIC CPH.ORG/ACADEMICBLOG 3 Concordia Commentary Series Forthcoming 2017 HEBREWS John W. Kleinig 2 SAMUEL Andrew E. Steinmann New ROMANS 9–16 Dr. Michael P. Middendorf (cph.org/michaelmiddendorf) is Professor of eology at Concordia University Irvine, California. Romans conveys the timeless truths of the Gospel to all people of all times and places. at very fact explains the tremendous impact the letter has had ever since it was rst written. In this letter, Paul conveys the essence of the Christian faith in a universal manner that has been cherished by believers—and challenged by unbelievers—perhaps more so than any other biblical book. In this commentary, you’ll nd the following: • Clear exposition of the Law and Gospel theology in Paul’s most comprehensive epistle • Passage a er passage of bene cial insight for preachers and biblical teachers who desire to be faithful to the text • An in-depth overview of the context, ow of Paul’s argument, and commonly discussed issues in each passage • Detailed textual notes on the Greek, with a well-reasoned explanation of the apostle’s message “ e thorough, thoughtful, and careful interaction with other interpreters of Romans and contemporary literature that runs through the commentary is truly excellent. -
Heritage Hymn of the Month JANUARY 1
Heritage Hymn of the Month In Jesus’ Name JANUARY 1. In Jesus’ name Our work must all be done “In Jesus’ Name” If it shall compass our true good and aim, ELH 4 And not end in shame alone; For ev’ry deed “And whatever you do, in word or deed, do everything in the name of Which in it doth proceed, the Lord Jesus, giving thanks to God the Father through Him” Success and blessing gains (Colossians 3:17, ESV). It is important to begin in the name of Jesus. Till it the goal attains. The Norwegian immigrants used this hymn at the beginning of Thus we honor God on high important endeavors – emigrating to America, building their homes, And ourselves are blessed thereby; starting churches and schools. It was in every Norwegian and Danish Wherein our true good remains. hymnal from the time it was first published in 1645, and often was the first hymn in the book. This is a good hymn for the New Year, and as 2. In Jesus’ name we emphasize Christian education and missions. We praise our God on high, He blesses them who spread abroad His fame, The three stanzas can be remembered from the first two lines in each. And we do His will thereby. “In Jesus’ name/Our work must all be done” – serving in our vocations E’er hath the Lord not for our self-interest, but in Jesus’ name. “In Jesus’ name/We praise Done great things by His Word, our God on high” – as we “spread abroad His fame” in missions, And still doth bare His arm remembering that it is not our burden but the Lord who does “great His wonders to perform; things by His Word.” To conclude: “In Jesus’ name/We live and we Hence we should in ev’ry clime will die” – for to live is Christ and to die is gain. -
Lutheran Spirituality and the Pastor
Lutheran Spirituality and the Pastor By Gaylin R. Schmeling I. The Devotional Writers and Lutheran Spirituality 2 A. History of Lutheran Spirituality 2 B. Baptism, the Foundation of Lutheran Spirituality 5 C. Mysticism and Mystical Union 9 D. Devotional Themes 11 E. Theology of the Cross 16 F. Comfort (Trost) of the Lord 17 II. The Aptitude of a Seelsorger and Spiritual Formation 19 A. Oratio: Prayer and Spiritual Formation 20 B. Meditatio: Meditation and Spiritual Formation 21 C. Tentatio: Affliction and Spiritual Formation 21 III. Proper Lutheran Meditation 22 A. Presuppositions of Meditation 22 B. False Views of Meditation 23 C. Outline of Lutheran Meditation 24 IV. Meditation on the Psalms 25 V. Conclusion 27 G.R. Schmeling Lutheran Spirituality 2 And the Pastor Lutheran Spirituality and the Pastor I. The Devotional Writers and Lutheran Spirituality The heart of Lutheran spirituality is found in Luther’s famous axiom Oratio, Meditatio, Tentatio (prayer, meditation, and affliction). The one who has been declared righteous through faith in Christ the crucified and who has died and rose in Baptism will, as the psalmist says, “delight … in the Law of the Lord and in His Law he meditates day and night” (Psalm 1:2). He will read, mark, learn, and take the Word to heart. Luther writes concerning meditation on the Biblical truths in the preface of the Large Catechism, “In such reading, conversation, and meditation the Holy Spirit is present and bestows ever new and greater light and devotion, so that it tastes better and better and is digested, as Christ also promises in Matthew 18[:20].”1 Through the Word and Sacraments the entire Trinity makes its dwelling in us and we have union and communion with the divine and are conformed to the image of Christ (Romans 8:29; Colossians 3:10). -
Advance Information
Advance Information Academic & Professional December 2019 Academic & Professional Advance Information December 2019 Table of Contents Publishers featured in this AI Law ............................................................. 1 & 2 5m Publishing Amalion Publishing Business & Economics .....................................3–5 Carcanet Press Ltd. Biography & Autobiography ..............................6–9 City University of Hong Kong Press Fiction ........................................................ 10–12 Claeys & Casteels Publishing Literary Collections ............................................13 Earnshaw Books Fons Vitae Literary Criticism .......................................14 & 15 Fremantle Press Poetry ........................................................ 16–22 Gainsborough House Library & Information Sciences ...........................23 Hart Publishing Art Studies & Architecture ..................................24 Health Administration Press Holy Trinity Publications Travel ...............................................................25 J. Ross Publishing Nature ..............................................................26 Jacana Media Social Science ...................................................27 Otago University Press Medicine ...........................................................28 Parthian Books Paths International Ltd. Veterinary Medicine ...........................................29 Pavilion Publishing and Media Ltd. Religious Studies ...............................................30 Rosenberg -
Inhalt Des Ersten Bandes. Die Periode Des Vekenntmsliedes 1570—1648
Inhalt des ersten Bandes. Die Periode des Vekenntmsliedes 1570—1648. A. Die Zeit von 1570-1618. Seite Seite Seite I. Tie thüringischen Dichter. Leonhard Kreichheim . 81 Sebastian Hornmolt . 156 Johannes Timäns. 82 Johann Philipp Apsfel Cyriakus Schneegaß . 1 Caspar Schreiber . 83 selber . 158 Erasmus Winter ... 3 Melchior Eccard . 84 Johann Assum . 158 Johann Stenrlein ... 3 Nathanael Tilesins . 88 Bernhard Heupold 160 Johann Stoll .... 6 Martin Hancke .... 92 David Spaiser . 161 Melchior Bischoff ... 7 Caspar Rauch .... 93 Abraham Suarinns . 10 c) Sonstige Dichter. Johann Lemann . 94 Michael Sachse . ... 14 Johannes Flimmer Christiana Cunradina. 96 Martin Rutilius .... 21 (Flinner) . 167- Valerius Herberger . 97 Basilius Förtsch .... 22 Johann Halbmeyr 167 Zacharias Herberg er . 99 NicolauS Rhost .... 26 Sebastian Ambrosius 169 Adam Meitzer .... 100 Johann Kempff .... 27 Zacharias Eyring . 170 Christoph Knoll . 100 Tobias Kiel 28 Moritz Moltzer . 172 Lieder von unbekannten Johann Lindemann . 32 Lieder von unbekannten Verfassern 103 Lieder von unbekannten Verfassern . .... 173 Verfassern 33 IV. Die süddeutschen Dichter. V. Die norddeutschen Dichter. Urban Störner . 177 II. Die sächsischen Dichter. a) Die Dichter aus Franken. Valentin Rehefeld . 178 Urban Langhans ... 42 Andreas Pancratins 117 Georg Schultze . 178 Thomas Popel .... 44 Christoph Homagius 118 Stephan Praetorins 179 Cornelius Freundt ... 45 Johann Mylius 118 Theodor Sommer . 181 Christian Schön .... 49 Hieronymus Oertel 122 Wolfgang Striccius 182 Tobias Roth 51 Georg Oesterreicher 124 David Lang . 184 Johann Wagner.... 52 Caspar Uttenhoser . 136 Petrus Bambamins 185 Johann Förster .... 53 137 Johann Neser . Nicolaus Gryse. 186 Michael Schumler ... 57 Georg Grünewald . 138 Friedrich Gundelwein 190 Zachäus Faber d. Ä. 57 Christian Thalhamer 139 Christoph Friccius. 190 Johann Thönniker .. -
500Th Anniversary of the Lutheran Reformation
500TH ANNIVERSARY OF THE LUTHERAN REFORMATION L LU ICA TH EL ER G A N N A S V Y E N E O H D T LUTHERAN SYNOD QUARTERLY VOLUME 57 • NUMBERS 2 & 3 JUNE & SEPTEMBER 2017 The journal of Bethany Lutheran Theological Seminary ISSN: 0360-9685 LUTHERAN SYNOD QUARTERLY VOLUME 57 • NUMBERS 2 & 3 JUNE & SEPTEMBER 2017 The journal of Bethany Lutheran Theological Seminary LUTHERAN SYNOD QUARTERLY EDITOR-IN-CHIEF........................................................... Gaylin R. Schmeling BOOK REVIEW EDITOR ......................................................... Michael K. Smith LAYOUT EDITOR ................................................................. Daniel J. Hartwig PRINTER ......................................................... Books of the Way of the Lord The Lutheran Synod Quarterly (ISSN: 0360-9685) is edited by the faculty of Bethany Lutheran Theological Seminary 6 Browns Court Mankato, Minnesota 56001 The Lutheran Synod Quarterly is a continuation of the Clergy Bulletin (1941–1960). The purpose of the Lutheran Synod Quarterly, as was the purpose of the Clergy Bulletin, is to provide a testimony of the theological position of the Evangelical Lutheran Synod and also to promote the academic growth of her clergy roster by providing scholarly articles, rooted in the inerrancy of the Holy Scriptures and the Confessions of the Evangelical Lutheran Church. The Lutheran Synod Quarterly is published in March and December with a combined June and September issue. Subscription rates are $25.00 U.S. per year for domestic subscriptions and $35.00 U.S. per year for international subscriptions. All subscriptions and editorial correspondence should be sent to the following address: Bethany Lutheran Theological Seminary Attn: Lutheran Synod Quarterly 6 Browns Ct Mankato MN 56001 Back issues of the Lutheran Synod Quarterly from the past two years are available at a cost of $10.00 per issue. -
Johannes-Passion
JOHANN SEBASTIAN BACH 1685-1750 JOHANNES-PASSION BWV 244 (1727, revisie 1736) op teksten van Barthold Heinrich Brockes en anderen ZANGTEKSTEN Uitgave van Preludium, muziekmagazine van Het Concertgebouw en het Koninklijk Concertgebouworkest www.preludium.nl 1 MATTHÄUS-PASSION EERSTE DEEL 1 Koor Herr, unser Herrscher, dessen Ruhm in allen Landen herrlich ist! Zeig uns durch deine Passion, dass du, der wahre Gottessohn, zu aller Zeit, auch in der grössten Niedrigkeit, verherrlicht worden bist! JOHANNES XVIII 2a Evangelist Jesus ging mit seinen Jüngern über den Bach Kidron, da war ein Garte, da rein ging Jesus und seine Jünger. Judas aber, der ihn verriet, wusste den Ort auch, denn Jesus versammlete sich oft daselbst mit seinen Jüngern. Da nun Judas sich hatte genommen die Schar und der Hohenpriester und Pharisäer Diener, kommt er dahin mit Fakkeln, Lampen und mit Waffen. Als nun Jesus wusste alles, was ihm begegnen sollte, ging er hinaus und sprach zu ihnen: Jezus Wen suchet ihr? Evangelist Sie antworteten ihm: 2b Koor Jesum von Nazareth. 2c Evangelist Jesus spricht zu ihnen: 2 Jezus Ich bins. Evangelist Judas aber, der ihn verriet, stund auch bei ihnen. Als nun Jesus zu ihnen sprach: Ich bins, wichen sie zurükke und fielen zu Boden. Da fragete er sie abermal: Jezus Wen suchet ihr? Evangelist Sie aber sprachen: 2d Koor Jesum von Nazareth. 2e Evangelist Jesus antwortete: Jezus Ich habs euch gesagt, dass ichs sei, suchet ihr denn mich, so lasset diese gehen! 3 Koraal O grosse Lieb, o Lieb ohn alle Masse, die dich gebracht auf diese Marterstrasse! Ich lebte mit der Welt in Lust und Freuden, und du musst leiden. -
Inhalts-Übersicht
Inhalts-Übersicht. Erster Teil. Das Kirchenlied von seinen ersten Anfangen im apostolischen Zeitalter bis )«m Leginn der Reformation. Erste Periode. Dos kirchliche Lied als Gemeindesesang. A. Sis zur Freigabe des Christentums als Staatsrcllgton des römischen Reichs (314). Seite 1. Die alttestamentlichen Psalmen als Hauptbestandteil der ersten christlichen Gesänge . ' 1 2. Neu hinzukommende neutestamentliche Lobgesänge u. Griginallieder 3 3. Zwei Hymnen aus dem nachapostolifchen Zeitalter: Gloria und Agnus 3 B. ver ambrofifliitfdjt Airchengesang und die lateinische Hymnendichtnng. 1. Die Scheidung in eine morgenländische (griechische) und abend- ländische (lateinische) Kirche. — Hieronymus. — psalmodie ... 4 2. Ambrosiusv. Mailand, seine Persönlichkeit und Bedeutung. 5 Hilarius. — prudentius. Zweite Periode. Das kirchliche Lied wird Priestergesang. A. Sie Reformen Gregors des Großen^ 8 Verroettlichung des ambrofianifchen Gesanges. — Gregors mönchisch- hierarchische Anschauung. — Umgestaltung des Kirchengesanges. — Ver gleich des gregorianischen und ambrofianifchen Kirchengesanges. • B. Durchführung des gregorianische« Gesanges Im fränkischen Reiche durch Larl den Großen . 10 Karls Ziele. — Lhrodegana von Metz.—Nabanus Maurus. — Ergebnis. Bibliografische Informationen digitalisiert durch http://d-nb.info/578326906 Inhalts-llbersicht. XI Dritte Periode. Neben der kirchlichen Vorherrschast des lateinischen Priester- gesanges die Entwicklung des geistlichen Liedes zum Volks gesang in deutscher Sprache. A. Bas lateinische Kirchenlied. Seite 1. Gründe für die Vorherrschaft der lateinischen Sprache im kirchlichen Lied 12 2. Die hervorragendsten Erzeugnisse der lateinischen Liederdichtung seit dem 9. Jahrhundert 13 9. Jahrhundert: lvalafried Strabo. — Notker der Ältere. S e- quenzen 13 11. „ Robert von Zrankreich 14 12. „ Bernhard v. Clairvaux. Beginn der IRyftit . 14 13. „ Die Bettelorden. Thomas v. Celano. Zakoponus. 15 Thomas v. flquino 18 14. u. 15. „ verfall des lateinischen Kirchenliedes .... 18 B. -
The Translation of German Pietist Imagery Into Anglo-American Cultures
Copyright by Ingrid Goggan Lelos 2009 The Dissertation Committee for Ingrid Goggan Lelos Certifies that this is the approved version of the following dissertation: The Spirit in the Flesh: The Translation of German Pietist Imagery into Anglo-American Cultures Committee: Katherine Arens, Supervisor Julie Sievers, Co-Supervisor Sandy Straubhaar Janet Swaffar Marjorie Woods The Spirit in the Flesh: The Translation of German Pietist Imagery into Anglo-American Cultures by Ingrid Goggan Lelos, B.A.; M.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2009 Dedication for my parents, who inspired intellectual curiosity, for my husband, who nurtured my curiositities, and for my children, who daily renew my curiosities Acknowledgements I would like to express my gratitude to so many who made this project possible. First, I must thank Katie Arens, who always believed in me and faithfully guided me through this journey across centuries and great geographic expanses. It is truly rare to find a dissertation advisor with the expertise and interest to direct a project that begins in medieval Europe and ends in antebellum America. Without her belief in the study of hymns as literature and the convergence of religious and secular discourses this project and its contributions to scholarship would have remained but vague, unarticulated musings. Without Julie Sievers, this project would not have its sharpness of focus or foreground so clearly its scholarly merits, which she so graciously identified. -
J.E. Gardiner (SDG
Cantatas for Quinquagesima King’s College Chapel, Cambridge This concert was significant in several ways. Firstly, it contained Bach’s two ‘test’ pieces for the cantorship at St Thomas’s in Leipzig, BWV 22 and BWV 23, designed to be performed within a single service either side of the sermon on 7 February 1723. Then Quinquagesima being the last Sunday before Lent, it was accordingly the final opportunity Leipzigers had of hearing music in church before the statutory tempus clausum that lasted until Vespers on Good Friday, and Bach seemed determined to leave them with music – four cantatas – that they wouldn’t easily forget. Thirdly, by coincidence, in 2000 Quinquagesima fell on 5 March, thirty-six years to the day since I first conducted Monteverdi’s Vespers of 1610 in King’s College Chapel as an undergraduate. The Monteverdi Choir was born that night. I was pleased to be returning to King’s for this anniversary, and to invite the four collegiate choirs from which I had recruited the original Monteverdians to join with us in the singing of the chorales at the start of the concert. Of these, the choirs of Clare and Trinity Colleges responded positively. King’s Chapel seemed to work its unique Gothic alchemy on the music, though, as ever, one needed to be on one’s guard against the insidious ‘tail’ of its long acoustic which can turn even the most robust music-making into mush. St Luke’s Gospel for Quinquagesima recounts two distinct episodes, of Jesus telling the disciples of his coming Passion and of sight restored to a blind man begging near Jericho. -
Verses Gyülekezeti Énekek
ÖTÖDIK RÉSZ Verses gyülekezeti énekek REGGEL ÉS ESTE REGGELI ÉNEKEK Már hátrál az éjjel 790 Hálaadás reggel 2. A Fenségest hála Dicsérje, mert nála Hû oltalom van. Meg- óvott pokoltól, Sok rémtõl, gonosztól Az éjszakában. 3. Most magasztal téged Víg reggeli ének: Fogadja az ég! Így könyörgünk hozzád, Hogy tõlünk ma orcád Ne távolodjék. 4. Te körülfogsz engem Jártomban-keltemben, Míg életem tart. A terveim látod, Ha tetszik, megáldod Szándékaimat. 5. Ha munkámhoz kezdek, Adj derûs, jó kedvet, És fogd a ke- zem! Jó gondolatokkal És nyíló ajtókkal Áldj meg kegyesen! Szöveg: Philipp von Zesen 1641 – Fordította: Kertész Eszter. Dallam: Johann Georg Ahle 1671. [EG 444]. 505 V. VERSES GYÜLEKEZETI ÉNEKEK 791 Hálát adok néked, mennybéli Isten Reggeli imádság 2. Magam, Uram, ajánlom szent kezedbe, Mind testem, lelkem vedd õrizetedbe, Szent angyalidat ne vedd el mellõlem, Szent Lelked se távozzék el éntõlem, Hogy vakmerõ bûnöktõl ma is menten Megõriztessék épen testem, lelkem! Szöveg: Luther reggeli imája alapján Szenci Molnár Albert 1612. Dallam: 23. genfi zsoltár, GyLK 684. [RÉ 495,1–2]. 506 Reggel, este Szívem megalázván tehozzád megyek 792 Reggeli általános könyörgés 2. Áldott légy, én Uram, hogy megtartottál, Bút és kárt ez éjjel rám nem bocsátál, Angyali sereggel oltalmam voltál. 3. Mai nap ezt velem cselekedd, Uram: Mindenféle bûntõl ma- gam óvhassam, Hitem jó gyümölcsét hogy meg ne fojtsam! 4. Ételem, italom mérsékelt legyen, Tobzódás, részegség ne ne- hezítsen, Hívságos gondolat bennem ne légyen! 5. Lágyítsd meg énbennem az akaratot, Meg ne háborítsak ok nélkül jámbort, És haragtartásra ne adjak okot! 6. Magamat egészen néked szentelem: Kegyelmes oltalmad le- gyen mellettem, Szentlelked és igéd legyen vezérem! 7. -
A Critical Study of Five Reconstructions of Bach's Markuspassion BWV 247 with Particular Reference to the Parody Technique
A critical study of five reconstructions of Bach’s Markuspassion BWV 247 with particular reference to the parody technique Paula Fourie Supervisor: Professor John Hinch Submitted in fulfilment of the requirements of the degree MMus Department of Music University of Pretoria November 2010 © University of Pretoria Acknowledgements I would like to thank the following people for their part in this dissertation: • Professor John Hinch for his guidance and supervision • Johann van der Sandt for guiding me to this topic and for providing scores and recordings of several of the reconstructions under discussion • Isobel Rycroft from the UP music library for her unwavering help in locating information sources • My parents who have shown that learning is a life-long quest • Etienne, for his patience and assistance with proofreading ©© Abstract A part of Johann Sebastian Bach’s musical duties in Leipzig was to present an annual setting of the passion for Good Friday Vespers. One such work was the Markuspassion, performed in 1731. Although the score of this companion work to the Matthäuspassion and Johannespassion has been lost, the original text of the Markuspassion is extant. Bach frequently made use of the parody technique in his compositions. This practice consisted of adapting existing music to a new text that was based on the rhyme scheme of the original one, resulting in two compositions essentially sung to the same music, barring a number of enforced changes. This particular feature of Bach’s compositional technique makes it possible that the lost music originally contained in the Markuspassion could be discovered within his oeuvre. In the late 19th century, Bach scholars began to research the possibility of reconstructing the Markuspassion, recognizing that it may have contained music parodied from other compositions basing, to a large extent, their research on textual comparison.